Rewritten Quotes

And he loved her. He loved her. He loved her. He loved her. He loved her so much he’d rewritten history.

There is nothing more sacred than the Archives. Even temples can be rebuilt, but books cannot be rewritten.

Every record has been destroyed or falsified, every book rewritten, every picture has been repainted, every statue and street building has been renamed, every date has been altered. And the process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right.

A good book isn't written, it's rewritten.

Books aren't written - they're rewritten. Including your own. It is one of the hardest things to accept, especially after the seventh rewrite hasn't quite done it.

I was sand, I was snow—written on, rewritten, smoothed over.

Our memory is made up of our individual memories and our collective memories. The two are intimately linked. And history is our collective memory. If our collective memory is taken from us - is rewritten - we lose the ability to sustain our true selves.

My argument is that history is made by men and women, just as it can also be unmade and rewritten, always with various silence and elisions, always with shapes imposed and disfigurements tolerated.

I have rewritten — often several times — every word I have ever published. My pencils outlast their erasers.

The audience keeps singing, keeps making my case, and I just keep strumming until I get close enough to see her eyes. And then I start singing the chorus. Right to her. And she smiles at me, and it’s like we’re the only two people out here, the only ones who know what’s happening. Which is that this song we’re all singing together is being rewritten. It’s no longer an angry plea shouted to the void. Right here, on this stage, in front of eighty thousand people, it’s becoming something else. This is our new vow.

There are rules, but rules may be rewritten if only one hand holds the ink.

History has rewritten itself so many times I'm not really sure how it was to begin with -- it's a bit like trying to guess the original color of a wall when it's been repainted eight times.

I felt overwhelmed. I didn’t expect a first kiss to be so…life altering. In a few brief moments, the rule book of my universe had been rewritten. Suddenly I was a brand new person. I was as fragile as a newborn, but instead of the doctor placing me in my mother’s arms, he’d put me in Ren’s. What would Ren do with me? Would he draw me near, soothe me, and teach me about this new world or would he reject me and tell the doctor there must be some mistake. There was no way to know. What a breakable and delicate thing a heart was, no wonder I’d kept mine locked away.

Maybe it would be better to forget him. She hadn’t wanted the forgetting before, but she wanted it now. She wanted the pain to end. She wanted to forget his dimpled smile, his brilliant blue eyes, the way he called her Little Fox. And suddenly, her chest was tight at the thought she might never hear that nickname again. And she didn’t want to forget. She didn’t want to forget at all. She didn’t want the memories erased or rewritten; she wanted more of them.

Little did she know that this was going to be not just any book, but the book that changed her life. In the time she was reading it, her life would be rewritten.

Kelley-"You know that story ends horribly, right?" Sonny-"What did Shakepeare know? He probably would have rewritten that bit if he'd thought about it.

I will have spent my life trying to understand the function of remembering, which is not the opposite of forgetting, but rather its lining. We do not remember. We rewrite memory much as history is rewritten. How can one remember thirst?

In an ideal world, marriage vows would be entirely rewritten. At the altar, a couple would speak thus: "We accept not to panic when, some years from now, what we are doing today will seem like the worst decision of our lives. Yet we promise not to look around, either, fro we accept that there cannot be better options out there. Everyone is always impossible. We are a demented species.

How much evil throughout history could have been avoided had people exercised their moral acuity with convictional courage and said to the powers that be, 'No, I will not. This is wrong, and I don't care if you fire me, shoot me, pass me over for promotion, or call my mother, I will not participate in this unsavory activity.' Wouldn't world history be rewritten if just a few people had actually acted like individual free agents rather than mindless lemmings?

History is a pack of lies about events that never happened told by people who weren't there. . . . History is always written wrong, and so always needs to be rewritten

i sometimes felt as if these marks on my body were a kind of code, which blossomed, then faded, like invisible ink held to a candle. But if they were a code, who held the key to it? I was sand, I was snow—written on, rewritten, smoothed over.

I've rewritten the passage to align more with J. Bree's style, which features more tension, gritty undertones, and raw emotional subtext beneath the supernatural elements.

Who was I, really? I was the sole occupant of my mother's totalitarian state, my own personal history rewritten to fit the story she was telling that day. There were so many missing pieces. I was starting to find some of them, working my way upriver, collecting a secret cache of broken memories in a shoebox.

So it is written - but so, too, it is crossed out. You can write it over again. You can make notes in the margins. You can cut out the whole page. You can, and you must, edit and rewrite and reshape and pull out the wrong parts like bones and find just the thing and you can forever, forever, write more and more and more, thicker and longer and clearer. Living is a paragraph, constantly rewritten. It is Grown-Up Magic. Children are heartless; their parents hold them still, squirming and shouting, until a heart can get going in their little lawless wilderness. Teenagers crash their hearts into every hard and thrilling thing to see what will give and what will hold. And Grown-Ups, when they are very good, when they are very lucky, and very brave, and their wishes are sharp as scissors, when they are in the fullness of their strength, use their hearts to start their story over again.

