Responsibility Funny Quotes

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CALVIN: Isn't it strange that evolution would give us a sense of humor? When you think about it, it's weird that we have a physiological response to absurdity. We laugh at nonsense. We like it. We think it's funny. Don't you think it's odd that we appreciate absurdity? Why would we develop that way? How does it benefit us? HOBBES: I suppose if we couldn't laugh at the things that don't make sense, we couldn't react to a lot of life.
Bill Watterson
Adam's response was buried in the sound of the first-story door falling open. Noah slouched in. In a wounded tone, he said, "He threw me out the window!" Ronan's voice sang out from behind his closed door: "You're already dead!
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Ronan's bedroom door burst open. Hanging on the door frame, Ronan leaned out to peer past Gansey. He was doing that thing where he looked like both the dangerous Ronan he was now and the cheerier Ronan he had been when Gansey first met him. "Hold on," Gansey told Adam. Then, to Ronan: "Why would he be?" "No reason. Just no reason." Ronan slammed his door. Gansey asked Adam, "Sorry. You still have that suit for the party?" Adam's response was buried in the sound of the second-story door falling open. Noah slouched in. In a wounded tone, he said, "He threw me out the window!" Ronan's voice sang out from behind his closed door: "You're already dead!
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
I've seen women insist on cleaning everything in the house before they could sit down to write... and you know it's a funny thing about housecleaning... it never comes to an end. Perfect way to stop a woman. A woman must be careful to not allow over-responsibility (or over-respectabilty) to steal her necessary creative rests, riffs, and raptures. She simply must put her foot down and say no to half of what she believes she "should" be doing. Art is not meant to be created in stolen moments only.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
He was the firstborn Bridgerton of a firstborn Bridgerton of a firstborn Bridgerton eight times over. He had a dynastic responsibility to be fruitful and multiply.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Pay attention to what's happening around you. Read the book before you see the movie. Remember, though you, alone, are responsible for your own happiness, its still okay to feel responsible for someone else's. Live and to learn.
Michael J. Fox (A Funny Thing Happened on the Way to the Future...)
Okay, I'll wear the Bite Me shirt,[...]It'll be my standard response to any­one who tries to hit on me." I giggle. "Someone can come up and be like 'Hey babe, what's your sign?' and I'll just point to my shirt." Rayne laughs appreciatively and tosses me the tank top. "Of course they might think you're pointing to your boobs in a 'have at 'em, big boy' kind of way.
Mari Mancusi (Boys That Bite (Blood Coven Vampire, #1))
She gave me money to buy condoms, and instead I bought a book of baby names. That’s life. That’s love. That’s fiscally irresponsible.

Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
One of the most jolting days of adulthood comes the first time you run out of toilet paper. Toilet paper, up until this point, always just existed. And now it's a finite resource, constantly in danger of extinction, that must be carefully tracked and monitored, like pandas?
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
It was all Mrs. Bumble. She would do it," urged Mr. Bumble; first looking round, to ascertain that his partner had left the room. That is no excuse," returned Mr. Brownlow. "You were present on the occasion of the destruction of these trinkets, and, indeed, are the more guilty of the two, in the eye of the law; for the law supposes that your wife acts under your direction." If the law supposes that," said Mr. Bumble, squeezing his hat emphatically in both hands, "the law is a ass — a idiot. If that's the eye of the law, the law is a bachelor; and the worst I wish the law is, that his eye may be opened by experience — by experience.
Charles Dickens (Oliver Twist)
For most vampires, it's an automatic response - scent blood, fangs drop.
J.A. London (Darkness Before Dawn (Darkness Before Dawn #1))
Don’t make trouble at the pub tonight, Wayne,” the man intoned in response. “My temper is really short.” “Temper?” Wayne said, passing him. “That’s a funny name for it, mate, but if the ladies like you givin’ silly names to your body parts, I ain’t gonna say nothin’.
Brandon Sanderson (Shadows of Self (Mistborn, #5))
I've been assigned to bodyguard you." You've got to be kidding me. Derek snorted. Ascanio pretended not to hear it. "The Beast Lord spoke to me this morning. I'm responsible for your well-being, and if you get injured, I'll answer to him personally." Oh, that bastard. Found the kid an impossible job, did he? Derek laughed quietly. Ascanio finally deemed it necessary to acknowledge Derek's existence. "Is something funny?" "I don't even know you, and I feel sorry for you.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
Because she left him a MySpace message that was semi-flirty, and then today he was very vague about what he was doing. So I headed over to his house and waited outside until he left. And now he’s at McDonald’s, and I’m following him to see where else he’s going.” MySpace is seriously going to be responsible for everyone losing their minds.
Lauren Barnholdt (Two-Way Street)
Glaring at the Gasman, ter Borcht said, “Your time is coming to an end, you pathetic failure of an experiment. Vhat you say now is how you vill be remembered.” Gazzy’s blue eyes flashed. “Then you can remember me telling you to kiss my-” “Enough!” ter Borcht said.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
I jump up: it would be much better if I could only stop thinking. Thoughts are the dullest things. Duller than flesh. They stretch out and there's no end to them and they leave a funny taste in the mouth. Then there are words, inside the thoughts, unfinished words, a sketchy sentence which constantly returns: "I have to fi. . . I ex. . . Dead . . . M. de Roll is dead . . . I am not ... I ex. . ." It goes, it goes . . . and there's no end to it. It's worse than the rest because I feel responsible and have complicity in it. For example, this sort of painful rumination: I exist, I am the one who keeps it up. I. The body lives by itself once it has begun. But though I am the one who continues it, unrolls it. I exist. How serpentine is this feeling of existing, I unwind it, slowly. ... If I could keep myself from thinking! I try, and succeed: my head seems to fill with smoke . . . and then it starts again: "Smoke . . . not to think . . . don't want to think ... I think I don't want to think. I mustn't think that I don't want to think. Because that's still a thought." Will there never be an end to it? My thought is me: that's why I can't stop. I exist because I think . . . and I can't stop myself from thinking. At this very moment, it's frightful, if I exist, it is because I am horrified at existing. I am the one who pulls myself from the nothingness to which I aspire: the hatred, the disgust of existing, there are as many ways to make myself exist, to thrust myself into existence. Thoughts are born at the back of me, like sudden giddiness, I feel them being born behind my head ... if I yield, they're going to come round in front of me, between my eyes, and I always yield, the thought grows and grows and there it is, immense, filling me completely and renewing my existence.
Jean-Paul Sartre (Nausea)
When someone tells you somebody's been murdered, laughing is probably not the best response. You know, for future reference. But laughing is exactly what I did. "Jenna? Jenna Talbot killed her? What did she do, smother her with pink glitter or something?" "You think this is funny?" Anna asked with a slight scowl. Chaston and Elodie were glaring at me, and I figured my temporary membership into their club was about to be revoked.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
It is naturally a sign of inner liberation when a patient can squarely recognize his difficulties and take them with a grain of humor. But some patients at the beginning of analysis make incessant jokes about themselves, or exaggerate their difficulties in so dramatic a way that they will appear funny, while they are at the same time absurdly sensitive to any criticism. In these instances humor is used to take the sting out of an otherwise unbearable shame.
