Retaining Wall Quotes

Mature love is union under the condition of preserving one’s integrity, one’s individuality. Love is an active power in man; a power which breaks through the walls which separate man from his fellow men, which unites him with others; love makes him overcome the sense of isolation and separateness, yet it permits him to be himself, to retain his integrity. In love the paradox occurs that two beings become one and yet remain two.

It does seem to me, that herein we see the rare virtue of a strong individual vitality, and the rare virtue of thick walls, and the rare virtue of interior spaciousness. Oh, man! admire and model thyself after the whale! Do thou, too, remain warm among ice. Do thou, too, live in this world without being of it. Be cool at the equator; keep thy blood fluid at the Pole. Like the great dome of St. Peter's, and like the great whale, retain, O man! in all seasons a temperature of thine own.

For every man there are certain words that are as if closer and more intimate to him than any others. And often, unexpectedly, in some remote, forsaken backwater, some deserted desert, one meets a man whose warming conversation makes you forget the pathlessness of your paths, the homelessness of your nights, and the contemporary world full of people's stupidity, of deceptions for deceiving man. Forever and always an evening spent in this way will vividly remain with you, and all that was and that took place then will be retained by the faithful memory: who was there, and who stood where, and what he was holding--the walls, the corners, and every trifle.

Regret, hurt, bereavement, loss, to permit the flow of even one tear at the upwelling of such feelings was to imperil ancient root systems and retaining walls. Mudslide and black avalanche would result and drown him.

The first wave of cattle reached the Dares' retaining wall. they ploughed through it and charged the house. 'We need to run!' I said, exercising my noble duty as Lord Obvious of Duh.

Big snake appears on Fifth Avenue. . . . Ladies screamed and ran in all directions this morning at eleven thirty when a big snake crawled out of a crack in the masonry of the retaining wall of the reservoir at Fifth Avenue and Fortysecond Street and started to cross the sidewalk. . . . ” “Some fish story. . . . ” “That aint nothin,” said an old man. “When I was a boy we used to go snipeshootin on Brooklyn Flats.

I should be able to get her to you by dawn.” “Good.” “And yes, you will be somewhere very secluded.” “Good.” “Do me a favour, though, and try not to break any retaining walls, please.” He smirked. “I’ll try my best, but I can’t make any promises.” “You know what? You’re just going to buy this house from me. It’s sure to sustain damage, and I’ll never get the mental pictures out of my mind.” “Done.” “It’s not her, mind you. Picturing her--“ “It’s very important that you shut up now, Gavin.

There was a time—the year after leaving, even five years after when this homely street, with its old-fashioned high crown, its sidewalk blocks tugged up and down by maple roots, its retaining walls of sandstone and railings of painted iron and two-family brickfront houses whose siding imitates gray rocks, excited Rabbit with the magic of his own existence. These mundane surfaces had given witness to his life; this cup had held his blood; here the universe had centered, each downtwirling maple seed of more account than galaxies. No more. Jackson Road seems an ordinary street anywhere. Millions of such American streets hold millions of lives, and let them sift through, and neither notice nor mourn, and fall into decay, and do not even mourn their own passing but instead grimace at the wrecking ball with the same gaunt facades that have outweathered all their winters. However steadily Mom communes with these maples—the branches’ misty snake-shapes as inflexibly fixed in these two windows as the leading of stained glass—they will not hold back her fate by the space of a breath; nor, if they are cut down tomorrow to widen Jackson Road at last, will her staring, that planted them within herself, halt their vanishing. And the wash of new light will extinguish even her memory of them. Time is our element, not a mistaken invader. How stupid, it has taken him thirty-six years to begin to believe that.

How do tyrants hold on to power for so long? For that matter, why is the tenure of successful democratic leaders so brief? How can countries with such misguided and corrupt economic policies survive for so long? Why are countries that are prone to natural disasters so often unprepared when they happen? And how can lands rich with natural resources at the same time support populations stricken with poverty? Equally, we may well wonder: Why are Wall Street executives so politically tone-deaf that they dole out billions in bonuses while plunging the global economy into recession? Why is the leadership of a corporation, on whose shoulders so much responsibility rests, decided by so few people? Why are failed CEOs retained and paid handsomely even as their company’s shareholders lose their shirts? In

By describing the collapse of the financial system as a natural disaster, rather than as a series of man-made errors, countless pros acted blameless and retained lucrative jobs.

As religious leaders, we are called to be true "people of dialogue," to cooperate in building peace not as intermediaries but as authentic mediators. Intermediaries seek to give everyone a discount ultimately in order to gain something for themselves. However, the mediator is one who retains nothing for himself but rather spends himself generously until he is consumed, knowing that the only gain is peace. Each one of us is called to be an artisan of peace, by uniting and not dividing, by extinguishing hatred and not holding on to it, by opening paths to dialogue and not by constructing new walls! Let us dialogue and meet one another in order to establish a culture of dialogue in the world, a culture of encounter.

Honda... knew that to retain Kiyoaki's affection he must check the unthinking roughness that friendship ordinarily permitted. He had to treat him as warily as one would a freshly painted wall, on which the slightest careless touch would leave an indelible fingerprint. Should the circumstances demand it, he would have to go so far as to pretend not to notice Kiyoaki's mortal agony. Especially if such assumed obtuseness served to point up the elegance that would surely characterize Kiyoaki's ultimate suffering. At such moments, Honda could even love Kiyoaki for the look of mute appeal in his eyes. Their beautiful gaze seemed to hold a plea: leave things as they are, as gloriously undefined as the line of the seashore.

In Antartica, The Wright and half a dozen other valleys in the Central Transantarctic Mountains are collectively referred to as the dry valleys. It has not rained here in two million years. No animal abides, no plant grows. A persistent, sometimes ferocious wind has stripped the country to stone and gravel, to streamers of sand. The huge valleys stand stark as empty fjords. You look in vain for any conventional sign of human history- the vestige of a protective wall, a bit of charcoal, a discarded arrowhead. Nothing. There is no history, until you bore into the layers of rock or until the balls of your fingertips run the rim of a partially exposed fossil. At the height of the austral summer, in December, you smell nothing but the sunbeaten stone. In a silence dense as water, your eye picks up no movement but the sloughing of sand, seeking its angle of repose. On the flight in from New Zealand it had occurred to me, from what I had read and heard, that Antarctica retained Earth’s primitive link, however tenuous, with space, with the void that stretched out to Jupiter and Uranus. At the seabird rookeries of the Canadian Arctic or on the grasslands of the Serengeti, you can feel the vitality of the original creation; in the dry valleys you sense sharply what came before. The Archeozoic is like fresh spoor here.

Six years previously, Miss Brodie had led her new class into the garden for a history lesson underneath the big elm. On the way through the school corridors they passed the headmistress's study. The door was wide open, the room was empty. 'Little girls,' said Miss Brodie, 'come and observe this.' They clustered round the open door while she pointed to a large poster pinned with drawing-pins on the opposite wall within the room. It depicted a man's big face. Underneath were the words 'Safety First'. 'This is Stanley Baldwin who got in as Prime Minister and got out again ere long,' said Miss Brodie. 'Miss Mackay retains him on the wall because she believes in the slogan "Safety First". But Safety does not come first. Goodness, Truth and Beauty come first. Follow me.

It does seem to me, that herein we see the rare virtue of a strong individual vitality, and the rare virtue of thick walls, and the rare virtue of interior spaciousness. Oh, man! admire and model thyself after the whale! Do thou, too, remain warm among ice. Do thou, too, live in this world without being of it. Be cool at the Equator; keep thy blood fluid at the Pole. Like the great dome of St. Peter’s, and like the great whale, retain, O man! in all seasons a temperature of thine own.

S., a clever and truthful man, once told me the story of how he ceased to believe. On a hunting expedition, when he was already twenty-six, he once, at the place where they put up for the night, knelt down in the evening to pray -- a habit retained from childhood. His elder brother, who was at the hunt with him, was lying on some hay and watching him. When S. had finished and was settling down for the night, his brother said to him: 'So you still do that?' They said nothing more to one another. But from that day S. ceased to say his prayers or go to church. And now he has not prayed, received communion, or gone to church, for thirty years. And this not because he knows his brother's convictions and has joined him in them, nor because he has decided anything in his own soul, but simply because the word spoken by his brother was like the push of a finger on a wall that was ready to fall by its own weight. The word only showed that where he thought there was faith, in reality there had long been an empty space, and that therefore the utterance of words and the making of signs of the cross and genuflections while praying were quite senseless actions. Becoming conscious of their senselessness he could not continue them.