There are so many things Blair doesn’t get about me, so many things she ultimately overlooked, and things that she would never know, and there would always be a distance between us because there were too many shadows everywhere. Had she ever made promises to a faithless reflection in the mirror? Had she ever cried because she hated someone so much? Had she ever craved betrayal to the point where she pushed the crudest fantasies into reality, coming up with sequences that she and nobody else could read, moving the game as you play it? Could she locate the moment she went dead inside? Does she remember the year it took to become that way? The fades, the dissolves, the rewritten scenes, all the things you wipe away—I now want to explain all these things to her but I know I never will, the most important one being: I never liked anyone and I’m afraid of people.

History has to be rewritten in every generation, because although the past does not change, the present does; each generation asks new questions of the past and finds new areas of sympathy as it re-lives different aspects of the experiences of its predecessors.

Good novels are not written, they're rewritten!

Good novels are not written, they are rewritten. Great novels are diamonds mined from layered rewrites.

There is nothing like the smell of a bookstore. If you ask me, it's actually a combination of smells: part library, part new book, and part expectation for what you might find.

So much of me is made of what I learned from you; you'll be with me like a handprint on my heart and now whatever way our stories end I know you have re-written mine by being my friend

She wanted the pain to end. She wanted to forget his dimpled smile, his brilliant blue eyes, the way he called her Little Fox. And suddenly, her chest was tight at the thought she might never heard that nickname again. And she didn't want to forget. She didn't want to forget at all. She didn't want the memories erased or rewritten; she wanted more of them.

[A Bugatti Veyron is] quite the most stunning piece of automotive engineering ever created....At a stroke then, the Veyron has rendered everything I’ve ever said about any other car obsolete. It’s rewritten the rule book, moved the goalposts and in the process, given Mother Nature a bloody nose.

Some ineffable piece of me had gone, rewritten by her touch, and what had been stolen was patched by a piece of her, some bit of her heart I had unknowingly taken with me.

He loved her. He loved her. He loved her. He loved her so much he’d rewritten history.

I feel as though my history is being rewritten, infinite paragraphs scratched out and hastily revised. Old and new images--memories--layer atop each other until the ink runs, rupturing the scenes into something new, something incomprehensible.

Good novels are not written, they are rewritten. Great novels are diamonds mined from layered rewrites.

To be a self rewritten from a lost first draft.

The core reason for it all was beauty. Walking was a divine delight. Everything was rewritten when he was up in the air. New things were possible with the human form. It went beyond equilibrium. He felt for a moment uncreated. Another kind of awake.

I went for years not finishing anything. Because, of course, when you finish something you can be judged...I had poems which were re-written so many times I suspect it was just a way of avoiding sending them out.

You don't think history gets rewritten, sometimes?

The site was a palimpsest, as was all the city, written, erased, rewritten.

I believed in second chances and righted wrongs and rewritten stories.

Jacks idly stroked her jaw with his fingers. 'I love you,' he said simply. Then his face went abruptly serious. 'I'm never going to let you out of my sight.' 'You say that as if it should be a threat.' He continued to look at her solemnly.'This isn't just for now, it's for always, Little Fox.' 'I like the sound of always.' She smiled against his fingers and then she reached up to touch his cheek, because now he was smiling, too. And he loved her. He loved her. He loved her. He loved her. He loved her so much he'd rewritten history. He'd given up what he had believed was his only chance at love. And now he had finally broken the spell that he never thought he'd escape.

I had built such a wall between my experiences and how I felt about those experiences that I was incapable of reliving both simultaneously. I could talk about my traumas, even walk through them, but I couldn’t feel them. When I tried to bring it all together, when I tried to remember how I had felt, I disappeared in my own head. My to-do list took on grave importance. The book I read the night before filled my thoughts. Yesterday’s article suddenly called out to be rewritten. I couldn’t get inside myself.

History books are being re-written all the time

I used to have this toy, a magic slate. You wrote or drew on it and then, just by pulling up the plastic cover, everything you did disappeared and you could start new. Maybe everyone feels that on New Year's Eve: They can pull up the magic sheet and rewrite their lives.

history wasn’t just written by the victors. First it had to be erased and rewritten. Replacing troublesome truth with self-serving myth.

A word of all the words I've got in there... But if I wrote... Let's get it written, then, This letter I've composed a hundred times, Written and rewritten in my mind: it's ready And all I have to do is lay my soul Open beside the paper and copy it out.

History might easily be rewritten, but someone somewhere always remembers what truly happened.

As early as 1930 Schoenberg wrote: "Radio is an enemy, a ruthless enemy marching irresistibly forward, and any resistance is hopeless"; it "force-feeds us music . . . regardless of whether we want to hear it, or whether we can grasp it," with the result that music becomes just noise, a noise among other noises. Radio was the tiny stream it all began with. Then came other technical means for reproducing, proliferating, amplifying sound, and the stream became an enormous river. If in the past people would listen to music out of love for music, nowadays it roars everywhere and all the time, "regardless whether we want to hear it," it roars from loudspeakers, in cars, in restaurants, in elevators, in the streets, in waiting rooms, in gyms, in the earpieces of Walkmans, music rewritten, reorchestrated, abridged, and stretched out, fragments of rock, of jazz, of opera, a flood of everything jumbled together so that we don't know who composed it (music become noise is anonymous), so that we can't tell beginning from end (music become noise has no form): sewage-water music in which music is dying.

