Restless Sleep Quotes

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Clary, Despite everything, I can't bear the thought of this ring being lost forever, any more then I can bear the thought of leaving you forever. And though I have no choice about the one, at least I can choose about the other. I'm leaving you our family ring because you have as much right to it as I do. I'm writing this watching the sun come up. You're asleep, dreams moving behind your restless eyelids. I wish I knew what you were thinking. I wish I could slip into your head and see the world the way you do. I wish I could see myself the way you do. But maybe I dont want to see that. Maybe it would make me feel even more than I already do that I'm perpetuating some kind of Great Lie on you, and I couldn't stand that. I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you. All night I've watched you sleeping, watched the moonlight come and go, casting its shadows across your face in black and white. I've never seen anything more beautiful. I think of the life we could have had if things were different, a life where this night is not a singular event, separate from everything else that's real, but every night. But things aren't different, and I can't look at you without feeling like I've tricked you into loving me. The truth no one is willing to say out loud is that no one has a shot against Valentine but me. I can get close to him like no one else can. I can pretend I want to join him and he'll believe me, up until that last moment where I end it all, one way or another. I have something of Sebastian's; I can track him to where my father's hiding, and that's what I'm going to do. So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this to your face, I couldn't make myself go. I don't blame you if you hate me, I wish you would. As long as I can still dream, I will dream of you. _Jace
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
It was that sort of sleep in which you wake every hour and think to yourself that you have not been sleeping at all; you can remember dreams that are like reflections, daytime thinking slightly warped.
Kim Stanley Robinson (Icehenge)
And then as you were sleeping, you said my name. You spoke so clearly, at first I thought you'd woken. But you rolled over restlessly and mumbled my name once more, and sighed. The feeling that coursed through me then was unnerving, staggering. And I knew I couldn't ignore you any longer.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
I woke up when my pillow was yanked out from under my head and Chloe mumbled something incoherent about spinach and hot dogs. The woman was a sleep-talking, restless bed hog.
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
I am restless when I rest. I sleep like I’m engaged in an invisible wrestling match. Naturally, I almost always win.
Jarod Kintz (This Book is Not for Sale)
In the absence of sleep, my restless nights have been fueled by my overactive imagination, weaving waking dreams onto the canvas of conception. Filling my head with lots of ideas waiting to be born into reality. I am eager to return to my beautiful mistress, Creation!
Jaeda DeWalt
Days Pass By Somehow But Nights Now Are Wagon Of Pain Injuries May Heal With Time But Marks Will Always Remain Restless On My Comfortable Bed I Toss And Turn And Try To sleep But Thoughts Are Walking My Head And Formed A Huge Heap The Past Is Flashing Its Scorching Light Beams Tearing Me Apart, Breaking Me At The Seams The Darkness Of My Life Is More Visible In The Dark !!
Ravinder Singh
And on far-off Earth, Dr. Carlisle Perera had as yet told no one how he had wakened from a restless sleep with the message from his subconscious still echoing in his brain: The Ramans do everything in threes.
Arthur C. Clarke (Rendezvous with Rama (Rama, #1))
My favorite cure for boredom is sleep. It's very easy to get to sleep when bored and very hard to get bored after a long rest.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
I am so sad. I am so sad it makes me heavier than the sum of my parts. I shift, restless, but it doesn’t help. It’s like—time. All this time in here is on me, has its hooks in me. Maybe if I sleep more, I’ll wake up and I’ll feel different, but I can’t. The storm is really happening now and it makes the room feel emptier. Makes me feel emptier.
Courtney Summers (This is Not a Test (This is Not a Test, #1))
When a man sleeps, he is steeped and lost in a limp toneless happiness: awake he is restless, tortured by his body and the illusion of existence. Why have men spent the centuries seeking to overcome the awakened body? Put it to sleep, that is a better way. Let it serve only to turn the sleeping soul over, to change the blood-stream and thus make possible a deeper and more refined sleep.
Flann O'Brien (At Swim-Two-Birds)
I won't take a real nap. I have this halfway place, a rest stop on the road to sleep, where I can stay for hours. I don't even need to close my eyes, just stay safe under the covers and breathe.
Laurie Halse Anderson (Speak)
Does Britannia, when she sleeps, dream? Is America her dream?-- in which all that cannot pass in the metropolitan Wakefulness is allow'd Expression away in the restless Slumber of these Provinces, and on West-ward, wherever 'tis not yet mapp'd, nor written down, nor ever, by the majority of Mankind, seen,-- serving as a very Rubbish-Tip for subjunctive Hopes, for all that may yet be true,-- Earthly Paradise, Fountain of Youth, Realms of Prester John, Christ's Kingdom, ever behind the sunset, safe til the next Territory to the West be seen and recorded, measur'd and tied in, back into the Net-Work of Points already known, that slowly triangulates its Way into the Continent, changing all from subjunctive to declarative, reducing Possibilities to Simplicities that serve the ends of Governments,-- winning away from the realm of the Sacred, its Borderlands one by one, and assuming them unto the bare mortal World that is our home, and our Despair.
Thomas Pynchon (Mason & Dixon)
Everyone else reached the Shores of Sleep, but I remained oceans away.
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
Tick, tock,” whispers Wiress. I guide her in front of me and get her to lie down, stroking her arm to soothe her. She drifts off, stirring restlessly, occasionally sighing out her phrase. “Tick, tock.” “Tick, tock,” I agree softly. “It’s time for bed. Tick, tock. Go to sleep.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Be like a rocky promontory against which the restless surf continually pounds; it stands fast while the churning sea is lulled to sleep at its feet. I hear you say, "How unlucky that this should happen to me!" Not at all! Say instead, "How lucky that I am not broken by what has happened and am not afraid of what is about to happen. The same blow might have struck anyone, but not many would have absorbed it without capitulation or complaint.
Marcus Aurelius (Meditations)
Bedtime is fraught with fear and disappointment. When it is just me alone with my restless body and mind, I feel like the whole world is asleep and gone. It's very lonely. I am tired of being tired and talking about how tired I am.
Amy Poehler
ring aroung the roses, the body decomposes. hush, hush, hush, hush we'll all tumble down down, down into the deep. Give the twids our souls to keep. silent slumber on the web, ne'er to raise a restless head and if we wake the first will come, and sing us back to sleep as one hush,hush, hush, hush, we'll all tumble down if we fail to find our rest, sister two will raid our nest. she'll make us live as broken toys, discarded by the girls and boys. and no more rest will ever be for we'll be locked in misery Hush, hush, hush, hush we're all slumbered down
A.G. Howard
When my husband had an affair with someone else I watched his eyes glaze over when we ate dinner together and I heard him singing to himself without me, and when he tended the garden it was not for me. He was courteous and polite; he enjoyed being at home, but in the fantasy of his home I was not the one who sat opposite him and laughed at his jokes. He didn't want to change anything; he liked his life. The only thing he wanted to change was me. It would have been better if he had hated me, or if he had abused me, or if he had packed his new suitcases and left. As it was he continued to put his arm round me and talk about being a new wall to replace the rotten fence that divided our garden from his vegetable patch. I knew he would never leave our house. He had worked for it. Day by day I felt myself disappearing. For my husband I was no longer a reality, I was one of the things around him. I was the fence which needed to be replaced. I watched myself in the mirror and saw that I was mo longer vivid and exciting. I was worn and gray like an old sweater you can't throw out but won't put on. He admitted he was in love with her, but he said he loved me. Translated, that means, I want everything. Translated, that means, I don't want to hurt you yet. Translated, that means, I don't know what to do, give me time. Why, why should I give you time? What time are you giving me? I am in a cell waiting to be called for execution. I loved him and I was in love with him. I didn't use language to make a war-zone of my heart. 'You're so simple and good,' he said, brushing the hair from my face. He meant, Your emotions are not complex like mine. My dilemma is poetic. But there was no dilemma. He no longer wanted me, but he wanted our life Eventually, when he had been away with her for a few days and returned restless and conciliatory, I decided not to wait in my cell any longer. I went to where he was sleeping in another room and I asked him to leave. Very patiently he asked me to remember that the house was his home, that he couldn't be expected to make himself homeless because he was in love. 'Medea did,' I said, 'and Romeo and Juliet and Cressida, and Ruth in the Bible.' He asked me to shut up. He wasn't a hero. 'Then why should I be a heroine?' He didn't answer, he plucked at the blanket. I considered my choices. I could stay and be unhappy and humiliated. I could leave and be unhappy and dignified. I could Beg him to touch me again. I could live in hope and die of bitterness. I took some things and left. It wasn't easy, it was my home too. I hear he's replaced the back fence.
Jeanette Winterson (Sexing the Cherry)
Make no mistake: everything has a variant. Like versions of truth, like versions of love, there are versions of sleep. The deepest sleep is meant only for children and perfect fools. Everyone else must pay each night her restless due.
Jill Alexander Essbaum (Hausfrau)
O wandering graves! O restless sleep! O silence of the sunless day! O still ravine! O stormy deep! Give up your prey! Give up your prey!
Oscar Wilde (Poems)
I am convinced that a light supper, a good night's sleep, and a fine morning, have sometimes made a hero of the same man, who, by an indigestion, a restless night, and rainy morning, would have proved a coward.
