Resume Sayings And Quotes

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People say, 'I'm going to sleep now,' as if it were nothing. But it's really a bizarre activity. 'For the next several hours, while the sun is gone, I'm going to become unconscious, temporarily losing command over everything I know and understand. When the sun returns, I will resume my life.' If you didn't know what sleep was, and you had only seen it in a science fiction movie, you would think it was weird and tell all your friends about the movie you'd seen. They had these people, you know? And they would walk around all day and be OK? And then, once a day, usually after dark, they would lie down on these special platforms and become unconscious. They would stop functioning almost completely, except deep in their minds they would have adventures and experiences that were completely impossible in real life. As they lay there, completely vulnerable to their enemies, their only movements were to occasionally shift from one position to another; or, if one of the 'mind adventures' got too real, they would sit up and scream and be glad they weren't unconscious anymore. Then they would drink a lot of coffee.' So, next time you see someone sleeping, make believe you're in a science fiction movie. And whisper, 'The creature is regenerating itself.
George Carlin (Brain Droppings)
My dearest Emma," said he, "for dearest you will always be, whatever the event of this hour's conversation, my dearest, most beloved Emma -- tell me at once. Say 'No,' if it is to be said." She could really say nothing. "You are silent," he cried, with great animation; "absolutely silent! at present I ask no more." Emma was almost ready to sink under the agitation of this moment. The dread of being awakened from the happiest dream, was perhaps the most prominent feeling. "I cannot make speeches, Emma," he soon resumed; and in a tone of such sincere, decided, intelligible tenderness as was tolerably convincing. "If I loved you less, I might be able to talk about it more. But you know what I am. You hear nothing but truth from me. I have blamed you, and lectured you, and you have borne it as no other woman in England would have borne it. Bear with the truths I would tell you now, dearest Emma, as well as you have borne with them. The manner, perhaps, may have as little to recommend them. God knows, I have been a very indifferent lover. But you understand me. Yes, you see, you understand my feelings and will return them if you can. At present, I ask only to hear, once to hear your voice.
Jane Austen (Emma)
You are so full of light,” I say after a moment. “You align with joy, and I with fear and fury. If you could see into my thoughts, you would surely turn away. So why would you stay with me, even if return to Kenettra and resume our lives?” “You paint me as a saint,” he murmurs. “But I aligned with greed solely to prevent that.” Even now, he can make my lips twitch with a smile. “I’m serious, Magiano.” “As am I. None of us are saints. I have seen your darkness, yes, and know your struggle. I won’t deny it.” He touches my chin with one hand. At this gesture, the whispers seem to settle, pushed away where I can’t hear them. “But you are also passionate and ambitious and loyal. You are a thousand things, mi Adelinetta, not just one. Do not reduce yourself to that.
Marie Lu (The Midnight Star (The Young Elites, #3))
SEPTEMBER 1, 1939 I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism's face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; 'I will be true to the wife, I'll concentrate more on my work,' And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the dead, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.
W.H. Auden (Another Time)
4. Religion. Your reason is now mature enough to examine this object. In the first place, divest yourself of all bias in favor of novelty & singularity of opinion... shake off all the fears & servile prejudices, under which weak minds are servilely crouched. Fix reason firmly in her seat, and call to her tribunal every fact, every opinion. Question with boldness even the existence of a God; because, if there be one, he must more approve of the homage of reason, than that of blindfolded fear. You will naturally examine first, the religion of your own country. Read the Bible, then as you would read Livy or Tacitus. The facts which are within the ordinary course of nature, you will believe on the authority of the writer, as you do those of the same kind in Livy and Tacitus. The testimony of the writer weighs in their favor, in one scale, and their not being against the laws of nature, does not weigh against them. But those facts in the Bible which contradict the laws of nature, must be examined with more care, and under a variety of faces. Here you must recur to the pretensions of the writer to inspiration from God. Examine upon what evidence his pretensions are founded, and whether that evidence is so strong, as that its falsehood would be more improbable than a change in the laws of nature, in the case he relates. For example in the book of Joshua we are told the sun stood still several hours. Were we to read that fact in Livy or Tacitus we should class it with their showers of blood, speaking of statues, beasts, &c. But it is said that the writer of that book was inspired. Examine therefore candidly what evidence there is of his having been inspired. The pretension is entitled to your inquiry, because millions believe it. On the other hand you are astronomer enough to know how contrary it is to the law of nature that a body revolving on its axis as the earth does, should have stopped, should not by that sudden stoppage have prostrated animals, trees, buildings, and should after a certain time have resumed its revolution, & that without a second general prostration. Is this arrest of the earth's motion, or the evidence which affirms it, most within the law of probabilities? You will next read the New Testament. It is the history of a personage called Jesus. Keep in your eye the opposite pretensions: 1, of those who say he was begotten by God, born of a virgin, suspended & reversed the laws of nature at will, & ascended bodily into heaven; and 2, of those who say he was a man of illegitimate birth, of a benevolent heart, enthusiastic mind, who set out without pretensions to divinity, ended in believing them, and was punished capitally for sedition, by being gibbeted, according to the Roman law, which punished the first commission of that offence by whipping, & the second by exile, or death in fureâ. ...Do not be frightened from this inquiry by any fear of its consequences. If it ends in a belief that there is no God, you will find incitements to virtue in the comfort and pleasantness you feel in its exercise, and the love of others which it will procure you... In fine, I repeat, you must lay aside all prejudice on both sides, and neither believe nor reject anything, because any other persons, or description of persons, have rejected or believed it... I forgot to observe, when speaking of the New Testament, that you should read all the histories of Christ, as well of those whom a council of ecclesiastics have decided for us, to be Pseudo-evangelists, as those they named Evangelists. Because these Pseudo-evangelists pretended to inspiration, as much as the others, and you are to judge their pretensions by your own reason, and not by the reason of those ecclesiastics. Most of these are lost... [Letter to his nephew, Peter Carr, advising him in matters of religion, 1787]
Thomas Jefferson (Letters of Thomas Jefferson)
While you are continuing this practice, week after week, year after year, your experience will become deeper and deeper, and your experience will cover everything you do in your everyday life. The most important thing is to forget all gain ing ideas, all dualistic ideas. In other words, just practice zazen in a certain posture. Do not think about anything. Just remain on your cushion without expecting anything. Then eventually you will resume your own true nature. That is to say, your own true nature resumes itself.
Shunryu Suzuki (Zen Mind, Beginner's Mind: Informal Talks on Zen Meditation and Practice)
We're not done talking about this.” “Yes, we are, because in case you didn't notice, you just walked out, hence the ending of the conversation!” He comes back to say, “It will be resumed at a later date.” “I'm calling in sick that day.
Lindy Zart (Roomies)
It would have been better to do what everyone else does, neither taking life too seriously nor seeing it as merely grotesque, choosing a profession and practicing it, grabbing one's share of the common cake, eating it and saying, "It's delicious!" rather than following the gloomy path that I have trodden all alone; then I wouldn’t be here writing this, or at least it would have been a different story. The further I proceed with it, the more confused it seems even to me, like hazy prospects seen from too far away, since everything passes, even the memory of our most scalding tears and our heartiest laughter; our eyes soon dry, our mouths resume their habitual shape; the only memory that remains to me is that of a long tedious time that lasted for several winters, spent in yawning and wishing I were dead
Gustave Flaubert (November)
Ferrin looked at her like she had two heads. “You don’t want to marry my son?” “Hell. No.” He resumed his seat. “That’s the first sensible thing I’ve heard you say.
Chris Cannon (Going Down in Flames (Going Down in Flames, #1))
I have been writing my heart out all my life, but only getting a living out of it now, and the attacks are coming in thick. A lot of people are mad and jealous and bitter and I only hope they also can be heard by an expanding publishing program the size of Russia's. Because it's not a question of the merit of art, but a question of spontaneity and sincerity and joy I say. I would like everybody in the world to tell his full life confession and tell it HIS OWN WAY and then we'd have something to read in our old age, instead of the hesitations and cavilings of 'men of letters' with blear faces who only alter words that the Angel brought them.
Jack Kerouac
Why come to Trude? I asked myself. And I already wanted to leave. You cand resume your flight whereever you like," they say to me, "but you will arive at another Trude, absolutely the same, detail by detail. The world is covered by a sole Trude which does not begin and does not end. Only the names of the airport changes.
Italo Calvino (Invisible Cities)
With a deep sigh, Lucius resumed pacing. "Honestly, I can't stand this going around anymore. The story is quite simple. You, Antanasia, are the last of a long line of powerful vampires. The Dragomirs. Vampire royalty." Now that made me laugh, a squeaky, kind of hysterical laugh. "Vampire royalty. Right." Yes. Royalty. And that is the last part of the story, which your parents still seem reluctant to relate." Lucius leaned over the table across from me, bracing his arms, staring me down. "You are a vampire princess—the heir to the Dragomir leadership. I am a vampire prince. The heir to an equally powerful clan, the Vladescus. More powerful, I would say, but that's not the point. We were pledged to each other in an engagement ceremony shortly after our births.
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
Had a note from Mr Cherry asking me when I can resume my paper round. I sent a note back to say that due to my mother's desertion I am still in a mental state. This is true. I wore odd socks yesterday without knowing it. One was red and one was green. I must pull myself together. I could end up in a lunatic asylum.
Sue Townsend (The Secret Diary of Adrian Mole, Aged 13 3/4 (Adrian Mole, #1))
Bigfoot understood — as I came to understand — that character is far more important than skills or employment history. And he recognized character — good and bad — brilliantly. He understood, and taught me, that a guy who shows up every day on time, never calls in sick, and does what he said he was going to do, is less likely to fuck you in the end than a guy who has an incredible resume but is less than reliable about arrival time. Skills can be taught. Character you either have or don't have. Bigfoot understood that there are two types of people in the world: those who do what they say they're going to do — and everyone else.
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
And that was the thing: you couldn't just stand there gawking at the world. A car slipped by. Then another. It was as if she'd stood frozen by the river of the world and gratefully stepped back into it, resuming her place... The world waited, cold, grim, alive, beautiful. There was no saying no to it.
Liz Rosenberg (Home Repair)
Christ is the only man to overcome the barrier erected by Satan. He dies in order to avoid participating in the system of scapegoats, which is to say the satanic principle. After his resurrection, a bridge that did not exist before is established between God and the world; Christ gets a foothold in the world through his own death, and destroys Satan's ramparts. His death therefore converts satanic disorder into order and opens up a new path on which human beings may now travel. In other words, God resumes his place in the world, not because he has violated the autonomy of man and of Satan, but because Christ has resisted, triumphed over Satan's obstacle.
René Girard (The One by Whom Scandal Comes)
A Talmud saying implies that in Messianic times the sacrifices will not be resumed in the restored Temple, except for the thank offerings.
Herman Wouk (This is My God: A Guidebook to Judaism)
Every once in a while, an up-or-down-leg goes on for a long time and/or to a great extreme and people start to say "this time it's different." They cite the changes in geopolitics, institutions, technology or behaviour that have rendered the "old rules" obsolete. They make investment decisions that extrapolate the recent trend. And then it turns out that the old rules still apply and the cycle resumes. In the end, trees don't grow to the sky, and few things go to zero.
Howard Marks (The Most Important Thing: Uncommon Sense for the Thoughtful Investor (Columbia Business School Publishing))
You speak as if you envied him." "And I do envy him, Emma. In one respect he is the object of my envy." Emma could say no more. They seemed to be within half a sentence of Harriet, and her immediate feeling was to avert the subject, if possible. She made her plan; she would speak of something totally different—the children in Brunswick Square; and she only waited for breath to begin, when Mr. Knightley startled her, by saying, "You will not ask me what is the point of envy.—You are determined, I see, to have no curiosity.—You are wise—but I cannot be wise. Emma, I must tell you what you will not ask, though I may wish it unsaid the next moment." "Oh! then, don't speak it, don't speak it," she eagerly cried. "Take a little time, consider, do not commit yourself." "Thank you," said he, in an accent of deep mortification, and not another syllable followed. Emma could not bear to give him pain. He was wishing to confide in her—perhaps to consult her;—cost her what it would, she would listen. She might assist his resolution, or reconcile him to it; she might give just praise to Harriet, or, by representing to him his own independence, relieve him from that state of indecision, which must be more intolerable than any alternative to such a mind as his.—They had reached the house. "You are going in, I suppose?" said he. "No,"—replied Emma—quite confirmed by the depressed manner in which he still spoke—"I should like to take another turn. Mr. Perry is not gone." And, after proceeding a few steps, she added—"I stopped you ungraciously, just now, Mr. Knightley, and, I am afraid, gave you pain.—But if you have any wish to speak openly to me as a friend, or to ask my opinion of any thing that you may have in contemplation—as a friend, indeed, you may command me.—I will hear whatever you like. I will tell you exactly what I think." "As a friend!"—repeated Mr. Knightley.—"Emma, that I fear is a word—No, I have no wish—Stay, yes, why should I hesitate?—I have gone too far already for concealment.—Emma, I accept your offer—Extraordinary as it may seem, I accept it, and refer myself to you as a friend.—Tell me, then, have I no chance of ever succeeding?" He stopped in his earnestness to look the question, and the expression of his eyes overpowered her. "My dearest Emma," said he, "for dearest you will always be, whatever the event of this hour's conversation, my dearest, most beloved Emma—tell me at once. Say 'No,' if it is to be said."—She could really say nothing.—"You are silent," he cried, with great animation; "absolutely silent! at present I ask no more." Emma was almost ready to sink under the agitation of this moment. The dread of being awakened from the happiest dream, was perhaps the most prominent feeling. "I cannot make speeches, Emma:" he soon resumed; and in a tone of such sincere, decided, intelligible tenderness as was tolerably convincing.—"If I loved you less, I might be able to talk about it more. But you know what I am.—You hear nothing but truth from me.—I have blamed you, and lectured you, and you have borne it as no other woman in England would have borne it.—Bear with the truths I would tell you now, dearest Emma, as well as you have borne with them. The manner, perhaps, may have as little to recommend them. God knows, I have been a very indifferent lover.—But you understand me.—Yes, you see, you understand my feelings—and will return them if you can. At present, I ask only to hear, once to hear your voice.
