Rex Manning Quotes

We've searched our database for all the quotes and captions related to Rex Manning. Here they are! All 100 of them:

Fear? What has a man to do with fear? Chance rules our lives, and the future is all unknown. Best live as we may, from day to day.
Sophocles (Oedipus Rex (The Theban Plays, #1))
Alas, how terrible is wisdom when it brings no profit to the man that's wise! This I knew well, but had forgotten it, else I would not have come here.
Sophocles (Oedipus Rex (The Theban Plays, #1))
...count no man happy till he dies, free of pain at last.
Sophocles (Oedipus Rex (The Theban Plays, #1))
In time you will know this well: For time, and time alone, will show the just man, though scoundrels are discovered in a day.
Sophocles (Sophocles: Oedipus Rex (Cambridge Greek and Latin Classics) (Greek Edition))
Let every man in mankind's frailty consider his last day; and let none presume on his good fortune until he find Life, at his death, a memory without pain.
Sophocles (Oedipus Rex)
Listen, Kafka. What you’re experiencing now is the motif of many Greek tragedies. Man doesn’t choose fate. Fate chooses man. That’s the basic worldview of Greek drama. And the sense of tragedy—according to Aristotle—comes, ironically enough, not from the protagonist’s weak points but from his good qualities. Do you know what I’m getting at? People are drawn deeper into tragedy not by their defects but by their virtues. Sophocles’ Oedipus Rex being a great example. Oedipus is drawn into tragedy not because of laziness or stupidity, but because of his courage and honesty. So an inevitable irony results.
Haruki Murakami (Kafka on the Shore)
A man may debar nonsense from his library of reason, but not from the arena of his impulses.
Rex Stout (The League of Frightened Men (Nero Wolfe, #2))
No man was ever taken to hell by a woman unless he already had a ticket in his pocket or at least had been fooling around with timetables.
Rex Stout (Some Buried Caesar (Nero Wolfe, #6))
Closer, it’s all right. Touch the man of grief. Do. Don’t be afraid. My troubles are mine and I am the only man alive who can sustain them.
Sophocles (Oedipus Rex (The Theban Plays, #1))
Rex has never been unkind to me intentionally. It's just that he isn't a real person at all; he's just a few faculties of a man highly developed; the rest simply isn't there.
Evelyn Waugh (Brideshead Revisited)
She turned back to me, graceful as a big cat, straight and proud, not quite smiling, her warm dark eyes as curious as if she had never seen a man before. I knew damn well I ought to say something, but what? The only thing to say was “Will you marry me?” but that wouldn’t do because the idea of her washing dishes or darning socks was preposterous.
Rex Stout (Too Many Clients (Nero Wolfe, #34))
No man should tell a lie unless he is shrewd enough to recognize the time for renouncing it, if and when it comes, and knows how to renounce it gracefully.
Rex Stout (Before Midnight (Nero Wolfe #25))
Show me a man who longs to live a day beyond his time who turns his back on a decent length of life, I'll show the world a man who clings to folly.
Sophocles (The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone)
You'll never find a man on Earth, if a god leads him on, who can escape his fate.
Sophocles (The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone)
For time alone shews a man's honesty, But in one day you may discern his guilt.
Sophocles (Oedipus Rex (The Theban Plays, #1))
Only the man that knows to little, knows too much." Nero Wolfe
Rex Stout
Nothing is simpler than to kill a man; the difficulties arise in attempting to avoid the consequences.
Rex Stout (Too Many Cooks (Nero Wolfe, #5))
Every man alive is half idiot & half hero. Only heroes could survive in this maelstrom & only idiots would want to.
Rex Stout
Ah! terrible is knowledge to the man Whom knowledge profits not.
Sophocles (Oedipus Rex (The Theban Plays, #1))
I understand the technique of eccentricity; it would be futile for a man to labor at establishing a reputation for oddity if he were ready at the slightest provocation to revert to normal action.
Rex Stout (Fer-de-Lance (Nero Wolfe, #1))
Suddenly I felt like a bona fide man-eater. A Slutasaurus rex.
Christina Lee
Your edict, King, was strong, But all your strength is weakness itself against The immortal unrecorded laws of God. They are not merely now: they were, and shall be, Operative for ever, beyond man utterly. I knew I must die, even without your decree: I am only mortal. And if I must die Now, before it is my time to die, Surely this is no hardship: can anyone Living, as I live, with evil all about me, Think Death less than a friend?
Sophocles (The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone)
Roosevelt remarked on the anomaly whereby man, as he progressed from savagery to civilization, used up more and more of the world’s resources, yet in doing so tended to move to the city, and lost his sense of dependence on nature.
Edmund Morris (Theodore Rex)
Time alone can bring the just man to light - the criminal you can spot in just one short day.
