Rhett Butler Gone With The Wind Quotes

Well, my dear, take heart. Some day, I will kiss you and you will like it. But not now, so I beg you not to be too impatient.

Until you've lost your reputation, you never realize what a burden it was or what freedom really is.

Dear Scarlett! You aren't helpless. Anyone as selfish and determined as you are is never helpless. God help the Yankees if they should get you." -Rhett Butler

Never pass up new experiences [Scarlett], They enrich the mind." - Rhett Butler

Say you’ll marry me when I come back or, before God, I won’t go. I’ll stay around here and play a guitar under your window every night and sing at the top of my voice and compromise you, so you’ll have to marry me to save your reputation.

My pet, the world can forgive practically anything except people who mind their own business" - Rhett Butler

Scarlett, always save something to fear—even as you save something to love.

You're like the thief who isn't the least bit sorry he stole, but is terribly, terribly sorry he's going to jail. - Rhett Butler

I'm not asking you to forgive me. I'll never understand or forgive myself. And if a bullet gets me, so help me, I'll laugh at myself for being an idiot. There's one thing I do know... and that is that I love you, Scarlett. In spite of you and me and the whole silly world going to pieces around us, I love you. Because we're alike. Bad lots, both of us. Selfish and shrewd. But able to look things in the eyes as we call them by their right names.

[Yankees] are pretty much like southerners except with worse manners, of course, and terrible accents.

Take my handkerchief, Scarlett. Never, at any crisis of your life, have I known you to have a handkerchief.

I told you once before that there were two times for making big money, one in the up-building of a country and the other in its destruction. Slow money on the up-building, fast money in the crack-up. Remember my words. Perhaps they may be of use to you some day. (Rhett Butler)

Then you've made the only choice. But there's a penalty attached, as there is to most things you want. It's loneliness.

Ah, dear, sweet Eden. To quote the great Rhett Butler, you need to be fucked and by someone who knows how.” “What version of Gone with the Wind did you grow up watching?” “There are a lot of liberties taken with Spanish subtitles.

Madam, you flatter yourself. I do not want to marry you or anyone else. I am not a marrying man. - Rhett Butler

Frankly, my dear, I don't give a damn! (Rhett Butler)

Talking to Rhett was comparable only to one thing, the feeling of ease and comfort afforded by a pair of old slippers after dancing in a pair too tight.

Why be an ostrich?

A new baby! Why, Scarlett, this is a surprise!” he laughed, leaning down to push the blanket away from Ella Lorena's small ugly face." - Rhett Butler

Would it please you if I said your eyes were twin goldfish bowls filled to the brim with the clearest green water and that when the fish swim to the top, as they are doing now, you are devilishly charming?

Oh, Scarlett, you are so young you wring my heart.

Indeed? Well, I shall bring you presents so long as it pleases me and so long as I see things that will enhance your charms. I shall bring you dark-green watered silk for a frock to match the bonnet. And I warn you that I am not kind. I am tempting you with bonnets and bangles and leading you into a pit. Always remember I never do anything without reason and I never give anything without expecting something in return. I always get paid.

Frankly my dear i don't give a d*** -Rhett Butler from Gone With The Wind

Would it please you if I said your eyes were twin gold-fish bowls filled to the brim with the clearest green water and that when the fish swim to the top, as they are doing now, you are devilishly charming?

With the introduction of Scarlett O’Hara and Rhett Butler, Miss Mitchell managed to create the two most famous lovers in the English-speaking world since Romeo and Juliet. Scarlett springs alive in the first sentence of the book and holds the narrative center for over a thousand pages. She is a fabulous, pixilated, one-of-a-kind creation, and she does not utter a dull line in the entire book.

- Não sei se interprete as suas palavras como um galanteio, se não - replicou Scarlett, indecisa. - Não se trata de nenhum galanteio - explicou ele. - Quando é que perderá essa mania de imaginar galanteios em todas as palavras que os homens lhe dirigem? - Só depois de morta - respondeu ela. E sorriu, pensando que encontraria sempre homens que lhe dirigissem piropos, mesmo que Rhett nunca o fizesse. - Presunção e água benta cada qual toma a que quer - comentou Rhett. - Graças a Deus, tem ao menos uma virtude: a de ser sincera.

Rhett:Frankly,my dear I don’t give a damn Scarlett O'Hara: I'll think about that tomorrow. Tomorrow is another day Scarlett O'Hara: Marriage, fun? Fiddle-dee-dee. Fun for men you mean Rhett Butler: I can't go all my life waiting to catch you between husbands. Scarlett O'Hara: As God is my witness they're are not going to lick me. I'm going to live through this and when its all over, I'll never be hungry again. No, nor any of my folk. If I have to lie, steal, cheat, or kill, as God is my witness I'll never be hungry again.

the coarse impudence of Rhett Butler. But, if he possessed

Press. And especially my beloved Anne, whose courage never flagged.

You should know me better. I never go about the world doing good deeds if I can avoid it. [Rhett Butler]

My dear girl, the Yankees aren’t fiends. They haven’t horns and hoofs, as you seem to think. They are pretty much like Southeners - except with worse manners, of course, and terrible accents. [Rhett Butler]

Rossella, non ho mai avuto la pazienza di raccogliere i frammenti di un oggetto rotto per incollarli insieme e dire a me stesso che l'oggetto riappiccicato vale quanto quello nuovo. Quello che è rotto è rotto... e preferisco ricordarmelo quando era in buono stato piuttosto che aggiustarlo e e vedere le tracce della rottura finchè vivo.