Karen Horney (Neurosis and Human Growth: The Struggle Towards Self-Realization)
The police have no leads as yet on the person or persons who painted obscene suggestions on the buildings. One store owner said he was going to leave a dictionary on a public bench so the vandals could at least spell the obscenities correctly.
Anne Bishop (Marked in Flesh (The Others, #4))
He’s a delinquent!” I yelled out to my parents. “He was arrested for shoplifting last year!” No response. “I just want you to know that I’m going to be hanging out with someone who has a criminal record!” I cried. “Let’s not forget that our family can never reenter Luxembourg without being arrested!” my dad yelled back. Touché.
Robin Benway (Also Known As (Also Known As, #1))
Tell me about yourself, Miss Russell." I started to give him the obligatory response, first the demurral and then the reluctant flat autobiography, but some slight air of polite inattention in his manner stopped me. Instead, I found myself grinning at him. "Why don't you tell me about myself, Mr. Holmes?
Laurie R. King (The Beekeeper's Apprentice (Mary Russell and Sherlock Holmes, #1))
Halt," said Horace, "I've been thinking..." Halt and Will exchanged an amused glance. "Always a dangerous pastime," they chorused. For many years, it had been Halt's unfailing response when Will had made the same statement. Horace waited patiently while they had their moment of fun, then continued. "Yes, yes. I know. But seriously, as we said last night, Macindaw isn't so far away from here..." "And?" Halt asked, seeing how Horace had left the statement hanging. "Well, there's a garrison there and it might not be a b ad idea for one of to go fetch some reinforcements. It wouldn't hurt to have a dozen knights and men-at-arms to back us up when we run into Tennyson." But Halt was already shaking his head. "Two problems, Horace. It'd take too long for one of us to get there, explain it all and mobilize a force. And even if we could do it quickly, I don't think we'd want a bunch of knights blundering around the countryside, crashing through the bracken, making noise and getting noticed." He realized that statement had been a little tactless. "No offense, Horace. Present company excepted, of course.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
It was the right and responsible thing to do, so they put it off until later.
Ellen Potter (The Kneebone Boy)
Instead of Rock, Paper, Scissors, you could play Brick, Blanket, Action Fingers, in which brick cripples action fingers, blanket smothers brick and action fingers beats blanket.
Nicole Riekhof (A bit of rubbish about a Brick and a Blanket)
I go in on your arm and we separate. To make me look unavailable, since Vlad likes what he can’t have, I play dumb blonde and make myself sexy.” I glared as Adam barked with laughter at my words.“No going off of the plan, when he takes you in the back room—and he will, you work the information out of him without blowing your cover, or him.” I shot the glare to Ryder. “I have no intention of bobbing on Vlad’s knob. Or yours.” I tossed into remove the wide smirk my response had given him and it worked.
Amelia Hutchins (Fighting Destiny (The Fae Chronicles, #1))
The first way not to shake hands is executed by receiving someone’s hand in yours and proceeding to squeeze it tightly, hurting the other party as if they were responsible for a past death in your family, or your adoption as a child.
Wes Locher (Musings on Minutiae)
Bricks are independent but can work well with other, tough to crack, fiercely loyal and put in the right spot will hold anything and everything that you’ve ever held dear with the greatest of ease.
Nicole Riekhof (A bit of rubbish about a Brick and a Blanket)
Beatrix wished she were a swooning sort of female. It seemed the only appropriate response to the situation. Unfortunately, no matter how she tried to summon a swoon, her mind remained intractably conscious.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
A woman’s greatest foe is sometimes her hope that she’s imagined it all. That she herself is crazy rather than the circumstances of her life. Funny the emotional responsibility a woman is willing to take on just to maintain an illusion.
Tarryn Fisher (The Wives)
His response filled me with glee. It was as if a unicorn had appeared beneath a double rainbow and started tap dancing.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
I’ve always wanted to go out with a bang, that’s why I carry two bricks around with me wherever I go, so when I leave a room I clap them together.
Nicole Riekhof (A bit of rubbish about a Brick and a Blanket)
If Larry David were living in 18th century France and heard the peasants had no bread, his response "Let them eat cake" would have made people laugh. But when Marie Antoinette said it, they chopped off her head.
Nell Scovell (Just the Funny Parts: ... And a Few Hard Truths About Sneaking Into the Hollywood Boys' Club)
The Rangers were founded over one hundred and fifty years ago, in King Herbert's reign. Do you know anything about him?" Halt looked sideways at the boy sitting beside him, tossing the question out quickly to see his response. Will hesitated. He vaugely remembered the name from history lessons in the Ward, but he couldn't remember any details. Still, he decided he'd try to bluff his way through it... "Oh ... yes," he said, "King Herbert. We learned about him." "Really?" said the Ranger expansively. "Perhaps you could tell me a little about him?" He leaned back and crossed his legs, getting himself comfortable... "He was ..." he hesitated, pretending to gather his thoughts. "The king." That much he was sure of. Halt merely smiled and made a rolling gesture with his hand that meant go on. "He was the king ... a hundred and fifty years ago," Will said, trying to sound certain of his facts. The Ranger smiled at him, gesturing for him to continue yet again. "Ummm ... well, I seem to recall that he was the one who founded the Ranger Corps," he said hopefully, and Halt raised his eyebrows in mock surprise. "Really? You recall that, do you?
John Flanagan (The Ruins of Gorlan (Ranger's Apprentice, #1))
At least one way of measuring the freedom of any society is the amount of comedy that is permitted, and clearly a healthy society permits more satirical comment than a repressive, so that if comedy is to function in some way as a safety release then it must obviously deal with these taboo areas. This is part of the responsibility we accord our licensed jesters, that nothing be excused the searching light of comedy. If anything can survive the probe of humour it is clearly of value, and conversely all groups who claim immunity from laughter are claiming special privileges which should not be granted.
Eric Idle
The funny thing about stopping is that as soon as you do it, here you are. Things get simpler. In some ways, it’s as if you died and the world continued on. If you did die, all your responsibilities and obligations would immediately evaporate. Their residue would somehow get worked out without you.