Philip Dormer Stanhope
Still perfect,” he said. “Read to me.” “This isn’t really a poem to read aloud when you are sitting next to your sleeping mother. It has, like, sodomy and angel dust in it,” I said. “You just named two of my favorite pastimes,” he said. “Okay, read me something else then?” “Um,” I said. “I don’t have anything else?” “That’s too bad. I am so in the mood for poetry. Do you have anything memorized?” “‘Let us go then, you and I,’” I started nervously, “‘When the evening is spread out against the sky / Like a patient etherized upon a table.’” “Slower,” he said. I felt bashful, like I had when I’d first told him of An Imperial Affliction. “Um, okay. Okay. ‘Let us go, through certain half-deserted streets, / The muttering retreats / Of restless nights in one-night cheap hotels / And sawdust restaurants with oyster-shells: / Streets that follow like a tedious argument / Of insidious intent / To lead you to an overwhelming question . . . / Oh, do not ask, “What is it?” / Let us go and make our visit.’” “I’m in love with you,” he said quietly. “Augustus,” I said. “I am,” he said. He was staring at me, and I could see the corners of his eyes crinkling. “I’m in love with you, and I’m not in the business of denying myself the simple pleasure of saying true things. I’m in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we’re all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we’ll ever have, and I am in love with you.” “Augustus,” I said again, not knowing what else to say. It felt like everything was rising up in me, like I was drowning in this weirdly painful joy, but I couldn’t say it back. I
John Green
In the evening, the brilliant yellow pumpkin blossoms will close, drunk on sunshine, while the milky white jasmine will open their slender throats and sip the chill Himalayan air. At night, low hearths will send up wispy curls of smoke fragrant with a dozen dinners, and darkness will clothe the land. Except on nights when the moon is full. On those nights, the hillside and the valley below are bathed in a magical white light, the glow of the perpetual snows that blanket the mountaintops. On those nights I lie restless in the sleeping loft, wondering what the world is like beyond my mountain home.
Patricia McCormick (Sold)
In the struggle to remain a complete person and to love from her fullness instead of her inadequacy a woman may appear hard. She may feel her early conditioning tugging her in the direction of surrender, but she ought to remember that she was originally loved for herself; she ought to hang on to herself and not find herself nagging, helpless, irritable and trapped. Perhaps I am not old enough yet to promise that the self-reliant woman is always loved, but she cannot be lonely as long as there are people in the world who need her joy and her strength, but certainly in my experience it has always been so. Lovers who are free to go when they are restless always come back; lovers who are free to change remain interesting. The bitter animosity and obscenity of divorce is unknown where individuals have not become Siamese twins. A lover who comes to your bed of his own accord is more likely to sleep with his arms around you all night than a lover who has nowhere else to sleep.
Germaine Greer (The Female Eunuch)
There is never a restless night for the dark soul. They sleep well within a destiny sealed and accepted in trade for the spoils of the earth
Carl Henegan
You have to choose whether to go to a restless sleep or to stay awake and fight for a blissful night rest.
Michael Bassey Johnson (The Book of Maxims, Poems and Anecdotes)
13084 Tonight I came back to the hotel alone; the other has decided to return later on. The anxieties are already here, like the poison already prepared (jealousy, abandonment, restlessness); they merely wait for a little time to pass in order to be able to declare themselves with some propriety. I pick up a book and take a sleeping pill, "calmly." The silence of this huge hotel is echoing, indifferent, idiotic (faint murmur of draining bathtubs); the furniture and the lamps are stupid; nothing friendly that might warm ("I'm cold, let's go back to Paris). Anxiety mounts; I observe its progress, like Socrates chatting (as I am reading) and feeling the cold of the hemlock rising in his body; I hear it identify itself moving up, like an inexorable figure, against the background of the things that are here.
Roland Barthes (A Lover's Discourse: Fragments)
yoga soul today. instant resonation. Spring Somewhere a black bear has just risen from sleep and is staring down the mountain. All night in the brisk and shallow restlessness of early spring I think of her, her four black fists flicking the gravel, her tongue like a red fire touching the grass, the cold water. There is only one question: how to love this world. I think of her rising like a black and leafy ledge to sharpen her claws against the silence of the trees. Whatever else my life is with its poems and its music and its cities, it is also this dazzling darkness coming down the mountain, breathing and tasting; all day I think of her – her white teeth, her wordlessness, her perfect love.
Mary Oliver
You want a—wait, you’ve been sleeping outside my room because you want a sort of Watson for your Sherlock Holmes?” Ty’s eyes lit up. They still moved restlessly around Kit as if he were reading him, examining him, never quite meeting Kit’s own, but that didn’t dim their glow.
Cassandra Clare
Groping blindly in the darkness, he sank between the white mounds of cool feathers and slept as he fell, across the bed or with his head downward, pushing deep into the softness of the pillows, as if in sleep he wanted to drill through, to explore completely, that powerful massif of feather bedding rising out of the night.
Bruno Schulz (The Street of Crocodiles)
I fell into a restless sleep in which my dreams carried me away over misty valleys and moonlit woodlands toward a fairy glen, where I watched their beautiful midnight revels in silent awe as I whispered the words of my favorite poem. " 'You shall hear a sound like thunder, / And a veil shall be withdrawn, / When her eyes grow wide with wonder, / On that hill-top, in that dawn.
Hazel Gaynor (The Cottingley Secret)
Did you fall asleep?" "No. I couldn't sleep that night." "You were restless?" "I was thinking of you." The answer almost unmanned me. Something in the tone, even more than in the words, went straight to my heart. It was only after pausing a little first that I was able to go on.
Wilkie Collins (The Moonstone)
We are as clouds that veil the midnight moon; How restlessly they speed, and gleam, and quiver, Streaking the darkness radiantly!--yet soon Night closes round, and they are lost for ever; Or like forgotten lyres, whose dissonant strings Give various response to each varying blast, To whose frail frame no second motion brings One mood or modulation like the last. We rest. -- A dream has power to poison sleep; We rise. -- One wandering thought pollutes the day; We feel, conceive or reason, laugh or weep; Embrace fond woe, or cast our cares away: It is the same!--For, be it joy or sorrow, The path of its departure still is free: Man's yesterday may ne'er be like his morrow; Nought may endure but Mutability.
Percy Bysshe Shelley
A dog creates, transcribes, a new landscape for you. A dog like Colter sharpens your joy of all the seasons, and for a while, sometimes a long while, such a dog seems capable, by himself alone, of holding time in place--of pinning it, and holding it taught. And then when he is gone, it is as if the world is taken away. Dogs like that are young for what seems like a very long time.... One you have lost a dog--especially the first you trained from a pup, the one you first set sail into the world with--you can never fully give of yourself to another dog. You can never again look at a dog you love without hedging a tiny bit, if only subconsciously, against the day when that dog, too, must leave. You can never again hunt or enter the future so recklessly, so joyously, with that weight of forethought.... As I sleep restlessly, night after night, or more often, as I lie there awake, I can see him running and I feel guilty that I am not there to honor the birds he is finding... One way or the other, he is still out there running. He will never rest.... I will always want him to know a moment's rest, and peace, and he will always know in his hot heart that the only peace to be gotten is by never resting, by always pushing on. He is my Colter.... I am still his, and he is still mine.
Rick Bass (Colter: The True Story of the Best Dog I Ever Had)
The torture is in the anticipation – the unknown, the restless sleep, insuppressible urge.
Leia Castle
There are quiet places also in the mind,” he said, meditatively. “But we build bandstand and factories on them. Deliberately—to put a stop to the quietness. We don’t like the quietness. All the thoughts, all the preoccupation in my head—round and round continually.” He made a circular motion with his hands. “And the jazz bands, the music hall songs, the boys shouting the news. What’s it all for? To put an end to the quiet, to break it up and disperse it, to pretend at any cost it isn’t there. Ah, but it is, it is there, in spite of everything, at the back of everything. Lying awake at night, sometimes—not restlessly, but serenely, waiting for sleep—the quiet re-establishes itself, piece by piece; all the broken bits, all the fragments of it we’ve been so busily dispersing all day long. It re-establishes itself, an inward quiet, like this outward quiet of grass and trees. It fills one, it grows –a crystal quiet, a growing expanding crystal. It grows, it becomes more perfect; it is beautiful and terrifying, yes, terrifying, as well as beautiful. For one’s alone in the crystal and there’s no support from outside, there’s nothing external and important, nothing external and trivial to pull oneself up by or to stand up, superiorly, contemptuously, so that one can look down. There’s nothing to laugh at or feel enthusiastic about. But the quiet grows and grows. Beautifully and unbearably. And at last you are conscious of something approaching; it is almost a faint sound of footsteps. Something inexpressibly lovely and wonderful advances through the crystal, nearer, nearer. And oh, inexpressibly terrifying. For if it were to touch you, if it were to seize and engulf you, you’d die; all the regular habitual, daily part of you would die. There would be and end of bandstands and whizzing factories, and one would have to begin living arduously in the quiet, arduously n some strange unheard-of manner. Nearer, nearer come the steps; but one can’t face the advancing thing. One daren’t. It’s too terrifying; it’s too painful to die. Quickly, before it is too late, start the factory wheels, bang the drum, blow up the saxophone. Think of the women you’d like to sleep with, the schemes for making money, the gossip about your friends, the last outrage of the politicians. Anything for a diversion. Break the silence, smash the crystal to pieces. There, it lies in bits; it is easily broken, hard to build up and easy to break. And the steps? Ah, those have taken themselves off, double quick. Double quick, they were gone at the flawing of the crystal. And by this time the lovely and terrifying thing is three infinities away, at least. And you lie tranquilly on your bed, thinking of what you’d do if you had ten thousand pounds and of all the fornications you’ll never commit.