Many things combine to show that Midaq Alley is one of the gems of times gone by and that it once shone forth like a flashing star in the history of Cairo. Which Cairo do I mean? That of the Fatimads, the Mamlukes, or the Sultans? Only God and the archaeologists know the answer to that, but in any case, the alley is certainly an ancient relic and a precious one. How could it be otherwise with its stone-paved surface leading directly to the historic Sanadiqiya Street. And then there is its cafe known as "Kirsha's". Its walls decorated with multicolored arabesques, now crumbling, give off strong odors from the medicines of olden times, smells which have now become the spices and folk-cures of today and tomorrow ... Although Midaq Alley lives in almost complete isolation from all surrounding activity, it clamors with a distinctive and personal life of its own. Fundamentally and basically, its roots connect with life as a whole and yet, at the same time, it retains a number of the secrets of a world now past.

On thick-built men like Joe Mulvane, they tend to bind around the thighs, the back seam has an annoying tendency to crawl between the buttocks. When such men sit and lean forward, say, against a bar, the waistband of their trousers binds them in the belly, while at the base of their spines an unattractive gap appears and seems to tug their shirttails out as well as to create a natural channel for sweat to pour. A belt doesn't close the trench in back; it only presents a retaining wall that bites into the flesh below the navel.

In the moment all is dear to me, dear that in this logic there is no redemption, the city itself being the highest form of madness and each and every part, organic or inorganic, an expression of this same madness. I feel absurdly and humbly great, not as megalomaniac, but as human spore, as the dead sponge of life swollen to saturation. I no longer look into the eyes of the woman I hold in my arms but I swim through, head and arms and legs, and I see that behind the sockets of the eyes there is a region unexplored, the world of futurity, and here there is no logic whatever, just the still germination of events unbroken by night and day, by yesterday and tomorrow. The eye, accustomed to concentration on points in space, now concentrates on points in time; the eye sees forward and backward at will. The eye which was the I of the self no longer exists; this selfless eye neither reveals nor illuminates. It travels along the line of the horizon, a ceaseless, uninformed voyager. Trying to retain the lost body I grew in logic as the city, a point digit in the anatomy of perfection. I grew beyond my own death, spiritually bright and hard. I was divided into endless yesterdays, endless tomorrows, resting only on the cusp of the event, a wall with many windows, but the house gone. I must shatter the walls and windows, the last shell of the lost body, if I am to rejoin the present. That is why I no longer look into the eyes or through the eyes, but by the legerdemain of will swim through the eyes, head and arms and legs to explore the curve of vision. I see around myself as the mother who bore me once saw round the comers of time. I have broken the wall created by birth and the line of voyage is round and unbroken, even as the navel. No form, no image, no architecture, only concentric flights of sheer madness. I am the arrow of the dream's substantiality. I verify by flight. I nullify by dropping to earth.

Light, air, and faint classical music filled the store. My shoulders relaxed. I breathed easier in a room full of books, as if the paper retained the capacity of the trees they'd once been. So many books filled this room, more than in my own or my parent's or our living room, even though we had a wall of built-in shelves. The shop had alleys of books, towering cases of books. You could get lost here. You could be found.

It is a prison within a prison; the walls are double the thickness of the rest. The gratings are every day carefully examined by jailers, whose herculean proportions and cold pitiless expression prove them to have been chosen to reign over their subjects for their superior activity and intelligence. The court-yard of this quarter is enclosed by enormous walls, over which the sun glances obliquely, when it deigns to penetrate into this gulf of moral and physical deformity. On this paved yard are to be seen, — pacing to and fro from morning till night, pale, careworn, and haggard, like so many shadows, — the men whom justice holds beneath the steel she is sharpening. There, crouched against the side of the wall which attracts and retains the most heat, they may be seen sometimes talking to one another, but more frequently alone, watching the door, which sometimes opens to call forth one from the gloomy assemblage, or to throw in another outcast from society.

And just as he had tried, on the southern beach, to find again that unique rounded black pebble with the regular little white belt, which she had happened to show him on the eve of their last ramble, so now he did his best to look up all the roadside items that retained her exclamation mark: the special profile of a cliff, a hut roofed with a layer of silvery-gray scales, a black fir tree and a footbridge over a white torrent, and something which one might be inclined to regard as a kind of fatidic prefiguration: the radial span of a spider’s web between two telegraph wires that were beaded with droplets of mist. She accompanied him: her little boots stepped rapidly, and her hands never stopped moving, moving—to pluck a leaf from a bush or stroke a rock wall in passing—light, laughing hands that knew no repose. He saw her small face with its dense dark freckles, and her wide eyes, whose pale greenish hue was that of the shards of glass licked smooth by the sea waves.

Instead I turned my attention back to the copper of peach jam, releasing its autumnal scent. Peach is perhaps the most perfect fruit for making jam: sweet, yet firm; the golden flesh turning to a darker burnt-orange with cooking. My method allows the pieces of fruit to stay intact during the process, while retaining all the flavor. Today, we will leave the sugar and peach mixture to steep under a sheet of muslin; tomorrow, we will cook it, then ladle it into clean glass jars to put away for the winter. There's something very comforting about the ritual of jam-making. It speaks of cellars filled with preserves; of neat rows of jars on pantry shelves. It speaks of winter mornings and bowls of chocolat au lait, with thick slices of good fresh bread and last year's peach jam, like a promise of sunshine at the darkest point of the year. It speaks of four stone walls, a roof, and of seasons that turn in the same place, in the same way, year after year, with sweet familiarity. It is the taste of home.

Peter sits with his back to the wall in the hallway. He looks up at me when I lean over him, his dark hair stuck to his forehead from the melted snow. “Did you reset her?” he says. “No,” I say. “Didn’t think you would have the nerve.” “It’s not about nerve. You know what? Whatever.” I shake my head and hold up the vial of memory serum. “Are you still set on this?” He nods. “You could just do the work, you know,” I say. “You could make better decisions, make a better life.” “Yeah, I could,” he says. “But I won’t. We both know that.” I do know that. I know that change is difficult, and comes slowly, and that it is the work of many days strung together in a long line until the origin of them is forgotten. He is afraid that he will not be able to put in that work, that he will squander those days, and that they will leave him worse off than he is now. And I understand that feeling--I understand being afraid of yourself. So I have him sit on one of the couches, and I ask him what he wants me to tell him about himself, after his memories disappear like smoke. He just shakes his head. Nothing. He wants to retain nothing. Peter takes the vial with a shaking hand and twists off the cap. The liquid trembles inside it, almost spilling over the lip. He holds it under his nose to smell it. “How much should I drink?” he says, and I think I hear his teeth chattering. “I don’t think it makes a difference,” I say. “Okay. Well…here goes.” He lifts the vial up to the light like he is toasting me. When he touches it to his mouth, I say, “Be brave.” Then he swallows. And I watch Peter disappear.

If we look into our lives and observe relationship, we see it is a process of building resistance against another, a wall over which we look and observe the other; but we always retain the wall and remain behind it, whether it be a psychological wall, a material wall, an economic wall or a national wall. So long as we live in isolation, behind a wall, there is no relationship with another…. The world is so disruptive, there is so much sorrow, so much pain, war, destruction, misery, that we want to escape and live within the walls of security, of our own psychological being. So, relationship with most of us is actually a process of isolation, and obviously such relationship builds a society that is also isolating. That is exactly what is happening throughout the world: you remain in your isolation and stretch your hand over the wall….

