Reverse Sweep Quotes

We've searched our database for all the quotes and captions related to Reverse Sweep. Here they are! All 25 of them:

The Cinderella story in reverse. I only wish there were ashes in the fireplace so I could order you to sweep them out.
Susan Elizabeth Phillips (Ain't She Sweet?)
It requires heavy-duty interventions: sweeping bans on polluting activities, deep subsidies for green alternatives, pricey penalties for violations, new taxes, new public works programs, reversals of privatizations—the list of ideological outrages goes on and
Naomi Klein (This Changes Everything: Capitalism vs. The Climate)
The more time I spent in Finland, the more I started to worry that the reforms sweeping across the United States had the equation backwards. We were trying to reverse engineer a high-performance teaching culture through dazzlingly complex performance evaluations and value-added data analysis. It made sense to reward, train, and dismiss more teachers based on their performance, but that approach assumed that the worst teachers would be replaced with much better ones, and that the mediocre teachers would improve enough to give students the kind of education they deserved. However, there was not much evidence that either scenario was happening in reality.
Amanda Ripley (The Smartest Kids in the World: And How They Got That Way)
Bradley is one of the few basketball players who have ever been appreciatively cheered by a disinterested away-from-home crowd while warming up. This curious event occurred last March, just before Princeton eliminated the Virginia Military Institute, the year's Southern Conference champion, from the NCAA championships. The game was played in Philadelphia and was the last of a tripleheader. The people there were worn out, because most of them were emotionally committed to either Villanova or Temple-two local teams that had just been involved in enervating battles with Providence and Connecticut, respectively, scrambling for a chance at the rest of the country. A group of Princeton players shooting basketballs miscellaneously in preparation for still another game hardly promised to be a high point of the evening, but Bradley, whose routine in the warmup time is a gradual crescendo of activity, is more interesting to watch before a game than most players are in play. In Philadelphia that night, what he did was, for him, anything but unusual. As he does before all games, he began by shooting set shots close to the basket, gradually moving back until he was shooting long sets from 20 feet out, and nearly all of them dropped into the net with an almost mechanical rhythm of accuracy. Then he began a series of expandingly difficult jump shots, and one jumper after another went cleanly through the basket with so few exceptions that the crowd began to murmur. Then he started to perform whirling reverse moves before another cadence of almost steadily accurate jump shots, and the murmur increased. Then he began to sweep hook shots into the air. He moved in a semicircle around the court. First with his right hand, then with his left, he tried seven of these long, graceful shots-the most difficult ones in the orthodoxy of basketball-and ambidextrously made them all. The game had not even begun, but the presumably unimpressible Philadelphians were applauding like an audience at an opera.
John McPhee (A Sense of Where You Are: Bill Bradley at Princeton)
Of course, Kafka doesn't see himself as a sort of party. He doesn't even pretend to be revolutionary, whatever his socialist sympathies may be. He knows that all the lines link him to a literary machine of expression for which he is simultaneously the gears, the mechanic, the operator, and the victim. So how will he proceed in this bachelor machine that doesn't make use of, and can't make use of, social critique? How will he make a revolution? He will act on the German language such as it is in Czechoslovakia. Since it is a deterritorialized language in many ways, he will push the deterritorialization farther, not through intensities, reversals and thickenings of the language but through a sobriety that makes language take flight on a straight line, anticipates or produces its segmentations. Expression must sweep up content; the same process must happen to form... It is not a politics of pessimism, nor a literary caricature or a form of science fiction.
Gilles Deleuze (Kafka: Toward a Minor Literature)
Besides the changes in technology, we’re told to believe in our uniqueness above all else. We’re told to think big, live big, to be memorable and “dare greatly.” We think that success requires a bold vision or some sweeping plan—after all, that’s what the founders of this company or that championship team supposedly had. (But did they? Did they really?) We see risk-taking swagger and successful people in the media, and eager for our own successes, try to reverse engineer the right attitude, the right pose.