Jon Kabat-Zinn (Wherever You Go, There You Are)
Quit telling Sgaeyl about my sleep habits,' I grumble at Tairn. 'I'm not dignifying that demand with a response.' 'Andarna is my favourite.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
...Your body is nothing but an envelope, Karou. Your soul is another matter, and is not, as far as I know, in any immediate danger." "An envelope?" She didn't like to think of her body as an envelope--something others might be able to open up and rifle through, remove things from like so many clipped coupons. "I assumed you felt the same way," he'd said. "The way you scribble on it." Brimstone didn't approve of her tattoos, which was funny, since he was responsible for her first, the eyes on her palms.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
I’m looking for Fat Hoochie Prom Queen,” I declared. He did not respond. “It’s a book,” I said. “Not a person.” Nope. Nothing. “At the very least, can you tell me the author?” He looked at his computer, as if it had some way to speak to me without any typing on his part. “Are you wearing headphones that I can’t see?” I asked. He scratched at the inside of his elbow. “Do you know me?” I persisted. “Did I grind you to a pulp in kindergarten, and are you now getting sadistic pleasure from this petty revenge? Stephen Little, is that you? Is it? I was much younger then, and foolish to have nearly drowned you in that water fountain. In my defense, your prior destruction of my book report was a completely unwarranted act of aggression.” Finally, a response. The information desk clerk shook his shaggy head. “No?” I said. “I am not allowed to disclose the location of Fat Hoochie Prom Queen,” he explained. “Not to you. Not to anyone. And while I am not Stephen Little, you should be ashamed of what you did to him. Ashamed.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
Olgun! Wake up!" Her mind was filled with a sense of self-righteous and vaguely drowsy protest. "Sure you weren't, she needled at him. You were just practicing snoring, so you'd be sure to get it right later on, yes?" Olgun's response very strongly resembled an indignant snort.
Ari Marmell
Well,' said Can o' Beans, a bit hesitantly,' imprecise speech is one of the major causes of mental illness in human beings.' Huh?' Quite so. The inability to correctly perceive reality is often responsible for humans' insane behavior. And every time they substitute an all-purpose, sloppy slang word for the words that would accurately describe an emotion or a situation, it lowers their reality orientations, pushes them farther from shore, out onto the foggy waters of alienation and confusion.' The manner in which the other were regarding him/her made Can O' Beans feel compelled to continue. 'The word neat, for example, has precise connotations. Neat means tidy, orderly, well-groomed. It's a valuable tool for describing the appearance of a room, a hairdo, or a manuscript. When it's generically and inappropriately applied, though, as it is in the slang aspect, it only obscures the true nature of the thing or feeling that it's supposed to be representing. It's turned into a sponge word. You can wring meanings out of it by the bucketful--and never know which one is right. When a person says a movie is 'neat,' does he mean that it's funny or tragic or thrilling or romantic, does he mean that the cinematography is beautiful, the acting heartfelt, the script intelligent, the direction deft, or the leading lady has cleavage to die for? Slang possesses an economy, an immediacy that's attractive, all right, but it devalues experience by standardizing and fuzzing it. It hangs between humanity and the real world like a . . . a veil. Slang just makes people more stupid, that's all, and stupidity eventually makes them crazy. I'd hate to ever see that kind of craziness rub off onto objects.
Tom Robbins (Skinny Legs and All)
You could carve out the inside of a brick and hide your money in it for safe keeping. It’s certainly safer than keeping it in the bank!
Nicole Riekhof (A bit of rubbish about a Brick and a Blanket)
I'm trying to do the responsible thing. I think it's giving me indigestion.
Leigh Bardugo (King of Scars (King of Scars, #1))
The answer to the question ‘How many children do you have?’ and the one to the question ‘How many children are you raising?’ are not identical in all cases: some men are not taking care of their own children, some are knowingly or unknowingly raising other men’s children, and some do not even know that they each have a child, another child, or other children.
Mokokoma Mokhonoana
Who hasn't thought about killing themselves, as a kid? How can you grow up in this world and not think about it? It's an option taken by a lot of successful people: Ernest Hemingway, Socrates, Jesus. Even before high school, I thought that it would be a cool thing to do if I ever got really famous. If I kept making my maps, for instance, and some art collector came across them and decided to make them worth hundreds of thousands of dollars, if I killed myself at the height of that, they'd be worth millions of dollars, and I wouldn't be responsible for them anymore. I'd have left behind something that spoke for itself.
Ned Vizzini (It's Kind of a Funny Story)
New Rule: Whenever you think the Tea Party can't get any dumber, they get dumber. Now they're in love with Donald Trump. Because nothing says "We're serious about fiscal responsibility" quite like a billionaire whose corporations have filed for bankruptcy three times.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Blankets on the other hand are incredibly needy as they are always trying to fill a “void”. Are a bit whorish in that the instant you walk away from them in less than a minute they’ll be all over someone else, and the moment you actually need them they’re nowhere to be found.
Nicole Riekhof (A bit of rubbish about a Brick and a Blanket)
In lieu of Tasers, you'll have to hit me. Hard as you can. Then maybe some kind of fight-or-flight response will kick in and I'll turn into a bat to get away from you." "Fight or flight." "Yes." "Only half of that is flight.
Adam Rex (Fat Vampire: A Never Coming of Age Story)
It would be much better if I could only stop thinking. Thoughts are the dullest things. Duller than flesh. They stretch out and there's no end to them and they leave a funny taste in the mouth. Then there are words, inside the thoughts, unfinished words, a sketchy sentence which constantly returns ... It goes, it goes ... and there's no end to it. It's worse than the rest because I feel responsible and have complicity in it. For example, this sort of painful rumination: I exist, I am the one who keeps it up. I.
Jean-Paul Sartre (Nausea)
Those unearthly eyes were so close, she could see the reflection of her own furious expression in their depths. “I’d rather watch you take a lover than die at my hands.” She knew how much those words must’ve tortured him. Even now, the air was staining bloodred with anger. “And would you let that man live?” she whispered. No response. That gave her hope even when hope seemed impossible. “Then we fight, Judd.” She dared to place her hand gently on his chest. He flinched but didn’t move away. “We fight until every avenue is closed and then we dig under the roadblocks. Because I am not walking away from us.” Strong words, but she was shaking. He could destroy her with a few careless comments. “You’re the strongest, most determined woman I know.” He played his fingers along the strands of her hair. “You’d make mincemeat out of a lesser man. It’s a good thing you belong to me.” Relief almost collapsed her knees. “Not funny.” “I’m serious.” Something very male moved over his face. “If you say yes now, I won’t let you go if you decide I’m not what you want later on down the road. You say yes, you say yes forever. Be sure.
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
A brick and a blanket are the perfect symbols for the superhero Captain Dense.
Nicole Riekhof (A bit of rubbish about a Brick and a Blanket)
Some of our problems came to us; some, we went to them.
Mokokoma Mokhonoana (F for Philosopher: A Collection of Funny Yet Profound Aphorisms)
You're a dick," Ellison said. "Or, is it just that you suck it?" Aaron knew by the stillness in the room that everyone was awaiting Tony's response. "Both," Tony agreed lightly. "And if you actually had one you might be in trouble, sailor.
Terra Laurent (The Beast Within (The Hounds of Hell, #1))
That was the time he tried to tell her that she had to leave the valley and go to college. I believe the edited for TV version of her response was something like "Fudge you, you're not my gosh-darn alpha anymore. You don't tell me to leave the fudging pack. Now, get the fudge away from me before I ripe your--' What? It was funny at the time.
Molly Harper
I remained serious. For one thing, I thought it stupid of her to appear to believe or to wish other people to believe that nobody, really, was as smart as herself. For another thing, people who laugh so heartily at what they themselves have said, when it is not funny, dispense us accordingly, by taking upon themselves the responsibility for the mirth, from joining in it.