Bad women and all they involved were mysterious and revolting matters to her. She knew that men patronized these women for purposes which no lady should mention--or, if she did mention them, in whispers and by indirection and euphemism. She had always thought that only common vulgar men visited such women. Before this moment, it had never occurred to her that nice men-- that is, men she met at nice homes and with whom she danced--could possibly do such things. It opened up an entirely new field of thought and one that was horrifying. Perhaps all men did this! It was bad enough that they forced their wives to go through such indecent performances but to actually seek out low women and pay them for such accommodation! Oh, men were so vile, and Rhett Butler was the worst of them all!

It shocked her to realize that anyone as absolutely perfect as Ashley could have any thought in common with such a reprobate as Rhett Butler. She thought: “They both see the truth of this war, but Ashley is willing to die about it and Rhett isn’t. I think that shows Rhett’s good sense.” She paused a moment, horror struck that she could have such a thought about Ashley. “They both see the same unpleasant truth, but Rhett likes to look it in the face and enrage people by talking about it—and Ashley can hardly bear to face it.” It was very bewildering.

They are like Pa’s eyes,” thought Scarlett, “Irish blue eyes and she’s just like him in every way.” And, as she thought of Gerald, the memory for which she had been fumbling came to her swiftly, came with the heart stopping clarity of summer lightning, throwing, for an instant, a whole countryside into unnatural brightness. She could hear an Irish voice singing, hear the hard rapid pounding of hooves coming up the pasture hill at Tara, hear a reckless voice, so like the voice of her child: “Ellen! Watch me take this one!” “No!” she cried. “No! Oh, Bonnie, stop!” Even as she leaned from the window there was a fearful sound of splintering wood, a hoarse cry from Rhett, a mêlée of blue velvet and flying hooves on the ground. Then Mr. Butler scrambled to his feet and trotted off with an empty saddle.

It did not occur to her to question whether Tara was worth marrying Frank. She knew it was worth it and she never gave the matter a second thought. She smiled up at him as she sipped the wine, knowing that her cheeks were more attractively pink than any of the dancers’. She moved her skirts for him to sit by her and waved her handkerchief idly so that the faint sweet smell of the cologne could reach his nose. She was proud of the cologne, for no other woman in the room was wearing any and Frank had noticed it. In a fit of daring he had whispered to her that she was as pink and fragrant as a rose. If only he were not so shy! He reminded her of a timid old brown field rabbit. If only he had the gallantry and ardor of the Tarleton boys or even the coarse impudence of Rhett Butler. But, if he possessed those qualities, he’d probably have sense enough to feel the desperation that lurked just beneath her demurely fluttering eyelids. As it was, he didn’t know enough about women even to suspect what she was up to. That was her good fortune but it did not increase her respect for him.

Why are you making that face, Fern?” Bailey asked. “What face?” “That face that looks like you can't figure something out. Your eyebrows are pushed down and your forehead is wrinkled. And you're frowning.” Fern smoothed out her face, realizing she was doing exactly what Bailey said she was doing. “I was thinking about a story I've been writing. I can't figure out how to end it. What do you think this face means?” Fern gave herself an underbite and crossed her eyes. “You look like a brain-dead cartoon character,” Bailey answered, snickering. “What about this one?” Fern pursed her lips and raised her eyebrows while wincing. “You're eating something super sour!” Bailey cried. “Let me try one.” Bailey thought for a minute and then he made his mouth go slack and opened his eyes as wide as they could go. His tongue lolled out the side of his mouth like a big dog. “You're looking at something delicious,” Fern guessed. “Be more specific,” Bailey said and made the face once more. “Hmm. You're looking at a huge ice cream sundae,” Fern tried again. Bailey pulled his tongue back into his mouth and grinned cheekily. “Nope. That's the face you make every time you see Ambrose Young.” Fern swatted Bailey with the cheap stuffed bear she'd won at the school carnival in fourth grade. The arm flew off and ratty stuffing flew in all directions. Fern tossed it aside. “Oh yeah? What about you? This is the face you make whenever Rita comes over.” Fern lowered one eyebrow and smirked, trying to replicate Rhett Butler's smolder in Gone with the Wind. “I look constipated whenever I see Rita?” Bailey asked, dumbfounded.

How unfortunate for you, Scarlett. You always seem to be in love with another woman's husband.

Harold Rome traveled with us, starting in the lowest of jobs as a specialist in revue. This is music without story or character. But by the 1950s, Rome had abandoned revue, and in Fanny in particular he exploited the musical scene—writing, in effect, partway to opera. Now, in Gone With the Wind, Rome expanded into an intricate interlacing of speech and song—aided, I imagine, by the instincts of Joe Layton. Naturally, he would know enough to delay Rhett Butler’s entrance till the Atlanta ball, have him defiantly escort the black-clad Scarlett onto the floor, and let him rip into an establishing song, “Two of a Kind.” This better suited Presnell’s sexy scooping up to high notes than Roberts’ more limited instrument, but the climax really comes when the orchestra takes over as Rhett sweeps Scarlett around the stage and the good folk of Atlanta go off like astonished firecrackers.