Ryan Holiday (Ego Is the Enemy)
You have to stop letting me do this,” he bit off, half-angrily. “If you’ll stop leaning on me so that I can get my hands on a blunt object, I’ll be happy to…!” He kissed the words into oblivion. “It isn’t a joke,” he murmured into her mouth. His hips moved in a gentle, sensuous sweep against her hips. He felt her shiver. “That’s…new,” she said with a strained attempt at humor. “It isn’t,” he corrected. “I’ve just never let you feel it before.” He kissed her slowly, savoring the submission of her soft, warm lips. His hands swept under the blouse and up under her breasts in their lacy covering. He was going over the edge. If he did, he was going to take her with him, and it would damage both of them. He had to stop it, now, while he could. “Is this what Colby gets when he comes to see you?” he whispered with deliberate sarcasm. It worked. She stepped on his foot as hard as she could with her bare instep. It surprised him more than it hurt him, but while he recoiled, she pushed him and tore out of his arms. Her eyes were lividly green through her glasses, her hair in disarray. She glared at him like a female panther. “What Colby gets is none of your business! You get out of my apartment!” she raged at him. She was magnificent, he thought, watching her with helpless delight. There wasn’t a man alive who could cow her, or bend her to his will. Even her drunken, brutal stepfather hadn’t been able to force her to do something she didn’t want to do. “Oh, I hate that damned smug grin,” she threw at him, swallowing her fury. “Man, the conqueror!” “That isn’t what I was thinking at all.” He sobered little by little. “My mother was a meek little thing when she was younger,” he recalled. “But she was forever throwing herself in front of me to keep my father from killing me. It was a long time until I grew big enough to protect her.” She stared at him curiously, still shaken. “I don’t understand.” “You have a fierce spirit,” he said quietly. “I admire it, even when it exasperates me. But it wouldn’t be enough to save you from a man bent on hurting you.” He sighed heavily. “You’ve been…my responsibility…for a long time,” he said, choosing his words carefully. “No matter how old you grow, I’ll still feel protective about you. It’s the way I’m made.” He meant to comfort, but the words hurt. She smiled anyway. “I can take care of myself.” “Can you?” he said softly. He searched her eyes. “In a weak moment…” “I don’t have too many of those. Mostly, you’re responsible for them,” she said with black humor. “Will you go away? I’m supposed to try to seduce you, not the reverse. You’re breaking the rules.” His eyebrow lifted. Her sense of humor seemed to mend what was wrong between them. “You stopped trying to seduce me.” “You kept turning me down,” she pointed out. “A woman’s ego can only take so much rejection.
Diana Palmer (Paper Rose (Hutton & Co. #2))
The intriguing history of American applied toponymy includes a few notoriously unpopular sweeping decisions a year after President Benjamin Harrison created the Board on Geographic Names in 1890. Harrison acted at the behest of several government agencies, including the U.S. Geological Survey and the U.S. Coast and Geodetic Survey, which was responsible for mapping the nation's coastline, harbors, and coastal waterways. Troubled by inconsistencies in spelling, board members voted to replace centre with center, drop the ugh from names ending in orough, and shorten the suffix burgh to burg. Overnight, Centreview (in Mississippi) became Centerview, Isleborough (in Maine) became Isleboro, and Pittsburgh (in Pennsylvania) lost its final h and a lot of civic pride. The city was chartered in 1816 as Pittsburg, but the Post Office Department added the extra letter sometime later. Although both spellings were used locally and the shorter version had been the official name, many Pittsburghers complained bitterly about the cost of reprinting stationery and repainting signs. Making the spelling consistent with Harrisburg, they argued, was hardly a good reason for truncating the Iron City's moniker--although Harrisburg was the state capital, it was a smaller and economically less important place. Local officials protested that the board had exceeded its authority. The twenty-year crusade to restore the final h bore fruit in 1911, when the board reversed itself--but only for Pittsburgh. In 1916 the board reaffirmed its blanket change of centre, borough, and burgh as well as its right to make exceptions for Pittsburgh and other places with an entrenched local usage.