Jane Austen (Emma)
To Arendt’s point about post-revolution stability deriving from pre-revolutionary experience in self government, it’s worth remembering that two of Henry’s less chatty fellow burgesses became the first and third presidents of the United States. Andrew O’Shaughnessy, referring to the masterminds of the 2013 government shutdown and no doubt alluding to the freshman senator who was its ringleader, told me, “Experience is terribly important. You’ll notice that the congressmen who want to hold up the government are all junior people and new to the game. And of course they will say, ‘Oh, it’s Washington cynicism, where they all compromise and work out backroom deals.’ But that’s actually how democracy works.” Which is exactly how government operations resumed on October 17, 2013: a bipartisan group of old-school senators with the combined age of Stonehenge started hashing out a bargain drafted by third-term moderate Republican Susan Collins of Maine, who, prior to her election sixteen years earlier, had spent twelve years working behind the scenes as a legislative aide to her predecessor.
Sarah Vowell (Lafayette in the Somewhat United States)
It is I am sure a kind of unorthodoxy, and considered thus by some,” I hear my master say (I resume my station, still flustered and with a madly working heart), “but it is my conviction that the more religiously and intellectually enlightened a Negro is made, the better for himself, his master, and the commonweal.
William Styron (The Confessions of Nat Turner)
To: Anna Oliphant From: Etienne St. Clair Subject: Uncommon Prostitues I have nothing to say about prostitues (other than you'd make a terrible prostitute,the profession is much too unclean), I only wanted to type that. Isn't it odd we both have to spend Christmas with our fathers? Speaking of unpleasant matters,have you spoken with Bridge yet? I'm taking the bus to the hospital now.I expect a full breakdown of your Christmas dinner when I return. So far today,I've had a bowl of muesli. How does Mum eat that rubbish? I feel as if I've been gnawing on lumber. To: Etienne St. Clair From: Anna Oliphant Subject: Christmas Dinner MUESLY? It's Christmas,and you're eating CEREAL?? I'm mentally sending you a plate from my house. The turkey is in the oven,the gravy's on the stovetop,and the mashed potatoes and casseroles are being prepared as I type this. Wait. I bet you eat bread pudding and mince pies or something,don't you? Well, I'm mentally sending you bread pudding. Whatever that is. No, I haven't talked to Bridgette.Mom keeps bugging me to answer her calls,but winter break sucks enough already. (WHY is my dad here? SERIOUSLY. MAKE HIM LEAVE. He's wearing this giant white cable-knit sweater,and he looks like a pompous snowman,and he keeps rearranging the stuff on our kitchen cabinets. Mom is about to kill him. WHICH IS WHY SHE SHOULDN'T INVITE HIM OVER FOR HOLIDAYS). Anyway.I'd rather not add to the drama. P.S. I hope your mom is doing better. I'm so sorry you have to spend today in a hospital. I really do wish I could send you both a plate of turkey. To: Anna Oliphant From: Etienne St. Clair Subject: Re: Christmas Dinner YOU feel sorry for ME? I am not the one who has never tasted bread pudding. The hospital was the same. I won't bore you with the details. Though I had to wait an hour to catch the bus back,and it started raining.Now that I'm at the flat, my father has left for the hospital. We're each making stellar work of pretending the other doesn't exist. P.S. Mum says to tell you "Merry Christmas." So Merry Christmas from my mum, but Happy Christmas from me. To: Etienne St. Clair From: Anna Oliphant Subject: SAVE ME Worst.Dinner.Ever.It took less than five minutes for things to explode. My dad tried to force Seany to eat the green bean casserole, and when he wouldn't, Dad accused Mom of not feeding my brother enough vegetables. So she threw down her fork,and said that Dad had no right to tell her how to raise her children. And then he brought out the "I'm their father" crap, and she brought out the "You abandoned them" crap,and meanwhile, the WHOLE TIME my half-dead Nanna is shouting, "WHERE'S THE SALT! I CAN'T TASTE THE CASSEROLE! PASS THE SALT!" And then Granddad complained that Mom's turkey was "a wee dry," and she lost it. I mean,Mom just started screaming. And it freaked Seany out,and he ran to his room crying, and when I checked on him, he was UNWRAPPING A CANDY CANE!! I have no idea where it came from. He knows he can't eat Red Dye #40! So I grabbed it from him,and he cried harder, and Mom ran in and yelled at ME, like I'd given him the stupid thing. Not, "Thank you for saving my only son's life,Anna." And then Dad came in and the fighting resumed,and they didn't even notice that Seany was still sobbing. So I took him outside and fed him cookies,and now he's running aruond in circles,and my grandparents are still at the table, as if we're all going to sit back down and finish our meal. WHAT IS WRONG WITH MY FAMILY? And now Dad is knocking on my door. Great. Can this stupid holiday get any worse??
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I’d spent months carefully winding my gift into a tight spool, only letting it out by inches, and only when I needed it. The strain of keeping it bound up had been a steady, constant reminder that I had to work to keep the life I’d built for myself out here. It was a muscle I’d carefully toned to withstand nearly any pressure. Letting it all go felt like shaking a bottle of soda and ripping off the cap. It fizzed and flooded and swept out of me, searching for the connections waiting to be made. I didn’t guide it, and I didn’t stop it—I don’t know if I could have if I tried. I was the burning center of a galaxy of faces, memories, loves, heartbreaks, disappointments, and dreams. It was like living dozens of different lives. I was lifted and shattered by it, how strangely beautiful it was to feel their minds linked with my own. The spinning inside my head slowed with the movement around me. I felt time hovering nearby, waiting to resume its usual tempo. The darkness slid into the edges of my vision, seeping through my mind like a drop of ink in water. But I was in control of the moment, and there was one last thing that I needed to say to them, one last idea to imprint in their minds. “I’m Green.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending.” “Snap ending.” Mildred nodded. “Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. I exaggerate, of course. The dictionaries were for reference. But many were those whose sole knowledge of Hamlet (you know the title certainly, Montag; it is probably only a faint rumor of a title to you, Mrs. Montag), whose sole knowledge, as I say, of Hamlet was a one-page digest in a book that claimed: now at last you can read all the classics; keep up with your neighbors. Do you see? Out of the nursery into the college and back to the nursery; there’s your intellectual pattern for the past five centuries or more.” Mildred arose and began to move around the room, picking things up and putting them down. Beatty ignored her and continued: “Speed up the film, Montag, quick. Click, Pic, Look, Eye, Now, Flick, Here, There, Swift, Pace, Up, Down, In, Out, Why, How, Who, What, Where, Eh? Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, digest-digest-digests. Politics? One column, two sentences, a headline! Then, in mid-air, all vanishes! Whirl man’s mind around about so fast under the pumping hands of publishers, exploiters, broadcasters that the centrifuge flings off all unnecessary, time-wasting thought!” Mildred smoothed the bedclothes. Montag felt his heart jump and jump again as she patted his pillow. Right now she was pulling at his shoulder to try to get him to move so she could take the pillow out and fix it nicely and put it back. And perhaps cry out and stare or simply reach down her hand and say, “What’s this?” and hold up the hidden book with touching innocence. “School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually gradually neglected, finally almost completely ignored. Life is immediate, the job counts, pleasure lies all about after work. Why learn anything save pressing buttons, pulling switches, fitting nuts and bolts?
Ray Bradbury (Fahrenheit 451)
When Mrs. Rose goes to check in with “the woman” about dinner, I pull out my phone and start tapping. “Potpourri,” I say aloud. “Scribbly paintings. Creepy Hummel figurines of peasant children doing chores.” Nicholas gives me a wary look. “What are you doing?” “Taking notes on how to make our house more enticing to you. You adore this one so much that you never want to leave, so I’m working out how to replicate the magic.” I resume my phone tapping. “Bouquets of flowers bestowed by loved ones. Hmm, I’ll have to find some loved ones.
Sarah Hogle (You Deserve Each Other)
In this day and age, the digital age, you can forget about a resume; you are what your social media says about you.
Germany Kent
The only consolation we have is that few of those will have active weapons either," Prometheus told them. Palamedes looked over at Scathach. "When you say 'few...,'" she began. "Some will be armed," Prometheus clarified. "Incoming!" Saint-Germain yelled. "Two of them have launched missiles." "Sit down and strap yourselves in," Prometheus commanded. The group scrambled to get into the seats behind him, and he added, "We're too slow to outrun them, and the smaller ones are infinitely more maneuverable." "Is there good news?" Scathach demanded. "I am the finest flier in Danu Talis," The Elder said. Scathach smiled. "If anyone else said that I would think they were boasting. But not you,Uncle." Prometheus glanced quickly at the Warrior. "How many times do I have to tell you-I'm not your uncle." "Not yet,anyway," she muttered under her breath. "Everyone strapped in?" Prometheus asked. Without waiting for an answer, he brought the triangular vimana straight up into the air, then flipped it back, so that the ground was directly overhead and the sky below them, before he leveled it off and the earth and sky resumed their normal positions. "I'm going to throw up," Scatty muttered.
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
But then everybody says that, though you have a brain like a peahen, you're the soul of kindness and generosity.' Well, I was handicapped here by the fact that, never having met a peahen, I was unable to estimate the quality of these fowls' intelligence, but she had spoken as if they were a bit short of the grey matter, and I was about the ask her who the hell she meant by 'everybody', when she resumed.
P.G. Wodehouse (Jeeves and the Feudal Spirit (Jeeves, #11))
At a small dinner with other business executives, the guest of honor spoke the entire time without taking a breath. This meant that the only way to ask a question or make an observation was to interrupt. Three or four men jumped in, and the guest politely answered their questions before resuming his lecture. At one point, I tried to add something to the conversation and he barked, "Let me finish! You people are not good at listening!" Eventually, a few more men interjected and he allowed it. Then the only other female executive at the dinner decided to speak up--and he did it again! He chastised her for interrupting. After the meal, one of the male CEOs pulled me aside to say that he had noticed that only the women had been silenced. He told me he empathized, because as a Hispanic, he has been treated like this many times.
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
The sun is setting, Ona reminds us, and our light is fading. We should light the kerosene lamp. But what of your question? asks Greta. Should we consider asking the men to leave? None of us have ever asked the men for anything, Agatha states. Not a single thing, not even for the salt to be passed, not even for a penny or a moment alone or to take the washing in or to open a curtain or to go easy on the small yearlings or to put your hand on the small of my back as I try, again, for the twelfth or thirteenth time, to push a baby out of my body. Isn't it interesting, she says, that the one and only request the women would make of the men would be to leave? The women break out laughing again. They simply can't stop laughing, and if one of them stops for a moment she will quickly resume laughing with a loud burst, and off they'll all go again. It's not an option, says Agata, at last. No, the others (finally in complete accord!) agree. Asking the men to leave is not an option. Greta asks the women to imagine her team, Ruth and Cheryl (Agata yelps in exasperation at the mention of their names), requesting that Greta leave them alone for the day to graze in the field and do nothing. Imagine my hens, adds Agata, telling me to turn around and leave the premises when I show up to gather the eggs. Ona begs the women to stop making her laugh, she's afraid she'll go into premature labour. This makes them laugh harder! They even find it uproariously funny that I continue to write during all of this. Ona's laughter is the finest, the most exquisite sound in all of nature, filled with breath and promise, and the only sound she releases into the world that she doesn't also try to retrieve.
Miriam Toews (Women Talking)
You haven't seen my resume," Gary objected. "I'm not looking to charity." The silver eyes glinted, a brief, hard humor. "I had your formula inside my body, Gary. That was all the proof of your genius I needed. The society had access to that blood for some time before you did, but none of them were able to come up with anything that worked on us." "Great,I get that dubious pleasure. Someday you're going to introduce me to one of your friends and you can say, 'By the way,this is the one who invented the poision that is killing our people.'" Gregori did laugh then,a low, husky sound so pure, it was beautiful to hear. It brought a lightness into gary's heart, dispelling the gloom that had been gathering. "I never thought of that. We might get a few interesting reactions." Gary found himself grinning sheepishly. "Yeah,like a lynching party with me as the guest of honor.
Christine Feehan (Dark Magic (Dark, #4))
I am going to make you what you may perhaps consider rather a singular proposition. It is this, that if you don’t like me, say so at once, and we will part now, before we have time to know anything more of each other, and I will endeavour not to cross your path again unless you seek me out. But if on the contrary, you do like me,—if you find something in my humour or turn of mind congenial to your own disposition, give me your promise that you will be my friend and comrade for a while, say for a few months at any rate. I can take you into the best society, and introduce you to the prettiest women in Europe as well as the most brilliant men. I know them all, and I believe I can be useful to you. But if there is the smallest aversion to me lurking in the depths of your nature”—here he paused,—then resumed with extraordinary solemnity—“in God’s name give it full way and let me go,—because I swear to you in all sober earnest that I am not what I seem!
Marie Corelli (The Sorrows of Satan; or, The Strange Experience of One Geoffrey Tempest, Millionaire)
Why is it their business? They expect me to go sit at their fucking picnic—alone—and watch them with their happy fucking little families, and I’m supposed to pretend like the one person in this town I give a damn about doesn’t even exist?” “Uh….” I couldn’t really think of anything to say to that. I couldn’t believe that he had said any of it and was pretty sure he wouldn’t have on any normal day. But it didn’t matter. He was still talking, and the pull on the back of my head had resumed.
