Retreat Letter Quotes

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[...] I grew up out of that strange, dreamy childhood of mine and went into the world of reality. I met with experiences that bruised my spirit - but they never harmed my ideal world. That was always mine to retreat into at will. I learned that that world and the real world clashed hopelessly and irreconcilably; and I learned to keep them apart so that the former might remain for me unspoiled. I learned to meet other people on their own ground since there seemed to be no meeting place on mine. I learned to hide the thoughts and dreams and fancies that had no place in the strife and clash of the market place. I found that it was useless to look for kindred souls in the multitude; one might stumble on such here and there, but as a rule it seemed to me that the majority of people lived for the things of time and sense alone and could not understand my other life. So I piped and danced to other people's piping - and held fast to my own soul as best I could.
L.M. Montgomery (My Dear Mr. M: Letters to G.B. Macmillan from L.M. Montgomery)
December 27, 11:00 p.m. My Dear America, I’ve never written a love letter, so forgive me if I fail now. . . . The simple thing would be to say that I love you. But, in truth, it’s so much more than that. I want you, America. I need you. I’ve held back so much from you out of fear. I’m afraid that if I show you everything at once, it will overwhelm you, and you’ll run away. I’m afraid that somewhere in the back of your heart is a love for someone else that will never die. I’m afraid that I will make a mistake again, something so huge that you retreat into that silent world of yours. No scolding from a tutor, no lashing from my father, no isolation in my youth has ever hurt me so much as you separating yourself from me. I keep thinking that it’s there, waiting to come back and strike me. So I’ve held on to all my options, fearing that the moment I wipe them away, you will be standing there with your arms closed, happy to be my friend but unable to be my equal, my queen, my wife. And for you to be my wife is all I want in the world. I love you. I was afraid to admit it for a long time, but I know it now. I would never rejoice in the loss of your father, the sadness you’ve felt since he passed, or the emptiness I’ve experienced since you left. But I’m so grateful that you had to go. I’m not sure how long it would have taken for me to figure this out if I hadn’t had to start trying to imagine a life without you. I know now, with absolute certainty, that is nothing I want. I wish I was as true an artist as you so that I could find a way to tell you what you’ve become to me. America, my love, you are sunlight falling through trees. You are laughter that breaks through sadness. You are the breeze on a too-warm day. You are clarity in the midst of confusion. You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that’s all it would manage to do. You said that to get things right one of us would have to take a leap of faith. I think I’ve discovered the canyon that must be leaped, and I hope to find you waiting for me on the other side. I love you, America. Yours forever, Maxon
Kiera Cass (The One (The Selection, #3))
Sorry,” Kiersten says to Lake and I. “Mom says the FCC is responsible for inventing cusswords just for media shock value. She says if everyone would just use them enough, they wouldn’t be considered cusswords anymore and no one would ever be offended by them” This kid is hard to keep up with! “Your mother encourages you to cuss?” Gavin says. Kiersten nods. “I don’t see it that way. It’s more like she’s encouraging us to undermine a system flawed through overuse of words that are made out to be harmful, when in fact they’re just letters, mixed together like every other word. That’s all they are, mixed up letters. Like, take the word “butterfly” for example. What if someone decided one day that butterfly is a cussword? People would eventually start using butterfly as an insult, and to emphasize things in a negative way. The actual WORD doesn’t mean anything. It’s the negative association people give these words that make them cusswords. So if we all just decided to keep saying butterfly all the time, eventually people would stop caring. The shock value would subside…and it would just become another word again. Same with every other so-called bad word. If we would all just start saying them all the time, They wouldn’t be bad anymore. That’s what my mom says anyway.” “Kiersten?” Eddie says. “Will you be my new best friend?” Lake grabs a french fry off her plate and throws it at Eddie, hitting her in the face with it. “That’s Bullshit,” Lake says. “Oh, go BUTTERFLY yourself,” Eddie says. She returns a fry in Lakes direction.