Months later, Michaela's mother would spread a star chart before us and explain to me that the slowing had shifted everyone's astrological signs. Fortunes had changed. Personalities had rearranged. The unlucky had turned lucky. The lucky had turned less so. Our fates, so long ago written in the stars, had been rewritten in a day.

When I looked at her, she appeared to be a different person from the one I'd known... She had rewritten everything, our history together, our friendship. Now I was the girl who'd stolen Andres; the girl who'd lied to her about who I was. Therefore, she owned me nothing.

Stories can be rewritten. Reshaped. Retold.

If in the past people would listen to music out of love for music, nowadays it roars everywhere and all the time, "regardless whether we want to hear it", it roars from loudspeakers, in cars, in restaurants, in elevators, in the streets, in waiting rooms, in gyms, in the earpieces of Walkmans, music rewritten, reorchestrated, abridged, and stretched out, fragments of rock, of jazz, of opera, a flood of everything jumbled together so that we don't know who composed it (music become noise is anonymous), so that we can't tell beginning from end (music become noise has no form): sewage-water music in which music is dying.

A lot of what we know to be history isn’t…it serves a purpose. Events are exaggerated, heroes fabricated, goals are rewritten to appear more noble than they actually were. All to manipulate public opinion, to manufacture a common purpose or enemy. And the cornerstone of a really great movement? A powerful symbol. Take away or tarnish that and everything starts to crumble, everything’s questioned.

The only reason people want to be masters of the future is to change the past. They are fighting for access to the laboratories where photographs are retouched and biographies and histories rewritten.

I wondered how it was that you could spend weeks, months—years, even—just chugging on, nothing really changing, and then, in the space of a few hours, the script of your life could be completely rewritten.

I'm a history teacher...within my memory the history textbook has been rewritten three times. I taught children with three different textbooks...Ask us while we're alive. Don't rewrite afterward without us. Ask...

There will come a time--perhaps even by the time you read this--that people will no longer be on Facebook. There will come a time when the stars of your favorite teen TV show will be sixty. There will come a time when you will have the same unalienable rights as your straightest friend. (Probably before any of the stars of your favorite teen TV show turn sixty.) There will come a time when the gay prom won't have to be separate. There will come a time when you look at someone younger than your and feel that he or she will know more than you ever did. There will come a time when you will worry about being forgotten. There will come a time when the gospel will be rewritten. If you play your cards right, the next generation will have so much more than you did.

She had not just altered the fabric of the universe, had not simply rewritten the script. She had torn it, ripped a great gaping hole in the cloth of reality, and set fire to it with the ravenous rage of an uncontrollable god.

She knew it the way people say they know they are about to be hit by lightning, yet remain powerless to run, unable to avoid their fate. She panicked, as anyone might have when disparate parts of her life were about to crash into each other, certain to leave a path of anguish and debris. It was true that devotion could be lost as quickly as it was found, which was why some people insisted that love letters be written in ink. How easy it was for even the sweetest words to evaporate, only to be rewritten as impulse and infatuation might dictate. How unfortunate that love could not be taught or trained, like a seal or a dog. Instead it was a wolf on the prowl, with a mind of its own, and it made its own way, undeterred by the damage done. Love like this could turn honest people into liars and cheats, as it now did…

Your body might be marked as his…but you’ll always be mine.

My argument is that history is made by men and women, just as it can also be unmade and rewritten, always with various silences and elisions, always with shapes imposed and disfigurements tolerated, so that “our” East, “our” Orient becomes “ours” to possess and direct. I should say again that I have

Tell your Kind and Queen to send their best, because this tale is about to be rewritten.

Over the years, our society has become fascinated with characters who are not fully evil or fully good, but instead lie somewhere in the middle. Our obsession with antiheroes and antivillains is a result of social ideals being rewritten. We are unmaking the concept of wickedness. As the popularity of the 'heroes' in Batman, The Punisher, and Suicide Squad shows, the lines between heroes and villains have become blurred.

The part of the tradition that I knew best was mostly written (or rewritten for children) in England and northern Europe. The principal characters were men. If the story was heroic, the hero was a white man; most dark-skinned people were inferior or evil. If there was a woman in the story, she was a passive object of desire and rescue (a beautiful blond princess); active women (dark, witches) usually caused destruction or tragedy. Anyway, the stories weren’t about the women. They were about men, what men did, and what was important to men.

It is too often forgotten that when the Europeans emerged and began to extend themselves into the broader world of Africa and Asia during the fifteenth and sixteenth centuries, they went on to colonize most of mankind. Later they would colonize world scholarship, mainly the writing of history. History was then written or rewritten to show or imply that Europeans were the only creators of what could be called a civilization. In order to accomplish this, the Europeans had to forget, or pretend to forget, all they previously knew about Africa.