Mark Monmonier (From Squaw Tit to Whorehouse Meadow: How Maps Name, Claim, and Inflame)
some older people who need to sit down, Barb. We can’t put chairs out. I don’t want them to get too comfy or we’ll never get rid of them.’ ‘Oh, you’re being ridiculous.’ Henry is thinking that this is a fine time to call him ridiculous. He never wanted the stupid vigil. In bed last night they had another spit-whispered row about it. We could have it at the front of the house, Barbara had said when the vicar called by. Henry had quite explicitly said he would not support anything churchy – anything that would feel like a memorial service. But the vicar had said the idea of a vigil was exactly the opposite. That the community would like to show that they have not given up. That they continue to support the family. To pray for Anna’s safe return. Barbara was delighted and it was all agreed. A small event at the house. People would walk from the village, or park on the industrial estate and walk up the drive. ‘This was your idea, Barbara.’ ‘The vicar’s, actually. People just want to show support. That is what this is about.’ ‘This is ghoulish, Barb. That’s what this is.’ He moves the tractor across the yard again, depositing two more bales of straw alongside the others. ‘There. That should be enough.’ Henry looks across at his wife and is struck by the familiar contradiction. Wondering how on earth they got here. Not just since Anna disappeared, but across the twenty-two years of their marriage. He wonders if all marriages end up like this. Or if he is simply a bad man. For as Barbara sweeps her hair behind her ear and tilts up her chin, Henry can still see the full lips, perfect teeth and high cheekbones that once made him feel so very differently. It’s a pendulum that still confuses him, makes him wish he could rewind. To go back to the Young Farmers’ ball, when she smelled so divine and everything seemed so easy and hopeful. And he is wishing, yes, that he could go back and have another run. Make a better job of it. All of it. Then he closes his eyes. The echo again of Anna’s voice next to him in the car. You disgust me, Dad. He wants the voice to stop. To be quiet. Wants to rewind yet again. To when Anna was little and loved him, collected posies on Primrose Lane. To when he was her hero and she wanted to race him back to the house for tea. Barbara is now looking across the yard to the brazier. ‘You’re going to light a fire, Henry?’ ‘It will be cold. Yes.’ ‘Thank you. I’m doing soup in mugs, too.’ A pause then. ‘You really think this is a mistake, Henry? I didn’t realise it would upset you quite so much. I’m sorry.’ ‘It’s OK, Barbara. Let’s just make the best of it now.’ He slams the tractor into reverse and moves it out of the yard and back into its position inside the barn. There, in the semi-darkness, his heartbeat finally begins to settle and he sits very still on the tractor, needing the quiet, the stillness. It was their reserve position, to have the vigil under cover in this barn, if the weather was bad. But it has been a fine day. Cold but with a clear, bright sky, so they will stay out of doors. Yes. Henry rather hopes the cold will drive everyone home sooner, soup or no soup. And now he thinks he will sit here for a while longer, actually. Yes. It’s nice here alone in the barn. He finds
Teresa Driscoll (I Am Watching You)
sir, as one example, when I took my battalion through the ‘local village’ training stateside before we deployed, I reversed roles. I had my guys play the villagers, and I had troops who didn’t speak their language sweep through on a typical cordon-and-search mission. I made sure the troops treated my villagers like we too often treat locals – screaming at them in a language they did not understand, throwing them around, detaining them in painful positions, and so forth. The result was just what I wanted – a lot of fights. My guys got so angry they started throwing punches. Then in the debrief I asked them, ‘If we don’t want the locals to fight us, how should we treat them?’ The fact that they had been on the receiving end helped them see themselves in a whole new light.
