Retro Look Quotes

We've searched our database for all the quotes and captions related to Retro Look. Here they are! All 35 of them:

It was a good hald minute before I looked over at Todd. his eyes were slightly foggy, like he was waking up- reluctantly- from a lascivious dream. "I didn't know they still made them like that," he said.... "Cool, tough, retro-manly. The kind who only cries if someone just ran over their dog. The big chested guy we can indulge our pathetic Daddy complexes with.
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
If life is a movie most people would consider themselves the star of their own feature. Guys might imagine they're living some action adventure epic. Chicks maybe are in a rose-colored fantasy romance. And homosexuals are living la vida loca in a fabulous musical. Still others may take the indie approach and think of themselves as an anti-hero in a coming of age flick. Or a retro badass in an exploitation B movie. Or the cable man in a very steamy adult picture. Some people's lives are experimental student art films that don't make any sense. Some are screwball comedies. Others resemble a documentary, all serious and educational. A few lives achieve blockbuster status and are hailed as a tribute to the human spirit. Some gain a small following and enjoy cult status. And some never got off the ground due to insufficient funding. I don't know what my life is but I do know that I'm constantly squabbling with the director over creative control, throwing prima donna tantrums and pouting in my personal trailor when things don't go my way. Much of our lives is spent on marketing. Make-up, exercise, dieting, clothes, hair, money, charm, attitude, the strut, the pose, the Blue Steel look. We're like walking billboards advertising ourselves. A sneak peek of upcoming attractions. Meanwhile our actual production is in disarray--we're over budget, doing poorly at private test screenings and focus groups, creatively stagnant, morale low. So we're endlessly tinkering, touching up, editing, rewriting, tailoring ourselves to best suit a mass audience. There's like this studio executive in our heads telling us to cut certain things out, make it "lighter," give it a happy ending, and put some explosions in there too. Kids love explosions. And the uncompromising artist within protests: "But that's not life!" Thus the inner conflict of our movie life: To be a palatable crowd-pleaser catering to the mainstream... or something true to life no matter what they say?
Tatsuya Ishida
My eyes are darting to all the places my magazines are hidden. I feel like an idiot sometimes for having printed evidence. My friends look at stuff on their phones like it's their job. Don't get me wrong, I've looked, and there's some alright stuff online, but I prefer the magazines. I guess I'm a retro sort of man. Call me classy.
Hannah Moskowitz (Zombie Tag)
Los Angeles was the most glamorous, tackiest, most elegant, seediest, most clever, dumbest, most beautiful, ugliest, forward-looking, retro-thinking, altruistic, self-absorbed, deal-savvy, politically ignorant, artistic-minded, criminal-loving, meaning-obsessed, money-grubbing, laid-back, frantic city on the planet. And any two slices of it, as different as Bel Air and Watts, were nevertheless uncannily alike in essence: rich with the same crazy hungers, hopes, and despairs.
Dean Koontz (Sole Survivor)
Her mental list of items she’d need from her apartment was growing. There were things a girl just couldn’t live without, so Keegan would have to get them when he retrieved Muffin. “I need another purse. Can you get me my Prada knockoff? It’s in my closet on the shelf. Pink. It’s pink. I got it from a vendor in Manhattan. Jeez he was a tough negotiator, but it was worth the haggling. It’s soooo cute.” Keegan sighed, raspy and long. “Okay.” “Oh! And my nail polish. I have two new bottles in the bathroom under the sink in one of those cute organizer baskets, you know? Like the ones you get at Bed Bath and Beyond? God, I love those. Anyway, I need Retro Red and Winsome Wisteria.” Another sigh followed, and then a nod of consent. “My moisturizer. I never go anywhere, not even overnight, without my moisturizer. Not that I ever really go anywhere, but anyway I need it, or my skin will dehydrate and it could just be ugly. Top left side of my medicine cabinet.” “Er, okay.” “My shoes. I can’t be without shoes. Let’s see. I need my tennis shoes and my white sandals, because I don’t think there’s much hope for these, wouldn’t you say?” Marty looked up at him and saw impatience written all over his face. “And my laptop. I can’t check on my clients without my laptop, and they need me. Plus, there’s that no-good bitch Linda Fisher. I have to watch that she’s not stealing my accounts. Do you have all of that?” He gave her that stern look again. The one that made her insides skedaddle around even if it was meant in reproach. “I’m going too far, huh?” His smile was crooked. “Just a smidge.