Grief never ends, but it changes. It is a passage, not a place to stay. Grief is not a sign or weakness nor a lack of faith, it is the price of love.

Once you step inside, history has to be rewritten to include you. A fiction develops a story that weaves you into the social fabric, giving you roots and a local identity. You are assimilated, and in erasing your differences and making you one of their own, the community can maintain belief in its wholeness and purity. After two or three generations, nobody remembers the story is fiction. It has become fact. And this is how history is made.

So it is written—but so, too, it is crossed out. You can write over it again. You can make notes in the margins. You can cut out the whole page. You can, and you must, edit and rewrite and reshape and pull out the wrong parts like bones and find just the thing and you can forever, forever, write more and more and more, thicker and longer and clearer. Living is a paragraph, constantly rewritten.

In general, she said, women tended to spend too much time considering consequences; by the time they finally made a decision, the men were already there, forging alliances, crossing battle lines, breaking things. Mistakes, Helen said, can always be rewritten.

Accept no one’s definition of your life. Define yourself.” - Unknown

Dom is generous, loving and respectful to not only his submissive, but all women. He is gentlemanly in public, but playful in private and a savage in the bedroom.

Already we know almost literally nothing about the Revolution and the years before the Revolution. Every record has been destroyed or falsified, every book has been rewritten, every picture has been repainted, every statue and street and building has been renamed, every date has been altered. And that process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right. I know, of course, that the past is falsified, but it would never be possible for me to prove it, even when I did the falsification myself. After the thing is done, no evidence ever remains. The only evidence is inside my own mind, and I don’t know with any certainty that any other human being shares my memories.

Parker Brothers tried to introduce a German version of Risk, the board game in which players try to dominate a map of the world, the German government tried to censor it. (Eventually the rules were rewritten so that players were “liberating” rather than conquering their opponents’ territories.)

Sylvie had always thought that when, if, she wrote, it would have to be perfect. A beautifully crafted novel, ready to hand to the world. But William had shown her she could write for, and to, herself. And Whitman had rewritten, expanded, cut, and reimagined his poems across his life. He’d created not one beautiful book but different attempts at excellence and beauty as he aged and loved and reconsidered everything.

He’d taken pride in making Ketterdam his. He’d laid the traps, set the fires, put his boot to the necks of all those who’d challenged him, and reaped the rewards of his boldness. Most of the opposition had fallen, easy pickings, the occasional challenge almost welcome for the excitement it brought. He’d broken the Barrel to his whim, written the rules of the game to his liking, rewritten them at will. The problem was that the creatures who had managed to survive the city he’d made were a new kind of misery entirely—Brekker, his Wraith queen, his rotten little court of thugs. A fearless breed, hard-eyed and feral, hungrier for vengeance than gold. Do you like life, Rollins? Yes, he did, very much indeed, and he intended to go on living for a good long time. Pekka would count his money. He would raise his son. He’d find himself a good woman or two or ten. And maybe, in the quiet hours, he’d raise a glass to men like him, to his fellow architects of misfortune who had helped raise Brekker and his crew. He’d drink to the whole sorry lot of them, but mostly to the poor fools who didn’t know what trouble was coming.

Eurydice Speaks” How will I know you in the underworld? How will we find each other? We lived for so long on the physical earth— Our skies littered with actual stars Practical tides in our bay— What will we do with the loneliness of the mythical? Walking beside ditches brimming with dactyls, By a ferryman whose feet are scanned for him On the shore of a river written and rewritten As elegy, epic, epode. Remember the thin air of our earthly winters? Frost was an iron, underhand descent. Dusk was always in session And no one needed to write down Or restate, or make record of, or ever would, And never will, The plainspoken music of recognition, Nor the way I often stood at the window— The hills growing dark, saying, As a shadow became a stride And a raincoat was woven out of streetlight I would know you anywhere.

Smiling victoriously, he crushed me against his chest and kissed me again. This time, the kiss was bolder and playful. I ran my hands from his powerful shoulders, up to his neck, and pressed him close to me. When he pulled away, his face brightened with an enthusiastic smile. He scooped me up and spun me around the room, laughing. When I was thoroughly dizzy, he sobered and touched his forehead to mine. Shyly, I reached out to touch his face, exploring the angles of his cheeks and lips with my fingertips. He leaned into my touch like the tiger did. I laughed softly and ran my hands up into his hair, brushing it away from his forehead, loving the silky feel of it. I felt overwhelmed. I didn’t expect a first kiss to be so…life altering. In a few brief moments, the rule book of my universe had been rewritten. Suddenly I was a brand new person. I was as fragile as a newborn, and I worried that the deeper I allowed the relationship to progress, the worse that the deeper I allowed the relationship to progress, the worse it would be if Ren left. What would become of us? There was no way to know, and I realized what a breakable and delicate thing a heart was. No wonder I’d kept mine locked away. He was oblivious to my negative thoughts, and I tried to push them into the back of my mind and enjoy the moment with him. Setting me down, he briefly kissed me again and pressed soft kisses along my hairline and neck. Then, he gathered me into a warm embrace and just held me close. Stroking my hair while caressing my neck, he whispered soft words in his native language. After several moments, he sighed, kissed my cheek, and nudged me toward the bed. “Get some sleep, Kelsey. We both need some.” After one last caress on my cheek with the back of his fingers, he changed into his tiger form and lay down on the mat beside my bed. I climbed into bed, settled under my quilt, and leaned over to stroke his head. Tucking my other arm under my cheek, I softly said, “Goodnight, Ren.” He rubbed his head against my hand, leaned into it, and purred quietly. Then he put his head on his paws and closed his eyes. Mae West, a famous vaudeville actress, once said, “A man’s kiss is his signature.” I grinned to myself. If that was true, then Ren’s signature was the John Hancock of kisses.