Colleen Hoover (Point of Retreat (Slammed, #2))
He hated it when she smiled like this at him. It always made him retreat.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
Well, well, well,” Santa said once the elf had retreated. “Come and sit on my lap, little boy.” This Santa’s beard was real, and so was his hair. He wasn’t fucking around. “I’m not really a little boy,” I pointed out. “Get on my lap, then, big boy.” I walked up to him. There wasn’t much lap under his belly. And even though he tried to disguise it, as I went up there, I swear he adjusted his crotch. “Ho ho ho!” he chortled. I sat gingerly on his knee, like it was a subway seat with gum on it. “Have you been a good little boy this year?” he asked. I didn’t feel that I was the right person to determine my own goodness or badness, but in the interest of speeding along this encounter, I said yes. He actually wobbled with joy. “Good! Good! Then what can I bring you this Christmas?” I thought it was obvious. “A message from Lily,” I said. “That’s what I want for Christmas. But I want it right now.” “So impatient!” Santa lowered his voice and whispered in my ear. “But Santa does have a little something for you”—he shifted a little in his seat—“right under his coat. If you want to have your present, you’ll have to rub Santa’s belly.” “What?” I asked. He gestured with his eyes down to his stomach. “Go ahead.” I looked closely and saw the faint outline of an envelope beneath his red velvet coat. “You know you want it,” he whispered. The only way I could survive this was to think of it as the dare it was. Fuck off, Lily. You can’t intimidate me. I reached right under Santa’s coat. To my horror, I found he wasn’t wearing anything underneath. It was hot, sweaty, Geshy, hairy … and his belly was this massive obstacle, blocking me from the envelope. I had to lean over to angle my arm in order to reach it, the whole time having Santa laugh, “Oh ho ho, ho ho oh ho!” in my ear. I heard the elf scream, “What the hell!” and various parents start to shriek. Yes, I was feeling up Santa. And now the corner of the envelope was in my hand. He tried to jiggle it away from me, but I held tight and yanked it out, pulling some of his white belly hair with me. “OW ho ho!” he cried. I jumped o1 his lap. “Security’s here!” the elf proclaimed. The letter was in my hand, damp but intact. “He touched Santa!” a young child squealed.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
Books shed light unto the darkness. Darkness retreats one letter, one line, one page at a time and someday everything in the world will become clear.
Kiyoko Yoshimura
Tomorrow you’ll forget that I have crowned you, that I burned my flowering soul with love, and the whirling carnival of trivial days will ruffle the pages of my books… Would the dry leaves of my words force you to a stop gasping for air? At least let me pave with a parting endearment your retreating path. —Vladimir Mayakovsky, from “Lilichka! (Instead of a Letter),” Backbone Flute: Selected Poetry Of Vladimir Mayakovsky. (CreateSpace Independent Publishing Platform April 18, 2008)
Vladimir Mayakovsky (Backbone Flute: Selected Poetry)
...DAMNATION!' No device of the printer's art, not even capital letters, can indicate the intensity of that shriek of rage. Emerson is known to his Egyptian workers by the admiring sobriquet of Father of Curses. The volume as well as the content of his remarks earned him the title; but this shout was extraordinary even by Emerson's standards, so much so that the cat Bastet, who had become more or less accustomed to him, started violently, and fell with a splash into the bathtub. The scene that followed is best not described in detail. My efforts to rescue the thrashing feline were met with hysterical resistance; water surged over the edge of the tub and onto the floor; Emerson rushed to the rescue; Bastet emerged in one mighty leap, like a whale broaching, and fled -- cursing, spitting, and streaming water. She and Emerson met in the doorway of the bathroom. The ensuing silence was broken by the quavering voice of the safragi, the servant on duty outside our room, inquiring if we required his assistance. Emerson, seated on the floor in a puddle of soapy water, took a long breath. Two of the buttons popped off his shirt and splashed into the water. In a voice of exquisite calm he reassured the servant, and then transferred his bulging stare to me. I trust you are not injured, Peabody. Those scratches...' The bleeding has almost stopped, Emerson. It was not Bastet's fault.' It was mine, I suppose,' Emerson said mildly. Now, my dear, I did not say that. Are you going to get up from the floor?' No,' said Emerson. He was still holding the newspaper. Slowly and deliberately he separated the soggy pages, searching for the item that had occasioned his outburst. In the silence I heard Bastet, who had retreated under the bed, carrying on a mumbling, profane monologue. (If you ask how I knew it was profane, I presume you have never owned a cat.)