Dakota Cassidy (The Accidental Werewolf (Accidentally Paranormal #1))
I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies. I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony. And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
The torpedo launch console has big square plastic buttons—Flood Tube, Open Shuttle, Ready to Fire—that flash red or green, like something Q would have built into James Bond’s Aston Martin. The missile compartment has similarly retro-looking panels of buttons. They provided the setup for one of the more quotable things Murray said to me—a line that, were fewer precautions in place, could have joined “Houston, we’ve had a problem” or “Watch this” in the pantheon of understated taglines for calamity: “I wouldn’t lean on that.
Mary Roach (Grunt: The Curious Science of Humans at War)
The cooker’s so old you’ve got to lean all the way inside and light it with an actual flame, risking certain death in the process. I know better than to bring up replacing it, because it’s a discussion we’ve had too many times over the years. Mum thinks it’s retro and cool. I, on the other hand, work hard not to think of Sylvia Plath every time I look at it.
Kristen Perrin (How to Solve Your Own Murder (Castle Knoll Files, #1))
The handsome Vintage Internationals edition of Nabokov’s Ada, or, Ardor—an extended riff on alternate-world and time theories and a key early example in the retro-futuristic subgenre of science fiction that years later came to be known as steampunk—would look out of place in the science-fiction section, with the blue-foil lettering, the starships, the furry-faced aliens, the electron-starred vistas of cyberspace.
Michael Chabon (Maps and Legends: Reading and Writing Along the Borderlands)
And on Sunday we went to the flea market and it was so cool. Nicola said she wanted to look at pictures and fabrics, so Carey and I went to an amazing part, called the Marché Malik, all retro stuff, and I got this denim jacket, it’s just gorgeous, got all flowers embroidered on it, so much cooler than some mass-produced thing from Hollister. I’ll go and get it.’ ‘And there we were spending squillions on one from Hollister,’ said Bianca, ‘so uncool. Silly us not to know. I’m not sure about this friendship, Patrick.’ Patrick grinned at her. ‘It won’t last. They’ll probably fall out next term.’ ‘And I really don’t like this thing of giving her cocktails. So
Penny Vincenzi (A Perfect Heritage)
I rolled my eyes at him and pulled the sweatshirt over my head, adjusting the deep sweetheart neckline of my dress. I'd secretly and specifically purchased the gorgeous cherry-red vintage cocktail dress for this party. I had found a pair of black cat-eye glasses at a retro clothing store near Pike Place Market to go with the dress, and the combination made me feel confident and sophisticated. "Don't look for a minute," I instructed, shimmying out of my jeans and smoothing the hemline down. The dress nipped in at the waist and flared out in a high hemline that showed off my legs. "Okay, I'm good." Rory gave me a sideways glance and did a double take. "Wow." He pulled up to a stop sign and turned, taking me in head to toe. "You look...wow." He shook his head, seemingly at a loss for words. I felt a flush of triumph. I'd never seen him look at me like that, admiration mixed with astonishment. He seemed genuinely stunned. I slicked on some red lipstick and examined my reflection in the tiny square of Rory's passenger mirror, aware of his eyes on me. I looked glamorous, surprisingly sexy. Like a movie starlet from the 1950s, a bombshell ingenue. I sat back, feeling almost giddy with triumph. I'd worn the dress for only one person. And he had finally noticed me.
Rachel Linden (The Magic of Lemon Drop Pie)
they felt like they were informed. It was a fine line--too much information led to more interrogation and too little information leads to major snooping. Thrace believed that I had developed the rare ability to express something while revealing nothing. However, I couldn’t shake the feeling that a sorcerer with laughing hazel eyes might have the ability to see beyond all my fine lines. I smiled at that whimsical thought as I finished my pot roast and parental interrogation.   Chapter 2: Mortal Combat   I woke up groggy because I set my alarm for a half hour earlier than usual to get ready to work out. I don’t know why I did that. Ok. I might know why I did that, but 6:00am was too early for rational thought. I kept my outfit simple with black yoga pants and a retro Offspring tee. It was much more difficult to get my thick auburn hair to calm down after a night of restless sleep. Luckily, I didn’t get any zits overnight which would have been just my luck. After some leave-in conditioner and some shine spray, I hoped my hair no longer looked like a bird’s nest. I headed downstairs just in time to see my dad coming from the kitchen with his coffee, my Mt. Dew, and Zone bar. Hello, my name is Calliope, and I am an addict. My drug is caffeine. I like my caffeine cold usually in the fountain pop variety—Mt. Dew in the morning and Diet Dr. Pepper in the afternoon. I like the ice and carbonation, but in the morning on the way to work out, I’ll take what I can get. I thanked my dad for my version of breakfast as we walked to the car. He only grunted his reply. We slid into the white Taurus and headed to the YMCA. I actually started to get nervous, as we got closer. We were at the Y before I was mentally prepared. I sighed and lumbered out of the car. As we walked in and headed toward opposite locker rooms, dad announced, “Meet you back here in an hour, Calli.
