Restless Woman Quotes

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I look back over my shoulder and feel the presence of an intense young girl and then a volatile and disturbed young woman, both with high dreams and restless, romantic aspirations
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
Do you know what I would answer to someone who asked me for a description of myself, in a hurry? This: ?? !! For indeed my life is a perpetual question mark--my thirst for books, my observations of people, all tend to satisfy a great, overwhelming desire to know, to understand, to find an answer to a million questions. And gradually the answers are revealed, many things are explained, and above all, many things are given names and described, and my restlessness is subdued. Then I become an exclamatory person, clapping my hands to the immense surprises the world holds for me, and falling from one ecstasy into another. I have the habit of peeping and prying and listening and seeking--passionate curiosity and expectation. But I have also the habit of being surprised, the habit of being filled with wonder and satisfaction each time I stumble on some wondrous thing. The first habit could make me a philosopher or a cynic or perhaps a humorist. But the other habit destroys all the delicate foundations, and I find each day that I am still...only a Woman!
Anaïs Nin (The Early Diary of Anaïs Nin, Vol. 2: 1920-1923)
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something. ...Commuters give the city its tidal restlessness; natives give it solidity and continuity; but the settlers give it passion.
E.B. White (Here Is New York)
Often a Christian man or woman falls prey to that cruel and vexatious spirit, wondering how to find marriage, who, when, where? It is on God that we should wait, as a waiter waits--not for but on the customer--alert, watchful, attentive, with no agenda of his own, ready to do whatever is wanted. 'My soul, wait thou only upon God; for my expectation is from him.' (Ps. 62:5 KJV) In Him alone lie our security, our confidence, our trust. A spirit of restlessness and resistance can never wait, but one who believes he is loved with an everlasting love, and knows that underneath are the everlasting arms, will find strength and peace.
Elisabeth Elliot (Quest for Love: True Stories of Passion and Purity)
I understand addiction now. I never did before, you know. How could a man (or a woman) do something so self-destructive, knowing that they’re hurting not only themselves, but the people they love? It seemed that it would be so incredibly easy for them to just not take that next drink. Just stop. It’s so simple, really. But as so often happens with me, my arrogance kept me from seeing the truth of the matter. I see it now though. Every day, I tell myself it will be the last. Every night, as I’m falling asleep in his bed, I tell myself that tomorrow I’ll book a flight to Paris, or Hawaii, or maybe New York. It doesn’t matter where I go, as long as it’s not here. I need to get away from Phoenix—away from him—before this goes even one step further. And then he touches me again, and my convictions disappear like smoke in the wind. This cannot end well. That’s the crux of the matter, Sweets. I’ve been down this road before—you know I have—and there’s only heartache at the end. There’s no happy ending waiting for me like there was for you and Matt. If I stay here with him, I will become restless and angry. It’s happening already, and I cannot stop it. I’m becoming bitter and terribly resentful. Before long, I will be intolerable, and eventually, he’ll leave me. But if I do what I have to do, what my very nature compels me to do, and move on, the end is no better. One way or another, he’ll be gone. Is it not wiser to end it now, Sweets, before it gets to that point? Is it not better to accept that this happiness I have is destined to self-destruct? Tomorrow I will leave. Tomorrow I will stop delaying the inevitable. Tomorrow I will quit lying to myself, and to him. Tomorrow. What about today, you ask? Today it’s already too late. He’ll be home soon, and I have dinner on the stove, and wine chilling in the fridge. And he will smile at me when he comes through the door, and I will pretend like this fragile, dangerous thing we have created between us can last forever. Just one last time, Sweets. Just one last fix. That’s all I need. And that is why I now understand addiction.
Marie Sexton (Strawberries for Dessert (Coda, #4; Strawberries for Dessert, #1))
I woke up when my pillow was yanked out from under my head and Chloe mumbled something incoherent about spinach and hot dogs. The woman was a sleep-talking, restless bed hog.
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
He found her pretty in a bewildered, washed-out way, but it was her restlessness that aroused him, the quiet exasperation of a woman who longs to throw herself into something significant, but cannot find what it is.
Edward St. Aubyn (The Patrick Melrose Novels)
What restless woman can resist a man with a shovel in one hand and a glowing rose bush in the other, and a moderately crazed glitter in his eyes that might be mistaken for love?
Margaret Atwood (The Year of the Flood (MaddAddam, #2))
It appears to me impossible that I should cease to exist, or that this active, restless spirit, equally alive to joy and sorrow, should only be organised dust - ready to fly abroad the moment the spring snaps, or the spark goes out, which kept it together. Surely something resides in this heart that is not perishable - and life is more than a dream.
Mary Wollstonecraft (A Short Residence in Sweden / Memoirs of the Author of 'The Rights of Woman')
Maybe we should go by tube', he said. A taxi'll come', she said. 'I'm in no hurry'. She remembered something a woman in Paris had told her once. A woman in her forties, much married, elegant, a little world-weary. There is nothing easier in this world, this woman had claimed, than getting a man to kiss you. Oh really? Eva had said, so how do you do that? Just stand close to a man, the woman has said, very close, as close as you can without touching - he will kiss you in one minute or two. It's inevitable. For them it's like an instinct - they can't resist. Infaillible. So Eva stood close to Romer in the doorway of the shop on Frith Street as he shooted and waved at the passing cars moving down the dark street, hoping one of them might be a taxi. We're out of luck', he said, turning, to find Eva standing very close to him, her face lifted. I'm in no hurry', she said. He reached for her and kissed her.
William Boyd (Restless)
For Every Fierce Woman Who Has Tried To Be Tame I know you. I know that you have always felt different –a little bit more restless than perhaps you ought to be as a child. A little less timid, a tad bit too brash. I know you’ve grown up with inklings of suspicion –that your mind does not work the way it should, perhaps. Your thoughts whirl around at strange speeds and you cannot seem to reel yourself in.
Heidi Priebe (This Is Me Letting You Go)
It was the end for me. And yet not an end. In all the years which have since elapsed she remains the woman I loved and lost, the unattainable one [...] I see myself forever and ever as the ridiculous man, the lonely soul, the wanderer, the restless frustrated artist, the man in love with love, always in search of the absolute, always seeking the unattainable. —Henry Miller, Stand Still like the Hummingbird (1962)
Henry Miller (Stand Still Like the Hummingbird)
In the struggle to remain a complete person and to love from her fullness instead of her inadequacy a woman may appear hard. She may feel her early conditioning tugging her in the direction of surrender, but she ought to remember that she was originally loved for herself; she ought to hang on to herself and not find herself nagging, helpless, irritable and trapped. Perhaps I am not old enough yet to promise that the self-reliant woman is always loved, but she cannot be lonely as long as there are people in the world who need her joy and her strength, but certainly in my experience it has always been so. Lovers who are free to go when they are restless always come back; lovers who are free to change remain interesting. The bitter animosity and obscenity of divorce is unknown where individuals have not become Siamese twins. A lover who comes to your bed of his own accord is more likely to sleep with his arms around you all night than a lover who has nowhere else to sleep.
Germaine Greer (The Female Eunuch)
All that you ever need to know about genitals is that they are made up of flesh, blood, and millions of tiny, restless nerve endings - anything else that you read into them is mere hallucination, a product of your own overactive imagination.
Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
The truth is that this is the only way I can live: in two directions. I need two lives. I am two beings. When I return to Hugo in the evening, to the peace and warmth of the house, I return with deep contentment, as if this was the only condition for me. I bring home to Hugo a whole woman, freed of all 'possessed' fevers, cured of the poison of restlessness and curiosity which used to threaten our marriage, cured through action. Our love lives, because I live. I sustain and feed it. I am loyal to it, in my own way, which cannot be his way. If he ever reads these lines, he must believe me. I am writing calmly, lucidly while waiting for him to come home, as one waits for the chosen lover, the eternal one.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
It is as great a crime to leave a woman alone in her agony and deny her relief from her suffering as it is to insist upon dulling the consciousness of a natural mother who desires above all things to be aware of the final reward of her efforts, whose ambition is to be present, in full possession of her senses, when the infant she already adores greets her with its first loud cry and the soft touch of its restless body upon her limbs.
Grantly Dick-Read
Scrooge followed to the window: desperate in his curiosity. He looked out. The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley's Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost, in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below, upon a door-step. The misery with them all was, clearly, that they sought to interfere, for good, in human matters, and had lost the power for ever
Charles Dickens (A Christmas Carol)
I am restless; and a man’s restlessness always means a woman; and my restlessness means Ellen. 
John C. Kirkland (Love Letters of Great Men)
I’m restless, bored, and invisible. A dangerous thing for any woman to be.
Karen Marie Moning (Burned (Fever, #7))
I was growing sad, sad with restlessness and hunger. I felt that nothing would happen to me. I felt desperate with desire to be a woman, to plunge into living. Why was I enslaved by this need of being in love first? Where would my life begin? It seemed to me that a great current was passing all around me and that I was left out. I would have to find someone who felt as I did. But where? Where?
Anaïs Nin (Delta of Venus)
With even the slightest upset, detachment soon followed. I didn’t lose sleep over men, and I was too restless to be tied down. The grass didn’t even have time to grow around my feet before I was planning my next escape – whether it was to another state or out of someone’s life.
M.B. Dallocchio
Are you an atheist?" "Oh no, I honor all the gods." "And how many belong to that all?" "Countless. And one." "How meaningless!" "'Oliness, let me hear you count to one." "One." "Point at that one." Brownpony stirred restlessly. Finally he tapped his index finger against his temple. Wooshin laughed quietly. "Wrong. You had to think about it too long. And you didn't count to one. You counted from one and stopped. The one is countless.
Walter M. Miller Jr. (Saint Leibowitz and the Wild Horse Woman)
In Chloe, a great city, the people who move through the streets are all strangers. At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping. A girl comes along, twirling a parasol on her shoulder, and twirling slightly also her rounded hips. A woman in black comes along, showing her full age, her eyes restless beneath her veil, her lips trembling. At tattooed giant comes along; a young man with white hair; a female dwarf; two girls, twins, dressed in coral. Something runs among them, an exchange of glances link lines that connect one figure with another and draws arrows, stars, triangles, until all combinations are used up in a moment, and other characters come on to the scene: a blind man with a cheetah on a leash, a courtesan with an ostrich-plume fan, an ephebe, a Fat Woman. And thus, when some people happen to find themselves together, taking shelter from the rain under an arcade, or crowding beneath an awning of the bazaar, or stopping to listen to the band in the square, meetings, seductions, copulations, orgies are consummated among them without a word exchanged, without a finger touching anything, almost without an eye raised. A voluptuous vibration constantly stirs Chloe, the most chaste of cities. If men and women began to live their ephemeral dreams, every phantom would become a person with whom to begin a story of pursuits, pretenses, misunderstandings, clashes, oppressions, and the carousel of fantasies would stop.