Such is the lot of the knight that even though my patrimony were ample and adequate for my support, nevertheless here are the disturbances which give me no quiet. We live in fields, forests, and fortresses. Those by whose labors we exist are poverty-stricken peasants, to whom we lease our fields, vineyards, pastures, and woods. The return is exceedingly sparse in proportion to the labor expended. Nevertheless the utmost effort is put forth that it may be bountiful and plentiful, for we must be diligent stewards. I must attach myself to some prince in the hope of protection. Otherwise every one will look upon me as fair plunder. But even if I do make such an attachment hope is beclouded by danger and daily anxiety. If I go away from home I am in peril lest I fall in with those who are at war or feud with my overlord, no matter who he is, and for that reason fall upon me and carry me away. If fortune is adverse, the half of my estates will be forfeit as ransom. Where I looked for protection I was ensnared. We cannot go unarmed beyond to yokes of land. On that account, we must have a large equipage of horses, arms, and followers, and all at great expense. We cannot visit a neighboring village or go hunting or fishing save in iron. Then there are frequently quarrels between our retainers and others, and scarcely a day passes but some squabble is referred to us which we must compose as discreetly as possible, for if I push my claim to uncompromisingly war arises, but if I am too yielding I am immediately the subject of extortion. One concession unlooses a clamor of demands. And among whom does all this take place? Not among strangers, my friend, but among neighbors, relatives, and those of the same household, even brothers. These are our rural delights, our peace and tranquility. The castle, whether on plain or mountain, must be not fair but firm, surrounded by moat and wall, narrow within, crowded with stalls for the cattle, and arsenals for guns, pitch, and powder. Then there are dogs and their dung, a sweet savor I assure you. The horsemen come and go, among them robbers, thieves, and bandits. Our doors are open to practically all comers, either because we do not know who they are or do not make too diligent inquiry. One hears the bleating of sheep, the lowing of cattle, the barking of dogs, the shouts of men working in the fields, the squeaks or barrows and wagons, yes, and even the howling of wolves from nearby woods. The day is full of thought for the morrow, constant disturbance, continual storms. The fields must be ploughed and spaded, the vines tended, trees planted, meadows irrigated. There is harrowing, sowing, fertilizing, reaping, threshing: harvest and vintage. If the harvest fails in any year, then follow dire poverty, unrest, and turbulence.

Crowds have one expression, cruel and fixed. You let yourself be trapped by a look. You let yourself be carried off and shut away in a place of silence. There your eyes may be ripped out, your tongue cut off, and your fingers hammered until the little bones splinter. The walls are splashed with thick clots of blood. Words are the worst kind of dog, they drag us along despite ourselves to somewhere we didn't want to go, they obsess us, they don't let us have a moment's rest, a moment's rest. But before that? Before that is another place altogether. Memory blanks things out methodically. It has several floors, sealed off from one another and there is no passage joining them. One of them is hell. When you fall in, at the very instant you lose your footing, you forget everything, even what light is like. But once you are back in the world you retain only a faint memory of being shut up. It resonates like the dull echo of pain.

Griff entered the cave, sword in hand. He had no desire to frighten Astelle, but he had to be prepared for anything. She jumped up from her fireside position with a small stifled scream at his entry, then continued to back fearfully towards the shadowed wall. She was quite alone. Griff could sense no other presence – only hers, and the wonder of it. He sheathed his sword, and gazed upon his long-lost love. Her hair had lost all trace of colour while still retaining the texture of youth, giving the appearance of white silk. There was a pulsating light of a blue-lilac shade which clung to the crown of her head, reflecting in the hair – a soul – a lost spirit – someone who had loved her. She was almost as pale as death, for Torking took far too much blood from her, too frequently. She was also much thinner than she should have been, but for all of this, she was still the most beautiful sight of his life. Her body was ravaged with Torking's bites and claw-marks. She was still wearing his old cloak which Griff instantly recognised, though it was little more than a rag, wrapped around her body and tied on one shoulder. Her beautiful dark eyes, those which had so haunted his dreams, seemed over-large in her pale face, as she stared at him with a mingling of shock, disbelief and joy. Griff took a few hesitant steps towards her, unsure of his reception. ‘Astelle?’ His voice grated with emotion. How often had she yearned to hear him speak her name exactly in that way? ‘Astelle – is it really you?’ He was just as divinely handsome as she remembered, and he looked so fine – he looked magnificent in Gremlen battledress. In the flickering torchlight, the blue krulmesh armour glittered over the black leather tunic. The emerald sheen in his raven hair was vivid as ever. Best of all, his dark forest-green eyes were shining with love, and she suddenly understood that Griff was a hundred times more beautiful than Torking, for his eyes held everything that was good, fine and noble. Astelle's heart almost stopped beating as she gazed at him. Her eyes filled with tears, and her lip trembled as she tried to whisper his name.

happening. He went into a restaurant and sat down. A radio was blaring out the latest composition in dissarythm, the new quarter-tone dance music in which chorded woodwinds provided background patterns for the mad melodies pounded on tuned tomtoms. Between each number and the next a frenetic announcer extolled the virtues of a product. Munching a sandwich, Roger listened appreciatively to the dissarhythm and managed not to hear the commercials. Most intelligent people of the nineties had developed a type of radio deafness which enabled them not to hear a human voice coming from a loudspeaker, although they could hear and enjoy the then-infrequent intervals of music between announcements. In an age when advertising competition was so keen that there was scarcely a bare wall or an unbillboarded lot within miles of a population center, discriminating people could retain normal outlooks on life only by carefully-cultivated partial blindness and partial deafness which enabled them to ignore the bulk of that concerted assault upon their senses. For that reason a good part of the newscast which followed the dissarhythm program went, as it were, into one

We needed to drive down the road a couple of miles to meet the rest of the cowboys and gather the cattle from there. “Mom, why don’t you and Ree go ahead in her car and we’ll be right behind you,” Marlboro Man directed. His mother and I walked outside, climbed in the car, and headed down the road. We exchanged pleasant small talk. She was poised and genuine, and I chattered away, relieved that she was so approachable. Then, about a mile into our journey, she casually mentioned, “You might watch that turn up ahead; it’s a little sharp.” “Oh, okay,” I replied, not really listening. Clearly she didn’t know I’d been an L.A. driver for years. Driving was not a problem for me. Almost immediately, I saw a ninety-degree turn right in front of my face, pointing its finger at me and laughing--cackling--at my predicament. I whipped the steering wheel to the left as quickly as I could, skidding on the gravel and stirring up dust. But it was no use--the turn got the better of me, and my car came to rest awkwardly in the ditch, the passenger side a good four feet lower than mine. Marlboro Man’s mother was fine. Lucky for her, there’s really nothing with which to collide on an isolated cattle ranch--no overpasses or concrete dividers or retaining walls or other vehicles. I was fine, too--physically, anyway. My hands were trembling violently. My armpits began to gush perspiration. My car was stuck, the right two tires wedged inextricably in a deep crevice of earth on the side of the road. On the list of the Top Ten Things I’d Want Not to Happen on the First Meeting Between My Boyfriend’s Mother and Me, this would rate about number four. “Oh my word,” I said. “I’m sorry about that.” “Oh, don’t worry about it,” she reassured, looking out the window. “I just hope your car’s okay.” Marlboro Man and his dad pulled up beside us, and they both hopped out of the pickup. Opening my door, Marlboro Man said, “You guys okay?” “We’re fine,” his mother said. “We just got a little busy talking.” I was Lucille Ball. Lucille Ball on steroids and speed and vodka. I was a joke, a caricature, a freak. This couldn’t possibly be happening to me. Not today. Not now. “Okay, I’ll just go home now,” I said, covering my face with my hands. I wanted to be someone else. A normal person, maybe. A good driver, perhaps. Marlboro Man examined my tires, which were completely torn up. “You’re not goin’ anywhere, actually. You guys hop in the pickup.” My car was down for the count.

It is possible to get too hung up about this point. In, for example, the genealogical multiple pile-up of Swabia with almost every hill under its own prince, it is possible to imagine a feudal version of Jorge Luis Borges’ infinite library, a world of so many hundreds of rulers that every variation of behaviour is possible, or indeed certain, in any given moment. So somewhere a ruler with a huge grey beard is dying surrounded by his weeping family and retainers; somewhere else a bored figure is irritably shooting bits off the plaster decorations in the ballroom; another is making an improper suggestion to a stable boy; another is telling an anecdote about fighting the Turks, staring into space, girding for battle, converting to Calvinism, wishing he had a just slightly bigger palace, and so on. This dizzying multiplicity makes each of hundreds of castles a frightening challenge – with the possibility of the guide making my head explode with the dizzying details of how the young duchess had been walled up in a tower for being caught in a non-spiritual context with her confessor and how as a result the Strelitz-Nortibitz inheritance had passed, unexpectedly, to a cousin resident in Livonia who, on his way home to claim the dukedom, died of plague in a tavern near Rothenberg thus activating the claim of the very odd dowager’s niece, long resident in a convent outside Bamberg. But it is probably time to move on.