Marie Sexton (Promises (Coda, #1))
Acting up, a peculiar phrase. It's what people say to minimize the gravity of their condition. It implies that the offending part (heart, stomach, liver, whatever) is a fractious, bratty child, which can be brought into line with a slap or a sharp word. At the same time, that these symptoms--these tremors and pains, these palpitations--are mere theatrics, and that the organ in question will soon stop capering about and making a spectacle of itself, and resume its placid, off-stage existence.
Margaret Atwood (The Blind Assassin)
You asked for a brief sketch of my stuff that is connected with my imaginary world. It is difficult to say anything without saying too much: the attempt to say a few words opens a floodgate of excitement, the egoist and artist at once desires to say how the stuff has grown, what it is like, and what (he thinks) he means or is trying to represent by it all. I shall inflict some of this on you; but I will append a mere resume of its contents: which is (may be) all that you want or will have use or time for.
J.R.R. Tolkien (The Letters of J.R.R. Tolkien)
Oh, it's not her Christian name. Her Christian name is Clara.' 'Is it though?' said Mr. Barkis. He seemed to find an immense fund of reflection in this circumstance, and sat pondering and inwardly whistling for some time. 'Well!' he resumed at length. 'Says you, "Peggotty! Barkis is waitin' for a answer." Says she, perhaps, "Answer to what?" Says you, "To what I told you." "What is that?" says she. "Barkis is willin'," says you.' This extremely artful suggestion Mr. Barkis accompanied with a nudge of his elbow that gave me quite a stitch in my
Charles Dickens (David Copperfield)
The numbers," he said, "are awful." He resumed his search. Arthur nodded wisely to himself. After a while he realized that this wasn't getting him anywhere and decided that he would say "what?" after all. "In space travel," repeated Slartibartfast, "all the numbers are awful.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
They say land of the free and the home of the brave,” he mutters, shaking his head as he resumes our walk. “Yeah, they do,” I follow behind him. “Your point?” He turns back to me. “I say, it’s the land of the mentally inept, electronically dependent, and brainwashed media slaves.
Kate Stewart (Flock (The Ravenhood, #1))
Brookfield, my correspondent, writes that last week he observed him in the moonlight at an advanced hour gazing up at his window." "Whose window? Brookfield's?" "Yes, sir. Presumably under the impression that it was the young lady's." "But what the deuce is he doing at Twing at all?" "Mr Little was compelled to resume his old position as tutor to Lord Wickhammersley's son at Twing Hall, sir. Owing to having been unsuccessful in some speculations at Hurst Park at the end of October." "Good Lord, Jeeves! Is there anything you don't know?" "I couldn't say, sir.
P.G. Wodehouse
And more to the point, I have no idea what I want to do. It shouldn't be a surprise. I've had years to think about it. That and just the other day I was pestering Wolf about what he wanted to do--talk about the pot calling the kettle black. But that's just it, I guess. I've never had to think about it. I have very diligently kept all of my options open. The AP classes, the killer GPA, the SAT scores in the 99th percentile, the varsity letters from swim team, the debate club, the fundraising... I've taken on everything and succeeded at it. There is not one weak spot that can be pointed to in my resume, not a single thing that would make an administrator say, "Yes, but what about her..." Except maybe this. Except the part where it's suddenly clear to me why I've been struggling so much with my college essays, with articulating who I am in so few words. How can a person even know who they are if they don't know what they want?
Emma Lord (Tweet Cute)
Let me say only that these vehicles float a few inches off the ground. No animals draw them. No steam or chemical fuels them. Should something, a pet or child perhaps, pass underneath, it will temporarily cease to exist, then resume on the other side, with no interruption of velocity or awareness. No one thinks of this as death.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
And with that, we resume our trek. It takes an annoyingly long time to get to the palace. I mean, the walk is scenic and all, the forest lush with life, the ground sprinkled with glittering pools and rippling creeks, and blah, blah, blah—lots of pretty shit. But it’s still a stupidly long walk, and now that Des and I have five billion guards hemming us in, our conversation is next to non-existent. To be fair, I have been entertained. Des has spent most of the last hour plaiting one guard’s hair into at least fifty braids (he hasn’t yet noticed) and moving branches into another guard’s way. “Mother fucking trees,” the fairy mutters under his breath. “I swear they’re moving in my way.” “Lay off the spirits, Sythus,” another says.
Laura Thalassa (Dark Harmony (The Bargainer, #3))
The Prologue When the autumn breeze blows and stirs up a sense of adventure, I find myself wishing that I could embark on a grand quest full of danger, a journey to an unknown world. A quest of epic proportions that ends in a glorious blaze of heroics before I return home to resume the life that I had left behind for a time. This is only the wishful musings of a normal girl bored with the way things are. Then again, it might not be. My story begins much like any other, but don’t be deceived! This story is nothing like any other you have ever read—or heard, as the case may be. At least, I don’t think it is. But who am I to say such a thing? You must read it and decide for yourself. So. Here it is. I hope you enjoy the ride—or the read, rather.
Annie Riley (The Seer)
Gale acted as if the kiss had never happened. Maybe he was waiting for me to say something. Or kiss him back. Instead I just pretended it had never happened, either. But it had. Gale had shattered some invisible barrier between us and, with it, any hope I had of resuming our old, uncomplicated friendship. Whatever I pretended, I could never look at his lips in quite the same way.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Dear Miss Hummingbird,
 The leaves are turning green now, but not with envy. But they should be envious, because I, Jarod Ora Kintz, son of a thousand question marks, now have what every unemployed American most covets: a cat. Oh, and I’ve also got a new job. Almost forgot to mention it. “What will you be doing?” you may be wondering, and “Is it legal?” Those answers, as you can imagine, are gray. But so are elephants. Gray, I mean. Elephants are gray, not illegal, even though a certain political party in this country that’s represented by an elephant mascot certainly does things that to the normal citizen would be considered illegal. But I digress.
 Turns out that right under “Mayor of Orafouraville” on my resume, I can now add “Concierge at the Five-Star Hotel.” Concierge is just a fancy term that means something similar in Latin, I’m sure.
 My job will be to arrange activities for hotel guests for everything from opera tickets to dinner reservations to even organizing the burial of a loved one—though not if the disposal of the body is to be kept secret because a murder has occurred. Murder is such a ghastly (and ghostly) way to spoil dinner reservations for two, wouldn’t you agree? Or, rather, wouldn’t you not disagree?
 This job will allow me to meet interesting people from all over the planet, and possibly even other planets (like Pluto, if that’s still even a planet).
 It’s a full-time job, at least part of the time (40 hours per week out of a possible 168 hours). I’ll be expected to wear a shirt and tie. And, of course, pants—but that goes without saying. What also goes without saying are guests, but I hope some at least say goodbye before they go. 

Jarod Kintz (This Book Has No Title)
Get away from the door." she whispered. "Both of you get out of here NOW." "Miss," said Alf. "We don't mean no..." "You don't know what you're getting into." she said. "You must leave here this instant." Alf, his face worried said to Peter. "Maybe we should..." "No," sad Peter, furious. "We've come this far, and we're going to go in there, and she can't stop us." "Yes I can." said Molly, her voice dead calm. Peter and Alf both looked at her. "I can scream." she said. "You wouldn't." Peter said. "Yes I would." "You don't dare." said Peter. "You're not supposed to be here, either. You'd be in as much trouble as us." "I could say I heard a noise," she said. "I heard something fall." she pointed to the padlcok. "I came to investigate, and when I saw you I screamed." "All right miss. said Alf. "No need for that." he put a hand on Peter's shoulder. "Come on lad." "No," said Peter, shrugging off the hand, glaring at Molly. "You go if you want. She doesn't scare me." "I'm going to count," said Molly. "If you're not gone when I get to ten, I WILL scream." "You're bluffing." said Peter." said Peter. "One." said Molly. On the floor Leatherface stirred, rolling over, resumed snoring. "Little friend." whispered Alf, his tone urgent now. "I'm going." "Go then." said Peter. "Two." "Please little friend." "NO." "Three" "All right, then." said Alf, shaking his head. "Good luck, then." "Four" Alf was up the ladder and gone. "Five" "Why are you doing this?" hissed Peter. "Six. Because I have to." Her face was grim. "But why?" "Seven. I can't tell you." "Tell me WHAT? Why can't you tell me anyway? How do you know if you don't try?" "Nine. Because I... Because it... it's so..." Molly's voice broke. Peter saw she was crying. "Molly, please, whatever it is, JUST TELL ME.. Maybe...maybe I can help you." For several seconds, Molly looked at him, a look of lonely desperation, tears brimming in her luminescent green eyes. Then she made a decision- Peter saw it happen- and her expression was grim again. She's going to say ten, thought Peter. She's going to scream. Molly opened her mouth. "All right, then." she said. "I'll tell you.
Dave Barry
I congratulate you," said he, in the tone which one uses for a reprimand. "You did not vote for the death of the king, after all." The old member of the Convention did not appear to notice the bitter meaning underlying the words "after all." He replied. The smile had quite disappeared from his face. "Do not congratulate me too much, sir. I did vote for the death of the tyrant." It was the tone of austerity answering the tone of severity. "What do you mean to say?" resumed the Bishop. "I mean to say that man has a tyrant,--ignorance. I voted for the death of that tyrant. That tyrant engendered royalty, which is authority falsely understood, while science is authority rightly understood. Man should be governed only by science." "And conscience," added the Bishop. "It is the same thing. Conscience is the quantity of innate science which we have within us.
Victor Hugo (Fantine: Les Misérables #1)
In the forty minutes I watched the muskrat, he never saw me, smelled me, or heard me at all. When he was in full view of course I never moved except to breathe. My eyes would move, too, following his, but he never noticed. Only once, when he was feeding from the opposite bank about eight feet away did he suddenly rise upright, all alert- and then he immediately resumed foraging. But he never knew I was there. I never knew I was there, either. For that forty minutes last night I was as purely sensitive and mute as a photographic plate; I received impressions, but I did not print out captions. My own self-awareness had disappeared; it seems now almost as though, had I been wired to electrodes, my EEG would have been flat. I have done this sort of thing so often that I have lost self-consciousness about moving slowly and halting suddenly. And I have often noticed that even a few minutes of this self-forgetfulness is tremendously invigorating. I wonder if we do not waste most of our energy just by spending every waking minute saying hello to ourselves. Martin Buber quotes an old Hasid master who said, “When you walk across the field with your mind pure and holy, then from all the stones, and all growing things, and all animals, the sparks of their souls come out and cling to you, and then they are purified and become a holy fire in you.
Annie Dillard (Pilgrim at Tinker Creek)
There are three kingdoms," the astrologer resumed, pressing down the ashes of his pipe with his finger. "Of the Old Testament, that of the Father, the kingdom of fear. Of the New Testament, that of the Son, the kingdom of expiation. Of the Johannite Gospel, that of the Holy Ghost, the kingdom of redemption and love. They are the past, present and future; winter, spring and summer. The first, says Joachim of Floris, gives us the blade, the second, the leaf, and the third, the ear. Two of the Persons of the Trinity have shown themselves. Logically the Third must appear.
Joris-Karl Huysmans (Là-Bas (Down There))
That's the way it sometimes goes for me: I start on a new series of pictures and right away, in some kind of perverse bait-and-switch, I get a good one. This freak of a good picture inevitably inspires a cocky confidence, making me think this new project will be a stroll in the park. But, then, after sometimes two or three more good ones, the next dozen are duds, and that cavalier stroll becomes an uphill slog. It isn't long before I have to take a breather, having reached the first significant plateau of doubt and lightweight despair. The voice of that despair suggests seducingly to me that I should give it up, that I'm a phony, that I've made all the good pictures I'm ever going to, and I have nothing more worth saying. That voice is easy to believe, and, as photographer and essayist (and my early mentor) Ted Orland has noted, it leaves me with only two choices: I can resume the slog and take more pictures, thereby risking further failure and despair, or I can guarantee failure and despair by not making more pictures. It's essentially a decision between uncertainty and certainty and, curiously, uncertainty is the comforting choice.
Sally Mann (Hold Still: A Memoir with Photographs)
What is usual is not what is always. As sometimes, in old age, hearing comes back. Footsteps resume their clipped edges, birds quiet for decades migrate back to the ear. Where were they? By what route did they return? A woman mute for years forms one perfect sentence before she dies. The bitter young man tires; the aged one sitting now in his body is tender, his face carries no regret for his choices. What is usual is not what is always, the day says again. It is all it can offer. Not ungraspable hope, not the consolation of stories. Only the reminder that there is exception.
Jane Hirshfield (After)
With curious fingers he started to stroke the metal watch chain that hung from her pocket. “Do they leave on a bus for heaven?” A patronizing smirk crossed her lips, and she reached out a scrubbed hand to pat him on the head. He ducked instinctively and tutted, “Please don’t do that! I just had it parted.” With a sullen look he came closer again and resumed twisting the interlocking links. Sister Meechan’s hand wavered awkwardly in the air, unaccustomed to not being in command. “Ye are a very tidy little boy.” “My mother says it doesn’t cost anything to take pride in your appearance.
Douglas Stuart (Shuggie Bain)
I walk up to my table and turn to set my materials down, but someone bumps into me, and I lurch forward. “Sorry,” a deep voice says, and something is shoved into my hand. I straighten and turn my head, seeing Masen brush past me and head to the front of the room, smirking back at me as he tosses his gum into the trash can. I curl my fingers around the small piece of paper and sit down, acting like nothing happened. He returns and takes his seat again, resuming his conversation with Manny. I hold the paper in my lap and look down, unfolding it and reading it. I can’t wait to kiss you.