Italo Calvino
My trip to the former Yugoslavia had opened the world for me, and my hunger for the world. In doing so, it undid the contained, safe borders of my existence. Suddenly a woman weeping over her lost son in an image on the front page of The New York Times was no longer a theoretical entity. She was real, a woman I might have met, might have known. I was connected to her. I could no longer divorce myself from her pain, her suffering. Initially this was overwhelming. I had nightmares. I felt restless and wrong in my comforting life in America. Everything seemed absurd and pointless. I came to understand why we block out the pain and atrocities of others. That pain, if we allow it to enter us, makes our lives impossible. It forces us to examine our own values and reality. It insists that we be responsible for others. It thrusts us into the messy world where there are no easy solutions or reasons, only struggles and questions. It creates great fissures in the landscape of our insulated, so-called safe reality. Fissures that, once split open, can never close again. It compels us to act.
V (formerly Eve Ensler)
Scrooge followed to the window: desperate in his curiosity. He looked out. The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley’s Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost, in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below, upon a door-step. The misery with them all was, clearly, that they sought to interfere, for good, in human matters, and had lost the power for ever.
Charles Dickens (A Christmas Carol)
Only two weeks since he had left, and it was already happening. Time, blunting the edges of those sharp memories. Laila bore down mentally. What had he said? It seemed vital, suddenly, that she know. Laila closed her eyes. Concentrated. With the passing of time, she would slowly tire of this exercise. She would find it increasingly exhausting to conjure up, to dust off, to resuscitate once again what was long dead. There would come a day, in fact, years later, when Laila would no longer bewail his loss. Or not as relentlessly; not nearly. There would come a day when the details of his face would begin to slip from memory's grip, when overhearing a mother on the street call after her child by Tariq's name would no longer cut her adrift. She would not miss him as she did now, when the ache of his absence was her unremitting companion—like the phantom pain of an amputee. Except every once in a long while, when Laila was a grown woman, ironing a shirt or pushing her children on a swing set, something trivial, maybe the warmth of a carpet beneath her feet on a hot day or the curve of a stranger's forehead, would set off a memory of that afternoon together. And it would come rushing back. The spontaneity of it. Their astonishing imprudence... It would flood her, steal her breath. But then it would pass. The moment would pass. Leave her feeling deflated, feeling noting but a vague restlessness.
Khaled Hosseini (A Thousand Splendid Suns)
The Sun Going South In late sunshine I wander troubled. Restless I wander in autumn sunlight. Too many changes, partings, and deaths. Doors have closed that were always open. Trees that held the sky up are cut down. So much that I alone remember! This creek runs dry among its stones. Souls of the dead, come drink this water! Come into this side valley with me, a restless old woman, unseemly, troubled, walking on dry grass, dry stones.
Ursula K. Le Guin
A little while ago, I stood by the grave of the old Napoleon—a magnificent tomb of gilt and gold, fit almost for a dead deity—and gazed upon the sarcophagus of rare and nameless marble, where rest at last the ashes of that restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world. I saw him walking upon the banks of the Seine, contemplating suicide. I saw him at Toulon—I saw him putting down the mob in the streets of Paris—I saw him at the head of the army of Italy—I saw him crossing the bridge of Lodi with the tri-color in his hand—I saw him in Egypt in the shadows of the pyramids—I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo—at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves. I saw him at Leipsic in defeat and disaster—driven by a million bayonets back upon Paris—clutched like a wild beast—banished to Elba. I saw him escape and retake an empire by the force of his genius. I saw him upon the frightful field of Waterloo, where Chance and Fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea. I thought of the orphans and widows he had made—of the tears that had been shed for his glory, and of the only woman who ever loved him, pushed from his heart by the cold hand of ambition. And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door, and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky—with my children upon my knees and their arms about me—I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder, known as 'Napoleon the Great.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
You have broken the ice, though you have not even scratched its glossy surface: you have placed your hand upon the croup of the most ferocious and savage, the most wakeful and clear-sighted, the most restless, the swiftest, the most jealous, the most ardent and violent, the simplest and most elegant, the most unreasonable, the most watchful chimera of the moral world — THE VANITY OF A WOMAN!
Honoré de Balzac (Philosophie de la vie conjugale)
They hang around, hitting on your friends or else you never hear from them again. They call when they’re drunk, or finally get sober, they’re passing through town and want dinner, they take your hand across the table, kiss you when you come back from the bathroom. They were your loves, your victims, your good dogs or bad boys, and they’re over you now. One writes a book in which a woman who sounds suspiciously like you is the first to be sadistically dismembered by a serial killer. They’re getting married and want you to be the first to know, or they’ve been fired and need a loan, their new girlfriend hates you, they say they don’t miss you but show up in your dreams, calling to you from the shoe boxes where they’re buried in rows in your basement. Some nights you find one floating into bed with you, propped on an elbow, giving you a look of fascination, a look that says I can’t believe I’ve found you. It’s the same way your current boyfriend gazed at you last night, before he pulled the plug on the tiny white lights above the bed, and moved against you in the dark broken occasionally by the faint restless arcs of headlights from the freeway’s passing trucks, the big rigs that travel and travel, hauling their loads between cities, warehouses, following the familiar routes of their loneliness.
Kim Addonizio
Did I ever tell you about Asin? She is the wild woman of the woods. It's an old story of the People. My mom used to tell me about Asin. Asin couldn't bear being married or having children or having friends. She always wanted to run wild. She ran wild through the woods. If you saw her running you had to run to water as fast as you could and drink or her restlessness would come into you like a thirst that could never be quenched. She was happy and unhappy. She had wild long hair and she was very tall and she ran like the wind. When you saw dunegrass rippling in a line she was running through it. When the wind changed direction suddenly that was Asin. She was never satisfied or content and so she ran and ran and ran. She would grab men who were fishing alone and make love to them and then throw them down on the ground and run away weeping. She would grab children who wandered too far alone in the woods but she would return them to the same spot after three days and run away again. She would listen to women talking by the fire or working in the village or gathering berries but if they invited her to join them she ran away. You could hear her crying sometimes when the sun went down. She wanted something but she never knew what it was so she had nothing. She was as free as anyone ever could be and she was trapped. When I was young I wanted to be Asin. Many times I wanted to be Asin. So do you, Nora. I know. It's okay. It's alright. My sweet love. Poor Asin. Sometimes I think to be Asin would be the saddest thing in the world. Poor thing.
Brian Doyle (Mink River)
The Prodigal Son They gave the deep end of their heart--a hue of crimson red, They whispered their desire and offered up their bed, Yet he prayed for the spirit in the wind and God’s mysteries to find, And in the end it was her transparent heart that stole his restless mind, It really was no contest, not a question or even a doubt, But that is not where love ends or even what true love is all about, You see there was one other that rose above the rest, She was not like these women but still she was God’s very best, So the moral goes: A child answered the call to this man's wandering heart, And that is how the story ends you see... she became his favorite part, And what happened to the virtuous woman who put his mind in hell, She became the whisper in his music and a mystery to tell.
Shannon L. Alder
The price for freedom may be high, but the price that we pay for being imprisoned and cut off from the very root of our being is even higher. When you choose life, you must have the courage to sacrifice your old, worn-out, ineffective self. As you transform from a wounded woman to a Sacred Woman, you will evolve from a frightened, withdrawn state to a courageous one. You will move from confusion to serenity; from mistrust to trust; from spite to compassion and love; from weakness to empowerment; from being an unconscious woman to being a wise woman. You will move from a disturbed mind to a divine mind; from restlessness to contentment; from boredom to
Queen Afua (Sacred Woman: A Guide to Healing the Feminine Body, Mind, and Spirit)
Inside I carried a burning restlessness.
Isabel Allende (The Soul of a Woman)
Ward je in dieser Laun’ ein Weib gefreit?’: ‘Was ever woman in this humour wooed?
Neil MacGregor (Shakespeare's Restless World: Portrait of an Era)
Sexual morality, according to the Catholic Church, is all about denial of male restlessness and control of female agency. There is simply no place in this schema for a woman's autonomy.
James Carroll (The Truth at the Heart of the Lie: How the Catholic Church Lost Its Soul)
Once he had put the phone down Lennie felt restless. His wife was the most exciting woman in the world, but – damn it – she pissed him off. Why couldn’t she say – Lennie, if things are tough, I’ll be right there? Why couldn’t she forget everything else and be with him? Lucky Santangelo. Drop-dead gorgeous. Strong. Determined. Enormously rich. And too independent. Lucky Santangelo. His wife.
Jackie Collins (Lady Boss)
Billy moved restlessly. "Seems like-seems like- towards night as if a body got kind o' lonesome for a woman person-like her." Billy indicated Margaret and then closed his eyes so tight his small face wrinkled.
Gene Stratton-Porter (A Girl of the Limberlost (Limberlost, #2))
What was this passion that attacked women for knitting under the most unpropitious conditions? A woman did not look her best knitting; the absorption, the glassy eyes, the restless, busy fingers! One needed the agility of a wild cat, and the will-power of a Napoleon to manage to knit in a crowded tube, but women managed it! If they succeeded in obtaining a seat, out came a miserable little strip of shrimp pink and click, click went the pins!
Agatha Christie (Hercule Poirot: The Complete Short Stories)
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
Just so," said Bariano with equanimity. "But let me cite you a parable, or, if you prefer, a paradox. Assume that you are lying in bed asleep. Your dreaming brings you into the company of an alluring woman who starts to make exciting suggestions. At this moment a large dirty pet animal clambers upon the bed and sprawls its hairy bulk beside you with its tail draped over your forehead. You move restlessly in your sleep and in so doing press your face against one of its organs. In your dream it seems that the beautiful woman is kissing you with warm moist lips, causing a delightful sensation. You are thrilled and exalted! Then you wake up and discover the truth of the contact, and you are displeased. Now then: consider carefully! Should you enjoy the rapture of the dream? Or, after beating the animal, should you huddle cheerlessly in the dark brooding upon the event? Arguments can be developed in either direction.
