Rev Run Quotes

We've searched our database for all the quotes and captions related to Rev Run. Here they are! All 35 of them:

Radar revs the engine as to say hustle, and we are running through the parking lot, Ben's robe flowing in the wind so that he looks vaguely like a dark wizard, except that his pale skinny legs are visible, and his arms hug plastic bags. I can see the back of Lacey's legs beneath her dress, her calves tight in midstride. I don't know how I look, but I know how I feel: Young. Goofy. Infinite.
John Green (Paper Towns)
Someday I will stop being young and wanting stupid tattoos. There are 7 people in my house. We each have different genders. I cut my hair over the bathroom sink and everything I own has a hole in it. There is a banner in our living room that says “Love Cats Hate Capitalism.” We sit around the kitchen table and argue about the compost pile and Karl Marx and the necessity of violence when The Rev comes. Whatever the fuck The Rev means. Every time my best friend laughs I want to grab him by the shoulders and shout “Grow old with me and never kiss me on the mouth!” I want us to spend the next 80 years together eating Doritos and riding bikes. I want to be Oscar the Grouch. I want him and his girlfriend to be Bert and Ernie. I want us to live on Sesame Street and I will park my trash can on their front stoop and we will be friends every day. If I ever seem grouchy it’s just because I am a little afraid of all that fun. There is a river running through this city I know as well as my own name. It’s the first place I’ve ever called home. I don’t think its poetry to say I’m in love with the water. I don’t think it’s poetry to say I’m in love with the train tracks. I don’t think it’s blasphemy to say I see God in the skyline. There is always cold beer asking to be slurped on back porches. There are always crushed packs of Marlboro’s in my back pockets. I have been wearing the same patched-up shorts for 10 days. Someday I will stop being young and wanting stupid tattoos.
Clementine von Radics
A Dream Will Always Be A Dream Until You Wake Up, And Make It Happen
Joseph Simmons (Take Back Your Family: A Challenge to America's Parents)
Stop regretting relationships that once brought you great joy.
Joseph Simmons
With shaking fingers, I turn the key and crank the ignition. When I rev the engine, I figure there’s no way it’s running with more RPMs than my libido is at this very moment. If Cash doesn’t cool it, I’ll be sitting in a puddle within the hour.
M. Leighton (Down to You (The Bad Boys, #1))
He watches me eat for a moment. “Let me see it again.” “No.” “Okay.” He pulls a can of carbonated water out of his backpack and pops the lid. Sometimes I want to punch him. I find the letter and slide it across the table. He reads it again. It makes me feel all jittery inside. His eyes flick up. “She likes you.” I shrug and steal his drink. It tastes like someone drowned an orange in a bottle of Perrier, and I cough. Rev smiles. “You like her.” “How can you drink this crap?” His smile widens. “Is it making you crazy that she won’t reveal herself?” “Seriously, Rev, do you have any regular water?” He’s no fool. “What do you want to do?” I take a long breath and blow it out. I run a hand through my hair. “I don’t know.” “You know.” “I want to stake out the grave. This waiting between letters is killing me.” “Suggest email.” “She doesn’t want to tell me anything more than her age. She’s not going to give me her email address.” “Maybe not her real email. But you could set up a private account and give her the address. See if she writes you.” It’s so simple it’s brilliant. I hate that I didn’t think of it. “Rev, I could kiss you.” “Brush your teeth first.” He reclaims his bizarre can of water.
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
Shame on an orc who run game on an orc. Mother fucker. *revs harley*
Mary Anna Thrall
Most of us have physical or mental conditions that have caused us distress in the past. And when we get a whiff of one coming—an incipient asthma attack, a symptom of chronic fatigue, a twinge of anxiety—we panic. Instead of relaxing with the feeling and letting it do its minute and a half while we’re fully open and receptive to it, we say, “Oh no, oh no, here it is again.” We refuse to feel fundamental ambiguity when it comes in this form, so we do the thing that will be most detrimental to us: we rev up our thoughts about it. What if this happens? What if that happens? We stir up a lot of mental activity. Body, speech, and mind become engaged in running away from the feeling, which only keeps it going and going and going. We
Pema Chödrön (Living Beautifully: with Uncertainty and Change)
I have given up on speech with the Rev; there is no use explaining that you have to learn where your pain is. You have to burrow down and find the wound, and if the burden of it is too terrible to shoulder you have to shout it out; you have to shout for help. My trust, even down in that dark place I carry, is that some person will come running. And then finally the way through grief is grieving.