Aldous Huxley
With even the slightest upset, detachment soon followed. I didn’t lose sleep over men, and I was too restless to be tied down. The grass didn’t even have time to grow around my feet before I was planning my next escape – whether it was to another state or out of someone’s life.
M.B. Dallocchio
Sleep and I do not have a good relationship. We have never been good friends. I am constantly chasing sleep and then pushing it away. A good night's sleep is my white whale. Like Ahab, I am also a total drama queen about it. I love to talk about how little sleep I get. I brag about it, as if it is a true indication of how hard I work. But I truly suffer at night. Bedtime is fraught with fear and disappointment. When it is just me alone with my restless body and mind, I feel like the whole world is asleep and gone. It's very lonely. I am tired of being tired and talking about how tired I am.
Amy Poehler (Yes Please)
Underground, pale seeds roll over in their sleep. Starting to get restless. Starting to dream green.
Laurie Halse Anderson (Speak)
Daytime sleep is not deep black; it’s shallow and yellow. Our sleep is restless, the sunlight falls on our pillows. But it does make the day a little shorter.
Herta Müller (The Appointment)
The moral world has no greater spectacle than this: a troubled and restless conscience on the verge of committing an evil deed, contemplating the sleep of a good man.
Victor Hugo (Les Misérables)
Sometimes during the night I'd look at my poor sleeping mother cruelly crucified there in the American night because of no-money, no-hope-of-money, no family, no nothing, just myself the stupid son of plans all of them compacted of eventual darkness. God how right Hemingway was when he said there was no remedy for life - and to think that negative little paper-shuffling prissies should write condescending obituaries about a man who told the truth, nay who drew breath in pain to tell a tale like that! ... No remedy but in my mind I raise a fist to High Heaven promising that I shall bull whip the first bastard who makes fun of human hopelessness anyway - I know it's ridiculous to pray to my father that hunk of dung in a grave yet I pray to him anyway, what else shall I do? sneer? shuffle paper on a desk and burp rationality? Ah thank God for all the Rationalists the worms and vermin got. Thank God for all the hate mongering political pamphleteers with no left or right to yell about in the Grave of Space. I say that we shall all be reborn with the Only One, and that's what makes me go on, and my mother too. She has her rosary in the bus, don't deny her that, that's her way of stating the fact. If there can't be love among men let there be love at least between men and God. Human courage is an opiate but opiates are human too. If God is an opiate so am I. Thefore eat me. Eat the night, the long desolate American between Sanford and Shlamford and Blamford and Crapford, eat the hematodes that hang parasitically from dreary southern trees, eat the blood in the ground, the dead Indians, the dead pioneers, the dead Fords and Pontiacs, the dead Mississippis, the dead arms of forlorn hopelessness washing underneath - Who are men, that they can insult men? Who are these people who wear pants and dresses and sneer? What am I talking about? I'm talking about human helplessness and unbelievable loneliness in the darkness of birth and death and asking 'What is there to laugh about in that?' 'How can you be clever in a meatgrinder?' 'Who makes fun of misery?' There's my mother a hunk of flesh that didn't ask to be born, sleeping restlessly, dreaming hopefully, beside her son who also didn't ask to be born, thinking desperately, praying hopelessly, in a bouncing earthly vehicle going from nowhere to nowhere, all in the night, worst of all for that matter all in noonday glare of bestial Gulf Coast roads - Where is the rock that will sustain us? Why are we here? What kind of crazy college would feature a seminar where people talk about hopelessness, forever?
Jack Kerouac (Desolation Angels)
Slush is frozen over. People say that winter lasts forever, but it's because they obsess over the thermometer. North in the mountains, the maple syrup is trickling. Brave geese punch through the thin ice left on the lake. Underground, pale seeds roll over in their sleep. Starting to get restless. Starting to dream green.
Laurie Halse Anderson (Speak)
During the hours when which our souls should be taking flight... Dancing almost endlessly with our hopes and dreams... As if only to aspire some sort of clarity prior to the morning light... Yet, be it as it may, regardless as to how long one waits... Sleep has yet again eluded me... Leaving me alone once again with my thoughts ~
Christine Upton
This realization frightened her and made her unable to sleep at night, which, in turn, frightened her more. She feared the restlessness that was creeping upon her. She could almost hear her mind pacing within her skull, caged and bothered, and she felt the weight of all the years she had yet to live, bearing down upon her with heavy menace.
Elizabeth Gilbert (The Signature of All Things)
Give yourself to me, Gemma, and you will never be alone again. You'll be worshiped. Adored. Loved. But you must give yourself to me- a willing sacrifice.' Tears slip down my face. 'Yes,' I murmur. Gemma, don't listen,' Circe says hoarsely, and for a moment, I don't see Eugenia; I see only the tree, the blood pumping beneath its pale skin, the bodies of the dead hanging from it like chimes. I gasp, and Eugenia is before me again. 'Yes, this is what you want, Gemma. Try as you might, you cannot kill this part of yourself. The solitude of the self taht waits just under the stairs of your soul. Always there, no matter how much you've tried to get rid of it. I understand. I do. Stay with me and never be lonely again.' Don't listen... to that... bitch,' Circe croaks, and the vines tighten around her neck. No, you're wrong,' I say to Eugenia as if coming out of a long sleep. 'You couldn't kill this part of yourself. And you couldn't accept it, either.' I'm sure I don't know what you mean.' she says, sounding uncertain for the first time. That's why they were able to take you. They found your fear.' And what, pray, was it?' Your pride. You couldn't believe you might have some of the same qualities as the creatures themselves.' I am not like them. I am their hope. I sustain them.' No. You tell yourself that. That's why CIrce told me to search my dark corners. So I wouldn't be caught off guard.' Circe laughts, a splintered cackle that finds a way under my skin. And what about you, Gemma?' Eugenia purrs. 'Have you "searched" yourself, as you say?' I've done things I'm not proud of. I've made mistakes,' I say, my voice growing stronger, my fingers feeling for the dagger again. 'But I've done good, too.' And yet, you're alone. All that trying and still you stand apart, watching from the other side of the grass. Afraid to have what you truly want because what if it's not enough after all? What if you get it and you still feel alone and apart? So much better to wrap yourself in the longing. The yearning. The restlessness. Poor Gemma. She doesn't quite fit, does she? Poor Gemma- all alone. It's as if she's delivered a blow to my heart. My hand falters. 'I-I...' Gemma, you're not alone,' Circe gasps, and my hand touches metal. No. I'm not. I'm like everyone else in this stupid, bloody, amazing world. I'm flawed. Impossibly so. But hopeful. I'm still me.' I've got it now. Sure and strong in my grip. 'I see through you. I see the truth.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
Last night I thought I kissed the loneliness from out your belly button. I thought I did, but later you sat up, all bones and restless hands, and told me there is a knot in your body that I cannot undo. I never know what to say to these things. “It’s okay.” “Come back to bed.” “Please don’t go away again.” Sometimes you are gone for days at a time and it is all I can do not to call the police, file a missing person’s report, even though you are right there, still sleeping next to me in bed. But your eyes are like an empty house in winter: lights left on to scare away intruders. Except in this case I am the intruder and you are already locked up so tight that no one could possibly jimmy their way in. Last night I thought I gave you a reason not to be so sad when I held your body like a high note and we both trembled from the effort. Some people, though, are sad against all reason, all sensibility, all love. I know better now. I know what to say to the things you admit to me in the dark, all bones and restless hands. “It’s okay.” “You can stay in bed.” “Please come back to me again.
Donna-Marie Riley
I would have got past Mr. Rochester's chamber without pause; but my heart momentarily stopping its beat at that threshold, my foot was forced to stop also.  No sleep was there: the inmate was walking restlessly from wall to wall; and again and again he sighed while I listened.  There was a heaven-a temporary heaven-in this room for me if I chose.