Jack Vance
The less I felt in myself, the more strongly I was drawn to those places where the whirligig of life spins most rapidly. If you are experiencing nothing yourself, the passionate restlessness of others stimulates the nervous system like music or drama.
Stefan Zweig (Twenty Four Hours in the Life of a Woman & The Royal Game)
The Old Testament records the sage words of an old woman in addressing two younger ones: 'The Lord grant', said Naomi, 'that ye may find rest, each of you, in the house of her husband!' Who ever heard of a woman finding rest in the house of her husband? And yet, and yet ! The restless hearts are not the hearts of wives and of mothers, as many a lonely woman knows. There is no more crushing load than the load of a loveless life. It is a burden that is often beautifully and graciously borne, but its weight is a very real one. The mother may have a bent form, a furrowed brow, and worn, thin hands ; but her heart found its rest for all that. Naomi was an old woman; she knew the world very well, and her words are worth weighing. Heavy luggage is Christ's strange cure for weary hearts.
F.W. Boreham (The Luggage of Life)
. . . there are ways of thinking that we don’t know about. Nothing could be more important or precious than that knowledge, however unborn. The sense of urgency, the spiritual restlessness it engenders, cannot be appeased . . . —Susan Son tag, Styles of Radical Will
Adrienne Rich (Of Woman Born: Motherhood as Experience and Institution)
His eyes are cold and restless His wounds have almost healed And she'd give half of Texas Just to change the way he feels She knows his love's in Tulsa And she knows he's gonna go Well it ain't no woman flesh and blood It's that damned old rodeo Well it's bulls and blood It's dust and mud It's the roar of a Sunday crowd It's the white in his knuckles The gold in the buckle He'll win the next go 'round It's boots and chaps It's cowboy hats It's spurs and latigo It's the ropes and the reins And the joy and the pain And they call the thing rodeo She does her best to hold him When his love comes to call But his need for it controls him And her back's against the wall And it's So long girl I'll see you When it's time for him to go You know the woman wants her cowboy Like he wants his rodeo
Garth Brooks
It was the woman his finest instincts had needed to make them valid; the woman who not only gave to him, but to whom he could give; the woman of memory, of desire, of youth, of restlessness, of completion. A dream. And here, against the softspeaking bubbling water, a reality.
Harlan Ellison (I Have No Mouth & I Must Scream)
This household happiness did not come all at once, but John and Meg had found the key to it, and each year of married life taught them how to use it, unlocking the treasuries of real home love and mutual helpfulness, which the poorest may possess, and the richest cannot buy. This is the sort of shelf on which young wives and mothers may consent to be laid, safe from the restless fret and fever of the world, finding loyal lovers in the little sons and daughters who cling to them, undaunted by sorrow, poverty, or age, walking side by side, through fair and stormy weather, with a faithful friend, who is, in the true sense of the good old Saxon word, the ‘house-band’, and learning, as Meg learned, that a woman’s happiest kingdom is home, her highest honor the art of ruling it not as a queen, but as a wise wife and mother.
Louisa May Alcott (Little Women)
A frown lowered his brow as he headed toward the shower, stripping as he went. She was untried. Virginal in mind and spirit. The innocence that hovered about her, disparate with her wily reporter persona, teased Adrian’s senses like an aphrodisiac. She wasn’t the kind of woman who could give away sex without giving away her heart, and he liked that in her, that vulnerability. It was, at the very core, something new and different in his world. It also stood as a reminder of another time, when he believed in the wholesomeness, the rightness of desire. Desire earned and given freely, not bought, before he knew its worth could be meted out in paper currency. She was hot-blooded and sensuous too, and didn’t seem aware of it. It called to the primal male in him, made him restless and hungry to touch her. But tonight a deeper part of him had won out, preserved the strange wholesomeness between them and shielded it from the anomaly his lifestyle had become because of sex. Maybe, at the very bottom of it, he knew a whore—even a high-priced one—didn’t deserve a woman like Billie. She was reality, gritty and truthful and tangible. He…he was a phantom born out of Azure Elan’s sensuous imagination.
Shelby Reed (The Fifth Favor)
You will find that the woman who is really kind to dogs is always one who has failed to inspire sympathy in men. For the attractive woman, dogs are mere dumb and restless brutes—possibly dangerous, certainly soulless. Yet will coquetry teach her to caress any dog in the presence of a man enslaved by her.
Max Beerbohm (Zuleika Dobson, or, an Oxford love story)
The news filled me with such euphoria that for an instant I was numb. My ingrained self-censorship immediately started working: I registered the fact that there was an orgy of weeping going on around me, and that I had to come up with some suitable performance. There seemed nowhere to hide my lack of correct emotion except the shoulder of the woman in front of me, one of the student officials, who was apparently heartbroken. I swiftly buried my head in her shoulder and heaved appropriately. As so often in China, a bit of ritual did the trick. Sniveling heartily she made a movement as though she was going to turn around and embrace me I pressed my whole weight on her from behind to keep her in her place, hoping to give the impression that I was in a state of abandoned grief. In the days after Mao's death, I did a lot of thinking. I knew he was considered a philosopher, and I tried to think what his 'philosophy' really was. It seemed to me that its central principle was the need or the desire? for perpetual conflict. The core of his thinking seemed to be that human struggles were the motivating force of history and that in order to make history 'class enemies' had to be continuously created en masse. I wondered whether there were any other philosophers whose theories had led to the suffering and death of so many. I thought of the terror and misery to which the Chinese population had been subjected. For what? But Mao's theory might just be the extension of his personality. He was, it seemed to me, really a restless fight promoter by nature, and good at it. He understood ugly human instincts such as envy and resentment, and knew how to mobilize them for his ends. He ruled by getting people to hate each other. In doing so, he got ordinary Chinese to carry out many of the tasks undertaken in other dictatorships by professional elites. Mao had managed to turn the people into the ultimate weapon of dictatorship. That was why under him there was no real equivalent of the KGB in China. There was no need. In bringing out and nourishing the worst in people, Mao had created a moral wasteland and a land of hatred. But how much individual responsibility ordinary people should share, I could not decide. The other hallmark of Maoism, it seemed to me, was the reign of ignorance. Because of his calculation that the cultured class were an easy target for a population that was largely illiterate, because of his own deep resentment of formal education and the educated, because of his megalomania, which led to his scorn for the great figures of Chinese culture, and because of his contempt for the areas of Chinese civilization that he did not understand, such as architecture, art, and music, Mao destroyed much of the country's cultural heritage. He left behind not only a brutalized nation, but also an ugly land with little of its past glory remaining or appreciated. The Chinese seemed to be mourning Mao in a heartfelt fashion. But I wondered how many of their tears were genuine. People had practiced acting to such a degree that they confused it with their true feelings. Weeping for Mao was perhaps just another programmed act in their programmed lives. Yet the mood of the nation was unmistakably against continuing Mao's policies. Less than a month after his death, on 6 October, Mme Mao was arrested, along with the other members of the Gang of Four. They had no support from anyone not the army, not the police, not even their own guards. They had had only Mao. The Gang of Four had held power only because it was really a Gang of Five. When I heard about the ease with which the Four had been removed, I felt a wave of sadness. How could such a small group of second-rate tyrants ravage 900 million people for so long? But my main feeling was joy. The last tyrants of the Cultural Revolution were finally gone.
Jung Chang (Wild Swans: Three Daughters of China)
A love of neighbor manifests itself in the tolerance not only of opinions of others but, what is more important, of the essence and uniqueness of others, when we subscribe to that religious philosophy of life that insists that God has made each man and woman an individual sacred personality endowed with a specific temperament, created with differing needs, hungers, dreams. This is a variegated, pluralistic world where no two stars are the same and every snowflake has its own distinctive pattern. God apparently did not want a regimented world of sameness. That is why creation is so manifold. So it is with us human beings. Some are born dynamic and restless; others placid and contemplative…One man’s temperament is full throated with laughter; another’s tinkles with the sad chimes of gentle melancholy. Our physiques are different, and that simple difference oftentimes drives us into conflicting fulfillment of our natures, to action or to thought, to passion or to denial, to conquest or to submission. There is here no fatalism of endowment. We can change and prune and shape the hedges of our being, but we must rebel against the sharp shears being wielded by other hands, cutting off the living branches of our spirits in order to make our personalities adornments for their dwellings.
Joshua Loth Liebman
The air is heavy, sweet with perfume, stirred only by a scratchy music that soars and glides and stuns itself against the walls. Large leaded windows look out over the garden at the rear of the house, gray clouds piling up beyond a cupola. Chairs and chaise longues have been gathered around the fire, young women draped over them like wilted orchids, smoking cigarettes and clinging to their drinks. The mood in the room is one of restless agitation rather than celebration. About the only sign of life comes from an oil painting on the far wall, where an old woman with coals for eyes sits in judgment of the room, her expression conveying her distaste for this gathering.
Stuart Turton (The 7½ Deaths of Evelyn Hardcastle)
Miserable is the woman who arises from the inattentiveness and restlessness of youth and finds herself in the home of a man showering her with his glittering gold and precious gifts and according her all the honours and grace of lavish entertainment but unable to satisfy her soul with the heavenly wine which God pours from the eyes of a man into the heart of a woman. 
Kahlil Gibran (11 Books: The Prophet / Spirits Rebellious / The Broken Wings / A Tear and a Smile / The Madman / The Forerunner / Sand and Foam / Jesus the Son of Man / Lazarus and His Beloved / The Earth Gods / The Wanderer / The Garden of the Prophet)
So this was her condition: here in the kitchen she knew who she was, here in the kitchen she was restless and bored, here in the kitchen she functioned admirably, here in the kitchen she despised what she did. She would become angry over the 'emptiness of a woman's life' as she called it, then laugh with a delight I can still hear when she analysed some complicated bit of business going on in the alley. Passive in the morning, rebellious in the afternoon, she was made and unmade daily. She fastened hungrily on the only substance available to her, became affectionate toward her own animation, then felt like a collaborator. How could she not be devoted to a life of such intense division? And how could I not be devoted to her devotion?