Marcel Proust (Sodom and Gomorrah)
A good many times I have been present at gatherings of people who, by the standards of the traditional culture, are thought highly educated and who have with considerable gusto been expressing their incredulity at the illiteracy of scientists. Once or twice I have been provoked and have asked the company how many of them could describe the Second Law of Thermodynamics. The response was cold: it was also negative. Yet I was asking something which is about the scientific equivalent of: Have you read a work of Shakespeare's?
C.P. Snow
Manfred,” I began, exasperated, “I just don’t know what to do with you.” “I have some very good ideas,” he said. He waggled his eyebrows. He was making it funny, but he was serious. I never doubted that at my slightest response, Manfred would be booking us into the nearest hotel as fast as he could whip out his wallet.
Charlaine Harris (Grave Secret (Harper Connelly, #4))
The clown is a creature of chaos. His appearance is an affront to our sense of dignity, his actions a mockery of our sense of order. The clown (freedom) is always being chased by the policeman (authority). Clowns are funny precisely because their shy hopes lead invariably to brief flings of (exhilarating?) disorder followed by crushing retaliation from the status quo. It delights us to watch a careless clown break taboos; it thrills us vicariously to watch him run wild and free; it reassures us to see him slapped down and order restored. After all, we can condone liberty only up to a point. Consider Jesus as a ragged, nonconforming clown--laughed at, persecuted and despised--playing out the dumb show at his crucifixion against the responsible pretensions of authority.
Tom Robbins (Another Roadside Attraction)
Everyone survived by planning. I could see that. I realized that Stasha and I would have to divide the responsibilities of living between us. Such divisions had always come naturally to us, and so there, in the early-morning dark, we divvied up the necessities: Stasha would take the funny, the future, the bad. I would take the sad, the past, the good.
Affinity Konar (Mischling)
..it's funny how things turn out when your irrelevant to the decision but responsible for the outcome... vise versa.
Little Miss Sunshine
A brick could create a clear winner in a fight if instead of fighting pillows against blankets, you fought bricks against blankets.
Amy Sommers (A bit of rubbish about a Brick and a Blanket)
A brick can be used to represent the zero probability of this book being any good.
Amy Sommers (A bit of rubbish about a Brick and a Blanket)
If you’re a struggling artist having money problems just superglue a brick in the middle of a blanket, and call it art. Someone will buy it.
Nicole Riekhof (A bit of rubbish about a Brick and a Blanket)
Instead of stocks investors should invest in blankets, that way they’ll at least have something to keep them warm after they’ve lost all their money when the company goes under.
Amy Sommers (A bit of rubbish about a Brick and a Blanket)
It's always funny that you can try and try again to steal all your critics' ammo, predict their responses, but no matter what, they'll still have a water gun stashed somewhere.
Criss Jami (Killosophy)
No snowflake in an avalanche ever feels responsible,
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
You are his mate for all intents and purposes, and with that comes the responsibility of caring for his…booboos.
E.V. Drake (Elves of Fate: Denial)
I have a folder that’s labeled “The Folder of 24.” Inside it are letters from twenty-four people who were actively in the process of planning their suicide, but who stopped and got help—not because of what I wrote on my blog, but because of the amazing response from the community of people who read it and said, “Me too.” They were saved by the people who wrote about losing their mother or father or child to suicide and how they’d do anything to go back and convince them not to believe the lies mental illness tells you. They were saved by the people who offered up encouragement and songs and lyrics and poems and talismans and mantras that worked for them and that might work for a stranger in need. There are twenty-four people alive today who are still here because people were brave enough to talk about their struggles, or compassionate enough to convince others of their worth, or who simply said, “I don’t understand your illness, but I know that the world is better with you in it.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
I was hoping that the first time you expressed affection for me, it would not be in a room full of strangers. And that you would not have just said it to a sniveling creature like that Raymond!” “I expressed affection for Ray?” “Yes!” “Man, I really must be drunk.” Louis-Cesare just looked at me. I blinked politely back, until I realized that he expected a response.
Karen Chance (In Vino Veritas (Dorina Basarab, #2.1))
I'm so confused. How do the two of you even know each other?' 'She's the Fate that poisoned you,' Jacks said. Lala gave Jacks an impressive glare. 'This is why everyone hates you.' He laughed in response as if they were flirting. Was this how Fates flirted- with accusations of murder?
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Gankis lifted an arm to point at the distant shale cliffs. "And in the face of it there were thousands of little holes, little what-you-call-'ems..." "Alcoves," Kennit supplied in an almost dreamy voice. "I call them alcoves, Gankis. As would you, if you could speak your own mother tongue.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
A company could use bricks to measure their growth rate. How many bricks have angry investors thrown at you lately? If the answer is none, then your growth rate is probably pretty good… for the moment.
Amy Sommers (A bit of rubbish about a Brick and a Blanket)
She (Candace) straightened her spine and shot him (Ryan) a warning glare. “You know what? You just reminded me why I don’t like you.” He grinned like he got a giant kick out of needling her. Or maybe it was her response that he found funny. “Well I like you.” “That’s because I’m not rude and obnoxious.” “Well there is that. But I think it’s mostly to do with the fact that I’m standing here breathing because of you.” “Ah. So gratitude makes you rude? I’ll have to remember that if I’m in the area next time you get in a tight spot.
Kaylea Cross (Deadly Descent (Bagram Special Ops, #1))
Trans people are very often very funny. Jokes can be a defense mechanism, a trauma response; if you can make someone laugh before they remember that they hate people like you, you might get out of a 7-Eleven before they can hurt you.
Imogen Binnie (Nevada: A Novel)
very funny, and he laughed hard. Am I really stinko? On just three sips? He didn’t think so, but he was definitely high. No more. Enough was enough. “Drink responsibly,” he told the empty restaurant, and laughed. He’d hang out here for
Stephen King (The Bazaar of Bad Dreams)
A brick is a biographical film in which a young orphan brick from the wrong side of the track grows up to be one of the most important bricks in all brick kind, as it is now quite literally the cornerstone of one of America’s greatest ballparks.(Fenway)
Nicole Riekhof (A bit of rubbish about a Brick and a Blanket)
You might say the problem is with me and your readers will, I’m sure. There’s nothing so hateful as a woman who gets involved with another woman’s husband. Never mind the husband’s part: he was tricked or seduced, most likely, and it’s funny how men insist on power in all aspects of their lives except when it does not suit them, and then they’re content to be feeble and let the women take responsibility
Emma Stonex (The Lamplighters)
He has to pay people who have a sense of humor. Since he’s lacking one,” I added, when Ethan didn’t laugh. “I understood the joke, Merit,” he quietly said, sparkling emerald eyes on me as we began to sway. “I didn’t find it funny.” “Yes, well, your sense of humor leaves something to be desired.” Ethan spun me out and away, then pulled me back again. Stuck-up or not, I had to give him props—the boy could move. “My sense of humor is perfectly well developed,” he informed me when our bodies aligned again. “I merely have high standards.” “And yet you deign to dance with me.” “I’m dancing in a stately home with the owner’s daughter, who happens to be a powerful vampire.” Ethan looked down at me, brow cocked. “A man could do worse.” “A man could do worse,” I agreed. “But could a vampire?” “If I find one, I’ll ask him.” The response was corny enough that I laughed aloud, full and heartily, and had the odd, heart-clenching pleasure of watching him smile back, watching his green eyes shine with the delight of it.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
But he interrupted me. "None of that matters. And I think you're wrong anyway — I can't imagine not wanting you — note ever. You're smart and funny and I enjoy being with you even when we don't... when we're not... making love. When I was eight years old, I used to imagine that you were my girlfriend and that we'd run away together. And then you left and I'd lost my best friend, too. I used to dream about you coming back. As I got older, I... I began to understand the... the nature of my feelings for you better. I didn't think dreams could come true — but they have for me, Caro. Why are you so scared? I mean, forget all that legal bullshit... why do you keep trying to... I don't know, make me change my mind? What do you think I've got here that I wouldn't give up in a heartbeat to be with you? There's nothing to keep me here: I'll go anywhere, do anything to be with you." He sighed. "I know you have more to lose and I hate, hate that I'm responsible for that, but... Do you want to be with me? Forever. Sempre.