Sophocles (trans. Robert Fagles) (The Theban Plays)
Alas for the seed of man.
Sophocles (The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone)
...a row of tables manned by seated, serious women. Each woman looked like she could be someone's least-favourite aunt.
Adam Rex (Fat Vampire: A Never Coming of Age Story)
In regione caecorum rex est luscus / In the country of the blind the one-eyed man is king
Erasmus
Reason is God's crowning gift to man, and you are right To warn me against losing mine. I cannot say— I hope that I shall never want to say!— that you Have reasoned badly. Yet there are other men Who can reason, too; and their opinions might be helpful. You are not in a position to know everything That people say or do, or what they feel: Your temper terrifies them—everyone Will tell you only what you like to hear.
Sophocles (The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone)
Look and learn all citizens of Thebes. This is Oedipus. He, who read the famous riddle, and we hailed chief of men, All envied his power, glory, and good fortune. Now upon his head the sea of disaster crashes down. Mortality is man’s burden. Keep your eyes fixed on your last day. Call no man happy until he reaches it, and finds rest from suffering.
Sophocles (Oedipus Rex (The Theban Plays, #1))
In our industrial and social system the interests of all men are so closely intertwined that in the immense majority of cases a straight-dealing man who by his efficiency, by his ingenuity and industry, benefits himself must also benefit others.
Edmund Morris (Theodore Rex)
Invade a man’s privacy and then put the burden on him.
Rex Stout (Death Times Three (Nero Wolfe, #47))
Yeah. That's a man. A caveman. Riding a freaking T. Rex.
Calista Skye (Caveman Alien's Rage (Caveman Aliens, #3))
A man through wit May pass another’s wisdom in the race.
Sophocles (Oedipus Rex (The Theban Plays, #1))
Such is the ability of man to believe in what at any time he finds it convenient to believe, they may actually have convinced themselves that they were speaking the truth.
Rex Warner (Pericles, el Ateniense)
Then I am fundamentally a slave, I whom you call the most glorious king of all?” said Arthur. “No man is free who needeth air to breathe,” said Merlin.
Thomas Berger (Arthur Rex)
So why the pelican? Said Haskoll. The thief was giving Haskoll a look that said, Man, why NOT the pelican?
Adam Rex (Unlucky Charms)
No man was ever taken to hell by a woman unless he already had a ticket in his pocket, or at least had been fooling around with timetables.
Rex Stout (Some Buried Caesar (Nero Wolfe, #6))
A promiscuous man would need to have sex with more than 130 women just to have 90 percent odds of outdoing the one baby a monogamous man might expect to father in a year.
Cordelia Fine (Testosterone Rex: Myths of Sex, Science, and Society)
...if he had married Mrs. Albert Grantham for her money I freely admit that no man marries without a reason and with her it would have been next to impossible to think up another one....
Rex Stout (Champagne for One (Nero Wolfe, #31))
Creon: You consider it right for a man of my years and experience To go to school to a boy? Haimon: It is not right If I am wrong. But if I am young, and right, What does my age matter?
Sophocles (The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone)
I remember screaming.”  I say, a single tear rolling down my cheek.  “And then I remember Waldo opening his jaws and eating my friend, just swallowing him whole in one massive T-Rex bite.
Chuck Tingle (Helicopter Man Pounds Dinosaur Billionaire Ass)
I wouldn’t use physical violence even if I could, because one of my romantic ideas is that physical violence is beneath the dignity of a man, and that whatever you get by physical aggression costs more than it is worth.
Rex Stout (Too Many Cooks (Nero Wolfe, #5))
Yes, Gus, because a Ford Taurus screams class,” Casey said, sounding amused. “It does,” Gus insisted. “Did you know there are message boards on the Internet devoted to Ford Tauruses? I should know. I’m on one of them now. I have conversations with other Ford Taurus enthusiasts.” Which, in hindsight, was something he wished he’d never admitted out loud. Casey grinned. “Oh really. What’s your username on this message board?” Gus narrowed his eyes. “Something perfectly normal and not weird at all.” “Cool, man. What is it?” “TauruSaurus Rex,” Gus said. “And I really wish I’d thought of a different name now.” “Dude,” Casey said in awe. “How the hell do you come up with these things?
T.J. Klune (How to Be a Normal Person (How to Be, #1))
Though he has watched a decent age pass by, A man will sometimes still desire the world. I swear I see no wisdom in that man. The endless hours pile up a drift of pain More unrelieved each day; and as for pleasure, When he is sunken in excessive age, You will not see his pleasure anywhere. - Choral Poem between Scenes V & VI, Oedipus at Colonus
Sophocles (The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone)
Oh, man, don’t get me started on the subject of childhood brainwash. I hate that. Every fairy story, every Disney movie, every plot with animals in it, the bad guy is always the top carnivore. Wolf, grizzly, anaconda, Tyrannosaurus rex.