Due to budget constraints I've rewritten the script, condensing all four of the Twilight Opuses into one epic screenplay. We'll shoot it over two days. I cut out New Moon,' he added quickly, 'Edward's not in it that much. And I also took out the bits in Italy, as well as all the fight scenes. Those are too expensive to film. And there are no wolves in it either...the CGI would have blown the budget.

I even read aloud the part of the novel I had rewritten, which is about as low as a writer can get and much more dangerous for him than glacier skiing unroped before the full winter snowfall has set over the crevices. When they said, 'It's great, Ernest. Truly, it's great. You cannot know the thing it has," I wagged my tail in pleasure and plunged into the fiesta concept of life to see if I could not bring some attractive stick back, instead of thinking, 'If these bastards like it what is wrong with it?' That was what I would think if I had been functioning as a professional although, if I had been functioning as a professional, I would never have read it to them.

When you read The Arabian Nights you accept Islam. You accept the fables woven by generations as if they were by one single author or, better still, as if they had no author. And in fact they have one and none. Something so worked on, so polished by generations is no longer associated with and individual. In Kafka's case, it's possible that his fables are now part of human memory. What happened to Quixote could happen to to them. Let's say that all the copies of Quixote, in Spanish and in translation, were lost. The figure of Don Quixote would remain in human memory. I think that the idea of a frightening trial that goes on forever, which is at the core of The Castle and The Trial (both books that Kafka, of course, never wanted to publish because he knew they were unfinished), is now grown infinite, is now part of human memory and can now be rewritten under different titles and feature different circumstances. Kafka's work now forms a part of human memory.

Every record has been destroyed or falsified, every book has been re-written, every picture has been re-painted, every statue and street and building has been re-named, every date has been altered. And that process is continuing day by day and minute by minute. History has stopped. Nothing exists except an endless present in which the Party is always right.

Science" is itself one of the greatest utopian illusions ever created by humankind. I am by no means suggesting that we should take the path of antiscience—the utopia offered by science is complicated by the fact that science disguises itself as a value-neutral, objective endeavor. However, we now know that behind the practice of science lie ideological struggles, fights over power and authority, and the profit motive. The history of science is written and rewritten by the allocation and flow of capital, favors given to some projects but not others, and the needs of war.

Since I’m not sure what you’ve read or been told, I’ll tell you what submission is to me and probably most, if not all submissives. It’s more than a sexual experience, Mr. Morrison. It’s a bond so powerful that it contains the very soul of the submissive. A man’s domination and acceptance of the gift of submission is the greatest expression of love I believe there to be.

One of the great unwritten chapters of retail intelligence programming featured a “personal shopper” program that all-too-accurately modeled the shoppers’ desires and outputted purchase ideas based on what shoppers really wanted as opposed to what they wanted known that they wanted. This resulted in one overcompensatingly masculine test user receiving suggestions for an anal plug and a tribute art book for classic homoerotic artist Tom of Finland, while a female test user in the throes of a nasty divorce received suggestions for a small handgun, a portable bandsaw, and several gallons of an industrial solvent used to reduce organic matter to an easily drainable slurry. After history’s first recorded instance of a focus group riot, the personal shopper program was extensively rewritten.

If I could go back to that night in May, I'd do things very differently. I'd never end up on that rooftop with Kristen. I'd never save her. I wouldn't have to. But even stories with the biggest impact, perhaps particularly these, don't have the power to be re-written. If if if if... would everything be different? It doesn't matter though. What's done is done.

It was scary how quickly and completely his past could be rewritten, or overwritten. All those years felt worthwhile while they were happening, but only a few months on the other side of them and they were a gigantic waste of time. Of a life. It was an almost irrepressible urge of his brain to see the worst in that which had failed. To see it as something that had failed, rather than something that had succeeded until the end. Was he protecting himself from the loss by denying anything was lost? Or simply achieving some pathetic emotional nonvictory by not caring?

Most people think of viruses as parasites, but they aren't parasites at all. An organism has to be considered alive to be classified as a parasite. Viruses don't do any of things living organisms do. They don't grow, they can't move on their own, and they don't metabolize. They don't even have cells. But the one thing a virus is very good at is reproducing. When it finds a suitable host cell, it attaches itself and injects its DNA through the cell's plasma wall. The virus's genes are transcribed into the host cell's DNA, and the host cell's genetic code is rewritten. Whatever its job was before, its new job is to do nothing but produce copies of the original virus, usually until it's created so many that the cell bursts open and spreads the infection.