Jane Hamilton (The Book of Ruth)
Is he a man who’s going to rip your heart into a thousand pieces? Or is he the man that’s going to cherish and protect your deepest feelings?
Joseph Simmons (Manology: Secrets of Your Man's Mind Revealed)
it’s impossible to be stressed or depressed about situations and relationships that you have clarity on.
Joseph Simmons (Manology: Secrets of Your Man's Mind Revealed)
f white Americans were to leave the country tomorrow, in ten years -America would be a ghetto. You can see the truth of this when you look at many of our major cities that are run by black mayors, black-dominated city councils, and black police chiefs. These cities are usually horrible places to live. Yet blacks who live in black-ruled cities can't see the truth: their own immorality is the cause of black poverty, crime, and family destruction!
Jesse Lee Peterson (Scam: How the Black Leadership Exploits Black America)
I didn’t know I came off as a judgmental asshole,” he mused. “You don’t. But you are a total alpha male and you know it.” “All the men in this house are,” he retorted. “Maybe, but I think we both know you’re number one.” “Have you met my wife? She totally runs me.
Cambria Hebert (#Rev (GearShark, #2))
drink it had been put on hold. Reverend Joe, it turned out, had to leave the office earlier than usual. Mrs. Staples, who was supposed to clean the Church, had gotten an emergency call from her pet sitter. One of her cats was stuck in a wall again. The Church would be empty. “How did you hear him?” Matt asked, keeping an eye on the Church office. The Reverend’s car idled in its parking spot. Their religious leader would leave at any moment. “It was last night,” Carlton said. “I was helping my mom clean up after youth group. She was pretty upset about something and was talking to Dan’s mom. When I passed by the Rev’s office, I heard him on the phone.” “What did he say exactly?” Matt asked, looking away from the Church, for a moment, and at his friend. Carlton brushed a stray lock of blonde hair out of his eyes and said, “The Rev said, ‘I’ve got a headless ghost running around the Church.
Ron Ripley (The First Church (Moving In, #4))
Takes them less than a week to run the Line thro’ somebody’s House. About a mile and a half west of the Twelve-Mile Arc, twenty-four Chains beyond Little Christiana Creek, on Wednesday, April 10th, the Field-Book reports, “At 3 Miles 49 Chains, went through Mr. Price’s House.” “Just took a wild guess,” Mrs. Price quite amiable, “where we’d build it,— not as if my Husband’s a Surveyor or anything. Which side’s to be Pennsylvania, by the way?” A mischievous glint in her eyes that Barnes, Farlow, Moses McClean and others will later all recall. Mr. Price is in Town, in search of Partners for a Land Venture. “Would you Gentlemen mind coming in the House and showing me just where your Line does Run?” Mason and Dixon, already feeling awkward about it, oblige, Dixon up on the Roof with a long Plumb-line, Mason a-squint at the Snout of the Instrument. Mrs. Price meantime fills her Table with plates of sour-cherry fritters, Neat’s-Tongue Pies, a gigantick Indian Pudding, pitchers a-slosh with home-made Cider,— then producing some new-hackl’d Streaks of Hemp, and laying them down in a Right Line according to the Surveyors’ advice,— fixing them here and there with Tacks, across the room, up the stairs, straight down the middle of the Bed, of course, . . . which is about when Mr. Rhys Price happens to return from his Business in town, to find merry Axmen lounging beneath his Sassafras tree, Strange Stock mingling with his own and watering out of his Branch, his house invaded by Surveyors, and his wife giving away the Larder and waving her Tankard about, crying, “Husband, what Province were we married in? Ha! see him gape, for he cannot remember. ’Twas in Pennsylvania, my Tortoise. But never in Maryland. Hey? So from now on, when I am upon this side of the House, I am in Maryland, legally not your wife, and no longer subject to your Authority,— isn’t that right, Gents?” “Ask the Rev,” they reply together,
Thomas Pynchon (Mason & Dixon)