The following simple exercise will give you a clear idea of what the Complete Breath is: (1) Stand or sit erect. Breathing through the nostrils, inhale steadily, first filling the lower part of the lungs, which is accomplished by bringing into play the diaphragm, which decending exerts a gentle pressure on the abdominal organs, pushing forward the front walls of the abdomen. Then fill the middle part of the lungs, pushing out the lower ribs breastbone and chest. Then fill the higher portion of the lungs, protruding the upper chest, thus lifting the chest, including the upper six or seven pairs of ribs. In the final movement, the lower part of the abdomen will be slightly drawn in, which movement gives the lungs a support and also helps to fill the highest part of the lungs. At first reading it may appear that this breath consists of three distinct movements. This, however, is not the correct idea. The inhalation is continuous, the entire chest cavity from the lowered diaphragm to the highest point of the chest in the region of the collar-bone, being expanded with a uniform movement. Avoid a jerky series of inhalations, and strive to attain a steady continuous action. Practice will soon overcome the tendency to divide the inhalation into three movements, and will result in a uniform continuous breath. You will be able to complete the inhalation in a couple of seconds after a little practice. (2) Retain the breath a few seconds. (3) Exhale quite slowly, holding the chest in a firm position, and drawing the abdomen in a little and lifting it upward slowly as the air leaves the lungs. Where the air is entirely exhaled, relax the chest and abdomen. A little practice will render this part of the exercise easy, and the movement once acquired will be afterward performed almost automatically.

No Mirrors in My Nana’s House” Sweet Honey in the Rock LYRICS BY YSAYE MARIA BARNWELL Sweet Honey in the Rock is a Grammy Award–winning vocal group of black women vocalists founded in 1973 by Bernice Johnson Reagon. The group’s members have changed during its long tenure, but it retains a core of five vocalists and a sign-language interpreter. Their performances are deeply embodied celebrations of black women’s lived experiences. The group’s name is derived from Psalm 81:16: “But you would be fed with the finest of wheat; with honey from the rock I would satisfy you.” Sign-language interpreter Dr. Ysaye Barnwell joined Sweet Honey in the Rock in 1979 and appears in more than thirty recordings with the group. She is the author of one of the group’s most popular recordings, “No Mirrors in My Nana’s House.” It is a stirring piece that reveals how the loving protection of black women can shield black girls from a painful world that seeks to negate their beauty and worth. In 1998 the lyrics became a children’s book published by Harcourt Brace. There were no mirrors in my Nana’s house, no mirrors in my Nana’s house. There were no mirrors in my Nana’s house, no mirrors in my Nana’s house. And the beauty that I saw in everything was in her eyes (like the rising of the sun). I never knew that my skin was too black. I never knew that my nose was too flat. I never knew that my clothes didn’t fit. I never knew there were things that I’d missed, cause the beauty in everything was in her eyes (like the rising of the sun); . . . was in her eyes. There were no mirrors in my Nana’s house, no mirrors in my Nana’s house. And the beauty that I saw in everything was in her eyes (like the rising of the sun). I was intrigued by the cracks in the walls. I tasted, with joy, the dust that would fall. The noise in the hallway was music to me. The trash and the rubbish just cushioned my feet. And the beauty in everything was in her eyes (like the rising of the sun). . . . was in her eyes. There were no mirrors in my Nana’s house, no mirrors in my Nana’s house. And the beauty that I saw in everything was in her eyes (like the rising of the sun). The world outside was a magical place. I only knew love. I never knew hate, and the beauty in everything was in her eyes (like the rising of the sun). . . . was in her eyes. There were no mirrors in my Nana’s house, no mirrors in my Nana’s house. There were no mirrors in my Nana’s house, no mirrors in my Nana’s house. And the beauty that I saw in everything was in her eyes (like the rising of the sun).

Agadez has only a handful of multi-storey buildings. The main ones are the mosque and, next door to it, the palace of the Sultan of Aïr, who still retains a role in the local judicial system. But the houses overlooked by this pair are mostly single-storey courtyards, each enclosed by a windowless wall. These are the compounds, and perhaps fifty of them are used by smugglers – though no one knows the exact total. And that’s the point: they’re the perfect places to hide a hundred migrants until they head north to Libya. Once inside, the haggling starts. The going rate between Agadez and Libya is thought to be about 150,000 West African francs (CFA), or £166. But one traveller said he paid as much as €500 (£363), while Cisse claims he charges each of his thirty passengers as little as 50,000 CFA (£55). With such big numbers, it is no surprise that the business continues in full force despite a recent ban.

walked the path the creatures had taken. They'd searched high and low for signs of a trick. Without luck. Before long their mother would wonder why money was running low. And Zet and Kat would have to cart the abandoned wares home to store on the roof. The stall was overflowing. They'd have to tell Mother. Soon. What a disaster. Zet glanced at Princess Merit. A large cloak hid her from head to toe. These days she rarely escaped the palace and her retainers. But this morning, she'd climbed over a palace wall, and the children had hustled her onto the raft. If anyone had inside information on burial curses, Merit would. She was Pharaoh's daughter, after all.

Jack’s fingers closed around her shoulders. Jane could feel his labored breaths, the ragged movement of his chest. “You show up looking like that—wearing his dress, his jewels, his perfumes. What in the hell am I supposed to think?” He released her, stepping back. “My congratulations, Countess. You’ll make a beautiful ornament at the court of Louis the Eighteenth.” Jane had always prided herself on her ability to retain her poise, even in the most grueling of circumstances. But she was frustrated, humiliated, hurt, and just plain furious. Jane poked Jack in the chest with her index finger. It felt good, so she did it again. “Would you like to know just how many times I’ve told Nicolas no? By last count, approximately thirty-seven. Not that it’s any of your concern. You see, he, like you, seems to believe that I don’t know what is best for me.” Jack grabbed her hand before she could poke him again. “He can give you everything I can’t. He can give you riches, titles, a place in the world.” Jane jerked her hand away. “I have my place in the world! I made it myself, with my own hard work.” And error, a great deal of error. She braced her hands against Jack’s shoulders, holding herself away to look at his face. “Have I ever—ever—given you any indication that I desire titles or riches?” “Not in so many words, no . . .” Jack’s fingers itched to close around her waist and draw her close. Everything that had seemed so clear ten minutes ago was murky and blurry. He knew he had a point, but he was no longer entirely sure what that point was. He retreated a step, his back hitting the whitewashed stone of the wall. Jane stalked forward, cornering him. Jack could feel the rough stone biting into his back as Jane glared at him, her chest right beneath his nose. “I don’t want to be placed on a pedestal. I don’t want to be the ornament of anyone’s court. And I certainly don’t want a lute beneath my window!” She had told him that, hadn’t she? Jack was beginning to feel rather less sure of himself. The Gardener, that proposal, felt very far away, and Jane was very near.

...erosion control in Japan is like a game of chess. The forest engineer, after studying his eroding valley, makes his first move, locating and building one or more check dams. He waits to see what Nature's response is. This determines the forest engineer's next move, which may be another dam or two, an increase in the former dam, or the construction of side retaining walls. After another pause for observation, the next move is made and so on until erosion is checkmated." (An Agricultural Testament)

We've had problems with non-mutants coming here in the past, taking pictures of everything and stealing all our rocks for souvenirs. We need those rocks, too, you know. We are a very decorative people. We take our landscaping seriously. But thanks to you non-atomic jerks, the nearest retaining wall is a good fifty miles from here. Do you have any idea how hard it is to landscape without rocks? Or retaining walls? If cutting a few faces off is what it's going to take to get you to leave us alone, then so be it.

6. The Breathing Exercise of the Yogi. Breathing exercise is one of the practices of Yoga, and somewhat similar in its method and end to those of Zen. We quote here[FN#247] Yogi Ramacharaka to show how modern Yogis practise it: "(1) Stand or sit erect. Breathing through the nostrils, inhale steadily, first filling the lower part of the lungs, which is accomplished by bringing into play the diaphragm, which, descending, exerts a gentle pressure on the abdominal organs, pushing forward the front walls of the abdomen. Then fill the middle part of the lungs, pushing out the lower ribs, breastbone, and chest. Then fill the higher portion of the lungs, protruding the upper chest, thus lifting the chest, including the upper six or seven pairs of ribs. In the final movement the lower part of the abdomen will be slightly drawn in, which movement gives the lungs a support, and also helps to fill the highest part of the lungs. At the first reading it may appear that this breath consists of three distinct movements. This, however, is not the correct idea. The inhalation is continuous, the entire chest cavity from the lower diaphragm to the highest point of the chest in the region of the collar-bone being expanded with a uniform movement. Avoid a jerking series of inhalations, and strive to attain a steady, continuous action. Practice will soon overcome the tendency to divide the inhalation into three movements, and will result in a uniform continuous breath. You will be able to complete the inhalation in a couple of seconds after a little practice. (2) Retain the breath a few seconds. (3) Exhale quite slowly, holding the chest in a firm position, and drawing the abdomen in a little and lifting it upward slowly as the air leaves the lungs. When the air is entirely exhaled, relax the chest and abdomen. A little practice will render this part of exercise easy, and the movement once acquired will be afterwards performed almost automatically." [FN#247]

Then, shrouded in chinchilla, she walked without further ceremony out the great wide gap in the opera-house wall, and up Seventh Avenue through the all-but-deserted Rialto alone, followed at a distance by her retainers, like a star.