Exhibit A: I’m guessing you’re no fan of socialism, which was a founding principle of the Nazi movement. The name “Nazi” is an acronym for the National Socialist German Workers’ Party, which most of today’s Democrat socialists conveniently forget. Actually, that’s an understatement. These people don’t just overlook this truth, they’ve totally rewritten history on the matter. These days, Nazism gets associated with conservatism at the drop of a hat, but historically it stems from the left. Adolf Hitler? An art-loving vegetarian who seized power by wooing voters away from Germany’s Social Democrat and communist parties. Italy’s Benito Mussolini? Raised on Karl Marx’s Das Kapital before starting his career as a left-wing journalist and, later, implementing a deadly fascist regime.

In an ideal world, marriage vows would be entirely rewritten. At the alter, a couple would speak thus: "We accept not to panic when, some years from now, what we are doing today will seem like the worst decision of our lives. Yet we promise not to look around, either, for we accept that there cannot be better options out there. Everyone is always impossible. We are a demented species." After the solemn repetition of the last sentence by the congregation, the couple would continue: "We will endeavor to be faithful. At the same time, we are certain that never being allowed to sleep with anyone else is one of the tragedies of existence. We apologize that our jealousies have made this peculiar but sound and non-negotiable restriction very necessary. We promise to make each other the sole repository of our regrets rather than distribute them through a life of sexual Don Juanism. We have surveyed the different options for unhappiness, and it is to each other we have chosen to bind ourselves." Spouses who had been cheated upon would no longer be at liberty furiously to complain that they had expected their partner to be content with them alone. Instead they could more poignantly and justly cry, "I was relying on you to be loyal to the specific variety of compromise and unhappiness which our hard-won marriage represents." Thereafter, an affair would be a betrayal not of intimate joy but of a reciprocal pledge to endure the disappointments of marriage with bravery and stoic reserve.

What happened then was that, for an instant, almost nothing happened. He wasn't even there. Failure didn't even cross his mind. It felt like a sort of floating. He could have been in the meadow. His body loosened and took on the shape of the wind. The play of the shoulder could instruct the ankle. His throat could soothe his heel and moisten the ligaments at his ankle. A touch of the tongue against the teeth could relax the thigh. His elbow could brother his knee. If he tightened his neck he could feel it correcting in his hip. At his center he never moved. He thought of his stomach as a bowl of water. If he got it wrong, the bowl would right itself. He felt for the curve of the cable with the arch and then sole of his foot. A second step and a third. He went out beyond the first guy lines, all of him in synch. Within seconds he was pureness moving, and he could do anything he liked. He was inside and outside his body at the same time, indulging in what it meant to belong to the air, no future, no past, and this gave him the offhand vaunt to his walk. He was carrying his life from one side to the other. On the lookout for the moment when he wasn't even aware of his breath. The core reason for it all was beauty. Walking was a divine delight. Everything was rewritten when he was up in the air. New things were possible with the human form. It went beyond equilibrium. He felt for a moment uncreated. Another kind of awake.

In 90% of cases, you can start with one of the two most effective ways to open a speech: ask a question or start with a story. Our brain doesn’t remember what we hear. It remembers only what we “see” or imagine while we listen. You can remember stories. Everything else is quickly forgotten. Smell is the most powerful sense out of 4 to immerse audience members into a scene. Every sentence either helps to drive your point home, or it detracts from clarity. There is no middle point. If you don’t have a foundational phrase in your speech, it means that your message is not clear enough to you, and if it’s not clear to you, there is no way it will be clear to your audience. Share your failures first. Show your audience members that you are not any better, smarter or more talented than they are. You are not an actor, you are a speaker. The main skill of an actor is to play a role; to be someone else. Your main skill as a speaker is to be yourself. People will forgive you for anything except for being boring. Speaking without passion is boring. If you are not excited about what you are talking about, how can you expect your audience to be excited? Never hide behind a lectern or a table. Your audience needs to see 100% of your body. Speak slowly and people will consider you to be a thoughtful and clever person. Leaders don’t talk much, but each word holds a lot of meaning and value. You always speak to only one person. Have a conversation directly with one person, look him or her in the eye. After you have logically completed one idea, which usually is 10-20 seconds, scan the audience and then stop your eyes on another person. Repeat this process again. Cover the entire room with eye contact. When you scan the audience and pick people for eye contact, pick positive people more often. When you pause, your audience thinks about your message and reflects. Pausing builds an audiences’ confidence. If you don’t pause, your audience doesn’t have time to digest what you've told them and hence, they will not remember a word of what you've said. Pause before and after you make an important point and stand still. During this pause, people think about your words and your message sinks in. After you make an important point and stand still. During this pause, people think about your words and your message sinks in. Speakers use filler words when they don’t know what to say, but they feel uncomfortable with silence. Have you ever seen a speaker who went on stage with a piece of paper and notes? Have you ever been one of these speakers? When people see you with paper in your hands, they instantly think, “This speaker is not sincere. He has a script and will talk according to the script.” The best speeches are not written, they are rewritten. Bad speakers create a 10 minutes speech and deliver it in 7 minutes. Great speakers create a 5 minute speech and deliver it in 7 minutes. Explain your ideas in a simple manner, so that the average 12-year-old child can understand the concept. Good speakers and experts can always explain the most complex ideas with very simple words. Stories evoke emotions. Factual information conveys logic. Emotions are far more important in a speech than logic. If you're considering whether to use statistics or a story, use a story. PowerPoint is for pictures not for words. Use as few words on the slide as possible. Never learn your speech word for word. Just rehearse it enough times to internalize the flow. If you watch a video of your speech, you can triple the pace of your development as a speaker. Make videos a habit. Meaningless words and clichés neither convey value nor information. Avoid them. Never apologize on stage. If people need to put in a lot of effort to understand you they simply won’t listen. On the other hand if you use very simple language you will connect with the audience and your speech will be remembered.