Jane Harvey-Berrick (The Education of Sebastian (The Education of..., #1))
Halt glared at his friend as the whistling continued. 'I had hoped that your new sense of responsibly would put an end to that painful shrieking noise you make between your lips' he said. Crowley smiled. It was a beautiful day and he was feeling at peace with the world. And that meant he was more than ready to tease Halt 'It's a jaunty song' 'What's jaunty about it?' Halt asked, grim faced. Crowley made an uncertain gesture as he sought for an answer to that question. 'I suppose it's the subject matter' he said eventually. 'It's a very cheerful song. Would you like me to sing it for you?' 'N-' Halt began but he was too late, as Crowley began to sing. He had a pleasant tenor voice, in fact, and his rendering of the song was quite good. But to Halt it was as attractive as a rusty barn door squeaking. 'A blacksmith from Palladio, he met a lovely lady-o' 'Whoa! Whoa!' Halt said 'He met a lovely lady-o?' Halt repeated sarcastically 'What in the name of all that's holy is a lady-o?' 'It's a lady' Crowley told him patiently. 'Then why not sing 'he met a lovely lady'?' Halt wanted to know. Crowley frowned as if the answer was blatantly obvious. "Because he's from Palladio, as the song says. It's a city on the continent, in the southern part of Toscana.' 'And people there have lady-o's, instead of ladies?' Asked Halt 'No. They have ladies, like everyone else. But 'lady' doesn't rhyme with Palladio, does it? I could hardly sing, 'A blacksmith from Palladio, he met his lovely lady', could I?' 'It would make more sense if you did' Halt insisted 'But it wouldn't rhyme' Crowley told him. 'Would that be so bad?' 'Yes! A song has to rhyme or it isn't a proper song. It has to be lady-o. It's called poetic license.' 'It's poetic license to make up a word that doesn't exist and which, by the way, sound extremely silly?' Halt asked. Crowley shook his head 'No. It's poetic license to make sure that the two lines rhyme with each other' Halt thought for a few seconds, his eyes knitted close together. Then inspiration struck him. 'Well then couldn't you sing 'A blacksmith from Palladio, he met a lovely lady, so...'?' 'So what?' Crowley challenged Halt made and uncertain gesture with his hands as he sought more inspiration. Then he replied. 'He met a lovely lady, so...he asked her for her hand and gave her a leg of lamb.' 'A leg of lamb? Why would she want a leg of lamb?' Crowley demanded Halt shrugged 'Maybe she was hungry
John Flanagan (The Tournament at Gorlan (Ranger’s Apprentice: The Early Years, #1))
Looking at a human being or even a picture of a human being is different from looking at an object. Newborn babies, only hours old, copy the expressions of adults. They pucker up, try to grin, look surprised, and stick out their tongues. The photographs of imitating infants are both funny and touching. They do not know they are doing it; this response is in them from the beginning. Later, people learn to suppress the imitation mechanism; it would not be good if we went on forever copying every facial expression we saw. Nevertheless, we human beings love to look at faces because we find ourselves there. When you smile at me, I feel a smile form on my own face before I am aware it is happening, and I smile because I am seeing me in your eyes and know that you like what you see.
Siri Hustvedt (Living, Thinking, Looking: Essays)
I heard Dominic practice Bronagh’s breathing tactics, and I wondered if I’d be taking care of him in the delivery ward as well as her. “I feel like I’m about to pass out.” Yep, I’m definitely going to be looking after him. “Keep breathing, you’ll be fine,” I assured him. “Where’s me sister?” “Why’re you telling Dominic to breathe?’ Ryder murmured. “He’s freakin’ out,” I whispered in response making him snicker.
L.A. Casey (Ryder (Slater Brothers, #4))
One viewer - a Mr. Dionne from California... fired off an angry, rambling letter, complaining haughtily that "the most disciplined attention I could give [The Cube] was a belch from the grave of Marcus Aurelius, occasioned, I might add, by the dead weight of its own dust caving in on itself." Two weeks later came Jim's one-sentence response: Dear Mr. Dionne: What the fuck are you talking about? Yours truly, JIM HENSON
Brian Jay Jones (Jim Henson: The Biography)
The West Sister Dating Rules were clear on the matter of apologies. On the evolutionary scale of dating, a guy who apologized solely for the sake of ending the argument and getting back into your good graces was on the level of primeval slime — especially if he was clearly doing so merely because he was hoping for sex. The proper response was to unveil the offender’s deceit by demanding he explain what exactly he was apologizing for, and then scorn him when he betrayed his ignorance.
Alex Gabriel (Love for the Cold-Blooded, or The Part-Time Evil Minion's Guide to Accidentally Dating a Superhero)
What’s so funny?” “You freak out when I disappear and reappear, but you expect me to stop time.” She laughed, too. “But why can’t you? You’re a god.” “Like I said, we have more responsibilities than freedoms. I doubt even Zeus could pull that one off.” From high above, a streak of light flew from the sky and struck a boulder not twenty feet from where they lay, sending sparks and smoke and a loud crack in all directions in the echoing valley. The boulder was split in half and was as black as coal. “Holy crap!” Therese cried, falling against Than. “What was that?” “Oops. My apologies,” he muttered, but it didn’t sound like he was talking to her. “I made someone angry.” “That scared me to death. Does that happen often?” “No. Never to me. But this is an exceptional time in my life.