Nazarbayev had learned that Westerners could be just as adept as he was in turning money into power and power back into money. Some, like Dick Evans and Jonathan Aitken, went about it from positions at the top of business and government. Others had to wait until they had left office to monetise their access and influence. They had to get theirs from what they called ‘consultancy’. Blair was said to have made $1 million from Ivan Glasenberg’s Glencore for three hours spent talking the Qatari prime minister out of blocking its merger with a mining company. JP Morgan, the Wall Street bank that had won the financial crisis, retained him too, as did a Swiss insurance company, the government of Kuwait and Abu Dhabi’s investment fund. Some days he was a business consultant, others a philanthropist, or a governance guru, or a peacemaker. His money sat in a web of companies that almost rivalled the complexity and opacity Nazarbayev’s Swiss bankers had devised. By one estimate, less than a decade after he resigned as prime minister, his fortune stood at $90 million.

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Eddi grabbed the trunk of the dead sapling and yanked, and the rotted wood broke loose from between the two bracing trees. She pinned it under her arm like a battering ram and leaped down the hill much too fast. This, too, was like a dream: flying over treacherous ground and by some miracle not falling; those gray faces turning, one at a time, to fix their clouded eyes on her and raise their long knives. Everything seemed to be moving so slowly. Surely her target would step aside, and she would fall into the creek, into the green arms of whatever was in the water. With a shock that wrenched her arms and buffeted her ribs, the end of the tree trunk slammed into a gray belly. The thing went backward over the wall. The green hand freed Meg’s ankle and whipped snakelike out of sight. Water frothed on the surface of the creek. Eddi swung her tree trunk at the second gray demon, and it stumbled backward into the phouka’s grip. The phouka flung that one, too, over the retaining wall. For a moment, no one moved or spoke. Then the phouka sat down hard in the middle of the path and sank his face into both hands. “That,” he said at last, “was what is called an unnecessary risk. If you continue like this I shall be the first immortal to die of heart failure.” Eddi, who was nursing a hand full of splinters and a pair of quaking legs, did not dignify that with an answer.

Thus, in the areas of our concern, nothing really changed. The clergy retained ownership of the ministry, and the “unbelieving world” was enrolled in the church. The Anabaptists were at the other extreme; as separatists, they avoided the unbelieving society.

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Boundaries provide a necessary foundation for every relationship you have—most importantly the one you have with yourself. They are the retaining walls that protect you from what feels inappropriate, unacceptable, inauthentic, or just plain not desired. When boundaries are in place, we feel safer to express our authentic wants and needs, we are better able to regulate our autonomic nervous system response (living more fully in that social engagement zone because we have established limits that cultivate safety), and we rid ourselves of the resentment that comes along with denying our essential needs.

As she writes, she feels a warm assurance; she likes her phrasing, and her conclusions, which are not absolute. On the contrary, they retain an ambiguous hesitant air, a little like done thinking out loud. She rereads her first notes and at times disagrees with herself, and she loves that, she has always liked changing her mind. She thinks about Chaura Paillacar struggling with headaches and about the unnamed poet's jumpy eyes, and Aurelia Bala writing with both hands and Floridor Pérez with his son Chile, whom she imagines as a teenager every bit as skinny and gangly as the country that gave him the name he wanted to change at any cost. She thinks about Hernaldo Bravo just after he was hit by a car, in a hospital, writing poems out of pure boredom, and about the twins scribbling incessantly on the walls of Bernadita Socorro's small, light-filled apartment... that the world of Chilean poets is a little stupid but it is more genuine, less false than the ordinary lives of people who follow the rules and keep their heads down. Of course there is opportunism and cruelty, but also real passion and heroism and allegiance to dreams. She thinks that Chilean poets are stray dogs and stray dogs are Chilean poets and that she herself is a Chilean poet, poking her snout into the trash cans of an unknown city...

As she writes, she feels a warm assurance; she likes her phrasing, and her conclusions, which are not absolute. On the contrary, they retain an ambiguous, hesitant air, a little like someone thinking out loud. She rereads her first notes and at times disagrees with herself, and she loves that, she has always liked changing her mind. She thinks about Chaura Paillacar struggling with headaches and about the unnamed poet's jumpy eyes, and Aurelia Bala writing with both hands and Floridor Pérez with his son Chile, whom she imagines as a teenager every bit as skinny and gangly as the country that gave him the name he wanted to change at any cost. She thinks about Hernaldo Bravo just after he was hit by a car, in a hospital, writing poems out of pure boredom, and about the twins scribbling incessantly on the walls of Bernadita Socorro's small, light-filled apartment... that the world of Chilean poets is a little stupid but it is more genuine, less false than the ordinary lives of people who follow the rules and keep their heads down. Of course there is opportunism and cruelty, but also real passion and heroism and allegiance to dreams. She thinks that Chilean poets are stray dogs and stray dogs are Chilean poets and that she herself is a Chilean poet, poking her snout into the trash cans of an unknown city...

Though demonized by his Jewish and British enemies, Hajj Amin al-Husayni in fact cooperated well enough with the mandate administration. Only gradually did he use his religious authority to achieve a position of significant political influence contrary to British interests. It was a potent mix. The key event in this transformation was the so-called ‘Western Wall riots’ in 1929. The Western Wall was the only revealed section of what remained from the massive retaining wall built by Herod. This wall allowed Herod to enlarge the platform on which the Second Temple stood before being destroyed in 70 CE. Given this association, the wall became Judaism’s most important place of pilgrimage and prayer. The wall also was part of a Muslim religious trust (waqf): Muslim attachment to the wall and to the al-Haram al-Sharif (or ‘Noble Sanctuary’, as the Temple Mount is known in Arabic) is due to their association with the story of Muhammad’s night journey to heaven. The wall is known to Muslims as al-Buraq, because Muhammad tethered his horse there, and the Dome of the Rock and the al-Aqsa mosque, built in the 7th century, are two of Islam’s most revered buildings.

Men who worship pain—thought Rearden, staring at the image of the enemies he had never been able to understand—they’re men who worship pain. It seemed monstrous, yet peculiarly devoid of importance. He felt nothing. It was like trying to summon emotion toward inanimate objects, toward refuse sliding down a mountainside to crush him. One could flee from the slide or build retaining walls against it or be crushed—but one could not grant any anger, indignation or moral concern to the senseless motions of the unliving; no, worse, he thought—the anti-living.

Men who worship pain—thought Rearden, staring at the image of the enemies he had never been able to understand—they’re men who worship pain. It seemed monstrous, yet peculiarly devoid of importance. He felt nothing. It was like trying to summon emotion toward inanimate objects, toward refuse sliding down a mountainside to crush him. One could flee from the slide or build retaining walls against it or be crushed—but one could not grant any anger, indignation or moral concern to the senseless motions of the unliving; no, worse, he thought—the anti-living. The same sense of detached unconcern remained with him while he sat in a Philadelphia courtroom and watched men perform the motions which were to grant him his divorce. He watched them utter mechanical generalities, recite vague phrases of fraudulent evidence, play an intricate game of stretching words to convey no facts and no meaning. He had paid them to do it—he whom the law permitted no other way to gain his freedom, no right to state the facts and plead the truth—the law which delivered his fate, not to objective rules objectively defined, but to the arbitrary mercy of a judge with a wizened face and a look of empty cunning.