Barbara Kingsolver (Prodigal Summer)
You are the king no doubt, but in one respect, at least, I am your equal: the right to reply. I claim that privilege too. I am not your slave. I serve Apollo. I don't need Creon to speak for me in public. So, you mock my blindness? Let me tell you this. You with your precious eyes, you're blind to the corruption in your life, to the house you live in, those you live with- who are your parents? Do you know? All unknowing you are the scourge of your own flesh and blood, the dead below the earth and the living here above, and the double lash of your mother and your father's curse will whip you from this land one day, their footfall treading you down in terror, darkness shrouding your eyes that now can see the light! Soon, soon, you'll scream aloud - what haven won't reverberate? What rock of Cithaeron won't scream back in echo? That day you learn the truth about your marriage, the wedding-march that sang you into your halls, the lusty voyage home to the fatal harbor! And a crowd of other horrors you'd never dream will level you with yourself and all your children. There. Now smear us with insults - Creon, myself and every word I've said. No man will ever be rooted from the earth as brutally as you.
Robert Fagles (The Oedipus Cycle: Oedipus Rex / Oedipus at Colonus / Antigone)
Boil the words you already know down to their bones,” Rex says, “and usually you find the ancients sitting there at the bottom of the pot, staring back up.” Who says such things? And still Zeno steals glances: Rex’s mouth, his hair, his hands; there is the same pleasure in gazing at this man as in gazing at a fire.
Anthony Doerr (Cloud Cuckoo Land)
MAMBO SUN" "Beneath the bebop moon I want to croon with you Beneath the Mambo Sun I got to be the one with you My life's a shadowless horse If I can't get across to you In the alligator rain My heart's all pain for you Girl you're good And I've got wild knees for you On a mountain range I'm Dr. Strange for you Upon a savage lake Make no mistake I love you I got a powder-keg leg And my wig's all pooped for you With my hat in my hand I'm a hungry man for you I got stars in my beard And I feel real weird for you Beneath the bebop moon I'm howling like a loon for you Beneath the mumbo sun I've got to be the one for you
Marc Bolan (Marc Bolan Lyric Book)
Roosevelt remarked on the anomaly whereby man, as he progressed from savagery to civilization, used up more and more of the world’s resources, yet in doing so tended to move to the city, and lost his sense of dependence on nature. Lacking that, he also lost his foresight, and unwittingly depleted the inheritances of his children. “We cannot, when the nation becomes fully civilized and very rich, continue to be civilized and rich unless the nation shows more foresight than we are showing at this moment.
Edmund Morris (Theodore Rex)
To drink champagne with a blonde at one elbow and a brunette at the other gives a man a sense of well-being, and
Rex Stout (And Four to Go (Nero Wolfe, #30))
Att veta blir en börda när man inte kan dra nytta av sin vetskap.
Sophocles (Oedipus Rex (The Theban Plays, #1))
It is undoubtedly rare for a man not to soon grow tired of a woman, but it is impossible to maintain that everything rare is undesirable.
Rex Warner (Pericles, el Ateniense)
No man with any sense assumes that a woman’s words mean to her exactly what they mean to him.
Rex Stout (The Mother Hunt (Nero Wolfe, #38))
Chorus: 'man after man after man o mortal generations here once almost not here what are we dust ghosts images a rustling of air nothing nothing we breathe on the abyss we are the abyss our happiness no more than traces of a dream the high noon sun sinking into the sea the red spume of its wake raining behind it we are you we are you Oedipus dragging your maimed foot in agony and now that I see your life finally revealed your life fused with the god blazing out of the black nothingness of all we know I say no happiness lasts nothing human lasts
Sophocles (Oedipus Rex (The Theban Plays, #1))
messenger: polybos was not your father. oedipus: not my father! messenger: no more your father than the man speaking to you. oedipus: but you are nothing to me! messenger: neither was he.
Sophocles (The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone)
Man's brain, enlarged fortuitously, invented words in an ambitious effort to learn how to think, only to have them usurped by his emotions. But we still try." -- Nero Wolf in Death of a Dude.
Rex Stout
SPACEBALL RICOCHET" "I'm just a man I understand the wind And all the things that make the children cry With my Les Paul I know I'm small But I enjoy living anyway Book after book I get hooked everytime The writer talks to me like a friend What can I do We just live in a zoo All I do is play the spaceball ricochet Deep in my heart There's a house That can hold just about all of you I bought a car It was old but kind I gave it my mind and it disappeared I love a girl She is a changeless angel She's a city it's a pity that I'm like me I said how can I lay When all I do is play The spaceball ricochet I'm just a man I understand the wind And all the things that make the children cry With my Les Paul I know I'm small But I enjoy living anyway, yes too Deep in my heart There's a house That can hold just about all of you How can I lay When all I do is play The spaceball ricochet Oh Baby, the spaceball ricochet Oh Mama, the spaceball Oh, do the spaceball ...