Elizabeth Peters (The Deeds of the Disturber (Amelia Peabody, #5))
This land on which so many centuries have left their mark is merely an obligatory retreat for you, whereas it has always been our dearest hope. Your too sudden passion is made up of spite and necessity.
Albert Camus (Resistance, Rebellion and Death: Essays)
Her mind was like her room, in which lights advanced and retreated, came pirouetting and stepping delicately, spread their tails, pecked their way; and then her whole being was suffused, like the room again, with a cloud of some profound knowledge, some unspoken regret, and then she was full of locked drawers, stuffed with letters, like her cabinets.
Virginia Woolf
undermine a system flawed through overuse of words that are made out to be harmful, when in fact they’re just letters, mixed together like every other word.
Colleen Hoover (Point of Retreat (Slammed, #2))
He hurried back. Walls seemed to shift and advance. Right here, it must be. Wasn’t this passage too short? No, it wasn’t a wall that blocked his way, only fog. The fog retreated before him—then at once yielded up a wall. Staggering crimson letters caught in the web of graffiti spelled KILLER.
Ramsey Campbell (The Face That Must Die)
There were books everywhere. Hundreds of books. Thousands of books. There were books of every size, shape, and color. They lined the walls from floor to ceiling, standing straight and rigid as soldiers on the polished mahogany shelves, the gilt lettering on their worn spines glinting in the soft light, the scent of supple leather and aging paper filling the air.
Ellery Adams (Murder in the Mystery Suite (Book Retreat Mysteries, #1))
[Slipped beneath the minnow Pea front door] Nollopton Monty No-way 6 Insane woman named Ella: Retreat is what we want. Go away. Let we alone. Anonymess
Mark Dunn (Ella Minnow Pea: A Novel in Letters)
Thérèse’s word in Letter 197 that “it is confidence and nothing but confidence that must lead us to Love.
Michael E. Gaitley (33 Days to Merciful Love: A Do-It-Yourself Retreat in Preparation for Marian Consecration)
Who goes to the beach without trying to touch the water? The one who cannot see the water, but if the blind wishes to FEEL the water, he shall not retreat, just as long as he holds hands with FAITH.
Antonia Perdu
Life without a design is erratic. As soon as one is in place, principles become necessary. I think you’ll concede that nothing is more shameful than uncertain and wavering conduct, and beating a cowardly retreat. This will happen in all our affairs unless we remove the faults that seize and detain our spirits, preventing them from pushing forward and making an all-out effort.” —SENECA, MORAL LETTERS, 95.46
Ryan Holiday (The Daily Stoic: THE PHENOMENAL WORLDWIDE BESTSELLER: 3 MILLION COPIES SOLD)
We are attracted by wealth, pleasures, good looks, political advancement and various other welcoming and enticing prospects: we are repelled by exertion, death, pain, disgrace and limited means. It follows that we need to train ourselves not to crave for the former and not to be afraid of the latter. Let us fight the battle the other way round – retreat from the things that attract us and rouse ourselves to meet the things that actually attack us.
Seneca (Letters from a Stoic)
Mom says the FCC is responsible for inventing cuss words just for media shock value. She says if everyone would just use them enough, they wouldn’t be considered cuss words anymore, and no one would ever be offended by them.” This kid is hard to keep up with! “Your mother encourages you to cuss?” Gavin says. Kiersten nods. “I don’t see it that way. It’s more like she’s encouraging us to undermine a system flawed through overuse of words that are made out to be harmful, when in fact they’re just letters, mixed together like every other word. That’s all they are, mixed-up letters.
Colleen Hoover (Point of Retreat (Slammed, #2))
To retreat into oneself and meet nobody for hours on end—that is what one must be able to attain. To be alone, as one was alone as a child, when the grown-ups walked about involved in things which seemed great and important, because big people looked so busy and because one could comprehend nothing of their doings. And when one day one realises that their affairs are paltry, their professions benumbed and no longer connected with life, why not still like a child look upon them as something strange from without the depth of one's own world, regarding them from the immunity of one's own loneliness, which is itself work, position and profession? Why desire to exchange a child's wise incomprehension for self-defence and disdain? Incomprehension is loneliness, but self-defence and disdain are participation in that from which one is trying to separate oneself by these means.