You were taught that even when the charism of celibacy and chastity is present and embraced, the attractions, the impulses, the desires will still be present. So the first thing you need to do is be aware that you are a human being, and no matter how saintly or holy you are, you will never remove yourself from those passions. But the idea was making prudent choices. You just walk away. Celibacy is a radical call, and you’ve made a decision not to act on your desire.” Today, seminaries say they screen applicants rigorously. In Boston, for example, a young man must begin conversations with the vocations director a year before applying for admissions, and then the application process takes at least four months. Most seminaries require that applicants be celibate for as long as five years before starting the program, just to test out the practice, and students are expected to remain celibate throughout seminary as they continue to discern whether they are cut out to lead the sexless life of an ordained priest. Some seminaries screen out applicants who say they are sexually attracted to other men, but most do not, arguing that there is no evidence linking sexual orientation to one’s ability to lead a celibate life. The seminaries attempt to weed out potential child abusers, running federal and local criminal background checks, but there is currently no psychological test that can accurately predict whether a man who has never sexually abused a child is likely to do so in the future. So seminary officials say that in the screening process, and throughout seminary training, they are alert to any sign that a man is not forming normal relationships with adults, or seems abnormally interested in children. Many potential applicants are turned away from seminaries, and every year some students are forced out. “Just because there’s a shortage doesn’t mean we should lessen our standards,” said Rev. Edward J. Burns,
The Boston Globe (Betrayal: The Crisis in the Catholic Church: The findings of the investigation that inspired the major motion picture Spotlight)
The enjoyment of God will be as fresh and glorious after many ages, as it was at first. God is eternal, and eternity knows no change; there will then be the fullest possession without any decay in the object enjoyed. There can be nothing past, nothing future; time neither adds to it, nor detracts from it; that infinite fulness of perfection which flourisheth in him now, will flourish eternally, without any discoloring of it in the least, by those innumerable ages that shall run to eternity, much less any despoiling him of them: “He is the same in his endless duration” (Ps. ch. 27). As God is, so will the eternity of him be, without succession, without division; the fulness of joy will be always present; without past to be thought of with regret for being gone; without future to be expected with tormenting desires. When we enjoy God, we enjoy him in his eternity without any flux; an entire possession of all together, without the passing away of pleasures that may be wished to return, or expectation of future joys which might be desired to hasten. Time is fluid, but eternity is stable; and after many ages, the joys will be as savory and satisfying as if they had been but that moment first tasted by our hungry appetites. When the glory of the Lord shall rise upon you, it shall be so far from ever setting, that after millions of years are expired, as numerous as the sands on the sea-shore, the sun, in the light of whose countenance you shall live, shall be as bright as at the first appearance; he will be so far from ceasing to flow, that he will flow as strong, as full, as at the first communication of himself in glory to the creature. God, therefore, as sitting upon his throne of grace, and acting according to his covenant, is like a jasper-stone, which is of a green color, a color always delightful (Rev. iv. 3); because God is always vigorous and flourishing; a pure act of life, sparkling new and fresh rays of life and light to the creature, flourishing with a perpetual spring, and contenting the most capacious desire; forming your interest, pleasure, and satisfaction; with an infinite variety, without any change or succession; he will have variety to increase delights, and eternity to perpetuate them; this will be the fruit of the enjoyment of an infinite and eternal God: he is not a cistern, but a fountain, wherein water is always living, and never putrefies. 4. If God be eternal, here is a strong ground of
William Symington (The Existence and Attributes of God)
This Girl I Knew Glasses, bad bangs, patched blue jeans, creek-stained tennis shoes caked in mud, a father who sells vacuum cleaners, a mother skinny as a nun, a little brother with straw-colored hair and a scowling, confused look in the pews at church: this girl I knew. House at the edge of town, crumbling white stucco. Dog on a chain. Weeds. Wildcat Creek trickling brown and frothy over rocks out back, past an abandoned train trestle and the wreck of an old school bus left to rot. This girl I knew, in whatever room is hers, in that house with its dust-fogged attic windows, its after-dinner hours like onions soft in a pan. Her father sometimes comes for her, runs a hand through her hair. Her mother washes every last stick of silverware, every dish. The night sky presses down on