Penelope Douglas (Punk 57)
Then we’re kissing right there in front of everyone. And nothing else seems to matter. Certainly not etiquette, or what anyone else thinks. It’s only his lips on mine, the pressure gentle. It’s only us. And I can’t stop— Which is when Derrick arrives out of thin air and careens into my shoulder in a mess of wings and limbs. “Hellooooo! Don’t mind me, I’m just interrupting your brazen cuddle to steal the lady for a few minutes.” Oh, damnation, not now. I’m really regretting not giving Derrick that extra five minutes. “Derrick,” I say through clenched teeth. I step back from Kiaran and try to control the pixie’s wriggling body in my hair. “Not—” “My god.” Derrick collapses on my shoulder. “I am full of pie. I can barely even move my wings. I—” He squints over at Kiaran and smiles in delight. “Oh, hulloooooo, villainous wastrel!” Kiaran is clearly not impressed. “You’ve a bit of pastry on your jacket.” Derrick swipes at the morsel, snatches it, and eats it. “Was just saving a wee snack for later.” He giggles. For god’s sake. I look pleadingly at Kiaran. “Just . . . save that thought. Don’t go anywhere.” I’d like to resume the kissing. “I’ll be right back—” “Kiaraaaaaaaaaan.” Derrick giggles. “Or would you prefer I keep villainous wastrel? I never asked.” Kiaran arches an eyebrow. “I suppose that depends. Would you prefer pain in my arse?” Derrick bursts into laughter. “Arse! Aileana. He said arse.” “Hell,” I mutter. “Will you excuse me for a moment?” I don’t wait for Kiaran’s response. I take Derrick with me to the lift and don’t say anything until I reach the fourth floor. “Let me just say, if someone gave you honey, I’ll—” “No, no, no,” Derrick says, gliding off my shoulder. He now looks suspiciously lucid. “You said to save you after twenty-five minutes. So I did.” “I said to save me if I was around Daniel and in obvious distress.” Not when I’m kissing someone in obvious delight. “Firstly, I was the one in distress watching you kiss Kiaran because ughhhh.” Derrick wags a finger at me. “And secondly, you never said anything about distress, you said—” “Forget what I said.” I narrow my eyes. “Are you telling me that down there was all an act?” He grins. “I would have been perfect in the theater, wouldn’t you say?” “Good heavens,” I murmur. At least I don’t have to deal with a drunk pixie. “Let’s just check the wards, all right
Elizabeth May (The Vanishing Throne (The Falconer, #2))
The major problem is quite simply one of grammar, and the main work to consult in this matter is Dr. Dan Streetmentioner’s Time Traveler’s Handbook of 1001 Tense Formations. ... Most readers get as far as the Future Semiconditionally Modified Subinverted Plagal Past Subjunctive Intentional before giving up; and in fact in later editions of the book all the pages beyond this point have been left blank to save on printing costs. ... The Hitchhiker’s Guide to the Galaxy skips lightly over this tangle of academic abstraction, pausing only to note that the term “Future Perfect” has been abandoned since it was discovered not to be. To resume: The Restaurant at the End of the Universe is one of the most extraordinary ventures in the entire history of catering. It is built on the fragmented remains of an eventually ruined planet which is (wioll haven be) enclosed in a vast time bubble and projected forward in time to the precise moment of the End of the Universe. This is, many would say, impossible. In it, guests take (willan on-take) their places at table and eat (willan on-eat) sumptuous meals while watching (willing watchen) the whole of creation explode around them. This, many would say, is equally impossible.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
Lia eyed me. She eyed Michael. She eyed Dean. “Honestly,” she said, “I doubt that anyone is as happy as Cassie is at this exact moment.” I was getting better at ignoring Lia’s suggestive little digs, but this one hit its target, dead center. Squished in between Michael and Dean, I blushed. I was not going to go there—and I wasn’t going to let Lia ruin this. A grim expression on his face, Dean stood and marched toward Lia. For a moment, I thought he might say something to her about spoiling the moment, but he didn’t. He just picked her up and tossed her over his shoulder. “Hey!” Lia protested. Dean grinned and threw her onto the sofa with Michael and me and then resumed his perch on the edge of the couch like nothing had happened. Lia scowled, and Michael poked her cheek. “Admit it,” he said again. “You’re just as happy as we are.” Lia tossed her hair over her shoulder and stared straight ahead, refusing to look any of us in the eye. “A little girl is going home,” she said. “Because of us. Of course I’m as happy as you are.” “Given individual differences in serotonin levels, the probability that any four people would be experiencing identical levels of happiness simultaneously is quite—” “Sloane,” Michael said, without bothering to turn around. “If you don’t finish that sentence, there’s a cup of fresh ground coffee in your future.” “My immediate future?” Sloane asked suspiciously. Michael had a long history of blocking her consumption of caffeine. Without a word, Michael, Lia, and I all turned to look at Dean. He got the message, stood up, and strode toward Sloane, giving her the exact same treatment he’d given Lia. When Dean tossed Sloane gently on top of me, I giggled and almost toppled onto the floor, but Lia grabbed hold of my collar. We did it, I thought, as Michael, Lia, Sloane, and I elbowed for room and Dean stared on from his position, just outside the fray.
Jennifer Lynn Barnes (Killer Instinct (The Naturals, #2))
Let me tell you what is going to happen,” I say, pacing slowly in front of her. “I will not be beaten today or ever again. I will not be confined to the fifth and your control over me vanishes from this moment forth. I will remain the Tatuma. It is not within your power to take this away from me, anyway. I will not be locked away in the tower.” I pause and see her posture has stiffened, but she has resumed her clutching of the balcony edge. Still terrified. Furious, but terrified. “If you do not comply with these. . .let us call them, requests, I will reveal my face in front of the court, or the villagers, or to whomever I am with at the time.
Kelly St. Clare (Fantasy of Frost (The Tainted Accords, #1))
It is too soon to say when or how this era will end or what will succeed it. But what is clear is that a good many of the trends are worrisome. If, for example, a Sino-American cold war materializes, it is quite possible this era may come to be known as the inter–Cold War era, one bookended by the U.S.-Soviet Cold War and one between the United States and China. Such an outcome would result in lower rates of economic growth for both because trade and investment would inevitably be curtailed. It would also reduce the potential for cooperation on regional and global issues. If the liberal world order is sustained and strengthened with the United States resuming a leading role, this could continue to be an era largely characterized by stability, prosperity, and freedom. It is possible, though, that the United States will choose to largely abandon its leading role in the world. In this case, we could in principle see an era of Chinese primacy, but given China’s character, internal constraints, and the nature and scale of the domestic challenges it faces, this is improbable. More likely is that this will turn out to be an era of deterioration, one in which no country or group of countries exercises effective global leadership. In that case, the future would be one of accelerating global disorder.
Richard N. Haass (The World: A Brief Introduction)
She always surprises you this way, by knowing more than you think she does. Louis wonders if they're calculated, these little demonstrations of self-knowledge that pepper Clarissa's wise, hostessy performance. She seems, at times, to have read your thoughts. She disarms you by saying, essentially, I know what you're thinking and I agree, I'm ridiculous, I'm far less than I could have been and I'd like it to be otherwise but I can't seem to help myself. You find that you move, almost against your will, from being irritated with her to consoling her, helping her back into her performance so that she can be comfortable again and you can resume feeling irritated.
Michael Cunningham (The Hours)
and confused if someone does not appreciate their niceness. Others often sense this and avoid giving them feedback not only, effectively blocking the nice person’s emotional growth, but preventing risks from being taken. You never know with a nice person if the relationship would survive a conflict or angry confrontation. This greatly limits the depths of intimacy. And would you really trust a nice person to back you up if confrontation were needed? 3. With nice people you never know where you really stand. The nice person allows others to accidentally oppress him. The “nice” person might be resenting you just for talking to him, because really he is needing to pee. But instead of saying so he stands there nodding and smiling, with legs tightly crossed, pretending to listen. 4. Often people in relationship with nice people turn their irritation toward themselves, because they are puzzled as to how they could be so upset with someone so nice. In intimate relationships this leads to guilt, self-hate and depression. 5. Nice people frequently keep all their anger inside until they find a safe place to dump it. This might be by screaming at a child, blowing up a federal building, or hitting a helpless, dependent mate. (Timothy McVeigh, executed for the Oklahoma City bombing, was described by acquaintances as a very, very nice guy, one who would give you the shirt off his back.) Success in keeping the anger in will often manifest as psychosomatic illnesses, including arthritis, ulcers, back problems, and heart disease. Proper Peachy Parents In my work as a psychotherapist, I have found that those who had peachy keen “Nice Parents” or proper “Rigidly Religious Parents” (as opposed to spiritual parents), are often the most stuck in chronic, lowgrade depression. They have a difficult time accessing or expressing any negative feelings towards their parents. They sometimes say to me “After all my parents did for me, seldom saying a harsh word to me, I would feel terribly guilty complaining. Besides, it would break their hearts.” Psychologist Rollo May suggested that it is less crazy-making to a child to cope with overt withdrawal or harshness than to try to understand the facade of the always-nice parent. When everyone agrees that your parents are so nice and giving, and you still feel dissatisfied, then a child may conclude that there must be something wrong with his or her ability to receive love. -§ Emotionally starving children are easier to control, well fed children don’t need to be. -§ I remember a family of fundamentalists who came to my office to help little Matthew with his anger problem. The parents wanted me to teach little Matthew how to “express his anger nicely.” Now if that is not a formula making someone crazy I do not know what would be. Another woman told me that after her stinking drunk husband tore the house up after a Christmas party, breaking most of the dishes in the kitchen, she meekly told him, “Dear, I think you need a breath mint.” Many families I work with go through great anxiety around the holidays because they are going to be forced to be with each other and are scared of resuming their covert war. They are scared that they might not keep the nice garbage can lid on, and all the rotting resentments and hopeless hurts will be exposed. In the words to the following song, artist David Wilcox explains to his parents why he will not be coming home this Thanksgiving: Covert War by David Wilcox
Kelly Bryson (Don't Be Nice, Be Real)
Anything Bunny wrote was bound to be alarmingly original, since he began with such odd working materials and managed to alter them further by his befuddled scrutiny, but the John Donne paper must have been the worst of all the bad papers he ever wrote (ironic, given that it was the only thing he ever wrote that saw print. After he disappeared, a journalist asked for an excerpt from the missing young scholar's work and Marion gave him a copy of it, a laboriously edited paragraph of which eventually found its way into People magazine). Somewhere, Bunny had heard that John Donne had been acquainted with Izaak Walton, and in some dim corridor of his mind this friendship grew larger and larger, until in his mind the two men were practically interchangeable. We never understood how this fatal connection had established itself: Henry blamed it on Men of Thought and Deed, but no one knew for sure. A week or two before the paper was due, he had started showing up in my room about two or three in the morning, looking as if he had just narrowly escaped some natural disaster, his tie askew and his eyes wild and rolling. 'Hello, hello,' he would say, stepping in, running both hands through his disordered hair. 'Hope I didn't wake you, don't mind if I cut on the lights, do you, ah, here we go, yes, yes…' He would turn on the lights and then pace back and forth for a while without taking off his coat, hands clasped behind his back, shaking his head. Finally he would stop dead in his tracks and say, with a desperate look in his eye: 'Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism.' 'I'm sorry. I don't know what that is.' 'I don't either,' Bunny would say brokenly. 'Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see.' He would resume pacing. 'Donne. Walton. Metahemeralism. That's the problem as I see it.' 'Bunny, I don't think "metahemeralism" is even a word.' 'Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe.' 'Is it in the dictionary?' 'Dunno. Don't know how to spell it. I mean' – he made a picture frame with his hands – 'the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?' And so it would go, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. 'This is a nice paper, Bun -,' Charles said cautiously. 'Thanks, thanks.' 'But don't you think you ought to mention John Donne more often? Wasn't that your assignment?' 'Oh, Donne,' Bunny had said scoffingly. 'I don't want to drag him into this.' Henry refused to read it. 'I'm sure it's over my head, Bunny, really,' he said, glancing over the first page. 'Say, what's wrong with this type?' 'Triple-spaced it,' said Bunny proudly. 'These lines are about an inch apart.' 'Looks kind of like free verse, doesn't it?' Henry made a funny little snorting noise through his nose. 'Looks kind of like a menu,' he said. All I remember about the paper was that it ended with the sentence 'And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.' We wondered if he would fail.
Donna Tartt (The Secret History)
Good afternoon, Gunnery Sargent." “Any ideas…?” Dr. Sloan turned slowly and stared up at Torren through narrowed eyes. “About what?” “I’m sorry had you not noticed the birds?” “Oh, ha!” Arms folded she resumed staring to the west. “I’m not doing anything. They just keep coming back.” “Maybe your jacket is…” “…Is what? Stuffed with bird seed? Emitting matting coos on a frequency only these birds can hear? Looks like their big blue mother? You’re so good at getting various and varying species to do what say, you tell them to shoo.” “Shoo?” “Fine, pick a tougher word.” No longer trying to hide her smile, Torren leaned slightly forwards and said, “Scram.” The birds took off almost as one bird, their wings chopping at the air.
Tanya Huff (The Heart of Valor (Confederation, #3))
And Richard says, father—’ Meg resumed. Then stopped. ‘What does Richard say, Meg?’ asked Toby. ‘Richard says, father—’ Another stoppage. ‘Richard’s a long time saying it,’ said Toby. ‘He says then, father,’ Meg continued, lifting up her eyes at last, and speaking in a tremble, but quite plainly; ‘another year is nearly gone, and where is the use of waiting on from year to year, when it is so unlikely we shall ever be better off than we are now? He says we are poor now, father, and we shall be poor then, but we are young now, and years will make us old before we know it. He says that if we wait: people in our condition: until we see our way quite clearly, the way will be a narrow one indeed — the common way — the Grave, father.