Marc Bolan (The Slider Song Album)
privilege is founded on duty, and if the horse carries the man, the animal is fed before the rider himself doth eat. Thus in certain respects the first comes last, and the greatest king is the loneliest.
Thomas Berger (Arthur Rex: A Legendary Novel)
It was quite conceivable that Miss Tenzer had aroused in some man, possibly Richard Valdon, the kind of reaction that is an important factor in the propagation of the species; in fact, in more men than one.
Rex Stout (The Mother Hunt (Nero Wolfe, #38))
At Camp Don Bosco, there were Bibles all over the place, mostly 1970s hippie versions like Good News for Modern Man. They had groovy titles like The Word or The Way, and translated the Bible into “contemporary English,” which meant Saul yelling at Jonathan, “You son of a bitch!” (I Samuel 20:30). Awesome! The King James version gave this verse as “Thou son of the perverse rebellious woman,” which was bogus in comparison. Maybe these translations went a bit far. I recall one of the Bibles translating the inscription over the cross, “INRI” (Iesus Nazaremus Rex Iudaeorum), as “SSDD” (Same Shit Different Day), and another describing the Last Supper — the night before Jesus’ death, a death he freely accepted — where Jesus breaks the bread, gives it to his disciples, and says, “It’s better to burn out than fade away,” but these memories could be deceptive.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
When an international financier is confronted by a holdup man with a gun, he automatically hands over not only his money and jewelry but also his shirt and pants, because it doesn't occur to him that a robber might draw the line somewhere.
Rex Stout (Over My Dead Body (Nero Wolfe, #7))
Good heavens.” Wolfe pushed back his chair, not of course with violence, but with determination. “Archie. Understand this. As a man of action you are tolerable, you are even competent. But I will not for one moment put up with you as a psychologist. I
Rex Stout (Fer-de-Lance/The League of Frightened Men (Nero Wolfe))
Roosevelt was at his most impassioned when commented on the sadistic quality of lynchings: There are certain hideous sights which when once seen can never be wholly erased from the mental retina. The mere fact of having seen them implies degradation...Whoever in any part of our country has ever taken part in lawlessly putting to death a criminal by the dreadful torture of fire must forever after have the awful spectacle of his own handiwork seared into his brain and soul. He can never again be the same man.
Edmund Morris (Theodore Rex)
Oedipus Rex vs. Tyrannosaurus Rex Oedipus Rex, a tragedy by Sophocles, chronicles the story of Oedipus, a man who becomes the king of Thebes while in the process unwittingly fulfilling a prophecy that he would murder his pops Laius and marry his mom Jocasta. Tyrannosaurus Rex , commonly abbreviated to T. Rex, was a big fucking dinosaur that kicked ass during the Jurassic period. My point? My point is there doesn't have to be a point if you have already hooked the reader with a catchy title. And the winner is... Steven Spielberg
Beryl Dov
Archie.” He was gruff. “No man can hold himself accountable for the results of his psychological defects, especially those he shares with all his fellow men, such as lack of omniscience. It is a vulgar fallacy that what you don’t know can’t hurt you; but it is true that what you don’t know can’t convict you.
Rex Stout (Prisoner's Base (Nero Wolfe, #21))
Hic Jacet Arthurus Rex Quondam Rexque Futurus Arthur is gone…Tristram in Careol Sleeps, with a broken sword - and Yseult sleeps Beside him, where the Westering waters roll Over drowned Lyonesse to the outer deeps. Lancelot is fallen . . . The ardent helms that shone So knightly and the splintered lances rust In the anonymous mould of Avalon: Gawain and Gareth and Galahad - all are dust. Where do the vanes and towers of Camelot And tall Tintagel crumble? Where do those tragic Lovers and their bright eyed ladies rot? We cannot tell, for lost is Merlin's magic. And Guinevere - Call her not back again Lest she betray the loveliness time lent A name that blends the rapture and the pain Linked in the lonely nightingale's lament. Nor pry too deeply, lest you should discover The bower of Astolat a smokey hut Of mud and wattle - find the knightliest lover A braggart, and his lilymaid a slut. And all that coloured tale a tapestry Woven by poets. As the spider's skeins Are spun of its own substance, so have they Embroidered empty legend - What remains? This: That when Rome fell, like a writhen oak That age had sapped and cankered at the root, Resistant, from her topmost bough there broke The miracle of one unwithering shoot. Which was the spirit of Britain - that certain men Uncouth, untutored, of our island brood Loved freedom better than their lives; and when The tempest crashed around them, rose and stood And charged into the storm's black heart, with sword Lifted, or lance in rest, and rode there, helmed With a strange majesty that the heathen horde Remembered when all were overwhelmed; And made of them a legend, to their chief, Arthur, Ambrosius - no man knows his name - Granting a gallantry beyond belief, And to his knights imperishable fame. They were so few . . . We know not in what manner Or where they fell - whether they went Riding into the dark under Christ's banner Or died beneath the blood-red dragon of Gwent. But this we know; that when the Saxon rout Swept over them, the sun no longer shone On Britain, and the last lights flickered out; And men in darkness muttered: Arthur is gone…
Francis Brett Young
Fred put vinegar on things, and no man who did that ate at Wolfe’s table. Fred did it back in 1932, calling for vinegar and stirring it into brown roux for a squab. Nothing had been said, Wolfe regarding it as immoral to interfere with anybody’s meal until it was down and the digestive processes completed, but the next morning he had fired Fred and kept him fired for over a month.