William S. Lind (4th Generation Warfare Handbook)
MT: These texts are at one and the same time very beautiful and obscure; they need to be explicated, clarified. “What is hidden will be revealed.” Why must Revelation be hidden? RG: It's not that it must be hidden, actually it's not hidden at all. It's mankind that is blind. We're inside the closure of representation, everyone is in the fishbowl of his or her culture. In other words, mankind doesn't see what I was saying earlier, the principle of illusion that governs our viewpoint. Even after the Revelation, we still don't understand. MT: Does that mean that things are going to emerge gradually, but that at first they're incomprehensible? RG: They seem incomprehensible because mankind lives under the sign of Satan, lives a lie and lives in fear of the lie, in fear of liars. The reversal performed by the Passion has yet to occur. MT: Insofar as the Church itself has been mistaken for two thousand years and has been practicing a sacrificial reading of the Passion of the Christ, that reading is a way of hiding Revelation. RG: I'm not saying that the Church is mistaken. The reading that I'm proposing is in line with all the great dogmas, but it endows them with an anthropological underpinning that had gone unnoticed. MT: Why not just clean up our bad habits by sweeping them away once and for all in the year zero, making way for an era of love and infinite peace? RG: Because the world wouldn't have been able to take it! Since the sacrificial principle is the fundamental principle of the human order—up to a certain point human beings need to pour out their violence and tensions onto scapegoats—destroying it all at once is impossible. That's why Christianity is made in such a way as to allow for transitions. This is no doubt one of the reasons why it is at once so far from and so close to myth, and always susceptible to being interpreted a bit mythically. When Nietzsche says that Christianity is impossible, that it can only lead to absurdities, to outrageous, insane things, it can be said that he's superficially right, even if ultimately he's wrong. You can't get rid of the sacrificial principle by just flicking it away as if it were a piece of dust. History isn't finished. Every day very interesting things, changes in outlook, are happening right before our eyes. In the United States and everywhere, a lot of current cultural phenomena can be unified by describing them as the discovery of new victims, or rather as their concrete rehabilitation, for in truth we've known about them for a long time: women, children, the elderly, the insane, the physically and mentally handicapped, and so forth. For example, the question of abortion, which has great importance in American debates, is no longer formulated except in the following terms: “Who is the real victim? Is it the child or is it the mother?” You can no longer defend a given position, or indeed any of them, except by making it into a contribution to the anti-victimary crusade. MT
René Girard (When These Things Begin: Conversations with Michel Treguer (Studies in Violence, Mimesis & Culture))
The rocks are craggy/unmanageable without sufficiently lacerating my Self ~ scarcely solid ground, but more accurately a foothold. Yet in smoothness, the rocks are even less effective against the sweep of the tides than the sands of the shore. I sit here, not terribly concerned about the bruises and scrapes the jagged rocks lend in the moment, but concerned nevertheless by the waves that sweep back so effortlessly over the catchstones and eternally beyond reach—evading capture, leaving only a dissipating froth upon the black ridges to signal, at the very least, that 'it' happened: for whatever 'it' is worth. There is a distinctive tenor to this declaration of presence, this collapsing flow—Something that reminds me of...?—the reverberations of which remain beyond the span of cognition. Reverberations: there exists a memory of a memory of a dream I had once, but never an authentic rendering of the essential Moment. Still I can hear it in dreams of memories of memories of dreams. In dreams: a faint voice. A persona, a belief system distinctly its own, yet for now, the roar of the tides are a whisper ears strain to grasp. Seemingly a clue to a memory locked within. Or it’s all imagination: perhaps the sound of the ocean causes me to assume I’m remembering something. Gives the memory a sentience of its own and a vessel allowing it to surge in and ebb out. Yes, I’ve heard such things mentioned before: the stimulus that reverse engineers the very memory it is presumed to trigger. Still, it bothers me: this evasive, timeless notion.
Ashim Shanker (trenches parallax leapfrog)
By contrast, what has been worked away at in recent years has been a project in which verifiable truth is cast out. In its place comes that great Oprah-ism: “my truth.” The idea that I have “my truth” and you have yours makes the very idea of objective truth redundant. It says that a thing becomes so because I feel it to be so or say that it is so. At its most extreme, it is a reversion to a form of magical thinking. Precisely the thinking that the Enlightenment thinkers chased out. And perhaps that is why the Enlightenment thinkers have become such a focus for assault. Because the system they set up is antithetical to the system that is being constructed today: a system entirely opposed to the idea of rationalism and objective truth; a system dedicated to sweeping away everyone from the past as well as the present who does not bow down to the great god of the present: “me.
