Rex Manning Day Quotes

We've searched our database for all the quotes and captions related to Rex Manning Day. Here they are! All 14 of them:

Fear? What has a man to do with fear? Chance rules our lives, and the future is all unknown. Best live as we may, from day to day.
Sophocles (Oedipus Rex (The Theban Plays, #1))
In time you will know this well: For time, and time alone, will show the just man, though scoundrels are discovered in a day.
Sophocles (Sophocles: Oedipus Rex (Cambridge Greek and Latin Classics) (Greek Edition))
Let every man in mankind's frailty consider his last day; and let none presume on his good fortune until he find Life, at his death, a memory without pain.
Sophocles (Oedipus Rex)
Show me a man who longs to live a day beyond his time who turns his back on a decent length of life, I'll show the world a man who clings to folly.
Sophocles (The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone)
For time alone shews a man's honesty, But in one day you may discern his guilt.
Sophocles (Oedipus Rex (The Theban Plays, #1))
Time alone can bring the just man to light - the criminal you can spot in just one short day.
Sophocles (trans. Robert Fagles) (The Theban Plays)
Look and learn all citizens of Thebes. This is Oedipus. He, who read the famous riddle, and we hailed chief of men, All envied his power, glory, and good fortune. Now upon his head the sea of disaster crashes down. Mortality is man’s burden. Keep your eyes fixed on your last day. Call no man happy until he reaches it, and finds rest from suffering.
Sophocles (Oedipus Rex (The Theban Plays, #1))
You are the king no doubt, but in one respect, at least, I am your equal: the right to reply. I claim that privilege too. I am not your slave. I serve Apollo. I don't need Creon to speak for me in public. So, you mock my blindness? Let me tell you this. You with your precious eyes, you're blind to the corruption in your life, to the house you live in, those you live with- who are your parents? Do you know? All unknowing you are the scourge of your own flesh and blood, the dead below the earth and the living here above, and the double lash of your mother and your father's curse will whip you from this land one day, their footfall treading you down in terror, darkness shrouding your eyes that now can see the light! Soon, soon, you'll scream aloud - what haven won't reverberate? What rock of Cithaeron won't scream back in echo? That day you learn the truth about your marriage, the wedding-march that sang you into your halls, the lusty voyage home to the fatal harbor! And a crowd of other horrors you'd never dream will level you with yourself and all your children. There. Now smear us with insults - Creon, myself and every word I've said. No man will ever be rooted from the earth as brutally as you.
Robert Fagles (The Oedipus Cycle: Oedipus Rex / Oedipus at Colonus / Antigone)
Though he has watched a decent age pass by, A man will sometimes still desire the world. I swear I see no wisdom in that man. The endless hours pile up a drift of pain More unrelieved each day; and as for pleasure, When he is sunken in excessive age, You will not see his pleasure anywhere. - Choral Poem between Scenes V & VI, Oedipus at Colonus
Sophocles (The Oedipus Cycle: Oedipus Rex, Oedipus at Colonus, Antigone)
At Camp Don Bosco, there were Bibles all over the place, mostly 1970s hippie versions like Good News for Modern Man. They had groovy titles like The Word or The Way, and translated the Bible into “contemporary English,” which meant Saul yelling at Jonathan, “You son of a bitch!” (I Samuel 20:30). Awesome! The King James version gave this verse as “Thou son of the perverse rebellious woman,” which was bogus in comparison. Maybe these translations went a bit far. I recall one of the Bibles translating the inscription over the cross, “INRI” (Iesus Nazaremus Rex Iudaeorum), as “SSDD” (Same Shit Different Day), and another describing the Last Supper — the night before Jesus’ death, a death he freely accepted — where Jesus breaks the bread, gives it to his disciples, and says, “It’s better to burn out than fade away,” but these memories could be deceptive.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
I’ve got her okay.” Jenks’s angular face was pale, making him look as if he was going to pass out. “Jax, it’s cold out. Get in Ms. Morgan’s purse until we get to the motel.” “Hell no!” Jax said, shocking me as he lit on my shoulder. “I’m not going to ride in no purse. I’ll be fine with Rex. Tink’s diaphragm, Dad. Where do you think I’ve been sleeping for the last four days?” “Tink’s diaph—” Jenks sputtered. “Watch your mouth, young man.” This was not happening.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
He is practically the summary for us of all the various figures of Heroism; Priest, Teacher, whatsoever of earthly or of spiritual dignity we can fancy to reside in a man, embodies itself here, to command over us, to furnish us with constant practical teaching, to tell us for the day and hour what we are to do. He is called Rex, Regulator, Roi: our own name is still better; King, Konning, which means Can-ning, Able-man.