Eva Pohler (The Gatekeeper's Sons (Gatekeeper's Saga, #1))
I think gender can take a lesson from sadomasochism (S/M): gender needs to be safe, sane, and consensual. Gender is not safe. If i change my gender, I'm at risk of homocide, suicide or a life devoid of half my responsibilities. If I'm born with a body that gives mixed gender signals, I'm at risk of being butchered - fixed, mutilated. Gender is not safe. And gender is not sane. It's not sane to call a rainbow black and white. It's not sane to demand we fit into one or the other only. It's not sane that we classify people in order to oppress them as women or glorify them as men. Gender is not sane. And gender is not consensual. We're born: a doctor assigns us a gender. It's documented by the state, enforced by the legal profession, sanctified by the church, and it's bought and sold in the media. We have no say in our gender - we're not allowed to question it, play with it, work it out with our friends, lovers or family. Gender is not consensual. Safe gender is being who and what we want to be when we want to be that, with no threat censure or violence. Safe gender is going as far in an direction as we wish with not threats to our health, or to anyone else's. Safe gender is not being pressured into passing, not having to lie, not having to hide. Sane gender is asking questions about gender - talking to people who do gender and opening up about our gender histories and our gender desires. Sane gender is probably very, very funny. Consensual gender is respecting each others definitions of gender , and respecting the intentions of others to be inclusive in their own time. Consensual gender is non violent in that it doesn't force its way in on anyone. Consensual gender opens its arms and welcomes all people as gender outcasts - whoever is willing to admit to it. Gender has a lot to learn from S/M.
Kate Bornstein (Gender Outlaw: On Men, Women and the Rest of Us)
Despite all their surface diversity, most jokes and funny incidents have the following logical structure: Typically you lead the listener along a garden path of expectation, slowly building up tension. At the very end, you introduce an unexpected twist that entails a complete reinterpretation of all the preceding data, and moreover, it's critical that the new interpretation, though wholly unexpected, makes as much "sense" of the entire set of facts as did the originally "expected" interpretation. In this regard, jokes have much in common with scientific creativity, with what Thomas Kuhn calls a "paradigm shift" in response to a single "anomaly." (It's probably not coincidence that many of the most creative scientists have a great sense of humor.) Of course, the anomaly in the joke is the traditional punch line and the joke is "funny" only if the listener gets the punch line by seeing in a flash of insight how a completely new interpretation of the same set of facts can incorporate the anomalous ending. The longer and more tortuous the garden path of expectation, the "funnier" the punch line when finally delivered.
V.S. Ramachandran
And it was this location that provides my second memory. (It must come after the first because in it I am now standing up.) I was bitten by a rabbit. Or rather, I was nibbled by a rabbit, but, because I was such a weedy, namby-pamby little pansy, I reacted as though I’d lost a limb. It was the sheer unfairness of it all that so upset me. One minute, I was saying, ‘Hello, Mr Bunny!’ and smiling at its sweet little face and funny floppy ears. The next, the fucker savaged me. It seemed so gratuitous. What, I asked myself, had I done to the rabbit to deserve this psychotic response?
John Cleese (So, Anyway...: The Autobiography)
Bucket had started his criminal career in Braas, not far from when Allan and his new friends now found themselves. There he had gotten together with some like-minded peers and started the motorcycle club called The Violence. Bucket was the leader; he decided which newsstand was to be robbed of cigarettes next. He was the one who has chosen the name- The Violence, in English, not swedish. And he was the one who unfortunately asked his girlfriend Isabella to sew the name of the motorcycle club onto ten newly stolen leather jackets. Isabella had never really learned to spell properly at school, not in Swedish, and certainly not in English. The result was that Isabella sewed The Violins on the jackets instead. As the rest of the club members had had similar academic success, nobody in the group noticed the mistake. So everyone was very surprised when one day a letter arrived for The Violins in Braas from the people in charge of the concert hall in Vaxjo. The letter suggested that, since the club obviously concerned itself with classical music, they might like to put in am appearance at a concert with the city’s prestigious chamber orchestra, Musica Viate. Bucket felt provoked; somebody was clearly making fun of him. One night he skipped the newsstand, and instead went into Vaxjo to throw a brick through the glass door of the concert hall. This was intended to teach the people responsible lesson in respect. It all went well, except that Bucket’s leather glove happened to follow the stone into the lobby. Since the alarm went off immediately, Bucket felt it would be unwise to try to retrieve the personal item in question. Losing the glove was not good. Bucket had traveled to Vaxjo by motorbike and one hand was extremely cold all the way home to Braas that night. Even worse was the fact that Bucket’s luckless girlfriend had written Bucket’s name and adress inside the glove, in case he lost it." For more quotes from the novel visit my blog: frommybooks.wordpress.com
Jonas Jonasson (The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared (The Hundred-Year-Old Man, #1))
When that woman stood up and said, “No, rape is not funny,” she did not consent to participating in a culture that encourages lax attitudes toward sexual violence and the concerns of women. Rape humor is what encourages a man to feel comfortable tweeting to Daniel Tosh, “the only ppl who are mad at you are the feminist bitches who never get laid and hope they get raped so they can get laid,” which is one of the idiotic, Pavlovian responses a certain kind of person has when women have the nerve to suggest that they don’t find sexual violence amusing. In that man’s universe, women who get properly laid are totally fine with rape humor. A satisfied vagina is a balm in Gilead.
Roxane Gay (Bad Feminist: Essays)
The door handle turned. Someone knocked, and a man's voice called, "Uh, hello?" Valkyrie looked at Skulduggery, looked back at the others, looked at Skulduggery again. "Hello," Skulduggery said, speaking loudly to be heard over the alarm. "Hi," said the man. "The door's locked." "Is it?" "Yes." "That's funny" said Skulduggery. "Hold on a moment." He reached out, jiggled the handle a few times, then stepped back. "Yes, it's locked. You wouldn't happen to have the key, would you?" There was a delay in response from the other side. "I'm sorry," the man called, "Who am I speaking with?" Skulduggery tilted his head. "Who am I speaking with?" "This is Oscar Nightfall." "Are you sure?" "What?" "Are you sure you are who you say you are? This is the Great Chamber, after all. It's a very important place for very important people. It is not beyond the realms of possibility that someone, and I'm not saying that this applies to you in particular, but someone could conceivably lie about who they are in order to gain access to this room. I have to be vigilant, especially now. There's a war on, you know." Oscar Nightfall sounded puzzled. Who are you?" "Me? I'm nobody. I'm a cleaner. I'm one of the cleaners. I was cleaning the thrones and the door shut behind me. Now I can't get out. Could you try and find a key?" "What's your name? Give me you name." "No. It's mine." "Tell me your name!" "My name is Oscar Nightfall." "What? No it isn't. That's my name." "Is it? Since when?" "Since I took it!" "You didn't ask me if you could take it. I was using it first." "Open this door immediately." "I don't have the key." "I'll fetch the Cleavers." "I found the key. It was in the keyhole. It's always the last place you look isn't it? I'm unlocking the door now. Here we go." Skulduggery relaxed the air pressure, opened the door, and pulled Oscar Nightfall inside. Valkyrie stuck out her foot, and Oscar stumbled over it and Vex shoved him to Ghastly and Ghastly punched him. Oscar fell down and didn't get up again. Skulduggery closed the door once more.