Can one unearth above-average fund managers, who can consistently or over time beat the market? Once again, the academic research is gloomy for the investment industry. Using the database first started by Jim Lorie’s Center for Research in Security Prices, S&P Dow Jones Indices publishes a semiannual “persistence scorecard” on how often top-performing fund managers keep excelling. The results are grim reading, with less than 3 percent of top-performing equity funds remaining in the top after five years. In fact, being a top performer is more likely to presage a slump than a sustained run.18 As a result, as Fernando’s defenestration highlighted, the hurdle to retain the faith of investors keeps getting higher, even for fund managers who do well.* In the 1990s, the top six deciles of US equities-focused mutual funds enjoyed investor inflows, according to Morgan Stanley.19 In the first decade of the new millennium, only the top three deciles did so, and in the 2010–20 period, only the top 10 percent of funds have managed to avoid outflows, and gathered assets at a far slower pace than they would have in the past.

Tradition counts for nothing when it is no longer contested and modified. A culture that is merely preserved is no culture at all. The fate of Picasso’s Guernica in the film – once a howl of anguish and outrage against Fascist atrocities, now a wall-hanging – is exemplary. Like its Battersea hanging space in the film, the painting is accorded ‘iconic’ status only when it is deprived of any possible function or context. No cultural object can retain its power when there are no longer new eyes to see it.

I hadn’t succeeded in sacrificing myself for the greater good. I had retained some small bit of my own integrity, and I was at last happy about that.

glass. A broad resembles the a of the German; as all, wall, call. Many words pronounced with a broad were anciently written with au; as sault, mault; and we still say, fault, vault. This was probably the Saxon sound, for it is yet retained in the northern dialects, and in the rustick pronunciation; as maun for man, haund for hand. The short a approaches to the a open, as grass. The long a, if prolonged by e at the end of the word, is always slender, as graze, fame. A forms a diphthong only with i or y, and u or w. Ai or ay, as in plain, wain, gay, clay, has only the sound of the long and slender a, and differs not in the pronunciation from plane, wane. Au or aw has the sound of the German a, as raw, naughty. Ae is sometimes found in Latin words not completely

Association of dissimilar ideas “I had earlier devised an arrangement for beam steering on the two-mile accelerator which reduced the amount of hardware necessary by a factor of two…. Two weeks ago it was pointed out to me that this scheme would steer the beam into the wall and therefore was unacceptable. During the session, I looked at the schematic and asked myself how could we retain the factor of two but avoid steering into the wall. Again a flash of inspiration, in which I thought of the word ‘alternate.’ I followed this to its logical conclusion, which was to alternate polarities sector by sector so the steering bias would not add but cancel. I was extremely impressed with this solution and the way it came to me.” “Most of the insights come by association.” “It was the last idea that I thought was remarkable because of the way in which it developed. This idea was the result of a fantasy that occurred during Wagner…. [The participant had earlier listened to Wagner’s ‘Ride of the Valkyries.’] I put down a line which seemed to embody this…. I later made the handle which my sketches suggested and it had exactly the quality I was looking for…. I was very amused at the ease with which all of this was done.” 10. Heightened motivation to obtain closure “Had tremendous desire to obtain an elegant solution (the most for the least).” “All known constraints about the problem were simultaneously imposed as I hunted for possible solutions. It was like an analog computer whose output could not deviate from what was desired and whose input was continually perturbed with the inclination toward achieving the output.” “It was almost an awareness of the ‘degree of perfection’ of whatever I was doing.” “In what seemed like ten minutes, I had completed the problem, having what I considered (and still consider) a classic solution.” 11. Visualizing the completed solution “I looked at the paper I was to draw on. I was completely blank. I knew that I would work with a property three hundred feet square. I drew the property lines (at a scale of one inch to forty feet), and I looked at the outlines. I was blank…. Suddenly I saw the finished project. [The project was a shopping center specializing in arts and crafts.] I did some quick calculations …it would fit on the property and not only that …it would meet the cost and income requirements …it would park enough cars …it met all the requirements. It was contemporary architecture with the richness of a cultural heritage …it used history and experience but did not copy it.” “I visualized the result I wanted and subsequently brought the variables into play which could bring that result about. I had great visual (mental) perceptibility; I could imagine what was wanted, needed, or not possible with almost no effort. I was amazed at my idealism, my visual perception, and the rapidity with which I could operate.

Labor and employment firm Fisher & Phillips LLP opened a Seattle office by poaching partner Davis Bae from labor and employment competitor Jackson Lewis PC. Mr. Bea, an immigration specialist, will lead the office, which also includes new partners Nick Beermann and Catharine Morisset and one other lawyer. Fisher & Phillips has 31 offices around the country. Sara Randazzo LAW Cadwalader Hires New Partner as It Looks to Represent Activist Investors By Liz Hoffman and David Benoit | 698 words One of America’s oldest corporate law firms is diving into the business of representing activist investors, betting that these agitators are going mainstream—and offer a lucrative business opportunity for advisers. Cadwalader, Wickersham & Taft LLP has hired a new partner, Richard Brand, whose biggest clients include William Ackman’s Pershing Square Capital Management LP, among other activist investors. Mr. Brand, 35 years old, advised Pershing Square on its campaign at Allergan Inc. last year and a board coup at Canadian Pacific Railway Ltd. in 2012. He has also defended companies against activists and has worked on mergers-and-acquisitions deals. His hiring, from Kirkland & Ellis LLP, is a notable step by a major law firm to commit to representing activists, and to do so while still aiming to retain corporate clients. Founded in 1792, Cadwalader for decades has catered to big companies and banks, but going forward will also seek out work from hedge funds including Pershing Square and Sachem Head Capital Management LP, a Pershing Square spinout and another client of Mr. Brand’s. To date, few major law firms or Wall Street banks have tried to represent both corporations and activist investors, who generally take positions in companies and push for changes to drive up share prices. Most big law firms instead cater exclusively to companies, worried that lining up with activists will offend or scare off executives or create conflicts that could jeopardize future assignments. Some are dabbling in both camps. Paul, Weiss, Rifkind, Wharton & Garrison LLP, for example, represented Trian Fund Management LP in its recent proxy fight at DuPont Co. and also is steering Time Warner Cable Inc.’s pending sale to Charter Communications Inc. Willkie Farr & Gallagher LLP and Gibson, Dunn & Crutcher LLP have done work for activist firm Third Point LLC. But most firms are more monogamous. Those on one end, most vocally Wachtell, Lipton, Rosen & Katz, defend management, while a small band including Schulte Roth & Zabel LLP and Olshan Frome Wolosky LLP primarily represent activists. In embracing activist work, Cadwalader thinks it can serve both groups better, said Christopher Cox, chairman of the firm’s corporate group. “Traditional M&A and activism are becoming increasingly intertwined,” Mr. Cox said in an interview. “To be able to bring that perspective to the boardroom is a huge advantage. And when a threat does emerge, who’s better to defend a company than someone who’s seen it from the other side?” Mr. Cox said Cadwalader has been thinking about branching out into activism since late last year. The firm is also working with an activist fund launched earlier this year by Cadwalader’s former head of M&A, Jim Woolery, that hopes to take a friendlier stance toward companies. Mr. Cox also said he believes activism can be lucrative, pooh-poohing another reason some big law firms eschew such assignments—namely, that they don’t pay as well as, say, a large merger deal. “There is real money in activism today,” said Robert Jackson, a former lawyer at Wachtell and the U.S. Treasury Department who now teaches at Columbia University and who also notes that advising activists can generate regulatory work. “Law firms are businesses, and taking the stance that you’ll never, ever, ever represent an activist is a financial luxury that only a few firms have.” To be sure, the handful of law firms that work for both sides say they do so

I was suddenly sickened by her, by the sight of her standing in our kitchen. I had no memories of my mother cooking there, but the space still retained her presence more than any other part of the house. The jade and spider plants she had watered were still thriving on the windowsill, the orangeand- white sunburst clock she'd so loved the design of, with its quivering second hand, still marking the time on the wall. Though she had rarely done the dishes, though it was in fact I who had mostly done the dishes in those days, I imagined her hands on the taps of the sink, her slim form pressed against the counter.

Behind its outer walls, the Temple of Inanna was another world. When they entered the bronze gates from the dusty barren city streets, patrons became submerged in a world of sensuality, a garden of earthly delights. Lush flora filled the open courtyard: exotic fruit trees with dates, figs, and pomegranates. Tamarisk and palm trees rose above the floor in a canopy of leaves. The complex artificial irrigation channels of the city watered this botanical paradise of flowers and vegetation. A wisp of incense mixed with perfume wafted through the air, teasing the nostrils. The temple and palace gardens replicated a memory of Eden. It was as if gods and kings sought to retain their ancestral past even as they perverted it into its mirror opposite.