Charles Dickens (The Complete Works of Charles Dickens)
The Incarnation, which is for traditional Christianity synonymous with the historical birth and earthly life of Christ, is for mystics of a certain type, not only this but also a perpetual Cosmic and personal process. It is an everlasting bringing forth, in the universe and also in the individual ascending soul, of the divine and perfect Life, the pure character of God, of which the one historical life dramatized the essential constituents. Hence the soul, like the physical embryo, resumes in its upward progress the spiritual life-history of the race. "The one secret, the greatest of all," says Patmore, is "the doctrine of the Incarnation, regarded not as an historical event which occurred two thousand years ago, but as an event which is renewed in the body of every one who is in the way to the fulfilment of his original destiny."  239
Evelyn Underhill (Mysticism)
Why don't you make everybody an Alpha Double Plus while you're about it?" Mustapha Mond laughed. "Because we have no wish to have our throats cut," he answered. "We believe in happiness and stability. A society of Alphas couldn't fail to be unstable and miserable. Imagine a factory staffed by Alphas–that is to say by separate and unrelated individuals of good heredity and conditioned so as to be capable (within limits) of making a free choice and assuming responsibilities. Imagine it!" he repeated. The Savage tried to imagine it, not very successfully. "It's an absurdity. An Alpha-decanted, Alpha-conditioned man would go mad if he had to do Epsilon Semi-Moron work–go mad, or start smashing things up. Alphas can be completely socialized–but only on condition that you make them do Alpha work. Only an Epsilon can be expected to make Epsilon sacrifices, for the good reason that for him they aren't sacrifices; they're the line of least resistance. His conditioning has laid down rails along which he's got to run. He can't help himself; he's foredoomed. Even after decanting, he's still inside a bottle–an invisible bottle of infantile and embryonic fixations. Each one of us, of course," the Controller meditatively continued, "goes through life inside a bottle. But if we happen to be Alphas, our bottles are, relatively speaking, enormous. We should suffer acutely if we were confined in a narrower space. You cannot pour upper-caste champagne-surrogate into lower-caste bottles. It's obvious theoretically. But it has also been proved in actual practice. The result of the Cyprus experiment was convincing." "What was that?" asked the Savage. Mustapha Mond smiled. "Well, you can call it an experiment in rebottling if you like. It began in A.F. 473. The Controllers had the island of Cyprus cleared of all its existing inhabitants and re-colonized with a specially prepared batch of twenty-two thousand Alphas. All agricultural and industrial equipment was handed over to them and they were left to manage their own affairs. The result exactly fulfilled all the theoretical predictions. The land wasn't properly worked; there were strikes in all the factories; the laws were set at naught, orders disobeyed; all the people detailed for a spell of low-grade work were perpetually intriguing for high-grade jobs, and all the people with high-grade jobs were counter-intriguing at all costs to stay where they were. Within six years they were having a first-class civil war. When nineteen out of the twenty-two thousand had been killed, the survivors unanimously petitioned the World Controllers to resume the government of the island. Which they did. And that was the end of the only society of Alphas that the world has ever seen." The Savage sighed, profoundly. "The optimum population," said Mustapha Mond, "is modelled on the iceberg–eight-ninths below the water line, one-ninth above." "And they're happy below the water line?" "Happier than above it.
Aldous Huxley (Brave New World)
and, amongst others, my breviary with the gold corners, which I beg he will preserve in remembrance of his affectionate uncle.' "The heirs sought everywhere, admired the breviary, laid hands on the furniture, and were greatly astonished that Spada, the rich man, was really the most miserable of uncles — no treasures — unless they were those of science, contained in the library and laboratories. That was all. Caesar and his father searched, examined, scrutinized, but found nothing, or at least very little; not exceeding a few thousand crowns in plate, and about the same in ready money; but the nephew had time to say to his wife before he expired: `Look well among my uncle's papers; there is a will.' "They sought even more thoroughly than the august heirs had done, but it was fruitless. There were two palaces and a vineyard behind the Palatine Hill; but in these days landed property had not much value, and the two palaces and the vineyard remained to the family since they were beneath the rapacity of the pope and his son. Months and years rolled on. Alexander VI. died, poisoned, — you know by what mistake. Caesar, poisoned at the same time, escaped by shedding his skin like a snake; but the new skin was spotted by the poison till it looked like a tiger's. Then, compelled to quit Rome, he went and got himself obscurely killed in a night skirmish, scarcely noticed in history. After the pope's death and his son's exile, it was supposed that the Spada family would resume the splendid position they had held before the cardinal's time; but this was not the case. The Spadas remained in doubtful ease, a mystery hung over this dark affair, and the public rumor was, that Caesar, a better politician than his father, had carried off from the pope the fortune of the two cardinals. I say the two, because Cardinal Rospigliosi, who had not taken any precaution, was completely despoiled. "Up to this point," said Faria, interrupting the thread of his narrative, "this seems to you very meaningless, no doubt, eh?" "Oh, my friend," cried Dantes, "on the contrary, it seems as if I were
Alexandre Dumas (The Count Of Monte Cristo)
Megan resumes darting her eyes back and forth between me and my sperm donor. “So,” she says after several seconds pass in silence. “Is someone going to fill me in?” “There’s nothing to fill,” I say, then blush because I’m a bad liar and because Chase has been filling me quite well. Apparently, he’s also turned me into a pervert. Megan narrows her eyes. “Are the two of you…?” “No!” Chase and I say at once. Like that’s not obvious. “I’m helping Pop with his computer,” I say in a rush, eager to make this situation seem anything other than what it is. Though, at this point, I’m not sure what it is. This morning’s activities have had nothing at all to do with our contractual agreement. “Ah. I see.” Megan doesn’t seem convinced, but she turns to her grandfather anyway, and says, “I told you Phil would help you with that, Pop.” “She’s nicer than Phil,” Pop says, nodding in my direction. “She’s prettier than him, too.” He winks as though he knows he’s part of a cover-up. And because I’ve completely fallen for this old man, I wink back.
Laurelin Paige (Hot Cop)
Let’s say I acquired them,” Halt said. “I left a hundred and fifty silver pieces for them—far more than the horses were worth.” “But you didn’t actually ask the Temujai if they were willing to sell the horses to you, did you?” Gilan put in. Like Will, he knew Halt’s ticklish attitude about the way he had “acquired” the herd. “Well, that would have been pointless,” Halt admitted. “They never sold their horses.” “So, in fact, you did steal them,” Will said, and Halt glared at him. “Stealing is when you take something without payment,” he said. “Something that doesn’t belong to you.” “Whether you left money for them or not, you’ve admitted that the Temujai weren’t willing to sell, so in effect, you stole them,” Gilan resumed, barely managing to hide a smile. Halt’s eyebrows lowered as he looked from one former apprentice to another. “I preferred you two when you showed a little respect for your elders,” he said. Will shrugged. “Well, we used to respect you. But then we found out you’d stolen a herd of horses, and it was hard to keep looking up to you after that.
John Flanagan (The Red Fox Clan (Ranger's Apprentice: The Royal Ranger #2))
By the end of this decade, permutations and combinations of genetic variants will be used to predict variations in human phenotype, illness, and destiny. Some diseases might never be amenable to such a genetic test, but perhaps the severest variants of schizophrenia or heart disease, or the most penetrant forms of familial cancer, say, will be predictable by the combined effect of a handful of mutations. And once an understanding of "process" has been built into predictive algorithms, the interactions between various gene variants could be used to compute ultimate effects on a whole host of physical and mental characteristics beyond disease alone. Computational algorithms could determine the probability of the development of heart disease or asthma or sexual orientation and assign a level of relative risk for various fates to each genome. The genome will thus be read not in absolutes, but in likelihoods-like a report card that does not contain grades but probabilities, or a resume that does not list past experiences but future propensities. It will become a manual for previvorship.
Siddhartha Mukherjee (The Gene: An Intimate History)
He came back to her lips and tasted them briefly before settling his forehead against hers. “I don’t care what Grayson or his legal document says,” he muttered between catches of wind. “God’s given you to me, and as soon as He allows, I’ll claim you as my own.” He spoke with such confidence that if she allowed herself, she could almost believe him. But with belief came hope, and with hope, the inevitability of pain. The knocking at the door resumed, more urgently this time. Along her throat, splotches of cool marked where he’d sampled her. Milly lamented that it was already warming. In heartbeats, all she would have was memories. And anguish. Could God truly fill the hollow Phillip would leave? Last night, His promise had filled her to the depths of her soul. It was enough. It would have to be. With his eyes locked on hers, Phillip’s hand trailed her cheek and throat. It brushed over her shoulder and down her arm. Then, in one blink, he wiped every emotion from his face, stunning her with the callous glaze of his eyes. He gripped her by the elbow, whisked her through the kitchen, and opened the door to her wretched future.
April W. Gardner (Beneath the Blackberry Moon: The Ebony Cloak (Creek Country Saga #3))
But this is something you need to know: when you find a place that suits you, where you decide to go back to often, to meet your pals there, if you want to feel at home and not discover some snag at the wrong moment, sit yourself in a corner, write letters, read, try and eat there, and watch what goes on for a whole day. At least twice during the day, and three times if the place is open at night, there’s that moment of “temporal void”. It happens every day, at the very same hour, at the very same minute, but it varies from place to place. People are talking, letting their hair down, having a drink together, and all of a sudden, the moment of silence: everyone turns stock still, with their glasses in the air, their eyes fixed. Immediately afterwards the hubbub resumes. But that moment when nothing’s happening - it can last five, ten minutes. And during that time, outside and everywhere else, for other people life goes on, faster, much faster, like an avalanche. If you’re prepared for it, and take advantage of that moment not to be fazed and to have your say, you’re certain to be heard, and if necessary even obeyed. Try it. You’ll see.
Jacques Yonnet (Paris Noir: The Secret History of a City)
Let us for a moment imagine what would have happened on the Galilean hillside, when our Lord fed the five thousand, if the Apostles had acted as some act now. The twelve would be going backwards, helping the first rank over and over again, and leaving the back rows unsupplied. Let us suppose one of them, say Andrew, venturing to say to his brother Simon Peter, 'Ought we all to be feeding the front row? Ought we not to divide, and some of us go to the back rows?' Then suppose Peter replying 'Oh no; don't you see these front people are so hungry? They have not had half enough yet; besides, they are nearest to us, so we are more responsible for them.' Then, if Andrew resumes his appeal, suppose Peter going on to say, 'Very well; you are quite right. You go and feed all those back rows; but I can't spare anyone else, I and the other ten of us have more than we can do here.' Once more, suppose Andrew persuades Philip to go with him; then, perhaps, Matthew will cry out and say, 'Why, they're all going to those farther rows! Is no one to be left to these needy people in front?' Let me ask the members of Congress, Do you recognise these sentences at all?
Eugene Stock
say. Is not one shark dood right as toder to dat whale? And, by Gor, none on you has de right to dat whale; dat whale belong to some one else. I know some o' you has berry brig mout, brigger dan oders; but den de brig mouts sometimes has de small bellies; so dat de brigness of de mout is not to swaller wid, but to bit off de blubber for de small fry ob sharks, dat can't get into de scrouge to help demselves." "Well done, old Fleece!" cried Stubb, "that's Christianity; go on." "No use goin' on; de dam willains will keep a scougin' and slappin' each oder, Massa Stubb; dey don't hear one word; no use a-preaching to such dam g'uttons as you call 'em, till dare bellies is full, and dare bellies is bottomless; and when dey do get 'em full, dey wont hear you den; for den dey sink in the sea, go fast to sleep on de coral, and can't hear noting at all, no more, for eber and eber." "Upon my soul, I am about of the same opinion; so give the benediction, Fleece, and I'll away to my supper." Upon this, Fleece, holding both hands over the fishy mob, raised his shrill voice, and cried— "Cussed fellow-critters! Kick up de damndest row as ever you can; fill your dam bellies 'till dey bust—and den die." "Now, cook," said Stubb, resuming his supper at the capstan; "stand just where you stood before, there, over against me, and pay particular attention.
Herman Melville (Moby Dick)
Is it Randall?” Oscar sounded out the name with care, as if testing dangerous waters. Camille closed her eyes and turned her face away from him, not wanting to have to see him when she said what she needed to say. “I have a duty, Oscar, just like my mother did. She failed at hers and look what happened; she destroyed so much. My father asked me not to say anything, but if I don’t marry Randall…I’m sorry, Oscar, I just have to.” Camille tried to edge by him, but Oscar held her back with his arm. “Do you think I’m a fool, Camille? Don’t try to blame marrying Randall on some duty you think you have.” She parted her lips to insist he was wrong. He cut her off. “If this is how you really feel, then you had no right to ask me to stay with you that night. You gave me a taste of what being with you might be like, and now you’re asking me to walk away. Who do you think you are?” Camille shook her head. He wasn’t listening. He had no idea how difficult it was for her, too, to have that one taste, that single moment of pure bliss to feed off of for the rest of her life. “I don’t have a choice-“ He slammed his fist against the pantry shelf behind her. “I don’t have a bank vault filled with money, or ten suits hanging in my closet to choose from each morning. I know I couldn’t give you all the things he could, but I can give you something he’ll never be able to. I love you, Camille,” he said, his mouth so close to hers his breath moistened her lips. “I love you. Not your last name or your pretty face or all the business opportunities you could bring me.” He laid his palm just beneath her neck, his thumb caressing the skin above where her heart lay. “Just you.” She stared at him, unblinking, unable to breathe, let alone speak. Oscar’s arm fell away. “You do have a choice, Camille. Or should I already be calling you Mrs. Jackson?” He stormed from the pantry, Camille on his heels. Promise or no promise to her father, she had to tell Oscar everything. “Please, Oscar, wait, if you’ll just listen-“ The companionway steps rattled, and Ira bounded into the galley. Oscar scooped up his shirt and shoved his arms inside the sleeves as Ira kicked out a bench at the table and sat down. “I’ve never been so friggin’ tried in my life,” Ira said, grabbing a mug for coffee. “And I once played a game of poker that lasted two days. Camille ignored him, Oscar’s anger still stinging. She’d created a massive mass. Ira peered at her, then at Oscar. “Why’re you two all red in the face?” he asked. Then his cheeks drew up and his teeth glistened. Oscar caught him before he could speak. “Save it, Ira,” he said, quickly glancing at Camille. She couldn’t plead with him to listen to her explain with Ira there. Oscar buttoned his shirt and left the galley. Ira directed his wily grin toward her. “Save it, Ira,” she echoed, and resumed scrubbing the floor.