Stacey Rychener (Intrigue (Night Muse #1))
She’s stunning in a very classic, wholesome way. I have to admit, as unconventional as her clothing choices may be, they also make her alluring. She’s a mass of contradictions. Her entire look screams sweet and retro, but she’s a real take-no-prisoners spitfire. And I have to admit I kind of like how easy it is to get under her skin. It’s addicting, really.
Helena Hunting (Kiss My Cupcake)
Synthwave Planet is your ultimate destination for all things Synthwave. We create captivating music, videos, art, and images that embrace the retro-futuristic aesthetic of the 80s. Whether you're looking for immersive synthwave tracks, mesmerizing visual art, or vibrant neon-inspired videos, Synthwave Planet delivers an experience that blends nostalgia with the future.
Synthwave Planet
Can one of you do a piercing?” Friday calls. Friday is really pretty in a Katy Perry kind of way. She has tattoos on her shoulders and across her back and up her legs. I know about the ones on her legs because I put them there. She has skulls and cross bones and turtles and some really weird shit. And she dresses all retro, like a pinup girl from the sixties. “What kind of piercing?” I ask. Every gaze in the place turns to the woman, and she flushes. “One of those piercings!” Friday yells dramatically. “Pete can do it,” Paul says. Reagan’s mouth falls open. She walks over close to me. “You are not doing a private piercing,” she hisses. I do them all the time, but I don’t even want to do them anymore. She cups her hand around my ear. “The only private places you’re touching are mine.” My heart swells. I like this. I like it a lot. “Sorry,” I say. “The little lady has spoken.” I lift my face, and she bends down to kiss me. Paul looks at Logan, but Emily signs something to him really quickly and he grins. He shakes his head. “Can’t do it,” he says. “Why not?” Paul blows out a heavy breath. “Because I want to have sex tonight,” Logan says. “And tomorrow night. And the night after.” Sam’s not here. He’s probably baking a cake somewhere. And we all know where Matt is. Paul throws down the pencil on the table where he was drawing a tattoo. “You guys are worthless,” he complains. “And pussy whipped.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Can one of you do a piercing?” Friday calls. Friday is really pretty in a Katy Perry kind of way. She has tattoos on her shoulders and across her back and up her legs. I know about the ones on her legs because I put them there. She has skulls and cross bones and turtles and some really weird shit. And she dresses all retro, like a pinup girl from the sixties. “What kind of piercing?” I ask. Every gaze in the place turns to the woman, and she flushes. “One of those piercings!” Friday yells dramatically. “Pete can do it,” Paul says. Reagan’s mouth falls open. She walks over close to me. “You are not doing a private piercing,” she hisses. I do them all the time, but I don’t even want to do them anymore. She cups her hand around my ear. “The only private places you’re touching are mine.” My heart swells. I like this. I like it a lot. “Sorry,” I say. “The little lady has spoken.” I lift my face, and she bends down to kiss me. Paul looks at Logan, but Emily signs something to him really quickly and he grins. He shakes his head. “Can’t do it,” he says. “Why not?” Paul blows out a heavy breath. “Because I want to have sex tonight,” Logan says. “And tomorrow night. And the night after.” Sam’s not here. He’s probably baking a cake somewhere. And we all know where Matt is. Paul throws down the pencil on the table where he was drawing a tattoo. “You guys are worthless,” he complains. “And pussy whipped.” I’m happy to be pussy whipped. Logan walks over and high-fives me, and Emily grins at Reagan. “Thanks for taking one for the team,” I say to Paul. It won’t be hard on him. The girl is gorgeous. “The things I have to do so you guys can have sex.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
He looked a couple years older than me and was pushing six feet tall. His russet colored hair was cut short on the sides but long on top and swooped to one side in a kind of glamorous retro style.