Charlotte Brontë (Jane Eyre)
Contemplations on the belly When pregnant with our first, Dean and I attended a child birth class. There were about 15 other couples, all 6-8 months pregnant, just like us. As an introduction, the teacher asked us to each share what had been our favorite part of pregnancy and least favorite part. I was surprised by how many of the men and women there couldn't name a favorite part. When it was my turn, I said, "My least favorite has been the nausea, and my favorite is the belly." We were sitting in the back of the room, so it was noticeable when several heads turned to get a look at me. Dean then spoke. "Yeah, my least favorite is that she was sick, and my favorite is the belly too." Now nearly every head turned to gander incredulously at the freaky couple who actually liked the belly. Dean and I laughed about it later, but we were sincere. The belly is cool. It is one of the Seven Natural Wonders of the World, an unmistakable sign of what's going on inside, the wigwam for our little squirmer, the mark of my undeniable superpower of baby-making. I loved the belly and its freaky awesomeness, and especially the flutters, kicks, and bumps from within. Twins belly is a whole new species. I marvel at the amazing uterus within and skin without with their unceasing ability to stretch (Reed Richards would be impressed). I still have great admiration for the belly, but I also fear it. Sometimes I wonder if I should build a shrine to it, light some incense, offer up gifts in an attempt both to honor it and avoid its wrath. It does seem more like a mythic monstrosity you'd be wise not to awaken than a bulbous appendage. It had NEEDS. It has DEMANDS. It will not be taken lightly (believe me, there's nothing light about it). I must give it its own throne, lying sideways atop a cushion, or it will CRUSH MY ORGANS. This belly is its own creature, is subject to different laws of growth and gravity. No, it's not a cute belly, not a benevolent belly. It would have tea with Fin Fang Foom; it would shake hands with Cthulhu. It's no wonder I'm so restless at night, having to sleep with one eye open. Nevertheless, I honor you, belly, and the work you do to protect and grow my two precious daughters inside. Truly, they must be even more powerful than you to keep you enslaved to their needs. It's quite clear that out of all of us, I'm certainly not the one in control. I am here to do your bidding, belly and babies. I am your humble servant.
Shannon Hale
The one who never repents shall be the one who never sleeps.
Charles Lee (The Way To Dawn: Ascension Zero)
The restlessness in the human heart will never be finally stilled by any person, project, or place. The longing is eternal. This is what constantly qualifies and enlarges our circles of belonging. There is a constant and vital tension between longing and belonging. Without the shelter of belonging, our longings would lack direction, focus, and context; they would be aimless and haunted, constantly tugging the heart in a myriad of opposing directions. Without belonging, our longing would be demented. As memory gathers and anchors time, so does belonging shelter longing. Belonging without longing would be empty and dead, a cold frame around emptiness. One often notices this in relationships where the longing has died; they have become arrangements, and there is no longer any shared or vital presence. When longing dies, creativity ceases. The arduous task of being a human is to balance longing and belonging so that they work with and against each other to ensure that all the potential and gifts that sleep in the clay of the heart may be awakened and realized in this one life.
John O'Donohue (Eternal Echoes: Celtic Reflections on Our Yearning to Belong)
I walked about the isle like a restless spectre, separated from all it loved, and miserable in the separation. When it became noon, and the sun rose higher, I lay down on the grass, and was overpowered by a deep sleep. I had been awake the whole of the preceding night, my nerves were agitated, and my eyes inflamed by watching and misery, The sleep into which I now sunk refreshed me; and when I awoke, I again felt as if I belonged to a race of human beings like myself, and I began to reflect upon what had passed with greater composure; yet still the words of the fiend rung in my ears like a death-knell, they appeared like a dream, yet distinct and oppressive as a reality.
Mary Wollstonecraft Shelley (Frankenstein)
But whenever I take to my restless dreamless dewdrenched bed I cannot close my eyes – fear stands over me instead of sleep. And whenever I think to sing or hum a tune to stay awake then my tears fall. This house is in trouble. The good days are gone. How I pray for a change! A happy change! A light in darkness.
Anne Carson (An Oresteia)
The hard-charging Silicon Valley entrepreneur has become a respected, admired icon in the modern age. Do these descriptors match the stereotype? A ball of energy. Little need for sleep. A risk taker. Doesn’t suffer fools gladly. Confident and charismatic, bordering on hubristic. Boundlessly ambitious. Driven and restless. Absolutely. They’re also the traits associated with a clinical condition called hypomania. Johns Hopkins psychologist John Gartner has done work showing that’s not a coincidence. Full-blown mania renders people unable to function in normal society. But hypomania produces a relentless, euphoric, impulsive machine that explodes toward its goals while staying connected (even if only loosely) with reality. With
Eric Barker (Barking Up the Wrong Tree: The Surprising Science Behind Why Everything You Know About Success Is (Mostly) Wrong)
Jase had seen me, restless, walking, organizing supplies that were already ordered. Everyone else was asleep on their bedrolls. He came up behind me, his hands circling my waist. "I can't sleep either," he said. His lips grazed my neck, and he whispered, "Tell me a riddle, Kazi." We laid out a blanket on a bed of grass, the stars of Hetisha's Chariot, Eagle's Nest, and Thieves' Gold lighting our way, far from everyone else. I settled in next to him, laying my head in the crook of his shoulder, his arm wrapping around me, pulling me close. "Listen carefully now, Jase Ballenger. I won't repeat myself." "I'm a good listener." I know you are. I've known that since our first night together. That's what makes you dangerous. You make me want to share everything with you. I cleared my throat, signaling I was ready to begin. "If I were a color, I'd be red as a rose, I make your blood rush, and tingle your toes, I taste of honey and spring, and a good bit of trouble, But I make the birds sing, and all the stars double. I can be quick, a mere peck, or slow and divine, And that is probably, the very best kind." "Hmm..." he said, as if stumped. "Let me think for a minute..." He rolled up on one elbow, looking down at me, the stars dusting his cheekbones. "Honey?" He kissed my forehead. "Spring?" He kissed my chin. "You are a good bit of trouble, Kazi of Brightmist." "I try my best." "I may have to take this one slowly..." His hand traveled leisurely from my waist, across my ribs, to my neck, until he was cupping my cheek. My blood rushed; the stars blurred. "Very slowly...to figure it all out." And then his lips pressed, warm and demanding onto mine, and I hoped it would take him an eternity to solve the riddle.
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
SPRING Somewhere a black bear has just risen from sleep and is staring down the mountain. All night in the brisk and shallow restlessness of early spring I think of her, her four black fists flicking the gravel, her tongue like a red fire touching the grass, the cold water. There is only one question: how to love this world. I think of her rising like a black and leafy ledge to sharpen her claws against the silence of the trees. Whatever else my life is with its poems and its music and its glass cities, it is also this dazzling darkness coming down the mountain, breathing and tasting; all day I think of her— her white teeth, her wordlessness, her perfect love.
Mary Oliver (House of Light)
I knew what she’d tell me. She’d say, “Something’s off about my life. I feel restless and frustrated. I have this hunch that everything was supposed to be more beautiful than this. I imagine fenceless, wide-open savannas. I want to run and hunt and kill. I want to sleep under an ink-black, silent sky filled with stars. It’s all so real I can taste it.” Then she’d look back at the cage, the only home she’s ever known. She’d look at the smiling zookeepers, the bored spectators, and her panting, bouncing, begging best friend, the Lab. She’d sigh and say, “I should be grateful. I have a good enough life here. It’s crazy to long for what doesn’t even exist.” I’d say: Tabitha. You are not crazy. You are a goddamn cheetah.
Glennon Doyle (Untamed)
I have sometimes thought that the reason the trees are so quiet in the summer is that they are in a sort of ecstasy; it is in winter, when the biologists tell us they sleep, that they are most awake, because the sun is gone and they are addicts without their drug, sleeping restlessly and often waking, walking the dark corridors of forests searching for the sun.
Gene Wolfe (Peace)
They way I walk now you’d have a hard time recognising me, on these streets where I once imagined walking with you. Hand in hand, like we always did, and it never mattered where we were going because it was all just fine. I was always fine. But they rest restlessly in my pockets now, in a new town, on these new streets, and it’s heavy to stay standing for my body is half the size when you’re gone and these buildings are tall and old and beautiful and I wonder what secrets they hold. How to stand so proud after so many years because I’m still young but I feel worn and I get through the days on too much caffeine and mood altering chemicals to stay awake long enough to make the poetry come alive. I fall asleep on the floor with the music still playing when my neighbour leaves for the office and I’m jealous. I wonder what it’s like to go outside and know where to go, know where you want to end up and just simply go there. I’ve been making lists of things I want to do, where to go and who to be, now that you’re gone, and it’s nice and all, it’s just … I’d rather write it with you, and go there with you. Be things with you. There were days when I still put on make up in case you’d come back, but I wear the same clothes and shower in the rain, eat when I can and sleep when I can, which is rare and not often, so if you’d see me now on these streets where I once imagined walking with you you’d have a hard time recognising me. It takes a lot to run away.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
It wasn’t an awe striking moment; I didn’t lose my breath or stumble over my words. It was gradual, like going to sleep. It happens slowly, at first, you’re restless, and you think it will never happen, and then the spell of seductive sleep falls upon you. And you’re in that wonderful stage of ease and peacefulness where you’re still awake but know your being slowly consumed by this wonderful sweet sensation. Then it devours you, and you forget everything else around you, and you just focus on what is going on in the here and now. And there is never one moment during this-this dream that you know with your entire mind that it’s true. Your body knows, your heart knows but not your mind. Your mind is the only thing unaware of this action, it’s helpless, and so it relies on every other part of the body to make the right decisions. The sad part? The mind doesn’t even know it’s helpless, but it doesn’t matter, because in those moments when you’re under that spell, the brain couldn’t be happier.
Aliza Bell
Within this restless, hurried, modern world We took our hearts' full pleasure—You and I, And now the white sails of our ship are furled, And spent the lading of our argosy. Wherefore my cheeks before their time are wan, For very weeping is my gladness fled, Sorrow has paled my young mouth's vermilion, And Ruin draws the curtains of my bed. But all this crowded life has been to thee No more than lyre, or lute, or subtle spell Of viols, or the music of the sea That sleeps, a mimic echo, in the shell.