Rex Stout (Where There's a Will (Nero Wolfe, #8))
Roosevelt set his sights on a strikingly tall man striding into camp alongside one of the native’s harems. He had no female companions, yet he was also naked and carried a spear and bow in Nhambiquara fashion. As the man approached, Roosevelt’s mouth lay agape noticing that he bore a full beard and his skin pigmentation was unquestionably white, and yet he was weathered to a leathery brown. The
Mark Paul Jacobs (How Teddy Roosevelt Slew the Last Mighty T-Rex)
If personal vengeance were the only factor I could, as you suggested, go and stick a knife in him and finish it, but that would be accepting the intolerable doctrine that man’s sole responsibility is to his ego. That was the doctrine of Hitler, as it is now of Malenkov and Tito and Franco and Senator McCarthy; masquerading as a basis of freedom, it is the oldest and toughest of the enemies of freedom.
Rex Stout (The Black Mountain (Nero Wolfe #24))
Others were now recruited and, despite their obvious impressions of the man, agreed to sign on. Jim Mattis, a retired four-star general, one of the most respected commanders in the U.S. armed forces; Rex Tillerson, CEO of ExxonMobil; Scott Pruitt and Betsy DeVos, Jeb Bush loyalists—all of them were now focused on the singular fact that while he might be a peculiar figure, even an absurd-seeming one, he had been elected president
Michael Wolff (Fire and Fury: Inside the Trump White House)
A man is thrown down on his back and three or four men sit on his arms and legs and hold him down and either a gun barrel or a rifle barrel or a carbine barrel or a stick as big as a belaying pin … is simply thrust into his jaws … and then water is poured onto his face, down his throat and nose … until the man gives some sign of giving in or becomes unconscious.… His suffering must be that of a man who is drowning, but who cannot drown.
Edmund Morris (Theodore Rex)
Despite some initial reluctance to spend a whole book’s worth of time with a man who flirted with misogyny, I took the plunge. Wolfe, after all, had the good sense to live in Manhattan, and besides, you had to like a man who surrounded himself with exotic tropical plants, consumed epicurean meals, and had the chutzpah to make the universe conform to his rules. And when I met Archie Goodwin, his ebullience and his earthy, rakish charm won me over.
Rex Stout (The Mother Hunt (Nero Wolfe, #38))
He looked at her. That was the first time I had seen him give her a direct and explicit look, and, since she was just off the line from him to me, I had a good view of it. It demolished one detail of his exposition—the claim that a man of his training and temperament couldn’t possibly commit a murder. His look at her was perfect for a guy about to put a cord around a neck and pull tight. It was just one swift, ugly flash, and then he returned to Wolfe.
Rex Stout (Prisoner's Base (Nero Wolfe, #21))
I’ve got her okay.” Jenks’s angular face was pale, making him look as if he was going to pass out. “Jax, it’s cold out. Get in Ms. Morgan’s purse until we get to the motel.” “Hell no!” Jax said, shocking me as he lit on my shoulder. “I’m not going to ride in no purse. I’ll be fine with Rex. Tink’s diaphragm, Dad. Where do you think I’ve been sleeping for the last four days?” “Tink’s diaph—” Jenks sputtered. “Watch your mouth, young man.” This was not happening.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
It was a pleasure to go for that lawyer and usher him in to the red leather chair, but I must admit that physically he was nothing to flaunt. I have never seen a balder man, and his hairless freckled dome had a peculiar attraction. It was covered with tiny drops of sweat, and nothing ever happened to them. He didn’t touch them with a handkerchief, they didn’t get larger or merge and trickle, and they didn’t dwindle. They just stood pat. There was nothing repulsive about them, but after ten minutes or so the suspense was quite a strain.