Autumn Reed (Phoenix (The Stardust Series, #1))
There was an off-planet directory next to an old rotary phone that looked lost, as if it had wandered in the room and was actually looking for a more modern facility.
Mandy Ashcraft (Small Orange Fruit)
I took care of the next guy in line while I checked out the girl who was boxing up a pecan pie and decorating it with some sort of fancy ribbon. Watching her wouldn’t be a hardship. She made the retro waitress uniform look good. If she looked as good from the front as she did from the back, maybe I would ask her out. She turned around and handed the box to the customer at the counter and my world turned sideways. It was Delia. My little sister’s annoying best friend. The girl who was practically a member of my family. When had she become hot? I blinked, hoping maybe I’d seen wrong. Nope. Same blonde hair with hot pink stripes, which I’d always thought was stupid. Now, wearing the Pie Princess tiara and some sort of glittery lip gloss she looked wild and kind of sexy. And that was just wrong.
Chris Cannon (Boomerang Boyfriend (Boyfriend Chronicles, #3))
Catty and Vanessa were vamping it up on the corner of Fairfax and Beverly, in bell-bottoms with exaggerated lacy bells that they must have pulled from Catty's mother's closet. Vanessa gave them the peace sign. "Feeling' groovy." She winked. She had gorgeous skin, movie-star blue eyes, and flawless blond hair. She was wearing a headband and blue-tinted glasses. Catty was forever getting Vanessa into trouble, but they remained best friends. "Love and peace," Catty greeted them. Catty was stylish in an artsy sort of way. Right now, she wore a hand-knit cap with pom-pom ties that hung down to her waist, and her puddle-jumping Doc Martens were so wrong with the bell-bottoms that they looked totally right. Her curly brown hair poked from beneath the fuchsia cap and her brown eyes were framed by granny glasses, probably another steal from her mother. "You like our retro look?" Vanessa giggled at all the cars honking at them.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
When we got there, Calista and Loga were getting out of Calista's car, and it was like, Whoa, because they were wearing all torn-up clothes. They were walking normal but they looked like they'd been burned up and hit with stuff. I ran over to them. I was going, 'Holy shit! Are you okay? What happened?' and Violet, too, she was going, "Hey--are you okay?' They stood there and looked at us, then looked at each other, like 'Ohmigod! Someone is a poopiehead! 'Yuh,' said Loga. 'It's Riot Gear. It's retro. It's beat up to look like one of the big twentieth-century riots. It's been big since earlier this week.' I was like, 'Oh.' Violet was like, 'Sorry.' 'No wrong,' said Calista, flipping her hair. When we went inside, Marty and Quendy were also wearing Riot Gear. Everyone was going Hi! Hey! Hey! Hi! Unit! What's doing? 'Hey!' said Loga to Quendy, pointing, 'Kent State collection, right? Great skirt!
M.T. Anderson (Feed)
Norm Zuckerman was approaching seventy and as CEO of Zoom, a megasize sports manufacturing conglomerate, he had more money than Trump. He looked, however, like a beatnik trapped in a bad acid trip. Retro, Norm had explained earlier, was cresting, and he was catching the wave by wearing a psychedelic poncho, fatigue pants, love beads, and an earring with a dangling peace sign. Groovy, man. His black-to-gray beard was unruly enough to nest beetle larvae, his hair newly curled like something out of a bad production of Godspell. Che
Harlan Coben (One False Move (Myron Bolitar, #5))
Look around at the candidates who are stumbling and fumbling toward the first balloting less than five months away. Republican Jeb Bush of the White House Bushes learned to count delegates when most kids were still counting fireflies. Democrat Hillary Clinton is part of a family that once commissioned a poll to choose a family vacation that would endear them to voters. So far, calculation is getting them nowhere. The surging candidates—rampant Donald Trump, novice Ben Carson and retro Bernie Sanders—represent the opposite. Slickness is out, conviction is in.