Douglas Murray (The War on the West)
This chronological dislocation between vision order and historical order in Revelation 12 exemplifies a principle evident throughout Revelation. Although the book's dramatic sweep takes its hearers from the present (the churches' current trials) to the future (the reversal of the curse in the new Jerusalem), there is no necessary connection between the order of the visions and the order of the events symbolized in the visions. We misunderstand John's visions if we insist on seeing them as a chronologically arranged timeline of history.
Dennis E. Johnson (Triumph of the Lamb: A Commentary on Revelation)
Drew winced. “My back hurts. What did you do to me in your front yard? One minute I was standing, then I was flat on my back in the grass.” “I swept the leg,” she said matter-of-factly. “But why?” “Why not? It’s the fastest way to get someone to the ground.” “But we were standing on your lawn.” “Exactly. We were on nice, soft grass. I would have wrestled you sooner, but it’s not safe on the pavement.” “Do you always wrestle with guys?” “Just the ones I like.” She tapped him on the nose. “Boop.” He tapped her right back. “Boop.” She asked, “Now that I’ve taught you to watch out for the leg sweep, what else can I do for you? Breakfast in bed? Pack you a bagged lunch for work today?” He checked the time on her alarm clock. “It’s Saturday, which is a light day, but I do have a few patients after lunch.” “What do you mean it’s a light day? You’re not fully booked? You must not be a very good dentist. Maybe I should get a second opinion on that cap you glued into my mouth all willy-nilly.” He dropped his jaw in mock outrage. “Not a very good dentist? Those are fighting words, you bad girl.” She raised her eyebrows. “Want to take this back out to the front lawn?” “I think we gave your neighbors enough of a show last night.” “True,” she said. “Plus, we already got grass stains all over one change of clothes.” He wrinkled his nose. “Grass stains.” He groaned. He leaned back, resting his head on Megan’s second pillow, where Muffins normally slept. The sea-foam-green linens were a perfect complement to his skin tone. His brown eyes were a rich chocolate with bright flecks and an inner ring that was nearly green. The sheets had been purchased to complement Muffins, with his orange fur and entirely green eyes, but they looked even better around Dr. Drew Morgan. Drew asked, “What are you thinking about?” He reached up to run his fingers through her tangled morning hair. She normally hated that, but it felt good when Drew did it. “I’m thinking that you look really good in my sheets. You look good in sea-foam green.” “Thanks.” He grinned. “I can’t wait to see how you look in my bed.” “You think you’re going to get me into your bed?” “Sure. I know how it’s done. You just sweep the leg.” “I shouldn’t have told you all my secrets.” Muffins returned and situated himself between them for a bath. Drew propped himself up on one elbow and petted the cat. “So what do I have to do to get you to my place in the first place?” “Reverse psychology works well on me. You could tell me to never come over. You could ban me from your house.” He chuckled. “Whatever you do, don’t show up naked under a trench coat.” “What makes you think I’d show up naked in a trench coat?” “You’re a wild girl. Exactly what I need right now.” “You need me? Are we talking about, like, a medical type of emergency?” “You tell me.” He scooped up Muffins, placed him on the chair next to the bed, and pulled Megan close to him.
Angie Pepper (Romancing the Complicated Girl (Baker Street Romance #2))
what has been worked away at in recent years has been a project in which verifiable truth is cast out. In its place comes that great Oprah-ism: “my truth.” The idea that I have “my truth” and you have yours makes the very idea of objective truth redundant. It says that a thing becomes so because I feel it to be so or say that it is so. At its most extreme, it is a reversion to a form of magical thinking. Precisely the thinking that the Enlightenment thinkers chased out. And perhaps that is why the Enlightenment thinkers have become such a focus for assault. Because the system they set up is antithetical to the system that is being constructed today: a system entirely opposed to the idea of rationalism and objective truth; a system dedicated to sweeping away everyone from the past as well as the present who does not bow down to the great god of the present: “me.