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he lured the last five children into the recreation room on the lower level and bludgeoned them into unconsciousness with a crowbar. After he tortured them until they died, he chopped them up, placed the pieces in heavy-duty garbage bags, and pitched them over the side of the patio retaining wall into the ocean.

Food in a castle was served in the great hall, a large room usually on an upper floor. The lord’s table was set up along one wall on a small dais, the rest of the tables were positioned in a perpendicular fashion to the lord’s dais. Lower tables were called trestle tables, and when the meals were not being eaten, these tables were taken down and stacked in designated areas. The lord, his guests and family who all sat at the lord’s table were the only ones to have chairs; everyone else sat on a bench. Breakfast was a small snack usually served after morning mass. It consisted of a hunk of bread and ale or cider for the retainers and servants. The lord, his family and guests might be served white bread with a

The salmon traveled through the waters of the otherworld to Ireland, its perfect form gliding between worlds. Tuan mac Cairill came to Ireland as before the flood, retaining the memories of his centuries of dream lives as Irish totem animals. Incarnated as a salmon, he was eaten by the Queen of Ulster who became pregnant and gave birth to Tuan the human. Like the Sorcerer on the cave wall in France, he is a composite being of fin, wing, tusk, and antler. I had been a man, a stag, a boar, a bird, and now I was a fish. In all my changes I had joy and fulness of life. But in the water joy lay deeper, life pulsed deeper. For on land or air there is always something hindering. The stage has legs to be tucked away for sleep, and untucked for movement; and the bird has wings that must be folded and pecked and cared for. But the fish has but one piece from his nose to his tail. He is complete, single and unencumbered.

of every day, no matter how flawed. And we must have faith in God, and in the Universe, and in a better tomorrow, even if that faith is not always deserved.” “Pino Lella’s prescription for a long, happy life?” I said. He laughed at that, and wagged his finger in the air. “The happy part of a long life, anyway. The song to be sung.” Pino gazed north then, across the lake to his beloved Alps, rising like impossible cathedrals in the summer air. He drank from his Chianti. His eyes misted and unscrewed, and for a long time we sat in silence, and the old man was far, far away. The lake water lapped against the retaining wall. A white pelican flapped by. A

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There was a trick of his imagination which recurred persistently; it had recurred, ever since the last ghastly news was brought by the Dillard's [that the third (and last) son had died in the Civil War]. Ira kept seeing his sons around the place, he kept hearing their voices. Sometimes at home he would be in his tool shed, and it seemed that a corner of his vision caught the impression of young Moses going out the door. He was positive that sometimes lying dry and wakeful in the middle of the night, he heard the faint ring of china from Sutherland's room as the young man got up and used his chamber pot. Ira did not believe in ghosts as such. But he thought that perhaps the actual impression of the boys' living had left a variety of sights, sounds and scents which had never been expended and were not dead, even though the boys were dead. He thought that all the trees and shrubbery and walls and fences on the plantation might have absorbed the day-by-day activities of his sons, and still gave them forth, but faintly--as a roasted brick retain its heat long after it had been pinned up in flannel, and so afforded comfort to the cold feet of the invalid who needed warmth. And Ira needed this reassurance that his sons had once been part of a waking, busy scheme called Life; ah, he needed it.

With this compromise, Morgan Stanley had satisfied the needs of the potential buyers of these bonds. However, that was only half the battle. Now the firm needed to address the seemingly impossible request from Banamex, that it be able to “sell” the Ajustabonos to the company without actually selling them. The ingenious solution to this problem depended on the unrated class of bonds Banamex would retain. Amazingly, it was based on Generally Accepted Accounting Principles, or GAAP. The basic idea was that if you own a company, you include all of the assets and liabilities of that company as part of your own assets and liabilities. If by retaining the second unrated class of bonds Banamex could be treated as the owner of the Bermuda company, it could consolidate all of that company’s assets and liabilities, including all the Ajustabonos. This ownership worked a neat trick. Because Banamex would own the company that owned the Ajustabonos, from an accounting perspective, it still would own the Ajustabonos even if it received cash for them.

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When the day knew only darkness, the wind a mute beggar stirring ashes and stars in the discarded pools beneath the old retaining wall, down where the white rivers of sand slip grain by grain into the unseen, and every foundation is but a moment from a horizon's stagger, I found myself among friends and so was made at ease with my modest list of farewells Soldier Dying Fisher kel Tath

With the backing of Soviet first secretary Leonid Brezhnev, Erich Honecker now took on the mantle of leadership, ruling with his small clique, including the minister of state security, Erich Mielke. Ulbricht retained the official title of head of state, but this new leadership was now closely aligned with Moscow. The ailing and somewhat bitter Ulbricht would suffer a stroke and pass away in August 1973. The Wall was his legacy, and by 1976 construction of a fourth-generation Wall began. “Grenzmauer 75” would be state-of-the-art in design and construction, a world away from the prefab first version of 1961. The new iteration was speedily installed, comprising L-shaped reinforced concrete sections

*CZARNECKI, JOSEPH P.* Art was not a cultural frivolity to the inmates of Auschwitz; it literally kept their spirits alive. It was self-expression in the teeth of the annihilation of the self. It was an expresison of the the need to retain psychological coherance in a malebolent ambience whose essential purpose was the destruction of the psyche of its inahabitants. The words 'I am' written on a wall are the epitaph of someone about to die....Picasso said that 'painting is an instrument of war to be waged against brutality and darkness.

Say hi to all the neighbors, he will plead. As a lifelong renter, I’ve trained myself not to engage. Once contact is made, you can never return to anonymity. You must always engage, losing hours of your life to pointless banter, like long-winded monologues about lawn maintenance, retaining walls and missing pets.

Now they neared the huge walls of Hwamgaarl. At intervals along these walls, which slanted outwards at an angle to encumber potential besiegers, they saw the screaming statues—once men and women whom Jagreen Lern and his forefathers had turned to rock but allowed them to retain their life and ability to speak. They spoke little, but screamed much, their ghastly shouts rolling over the disgusting city like the tormented voices of the damned—and damned they were. These sobbing waves of sound were horrifying, even to Elric’s ears, familiar with such sounds. Then another noise blended with this as the mighty portcullis of Hwamgaarl’s main gate squealed upwards and from it poured a host of well-armed men.

Everyone there, having watched this demonic soul die, was immersed in deep sentiment, each in their own. Only the eye of the camera sitting there on the wall kept on watching. Void of all feeling, retaining perfect objectivity, it continued recording the cells in Kashiwada’s body as they passed on from this world.

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In contrast to symbiotic union, mature love is union under the condition of preserving one’s integrity, one’s individuality. Love is an active power in man; a power which breaks through the walls which separate man from his fellow men, which unites him with others; love makes him overcome the sense of isolation and separateness, yet it permits him to be himself, to retain his integrity. In love the paradox occurs that two beings become one and yet remain two.

The Global Financial Crisis of 2007–08 represented the greatest financial downswing of my lifetime, and consequently it presents the best opportunity to observe, reflect and learn. The scene was set for its occurrence by a number of developments. Here’s a partial list: Government policies supported an expansion of home ownership—which by definition meant the inclusion of people who historically couldn’t afford to buy homes—at a time when home prices were soaring; The Fed pushed interest rates down, causing the demand for higher-yielding instruments such as structured/levered mortgage securities to increase; There was a rising trend among banks to make mortgage loans, package them and sell them onward (as opposed to retaining them); Decisions to lend, structure, assign credit ratings and invest were made on the basis of unquestioning extrapolation of low historic mortgage default rates; The above four points resulted in an increased eagerness to extend mortgage loans, with an accompanying decline in lending standards; Novel and untested mortgage backed securities were developed that promised high returns with low risk, something that has great appeal in non-skeptical times; Protective laws and regulations were relaxed, such as the Glass-Steagall Act (which prohibited the creation of financial conglomerates), the uptick rule (which prevented traders who had bet against stocks from forcing them down through non-stop short selling), and the rules that limited banks’ leverage, permitting it to nearly triple; Finally, the media ran articles stating that risk had been eliminated by the combination of: the adroit Fed, which could be counted on to inject stimulus whenever economic sluggishness developed, confidence that the excess liquidity flowing to China for its exports and to oil producers would never fail to be recycled back into our markets, buoying asset prices, and the new Wall Street innovations, which “sliced and diced” risk so finely, spread it so widely and placed it with those best suited to bear it.