Rainer Maria Rilke (Letters to a Young Poet)
At five minutes to five,Jim walked into Mary's office, wearing his gray sweater and balancing four pieces of birthday cake on two plates. He put the plates down on Mary's empty desk and glanced at the doorway to Nick's office. "Where's Mary?" he asked. "She left almost an hour ago," Lauren said. "She said to tell you that the nearest fire extinguisher is beside the elevators-whatever that means. I'll be right back.I have to take these letters in to Nick." As she got up and started around the desk, she was looking down at the letters in her hand,and what happened next stunned her into immobility. "I miss you,darling," Jim said, quickly pulling her into his arms. A moment later he released her so suddenly that Lauren staggered back a step. "Nick!" he said. "Look at the sweater Lauren gave me for my birthday. She made it herself.And I brought you a piece of my birthday cake-she made that too." Seemingly oblivious to Nick's thunderous countenance,he grinned and added, "I have to get back downstairs." To Lauren he said, "I'll see you later, love." And then he walked out. In a state of shock, Lauren stared at his retreating back.She was still staring after him when Nick spun her around to face him. "You viindictive little bitch,you gave him my sweater! What else has he gotten that belongs to me?" "What else?" Lauren repeated, her voice rising. "What are you talking about?" His hands tightened. "Your delectiable body, my sweet.That's what I'm talking about." Lauren's amazement gave way to comprehension and then to fury. "How dare you call me names, you hypocrite!" she exploded, too incensed to be afraid. "Ever since I've known you, you've been telling me that there's nothing promiscuous about a woman satisfying her sexual desires with any man she pleases.And now-" she literally choked on her wrath "-and now,when you think I've done it,you call me a dirty name. You of all people-you,the United States contender for the bedroom Olympics!
Judith McNaught (Double Standards)
The Tender Place Your temples , where the hair crowded in , Were the tender place. Once to check I dropped a file across the electrodes of a twelve-volt battery -- it exploded Like a grenade. Somebody wired you up. Somebody pushed the lever. They crashed The thunderbolt into your skull. In their bleached coats, with blenched faces, They hovered again To see how you were, in your straps. Whether your teeth were still whole . The hand on the calibrated lever Again feeling nothing Except feeling nothing pushed to feel Some squirm of sensation . Terror Was the cloud of you Waiting for these lightnings. I saw An oak limb sheared at a bang. You your Daddy's leg . How many seizures Did you suffer this god to grab you By the roots of the hair? The reports Escaped back into clouds. What went up Vaporized? Where lightning rods wept copper And the nerve· threw off its skin Like a burning child Scampering out of the bomb-flash. They dropped you A rigid bent bit of wire Across the Boston City grid. The lights In the Senate House dipped As your voice dived inwards Right through the bolt-hole basement. Came up, years later, Over-exposed, like an X-ray -- Brain-map still dark-patched With the scorched-earth scars Of your retreat . And your words , Faces reversed from the light , Holding in their entrails.
Ted Hughes (Birthday Letters)
Every brilliant theory in physics, for example, has been proven mainly wrong, except for the most recent ones, which will be. The big players, like Newton and Copernicus, gave us answers that were later proved more wrong than right. What they did—and why they are valued—is direct our attention to more piercing and compelling questions or possibilities. (I’d suggest the same holds true for the big spiritual players, but that’s a different letter.)
Darrell Calkins (Re:)
A philosopher is a scientific tradesman, who, for a certain price, sells prescriptions of self-denial, temperance and poverty; he generally preaches the pains of wealth, till he becomes rich himself, when he abandons the world for a comfortable and dignified retreat. The father of the philosophers, Seneca, is said to have collected royal wealth. A poet is one who makes a great stir with printed prattle, falsehood and fury. Madness is the characteristic of the true poet. All those who express themselves, with clearness, precision and simplicity are deemed unworthy of the laurel wreath. The grammarians are a sort of military body, who disturb the public peace. They are distinguished from all other warriors, by dress and weapons. They wear black instead of colored uniforms, and wield pens rather than swords. They fight with as much obstinacy for letters and words as do the others for liberty and father-land.