Sam Frizell (The Gospel of Bernie Sanders)
Pierre wakes up for good. As he's lying there yawning, he vaguely remembers a couple of false starts inspired by a ringing phone. He looks to his left. It's eleven. Next thing, he's stumbling down the hall toward his phone machine. 'Wait. Coffee,' he whispers in a shredded voice, veering back into the kitchen. He does what he has to, then plays back the messages, sips. Beep. 'It's Paul at Man Age. Appointment, twelve-thirty P.M., hour, Gramercy Park Hotel, room three-forty-four, name Terrence. Later.' Beep. 'Paul again. Appointment, two P.M., Washington Annex Hotel, room six-twenty, a play-it-by-ear, name Dennis, I think the same Dennis from last night. Check with us mid-afternoon. You're a popular dude. Later.' Beep. 'P., it's Marv, you there? . . . No? . . . Call me at work. Love ya.' On his way to the shower Pierre makes a stop at the stereo, plays side one of Here Comes the Warm Jets, an old Eno album. It's still on his turntable. It has this cool, deconstructive, self-conscious pop sound typical of the '70s Art Rock Pierre loves. He doesn't know why it's fantastic exactly. If he were articulate, and not just nosy, he'd write an essay about it. Instead he stomps around in the shower yelling the twisted lyrics. ' "By this time / I'd got to looking for a kind of / substitute . . ." ' It's weird to get lost in something so calculatedly chaotic. It's retro, pre-punk, bourgeois, meaningless, etc. ' ". . . I can't tell you quite how / except that it rhymes with / dissolute." ' Pierre covers his ears, beams, snorts wildly. Tying his sneakers, he flips the scuffed-up LP, plays his two favorite songs on the second side, which happen to sit third and fourth, and are aurally welded together by some distorted synthesizer-esque percussion, maybe ten, fifteen seconds in length. Pierre flops back in his chair, soaks the interlude up. It screeches, whines, bleeps like an orgasming robot.
Dennis Cooper (By Dennis Cooper Frisk (First Edition, First Printing) [Paperback])
Whereas Eloise gravitated toward retro granny chic and was pulled together on a daily basis, I either looked like a high school student who had just rolled out of bed, thrown on leggings, and gone to class, or a full-blown escort. There was no in-between.
Erin McCarthy (The Player and the Bookworm (The Legends #2))
Tonight, I decided to take a stroll down to my local liquor store. Maybe I’ll find a refreshment to wash down this full moon. Some nights you feel like you're on an alien planet or some kind of time machine entering a liquor store with its neon signs and retro touches; besides the new done up stores looking like a polished toilet. I prefer the beaten down, rough and strange liquor store. I’m a regular and the man at the counter always asked me about my latest book, he told me to stay away and write until old age. Anyways got my shit, walked out and the alarm beep went off, barely covering the tax. Took the long way home, to get away from that haunting typewriter. Sat down at some park bench, as I started to open my poison, a memory rushed into me. A empty bottle of Jack Daniel’s under the Christmas tree. I thought my dad would want another drink, so started to pour my bottle into the dirt and cry as the moon went over the horizon and crossed into the section where my heart was filled up with the hidden moons glow.
Brandon Villasenor
She smiled, nodded, and kept walking. She waved her badge at the proximity sensor, stepped into the revolving door, and entered the cavernous atrium. Right in the center, surrounded by tropical foliage, was a huge bronze globe, the continents sculpted in sharp relief. On the front of the globe, set at a jaunty angle, was the Gifford Industries logo, which couldn’t have been more hokey: retro squared-off streamlined script that must have looked futuristic when it was designed in the 1930s. A couple more people waved at her, flashed sympathetic looks, and she ducked into the express elevator to the twenty-fourth floor. She slid her security card into the slot, and the elevator rose. The lights in the executive suite were already on, which surprised her. She was normally the first one in. She passed her prox badge against the sensor until it beeped, then pushed open the glass doors. When she rounded the corner, she saw someone sitting at her desk. Noreen Purvis.         23.
Joseph Finder (Vanished (Nick Heller, #1))
I look over at Text. His face says it all. I click my fingers in front of him to get his attention. "Do you need a bib?
Emma James (Retro (Men of Ocean Beach, #1))
Coming full circle, when Olivia and I went scrounging in Goodwill today, she found some crazy-looking capris and I found a shirt to go with them. She squealed, “It’s so retro!” The capris look like they’re from the 80s. The 80s are when I was having my first three children. Who are now in their thirties and older than I was when I had them. I’m used to having the decade I was a teenager be retro, but now my young adulthood has gone retro too?
Kathie Giorgio (Today's Moment of Happiness Despite the News)
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Retro X Power
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