Vivian Gornick (Fierce Attachments)
Once there had been a path across the mountains, and restlessness, and an urge to fight, and a dream of many women, and now there was a home that was my home, and peace, and relaxation, and no dreams but the reality of one woman. I did not know if it was I who had changed, or the world that had changed about me, but so it was, and I could not call back the dreams that had gone from me.
Daphne du Maurier (I'll Never Be Young Again)
Young Bindo Altovini, looking out from time, made a perfect coalition with the mountains, the sky, and the tall redheaded woman who had bent over just slightly to examine a raging battle that was long over. Alessandro imagined that Bindo Altovini was saying, half with longing, half with delight, "These are the things in which I was so helplessly caught up, the waves that took me, what I loved. When light filled my eyes and I was restless and could move, I knew not what all the color was about, but only that I had a passion to see. And now that I am still, I pass on to you my liveliness and my life, for you will be taken, as once I was, and although you must fight beyond your capacity to fight and feel beyond your capacity to feel, remember that it ends in perfect peace, and you will be as still and content as am I, for whom centuries are not even seconds." In the eyes of Bindo Altoviti, Alessandro saw wisdom and amusement, and he knew why the subjects of paintings and photographs seemed to look from the past as if with clairvoyance. Even brutal and impatient men, when frozen in time, assumed expressions of extraordinary compassion, as if they had reflected the essence of their redemption back into the photograph. In a sense they were still living.
Mark Helprin (A Soldier of the Great War)
Wendre had appealed to Horn as no woman ever had. She had a man’s mind and a woman’s heart. She was self-reliant, proud, courageous. She grasped the situation quickly, accepted the odds, and did what had to be done without complaining. This was no spoiled child of empire, no sheltered darling of an all-powerful father; this was a woman fit to stand and fight beside any barbarian from the restless marches, made for love and ready to battle for it.
Jack Williamson (Star Bridge)
I know, she was almost perfect as a mother—her sole imperfection being that she died before she could tell me who my father was. And in addition to being an almost perfect mother, I also know that she was a happy woman—and a truly happy woman drives some men and almost every other woman absolutely crazy. If her body looked restless, she wasn’t. She was content—she was feline in that respect, too. She appeared to want nothing from life but a child and a loving husband;
John Irving (A Prayer for Owen Meany)
As the bartender struck a match to light her cigarette, she put her hand on his wrist to steady it. Travis saw him jump, draw back. He held his wrist, blew on it, looked at her reproachfully. Travis said: 'Why, you scratched him, Sarah.' 'Did I?' And as she turned and looked at him, he saw her hand twitch a little, and drew still further away from her. 'What - what's got into you?' he faltered. There was some kind of tension spreading all around the horseshoe-shaped bar, emanating from her. All the cordiality, the sociability, was leaving it. Cheery conversations even at the far ends of it faltered and died, and the speakers looked around them as though wondering what was putting them so on edge. A heavy leaden pall of restless silence descended, as when a cloud goes over the sun. One or two people even turned and moved away reluctantly, as though they hadn't intended to but didn't like it at the bar any more. The gaunt-faced woman in red and black was the center of all eyes, but the looks sent her were not the admiring looks of men for a well-dressed woman; they were the blinking petrified looks a blacksnake would get in a poultry yard. Even the barman felt it. He dropped and smashed a glass, a thing he hadn't done since he'd been working on the ship. Even the canary felt it, and stood shivering pitifully on its perch, emitting an occasional cheep as though for help. ("I'm Dangerous Tonight")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
Ted Rittenhouse saw the relief that flooded the woman's face. She'd obviously come up with a solution she thought would satisfy him. "I'm staying with a cousin, Gabe Flanagan." She was so relieved that the words tripped over each other. She snatched a cell phone from her bag. "Look, you can call him. He'll vouch for me. Here's my cellphone. You can use it." "Seems to me I've heard of those newfangled gadgets," he said dryly, pulling his own cell phone from his uniform pocket.
Marta Perry (Restless Hearts (The Flanagans, #6))
Starting a family doesn’t mean we leave the fight. It means we dare to rebuild our nation, even on a battlefield. I believe that in a world so often restless and cynical, saying yes to romance, to love, to the everyday tasks of marriage and family is its own quiet revolution. Defying the forces of evil, one man and one woman making a little home where vulnerability, tenderness, and laughter can thrive is a subversive act. It also means creating a family is the supreme act of defiance—a celebration of life in the midst of war.
Lila Grace Rose (Fighting for Life: Becoming a Force for Change in a Wounded World)
From east to west, in fact, her gaze swept slowly, without encountering a single obstacle, along a perfect curve. Beneath her, the blue-and-white terraces of the Arab town overlapped one another, splattered with the dark-red spots of the peppers drying in the sun. Not a soul could be seen, but from the inner courts, together with the aroma of roasting coffee, there rose laughing voices or incomprehensible stamping of feet. Father off, the palm grove, divided into uneven squares by clay walls, rustled its upper foliage in a wind that could not be felt up on the terace. Still farther off and all the way to the horizon extended the ocher-and-gray realm of stones, in which no life was visible. At some distance from the oasis, however, near the wadi that bordered the palm grove on the west could be seen broad black tents. All around them a flock of motionless dromedaries, tiny at the distance, formed against the gray ground the black signs of a strange handwriting, the meaning of which had to be deciphered. Above the desert, the silence was as vast as the space. Janine, leaning her whole body against the parapet, was speechless, unable to tear herself away from the void opening before her. Beside her, Marcel was getting restless. He was cold; he wanted to go back down. What was there to see here, after all? But she could not take her gaze from the horizon. Over yonder, still farther south, at that point where sky and earth met in a pure line - over yonder it suddenly seemed there was awaiting her something of which, though it had always been lacking, she had never been aware until now. In the advancing afternoon the light relaxed and softened; it was passing from the crystalline to the liquid. Simultaneously, in the heart of a woman brought there by pure chance a knot tightened by the years, habit, and boredom was slowly loosening. She was looking at the nomads' encampment. She had not even seen the men living in it' nothing was stirring among the black tents, and yet she could think only of them whose existence she had barely known until this day. Homeless, cut off from the world, they were a handful wandering over the vast territory she could see, which however was but a paltry part of an even greater expanse whose dizzying course stopped only thousands of miles farther south, where the first river finally waters the forest. Since the beginning of time, on the dry earth of this limitless land scraped to bone, a few men had been ceaselessly trudging, possessing nothing but serving no one, poverty-stricken but free lords of a strange kingdom. Janine did not know why this thought filled her with such a sweet, vast melancholy that it closed her eyes. She knew that this kingdom had been eternally promised her and yet that it would never be hers, never again, except in this fleeting moment perhaps when she opened her eyes again on the suddenly motionless sky and on its waves of steady light, while the voices rising from the Arab town suddenly fell silent. It seemed to her that the world's course had just stopped and that, from that moment on, no one would ever age any more or die. Everywhere, henceforth, life was suspended - except in her heart, where, at the same moment, someone was weeping with affliction and wonder.
Albert Camus
So that was it! This was the secret, so belatedly revealed, of her restlessness, her hitherto inexplicable aggressiveness. I was appalled. I felt like one who, stooping innocently over a flower, is stung by an adder. If the hypersensitive creature had struck me, reviled me, spat at me, I should have been less disconcerted, for in view of her uncertain temper I was prepared for anything but this one thing — that she, an invalid, a poor, afflicted cripple, should be able to love, should desire to be loved; that this child, this half-woman, this immature, impotent creature, should have the temerity (I cannot express it otherwise) to love, to desire, with the conscious and sensual love of a real woman.
Stefan Zweig (Beware of Pity (Woolf Haus Classics))
Women always leave their men – even if their relationship seems to last a lifetime. Men can be unfaithful and restless in the short-term, but then they become docile, dutiful, and very, very dull. But there is longing in the souls of women that deepens with time. Men can’t reach it, or barely even conceive of it, and after many years together, a woman may find herself as far from the man she shares a bed with as from a stranger. It’s only when you look deep inside, to the source of tears, to find true shelter from the eyes of the world, that a woman may discover the demons she wishes to fight and the ecstasy in which she would wrap herself. What part can any man hope to play in something as profound as that?
Mark Crutchfield (Earthwork)
It would be my pleasure.”Pylos was a polite youth, no more than five- and- twenty, yet solemn as a man of sixty. If only he had more humor, more life in him; that was what was needed here. Grim places needed lightening, not solemnity, and Dragonstone was grim beyond a doubt, a lonely citadel in the wet waste surrounded by storm and salt, with the smoking shadow of the mountain at its back. A maester must go where he is sent, so Cressen had come here with his lord some twelve years past, and he had served, and served well. Yet he had never loved Dragonstone, nor ever felt truly at home here. Of late, when he woke from restless dreams in which the red woman figured disturbingly, he often did not know where he was.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
When she was his companion, her father had always felt himself stirred to interest and enterprise. "You ought to have been a man, Betty," he used to say to her sometimes.  But Betty had not agreed with him. "You say that," she once replied to him, "because you see I am inclined to do things, to change them if they need changing. Well, one is either born like that or one is not. Sometimes I think that perhaps the people who must act are of a distinct race, a kind of vigorous restlessness drives them. I remember that when I was a child I could not see a pin lying upon the ground without picking it up or pass a drawer which needed closing without giving it a push. But there has always been as much for women to do as there is for men.
Frances Hodgson Burnett (The Shuttle)
If she had answered him honestly she would have said this: To go back to the beginning. She would tell her thirteen-year-old-self not to visit the woman. To her twenty-five-year-old self: Find Simon, forgive him. She would tell herself to take care of Klara, to sign up for JDate, to stop the nurse before she took the baby out of her arms. She'd tell herself she would die, she would die, they all would. She would tell herself to pay attention to the smell of Klara's hair, the feel of Daniel's arms as he reached down to hug her, Simon's stubby thumbs- my God, their hands, all of them, Klara's hummingbird-quick, Daniel's slender and restless. She'd tell herself that what she really wanted was not to live forever, but to stop worrying.