Thomas Carlyle (On Heroes and Hero Worship and the Heroic in History)
Even Mr. Masrani’s announcement of his plans to open a park had been shrouded in mystery. The man had a flair for drama. It started when packages containing amber-handled archaeological tools—the kind that paleontologists use to dig up bones—began arriving. At first, it was journalists, social media influencers, actors, pop stars, the leading professors and minds of the world. Then, as the buzz began to start, the tools began arriving at random people’s doorsteps across the world. Everyone starting talking about it because it was so weird—and the selection of people who got the tools was so broad and varied. The tools came with no note, just a simple card that had the profile of a T. rex skeleton stamped upon it. Two more packages arrived for the lucky recipients over the next few weeks. It became this status thing to post about them. Everyone was trying to trace the company that sent them, but no one could figure it out. The second package contained a compass; carved on the back was that same T. rex stamp. When the third and final package arrived, it caused a sensation. Each person’s box had three clues—a jagged tooth, a curled piece of parchment with the sketch of a gate in spidery ink, and an old-fashioned-looking key, one clearly not made to unlock anything. The speculation this caused throughout the world was unparalleled. What did these objects mean? Did they relate to each other? Was this just some elaborate prank? The first person to discover how to activate the boxes was a farmer’s son in Bolivia. After he disassembled the wooden box the trinkets were sent in, he noticed a strange indentation in the top of the lid and placed his key inside. Once he posted his discovery on YouTube, people across the globe were inserting their key in the notch, activating a hidden hologram chip embedded in the key’s handle. This beamed a message. Two silver words. One date. They’re coming. May 30, 2005 By the time Mr. Masrani held his press conference the next day, the entire world was buzzing about the possibility of a new park and a chance to get close to the dinosaurs. Both of the islands had been restricted for so long, it was the only thing anyone could talk about. It’s one of those things you compare notes on with other people: Where were you when Masrani announced Jurassic World?
Tess Sharpe (The Evolution of Claire)
Rex opened her bedroom door, letting a warm draft into the corridor. “I’ll light your candles,” he said, gesturing her to precede him into her sitting room. “You are doing more than performing a service, Eleanora. You allow me to raise difficult questions with absolute faith that my confidences will not be betrayed. You take my interests to heart. You instruct me on matters nobody has seen fit to include in my ducal education. I am indebted to you.” He was also attracted to her, and not in the casual sense he was attracted to any comely female. He liked watching her mind work. He liked arguing with her. He liked hearing the click of the abacus beads because she moved them around with the brisk speed of a sharpshooter wielding a favorite weapon. She closed the door, plunging the room into deep gloom. “Somebody kept my fires built up,” she said. “You cannot imagine what a luxury that is for me.” She wore a plain wool shawl when he wanted to wrap her in cashmere and silk. Her bun was drooping, and he yearned to unravel the lot and learn how long her hair was, learn the feel of it in his hands. He wanted…her. To cherish, explore, appreciate, and indulge. “The bedroom candles, if you please, Elsmore. I’ll not be using the parlor tonight.” A man intent on observing propriety would pass her the candle, bow, and wish her sound slumbers. Rex thought back over the day, when Eleanora had slept so trustingly against his side in the coach. She’d come to dinner with the barest minimum of a fuss. She’d patted his hand. She’d toed off her house slippers in his presence. She’d taken his arm as she’d traversed the steps. Now, she was inviting him into her bedroom on the most mundane of pretexts.
Grace Burrowes (Forever and a Duke (Rogues to Riches, #3))