Rex Stout (Prisoner's Base (Nero Wolfe, #21))
The agreements of human society embrace not only protection against murder, but thousands of other things, and it is certainly true that in America—not to mention other continents—the whites have excluded the blacks from some of the benefits of those agreements. It is said that the exclusion has sometimes even extended to murder—that in parts of this country a white man may kill a black one, if not with impunity, at least with a good chance of escaping the penalty which the agreement imposes. That’s bad. It’s deplorable, and I don’t blame black men for resenting it. But you are confronted with a fact, not a theory, and how do you propose to change it?
Rex Stout (Too Many Cooks (Nero Wolfe, #5))
Susan Sontag yra rašiusi maždaug taip: erdvė egzistuoja tam, kad visi dalykai neįvyktų vienoj vietoj, o laikas egzistuoja tam, kad visi dalykai neįvyktų vienu metu. Tad atrodo, kad laikas ir erdvė nėra man joks rodiklis, manyje vyksta viskas ir vienu metu. Arba niekas ir niekada. Ir blogiausia, kad šie procesai tęstiniai, serijiniai, paveldėti iš Čingischano, nes, kaip sako mokslininkai, visi turim po labai mažą, bet, visgi, dalį Čingischano genų, o, kaip sako irgi mokslininkai, visi turim ir dinozauro genų, tik jau po labai mikroskopinę dalį. Tad aš esu kažkas tarp mongolų imperatoriaus ir Tyrannosaurus rex, miela Auguste, Susan Sontag irgi tarp jų, tai šiek tiek guodžia.
Kęstutis Navakas (Vyno kopija)
Wolfe grunted. “Unthinkable, Mr. Haft. Maintaining integrity as a private detective is difficult; to preserve it for the hundred thousand words of a book would be impossible for me, as it has been for so many others. Nothing corrupts a man so deeply as writing a book; the myriad temptations are overpowering. I wouldn’t presume—” Fritz had entered with a tray. First the beer to Wolfe, then the brandy to Bingham, the water to Upton, and the scotch and water to me. Upton got a pillbox from a pocket, fished one out and popped it into his mouth, and drank water. Bingham took a sip of brandy, looked surprised, took another sip, rolled it around in his mouth, looked astonished, swallowed, said, “May I?” and got up and went to Wolfe’s desk for a look at the label on the bottle. “Never heard of it,” he told Wolfe, “and I thought I knew cognac. Incredible, serving it offhand to a stranger. Where in God’s name did you get it?
Rex Stout (The Mother Hunt (Nero Wolfe, #38))
Man has failed to build only from himself autonomously and to find a solid basis in nature for law, and we are left today with Oliver Wendell Holmes’s “experience” and Frederick Moore Vinson’s statement that nothing is more certain in modern society than that there are no absolutes. Law has only a variable content. Much modern law is not even based on precedent; that is, it does not necessarily hold fast to a continuity with the legal decisions of the past. Thus, within a wide range, the Constitution of the United States can be made to say what the courts of the present want it to say—based on a court’s decision as to what the court feels is sociologically helpful at the moment. At times this brings forth happy results, at least temporarily; but once the door is opened, anything can become law and the arbitrary judgments of men are king. Law is now freewheeling, and the courts not only interpret the laws which legislators have made, but make law. Lex Rex has become Rex Lex. Arbitrary judgment concerning current sociological good is king.
Francis A. Schaeffer (How Should We Then Live?: The Rise and Decline of Western Thought and Culture)
All kinds of things are happening to me." I begin. ,,Some I choose, some I didn't. I don't know how to tell one from the other any more. What I mean is, it feels like everything's been decided in advance - that I'm following a path somebody else has already mapped out for me. It doesn't matter how much I think things over, how much effort I put into it. In fact, the harder I try, the more I lose my sense od who I am. It's as if my identity's an orbit that I've strayed far away from, and that really hurts. But more than that, it scares me. Just thinking about it makes me flinch. Oshima gazes deep into m eyes. "Listen, Kafka. What you are experiencing now is the motif od many Greek tragedies. Man does not chose fate. Fate chooses man. That is the basic world view of Greek drama. And the sense od tragedy - according to Aristotle - somes, ironically enough, not drom the protagonist's weak points but from his good qualities. Do you know what I am getting at? People are drawn deeper into tragedy not by their defects but by their virtues. Sophocles' Oedipus Rex being a Great example. Oedipus is drawn into tragedy not because of lazines or stupidity, but because of his courage and honesty. So an inevitable irony results.