Ludvig Holberg (The Journey of Niels Klim to the World Underground)
Personal essayists write in large part to escape pent-up emotional anxiety, retreat behind the typewriter or digital keyboard in an attempt to regroup before blithely pushing forward on the cambered road of life. Some essayists might be uncomfortable reconnoitering their memories and, in a perverse twist, largely write in an effort to forget, to consign their uncomfortable emotional perplexities to a dead letter file. In contrast, I wonder if most people write poetry because they do not wish to wipe their mental kit clear. Poets might write because they wish to remember evocative experiences and they wish to share their feelings.
Kilroy J. Oldster (Dead Toad Scrolls)
But Holms had proven stalwart and valiant. When Miss Jones had shown up to discover them in the castle hallway, because she’d heard a suspicious noise and had feared for her schoolchums’ safety, they’ d had to bring her along. She’d wanted to run straight to the headmistress, of course, but Armand had persuaded her not to. How he regretted that decision now! The duke had fired his guns at them all. They’d retreated, thought to go to the automobile to fetch a doctor and the sheriff, but they’d stumbled the wrong way and fallen down the slope to the beach instead. All three of them. And there, noble Jesse had died. Fact. Fiction. Likely because so much of it had happened, and because Armand’s red-eyed, stoic distress seemed so genuine, the adults around us had accepted it as truth. Mostly. I think if I hadn’t been discovered wearing only Armand’s coat as I knelt next to Jesse’s body, Mrs. Westcliffe might have found the whole thing easier to swallow. Yet the official version ruled the day. And here we all were basking in it, breathing fresh sea air, warmed by the generous spring sun. Burying a hero. A far, far greater hero than anyone standing around me at his funeral would ever suspect. Somewhere in deep-blue briny waters, a U-boat rested, filled with live torpedoes and solid-gold men. I thought I better understood Rue’s letters now. I understood her warning about the pain that would come with my Gifts. I understood my sacrifice.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
December 22, 1849. To-day, the 22nd of December, we were all taken to Semionovsky Square. There the death-sentence was read to us, we were given the Cross to kiss, the dagger was broken over our heads, and our funeral toilet (white shirts) was made. Then three of us were put standing before the palisades for the execution of the death-sentence. I was sixth in the row; we were called up by groups of three, and so I was in the second group, and had not more than a minute to live. I thought of you, my brother, and of yours; in that last moment you alone were in my mind; then first I learnt how very much I love you, my beloved brother ! I had time to embrace Plechtcheyev and Dourov, who stood near me, and to take my leave of them. Finally, retreat was sounded, those who were bound to the palisades were brought back, and it was read to us that His Imperial Majesty granted us our lives. Then the final sentences were recited. Palm alone is fully pardoned. He has been transferred to the line with the :ame rank. F.
Fyodor Dostoevsky (Letters of Fyodor Michailovitch Dostoyevsky to his family and friends)
Have you got them?” “Got them! No. The old man’s not there.” He has been so horribly frightened in the short interval that his terror seizes the other, who makes a rush at him and asks loudly, “What’s the matter?” “I couldn’t make him hear, and I softly opened the door and looked in. And the burning smell is there—and the soot is there, and the oil is there—and he is not there!” Tony ends this with a groan. Mr. Guppy takes the light. They go down, more dead than alive, and holding one another, push open the door of the back shop. The cat has retreated close to it and stands snarling, not at them, at something on the ground before the fire. There is a very little fire left in the grate, but there is a smouldering, suffocating vapour in the room and a dark, greasy coating on the walls and ceiling. The chairs and table, and the bottle so rarely absent from the table, all stand as usual. On one chair-back hang the old man’s hairy cap and coat. “Look!” whispers the lodger, pointing his friend’s attention to these objects with a trembling finger. “I told you so. When I saw him last, he took his cap off, took out the little bundle of old letters, hung his cap on the back of the chair—his coat was there already, for he had pulled that off before he went to put the shutters up—and I left him turning the letters over in his hand, standing just where that crumbled black thing is upon the floor.” Is he hanging somewhere? They look up. No. “See!” whispers Tony. “At the foot of the same chair there lies a dirty bit of thin red cord that they tie up pens with. That went round the letters. He undid it slowly, leering and laughing at me, before he began to turn them over, and threw it there. I saw it fall.” “What’s the matter with the cat?” says Mr. Guppy. “Look at her!” “Mad, I think. And no wonder in this evil place.” They advance slowly, looking at all these things. The cat remains where they found her, still snarling at the something on the ground before the fire and between the two chairs. What is it? Hold up the light.