Angie Frazier (Everlasting (Everlasting, #1))
She wraps her legs around my waist, and I walk us slowly down the hall. "Mmm, wait," she whines against my mouth. "I haven't showered. I'm so gross, and I don't..." She trails off as I turn into my bathroom, then set her down. She shuffles her bare feet against the gray stone tile, an inquisitive look on her face as she looks around the narrow space bathed in neutral hues. I push open the glass door and turn on the shower. Water cascades from the waterfall showered. "Oh," she says as she grins and bites her bottom lip. By the time we've helped each other out of our clothes, the water's warm. I help her in first, then step in. And then, under the hot stream of water, we resume our dirty kissing and grabbing. "Wait, wait." She presses a hand against my chest, then reaches for the shampoo bottle on the ledge. "I do need to get clean first." I laugh and follow her lead by shampooing my own hair and doing a quick rinse with body wash. She holds her hand out for the loofah, but I shake my head. "Let me?" A devilish smirk tugs at her perfect mouth. When she nods and licks her lips, I have to take a second. God, this woman. The way she's sweet and filthy all at once is enough to make me lose it right here. But I refuse. Not before she gets what I'm dying to give her. I work up a lather and run the loofah all over her body. I take my time, paying attention to every part of her. These beautifully curved hips, the fullness of her thighs, the gentle curve of her waist, her arms, her hands, the swell of her boobs. And then I lather up my hands and slowly work between her legs. She clutches both hands around my biceps, and her toes curl against the earthen-hued river rock that lines the shower floor. Her eyes go wide and pleading as she looks up at me. I lean down to kiss her. "Tell me what you want." "You. Just you. Please." With her breathy request, I'm ready to burst. Not yet, though. She reaches down to palm me, but I gently push her hand away. I want this to be one hundred percent about her. When she presses her mouth against my shoulder and her sounds go louder and more frantic, I work my hand faster. She's panting, pleading, shouting. When I feel the sting of her teeth against my skin, I grin. Fuck yeah, my girl is rough when she loses it and I love it. I love her. She explodes against my palm, the weight of her body shuddering against me. I've got her, though. I've always, always got you. When she starts to ease back down, she lets out a breathy laugh. "Oh my god." I nod down at her, which only makes her laugh harder. Then she glances down at what I'm sporting between my legs and flashes a naughty smirk. "Let's do something about that." Soon it's me at the mercy of her hands. My head spins at the pleasure she delivers so confidently, like she knows every single one of my buttons to push. When I lose it, I'm shuddering and grunting. For a few seconds, my vision's blurry. She's that incredible.
Sarah Echavarre Smith (The Boy With the Bookstore)
In a physician's office in Kearny Street three men sat about a table, drinking punch and smoking. It was late in the evening, almost midnight, indeed, and there had been no lack of punch. The gravest of the three, Dr. Helberson, was the host—it was in his rooms they sat. He was about thirty years of age; the others were even younger; all were physicians. "The superstitious awe with which the living regard the dead," said Dr. Helberson, "is hereditary and incurable. One needs no more be ashamed of it than of the fact that he inherits, for example, an incapacity for mathematics, or a tendency to lie." The others laughed. "Oughtn't a man to be ashamed to lie?" asked the youngest of the three, who was in fact a medical student not yet graduated. "My dear Harper, I said nothing about that. The tendency to lie is one thing; lying is another." "But do you think," said the third man, "that this superstitious feeling, this fear of the dead, reasonless as we know it to be, is universal? I am myself not conscious of it." "Oh, but it is 'in your system' for all that," replied Helberson; "it needs only the right conditions—what Shakespeare calls the 'confederate season'—to manifest itself in some very disagreeable way that will open your eyes. Physicians and soldiers are of course more nearly free from it than others." "Physicians and soldiers!—why don't you add hangmen and headsmen? Let us have in all the assassin classes." "No, my dear Mancher; the juries will not let the public executioners acquire sufficient familiarity with death to be altogether unmoved by it." Young Harper, who had been helping himself to a fresh cigar at the sideboard, resumed his seat. "What would you consider conditions under which any man of woman born would become insupportably conscious of his share of our common weakness in this regard?" he asked, rather verbosely. "Well, I should say that if a man were locked up all night with a corpse—alone—in a dark room—of a vacant house—with no bed covers to pull over his head—and lived through it without going altogether mad, he might justly boast himself not of woman born, nor yet, like Macduff, a product of Cæsarean section." "I thought you never would finish piling up conditions," said Harper, "but I know a man who is neither a physician nor a soldier who will accept them all, for any stake you like to name." "Who is he?" "His name is Jarette—a stranger here; comes from my town in New York. I have no money to back him, but he will back himself with loads of it." "How do you know that?" "He would rather bet than eat. As for fear—I dare say he thinks it some cutaneous disorder, or possibly a particular kind of religious heresy." "What does he look like?" Helberson was evidently becoming interested. "Like Mancher, here—might be his twin brother." "I accept the challenge," said Helberson, promptly. "Awfully obliged to you for the compliment, I'm sure," drawled Mancher, who was growing sleepy. "Can't I get into this?" "Not against me," Helberson said. "I don't want your money." "All right," said Mancher; "I'll be the corpse." The others laughed. The outcome of this crazy conversation we have seen.
Ambrose Bierce (The Collected Works of Ambrose Bierce Volume 2: In the Midst of Life: Tales of Soldiers and Civilians)
Stronghammer is my name,” he said. With a single deft movement, he gathered up the knucklebones, tossed them skyward, and caught three on his hand. “Roran Stronghammer, and Eragon Shadeslayer is my cousin. You might have heard mention of him, if not of me.” A rustle of unease spread among the line of horsemen, and Roran thought he saw Tharos’s eyes widen for an instant. “An impressive claim, that, but how can we be sure of its veracity? Any man might say he is another if it served his purpose.” Roran drew his hammer and slammed it down on the table with a muffled thump. Then, ignoring the soldiers, he resumed his game. He uttered a noise of disgust as two of the bones fell from the back of his hand, costing him the round. “Ah,” said Tharos, and coughed, clearing his throat. “You have a most illustrious reputation, Stronghammer, although some argue that it has been exaggerated beyond all reason. Is it true, for example, that you single-handedly felled nigh on three hundred men in the village of Deldarad in Surda?” “I never learned what the place was called, but if Deldarad it was, then yes, I slew many a soldier there. It was only a hundred ninety-three, however, and I was well guarded by my own men while I fought.” “Only a hundred ninety-three?” Tharos said in a wondering tone. “You are too modest, Stronghammer. Such a feat might earn a man a place in many a song and story.” Roran shrugged and lifted the horn to his mouth, feigning the action of swallowing, for he could not afford to have his mind clouded by the potent dwarf brew. “I fight to win, not to lose.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
suppose, that all the historians who treat of England, should agree, that, on the first of January 1600, Queen Elizabeth died; that both before and after her death she was seen by her physicians and the whole court, as is usual with persons of her rank; that her successor was acknowledged and proclaimed by the parliament; and that, after being interred a month, she again appeared, resumed the throne, and governed England for three years: I must confess that I should be surprised at the concurrence of so many odd circumstances, but should not have the least inclination to believe so miraculous an event. I should not doubt of her pretended death, and of those other public circumstances that followed it: I should only assert it to have been pretended, and that it neither was, nor possibly could be real. You would in vain object to me the difficulty, and almost impossibility of deceiving the world in an affair of such consequence; the wisdom and solid judgment of that renowned queen; with the little or no advantage which she could reap from so poor an artifice: All this might astonish me; but I would still reply, that the knavery and folly of men are such common phenomena, that I should rather believe the most extraordinary events to arise from their concurrence, than admit of so signal a violation of the laws of nature. 38 But should this miracle be ascribed to any new system of religion; men, in all ages, have been so much imposed on by ridiculous stories of that kind, that this very circumstance would be a full proof of a cheat, and sufficient, with all men of sense, not only to make them reject the fact, but even reject it without farther examination. Though the Being to whom the miracle is ascribed, be, in this case, Almighty, it does not, upon that account, become a whit more probable; since it is impossible for us to know the attributes or actions of such a Being, otherwise than from the experience which we have of his productions, in the usual course of nature. This still reduces us to past observation, and obliges us to compare the instances of the violation of truth in the testimony of men, with those of the violation of the laws of nature by miracles, in order to judge which of them is most likely and probable. As the violations of truth are more common in the testimony concerning religious miracles, than in that concerning any other matter of fact; this must diminish very much the authority of the former testimony, and make us form a general resolution, never to lend any attention to it, with whatever specious pretence it may be covered. 39 Lord Bacon seems to have embraced the same principles of reasoning. “We ought,” says he, “to make a collection or particular history of all monsters and prodigious births or productions, and in a word of every thing new, rare, and extraordinary in nature. But this must be done with the most severe scrutiny, lest we depart from truth. Above all, every relation must be considered as suspicious, which depends in any degree upon religion, as the prodigies of Livy: And no less so, everything that is to be found in the writers of natural magic or alchemy, or such authors, who seem, all of them, to have an unconquerable appetite for falsehood and fable.
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
Metahemeralism. Tell me about it. Everything you know. I gotta know something about metahemeralism." "I'm sorry. I don't know what that is." "I don't either," Bunny would say brokenly. "Got to do with art or pastoralism or something. That's how I gotta tie together John Donne and Izaak Walton, see." He would resume pacing. "Donne. Walton. Metahemeralism. That's the problem as I see it." "Bunny, I don't think "metahemeralism" is even a word." "Sure it is. Comes from the Latin. Has to do with irony and the pastoral. Yeah. That's it. Painting or sculpture or something, maybe." "Is it in the dictionary?" "Dunno. Don't know how to spell it. I mean" — he made a picture frame with his hands — "the poet and the fisherman. Parfait. Boon companions. Out in the open spaces. Living the good life. Metahemeralism's gotta be the glue here, see?" And so it would go on, for sometimes half an hour or more, with Bunny raving about fishing, and sonnets, and heaven knew what, until in the middle of his monologue he would be struck by a brilliant thought and bluster off as suddenly as he had descended. He finished the paper four days before the deadline and ran around showing it to everyone before he turned it in. "This is a nice paper, Bun — ," Charles said cautiously. "Thanks, thanks." "But don't you think you ought to mention John Donne more often? Wasn't that your assignment?" "Oh, Donne," Bunny had said scoffingly. "I don't want to drag him into this." Henry had refused to read it. "I'm sure it's over my head, Bunny, really," he said, glancing over the first page. "Say, what's wrong with this type?" "Tripled spaced it," said Bunny proudly. "These lines are about an inch apart." "Looks kind of like free verse, doesn't it?" Henry made a funny little snorting noise through his nose. "Looks kind of like a menu," he said. All I remember about the paper was that it ended with the sentence "And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.