By Chaucer’s time the cooking fire had usually moved from the centre of the ground-floor hall to the side wall of the kitchen, with a chimney and a flue. There might be a bracket let into the wall beside the fireplace with a horizontal arm, so that a cauldron could be swung over the fire. In front of the fire would be a rack holding one or more spits, probably of different sizes. Ovens were separate structures from the cooking fires, although they might be built into the side of the chimney. The heat source was logs from the fire, put into the oven while burning and removed once the clay walls of the oven were hot right through, so that they retained the heat for bread-baking. Once the loaves were done the residual heat could be used for other things, such as pies and joints brought in for baking by paying customers. Where we wrap a joint in foil, to keep it tender and retain the juices, the medieval cook achieved the same result by enclosing the joint or bird in a ‘chest’ or ‘coffin’ of plain flour and water, which was not meant for eating.

retained

Marceline the Vampire Queen: "Marceline to Bubblegum. Come in Bubblegum. You there? "...No? " Well, good. Cause I got some things to say to you and I don't want you to hear them. "I'm complicated, alright? "You should know that by now. "Okay, so I'm not stupid. I know our lives are moving us in different directions, okay? I get that. I get that nothing lasts forever, believe me. "But that doesn't mean I have to like it. "It's just--the way you act like nothing's wrong, it makes me SO mad. You know that, right? It makes me feel like I'm the only one who remembers how our friendship USED to be, who sees how it's changing. It feels like a betrayal. It feels lousy, Bonnie. And familiar. "This isn't my first rodeo. "And I know that you've got your hands full with your new kingdom, okay? I get that you're busy, and I want you to be busy. You're doing something so ambitious, so crazy ... "I know you can do it. You're gonna be the one who changes the world, Bonnie. I've seen it in you. "But there's gotta be a balance there, you know? A way where we can stay friends, a way where I don't feel so hurt all the time. And it's not all you--I know I've been major cheesed because of this and that's not fun for anyone. "... I'll be a better friend, too. "Listen, I'm gonna come by tomorrow, help you build those Candy Kingdom retaining walls. Maybe we can punch some ooze monsters while we're at it, right? I'd like that. Right in the buns, yo. "You've been my best friend for so long, and we're not gonna lose that. We'll figure this out, Bubblegum. "Huh. 'Princess Bubblegum.' You know, it actually DOES sound kinda cool. "My friend the princess. "I think I could get used to that. "Over and out.

The arts also fail me. Words I know too well to trust. The skeleton of grammar creates a wall that wards off sensation. Sex can only be described sequentially, one stroke after another. Vocabulary discerns distinctions, just as hormones sand down such matters. The visual arts frame things so that they are safe. Dance is the twitching of the body of one species. Music, I still retain hope for music, that bath of sound that words can barely describe and seldom add to. Music echoes with the bark, the grunt, the trilling, the scream, the explosion of the volcano, the purring of the stream. Art seems less an open door than a gilded cage. Van Gogh painted about three hundred canvases during his year in that nut house. The others, the splattering expressionists and impressionists and cubists and dada folk and surrealists, they’re safe. A dripping clock can never punch you in the face like crows rising off a wheat field. I think most of human art and all of human costume results from our notorious discomfort with our own skins.

was a small lavatory. The door to the lavatory was missing and Myers screwed his face up at the sight of the mess inside. The place didn’t need cleaning. It needed burning. There were a few random, oil-stained chairs dotted about and a collection of torn car magazines. It was the poorest attempt at a customer waiting area Myers had ever seen. Along the back wall, however, was a large workbench and two tall tool chests. They were red with silver handles and covered in stickers. On the wall above the bench, which was covered in spare parts, drinks cans, and oily rags, were several calendars which fell into the category of cliché garage topless pictures. To the right of the workbench was a fire escape door with a long, silver push-handle and Myers thought that even hovels like the garage needed to have some form of emergency exit. He wondered what he’d find out there, then shuddered at the thought. He stepped into the space and felt a strange guilty pang of combined intrusion and fear. There were no cars in the garage, but the air retained a thick, oily smell borne of years of spilt oil and vapour seeping into the pores of every surface in there. He pulled his jacket in tight around him. It seemed as if every surface was coated in a thick layer of grease. But there was something else in that smell. Something that had combined with the oil to form a sickly aroma. He knew the smell, but it had been tainted by the oil and he couldn’t put his finger on it. There was something not quite right about the place. It was the first time he actually wished Fox had been there with him. Another pair of eyes would be useful, and despite her annoying traits, she was actually turning out to be a smart thinker. It was she who had seen the slight variation in the forms. It was she who had known the format of the numbers reflected a container number. And it was she who had theorised that Donald Cartwright could be in trouble. The fact that Donald Cartwright was not in the garage did not mean he wasn’t in trouble. In fact, it only gave weight to the theory. Something had happened in the garage. And Myers was sure the two were connected. Donald Cartwright’s shipment had been delivered to the garage, the only delivery for years that hadn’t been delivered to his father’s warehouse. The form was different and the adviser, Sergio, hadn’t countersigned it. The

China’s authorities are willing to dismantle the shackles of explicit state control and to replace them with markets, but they fully retain the right to intervene whenever they don’t like what the markets are doing.

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The coat hooks fell off the wall three weeks ago, and they’ve been “storing” their coats on the floor ever since. There is no prospect of anyone dealing with the coat hooks. It is beyond their skill set, and she’s too embarrassed to get a handyman in for such a piddling job. Her sexual fantasies, such as they are, generally involve men performing minor DIY while retaining their emotional equilibrium.

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But why is an understanding of the pervasiveness of sexual abuse in women's prisons an important element of a radical analysis of the prison system, and especially of those forward-looking analyses that lead us in the direction of abolition? Because the call to abolish the prison as the dominant form of punishment cannot ignore the extent to which the institution of the prison has stockpiled ideas and practices that are hopefully approaching obsolescence in the larger society, but that retain all their ghastly vitality behind prison walls. The destructive combination of racism and misogyny, however much it has been challenged by social movements, scholarship, and art over the last three decades, retains all its awful consequences within women's prisons. The relatively uncontested presence of sexual abuse in women's prisons is one of many such examples. The increasing evidence of a U.S. prison industrial complex with global resonances leads us to think about the extent to which the many corporations that have acquired an investment in the expansion of the prison system are, like the state, directly implicated in an institution that perpetuates violence against women.

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Rabbi Eliezer knows that a man like Akiva, who was born and grew up outside the world of Torah, is precisely the kind of man who can understand that which is walled off from others. It is human nature: people forced to uproot themselves painfully at a young age are able to retain flexible attitudes later in life, while those who remain in the same surroundings all their lives develop ossified attitudes and icy souls, and they hold the same opinions all their lives. Sometimes, they appear to have changed, but these are not real changes that stem from the depths of their hearts; they are merely old ideas in new dress.

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Good parenting, from my perspective, is like building a three-foot retaining wall against a four-foot wave. The kids have to make up that extra foot. That wave wants to drag them into an undertow where sound judgment is suspended, where the valueless, uncaring, and ultimately nihilistic cool reigns.

composition in dissarythm, the new quarter-tone dance music in which chorded woodwinds provided background patterns for the mad melodies pounded on tuned tomtoms. Between each number and the next a frenetic announcer extolled the virtues of a product. Munching a sandwich, Roger listened appreciatively to the dissarhythm and managed not to hear the commercials. Most intelligent people of the nineties had developed a type of radio deafness which enabled them not to hear a human voice coming from a loudspeaker, although they could hear and enjoy the then-infrequent intervals of music between announcements. In an age when advertising competition was so keen that there was scarcely a bare wall or an unbillboarded lot within miles of a population center, discriminating people could retain normal outlooks on life only by carefully-cultivated partial blindness and partial deafness which enabled them to ignore the bulk of that concerted assault upon their senses. For that reason a good part of the newscast which followed the dissarhythm program went, as it were, into one of Roger’s ears and out the other before it occurred to him that he was not listening to a panegyric on patent breakfast foods. He thought he recognized the voice, and after a sentence or two he was sure that it was that of Milton Hale, the eminent physicist whose new theory on the principle of indeterminacy had recently occasioned so much scientific controversy. Apparently, Dr.