Oscar Wilde (The Ballad of Reading Gaol)
The bodies state of red alert brings about a series of psychological changes, driven by gathering tides of adrenaline or cortisol. These are the fight or flight hormones, which act to help and organism respond to external stresses. But when a stress is chronic not acute, when it persists for years and is caused by something that cannot be outrun, then these biochemical alterations wreak havoc on the body. Lonely people are restless sleepers and experience a reduction in the restorative function of sleep. Loneliness drives up blood pressure, accelerates ageing, weakens the immune system and acts as a precursor to cognitive decline. According to a 2010 study, "Loneliness predicts increased morbidity and mortality". Which is an elegant way of saying that loneliness can prove fatal.
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
The girl had taken a few restless turns to and fro—closely watched meanwhile by her hidden observer—when the heavy bell of St. Paul’s tolled for the death of another day. Midnight had come upon the crowded city. The palace, the night-cellar,* the jail, the madhouse: the chambers of birth and death, of health and sickness, the rigid face of the corpse and the calm sleep of the child: midnight was upon them all.
Charles Dickens (Oliver Twist)
God In his malodorous brain what slugs and mire, Lanthorned in his oblique eyes, guttering burned! His body lodged a rat where men nursed souls. The world flashed grape-green eyes of a foiled cat To him. On fragments of an old shrunk power, On shy and maimed, on women wrung awry, He lay, a bullying hulk, to crush them more. But when one, fearless, turned and clawed like bronze, Cringing was easy to blunt these stern paws, And he would weigh the heavier on those after. Who rests in God's mean flattery now? Your wealth Is but his cunning to make death more hard. Your iron sinews take more pain in breaking. And he has made the market for your beauty Too poor to buy, although you die to sell. Only that he has never heard of sleep; And when the cats come out the rats are sly. Here we are safe till he slinks in at dawn But he has gnawed a fibre from strange roots, And in the morning some pale wonder ceases. Things are not strange and strange things are forgetful. Ah! if the day were arid, somehow lost Out of us, but it is as hair of us, And only in the hush no wind stirs it. And in the light vague trouble lifts and breathes, And restlessness still shadows the lost ways. The fingers shut on voices that pass through, Where blind farewells are taken easily .... Ah! this miasma of a rotting God!
Isaac Rosenberg (The Poems and Plays of Isaac Rosenberg (|c OET |t Oxford English Texts))
But the artist began to have misgivings as the wall underwent its transformation. Bigger than any pavement project he had yet undertaken, it made him restless. Over the years, a precise cycle had entered the rhythm of his life, the cycle of arrival, creation, and obliteration. Like sleeping, waking and stretching, or eating, digesting and excreting, the cycle sang in harmony with the blood in his veins and the breath in his lungs. He learned to disdain the overlong sojourn and the procrastinated departure, for they were the progenitors of complacent routine, to be shunned at all costs. The journey -- chanced, unplanned, solitary -- was the thing to relish. Now, however, his old way of life was being threatened. The agreeable neighborhood and the solidity of the long, black wall were reawakening in him the usual sources of human sorrow: a yearning for permanence, for roots, for something he could call his own....
Rohinton Mistry (Such a Long Journey)
Mature readers consider reading an integral part of life. It is not something they do only to relax or to escape or if there is nothing good on television. It is something they plan for in each day, and if the day develops so that they have no time for it, they may become restless, rather like joggers who miss their run. Some - busy parents, for example - stay up late at night to read their daily quota after the house is quiet, acknowledging that having balance in their lives is more dependent on reading time than on sleep.
Judith Wynn Halsted (Some of My Best Friends Are Books: Guiding Gifted Readers from Pre-School to High School)
Have you beauty, that leads the heart from things fashioned of wood and stone to the holy mountain? Tell me, have you these in your houses? Or have you only comfort, and the lust for comfort, that stealthy thing that enters the house a guest, and becomes a host, and then a master? Ay, and it becomes a tamer, and with hook and scourge makes puppets of your larger desires. Though its hands are silken, its heart is of iron. It lulls you to sleep only to stand by your bed and jeer at the dignity of the flesh. It makes mock of your sound senses, and lays them in thistledown like fragile vessels. Verily the lust for comfort murders the passion of the soul, and then walks grinning in the funeral. But you, children of space, you restless in rest, you shall not be trapped nor tamed. Your house shall be not an anchor but a mast. It shall not be a glistening film that covers a wound, but an eyelid that guards the eye. You shall not fold your wings that you may pass through doors, nor bend your heads that they strike not against a ceiling, nor fear to breathe lest walls should crack and fall down. You shall not dwell in tombs made by the dead for the living. And though of magnificence and splendour, your house shall not hold your secret nor shelter your longing. For that which is boundless in you abides in the mansion of the sky, whose door is the morning mist, and whose windows are the songs and the silences of night.
Kahlil Gibran (The Prophet)
I write fantasy because it's there. I have no other excuse for sitting down for several hours a day indulging my imagination. Daydreaming. Thinking up imaginary people, impossible places. Imagination is the golden-eyed monster that never sleeps. It must be fed; it cannot be ignored. Making it tell the same tale over again makes it thin and whining; its scales begin to fall off; its fiery breath becomes a trickle of smoke. It is best fed by reality, an odd diet for something nonexistant; there are few details of daily life and its broad range of emotional context that can't transformed into food for the imagination. It must be visited constantly, or else it begins to become restless and emit strange bellows at embarrassing moments; ignoring it only makes it grown larger and noisier. Content, it dreams awake, and spins the fabric of tales. There is really nothing to be done with such imagery except to use it: in writing, in art. Those who fear the imagination condemn it: something childish, they say, something monsterish, misbegotten. Not all of us dream awake. But those who do have no choice.
Patricia A. McKillip
I love Samui in the wee small hours. I especially love it on nights like this when the white moon stares down from the blackness like the pockmarked eye of a blind god. At such times, when the island’s bright signs have paled to grey and the broom of sleep has swept the revellers to their beds, my mind’s cynical crust cracks open a little, and some fanciful poetry leaks in. Then the dark hills appear to me as slumbering prehistoric leviathans, the clouds assume the air of restless ghosts, and the moon-dusted sea murmurs in some long forgotten tongue of the divine.
John Dolan (Everyone Burns (Time, Blood and Karma, #1))
I looked at her again. She lay still now, her face pale against the pillow, her eyes large and dark and empty as rain barrels in a drought. One of her small five-fingered thumbless hands picked at the cover restlessly. There was a vague glimmer of doubt starting to get born in her somewhere. She didn't know about it yet. It's so hard for women - even nice women - to realise that their bodies are not irresistible.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
Later that night, feeling restless, I get out of bed, creep into Linus’s room, and watch him sleeping in his crib. He’s lying on his back, wearing blue feety pajamas, one arm up over his head. I listen to his deep-sleep exhales. Even years past those fragile newborn months, it still gives my maternal ears relief and peace to hear the sounds of my children breathing when they’re asleep. His orange nukie is in his mouth, the silky edge of his favorite blanket is touching his cheek, and Bunny is lying limp across his chest. He’s surrounded by every kind of baby security paraphernalia imaginable, and yet none of it protected him from what could have happened today.
Lisa Genova (Left Neglected)
Lost count of all the countless things I've lost throughout the years Lost friends and time and interest in The things I should hold dear Lost sleep just pondering the things That have been lost to me Especially the loss of love I've need desperately I find it doesn't help at all To sit around and brood I find nobody gives a damn About your petty moods At least that's what I thought Until the day you came along Now, I found my restless soul Has finally found a home Lost and found, I'm safe sound No more drifting aimlessly, I've settled down I've finally came around No more to roam, those days are gone I was alone, now I know I don't have to be Since your amazing love has found me
Dolly Parton (Run, Rose, Run)
That’s just the way it goes when you’re going to meet your destiny. Something comes over you and it keeps your heart so stirred that nothing seems impossible… Well, except for sleep, or taking your mind off of the future." -Kearney
Brittany L. Engels (Kaptito Kero (Warriors of the Kero, #1))
Just so," said Bariano with equanimity. "But let me cite you a parable, or, if you prefer, a paradox. Assume that you are lying in bed asleep. Your dreaming brings you into the company of an alluring woman who starts to make exciting suggestions. At this moment a large dirty pet animal clambers upon the bed and sprawls its hairy bulk beside you with its tail draped over your forehead. You move restlessly in your sleep and in so doing press your face against one of its organs. In your dream it seems that the beautiful woman is kissing you with warm moist lips, causing a delightful sensation. You are thrilled and exalted! Then you wake up and discover the truth of the contact, and you are displeased. Now then: consider carefully! Should you enjoy the rapture of the dream? Or, after beating the animal, should you huddle cheerlessly in the dark brooding upon the event? Arguments can be developed in either direction.