Haruki Murakami
Bow was originally billed as the “Brooklyn Bonfire,” then as the “Hottest Jazz Baby in Films,” but in 1927 she became, and would forevermore remain, the “It Girl.” “It” was first a two-part article and then a novel by a flame-haired English novelist named Elinor Glyn, who was known for writing juicy romances in which the main characters did a lot of undulating (“she undulated round and all over him, twined about him like a serpent”) and for being the mistress for some years of Lord Curzon, former viceroy of India. “It,” as Glyn explained, “is that quality possessed by some few persons which draws all others with its magnetic life force. With it you win all men if you are a woman—and all women if you are a man.” Asked by a reporter to name some notable possessors of “It,” Glyn cited Rudolph Valentino, John Gilbert, and Rex the Wonder Horse. Later she extended the list to include the doorman at the Ambassador Hotel in Los Angeles. It the novel was a story in which the two principal characters—Ava and Larry, both dripping with “It”—look at each other with “burning eyes” and “a fierce gleam” before getting together to “vibrate with passion.” As Dorothy Parker summed up the book in The New Yorker, “It goes on for nearly three hundred pages, with both of them vibrating away like steam-launches.
Bill Bryson (One Summer: America, 1927)
This symbolism may well have been based, originally, on some visionary experience, such as happens not uncommonly today during psychological treatment. For the medical psychologist there is nothing very lurid about it. The context itself points the way to the right interpretation. The image expresses a psychologem that can hardly be formulated in rational terms and has, therefore, to make use of a concrete symbol, just as a dream must when a more or less “abstract” thought comes up during the abaissement du niveau mental that occurs in sleep. These “shocking” surprises, of which there is certainly no lack in dreams, should always be taken “as-if,” even though they clothe themselves in sensual imagery that stops at no scurrility and no obscenity. They are unconcerned with offensiveness, because they do not really mean it. It is as if they were stammering in their efforts to express the elusive meaning that grips the dreamer’s attention.62 [316]       The context of the vision (John 3 : 12) makes it clear that the image should be taken not concretistically but symbolically; for Christ speaks not of earthly things but of a heavenly or spiritual mystery—a “mystery” not because he is hiding something or making a secret of it (indeed, nothing could be more blatant than the naked obscenity of the vision!) but because its meaning is still hidden from consciousness. The modern method of dream-analysis and interpretation follows this heuristic rule.63 If we apply it to the vision, we arrive at the following result: [317]       1. The MOUNTAIN means ascent, particularly the mystical, spiritual ascent to the heights, to the place of revelation where the spirit is present. This motif is so well known that there is no need to document it.64 [318]       2. The central significance of the CHRIST-FIGURE for that epoch has been abundantly proved. In Christian Gnosticism it was a visualization of God as the Archanthropos (Original Man = Adam), and therefore the epitome of man as such: “Man and the Son of Man.” Christ is the inner man who is reached by the path of self-knowledge, “the kingdom of heaven within you.” As the Anthropos he corresponds to what is empirically the most important archetype and, as judge of the living and the dead and king of glory, to the real organizing principle of the unconscious, the quaternity, or squared circle of the self.65 In saying this I have not done violence to anything; my views are based on the experience that mandala structures have the meaning and function of a centre of the unconscious personality.66 The quaternity of Christ, which must be borne in mind in this vision, is exemplified by the cross symbol, the rex gloriae, and Christ as the year.
C.G. Jung (Aion: Researches into the Phenomenology of the Self (Collected Works, Vol 9ii))
a man owes it to his eyes to let them rest on attractive objects when there are any around.
Rex Stout (Death Times Three (Nero Wolfe, #47))
The Kaiser was enough of a man to stand a tough, confidential message--and enough of a woman, presumably, to retreat if it could be made to look glamorous.
Edmund Morris (Theodore Rex)
What’re those blacks doing across the street walking around the courthouse in the dark?” “It’s called a vigil,” explained Harry Rex. “They’ve vowed to walk around the courthouse with candles, keeping a vigil until their man is free.” “That could be an awfully long vigil. I mean, those poor people could be walking until they die. I mean, this could be a twelve-, fifteen-year vigil. They might set a record. They might have candle wax up to their asses.
John Grisham (A Time to Kill)
I'm part fairy,' said John. There was a quiet pause, and he eyed the man. 'Is that a problem?' 'No, sir. The United States military is very accepting of that sort of thing nowadays.
Adam Rex (Champions of Breakfast)
Man with the Muckrake
Edmund Morris (Theodore Rex)
Tara shook her head slowly. “For a dinosaur worshipper, you don’t seem to be a god-fearing man.
Tom Wright (T-Rex Attack (Dino Squad, #2))
man with his frontal lobes pushed back like that is unpredictable.
Rex Stout (The Black Mountain (Nero Wolfe #24))
John was excited to finally meet his girlfriend Donna's parents. Of course he was pretty nervous, and by the time John arrived at the doorstep, he was in a state of gastric distress. The problem developed into acute flatulence, and halfway through dinner John just couldn't hold it in anymore, so a tiny little fart escaped. "Rex!" Betty's mother yelled at the dog lying near John's feet. Since the dog was getting the blame, John let out another, slightly bigger fart. "Rex!" the mother called out sternly. I've got it made, John thought to himself. He figured one more and he'd feel better. So he let loose a big thundering one. "REX!" shrieked the woman. "Get away from that man before he poops on you!