Anonymous
Tom carried with him a glass full of wine, which clearly hadn’t been his first of the evening. He swaggered and swayed as he started to speak, and his eyes, while not quite at half mast, were certainly well on their way. “In my mind,” Tom began, “this is what love is all about.” Sounded good. A little slurred, but it was nice and simple. “And…and…and in my mind,” Tom continued, “in my mind, I know this is all about…this is all love here.” Oh dear. Oh no. “And all I can say is that in my mind,” he went on, “it’s just so great to know that true love is possible right now in this time.” Crickets. Tap-tap. Is this thing on? “I’ve known this guy for a long, long time,” he resumed, pointing to Marlboro Man, who was sitting and listening respectfully. “And…in my mind, all I have to say is that’s a long…long time.” Tom was dead serious. This was not a joke toast. This was not a ribbing toast. This was what was “in his mind.” He made that clear over and over. “I just want to finish by saying…that in my mind, love is…love is…everything,” he continued. People around the room began to snicker. At the large table where Marlboro Man and I sat with our friends, people began to crack up. Everyone except Marlboro Man. Instead of snickering and laughing at his friend--whom he’d known since they were boys and who, he knew, had recently gone through a rough couple of years--Marlboro Man quietly motioned to everyone at our table with a tactful “Shhhh,” followed by a quietly whispered “Don’t laugh at him.” Then Marlboro Man did what I should have known he’d do. He stood up, walked up to his friend, who was rapidly entering into embarrassing territory…and gave him a friendly handshake, patting him on the shoulder. And the dinner crowd, rather than bursting into the uproarious laughter that had been imminent moments before, clapped instead. I watched the man I was about to marry, who’d always demonstrated a tenderness and compassion for people--whether in movies or in real life--who were subject to being teased or ridiculed. He’d never shown a spot of discomfort in front of my handicapped brother Mike, for all the times Mike had sat on his lap or begged him for rides to the mall. He’d never mocked or ridiculed another person as long as I’d known him. And while his good friend Tom wasn’t exactly developmentally disabled, he’d just gotten perilously close to being voted Class Clown by a room full of people at our rehearsal dinner. But Marlboro Man had swept in and ensured that didn’t happen. My heart swelled with emotion.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Obama is also directing the U.S. government to invest billions of dollars in solar and wind energy. In addition, he is using bailout leverage to compel the Detroit auto companies to build small, “green” cars, even though no one in the government has investigated whether consumers are interested in buying small, “green” cars—the Obama administration just believes they should. All these measures, Obama recognizes, are expensive. The cap and trade legislation is estimated to impose an $850 billion burden on the private sector; together with other related measures, the environmental tab will exceed $1 trillion. This would undoubtedly impose a significant financial burden on an already-stressed economy. These measures are billed as necessary to combat global warming. Yet no one really knows if the globe is warming significantly or not, and no one really knows if human beings are the cause of the warming or not. For years people went along with Al Gore’s claim that “the earth has a fever,” a claim illustrated by misleading images of glaciers disappearing, oceans swelling, famines arising, and skies darkening. Apocalypse now! Now we know that the main body of data that provided the basis for these claims appears to have been faked. The Climategate scandal showed that scientists associated with the Intergovernmental Panel on Climate Change were quite willing to manipulate and even suppress data that did not conform to their ideological commitment to global warming.3 The fakers insist that even if you discount the fakery, the data still show.... But who’s in the mood to listen to them now? Independent scientists who have reviewed the facts say that average global temperatures have risen by around 1.3 degrees Fahrenheit in the past 100 years. Lots of things could have caused that. Besides, if you project further back, the record shows quite a bit of variation: periods of warming, followed by periods of cooling. There was a Medieval Warm Period around 1000 A.D., and a Little Ice Age that occurred several hundred years later. In the past century, the earth warmed slightly from 1900 to 1940, then cooled slightly until the late 1970s, and has resumed warming slightly since then. How about in the past decade or so? Well, if you count from 1998, the earth has cooled in the past dozen years. But the statistic is misleading, since 1998 was an especially hot year. If you count from 1999, the earth has warmed in the intervening period. This statistic is equally misleading, because 1999 was a cool year. This doesn’t mean that temperature change is in the eye of the beholder. It means, in the words of Roy Spencer, former senior scientist for climate studies at NASA, that “all this temperature variability on a wide range of time scales reveals that just about the only thing constant in climate is change.”4
Dinesh D'Souza (The Roots of Obama's Rage)
Allan found his place for the second time, and fell headlong into the bottomless abyss of the English Law. “Page 280,” he began. “Law of husband and wife. Here’s a bit I don’t understand, to begin with: ‘It may be observed generally that the law considers marriage in the light of a Contract.’ What does that mean? I thought a contract was the sort of a thing a builder signs when he promises to have the workmen out of the house in a given time, and when the time comes (as my poor mother used to say) the workmen never go.” “Is there nothing about Love?” asked Neelie. “Look a little lower down.” “Not a word. He sticks to his confounded ‘Contract’ all the way through.” “Then he’s a brute! Go on to something else that’s more in our way.” “Here’s a bit that’s more in our way: ‘Incapacities. If any persons under legal incapacities come together, it is a meretricious, and not a matrimonial union.’ (Blackstone’s a good one at long words, isn’t he? I wonder what he means by meretricious?) ‘The first of these legal disabilities is a prior marriage, and having another husband or wife living — ’“ “Stop!” said Neelie; “I must make a note of that.” She gravely made her first entry on the page headed “Good,” as follows: “I have no husband, and Allan has no wife. We are both entirely unmarried at the present time.” “All right, so far,” remarked Allan, looking over her shoulder. “Go on,” said Neelie. “What next?” “‘The next disability,’“ proceeded Allan, “‘is want of age. The age for consent to matrimony is, fourteen in males, and twelve in females.’ Come!” cried Allan, cheerfully, “Blackstone begins early enough, at any rate!” Neelie was too business-like to make any other remark, on her side, than the necessary remark in the pocketbook. She made another entry under the head of “Good”: “I am old enough to consent, and so is Allan too. Go on,” resumed Neelie, looking over the reader’s shoulder. “Never mind all that prosing of Blackstone’s, about the husband being of years of discretion, and the wife under twelve. Abominable wretch! the wife under twelve! Skip to the third incapacity, if there is one.” “‘The third incapacity,’“ Allan went on, “‘is want of reason.’“ Neelie immediately made a third entry on the side of “Good”: “Allan and I are both perfectly reasonable. Skip to the next page.” Allan skipped. “‘A fourth incapacity is in respect of proximity of relationship.’“ A fourth entry followed instantly on the cheering side of the pocketbook: “He loves me, and I love him — without our being in the slightest degree related to each other. Any more?” asked Neelie, tapping her chin impatiently with the end of the pencil. “Plenty more,” rejoined Allan; “all in hieroglyphics. Look here: ‘Marriage Acts, 4 Geo. IV., c. 76, and 6 and 7 Will. IV., c. 85 (q).’ Blackstone’s intellect seems to be wandering here. Shall we take another skip, and see if he picks himself up again on the next page?
Wilkie Collins (Armadale)
A knock at the enameled door of the carriage altered them to the presence of a porter and a platform inspector just outside. Sebastian looked up and handed the baby back to Evie. He went to speak to the men. After a minute or two, he came back from the threshold with a basket. Looking both perturbed and amused, he brought it to Phoebe. “This was delivered to the station for you.” “Just now?” Phoebe asked with a nonplussed laugh. “Why, I believe it’s Ernestine’s mending basket! Don’t say the Ravenels went to the trouble of sending someone all the way to Alton to return it?” “It’s not empty,” her father said. As he set the basket in her lap, it quivered and rustled, and a blood-curdling yowl emerged. Astonished, Phoebe fumbled with the latch on the lid and opened it. The black cat sprang out and crawled frantically up her front, clinging to her shoulder with such ferocity that nothing could have detached her claws. “Galoshes!” Justin exclaimed, hurrying over to her. “Gosh-gosh!” Stephen cried in excitement. Phoebe stroked the frantic cat and tried to calm her. “Galoshes, how . . . why are you . . . oh, this is Mr. Ravenel’s doing! I’m going to murder him. You poor little thing.” Justin came to stand beside her, running his hands over the dusty, bedraggled feline. “Are we going to keep her now, Mama?” “I don’t think we have a choice,” Phoebe said distractedly. “Ivo, will you go with Justin to the dining compartment, and fetch her some food and water?” The two boys dashed off immediately. “Why has he done this?” Phoebe fretted. “He probably couldn’t make her stay at the barn, either. But she’s not meant to be a pet. She’s sure to run off as soon as we reach home.” Resuming his seat next to Evie, Sebastian said dryly, “Redbird, I doubt that creature will stray more than an arm’s length from you.” Discovering a note in the mending basket, Phoebe plucked it out and unfolded it. She instantly recognized West’s handwriting. Unemployed Feline Seeking Household Position To Whom It May Concern, I hereby offer my services as an experienced mouser and personal companion. References from a reputable family to be provided upon request. Willing to accept room and board in lieu of pay. Indoor lodgings preferred. Your servant, Galoshes the Cat Glancing up from the note, Phoebe found her parents’ questioning gazes on her. “Job application,” she explained sourly. “From the cat.” “How charming,” Seraphina exclaimed, reading over her shoulder. “‘Personal companion,’ my foot,” Phoebe muttered. “This is a semi-feral animal who has lived in outbuildings and fed on vermin.” “I wonder,” Seraphina said thoughtfully. “If she were truly feral, she wouldn’t want any contact with humans. With time and patience, she might become domesticated.” Phoebe rolled her eyes. “It seems we’ll find out.” The boys returned from the dining car with a bowl of water and a tray of refreshments. Galoshes descended to the floor long enough to devour a boiled egg, an anchovy canapé, and a spoonful of black caviar from a silver dish on ice. Licking her lips and purring, the cat jumped back into Phoebe’s lap and curled up with a sigh.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
In fact, I am generally proud of having had so many adventures. But today, I had barely pronounced the words than I was seized with contrition; it seems as though I am lying, that I have never had the slightest adventure in my life, or rather, that I don't even know what the word means any more. [...] Things have happened to me, events, incidents, anything you like. But no adventures. It isn't a question of words; I am beginning to understand. [...] There is nothing brilliant about my life now: but from time to time, for example, for example, when they play music in the cafes, I look back and tell myself: in old days, in London, Meknes, Tokyo, I have known great moments, I have had adventures. Now I am deprived of this. I have suddenly learned, without apparent reason, that I have been lying to myself for ten years. [...] ... adventure does not let itself be drawn out; it only makese sense when dead. [...] Each instant appears only as a part of a sequence. I cling to each instant with all my heart: I know that it is unique, irreplacable-and yet I would not raise a finger to stop it from being annihilated. [...] I shall never rediscover either this woman or this night. I grasp at each second, trying to suck it dry: nothing happens which I do not seize, which I do not fix forever in myself, nothing, neither the fugitive tenderness of those lovely eyes, nor the noises of the street, nor the false dawn on early morning: and even so the minute passes and I do not hold it back, I like to see it pass. All of a sudden something breaks off sharply. The adventure is over, time resumes its daily routine. I turn; behind me, this beautiful melodious form sinks entirely into the past. It grows smaller, contracts as it declines, and now the end makes one with the beginning. Following this gold spot with my eyes I think I would accept-even if I had to risk death, lost a fortune, a friend-to live it all over again, in the same circumstances, from end to end. But an adventure never returns nor is prolonged." (p.56-57) "... Perhaps there is nothing in the world I cling to as much as this feeling of adventure; but it comes when it pleases; it is gone so quickly and how empty I am once it has left. Does it, ironically, pay me these short visits in order to show me that I have wasted my life? [...] This feeling of adventure definitely does not come from events: I have proved it. It's rather they way in which the moments are linked together. I think this is what happens: you suddenly feel that time is passing, that each instant leads to another, this one to another one, and so on; that each instant is annihilated, and that it isn't worth while to hold it back, etc., etc. And then you attribute this property to events which appear to you *in* the instants; what belongs to the form you carry over to the content. You talk a lot about this amazing flow of time but you hardly see it. You see a woman, you think that one day she'll be old, only you don't see her grow old. But there are moments when you think you *see* her grow old and feel yourself growing old with her: this is the feeling of adventure. If I remember correctly, they call that the irreversibility of time. The feeling of advanture would simply be that of the irreversibility of time. But why don't we always have it? Is it that time is not always irreversible? There are moments when you have the impression that you can do what you want, go forward or backward, that it has no importance; and then other times when you might say that the links have been tightened and, in that case, it's not a questino of missing your turn because you could never start again.
Jean-Paul Sartre (Nausea)
You know the word “live,” meaning to be in the state of living. Let’s look at this word in a mirror. What does the mirror say? It says “evil,” meaning simple darkness. When you block the flow of life, evil emerges, but once you remove the blockage, life resumes flowing again...
Anonymous
When you’re travelling in different countries and people don’t necessarily speak the language you do, you quickly realize it doesn’t really matter whether you say “Thank you” or “Tousen takk” or “Merci” or “Danke schoen”—as long as you say something and smile, your gratitude will be appreciated and the other person will smile back. So when I got off the bus at the stop for the train station kindly indicated by the driver to whom I’d shown my Eurail pass and then gestured helplessly out at the streets, I smiled at him and said “Your children have fleas.” And sure enough, he smiled back, nodding happily.
Jass Richards (This Will Not Look Good on My Resume)
Creative Use Of Mind If you need to use your mind for a specific purpose, use it in conjunction with your inner body. Only if you are able to be conscious without thought can you use your mind creatively, and the easiest way to enter that state is through your body. Whenever an answer, a solution, or a creative idea is needed, stop thinking for a moment by focusing attention on your inner energy field. Become aware of the stillness. When you resume thinking, it will be fresh and creative. In any thought activity, make it a habit to go back and forth every few minutes or so between thinking and an inner kind of listening, an inner stillness. We could say: don't just think with your head, think with your whole body
Anonymous
you’ll offer conversational threads that allow people to get to know you beyond what is listed on your resume.  You’ll guide the people you’re speaking with to do the same.  You’ll crack jokes.  You’ll cut through the BS small talk.  You’ll maneuver conversation in directions that excite and intrigue people.