Jack Vance
You're interesting when you sleep." He spoke matter-of-factly. "You talk." "No!" I gasped, heat flooding my face all the way to my hairline. I gripped the kitchen counter for support. I knew I talked in my sleep, of course; my mother teased me about it. I hadn't thought it was something I needed to worry about here, though. His expression shifted instantly to chagrin. "Are you very angry with me?" "That depends!" I felt and sounded like I'd had the breath knocked out of me. He waited. "On?" he urged. "What you heard!" I wailed. Instantly, silently, he was at my side, taking my hands carefully in his. "Don't be upset!" he pleaded. He dropped his face to the level of my eyes, holding my gaze. I was embarrassed. I tried to look away. "You miss your mother," he whispered. "You worry about her. And when it rains, the sound makes you restless. You used to talk about home a lot, but it's less often now. Once you said, 'It's too green.'" He laughed softly, hoping, I could see, not to offend me further. "Anything else?" I demanded. He knew what I was getting at. "You did say my name," he admitted. I sighed in defeat. "A lot?" "How much do you mean by 'a lot,' exactly?" "Oh no!" I hung my head. He pulled me against his chest, softly, naturally. "Don't be self-conscious," he whispered in my ear. "If I could dream at all, it would be about you. And I'm not ashamed of it.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
The things that help you sleep all the way through it. Back-breaking labor might do it; or liquor. Surely a body--friendly if not familiar--lying next to you. Someone whose touch is a reassurance, not an affront or a nuisance. Whose heavy breathing neither enrages not disgusts, but amuses you like that of a cherished pet. And rituals help too: door locking, tidying up, cleaning teeth, arranging hair, but they are preliminaries to the truly necessary things. Most people want to crash into sleep.
Toni Morrison (Jazz (Beloved Trilogy, #2))
We fell in love with that little peep-show projection on the inside of an iris, pictures that amount to nothing more than the thirsty moon over a spot of bloody ground. Those weren’t the nothings we restless sleepwalkers knew, no place no home no song. So we heard her and we followed until she went where we couldn't follow. She went down beyond the mountains and disappeared between the crease of sky and land, like a great eyelid folding shut. No one knows what happened out in the Black Hills, but I imagine she lies buried in a rusty coffin under the stars. And on nights when the desert crickets sing her tune, they say one day she will rise again. On that day, there is no telling the kind of vengeance she'll demand of us. Fair is fair. They say when she fell from Heaven she wore a crown of jagged stars that slit the skies throat. They say she loved them all, in the secret corners of their shallow sleep. Strangers, at the last. They say a lot of things. They’re all lies. Everything is already written.
James Curcio (Party at the World’s End)
But I’ve come to the point where I’m not sure anymore just what God counts as radical. And I suspect that for me, getting up and doing the dishes when I’m short on sleep and patience is far more costly and necessitates more of a revolution in my heart than some of the more outwardly risky ways I’ve lived in the past. And so this is what I need now: the courage to face an ordinary day — an afternoon with a colicky baby where I’m probably going to snap at my two-year old and get annoyed with my noisy neighbor — without despair, the bravery it takes to believe that a small life is still a meaningful life, and the grace to know that even when I’ve done nothing that is powerful or bold or even interesting that the Lord notices me and is fond of me and that that is enough.
Michael S. Horton (Ordinary: Sustainable Faith in a Radical, Restless World)
AT NIGHT, IN BED, images come. They begin as dreams, trailing caresses in my sleep from which I start, trembling. I lie awake, and still they come, the flicker of firelight on a neck, the curve of a hipbone, drawing downwards. Hands, smooth and strong, reaching to touch me. I know those hands. But even here, behind the darkness of my eyelids, I cannot name the thing I hope for. During the days I grow restless, fidgety. But all my pacing, singing, running does not keep them at bay. They come, and will not be stopped.
Madeline Miller (The Song of Achilles)
It is dark for archery,’ said Gimli. ‘Indeed it is time for sleep. Sleep! I feel the need of it, as never I thought any dwarf could. Riding is tiring work. Yet my axe is restless in my hand. Give me a row of orc-necks and room to swing and all weariness will fall from me!
J.R.R. Tolkien (The Lord of the Rings)
When it is time to sleep, Tiernan and Oak wrap themselves in bearskins. Oak drapes one over my shoulders. I say nothing to indicate that I don't need it, that I am never too cold. When we lie down by the fire, he watches me. The light dances in his eyes. 'Come here,' he says, beckoning with a hand. I am not sure I know the me who moves, who shifts so that I am resting my head against his shoulder. The me who feels his breath against my hair and the pressure of his splayed fingers at the small of my back. His feet tangle with mine, my toes brushing against the fur just above his hooves. My fingers are resting against his stomach, and I cannot help feeling the hard planes of him, the muscles and the scars. When I move my hand, his breath catches. We both go still. Tiernan, close to the fire, turns in his sleep. In the firelight, the prince's amber eyes are molten gold. I am aware of my skin in a way I have never been before, of the slight movements of my limbs, of the rise and fall of my chest. I can hear the beat of his heart against my cheek. I feel as though I am shouting kiss me with every restless shift of my body. But he does not, and I am too much of a coward to do more than lie there and yearn until my eyes drift closed at last.
Holly Black (The Stolen Heir (The Stolen Heir Duology #1))
In the stillest hour of the night, as I lay half asleep, my seven selves sat together and thus conversed in whispers: First Self: Here, in this madman, I have dwelt all these years, with naught to do but renew his pain by day and recreate his sorrow by night. I can bear my fate no longer, and now I rebel. Second Self: Yours is a better lot than mine, brother, for it is given to me to be this madman's joyous self. I laugh his laughter and sing his happy hours, and with thrice winged feet I dance his brighter thoughts. It is I that would rebel against my weary existence. Third Self: And what of me, the love-ridden self, the flaming brand of wild passion and fantastic desires? It is I the love-sick self who would rebel against this madman. Fourth Self: I, amongst you all, am the most miserable, for naught was given me but odious hatred and destructive loathing. It is I, the tempest-like self, the one born in the black caves of Hell, who would protest against serving this madman. Fifth Self: Nay, it is I, the thinking self, the fanciful self, the self of hunger and thirst, the one doomed to wander without rest in search of unknown things and things not yet created; it is I, not you, who would rebel. Sixth Self: And I, the working self, the pitiful labourer, who, with patient hands, and longing eyes, fashion the days into images and give the formless elements new and eternal forms- it is I, the solitary one, who would rebel against this restless madman. Seventh Self: How strange that you all would rebel against this man, because each and every one of you has a preordained fate to fulfil. Ah! could I but be like one of you, a self with a determined lot! But I have none, I am the do-nothing self, the one who sits in the dumb, empty nowhere and nowhen, while you are busy re-creating life. Is it you or I, neighbours, who should rebel? When the seventh self thus spake the other six selves looked with pity upon him but said nothing more; and as the night grew deeper one after the other went to sleep enfolded with a new and happy submission. But the seventh self remained watching and gazing at nothingness, which is behind all things.
Kahlil Gibran
Why is it that so many ghosts prefer to travel the halls of night? Ask the living and they will tell you that these spirits either have some unquenched desire or an unaddressed grievance that stirs them from their sleep and sends them out into the world in search of solace. But the living are so self-centered. Of course they would judge a spirit’s nocturnal wanderings as the product of earthly memories. When, in fact, if these restless souls wanted to harrow the bustling avenues of noon, there is nothing to stop them from doing so. No. If they wander the halls of night, it is not from a grievance with or envy of the living. Rather, it is because they have no desire to see the living at all. Any more than snakes hope to see gardeners, or foxes the hounds. They wander about at midnight because at that hour they can generally do so without being harried by the sound and fury of earthly emotions. After all those years of striving and struggling, of hoping and praying, of shouldering expectations, stomaching opinions, navigating decorum, and making conversation, what they seek, quite simply, is a little peace and quiet.
Amor Towles (A Gentleman in Moscow)
...the north wind has both mended hearts and broken them. It has brought both beauty and misfortune, restlessness and sleep. It has carried in babies but it has also taken lives and so the islanders worry when they hear the north wind blowing. They fear death - actual, physical, permanent death, but also the non-literal, where the heart has kept beating but its wish to keep doing so is small, very small if there at all.
Susan Fletcher (The Silver Dark Sea)
I can't be the only insomniac who has looked out his living room window and thought, "Why don't we all get together? We're awake. We could swap sleep recipes, console each other, plot terrible crimes." But it won't happen, any gathering of the near-dead, because the only thing more abhorrent to a restless mind in the ugly hours than the actual harshness of the ugly hours is the thought of having to listen to somebody else. Somebody else in distress, also angry at the comfortable world.
R.M. Vaughan (Bright Eyed: Insomnia and Its Cultures (Exploded Views))
She rubbed the skin off your headstone of a sternum and painted a sad picture of herself in your eyes. We fell in love with that little peep-show projection on the inside of an iris, pictures that amount to nothing more than the thirsty moon over a spot of bloody ground. Those weren’t the nothings we restless sleepwalkers knew, no place no home no song. So we heard her and we followed until she went where we couldn't follow. She went down beyond the mountains and disappeared between the crease of sky and land, like a great eyelid folding shut. No one knows what happened out in the Black Hills, but I imagine she lies buried in a rusty coffin under the stars. And on nights when the desert crickets sing her tune, they say one day she will rise again. On that day, there is no telling the kind of vengeance she'll demand of us. Fair is fair. They say when she fell from Heaven she wore a crown of jagged stars that slit the skies throat. They say she loved them all, in the secret corners of their shallow sleep. Strangers, at the last. They say a lot of things. They’re all lies. Everything is already written.