Oliver Gaspirtz (Pet Humor!)
But if and when I find myself up a tree with a circle of man-eating tigers crouching on the ground below, and a squad of beavers starting to gnaw at the trunk of the tree, the sight of Saul approaching would be absolutely beautiful. I have never seen him fazed.
Rex Stout (Before Midnight (Nero Wolfe, #25))
A scared man is only half a man.
Rex Stout (Curtains for Three (Nero Wolfe, #18))
Nothing corrupts a man so deeply as writing a book; the myriad temptations are overpowering. I wouldn’t presume—
Rex Stout (The Mother Hunt (Nero Wolfe, #38))
Every man who appreciates the majesty and beauty of the wilderness and of wild life, should strike hands with the far-sighted men who wish to preserve our material resources, in the effort to keep our forests and our game-beasts, game-birds, and game-fish—indeed, all the living creatures of prairie and woodland and seashore—from wanton destruction. Above all, we should recognize that the effort toward this end is essentially a democratic movement. It is entirely within our power as a nation to preserve large tracts of wilderness, which are valueless for agricultural purposes and unfit for settlement, as playgrounds for rich and poor alike.… But this end can only be achieved by wise laws and by a resolute enforcement of the laws.
Edmund Morris (Theodore Rex)
I got to meet interesting people with diverse talents, like Rex Allen, a western actor and singer who invited me to his home when he was throwing a twenty-fifth wedding anniversary party for Slim Pickens and his wife, Margaret. There was a story making the rounds that night about the time when Rex was waiting for a plane in the Los Angeles airport, and a fan rushed up and cornered him. "Mr. Autry," the man said, "would you please give me your autograph?" Rex signed the autograph, "Gene Autry, who will never be half the cowboy Rex Allen is.
Dayton O. Hyde (The Pastures of Beyond: An Old Cowboy Looks Back at the Old West)
Even though David was anointed of God, and a man after God's own heart, yet he made mistakes. He was not perfect. The anointing of God on his life did not make him 'faultless' or pure. He struggled with the same family issues we have today. As a father he was concerned about Absalom his son, who fled to Geshur for the killing of Amnon (2 Samuel 1328­29).
Paddick Van Zyl (God's King: Lessons From The Life and Times Of King David)
A man named Olin Miller has said, “Writing is the hardest way of earning a living, with the possible exception of wrestling alligators.
Rex Stout (Over My Dead Body (Nero Wolfe #7))
O foolish man, for God doth detect every nuance of the sick will!
Thomas Berger (Arthur Rex)
Rex opened her bedroom door, letting a warm draft into the corridor. “I’ll light your candles,” he said, gesturing her to precede him into her sitting room. “You are doing more than performing a service, Eleanora. You allow me to raise difficult questions with absolute faith that my confidences will not be betrayed. You take my interests to heart. You instruct me on matters nobody has seen fit to include in my ducal education. I am indebted to you.” He was also attracted to her, and not in the casual sense he was attracted to any comely female. He liked watching her mind work. He liked arguing with her. He liked hearing the click of the abacus beads because she moved them around with the brisk speed of a sharpshooter wielding a favorite weapon. She closed the door, plunging the room into deep gloom. “Somebody kept my fires built up,” she said. “You cannot imagine what a luxury that is for me.” She wore a plain wool shawl when he wanted to wrap her in cashmere and silk. Her bun was drooping, and he yearned to unravel the lot and learn how long her hair was, learn the feel of it in his hands. He wanted…her. To cherish, explore, appreciate, and indulge. “The bedroom candles, if you please, Elsmore. I’ll not be using the parlor tonight.” A man intent on observing propriety would pass her the candle, bow, and wish her sound slumbers. Rex thought back over the day, when Eleanora had slept so trustingly against his side in the coach. She’d come to dinner with the barest minimum of a fuss. She’d patted his hand. She’d toed off her house slippers in his presence. She’d taken his arm as she’d traversed the steps. Now, she was inviting him into her bedroom on the most mundane of pretexts.
Grace Burrowes (Forever and a Duke (Rogues to Riches, #3))
That’s right,” he said, “I must remember that, not to get excited. Everybody is very thoughtful. They put you in uniform and teach you what every young man ought to know, and take you across the ocean into the middle of hell, bombs, bullets, shells, flame-throwers, your friends die right against you and bleed down your neck, and after two years of that they bring you home and turn you loose and tell you now remember don’t get excited.
Rex Stout (Trouble in Triplicate (Nero Wolfe, #14))