Chloe Benjamin, The Immortalists
Only two weeks since he had left, and it was already happening. Time, blunting the edges of those sharp memories. Laila bore down mentally. What had he said? It seemed vital, suddenly, that she know. Laila closed her eyes. Concentrated. With the passing of time, she would slowly tire of this exercise. She would find it increasingly exhausting to conjure up, to dust off, to resuscitate once again what was long dead. There would come a day, in fact, years later, when Laila would no longer bewail his loss. Or not as relentlessly; not nearly. There would come a day when the details of his face would begin to slip from memory's grip, when overhearing a mother on the street call after her child by Tariq's name would no longer cut her adrift. She would not miss him as she did now, when the ache of his absence was her unremitting companion - like the phantom pain of an amputee. Except every once in a long while, when Laila was a grown woman, ironing a shirt or pushing her children on a swing set, something trivial, maybe the warmth of a carpet beneath her feet on a hot day or the curve of a stranger's forehead, would set off a memory of that afternoon together. And it would all come rushing back. The spontaneity of it. Their astonishing imprudence. Their clumsiness. The pain of the act, the pleasure of it, the sadness of it. The heat of their entangled bodies. It would flood her, steal her breath. But then it would pass. The moment would pass. Leave her deflated, feeling nothing but a vague restlessness.
Khaled Hosseini (A Thousand Splendid Suns)
This household happiness did not come all at once, but John and Meg had found the key to it, and each year of married life taught them how to use it, unlocking the treasuries of real home love and mutual helpfulness, which the poorest may possess, and the richest cannot buy. This is the sort of shelf on which young wives and mothers may consent to be laid, safe from the restless fret and fever of the world, finding loyal lovers in the little sons and daughters who cling to them, undaunted by sorrow, poverty, or age, walking side by side, through fair and stormy weather, with a faithful friend, who is, in the true sense of the good old Saxon word, the 'house-band,' and learning, as Meg learned, that a woman's happiest kingdom is home, her highest honor the art of ruling it not as a queen, but as a wise wife and mother.
Louisa May Alcott (Little Women)
Xavier looked at Shane's outfit of pants, pistol, and no shirt, and then glanced up at the porch. "You sleep outside?" Shane turned and looked through the screen door. There was no sign of Agnes or the sheets that had been tumbled there. A woman who could wake up fast and then remove evidence slightly. His kind of girl. "Yep. I like fresh air." Xavier nodded, his exasperation evaporating into amusement. "Right. Miss Agnes up yet?" "I wouldn't know." "Right." Xavier gave a lazy grin and walked around Shane. "Quite a woman, that Miss Agnes." "Yep," Shane said, following him up the walk. "Bit sharp-tempered, though." "I'd call her fiery." Xavier turned his head toward Shane and nodded amiably. "Fiery. That's good." They walked up the path, Rhett ambling with them. Xavier trooped up the steps to the porch and spared a glance at the air mattress and Shane's T-shirt, crumpled in a ball. "Restless night, son?" "Slept like a baby." "I bet you did," Xavier said, and went into the kitchen.
Jennifer Crusie (Agnes and the Hitman (The Organization, #0))
She unbuttoned her coat, carried it to the closet, and hung it up. This gave him his first chance to have a good long look at her. Rachael's proportions, he noticed once again, were odd; with her heavy mass of dark hair her head seemed large, and because of her diminutive breasts her body assumed a lank, almost childlike “stance. But her great eyes, with their elaborate lashes, could only be those of a grown woman; there the resemblance to adolescence ended. Rachael rested very slightly on the fore-part of her feet, and her arms, as they hung, bent at the joint. The stance, he reflected, of a wary hunter of perhaps the Cro-Magnon persuasion. The race of tall hunters, he said to himself. No excess flesh, a flat belly, small behind and smaller bosom - Rachael had been modeled on the Celtic type of build, anachronistic and attractive, Below the brief shorts her legs, slender, had a neutral, nonsexual quality, not much rounded off in nubile curves. The total impression was good, however. Although definitely that of a girl, not a woman. Except for the restless, shrewd eyes.
Philip K. Dick (Do Androids Dream of Electric Sheep? (Oxford Bookworms Library Level 5))
His nostrils flared and he couldn't wait any longer. He lifted her bodily, moving her farther up on the bed, placing her head and shoulders against the pillows, and then pushed up her chemise, crawling between her spread thighs and settling to enjoy what he'd found. There. There she was, her pretty, pretty pink cunny, all coral lips and wispy dark-blond curls. He hiked her trembling legs over his arms, ignoring her gasp of shocked surprise. He glanced up at once and saw wide, wondering eyes gazing back at him. Her gentlemanly first husband had evidently never done this to her. More fool he. Then he bent and feasted. His nose pressed into her mound, inhaling her woman's scent, his cock grinding hard into the bed, his tongue licking into tart and salt and her. Oh God, her. She squealed at his first touch and tried to squirm away, but he held her fast with his hands on her hips. He almost smiled against her tender flesh, his teeth scraping oh so gently. She might be startled, might be outraged and shocked, but she liked it. Perhaps even loved it- what he was doing to her. She was moaning now, low in her throat, making little mewling sounds, so erotic and sweet, her hips twitching against his lips, trying to get more. He opened his mouth, covering her, breathing over her. He stiffened his tongue and speared into her as far as he could reach, his jaw aching. She cried out at that and he felt fingers tangling in his hair. He withdrew his tongue and moved to her clitoris, taking the small bit of flesh gently between his teeth and pulling. She froze, trembling all over, and he could hear her gasping breaths. He opened his mouth and licked her. Softly. Tenderly. Thoroughly. And at the same time he shoved two fingers into her, feeling her wet walls contract against his knuckles, smelling the rise of her arousal. She arched under him, her soft thighs thrashing restlessly, making no sound, but he knew. He knew. He curled the fingers inside her and stroked her wet, silky inner walls as he pulled them back. Then he shoved them again into her, hard and firm, repeating the motion as he suckled her clitoris. She moaned- loud in the quiet room- and pushed against him, and he felt her tremble and suddenly grow wetter. She shuddered helplessly and he was drunk on her release, his cock a heavy, near-painful throb. He turned his head and kissed the inside of her soft thigh, listening to her pant.
Elizabeth Hoyt (Duke of Desire (Maiden Lane, #12))
A few minutes later Elizabeth watched Lucinda emerge from the cottage with Ian, but there was no way to guess from their closed expressions what they’d discussed. In fact, the only person betraying any emotion at all was Jake Wiley as he led two horses into the yard. And his face, Elizabeth noted with confusion-which had been stormy when he went off to saddle the horses-was now wreathed in a smile of unrestrained glee. With a sweep of his arm and a bow he gestured toward a swaybacked black horse with an old sidesaddle upon its back. “Here’s your mount, ma’am,” he told Lucinda, grinning. “His name’s Attila.” Lucinda cast a disdainful eye over the beast as she transferred her umbrella to her right hand and pulled on her black gloves. “Have you nothing better?” “No, ma’am. Ian’s horse has a hurt foot.” “Oh, very well,” said Lucinda, walking briskly forward, but as she came within reach the black suddenly bared his teeth and lunged. Lucinda struck him between the ears with her umbrella without so much as a pause in her step. “Cease!” she commanded, and, ignoring the animal’s startled grunt of pain, she continued around to his other side to mount. “You brought it on yourself,” she told the horse as Jake held Attila’s head, and Ian Thornton helped her into the sidesaddle. The whites of Attila’s eyes showed as he warily watched her land in his saddle and settle herself. The moment Jake handed Lucinda the reins Attila began to leap sideways and twist around in restless annoyance. “I do not countenance ill-tempered animals,” she warned the horse in her severest tone, and when he refused to heed her and continued his threatening antics she hauled up sharply on his reins and simultaneously gave him a sharp jab in the flank with her umbrella. Attila let out a yelping complaint, broke into a quick, animated trot, and headed obediently down the drive. “If that don’t beat all!” Jake said furiously, glowering after the pair, and then at Ian. “That animal doesn’t know the meaning of the word loyalty!” Without waiting for a reply Jake swung into his saddle and cantered down the lane after them. Absolutely baffled over everyone’s behavior this morning, Elizabeth cast a puzzled, sideways glance at the silent man beside her, then gaped at him in amazement. The unpredictable man was staring after Lucinda, his hands shoved into his pockets, a cigar clamped between his white teeth, his face transformed by a sweeping grin. Drawing the obvious conclusion that these odd reactions from the men were somehow related to Lucinda’s skillful handling of an obstinate horse, Elizabeth commented, “Lucinda’s uncle raised horses, I believe.” Almost reluctantly, Ian transferred his admiring gaze from Lucinda’s rigid back to Elizabeth. His brows rose. “An amazing woman,” he stated. “Is there any situation of which she can’t take charge?” “None that I’ve ever seen,” Elizabeth said with a chuckle; then she felt self-conscious because his smile faded abruptly, and his manner became detached and cool.
Judith McNaught (Almost Heaven (Sequels, #3))
I look at you and know what a miracle you are. The feel of your skin, soft and inviting, the way you move, like water flowing, the brush of your hair like silk, the feel of your body surrounding mine, completing me, giving me the strength I need to continue a task that seems so hopeless, but so necessary. I look at the way you are made, so beautiful, your body so perfect, made for mine.” Raven stirred restlessly, but his hands held her captive, tilting her chin so that she had no choice but to meet his black eyes. “But it is not your body that holds me, Raven, not your flawless skin or the perfection of the combination of our bodies when we come together. It is when I merge with you and see who you really are that I realize what a miracle really is. I can tell you who you are. You are compassion. You are gentleness. You are a woman who is so courageous you are willing to risk your life for complete strangers. You are a woman willing to use a gift that causes you great pain for the benefit of others. There is no hesitation in your giving, it is who you are. There is such a light in you, it shines through your eyes and radiates through your skin, so that anyone seeing you can easily see your goodness.” Raven could only stare at him helplessly, lost in his mesmerizing eyes. Mikhail took her hand, pressed a kiss in the exact center of her palm, slipped her hand beneath his shirt, and held it over his steadily beating heart. “Look beyond my skin, Raven. Look into my heart and soul. Merge your mind with mine, see me for what I am. Know me for who I am.