James Curcio (Party at the World’s End)
The Dawning Ah! what time wilt Thou come? when shall that cry, The Bridegroom’s coming! fill the sky; Shall it in the evening run When our words and works are done? Or will Thy all-surprising light Break at midnight, When either sleep or some dark pleasure Possesseth mad man without measure? Or shall these early, fragrant hours Unlock Thy bow’rs, And with their blush of light descry Thy locks crown’d with eternity? Indeed, it is the only time That with Thy glory doth best chime; All now are stirring, ev’ry field Full hymns doth yield; The whole Creation shakes off night, And for Thy shadow looks the light; Stars now vanish without number, Sleepy Planets set and slumber, The pursy Clouds disband and scatter, All expect some sudden matter; Not one beam triumphs but from far That morning-star; O at what time soever thou (Unknown to us,) the heavens wilt bow, And, with Thy angels in the van, Descend to judge poor careless man, Grant, I may not like puddle lie In a corrupt security, Where if a traveller water crave, He finds it dead, and in a grave. But as this restless, vocal spring All day and night doth run, and sing, And though here born, yet is acquainted Elsewhere, and flowing keeps untainted; So let me all my busy age In Thy free services engage; And though (while here) of force I must Have commerce sometimes with poor dust, And in my flesh, though vile and low, As this doth in her channel flow, Yet let my course, my aim, my love, And chief acquaintance be above; So when that day and hour shall come, In which Thyself will be the sun, Thou’lt find me drest and on my way, Watching the break of Thy great day.
Henry Vaughan
In St. Patrick Town, we find the stubborn, sprightly residents all awake--the leprechaun I spoke to days before still in search of his lost pot of gold in the glen, rain clouds heavy in the distance, and rainbows gleaming above the treetops. In Valentine's Town, Queen Ruby is bustling through the streets, making sure the chocolatiers are busy crafting their confections of black velvet truffles and cherry macaroons, trying to make up for lost time, while her cupids still flock through town, wild and restless. The rabbits have resumed painting their pastel eggs in Easter Town. The townsfolk in Fourth of July Town are testing new rainbow sparklers and fireworks that explode in the formation of a queen's crown, in honor of the Pumpkin Queen who saved them all from a life of dreamless sleep. In Thanksgiving Town, everyone is preparing for the feast in the coming season, and the elves in Christmas Town have resumed assembling presents and baking powdered-sugar gingerbread cookies. And in Halloween Town, we have just enough time to finish preparations for the holiday: cobwebs woven together, pumpkins carved, and black tar-wax candles lit.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
In the middle of the night Jerry Sowles roused the entire camp. He claimed he saw a giant baboon on the far side of our clearing. He was agitated, waving his pistol around. He pointed, “There it is! Can’t you see it?” We strained our eyes, but none of us could make it out. Finally, I walked over to where Jerry was pointing. His fierce baboon was a harmless tree stump. Shadows can play tricks on a restless mind. We all had a good laugh and went back to our sleeping pads. I poked fun at Jerry, “Don’t shoot your teammates in the middle of the night. A lot of them look like baboons.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
What do you consider to be the greatest blessing which you have reaped from your wealth? One, he said, of which I could not expect easily to convince others. For let me tell you, Socrates, that when a man thinks himself to be near death, fears and cares enter into his mind which he never had before; the tales of a world be- low and the punishment which is exacted there of deeds done here were once a laughing matter to him, but now he is tormented with the thought that they may be true: either from the weakness of age, or because he is now drawing nearer to that other place, he has a clearer view of these things; suspicions and alarms crowd thickly upon him, and he begins to reflect and consider what wrongs he has done to others. And when he finds that the sum of his transgres- sions is great he will many a time like a child start up in his sleep for fear, and he is filled with dark forebodings. But to him who is conscious of no sin, sweet hope, as Pindar charmingly says, is the kind nurse of his age: ’Hope,’ he says, ’cherishes the soul of him who lives in justice and holiness, and is the nurse of his age and the companion of his journey;– hope which is mightiest to sway the restless soul of man.
Plato (The Republic)
Which brings me to the final aspect of the problem of Industrial Tourism: the Industrial Tourists themselves. They work hard, these people. They roll up incredible mileages on their odometers, rack up state after state in two-week transcontinental motor marathons, knock off one national park after another, take millions of square yards of photographs, and endure patiently the most prolonged discomforts: the tedious traffic jams, the awful food of park cafeterias and roadside eateries, the nocturnal search for a place to sleep or camp, the dreary routine of One-Stop Service, the endless lines of creeping traffic, the smell of exhaust fumes, the ever-proliferating Rules & Regulations, the fees and the bills and the service charges, the boiling radiator and the flat tire and the vapor lock, the surly retorts of room clerks and traffic cops, the incessant jostling of the anxious crowds, the irritation and restlessness of their children, the worry of their wives, and the long drive home at night in a stream of racing cars against the lights of another stream racing in the opposite direction, passing now and then the obscure tangle, the shattered glass, the patrolman’s lurid blinker light, of one more wreck.
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
The Sound Of Silence" Hello, darkness, my old friend I've come to talk with you again Because a vision softly creeping Left its seeds while I was sleeping And the vision that was planted in my brain Still remains Within the sound of silence In restless dreams I walked alone Narrow streets of cobblestone 'Neath the halo of a streetlamp I turned my collar to the cold and damp When my eyes were stabbed by the flash of a neon light That split the night And touched the sound of silence And in the naked light I saw Ten thousand people, maybe more People talking without speaking People hearing without listening People writing songs that voices never share No one dared Disturb the sound of silence "Fools," said I, "You do not know Silence like a cancer grows Hear my words that I might teach you Take my arms that I might reach you." But my words like silent raindrops fell And echoed in the wells of silence And the people bowed and prayed To the neon god they made And the sign flashed out its warning In the words that it was forming And the sign said, "The words of the prophets Are written on the subway walls And tenement halls And whispered in the sounds of silence." Paul Simon, Wednesday Morning, 3 AM (1964)
Paul Simon
From outside the shelter came children's voices. The shrill squeals brought the excitement of their unseen game into the opaque quiet of Setsuko's world and made her smile. "No war can go on forever. And human beings are the toughest creatures on earth, you know. There's no sense in being in a hurry to die. You MUST LIVE, whatever happens." Shoichi Wakui had squeezed her hand and told her this with an almost violent urgency, though his grasp was weak and his voice halting. Were those the Sugiwaras' children she could hear? The barber had had the presence of mind to rescue his kit when he fled through the flames of his burning shop, and now he was doing a brisk trade, seating his customers on cushions atop piled stones from the foundations. To house his family he'd put a lean-to against the railway embankment, barely enough to keep out the weather, but at least the children were no longer starving. Even in defeat the locally garrisoned soldiers all had some supplies of food, and while waiting to board trains for their hometowns from Yokohama Station they'd sit on the stone seat of the Sugawara Barbershop and have a good shave, leaving the children something to eat as payment. Setsuko no longer felt the rage that had overwhelmed her at the disbanding ceremony. If they had fought on home ground, one hundred million Japanese sworn to die before they would surrender, those children would have had to die too. Those young lives and spirits would have been extinguished in terror and pain and they wouldn't even have understood why. They have a right to go on living, and the strength to do it, Setsuko thought. For their sakes, if no one else's, I should rejoice that the war ended before an invasion reached the home front. Shoichi Wakui's words came back clearly: "Even when a war is lost, people's lives still go on." And Naomis, in the gray notebook: "Every war comes to an end, and when peace is restored Paris rises like a phoenix." But what about those who'd already died? It was agony to think of those who would not rise: the dead would be left where they fell at the ends of the earth while the living would come home with their knapsacks of clothing and food. Whether they had gone to the front or stayed at home, the people had staked their lives for country and Emperor, and after they had lost, the country and the Emperor were still there. Then what had it all meant? Adrift and floundering in despair, Setsuko slipped back into a restless sleep.
Shizuko Gō (Requiem)
The Devil One evening after my brother disciple and I had walked thirty miles in the mountains, we stopped to rest two miles beyond Kedarnath. I was very tired and soon fell asleep, but my sleep was restless because of my extreme fatigue. It was cold and I did not have a blanket to wrap around me, so I put my hands around my neck to keep warm. I rarely dream. I had dreamt only three or four times in my life, and all of my dreams had come true. That night I dreamt that the devil was choking my throat with strong hands. I felt as though I were suffocating. When my brother disciple saw my breath rhythm change and realized that I was experiencing considerable discomfort, he came to me and woke me up. I said, “Somebody was choking my throat!” Then he told me that my own hands were choking my throat. That which you call the devil is part of you. The myth of the devil and of evil is imposed on us by our ignorance. The human mind is a great wonder and magician. It can assume the form of both a devil and a divine being any time it wishes. It can be a great enemy or a great friend, creating either hell or heaven for us. There are many tendencies hidden in the unconscious mind which must be uncovered, faced, and transcended before one intends to tread the path of enlightenment.