their roof, a long black yawn spiked with stars, bleating crickets. The dog barks once, twice. Outside town, a motorcycle revs its engine: someone bearing down. Then nothing. Sleep. This girl I knew dreams whatever this girl I knew dreams. In the morning it’s back to school, desks, workbooks, an awkwardly held pencil in the cramped claw of a hand. The cigarette and rosewater scent of Ms. Thompson at the blackboard. The flat of Ms. Thompson’s chest, sunburned and freckled, where her sweater makes a V. You should be nice to her, my mother says about this girl I knew. I don’t want to be nice to her, I say to my mother. At recess this girl I knew walks around the playground, alone, talking to herself: elaborate conversations, hand gestures, hysterical laughing. On a dare from the other girls this girl I knew picks a dandelion, pops its head with her thumbnail, sucks the milky stem. I don’t want to be nice to her. Scabbed where she’s scratched them, mosquito bites on her ankles break and bleed. Fuzzy as a peach, the brown splotch of a birthmark on her arm. The way her glasses keep slipping down her nose. The way she pushes them up.
Steve Edwards
I’m not sure why I thought it would be a good idea to bring Kanish to Mel Odious Sound yesterday. Bringing a Billionheir to a large recording complex full of Producers is like opening a bag of chips at a seagull convention. It wouldn’t be long before every Producer within earshot swooped in to aggressively pitch his latest and greatest pet project, most of which would likely prove unprofitable. Rev is obviously going to pitch a project, and it very well may be something amazing. But as I’ve pointed out, in order for Kanish to make a profit, he would have to pick up half the Publishing—a non-starter for the Rev. He’s not a Songwriting Producer, so he likely doesn’t have a sufficient portion of the Publishing to share. And even if he did, no seasoned Producer is going to give half of their equity in a song in order to basically secure a small loan from an outside investor. There’s no upside. For starters, Kanish has no channels of Distribution beyond Streaming, which is already available to anyone and everyone who wants it, and which is currently only profitable for the Major Labels and the stockholders of the Streaming services themselves. Everyone else is getting screwed. And please don’t quote me the Douchebag Big Tech Billionaires running big Streaming Corporations. They are literally lining their pockets with the would-be earnings of Artists and Songwriters alike. What they claim as fair is anything but. Frankly, I don’t think we should be comfortable with Spotify taking a 30 percent margin off the top, and then disbursing the Tiger’s Share of the remaining 70 percent to the Major Labels who have already negotiated top dollar for access to their catalog. This has resulted in nothing but some remaining scraps trickling down to the tens of thousands of Independent Artists out there who just want to make a living. You can’t make a living off scraps, or even a trickle, for that matter. Mark my words, we are currently witnessing the greatest heist in the annals of the Music Business, and that’s saying something given its history. Can you say Napster? Stunningly, the only place that Songwriters can make sufficient Performance Royalties is radio—a medium that is coming up on its hundred-year anniversary. To make matters worse, the Major Distributors still have radio all locked up, and without airplay, there’s no hit. So even now, more than twenty years into the Internet revolution, the odds of breaking through the artistic cacophony without Major-Label Distribution are impossibly low. So much for the Internet leveling the playing field. At this point, only Congress can solve the problem. And despite the fact that Streaming has been around since the mid-aughts, Congress has done nothing to deal with the issue. Why? Because it’s far cheaper for Big Tech to line the pockets of lobbyists and fund the campaigns of politicians who gladly ignore the issue than it is to pay Artists and Songwriters a fair rate for their work, my friends. Same is it ever was. Just so I’m clear, there is a debate to be had as to how much Songwriters and Artists should be paid for Streaming. A radio Spin can reach millions. A Stream rarely reaches more than a few listeners. Clearly, a new method of calculation is required. But that doesn’t mean that we should just sit by as the Big Tech Douchebags rob an entire generation of royalties all so they can sell their Streaming Corporation for billions down the line. I mean, that is the end game, after all. At which point, profit for the new majority stockholder will be all but impossible. How will anyone get paid then?