Derek Landy (Last Stand of Dead Men (Skulduggery Pleasant, #8))
I AM WRITING IN A time of great anxiety in my country. I understand the anxiety, but also believe America is going to be fine. I choose to see opportunity as well as danger. Donald Trump’s presidency threatens much of what is good in this nation. We all bear responsibility for the deeply flawed choices put before voters during the 2016 election, and our country is paying a high price: this president is unethical, and untethered to truth and institutional values. His leadership is transactional, ego driven, and about personal loyalty. We are fortunate some ethical leaders have chosen to serve and to stay at senior levels of government, but they cannot prevent all of the damage from the forest fire that is the Trump presidency. Their task is to try to contain it. I see many so-called conservative commentators, including some faith leaders, focusing on favorable policy initiatives or court appointments to justify their acceptance of this damage, while deemphasizing the impact of this president on basic norms and ethics. That strikes me as both hypocritical and morally wrong. The hypocrisy is evident if you simply switch the names and imagine that a President Hillary Clinton had conducted herself in a similar fashion in office. I’ve said this earlier but it’s worth repeating: close your eyes and imagine these same voices if President Hillary Clinton had told the FBI director, “I hope you will let it go,” about the investigation of a senior aide, or told casual, easily disprovable lies nearly every day and then demanded we believe them. The hypocrisy is so thick as to almost be darkly funny. I say this as someone who has worked in law enforcement for most of my life, and served presidents of both parties. What is happening now is not normal. It is not fake news. It is not okay.
James Comey (A Higher Loyalty: Truth, Lies, and Leadership)
She felt him relax and his voice softened. “Is that what this is all about? You feel like you can’t talk to me anymore? We haven’t changed; we’re still the same people.” She slipped her hands beneath the front of his shirt, slowly running her fingertips over his chest and back down to his waist. He turned in her arms and smiled, but his grin was filled with mocking suspicion. “Are you trying to distract me, Violet Ambrose?” “I guess you’re smarter than you look,” she teased as he pushed her backward so that they both fell on her bed. “And you are not as funny as you think you are.” His mouth hovered over hers, his arms tightening, crushing her against him. Violet giggled and tried to squirm free, but Jay wouldn’t let her. He kissed her throat, his lips teasing her until it wasn’t his grip that made it hard for Violet to breathe. “Oh, and Violet,” he whispered against her ear, his breath tickling her cheek, “I’m still your best friend. Don’t ever forget it.” His words were fervent and touching. Violet tried to think of a response that made sense, something appropriate, but all she could manage was: “Please. Don’t stop.” She didn’t mind begging if it meant getting her way. Apparently that was enough to satisfy Jay, and he kissed her possessively. Thoroughly. Deeply. He eased her back until she was lying against the pillows, and she waited for him to stop, to tell her that they’d gone far enough for tonight. But she didn’t want him to. She wanted him to keep going. She wanted him to touch her, to kiss her, to explore her. Her body ached for it. She reached for him, clinging so tightly that her fingers hurt. Everything inside of her hurt. Jay settled over her, covering her with his body, reacting to her. Violet wrapped her legs around him, pulling his hip closer, telling him with her every movement that she wanted him, that she wanted this. Now. “Are you sure?” Jay asked into the warm breath between them, barely lifting his mouth from hers. She nodded, but when she tried to speak, her voice trembled. She hoped he didn’t read it wrong. “Of course I am.” She was nervous and terrified and thrilled all at the same time. He smiled against her mouth, still kissing her, and she melted into him, unable to stop her heart from thundering. He reached around for his wallet. “I have a condom.” His voice was rough. Violet smiled. She’d been waiting for this moment for far too long not to be prepared, but she was happy to hear that he’d been considering it seriously also. “Me too,” she told him, reaching into her nightstand drawer and pulling out a handful of them. “I knew you’d give in.” He groaned, his lips moving to her neck as he tugged at his shirt and pulled it over his head. Violet thought he was beautiful. He was right for her; he always had been. And as he slowly slid her shirt up, his fingertips stroking her bare skin and making goose bumps prickle in the wake of his touch, she wondered why it had taken them so long to get to this place.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Miss Melbourne? “Yes, ma’am?” “You might want to do something about your neck.” I was totally lost. “My neck?” She reached into her purse and handed me a compact mirror. I opened it and surveyed my neck, still trying to figure out what she could be talking about. Then I saw it. A small, brownish purple bruise on the side of my neck. “What on earth is that?” I exclaimed. Ms. Terwilliger snorted. “Although it’s been a while for me, I believe the technical term is a hickey.” She paused and arched an eyebrow. “You do know what that is, don’t you?” “Of course I know!” I lowered the mirror. “But there’s no way—I mean, we barely—that is—” I have a hickey. I let Adrian Ivashkov give me a hickey. We had another minute before we would reach my dorm, so I sent a quick text to Adrian: "I have a hickey! You can’t ever kiss me again." I honestly hadn’t expected him to be awake this early, so I was surprised to get a response: "Okay. I won’t kiss you on your neck again." So typical of him. "No! You can’t ever kiss me ANYWHERE. You said you were going to keep your distance". "I’m trying," he wrote back. "But you won’t keep your distance from me."
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Would you like to hold my sword?" He asked the question with a gleam in his eyes. Lucy burst out laughing. At least she didn't giggle again. "You did not just say that. But, um, yeah, I'd like to hold your sword, Agent Riley." Hunter grinned and unzipped his backpack, pulling out something surprisingly small. He held it out to her, and noticed the disappointed look on her face. "Expecting something bigger?" She smirked at his continued play on words. She had a lifetime of training in verbal and physical sparring; he was no match for her. "They say size doesn't matter, but I disagree." Hunter, who apparently hadn't expected her response, choked on his own comeback and unsheathed the sword, then placed it in her hand. "You have to stroke it a certain way to make it bigger.
Kimberly Kinrade (Forbidden Life (Forbidden, #3))
Dear Mr. Chance and Ms. Brattle. Sorry about the mess. Great bed. Loved it. As a matter of fact, loved the whole house. Actually, I tried to kill your kids when I found them here. Yeah, funny story. Maybe not funny, hah hah.’” Astrid heard nervous laughter from the media people, or maybe just from the hotel staff who were hovering around the edges grabbing a glimpse of the Hollywood royalty. “‘Anyway, I missed and they got away. I don’t know what will happen to Sanjit and that stick-up-his butt Choo and the rest, but whatever happens next, it’s not on me. However . . .’” Astrid took a dramatic pause. “‘However, the rest of what happened was on me. Me, Caine Soren. You’ll probably be hearing a lot of crazy stories from kids. But what they didn’t know was that it was all me. Me. Me me. See, I had a power I never told anyone about. I had the power to make people do bad things. Crimes and whatnot. Especially Diana, who never did anything wrong on her own, by her own will, I mean. She—and the rest of them—were under my control. The responsibility is on me. I confess. Haul me away, officers.’” Astrid suddenly felt her throat tightening, although she’d read the letter many times already, and knew what it said. Rotten son of a . . . And then this. Redemption. Not a bad concept. Well, partial redemption. “It’s signed Caine Soren. And below that, ‘King of the FAYZ.’” It was a full confession. A lie: a blatant, not-very-convincing lie. But it would be just enough to make prosecutions very difficult. Caine’s role in the FAYZ, and the reality that strange powers had actually existed in that space, were widely known and accepted. Of course Caine had enjoyed writing it. It was his penultimate act of control. He was manipulating from beyond the grave.