Swami Rama (Living With the Himalayan Masters)
The fields, the lakes, the forests, and the streams, ocean, and all the living things that dwell within the daedal earth; lightning, and rain, earthquake, and fiery flood, and hurricane, the torpor of the year when feeble dreams visit the hidden buds, or dreamless sleep holds every future leaf and flower; the bound with which from that detested trance they leap; the works and ways of man, their death and birth, and that of him and all that his may be; all things that move and breathe with toil and sound are born and die; revolve, subside, and swell. Power dwells apart in its tranquillity, remote, serene, and inaccessible: and this, the naked countenance of earth, on which I gaze, even these primeval mountains teach the adverting mind. The glaciers creep like snakes that watch their prey, from their far fountains, slow rolling on; there, many a precipice frost and the sun in scorn of mortal power have pil'd: dome, pyramid, and pinnacle, a city of death, distinct with many a tower and wall impregnable of beaming ice. Yet not a city, but a flood of ruin is there, that from the boundaries of the sky rolls its perpetual stream; vast pines are strewing its destin'd path, or in the mangled soil branchless and shatter'd stand; the rocks, drawn down from yon remotest waste, have overthrown the limits of the dead and living world, never to be reclaim'd. The dwelling-place of insects, beasts, and birds, becomes its spoil; their food and their retreat for ever gone, so much of life and joy is lost. The race of man flies far in dread; his work and dwelling vanish, like smoke before the tempest's stream, and their place is not known. Below, vast caves shine in the rushing torrents' restless gleam, which from those secret chasms in tumult welling meet in the vale, and one majestic river, the breath and blood of distant lands, for ever rolls its loud waters to the ocean-waves, breathes its swift vapours to the circling air.
Percy Bysshe Shelley
they felt like they were informed. It was a fine line--too much information led to more interrogation and too little information leads to major snooping. Thrace believed that I had developed the rare ability to express something while revealing nothing. However, I couldn’t shake the feeling that a sorcerer with laughing hazel eyes might have the ability to see beyond all my fine lines. I smiled at that whimsical thought as I finished my pot roast and parental interrogation.   Chapter 2: Mortal Combat   I woke up groggy because I set my alarm for a half hour earlier than usual to get ready to work out. I don’t know why I did that. Ok. I might know why I did that, but 6:00am was too early for rational thought. I kept my outfit simple with black yoga pants and a retro Offspring tee. It was much more difficult to get my thick auburn hair to calm down after a night of restless sleep. Luckily, I didn’t get any zits overnight which would have been just my luck. After some leave-in conditioner and some shine spray, I hoped my hair no longer looked like a bird’s nest. I headed downstairs just in time to see my dad coming from the kitchen with his coffee, my Mt. Dew, and Zone bar. Hello, my name is Calliope, and I am an addict. My drug is caffeine. I like my caffeine cold usually in the fountain pop variety—Mt. Dew in the morning and Diet Dr. Pepper in the afternoon. I like the ice and carbonation, but in the morning on the way to work out, I’ll take what I can get. I thanked my dad for my version of breakfast as we walked to the car. He only grunted his reply. We slid into the white Taurus and headed to the YMCA. I actually started to get nervous, as we got closer. We were at the Y before I was mentally prepared. I sighed and lumbered out of the car. As we walked in and headed toward opposite locker rooms, dad announced, “Meet you back here in an hour, Calli.
Stacey Rychener (Intrigue (Night Muse #1))
At the time of solitude, I went where Narmada was sleeping. She got awake and sat up. She neither got scared nor nervous but she immediately got off the bed. She kept both her hands tied on her chest. I was standing so close to her that my face was near her face. We could sense each other’s breath. I called out her name and could not speak anything else. After a moment, I started - “I love you Narmada…I like to be with you…I want to marry you.” She got nervous and said - “Please, go to your room, why have you come here? It may cause trouble if Jaanki sees us like this.” She was neck down. Her eyes were on the floor. Her heart was beating fast. “Don’t you want to talk to me? Why are you angry with me? Why don’t you trust on my feelings for you?” - I softly asked her. “I guess you don’t like my friendship with Varsha. You and Varsha are poles apart.” - I added. She said - “You please go. It would not be nice if someone sees us like this. I do not want anything from you.” I said - “But I am dying for you and I know you too are made for me.” Her eyes suddenly fell on maid behind the curtains of the door who was trying to listen to our conversation. Narmada said - “You please leave right now, we’ll talk later. Mom is not at home.” I went by on her prescriptive tone. She was fighting for her self-being and the reason was only Varsha. She felt suffocated with my friendship with Varsha. I was glad to hear her words - “WE’LL TALK LATER”. This meant, she gave her consent to my love. She understood my restlessness. -- Excerpts from Romantic Novel "Narmada
Laxman Rao
The other thing preferable about the weekday services is that no one is there against his will. That’s another distraction on Sundays. Who hasn’t suffered the experience of having an entire family seated in the pew in front of you, the children at war with each other and sandwiched between the mother and father who are forcing them to go to church? An aura of stale arguments almost visibly clings to the hasty clothing of the children. “This is the one morning I can sleep in!” the daughter’s linty sweater says. “I get so bored!” says the upturned collar of the son’s suit jacket. Indeed, the children imprisoned between their parents move constantly and restlessly in the pew; they are so crazy with self-pity, they seem ready to scream. The stern-looking father who occupies the aisle seat has his attention interrupted by fits of vacancy—an expression so perfectly empty accompanies his sternness and his concentration that I think I glimpse an underlying truth to the man’s churchgoing: that he is doing it only for the children, in the manner that some men with much vacancy of expression are committed to a marriage. When the children are old enough to decide about church for themselves, this man will stay home on Sundays. The frazzled mother, who is the lesser piece of bread to this family sandwich—and who is holding down that part of the pew from which the most unflattering view of the preacher in the pulpit is possible (directly under the preacher’s jowls)—is trying to keep her hand off her daughter’s lap. If she smooths out her daughter’s skirt only one more time, both of them know that the daughter will start to cry. The son takes from his suit jacket pocket a tiny, purple truck; the father snatches this away—with considerable bending and crushing of the boy’s fingers in the process. “Just one more obnoxious bit of behavior from you,” the father whispers harshly, “and you will be grounded—for the rest of the day.” “The whole rest of the day?” the boy says, incredulous. The apparent impossibility of sustaining unobnoxious behavior for even part of the day weighs heavily on the lad, and overwhelms him with a claustrophobia as impenetrable as the claustrophobia of church itself. The daughter has begun to cry. “Why is she crying?” the boy asks his father, who doesn’t answer. “Are you having your period?” the boy asks his sister, and the mother leans across the daughter’s lap and pinches the son’s thigh—a prolonged, twisting sort of pinch. Now he is crying, too. Time to pray! The kneeling pads flop down, the family flops forward. The son manages the old hymnal trick; he slides a hymnal along the pew, placing it where his sister will sit when she’s through praying. “Just one more thing,” the father mutters in his prayers. But how can you pray, thinking about the daughter’s period? She looks old enough to be having her period, and young enough for it to be the first time. Should you move the hymnal before she’s through praying and sits on it? Should you pick up the hymnal and bash the boy with it? But the father is the one you’d like to hit; and you’d like to pinch the mother’s thigh, exactly as she pinched her son. How can you pray?
John Irving (A Prayer for Owen Meany)
What are we doing here?” Burnes said, almost to himself. “That, Burnes, I cannot tell you. I do not know why anyone leaves his house, to travel ten thousand miles, when all the poetry that has ever been written, all the poetry since the beginning of the world all tells us the single lesson that we would be happiest in our own homes, since that is where happiness is born, and where it lives. What poetry cannot answer is the question that follows from that, whether we men actually want to be happy, or whether we would prefer to be restless. In your case—in the English, excuse me, the British case—I would say that when you have gone home, when you are all old and thinking about what this adventure, this whole centuries-long adventure meant, what it meant to you . . . well, things do not always mean something, but perhaps your adventure, perhaps it meant something. You will sit at home and look into your fires and draw your Cashmire shawls about you, and think that you came here for one reason. Of course, now, you tell yourself all sorts of fairy stories—you are here to sell us your wonderful English goods, you want to set us free, you want us to grow up, you want to educate us and make us worship three gods instead of forty thousand—” “Only one God.” “I stand corrected, Burnes-ji, and I am sure your one God is much more sensible than ours, who are quaint, who have the heads of elephants and monkeys and have blue skin. They are all very good reasons to tell yourself at the time, but they are not, at the bottom, the real reason you came here. You came here not to make yourselves rich, not to make us better and Christian and clean and dressed in Bradford cotton. You believe all this, I know. But when you are old and tired and sleeping in a thousand years’ time, you will start to realize that you came here and took possession of what was not yours for one reason. To surrender it, to give it up. That is the only reason. Do you not know your Shakespeare, Burnes? Have you never seen The Tempest in your London theatres? Do you not think it strange that, so very long ago, before your English kings owned anything at all, your English poet was dreaming of giving it all up, of surrendering what was not yet yours? Of what never would truly be yours? You are not adventurers; you are all Prosperos, waiting for the day you can give it up, drown your book, and return nobly. We endure your presence, because we see that when you look at us, you know that we will take it all back one day. And you want us to. That desire is so strong in you, it makes you build an empire; because if you never had an empire, you would not have one so nobly to surrender. That, Burnes, is what you are doing here. You asked me, and you did not think that I had an answer. But I have an answer, and that is what you are doing here. And now you are tired, and I shall leave you.
Philip Hensher (The Mulberry Empire)