Douglas Murray (The War on the West)
His scales were smooth and hot beneath my palms but I managed to gain purchase by grabbing hold of his wing and hoisting myself higher. His body was trembling beneath me and he bellowed in pain again, urging me on faster. I reached up, grabbing a thick spine which ran down the centre of his neck before coming face to face with the creature from my nightmares. The Nymph shrieked, lunging at me faster than should have been possible and I almost lost my grip on Darius as I fell back. My heart lurched violently but I managed to catch the top of his wing, swinging myself around as that paralysing rattle juddered through my core, halting my magic in its tracks and stealing my energy from me. Fear shot through me as the Nymph pounced, its probes aimed right for my chest. I screamed, throwing my fist out even though I knew it was no good. As my knuckles connected with the bony ridges of its face, pain exploded through my hand swiftly followed by a flood of red and blue flames. The Nymph shrieked so loudly that I threw my hands over my ears as the flames consumed it, a wisp of black smoke sweeping up towards the sky where it had been moments before. I fell forwards, my palms meeting the warmth of Darius’s blood as I braced myself against him. More Nymphs were running straight for us and with an echoing roar which vibrated right through my body, Darius destroyed all five of them with a torrent of Dragon Fire. His head fell forward as he used the last of his energy and I cried out, grabbing hold of his wing as he tilted sideways beneath me. He crashed to the ground on his side and through some miracle, I managed to keep hold of his wing before falling against his neck. I wrapped my arms around him, scrunching my eyes closed as a tremor tore through his body and the golden colour of his scales seemed to shine with inner power and heat. My stomach lurched and I released a scream as I found myself falling over ten foot down to the ground as Darius retreated into his Fae form. I kept hold of him as I fell, crashing down into the mud of the Pitball pitch on top of him with a cry of fear. All around us the fight raged on but beneath my hands, blood was pulsing from his chest and he was lying deathly still. “Darius?” I demanded, shaking him while still trying to press down on his wounds. It wouldn’t be enough though, his back and legs were bleeding too. A bloody gouge shone wetly on his neck and his breaths were far too shallow. “Help!” I shouted, though my eyes stayed fixed on Darius’s face and my heart was pounding the rhythm of a war drum in my chest. The hairs were rising along the back of my neck, a strange sensation prickling in my chest. This moment felt eternal and fleeting all at once, like we were hanging between two great points and everything could change on the turn of a coin. “Wake up!” I demanded, pushing my magic towards him in hopes of being able to do something. Instead of stopping the blood or healing him, my magic spilled into his body, merging with his in the reverse of what we’d been doing when he helped me with my fire magic. His power welcomed mine instantly, drawing it in, blending with it completely like it had been waiting for this moment. The feeling took my breath away and though it didn’t slow the blood, I felt the tension ease from his muscles and the fear loosen its grip on his heart. My hands were shaking as they ran slick with Darius’s blood and silent tears tracked down my cheeks. His heart was slowing down, his power flickering like a candle in a breeze. If someone didn’t get to us soon, Darius Acrux was going to die. And though it seemed like he should have been the last person in the world for me to care about after everything he’d done to me, I wasn’t sure I could bear it if I lost him here.(tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Despite the challenges, the river never reverses its course. Rather, it decides to cut fresh banks, fashion serene inlets, feed swirling eddies, sweep away fallen timber, lavish the floodplains with rich nutrients, and declare by actions such as these that the cowardice of reversal would never have created rivers this magnificent.
Craig D. Lounsbrough
Of course, Kafka doesn't see himself as a sort of party. He doesn't even pretend to be revolutionary, whatever his socialist sympathies may be. He knows that all the lines link him to a literary machine of expression for which he is simultaneously the gears, the mechanic, the operator, and the victim. So how will he proceed in this bachelor machine that doesn't make use of, and can't make use of, social critique? How will he make a revolution? He will act on the German language such as it is in Czechoslovakia. Since it is a deterritorialized language in many ways, he will push the deterritorialization farther, not through intensities, reversals and thickenings of the language but through a sobriety that makes language take flight on a straight line, anticipates or produces its segmentations. Expression must sweep up content; the same process must happen to form... It is not a politics of pessimism, nor a literary caricature or a form of science fiction.
Giles Deleuze, Felix Guattari
A sheet of paper has the words “The statement on the other side of this paper is true” written on one side and “The statement on the other side of this paper is false” on the reverse. The conflict isn’t resolvable. Or, closer to the point, the following assertion: “This statement is unprovable.” 5 You cannot prove the statement is true, because doing so would contradict it. If you prove the statement is false, then that means its converse is true—it is provable—which again is a contradiction.