You lose your moonbeam hair, your bombshell shape and your sexual appetite, I don’t give a fuck. ’Cause I love your soul better than I love anythin’ else and that includes the fan-fuckin-tastic package it comes in. You got me, Lou?” I couldn’t breathe because he held my breath, couldn’t think because he’d rewritten my thoughts into ones of his own making. He controlled me but only to love me, to make me understand how I could love myself better than I already did. Suddenly, I understood that I’d insulted him by being heartbroken about my hair. Of course, Z would never care if I were bald or pink-haired or blonde. “Sorry,” I whispered. He cupped his hands around my face and pressed a kiss to the tip of my nose. “Love you even when you don’t.

Here are some of the qualities you should possess or should try to acquire if you wish to become a fiction writer: 1. You should have a lively imagination. 2. You should be able to write well. By that I mean you should be able to make a scene some alive in a readers mind. Not everybody has this ability. Its a gift, and you either have it or you don't. 3. You must have stamina. In other words, you must be able to to stick to what your doing and never give up, for hour after hour, day after day, week after week and month after month. 4. You must be a perfectionist. That means you must never be satisfied with what you have written until you have rewritten it again and again, making it as good as you possibly can. 5. You must have strong self discipline. You are working alone. No one is employing you. No one is around to give you the sack if you don't turn up for work, or to tick you off if you start slacking. 6. It helps a lot if you have a keen sense of humor. This is not essential when writing for grown-ups but for children, its vital. 7. You must have a degree of humility. The writer who thinks that his work is marvelous is heading for trouble.

He was worried about his country. Something was rotting from the inside—a slow decay of what was right and wrong. It was as if hundreds of cynical little rats were chewing at its very fiber, gnawing away year by year, until it was collapsing into a vat of gray slime and self-loathing. It had oozed under the doors of the classrooms, the newscasts, and in the movies and television shows and had slowly changed the national dialogue until it was now a travesty to be proud of your country, foolish to be patriotic, and insensitive to even suggest that people take care of themselves. History was being rewritten by the hour, heroes pulled down to please the political correctors. We were living in a country where there was freedom of speech for some, but not all. What was it going to take to get America back on track? Would everything they had fought for be forgotten? He was so glad he and Norma had grown up when they had. They had come of age in such an innocent time, when people wanted to work and better themselves. Now the land of the free meant an entirely different thing. Each generation had become a weaker version of the last, until we were fast becoming a nation of whiners and people looking for a free ride—even expecting it. Hell, kids wouldn’t even leave home anymore. He felt like everything was going downhill.

Melancholy isn’t, of course, a disorder that needs to be cured. It’s a species of intelligent grief which arises when we come face to face with the certainty that disappointment is written into the script from the start. We have not been singled out. Marrying anyone, even the most suitable of beings, comes down to a case of identifying which variety of suffering we would most like to sacrifice ourselves for. In an ideal world, marriage vows would be entirely rewritten. At the altar, a couple would speak thus: “We accept not to panic when, some years from now, what we are doing today will seem like the worst decision of our lives. Yet we promise not to look around, either, for we accept that there cannot be better options out there. Everyone is always impossible. We are a demented species.” After the solemn repetition of the last sentence by the congregation, the couple would continue: “We will endeavor to be faithful. At the same time, we are certain that never being allowed to sleep with anyone else is one of the tragedies of existence. We apologize that our jealousies have made this peculiar but sound and non-negotiable restriction very necessary. We promise to make each other the sole repository of our regrets rather than distribute them through a life of sexual Don Juanism. We have surveyed the different options for unhappiness, and it is to each other we have chosen to bind ourselves.” Spouses who had been cheated upon would no longer be at liberty furiously to complain that they had expected their partner to be content with them alone. Instead they could more poignantly and justly cry, “I was relying on you to be loyal to the specific variety of compromise and unhappiness which our hard-won marriage represents.” Thereafter, an affair would be a betrayal not of intimate joy but of a reciprocal pledge to endure the disappointments of marriage with bravery and stoic reserve.