Christine Feehan (Dark Prince (Dark, #1))
For one, mad instant, she thought he planned to kiss her, but instead, he ducked under her chin and nuzzled against her shoulder at the site where her pulse pounded so furiously. A shiver of excitement tore through her, and she swallowed a baffled squeal that could have been either delight or indignation. His lips were heated and soft, and he tenderly kissed against her nape then, to her astonishment, he licked across her skin. She jumped then twirled away, only to end up facing the mirror, with him behind her, and she assessed the two of them, evaluating the differences: his tall to her short, bronzed to fair, brawn to lean. Boldly, he settled his hands on her hips and snuggled her backside against him, and she was assailed by an array of unique anatomical impressions. As though she'd been searching for this man all her life and had finally found him, she ignited with sensation, every pore alert and animated, and her nipples tightened painfully, poking at the towel. The knave immediately noticed how they'd peaked. "I can't wait to have my mouth on you." The declaration kindled cryptic messages, and restlessly, she scrambled to flee---from the unusual fleshly perturbation and from him---but because of their positions, he merely nestled her close and flexed against her. His groin stroked across her bottom in a manner she'd never presumed a man might attempt with a woman. There was a solid ridge along his abdomen that dug into her buttocks, and her traitorous body reacted by squirming to get nearer to it. He appreciated her participation and gripped her firmly, flexing again.
Cheryl Holt (Total Surrender)
You should not do this, Benjamin.” No, he should not, but she sounded forlorn rather than truly upset. He climbed on the bed and scooted under the covers to sit beside her. Lovely cool sheets she had—probably cotton—and her scent was all around him. “Not do what?” “You will start kissing me, and I’ll get all muddled, and if I haven’t conceived already, you’ll see that I do by morning. I can’t think…” She huffed out a breath. “No woman could think when you exert yourself to be seductive.” “My dear, you are quite overwrought, though under the circumstances, one can expect no less.” He arranged himself on his back amid her pillows. “Come here.” He drew her gently down against him and wrapped an arm around her. “It isn’t my intention to muddle you.” Though it was gratifying in the extreme to think he could. “Then what are you doing here?” She shifted a little, restlessly, as if she’d never cuddled with anybody in a bed before—another gratifying thought. “Get comfy, my love.” He hiked one of her legs against his thighs, taking care that she did not touch his half-aroused cock in the process. “I am going to make an admission which will cause me to blush.” “As long as you don’t burst out in song.” She moved again, bringing her arm up to curl against his chest. “Should I light a candle to better appreciate your blush?” “You must please yourself, though I am naked. One would hope you’d appreciate more than just my blush.” She might have chuckled a little at that, and she might have stirred around just a little more to hide it, the minx. She did not light a candle. “This muddling business, Maggie. It goes both ways.
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
His world turned on its head for the second time at precisely ten eighteen p.m. He’d been taken into custody a little under ninety minutes earlier, but that had nothing to do with it. They did the job efficiently, boxing him in, two in front and two behind. Four men, swift and grim, clearly plainclothes law enforcement officers. One of the men in front of him stepped close, said something. He shook his head. ‘Non parlo Croato. Solo Italiano.’ The man nodded as if unsurprised, tipped his head: come with us. He followed the front pair to the unmarked saloon parked up on the kerb ahead. Before he got in the back he glimpsed the glitter of light off the restless water of the bay, the masts of the boats shifting in the embrace of the marina at the bottom of the hill. He glanced at his watch. Five past nine. Fifty-five minutes to go. * The room was a cliché: ivory linoleum curling at the edges, dusty fluorescent lighting strips with one bulb flickering like an eyelid with a tic, cheap wooden tabletop with metal legs bolted to the floor. The smell was of tobacco and sour sweat. He sat facing the door, alone. After seventeen minutes, at nine forty-four by the clock on the wall, the door opened. A woman came in, dark-haired, with glasses like an owl’s eyes. Two of the men who had picked him up followed her in. One seated himself in the chair. The other leaned against the wall, arms folded. She stood across the table from him, his passport grasped loosely between her fingertips like a soiled rag. Without introduction she said, her Italian accented but fluent, ‘Alberto Manta, of Lugano, Switzerland. Arrived in Zagreb on September second. Checked in at Hotel Neboder here in Rijeka the same day.
Tim Stevens (Ratcatcher (John Purkiss, #1))
Happy Mother's day to all mothers and fathers who are also good mothers. * Why does mother have 2 more points? * Comparison between mother and father. Why is a mother's status greater than a father's? Why is mother always given the right to more respect? Such questions are always going round on social media. The first thing is that you cannot normalize the situation. It is not the same for everyone. It can be different in every family. There are many mothers who fulfill the responsibility of both father and mother. They are good mothers as well as complete fathers. There is also such a father in this world who is also fulfilling the duty of a good mother, but that type of father also remains 2 steps behind. This is because every mother has 2 points extra that no father can achieve. 1st. Any man can't really understand the period of 9 months when the mother holds the baby in her womb. It is not just something to be in their stomach, she faces many challenges in many ways; physically, emotionally, restless sleep, uncomfortable days without rest, uncomfortable all the time, all that no man in this world has ever experienced. 2nd In this world, even today, due to pregnancy and delivery, 1 woman dies every 2 minutes. This condition is at this time when this world is fully loaded with science and technology. But till date, not a single man has died due to giving birth to a child. So the truth is that this is the only mother who directly risks her life while giving birth to a child. Was put at risk but : - It does not mean that you should not respect the father or respect him less. The father's value and respect is not less, this article is just to explain why the mother has 2 points more than father and what I think why mother's value is grater than father !!
Mohammed Zaki Ansari ("Zaki's Gift Of Love")
Raven paced restlessly across the floor of the cabin, sending Jacques a little self-mocking smile. “I’m very good at waiting.” “I can see that,” Jacques agreed dryly. “Come on, Jacques”— Raven made the length of the room again, turned to face him—“ don’t you find this even a little bit nerve-racking?” He leaned lazily back in his chair, flashing a cocky grin. “Being caged up with a beautiful lunatic, you mean?” “Ha, ha, ha. Do all Carpathian males think they’re stand-up comedians?” “Just those of us with sisters-in-law who bounce off walls. I feel like I am watching a Ping-Pong ball. Settle down.” “Well, how long does something like this take? I thought he implied he’d be in and out of the hospital in two minutes, Jacques. What could have gone wrong? Mikhail was very upset.” “Mikhail did not actually say anything went wrong, did he?” Jacques asked, blankly innocent. Raven’s large blue-violet eyes settled on Jacques’s face thoughtfully. Jacques squirmed under her suspicious, steady gaze. There was far too much intelligence in her enormous eyes to suit him. He held up a placating hand. “Now, Raven.” “Don’t you now-Raven me. That brother of yours, worm that he is, male chauvinist unequaled in modern times, told you something he didn’t tell me, didn’t he?” Leaning back with studied casualness, Jacques tipped his chair to a precarious angle and raised an eyebrow. “Women have vivid imaginations. I think you have a suspicious nature due to your American upbringing.” “Intellect, Jacques, not imagination,” she corrected sweetly. “My American upbringing made me incredibly intelligent, and believe me, I can spot one of your pathetic Carpathian plots to protect the helpless woman from information you consider would make her fragile little delicate self unnecessarily fearful.” He grinned at her. “Carpathian males understand the fragile nature of women’s nerves. Women— especially American women— just cannot take the adversity that we men can.” “I think I should have enjoyed meeting your mother. How a woman could manage to raise two domineering tyrants like you and Mikhail is beyond me.” His dark eyes laughed at her. “But we are charismatic, sexy, handsome, and always right.” Raven hooked her foot around his chair and sent him crashing to the floor. Hands on hips, she regarded him with a superior glint. “Carpathian men are vain, dear brother-in-law,” she proclaimed, “but not too bright.” Jacques glared up at her with mock ferocity. “You have a mean streak in you, woman. Whatever happened to a soft, sweet, Yes, my lord, you’re always right?” “Try the Dark Ages.
Christine Feehan (Dark Prince (Dark, #1))
If a season like the Great Rebellion ever came to him again, he feared, it could never be in that same personal, random array of picaresque acts he was to recall and celebrate in later years at best furious and nostalgic; but rather with a logic that chilled the comfortable perversity of the heart, that substituted capability for character, deliberate scheme for political epiphany (so incomparably African); and for Sarah, the sjambok, the dances of death between Warmbad and Keetmanshoop, the taut haunches of his Firelily, the black corpse impaled on a thorn tree in a river swollen with sudden rain, for these the dearest canvases in his soul's gallery, it was to substitute the bleak, abstracted and for him rather meaningless hanging on which he now turned his back, but which was to backdrop his retreat until he reached the Other Wall, the engineering design for a world he knew with numb leeriness nothing could now keep from becoming reality, a world whose full despair he, at the vantage of eighteen years later, couldn't even find adequate parables for, but a design whose first fumbling sketches he thought must have been done the year after Jacob Marengo died, on that terrible coast, where the beach between Luderitzbucht and the cemetery was actually littered each morning with a score of identical female corpses, an agglomeration no more substantial-looking than seaweed against the unhealthy yellow sand; where the soul's passage was more a mass migration across that choppy fetch of Atlantic the wind never left alone, from an island of low cloud, like an anchored prison ship, to simple integration with the unimaginable mass of their continent; where the single line of track still edged toward a Keetmanshoop that could in no conceivable iconology be any part of the Kingdom of Death; where, finally, humanity was reduced, out of a necessity which in his loonier moments he could almost believe was only Deutsch-Sudwestafrika's (actually he knew better), out of a confrontation the young of one's contemporaries, God help them, had yet to make, humanity was reduced to a nervous, disquieted, forever inadequate but indissoluble Popular Front against deceptively unpolitical and apparently minor enemies, enemies that would be with him to the grave: a sun with no shape, a beach alien as the moon's antarctic, restless concubines in barbed wire, salt mists, alkaline earth, the Benguela Current that would never cease bringing sand to raise the harbor floor, the inertia of rock, the frailty of flesh, the structural unreliability of thorns; the unheard whimper of a dying woman; the frightening but necessary cry of the strand wolf in the fog.
Thomas Pynchon (V.)