Mixerman (#Mixerman and the Billionheir Apparent)
A dead run and he began to be afraid because she had to start in the next three or it was no go, after twenty-six days, no go. Risk the next cartridge on clearing the pots—she was too rich, stank of the stuff. Mixture weak, switches off, throttle wide open and risk it. Five. Steady and no kick, a clearer, with black-and-blue muck curling out of the pipe; he shivered in the heat with two to go and the fear of Christ in him. Six. A spinner and she kicked, banging on the gears with the air frame shaking, blue smoke curling, clearing—orange flame and the big prop spinning at a run and settling, putting out a roar from the pipe that drowned the sound of the sobbing in his throat as he eased the revs up and sat like a sack listening to the cylinders beating, hunting, one of them choked still but picking up—then she was running with a will and in the long sweet sound he heard another, faintly, and turned his head and saw them standing there with their mouths open, cheering.
Elleston Trevor (The Flight of the Phoenix)
L'Espresso magazine published the full 191 pages of "Laudato Si" (Be Praised) on its website Monday, three days before the official launch. The Vatican said it was just a draft, but most media ran with it, given that it covered many of the same points Francis and his advisers have been making in the run-up to the release. On Tuesday, the Vatican indefinitely suspended the press credentials of L'Espresso's veteran Vatican correspondent, Sandro Magister, saying the publication had been "incorrect." A letter from the Vatican spokesman, the Rev. Federico Lombardi, to Magister advising him of the sanction was posted on the bulletin board of the Vatican press office.
Anonymous
The answer lies in letting Him change you. Remember His counsel to the lukewarm church in Laodicea? “Here I am! I stand at the door and knock. If anyone hears my voice and opens the door, I will come in and eat with him, and he with me” (Rev. 3:20). His counsel wasn’t to “try harder,” but rather to let Him in. As James wrote, “Come near to God and he will come near to you” (4:8). Jesus Christ didn’t die only to save us from hell; He also died to save us from our bondage to sin. In John 10:10, Jesus says, “I have come that they may have life, and have it to the full.” He wasn’t talking about the future. He meant now, in this lifetime. The fact is, I need God to help me love God. And if I need His help to love Him, a perfect being, I definitely need His help to love other, fault-filled humans. Something mysterious, even supernatural must happen in order for genuine love for God to grow in our hearts. The Holy Spirit has to move in our lives. It is a remarkable cycle: Our prayers for more love result in love, which naturally causes us to pray more, which results in more love…. Imagine going for a run while eating a box of Twinkies. Besides being self-defeating and sideache-inducing, it would also be near impossible—you would have to stop running in order to eat the Twinkies. In the same way, you have to stop loving and pursuing Christ in order to sin. When you are pursuing love, running toward Christ, you do not have opportunity to wonder, Am I doing this right? or Did I serve enough this week? When you are running toward Christ, you are freed up to serve, love, and give thanks without guilt, worry, or fear. As long as you are running, you are safe.
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
During your nonwork time, consider doing energetic-based exercises, such as qi gong, yoga, Pilates, tai chi, or karate. When performing these activities, focus on your intention. Running, walking, or biking before or after work or during lunch break are excellent ways to release others’ energies and rev up your own.