In the prologue, I explained the gradual and subtle process in which history is re-written to fit a country's present self-image. As a result, many rich-country people recommend free-trade, free-market policies in the honest belief that these are policies that thier own ancestors used in order to make their countries rich. When the poor countries protest that those policies hurt, those protests are dismissed as being intellectually misguided or as serving the interests of their corrupt leaders. It never occurs to those Bad Samaritans that the policies they recommend are fundamentally at odds with what history teaches us to be the best development policies. The intention behind their policy recommendations may be honourable, but their effects are no less harmful than those from policy recommendations motivated by deliberate ladder-kicking.

Gabriel was stunned by Pandora's compassion for a man who had caused her such harm. He shook his head in wonder as he stared into her eyes, as dark as cloud-shadow on a field of blue gentian. "That doesn't excuse him," he said thickly. Gabriel would never forgive the bastard. He wanted vengeance. He wanted to strip the flesh from the bastard's corpse and hang up his skeleton to scare the crows. His fingers contained a subtle tremor as he reached out to trace the fine edges of her face, the sweet, high plane of her cheekbone. "What did the doctor say about your ear? What treatment did he give?" "It wasn't necessary to send for a doctor." A fresh flood of rage seared his veins as the words sunk in. "Your eardrum was ruptured. What in God's name do you mean a doctor wasn't necessary?" Although he had managed to keep from shouting, his tone was far from civilized. Pandora quivered uneasily and began to inch backward. He realized the last thing she needed from him was a display of temper. Battening down his rampaging emotions, he used one arm to bring her back against his side. "No, don't pull away. Tell me what happened." "The fever had passed," she said after a long hesitation, "and... well, you have to understand my family. If something unpleasant happened, they ignored it, and it was never spoken of again. Especially if it was something my father had done when he'd lost his temper. After a while, no one remembered what had really happened. Our family history was erased and rewritten a thousand times. But ignoring the problem with my ear didn't make it disappear. Whenever I couldn't hear something, or when I stumbled or fell, it made my mother very angry. She said I'd been clumsy because I was hasty or careless. She wouldn't admit there was anything wrong with my hearing. She refused even to discuss it." Pandora stopped, chewing thoughtfully on her lower lip. "I'm making her sound terrible, and she wasn't. There were times when she was affectionate and kind. No one's all one way or the other." She flicked a glance of dread in his direction. "Oh God, you're not going to pity me, are you?" "No." Gabriel was anguished for her sake, and outraged. It was all he could do to keep his voice calm. "Is that why you keep it a secret? You're afraid of being pitied?" "That, and... it's a shame I'd rather keep private." "Not your shame. Your father's." "It feels like mine. Had I not been eavesdropping, my father wouldn't have disciplined me." "You were a child," he said brusquely. "What he did wasn't bloody discipline, it was brutality." To his surprise, a touch of unrepentant amusement curved Pandora's lips, and she looked distinctly pleased with herself. "It didn't even stop my eavesdropping. I just learned to be more clever about it." She was so endearing, so indomitable, that Gabriel was wrenched with a feeling he'd never known before, as if all the extremes of joy and despair had been compressed into some new emotion that threatened to crack the walls of his heart.

We noted in Section II that an increasing reliance on textbooks or their equivalent was an invariable concomitant of the emergence of a first paradigm in any field of science. The concluding section of this essay will argue that the domination of a mature science by such texts significantly differentiates its developmental pattern from that of other fields. For the moment let us simply take it for granted that, to an extent unprecedented in other fields, both the layman’s and the practitioner’s knowledge of science is based on textbooks and a few other types of literature derived from them. Textbooks, however, being pedagogic vehicles for the perpetuation of normal science, have to be rewritten in whole or in part whenever the language, problem-structure, or standards of normal science change. In short, they have to be rewritten in the aftermath of each scientific revolution, and, once rewritten, they inevitably disguise not only the role but the very existence of the revolutions that produced them. Unless he has personally experienced a revolution in his own lifetime, the historical sense either of the working scientist or of the lay reader of textbook literature extends only to the outcome of the most recent revolutions in the field. Textbooks thus begin by truncating the scientist’s sense of his discipline’s history and then proceed to supply a substitute for what they have eliminated. Characteristically, textbooks of science contain just a bit of history, either in an introductory chapter or, more often, in scattered references to the great heroes of an earlier age. From such references both students and professionals come to feel like participants in a long-standing historical tradition. Yet the textbook-derived tradition in which scientists come to sense their participation is one that, in fact, never existed. For reasons that are both obvious and highly functional, science textbooks (and too many of the older histories of science) refer only to that part of the work of past scientists that can easily be viewed as contributions to the statement and solution of the texts’ paradigm problems. Partly by selection and partly by distortion, the scientists of earlier ages are implicitly represented as having worked upon the same set of fixed problems and in accordance with the same set of fixed canons that the most recent revolution in scientific theory and method has made seem scientific. No wonder that textbooks and the historical tradition they imply have to be rewritten after each scientific revolution. And no wonder that, as they are rewritten, science once again comes to seem largely cumulative.