It is natural for a man to desire what he reckons better than that which he has already, and be satisfied with nothing which lacks that special quality which he misses. Thus, if it is for her beauty that he loves his wife, he will cast longing eyes after a fairer woman. If he is clad in a rich garment, he will covet a costlier one; and no matter how rich he may be he will envy a man richer than himself. Do we not see people every day, endowed with vast estates, who keep on joining field to field, dreaming of wider boundaries for their lands? Those who dwell in palaces are ever adding house to house, continually building up and tearing down, remodeling and changing. Men in high places are driven by insatiable ambition to clutch at still greater prizes. And nowhere is there any final satisfaction, because nothing there can be defined as absolutely the best or highest. But it is natural that nothing should content a man's desires but the very best, as he reckons it. Is it not, then, mad folly always to be craving for things which can never quiet our longings, much less satisfy them? No matter how many such things one has, he is always lusting after what he has not; never at peace, he sighs for new possessions. Discontented, he spends himself in fruitless toil, and finds only weariness in the evanescent and unreal pleasures of the world. In his greediness, he counts all that he has clutched as nothing in comparison with what is beyond his grasp, and loses all pleasure in his actual possessions by longing after what he has not, yet covets. No man can ever hope to own all things. Even the little one does possess is got only with toil and is held in fear; since each is certain to lose what he hath when God's day, appointed though unrevealed. shall come. But the perverted will struggles towards the ultimate good by devious ways, yearning after satisfaction, yet led astray by vanity and deceived by wickedness. Ah, if you wish to attain to the consummation of all desire, so that nothing unfulfilled will be left, why weary yourself with fruitless efforts, running hither and thither, only to die long before the goal is reached? It is so that these impious ones wander in a circle, longing after something to gratify their yearnings, yet madly rejecting that which alone can bring them to their desired end, not by exhaustion but by attainment. They wear themselves out in vain travail, without reaching their blessed consummation, because they delight in creatures, not in the Creator. They want to traverse creation, trying all things one by one, rather than think of coming to him who is Lord of all. And if their utmost longing were realized, so that they should have all the world for their own, yet without possessing him who is the Author of all being, then the same law of their desires would make them contemn what they had and restlessly seek him whom they still lacked, that is, God himself.
Bernard of Clairvaux
You still want me?” she murmured, a seductive husk to her voice. Gods, this woman could do me in with a single question. My gaze drifted down to my very proud, very erect cock and back to her face. “I think you know I’ll always want you. But right now? I want you more than I want air.” Lust bloomed through our connection, nearly knocking me for a loop. “That’s good. You know, I almost touched myself in the shower without you,” she admitted, opening her towel and showing me her perfect skin. “Almost made myself come all over my fingers just thinking about you tied up out here.” She threw a leg over mine, straddling me, my cock mere inches from Heaven. But did Wren even graze my aching, leaking head? No. No, she did not. Instead, she held herself from me as she grazed her own skin, palming her breasts, plucking her already-tight nipples.    “Fuuuuccccckkkkk,” I groaned, shifting restlessly on the sheets, trying for just a brush of her sex against mine. The pleasure she was giving herself threaded through me—enough that I was ready to rip out of these cuffs and take her over my knee. Her hands traveled down her stomach, her fingers threading through her auburn curls. “Just like this,” she said. “But I thought you’d want to see me. And you want to, don’t you? Watch me fuck myself?” My mouth was as dry as the Sahara. “Yes,” I croaked. “I want to see everything.” She whimpered as she grazed her clit with her thumb, fucking that sweet pussy with her fingers, her delicious heat so far out of reach. “Let me taste you,” I ordered, the thread of command thick in my voice. Wren raised an eyebrow, not giving an inch. “Good boys say please, Nico. Everyone knows that.” “Please,” I whispered, needing her taste on my tongue. Needing it, craving it. If she was going to torture me this way, I wanted something, anything of hers. Wren’s smile widened as she crawled up my body, grazing her luscious tits up my belly and chest. I tried capturing a nipple in my mouth, but she kept it just out of reach. She straddled my chest, her wet, slick heat so close and so far—all at the same time. I wanted her to sit on my face, wanted to lap her up, and drink her down. Wanted her pleasure for my own. But instead of letting me taste her, she went back to work, milking herself of pleasure just out of reach. Her scent filled my nose so much I could almost savor her sweetness, and as her pleasure ramped up, it got thicker in the air. She let her hair down, the wet strands curling over her gorgeous tits as she writhed. She plucked at her nipples, making herself hiss in desire. “That’s it, beautiful,” I growled. “Make yourself come all over my chest. Fuck that gorgeous pussy.” My words must have done the trick because Wren went off like a bomb, her orgasm slamming into both of us, nearly taking me over with it. But she didn’t come to me, didn’t press her body against mine, and that’s when I decided I’d had about enough of this shit. A flick of my wrists later, and Wren was on her back in my bed, her eyes wide. I nearly hissed at her warm skin against mine, but I was too preoccupied with her surprise. It was fucking adorable. “Yo-you just broke out of… How did you… How strong are you?” Like a pair of steel cuffs were a match for any shifter, let alone an Alpha. “Sweetheart, I’m an Acosta Alpha, next in line to take my father’s place if he ever decides to step down. A shifter is strong. I am stronger. Now, you’ve had your fun. It’s my turn.” Her wide green-gold eyes flared as her mouth parted, and even though she’d just had an orgasm, Wren’s desire blazed through us. As reluctant as I was to move,
Annie Anderson (Magic and Mayhem: Arcane Souls World (The Wrong Witch Book 2))
But as Rianne walked away from him, he could only stand there and watch, tearing at the earth with restless claws. Wishing with all his heart that he could go after her. Eiona’s presence kept him locked in place and for the first time, he found himself resenting the bond that held them so tightly together.
Shiloh Walker (The Dragon’s Woman (Fated Trilogy, #3))
But it was a restless sleep, and throughout the night her dreams were filled with crying children, a woman screaming and a little butterfly, trapped in a cold, grey prison.
Gemma Malley (The Declaration (The Declaration, #1))
no woman had ever made his wolf pace restlessly. No woman had ever made him feel an inexplicable desire to behave irrationally, all for the sake of making her smile. No woman had ever made him want to be a better man, one who would spill blood to protect what he loved. No woman had ever incited the hunter in him. No woman had ever denied him. Except one.
Dannika Dark (Five Weeks (Seven, #3; Mageriverse #9))
He held Galen to a walk because Mollie felt too good leaning against his chest. He wrapped one arm about her waist and drew her even closer. She tipped her face back to look at him. “We made a good team tonight, didn’t we?” He thought they’d make a good team every night. If she would consent to a different type of partnership. He squeezed her a little tighter. “We made an excellent team. Thank you for coming.” “I’ll come whenever you need me, Jacob.” Her face looked so earnest. It seemed only natural to bend down and touch his lips to hers. “I fear I’ll always need you, Mollie.” He whispered the words in her ear, low and gruff. Then he kissed her again. Urgent. Breathless. A kiss that conveyed all his words could not. Her lips responded, softening under his onslaught. Her fingers tangled in the hair at his nape as she turned to accept his kiss more fully. A warmth that defied the predawn coolness suffused him. This was his woman. Galen meandered to a halt at his master’s lack of attention, then shifted restlessly. The sideways motion brought Jacob back to his senses. He eased his lips away from Mollie’s and stroked his hand over her hair. Her dazed expression made him smile. One of these days, he really ought to try kissing her when their feet were on the ground.
Karen Witemeyer (Love on the Mend (Full Steam Ahead, #1.5))
BEHOLD: IN THE BEGINNING there was everything, just as there is now. The giant slap of a thunderclap and, bang, it’s raining talking snakes. A greater light to rule the day, a lesser light to rule the night, swarming water and restless air. A man goes down on two knees, a woman opens her thighs, and both hold their breath to listen. Imagining God’s footsteps could be heard in the cool of the day. But God walks silently along the bank of the muddy river that flows out of the Garden, the river that divides and becomes many: Usa, Kolva, Yug, Onega. Narva, Obsha, Luga, Okhta. Volycha, Sestra, Uver, Oyat. Volga, Kama, Neva, Ob.
Anonymous
Competing against the wide-open world for the heart of a restless woman was a terrifying prospect.
Allyson Jeleyne (Our Land of Beyond (Linley & Patrick, #3))
Being a woman is just be a leaf in the wind is perpetual search and verse is a fallen flower petal on the table one evening rain and restless hands of a drop of water that filters the perfume of a rock that emerges from a balcony with geraniums and roses is looking to be root moisture to keep the cup simply being woman is being land and seed is being tree branch and be eternally girl in the depths of the soul is the daughter and mother friend, sister, girlfriend, wife joy and tear being woman is simply being star rainbow and hot breakfast in the mornings and evenings is expected to be entangled balm and comfort to the bone meat scented with musk and eternal love.
Anonymous
NITA BROADWELL SAT IN THE CAR-POOL LINE READING CAPTIVE Bride of the Choctaw. The love scenes were graphic, and made her feel restless and slightly queasy. She had started out reading Harlequin Romances but had quickly progressed to the harder stuff, and now she read about masters and slave girls, Indian braves and captive white women. No matter how hard she tried, she just couldn’t stop. She had seen women like herself on afternoon talk shows, sad women who were addicted to alcohol, or food, or the Home Shopping Network. She wasn’t sure what a woman addicted to soft porn romance novels would be called, but she was pretty sure there was a name for it. She was pretty sure Oprah or Dr. Phil would know what it was called.
Cathy Holton (Revenge of the Kudzu Debutantes (Kudzu Debutantes, #1))
Antoinette cannot believe she has uttered the words “I love you” in vain. She must either be loved or else abdicate her place in the world. “Feeling then the solitude of her voluptuous bed where lust had not yet placed its warm feet, she rolled about restlessly, repeating to herself: ‘I want to be loved!’ . . . the true woman glimpsed happiness, and her imagination, avenger of time lost by nature, pleasured itself in stoking the inextinguishable fires of pleasure.
Peter Brooks (Balzac's Lives)
The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley’s Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost in a white waistcoat, with a monstrous iron safe attached to its ankle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below upon a doorstep. The misery with them all was clearly, that they sought to interfere, for good, in human matters, and had lost the power forever.