Cyndi Dale (Energetic Boundaries: How to Stay Protected and Connected in Work, Love, and Life)
Ty growled at him, but Zane raised the paper before Ty could rev up for a retort. Ty read the note with barely concealed contempt. House is bugged. Play along. Ty
Abigail Roux (Crash & Burn (Cut & Run, #9))
Preventing Separation Anxiety We wish our dogs could be with us all day, every day, but it’s not possible, and puppies do need to learn to spend time alone. A dog who can never be left home alone without destroying the house may be suffering from separation anxiety. Teach your Lab to feel safe and comfortable at home alone while she’s still a puppy, even if you’re home all day. Your life or job situation may change someday, and you’re heading off future trauma by teaching this lesson now, when she is young. Your puppy’s not yet mature enough to have the run of an entire house or yard, so confine her in her crate or pen when you’re gone. What you might think is separation anxiety might really be simple puppy mischief. When you’re not there to supervise, she’s free to indulge her curiosity and entertain herself in doggie ways. She knows she can’t dump the trash and eat the kitty litter in front of you, but when you’re gone, she makes her own rules. Teach your puppy not to rely on your constant attention every minute you’re at home. Set up her crate, pen, or wherever she can stay when you’re gone, and practice leaving her in it for short rests during the day. She’ll learn to feel safe there, chewing on her toy and listening to household noises. She’ll also realize that being in her pen doesn’t always mean she’s going to be left for long periods. Deafening quiet could unnerve your puppy, so when you leave, turn on the radio or television so the house still has signs of activities she’d hear when you’re home. Background noise also blocks out scary sounds from outdoors, so she won’t react to unknown terrors. HAPPY PUPPY Exercise your puppy before you leave her alone at home. Take her for a walk, practice obedience, or play a game. Then give her a chance to settle down and relax so she won’t still be excited when you put her in her pen. She’ll quickly learn that the rustle of keys followed by you picking up your briefcase or purse, getting your jacket out of the closet, or picking up your books all mean one awful thing: you’re going, and she’s staying. While you’re teaching her to spend time alone, occasionally go through your leaving routine without actually leaving. Pick everything up, fiddle with it so she can see you’re doing so, put it all back down, and go back to what you were doing. Don’t make a fuss over your puppy when you come and go. Put her in her pen and do something else for a few minutes before you leave. Then just leave. Big good-byes and lots of farewell petting just rev her up and upset her. When you come home, ignore her while you put down your things and get settled. Then greet her calmly and take her outside for a break.
Terry Albert (Your Labrador Retriever Puppy Month by Month: Everything You Need to Know at Each Stage to Ensure Your Cute and Playful Puppy Grows into a Happy, Healthy Companion)
Time is compared to golden sands running between two eternities, and 'tis an infinite mercy they are still running, that you have a day to work out your salvation, to agree with your adversary while he is in the way [Matt. 5:25; Phil. 2:12]--namely, to make up the breach between God and your soul (Rev. 2:21).
John Fox (Time and the End of Time: Discourses on Redeeming the Time and Considering Our Latter End)
This book is meant to inspire and assist you in reconnecting with your mystical self in a most natural and powerful way and to reclaim your psychic nature so that you may live a more integrated and fulfilling life. ...After playing with the concepts and exercises for awhile, it will become natural to "ask yourself" the things you want to understand before you run out and consult an "expert" on your life. You are more than you realize, and your spiritual capacities are boundless and forever expanding. I invite you to sit down, relax, and "ask yourself" what you are curious to know. Your answers will find you." --Pam Flowerday
Rev. Pamela Irene Flowerday (Ask Yourself.: Understand and Unlock Your Psychic Power for Personal & Planetary Healing)
Hey, you,” a voice calls out. I turn to look, and find Bob Caster perched on a gleaming motorcycle with wide, shiny handlebars. I point to myself and ask, “Who? Me?” “Yes, you,” he says. He squints at me like he’s trying to look inside me. I cross my arms under my breasts to block his piercing gaze, and his eyes drop down to my boobs. He licks his lips ever so slowly, and then his eyes travel back up. Heat creeps up my cheeks, but I refuse to fidget on my feet. I stare straight at him. “You want to take a ride with me?” he asks. He revs the bike. I point a finger. “On that?” He grins that sideways grin again. “Well, I wasn’t offering my personal services.” He glances down at his button fly, and then he laughs. He runs a hand lovingly down the shiny chrome handlebar, his touch reverent and respectful. “Of course on this.” I point to the center of my chest and then at the bike. “You want to take me for a ride on that?” He stares at me. I finally let that feet fidget thing happen and want to kick myself. “Is it safe?” He shakes a cigarette out of a pack and takes his time lighting it. He inhales deeply and holds it for a moment. Then he blows it out and says, “I won’t let you get hurt.” I look at my car and then at him. He revs the engine again. “Where are we going?” “For a ride,” he says with a shrug. “When will we be back?” I step closer to him and his eyes light up a little. And I like it. “When we get done.” Be still my heart. He flicks his cigarette into the grass. “Are you coming or what?” “Okay,” I say. He looks surprised. “Yeah?” “Yes.” He takes the helmet off his head and holds it out to me. I pull my ponytail free and tug the helmet on. He reaches out to buckle the strap for me, his fingers gentle. “How old are you?” he asks, his voice strong but quiet. “Nineteen.” “Good.” He grins. He motions for me to climb on behind him and I do, my thighs spread around his hips. He lifts my feet and shows me where to put them. “Why is that good?” I ask close to his ear. He looks back over his shoulder. “Because I don’t want to go back to jail.” He doesn’t wait. He hits the gas and I shriek as we take off through the parking lot and onto the open road. He reaches back with one hand and puts my hand on his waist, and I automatically follow with the other. I hold on tightly to the man who just told me he doesn’t want to go back to jail, and I wonder what the heck I just got myself into.