Michael Grant (Light (Gone, #6))
Things changed after that between me and Mark. I stopped being mortified that people might mistake me for one of his acolytes. I was his Boswell, don’t you know. I interviewed him about his childhood—his father was a psychiarist in Beverly Hills. I cataloged the contents of his van. I followed him around at work, sitting in while he examined patients. He had been a bit of a prodigy when we were in college. After his father developed a tumor, Mark, who was pre-med, started studying cancer with an intensity that convinced many of his friends that his goal was to find a cure in time to save his father. As it turned out, his father didn’t have cancer. But Mark kept on with his cancer studies. His interest was not in fact in oncology—in finding a cure—but in cancer education and prevention. By the time he entered medical school, he had created, with another student, a series of college courses on cancer and coauthored The Biology of Cancer Sourcebook, the text for a course that was eventually offered to tens of thousands of students. He cowrote a second book, Understanding Cancer, that became a bestselling university text, and he continued to lecture throughout the United States on cancer research, education, and prevention. “The funny thing is, I’m not really interested in cancer,” Mark told me. “I’m interested in people’s response to it. A lot of cancer patients and suvivors report that they never really lived till they got cancer, that it forced them to face things, to experience life more intensely. What you see in family practice is that families just can’t afford to be superficial with each other anymore once someone has cancer. Corny as it sounds, what I’m really interested in is the human spirit—in how people react to stress and adversity. I’m fascinated by the way people fight back, by how they keep fighting their way to the surface.” Mark clawed at the air with his arms. What he was miming was the struggle to reach the surface through the turbulence of a large wave.
William Finnegan (Barbarian Days: A Surfing Life (Pulitzer Prize Winner))
You may attempt to defy me, but I assure you, it is a waste of your energy." He spoke gently, that mocking male superiority setting her teeth on edge. "I am your lifemate, cherie, and I will give any order I deem necessary for your safety." She thumped his chest hard with her clenched fist. "You make me so mad, Gregori! I'm trying very hard to get along with you and your arrogant orders. You don't even change expression! We could be discussing the weather instead of having a fight." His eyebrows shot up. "This is no fight, ma petite. A fight is where we both are angry and have a contest of wills,a battle.There cannot be such a thing between us.I do not feel anger when I look at you,only the need to care for you and protect you. I am responsible for your health and safety, Savannah. I can do no other than to protect you,even from your own folly.You cannot hope to win.I know this absolutely, so there is no reason to become agitated over the issue." She thumped him again.He looked startled, then caught her flying fist in his hand and gently pried her fingers open.Very carefully he pressed a kiss into the exact center of her palm. "Savannah? Were you trying to hit me?" "I did hit you-twice,you scum.You didn't even notice the first time." She sounded very irritated with him. For some reason it made him want to smile. "I apologize,mon amour. Next time,I promise I will notice when you strike me." The hard edge to his mouth softened into a semblance of a smile. "I will even go so far as to pretend that it hurts,if you wish it." Her blue eyes flashed at him. "Ha,ha, ha, you're so funny,Gregori. Stop being so smug." "It is not being smug to know my own power, cherie. I am trying to care for you as best I know how.YOu do not make it easy for me. I find myself making poor decisions just to see that smile on your face," he admitted reluctantly. Savannah laid her head on his chest. "I'm sorry I'm so much trouble, Gregori." She wasn't certain if that was the strict truth.She rather liked stirring him up.
Christine Feehan (Dark Magic (Dark, #4))
Mom?” Then again, louder. “Mom?” She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared. “I don’t feel good. Can I stay home today?” No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?” “I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again. “I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?” Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her. Funny things, though. Not scary things. “Can you tell me your name?” she repeated. “Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?” She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?” Something tightened in my chest to the point of snapping. “Mom, Mommy, why—” “Stop it,” she hissed, “stop calling me that!” “What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it. “We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—” “I live here!” I told her. “I live here! I’m Ruby!” When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby. “Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!” She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.” The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage. She hadn’t even turned on the light for me. I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
I said, "I want to wear something funny and cool. Marjorie, could I wear your sparkly baseball hat?" The three of us looked at Marjorie. Now I remember thinking that her answer could change everything back to the way it was; Dad could find a job and stop praying all the time and Mom could be happy and call Marjorie shellfish again and show us funny videos she found on YouTube, and we all could eat more than just spaghetti at dinner and, most important, Marjorie could be normal again. Everything would be okay if Marjorie would only say yes to me wearing the sparkly sequined baseball hat, the one she'd made in art class a few years ago. The longer we watched Marjorie and waited for her response, the more the temperature in the room dropped and I knew that nothing would ever be the same again. She stopped twisting her spaghetti around her fingers. She opened her mouth, and vomit slowly oozed out onto her spaghetti plate. Dad: "Jesus!" Mom: "Honey, are you okay?" She jumped out of her seat and went over to Marjorie, stood behind her, and held her hair up. Marjorie didn't react to either parent, and she didn't make any sounds. She wasn't retching or convulsing involuntarily like one normally does when throwing up. It just poured out of her as though her mouth was an opened faucet. The vomit was as green as spring grass, and the masticated pasta looked weirdly dry, with a consistency of mashed-up dog food. She watched Dad the whole time as the vomit filled her plate, some of it slopping over the edges and onto the table. When she finished she wiped her mouth on her sleeve. "No, Merry. You can't wear my hat." She didn't sound like herself. Her voice was lower, adult, and growly. "You might get something on it. I don't want you to mess it up." She laughed. Dad: "Marjorie..." Marjorie coughed and vomited more onto her too-full plate. "You can't wear the hat because you're going to die someday." She found a new voice, this one treacly baby-talk. "I don't want dead things wearing my very special hat.
Paul Tremblay (A Head Full of Ghosts)
Do you like my brother?" And there goes Dan's confidence. He keeps his eyes resolutely on the field. "Uh... yes? I mean... I think everyone likes your brother, don't they?" She leans over and gives him a little hip check. "No, you know what I mean. Do you /like/ him?" Dan just states out at the horses, hoping that one of them will do something, anything, to distract this girl from her question. But the horses just keep grazing and Tat continues. "'Cause he likes you. I mean, he likes Jeff, too, but... you can like two people at once, right?" "Uh... yes? I think you can like two people at once." "Yeah. I know it's none of my business or whatever, but... I just wanted to make sure you know... if you like him, that's cool with me. I mean, I like Jeff too, but... you know." Dan has a brief moment of wanting to shake her. No, he /doesn't/ know. Is everything really so clear to everyone but him? Is he just adding extra complications where they don't need to be? Then he remembers that he's talking to a fifteen-year-old girl. Maybe she shouldn't be the arbiter of what's simple or complicated. He realizes that she's still waiting for a response from him. "Okay, well... thanks for letting me know." "Are you guys going to, like... date?" "Sweet Jesus, Tat, I don't know!" Possibly that's a bit of an overreaction, but she looks more amused than upset. "All right, all right...." She gets a mischievous look in her eyes.
Kate Sherwood (Dark Horse (Dark Horse, #1))