Charles Dickens (Bleak House)
Are you Hilary Westfield?” She sounded like she hoped it wasn’t the case. Hilary nodded. “Oh. Well, I’m Philomena. I have to show you to your room.” Hilary looked wildly at Miss Greyson. “I’m Miss Westfield’s governess,” Miss Greyson said, to Hilary’s relief. Maybe talking politely to people like Philomena was something you learned at Miss Pimm’s, or maybe getting past Philomena was a sort of entrance exam. “Is there any chance we could see Miss Pimm? We’re old acquaintances. I used to go to school here, you see.” Miss Greyson smiled for the second time that day—the world was getting stranger and stranger by the minute—but Philomena didn’t smile back. “I’m terribly sorry,” said Philomena, “but Miss Pimm doesn’t receive visitors. You can leave Miss Westfield with me, and the porter will collect Miss Westfield’s bags.” She raised her eyebrows as the carriage driver deposited the golden traveling trunk on the doorstep. “I hope you have another pair of stockings in there.” “I do.” Hilary met Philomena’s stare. “I have nineteen pairs, in fact. And a sword.” Miss Greyson groaned and put her hand to her forehead. “Excuse me?” said Philomena. “I’m afraid Miss Westfield is prone to fits of imagination,” Miss Greyson said quickly. Philomena’s eyebrows retreated. “I understand completely,” she said. “Well, you have nothing to worry about. Miss Pimm’s will cure her of that nasty habit soon enough. Now, Miss Westfield, please come along with me.” Hilary and Miss Greyson started to follow Philomena inside. “Only students and instructors are permitted inside the school building,” said Philomena to Miss Greyson. “With all the thefts breaking out in the kingdom these days, one really can’t be too careful. But you’re perfectly welcome to say your good-byes outside.” Miss Greyson agreed and knelt down in front of Hilary. “A sword?” she whispered. “I’m sorry, Miss Greyson.” “All I ask is that you take care not to carve up your classmates. If I were not a governess, however, I might mention that the lovely Philomena is in need of a haircut.” Hilary nearly laughed, but she suspected it might be against the rules to laugh on the grounds of Miss Pimm’s, so she gave Miss Greyson her most solemn nod instead. “Now,” said Miss Greyson, “you must promise to write. You must keep up with the news of the day and tell me all about it in your letters. And you’ll come and visit me in my bookshop at the end of the term, won’t you?” “Of course.” Hilary’s stomach was starting to feel very strange, and she didn’t trust herself to say more than a few words at a time. This couldn’t be right; pirates were hardly ever sentimental. Then again, neither was Miss Greyson. Yet here she was, leaning forward to hug Hilary, and Hilary found herself hugging Miss Greyson back. “Please don’t tell me to be a good little girl,” she said. Miss Greyson sniffed and stood up. “My dear,” she said, “I would never dream of it.” She gave Hilary’s canvas bag an affectionate pat, nodded politely to Philomena, and walked down the steps and through the gate, back to the waiting carriage. “Come along,” said Philomena, picking up the lightest of Hilary’s bags. “And please don’t dawdle. I have lessons to finish.” HILARY FOLLOWED PHILOMENA through a maze of dark stone walls and high archways. From the inside, the building seemed more like a fortress
Caroline Carlson (Magic Marks the Spot (The Very Nearly Honorable League of Pirates, #1))