Charlie Houpert (Captivate: Conversational Secrets To Be Instantly Likeable, Make Unforgettable Impressions, And Never Run Out Of Things To Say)
The night of the theatrical, Jane and Mr. Nobley secreted themselves behind the house for the final brush-up. The mood of late had let a bit of Bohemia into Regency England, the usual strict social observances bending, the rehearsals allowing the couples to slip away alone and enjoy the exhilarating intimacy of the unobserved. Mr. Nobley sat on the gravel path, leaning back on his elbow in a reluctant recline. “Oh, to die here, alone and unloved…” “That was pretty good,” Jane said. “You genuinely sounded in pain as you said it, but I think you could add a groan or two.” Mr. Nobley groaned, though perhaps not as part of the theatrical. “Perfect!” said Jane. Mr. Nobley rested his head on his knee and laughed. “I cannot believe I let you railroad me into this. I have always avoided doing a theatrical.” “Oh, you don’t seem that sorry. I mean, you certainly are sorry, just not regretful…” “Just do your part, please, Miss Erstwhile.” “Oh, yes, of course, forgive me. I can’t imagine why I’m taking so long, it’s just that there’s something so appealing about you there on the ground, at my feet--” He tackled her. He actually leaped up, grabbed her around the waist, and pulled her to the ground. She screeched as she thudded down on top of him. His hands stiffened. “Whoops,” he said. “You did not just do that.” He looked around for witnesses. “You are right, I did not just do that. But if I had, I was driven to it; no jury in the world would convict me. We had better keep rehearsing, someone might come by.” “I would, but you’re still holding me.” His hands were on her waist. They were gorgeous, thick-fingered, large. She liked them there. “So they are,” he said. Then he looked at her. He breathed in. His forehead tensed as if he were trying to think of words for his thoughts, as if he were engaged in some gorgeous inner battle that was provoked by how perfectly beautiful she was. (That last part was purely Jane’s romantic speculation and can’t be taken as literal.) Nevertheless, they were on the ground, touching, frozen, staring at each other, and even the trees were holding their breath. “I--” Jane started to say, but Mr. Nobley shook his head. He apologized and helped her to her feet, then plopped back onto the ground, as his character was still in the throes of death. “Shall we resume?” “Right, okay,” she said, shaking gravel from her skirt, “we were near the end…Oh, Antonio!” She knelt carefully beside him to keep her skirt from wrinkling and patted his chest. “You are gravely wounded. And groaning so impressively! Let me hold you and you can die in my arms, because traditionally, death and unrequited love are a romantic pairing.” “Those aren’t the lines,” he said through his teeth, as though an actual audience might overhear their practice. “They’re better than. It’s hardly Shakespeare.” “Right. So, your love revives my soul, my wounds heal…etcetera, etcetera, and I stand up and we exclaim our love dramatically. I cherish you more than farms love rain, than night loves the moon, and so on…” He pulled her upright and they stood facing each other, her hands in his. Again with the held breaths, the locked gazes. Twice in a row. It was almost too much! And Jane wanted to stay in that moment with him so much, her belly ached with the desire. “Your hands are cold,” he said, looking at her fingers. She waited. They had never practiced this part and the flimsy play gave no directions, such as, Kiss the girl, you fool. She leaned in a tiny bit. He warmed her hands. “So…” she said. “I suppose we know our scene, more or less,” he said. Was he going to kiss her? No, it seemed nobody ever kissed in Regency England. So what was happening? And what did it mean to fall in love in Austenland anyway? Jane stepped back, the weird anxiety of his nearness suddenly making her heart beat so hard it hurt.
Shannon Hale (Austenland (Austenland, #1))
To resume--and we’d better hurry, or they’ll be down here clamoring for our company before their supper goes cold--Lord Vidanric has been working very hard ever since the end of the war. Too hard, some say. He came to Athanarel sick and has been ill off and on since then, for he seldom sleeps. He’s either in the saddle, or else his lamps are burning half the night in his wing of the Residence. He’s here on his mother’s orders, to rest. He and your brother have become fast friends, I think because Branaric, in his own way, is so very undemanding. He wants no favors or powers. He just likes to enjoy his days. This seems to be what Vidanric needs just now.” “Do you think he’ll make a good king?” I asked. Again she seemed surprised. “Yes,” she said. “But then I’ve known him all my life.” As if that explains everything, I thought. Then I realized that to her it did. He was a good prospect for a king because he was her friend, and because they were both courtiers, raised the same way. And then I wondered just who--if anyone--at Court was willing to speak not for themselves, but for the people, to find out who really would be the best ruler? A discreet tap outside the door brought our attention round. Calden, the server from the inn, parted the tapestry and said, “Count Branaric sent me to find out if you’re coming?” “In just a moment, thanks,” I said. “Will you agree to my pact, then?” Nimiar asked. I opened my mouth to ask why they couldn’t just marry here, but I knew that was the coward’s way out. I did not wish to get involved in any more wars, but that didn’t mean I ought not do what I could to ensure that the next reign would be what Papa had wished for when he commenced planning his revolt. And the best way to find out, I realized as I looked into Nimiar’s face, would not be by asking questions of third parties, but by going to the capital and finding out on my own. So I squashed down my reluctance and said, “If you can teach me not to make a fool of myself at that Court, I’ll gladly come to see you marry Bran.” “You will like Court life, I promise,” she said, smiling sweetly as we went out of the parlor. I took care to walk behind her so she could not see my face.
Sherwood Smith (Court Duel (Crown & Court, #2))
Life has always seemed to me like a restaurant,' said Peter. 'When you’re born, you come in and sit down...' 'Oh, my God,' said Brenda. '...and they show you the menu,' went on Peter, frowning at Brenda. 'And it’s a swell menu. It’s got everything on it. And they tell you that you can have anything you want, the rarest and tastiest and most wonderful dishes imaginable.' 'Who’s they?' asked Brenda. 'They is a sort of waiter-cum-proprietor,' said Peter, 'and he represents organized society in the parable.' 'It’s a parable, is it?' 'Yes. So you study the menu and you pick out the dishes that appeal to you most. Some people pick more exotic viands than others, but everybody picks out something he thinks is swell and the waiter-cum-proprietor pats him on the back and says it’s an excellent choice. And you sit back and wait to be served. That represents the period of adolescence. ... Damn it, where was I?' 'You were adolescent.' 'So you sit and wait to be served your fondly chosen dish,' resumed Peter, 'and pretty soon the waiter comes in and what does he bring you? He brings you hash! "Hey," you say, "this isn’t what I ordered." "Oh isn’t it?" says the waiter who is no longer friendly. "Well, it’s what you’re gonna get." Now this is the important part. Some people meekly eat their hash. Some drown it with catsup and try to enjoy it.' 'I get it,' said Brenda. 'Those are the drunks.' 'But there are a few who say, "Goddamn it, I didn’t order hash and I don’t want hash and I won’t eat hash." They get out of their chairs and the waiter tries to push them back, but they say, "Get out of my way, who the hell are you?" And they fight their way into the kitchen while the waiter hollers and protests and there they find mountains and mountains of hash. But they keep looking around and pretty soon in odd corners of the kitchen they find the dishes they ordered, the rare and costly viands they had their hearts set on. And they eat ’em and they enjoy ’em and then they go out of the restaurant the same as the hash eaters do, but boy, they’ve dined!' He threw down his cigarette and stamped on it. 'That’s all,' he said. 'Thank you for your attention.' 'Who pays the bill?' asked George with interest. 'I don’t know,' said Peter irritably. 'That would complicate the parable to the point of chaos.' 'Who did you say the waiter was?' asked George. 'Organized society?' 'That’s right. A pale flabby guy with a walrus mustache.' 'I don’t quite see it,' said George. 'I do,' said Harriet, sitting up on the day bed. 'I see it. It’s beautiful.' 'It isn’t so bad at that,' said Brenda. 'You’re damn right it’s not.
Jack Iams (The French Touch)
How was Ambrose?” “Starving, as usual. I swear he wants to nurse every two hours.” Zoe grinned. “It’s because he’s a boy.” She pulled out some sheet music and began hunting through it for another selection. “Lisette says that Eugene nearly drove her mad. Even the wet nurse she used when she and Max came up to Winborough complained that she’d never seen a babe so lusty. But Claudine didn’t give Lisette a bit of trouble. My little Drina was never a problem, either.” “Just as I always suspected,” Jane said. “Men are insatiable from birth.” Dom’s eyes twinkled at her. “In some things, anyway.” Her stomach flipped over. Dr. Worth had only yesterday told her that they could resume marital relations, but in all the chaos of the coronation preparations she hadn’t had a chance to tell Dom.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Harry resumed the patting of his elbow, saying as he did so (for the potion seemed to indicate that it was the right thing to do),
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
So I want to be clear: Andy Card and I have known each other since the 1980s, though age separated us, and most of my time was spent with his younger brother. What’s more, Andy’s a good political player. Come election time, what with my mother’s growing media empire in the wilds of Alaska—and her ties to the good and honorable Senator Stevens—it just made sense that Andy Card would make a special nod to our family in Alaska. Perceptions to the contrary would be grossly inaccurate. After I warned about the 1993 World Trade Center attack, and started working as an Asset, I had to distance myself from Andy, who had national political aspirations after all. Our need for distance ended overnight when President-elect George Bush, Jr. named Andy to serve as White House Chief of Staff. At that point, my background was fully revealed, all cards on the table, when I approached him in December, 2000 about our back channel talks to resume the weapons inspections in Iraq. I expected Andy to be surprised. But I was at the top of my game. I had accomplished many good things involving Libya and Iraq, with special regards to anti-terrorism, through a decade of perseverance and creative strategizing. I expected a man like Andy Card to be proud of my actions. A man who brags to his friends about his outstanding devotion to my field of work should be fiercely proud that one of his own family has been on the cutting edge of it for a decade. When you do the work I have done, you don’t apologize for communicating with the Chief of Staff to the President of the United States of America. At the end of the conversation, you expect him to say thank you. Think about it. I was a primary source of raw intelligence on Iraq and Middle Eastern anti-terrorism overall. I enjoyed high level access to officials in Baghdad and Libya. It was extremely valuable for the White House Chief of Staff to have first-hand access to major new developments inside Iraq. Given my status as an Asset—and his— it was entirely appropriate for him to receive these debriefings. That was part of his job. No doubt that’s why Andy Card never suggested I should break off communications with Iraq— or that I should stop providing him with my insider’s analysis of breaking developments in Baghdad. All of which makes our end so galling.
Susan Lindauer (EXTREME PREJUDICE: The Terrifying Story of the Patriot Act and the Cover Ups of 9/11 and Iraq)
I was in a turmoil. Does friendship really offer a door to love or it’s like being ‘just’ friends? She knows I am interested in her but she’ll see me just as a friend. I will hang around. She will notice me. She will find me a great guy, yet won’t think about me in that way. Moreover, I won’t be able to approach her, lacking the courage to risk our friendship. This is roughly equivalent to the scenario where a guy goes to a job interview and the company says, “You have a great resume, you have all the qualifications we were looking for, but we are not going to hire you. We will, however, use your resume as the basis of comparison for all other applicants. We are still going to hire somebody else who is far less qualified and is probably an alcoholic. However, if it doesn’t work out, we will still hire somebody but not you. In fact, we will never hire you. But we will call you from time to time to complain about the person we hired.
Smita Kaushik (The Girl I Last Loved)
Asked about their gravest cases, med students say, A patient who had been doing well in treatment lost his job, could not afford his medicine, resumed drinking, missed his clinic appointments, and after four months was brought to the emergency room by the police. Paralyzing melancholy has become an element in a tale of treatment interrupted.
Peter D. Kramer (Ordinarily Well: The Case for Antidepressants)
I scrubbed at the mirror harder and wondered how Tyler cleaned the one in his bathroom.  Or if he had someone else do it for him. Someone like Oksana. “Oksana, Oksana, Oksana,” I muttered as I continued cleaning the mirror. It was weird to be so deeply jealous of someone I knew nothing about. I had just finished up when I heard a noise. I figured it was Pigeon, but then she came in to sit on the floor next to my feet. She was whimpering. Which meant . . . I went down the hallway and found Oksana in the kitchen. I tried not to gasp. I’d chanted her name and had accidentally summoned her. She had spread groceries all over the counter. A large pot sat on the stove, and I heard bubbles popping, as if something was boiling. For all that was holy, I hoped it wasn’t a bunny. Whatever it was, it smelled a little like dirt and sulfur. Wasn’t that how brimstone was supposed to smell? Maybe she was cooking up something for her good buddy, Satan. “Hello.” I smiled and waved at her. She had a cigarette hanging from her lower lip. She paused from cutting up a head of cabbage to glare at me and then resumed her cutting. When it was obvious she wasn’t going to respond, I opted to be more direct. “What are you doing here?” Did somebody accidentally leave the gates of hell unlocked? I hoped I didn’t come across as too accusatory. I was genuinely bewildered to find her in my apartment again. Her eyebrows went up, as if my question were stupid. “Cooking.” “Oh. So, what are you, uh, making there?” “Borscht.” That was a kind of soup if I remembered correctly. “What do you use to make borscht?” She glared at me again, obviously not in the mood to talk, and it kind of surprised me when she answered. She held the large knife she was using against her shoulder, making me feel the tiniest bit of fear. “Beets. Cabbage. Knucklebones. And other things.” Knucklebones? Like . . . from people? What other animals had knuckles? This concerned me. “Well, that sounds . . . great. Have fun. I’m going to go clean.” She so didn’t care what I was going to do. I wanted to ask her not to smoke because I was a big fan of my own lungs and breathing in general, but I didn’t know if I had the authority to say so. I scampered away, trying not to think about how unfair it was that she not only looked that way but could cook, too. She’d probably never stick a cast-iron pan in the dishwasher.
Sariah Wilson (Roommaid)
Luis Ponce de León, returning to his university after five years’ imprisonment by the Inquisition, resumed his lectures with the words: “As we were saying yesterday…
David Schiller (The Little Zen Companion)
can’t see over the tears clouding my vision. Large watery drops mark the page where my tears fall. I bury my head in Ky’s chest, needing the feel and smell of him to ground me before I can resume reading. He holds me wordlessly, knowing exactly what I need without me having to say it.
Siobhan Davis (Losing Kyler (The Kennedy Boys #2))
He may of course resume it at any time. Such is the curse of enslavement to drugs. It would be interesting to know,” he added, with seeming irrelevancy, “how he became involved with cocaine.’ “I have always known him to keep it about his rooms,” I answered truthfully. “He says he takes it because of boredom, lack of activity.” Freud turned and smiled at me, his features displaying the infinite and nameless wisdom and compassion I had noticed the moment I first set eyes on him. “That is not the reason a man pursues such a path to destruction,” he said softly.
Nicholas Meyer (The Seven-Per-Cent Solution: Being a Reprint from the Reminiscences of John H. Watson, M.D.)