William J. Bennett (The Book of Virtues: A Treasury of Great Moral Stories)
The man whose name I forget, the money-man, was an eminently curious study,’ said Stephen. ‘Oh, him,’ said Jack, with an utter want of interest. ‘What do you expect, when a fellow sits thinking about money all day long? And they can never hold their wine, those sorts of people. Harte must be very much in his debt to have him in the house.’ ‘Oh, he was a dull ignorant superficial darting foolish prating creature in himself, to be sure, but I found him truly fascinating. The pure bourgeois in a state of social ferment. There was that typical costive, haemorrhoidal facies, the knock-knees, the drooping shoulders, the flat feet splayed out, the ill breath, the large staring eyes, the meek complacency; and, of course, you noticed that womanly insistence upon authority and beating once he was thoroughly drunk? I would wager that he is very nearly impotent: that would account for the woman’s restless garrulity, her desire for predominance, absurdly combined with those girlish ways, and her thinning hair – she will be bald in a year or so.’ ‘It might be just as well if everybody were impotent,’ said Jack sombrely. ‘It would save a world of trouble.
Patrick O'Brian (Master and Commander (Aubrey/Maturin, #1))
I love my job’, she’d put. ‘And I love you. Xxx’ He nearly dropped his damn cell-phone. Fuck. What the hell was he supposed to do with that? He rubbed his chest. His bear paced restlessly. He knew what that fucker wanted to do about it, but how could he? There was no way he could put his mark on a woman with amnesia. It just wasn’t right.
Alice Coldbreath (Bear Faced Liar)
A week later another woman did the same thing. She stripped naked and ran through the streets singing. But that day changed the history of the world. For the police chased after the woman, caught up with her and, in full public view, ate her raw. They tore her flesh and drank her blood and ate chunks of her buttocks and gorged themselves on her bones. After that a new madness came among the people. At night, in a restless neighborhood, someone might be heard screaming. Those who looked out of the window saw a white van appear outside the house. An hour later men in uniformed would be seen emerging from the house with blood on their faces and blood and gristle on their shirts as if they had been feasting on raw wild animals. The next day nothing but the cracked skull and long bones of the victim were seen in the bedroom. A new stage in the elimination of undesirables had been reached.
Ben Okri (The Freedom Artist)
Narian was walking restlessly around his parlor when I entered, and my worry increased tenfold. Was he moving about because he was in pain? I glanced around the room, noticing an empty wineglass and a half-eaten bowl of soup. “You’re out of breath, Alera,” he said with a smile. “I hope that means your conversation with Nantilam went well.” I hesitated, unsure how to begin, unsure how to tell him what she was demanding, what she had done to him. Unsure how to tell him she had meted out one last betrayal. “How are you feeling?” I blurted, and he laughed. “I’m fine, but you don’t seem to be. Come and talk to me.” He took my hand and led me to the sofa, pulling me down to sit beside him. He winced as he did so, an indication he was experiencing some discomfort. I brushed his hair off his forehead, subtly checking for a fever, then told him of the High Priestess’s desires. “The terms of the actual treaty are not a problem, Narian, but Nantilam won’t enter into it unless you agree to make Cokyri your home. She wants to control your power, now and in the future, even to the point of progeny.” “Alera,” he calmly said, taking both my hands in his. “Those decisions are not hers to make. Besides, she’s a little late.” “I don’t understand.” He looked at me, bemused, then rolled up his right shirtsleeve, revealing an intricate tattoo encircling his forearm just below the elbow--the Cokyrian symbol that a man was voluntarily bound to a woman. I stared at it; I stared at him; and I burst into tears. His eyebrows rose in surprise, but he nonetheless took me into his arms. “That’s not the reaction I expected,” he drolly commented, “but it’s convinced me something is wrong.” “How….are…you…feeling?” I managed between sobs. “You’ve already asked me that, and I’m fine.” When I finally had my weeping under control, words tumbled from my mouth. “Even if the revolt has been successful, the High Priestess won’t enter into a treaty unless you stay in Cokyri. Otherwise, she’ll attack Hytanica again, and this time she will kill all of our military leaders and enslave my people. And she wants you to bind yourself to a woman of her choosing because if your powers pass to a child, she wants the child to be Cokyrian.” “That’s all well and good, but this time, she won’t be able to have things her way. There’s no need for you to worry about this. We are strong enough to take her on, Alera.” “But we’re not.” I glanced once more toward the food he had been given, and a flicker of understanding appeared in his eyes. “We have no choice, Narian, because she’s poisoned your food and drink and only she can heal you. And I don’t know what to do, only that I cannot let you die!” “Shhh,” he soothed, holding me close, and I couldn’t understand how he could be so calm. Not when panic rose higher inside me with each passing moment. When I had quieted, resting with my head cradled against his chest, he tried to sort through the things I had said. “So Nantilam, in her wisdom, has linked Hytanican’s freedom to my willingness to stay in Cokyri, and she has effectively taken me out of the fighting by poisoning my food?” I shudder, then nodded. “If I stay here, she is willing to sign a treaty, but if I’m not, she will never relinquish Hytanica and I won’t be around to prevent it.” “Yes,” I murmured. “So she is tearing us apart, dictating the rest of my life and we have to go along with it or she will destroy Hytanica?” “Yes. And we’re running out of time.” He shook his head in awe. “I have to hand it to her, Alera. She’s ruthless in pursuing what she wants.” “This is serious, Narian.” I found his attitude almost irritating. He obviously understood the direness of his situation, yet was acting like it was only a game. “I know it’s serious, but there is only one choice as far as I’m concerned. I don’t want to live without you, Alera. I won’t live without you.
Cayla Kluver (Sacrifice (Legacy, #3))
In my world, you wouldn’t be smart, either.” “That is good. The tosi tivo way is boisa.” “How so?” He nodded toward a scrawny mesquite tree that had sprung up in a cluster of rock. “He plants dead trees in the earth, and the trees fall over. That tree does not.” Loretta’s stallion did a restless sidestep. She shifted her weight and reined him back into line, stroking his neck as she squinted to see through the dust the other horses were stirring up around them. “No, it doesn’t fall over, but it’s not where it needs to be for a fence, either.” “A fence says the earth belongs to the tosi tivo? He will become dust in the wind, the fence will rot, and the earth will still be. Another tosi tivo will come, and he will plant more dead trees. It is sure enough boisa.” “But the tosi tivo buys the land. It belongs to him. He puts up the dead trees so others will know where his boundaries re, so his livestock won’t run away.” “He cannot buy the land. Mother Earth belongs to the true People.” Loretta gazed after the other warriors, silent and thoughtful. “The true People. Your people?” “Yes.” “That is your belief. But according to ours, the land can be bought. And fenced. You understand? No one means to steal from you. They’re just taking what’s been given to them by the government or what they’ve paid for. You must learn to be open-minded. There’s lots of land, plenty for all.” Hunter grunted. “Let the tosi tivo find the lots of land, plenty for all, and plant dead trees there. This is Comanche land, and it cannot be given or bought.” “And we say it can. As you’re so fond of saying, it is not wise to fight when you cannot win. We are the stronger. We have better weaponry. When you’re outnumbered and outflanked, you must surrender your ways and accept the new.” He looked over at her. “Strong is right?” “Well, yes, I suppose you could say that.” “You say a woman cannot be bought. I say she can. I am strong. I am right.
Catherine Anderson (Comanche Moon (Comanche, #1))
There would come a day, in fact, years later, when Laila would no longer bewail his loss. Or not as relentlessly; not nearly. There would come a day when the details of his face would begin to slip from memory's grip, when overhearing a mother on the street call after her child by Tariq's name would no longer cut her adrift. She would not miss him as she did now, when the ache of his absence was her unremitting companion - like the phantom pain of an amputee. Except every once in a long while, when Laila was a grown woman, ironing a shirt or pushing her children on a swing set, something trivial, maybe the warmth of a carpet beneath her feet on a hot day or the curve of a stranger's forehead, would set off a memory of that afternoon together. And it would all come rushing back. ... It would flood her, steal her breath. But then it would pass. The moment would pass. Leave her deflated, feeling nothing but a vague restlessness.
Khaled Hosseini (A Thousand Splendid Suns)
But today I’m having to live with the restless serpents. I remind myself that absolutely everything that is worth doing, everything that is game-changing in life, is accompanied by that feeling. If you’re avoiding anxiety you’re not properly living, I remind myself. I felt the same before every job interview, every first date, before getting married, before giving birth, before going off backpacking. Where would I be now if I’d avoided doing all those things (or got totally drunk beforehand)?
Clare Pooley (The Sober Diaries: How one woman stopped drinking and started living.)
forced to join the fighting, which was why their families and communities—including Salva’s schoolmaster—had sent the boys running into the bush at the first sign of fighting. Children who arrived at the refugee camp without their families were grouped together, so Salva was separated at once from the people he had traveled with. Even though they had not been kind to him, at least he had known them. Now, among strangers once again, he felt uncertain and maybe even afraid. As he walked through the camp with several other boys, Salva glanced at every face he passed. Uncle had said that no one knew where his family was for certain . . . so wasn’t there at least a chance that they might be here in the camp? Salva looked around at the masses of people stretched out as far as he could see. He felt his heart sink a little, but he clenched his hands into fists and made himself a promise. If they are here, I will find them. After so many weeks of walking, Salva found it strange to be staying in one place. During that long, terrible trek, finding a safe place to stop and stay for a while had been desperately important. But now that he was at the camp, he felt restless—almost as if he should begin walking again. The camp was safe from the war. There were no men with guns or machetes, no planes with bombs overhead. On the evening of his very first day, Salva was given a bowl of boiled maize to eat, and another one the next morning. Already things were better here than they had been during the journey. During the afternoon of the second day, Salva picked his way slowly through the crowds. Eventually, he found himself standing near the gate that was the main entrance to the camp, watching the new arrivals enter. It did not seem as if the camp could possibly hold any more, but still they kept coming: long lines of people, some emaciated, some hurt or sick, all exhausted. As Salva scanned the faces, a flash of orange caught his eye. Orange . . . an orange headscarf . . . He began pushing and stumbling past people. Someone spoke to him angrily, but he did not stop to excuse himself. He could still see the vivid spot of orange—yes, it was a headscarf—the woman’s back was to him, but she was tall, like his mother—he had to catch up, there were too many people in the way— A half-sob broke free from Salva’s lips. He mustn’t lose track of her! Chapter Twelve Southern Sudan, 2009
Linda Sue Park (A Long Walk to Water: Based on a True Story)