Richard Bookstaber (The End of Theory: Financial Crises, the Failure of Economics, and the Sweep of Human Interaction)
At the G-20 meeting in Paris in 2011, finance ministers expressed fears that U.S.-driven global inflation was threatening global stability. George Melloan was among those who made the connection between this unrest and QE. He acknowledged in the Wall Street Journal: “Probably few of the protesters in the streets connect their economic travail to Washington. But central bankers do.” To appreciate the depth of political upheaval created by the 2008 financial crisis, just tally the power shifts that occurred in its wake. In addition to the turmoil in the Middle East, 13 out of 17 European governments changed over as a result of the initial financial crisis. In the United States, the stock market panic in September 2008 reversed the slight lead of John McCain and helped sweep the far-left Barack Obama into office.
Steve Forbes (Money: How the Destruction of the Dollar Threatens the Global Economy – and What We Can Do About It)
When the sweep of God's sickles brings final harvest to the earth, separating grain from grapes, the present system of power and prestige will be reversed. The pagan persecutors who now tread the holy city underfoot (Rev. 11:2) will be trodden underfoot by the church's mighty avenger (14:20). Their defiling blood pours from a winepress "outside the city," for those who belong to earth's so-called "great city," which wages war on God's church (11:8; 17:18), have no share in God's holy, heavenly city. No one unclean shall ever enter the holy city, the new Jerusalem, "but only those whose navies are written in the Lamb's book of life" (21:27).
Dennis E. Johnson (Triumph of the Lamb: A Commentary on Revelation)
My heart pounding, I somehow knocked the tarantula to the ground and used the broom to brush him down our very long steep driveway. With each brush, the tarantula would jump back up, turn, and start to come towards me. Apparently, tarantulas pursue their prey. Finally, somehow, I was able to sweep it down to the street. Pumped up on adrenaline and a desire to protect my children (born and unborn), I started my car and set off to finish the job. Convinced it was him or me, I backed up my car and took aim at the stunned tarantula. I could not take a chance that he would crawl back to my house, my home. When the deed was done, I pulled forward and looked out my window to see if the creature was still moving. I think I saw him flinch. So I threw the car back in reverse and ran over him again, just to make sure. Really sure. In hindsight, it is possible I overreacted.
Kristen Brakeman (Is That The Shirt You're Wearing?: a memoir in essays)
Magic was rushing around me, sweeping me up like floodwaters. With great effort, I stabilized myself. Tried to reverse the power. Tried to capture what surged through me. And for the briefest moment, I fucking had it. The magic no longer carried me away. I was channeling it. It took every bit of strength in me—my physical body, surely, had to be dying. Nothing but death could be this painful. Still. For one moment, one beautiful fucking moment, it was right there.
Carissa Broadbent (Mother of Death & Dawn (The War of Lost Hearts, #3))
She came at him with her two hands, though she didn’t quite know what her intent was. Perhaps she was to throttle him, or pluck out his eyes, or go for the gun he had in his pocket, but Roma was faster even in his inebriated state. He caught her by the wrists and pushed, until she was on her back again and Roma was hovering over her, smug. “You were saying?” Roma asked. He didn’t move away once he had proved his point. He remained—his hands holding her wrists down over her head, his body hovering over hers, his eyes strange and dark and on fire. Something had changed in Roma’s expression. Juliette inhaled sharply, a small, quick breath. It might have gone unnoticed, if Roma hadn’t been so close. He noticed. He always noticed. “Why do you flinch?” Roma asked. His voice dropped to a conspiring, merciless whisper. “Do you fear me?” A hot fury swept into Juliette’s stilled veins. Such an insolent question reawakened all of her dulled senses, sweeping back the numbness of the alcohol. “I have never feared you.” Juliette reversed their bodies in one deft push. Bitter and resentful and aggrieved, she hooked her legs around his and twisted her hips until Roma was the one flat on his back and she loomed over him, kneeling on the sheets.
Chloe Gong (These Violent Delights (These Violent Delights, #1))