Tammy Falkner (Yes You (The Reed Brothers #9.5))
A Phillips serial (in contrast to the jerky, obvious, and corny melodramas of the Hummerts) usually contained just one main scene in each installment, peopled by only two characters. Her scenes were sparse, the settings lean, the people clear without the endless repetition of names that filled a Hummert soap. Phillips was the first serial writer to effectively blend her soaps. Her popular Today’s Children was phased out of its first run in 1938 by having its characters sit around the radio and listen to The Woman in White, which replaced it. When three of her soaps were scheduled consecutively and sponsored by General Mills in 1944, Phillips expanded this idea of integrated storylines. The major characters of the resurrected Today’s Children drifted through The Guiding Light, and mutual visits with The Woman in White were also common. Ed Prentiss, who was then playing Ned Holden of The Guiding Light, was used as a “master of ceremonies” for the hour, a guide through the intricate framework of the three soaps. The fourth quarter-hour was filled with nondenominational religious music, Hymns of All Churches. At one time during this period, Phillips was considering breaking the traditional lengths, running stories of ten to 20 minutes each rather than the precise quarter-hours. After a season of this experimenting, the block was dismantled, and The Guiding Light went into its postwar phase. In the earliest phase, it followed the Ruthledge family. The Rev. John Ruthledge had come to Five Points two decades before, establishing himself and his church as the driving force in the community. This had not been easy. Five Points was a “melting pot of humanity,” as Phillips described it, with Poles, Slavs, Swedes, Germans, Irish, and Jews living in uneasy proximity. As one character described it, it was a neighborhood of “poverty, gossipy neighbors, sordid surroundings,” with “no chance to get ahead.” Ruthledge had run into stiff neighborhood opposition, but now he was accepted and even beloved. His Little Church of Five Points had become popularly known as the Church of the Good Samaritan:
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Dear God, she thought, help me to accept as Christ accepted. Keep my mind on helping, not judging. And remind me to put in a five-mile run this evening.
Julia Spencer-Fleming (In the Bleak Midwinter (The Rev. Clare Fergusson & Russ Van Alstyne Mysteries #1))
For Elvis Presley, living in a completely segregated world, the one thing that was not segregated was the radio dial. There was WDIA (“the Mother Station of the Negroes,” run, of course, by white executives), which was the black station, on which a young white boy could listen to, among other people, the Rev. Herbert Brewster, a powerful figure in the world of Memphis black churches. A songwriter of note, he composed “Move On Up a Little Higher,” the first black gospel song to sell over a million copies. What was clear about the black gospel music was that it had a power of its own, missing from the tamer white church music, and that power seemed to come as much as anything else from the beat. In addition there was the immensely popular Dewey Phillips. When Elvis listened to the black radio station at home, his family was not pleased. “Sinful music,” it was called, he once noted. But even as Elvis Presley was coming on the scene, the musical world was changing. Certainly, whites had traditionally exploited the work of black musicians, taking their music, softening and sweetening it and making it theirs. The trade phrase for that was “covering” a black record. It was thievery in broad daylight, but black musicians had no power to protect themselves or their music.
David Halberstam (The Fifties)
Had Jesus introduced more of the bright and pleasant elements into His teaching, He would have been more popular. When "many of His disciples turned back and no longer followed Him," I do not hear Him say, 'Run after these people, Peter, and tell them we will have a different style of service tomorrow; something short and attractive with little preaching. We will have a pleasant evening for the people. Tell them they will be sure to enjoy it! Be quick, Peter, we must get the people somehow!
Charles Haddon Spurgeon (The Sermons of Rev. C. H. Spurgeon: A Collection of over 700 Sermons)
The logic of hell is nothing other than the logic of human free will, in so far as this is identical with freedom of choice. The theological argument runs as follows: “God, whose being is love, preserves our human freedom, for freedom is the condition of love. Although God’s love goes, and has gone, to the uttermost, plumbing the depth of hell, the possibility remains for each human being of a final rejection of God, and so of eternal life.” Let us gather some arguments against this logic of hell. The first conclusion, it seems to me, is that it is inhumane, for there are not many people who can enjoy free will where their eternal fate in heaven or hell is concerned. Anyone who faces men and women with the choice of heaven or hell, does not merely expect too much of them. It leaves them in a state of uncertainty, because we cannot base the assurance of our salvation on the shaky ground of our own decision. Is the presupposition of this logic of hell perhaps an illusion—the presupposition that it all depends on the human beings’ free will? The logic of hell seems to me not merely inhumane but also extremely atheistic: here the human being in his freedom of choice is his own lord and god. His own will is his heaven—or his hell. God is merely the accessory who puts that will into effect. If I decide for heaven, God must put me there; if I decide for hell, he has to leave me there. If God has to abide by our free decision, then we can do with him what we like. Is that “the love of God?” Free human beings forge their own happiness and are their own executioners. They do not just dispose over their lives here; they decide on their eternal destinies as well. So they have no need of any God at all. After God has perhaps created us free as we are, he leaves us to our fate. Carried to this ultimate conclusion, the logic of hell is secular humanism, as Feuerbach, Marx and Nietzsche already perceived a long time ago. The Christian doctrine of hell is to be found in the gospel of Christ’s descent into hell. In the crucified Christ we see what hell is, because through him it has been overcome. Judgment is not God’s last word. Judgment established in the world the divine righteousness on which the new creation is to be built. But God’s last word is “Behold I make all things new” (Rev 21: 5). From this no one is excluded. Love is God’s compassion with the lost. Transforming grace is God’s punishment for sinners. It is not the right to choose that defines the reality of human freedom. It is the doing of the good.
Robert Wild (A Catholic Reading Guide to Universalism)
God has not given us time in order that we may play with it as we please. Time is the vessel with which we must draw from the well of life everlasting. Whoever does not bring it back full is made to feel the questioning glance of the Lord who says: "What hast thou done with those treasures of grace? I have commanded thee to bring this vessel back to me full - and thou hast gone thy own ways, hast forgotten the command of thy God, hast even broken the beautiful, holy vessel. And what dost thou now bring back?" Then the soul sinks down before God; it now lies before the Everlasting Judge. It can no longer run away from His words, as perhaps it did during life. There it lies before the Almighty, returning only fragments to Him - the fragments of so many shattered graces and so much lost time. Then the soul says to God: "Make it whole again!" If the soul was repentant at death, it will say this with great remorse. Then the Savior is merciful and says: "Come here! In Purgatory we will make it whole again." But this cannot be done without suffering; for the soul is softened by repentance, and it is by repentance that expiation must be made.
Rev. Bernard Doyle (The Secrets of Purgatory: Reminiscences of a Soul in Purgatory)
What is a well-balanced mind? It is a mind which is in contact with reality, one that sees and judges all things by true and objective standards, rather than by preconceived pet theories, or by what appeals to one personally, or by one’s emotional reaction. All of these latter standards are purely subjective and run the risk of being tragically untrue.
Rev. Columba Browning