Responsibilities Lady Quotes

You’ve got a lot of responsibility now,” Jace said to Julian. “You’ll have to make sure Emma winds up with a guy who deserves her.” Julian was strangely white-faced. Maybe he was feeling the effects of the ceremony, Emma thought. It had been strong magic; she still felt it sizzling through her blood like champagne bubbles. But Jules looked as if he’d been slapped. “What about me?” Emma said, quickly. “Don’t I have to make sure Jules winds up with someone who deserves him?” “Absolutely. I did it for Alec, Alec did it for me — well, actually, he hated Clary at first, but he came around.” “I BET you didn’t like Magnus much, either,” said Julian, still with the same odd, stiff look on his face. “Maybe not,” said Jace, “but I never would have said so.” “Because it would have hurt Alec’s feelings?” Emma asked. “No,” said Jace, “because Magnus would have turned me into a hat rack.

I'm here to tell you, though, ladies that the term "gold digger" is one of the traps we men set to keep you off our money trail; we created that term for you so that we can have all our money and still get everything we want from you without you asking for or expecting this very basic, instincual responsibility that men all over the world are obligated to assume and embrace. ... KNOW THIS: It is your right to expect that a man will pay for your dinner, your movie ticket, your club entry fee, or whatever else he has to pay for in exhange for your time.

It's not reasonable to love people who are only going to die," she said. Nash thought about that for a moment, stroking Small's neck with great deliberation, as if the fate of the Dells depended on that smooth, careful movement. "I have two responses to that," He said at last. "First, everyone is going to die. Second, love is stupid. It has nothing to do with reason. You love whomever you love. Against all reason I loved my father." He looked at her keenly. "Did you love yours?" "Yes," she whispered. He stroked Small's nose. "I love you," he said, "even knowing you'll never have me. And I love my brother, more than I ever realized before you came along. You can't help whom you love, Lady. Nor can you know what it's liable to cause you to do.

What's this about?" "Finally. Interest," was the only response. "If this is one of your tricks..." Like the time Torin had ordered hundreds of blow-up dolls and placed them throughout the fortress, all because Paris had foolishly complained about the lack of female companionship in town. The plastic "ladies" had stared our from every corner, their wide eyes and let-me-suck-you mouths taunting everyone who passed them. Things like that happened when Torin was bored.

I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are. Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?

Everyone loses their class when they travel through hell, but only a few will regain it if they remain humble and accept the part they played in their own misery.

The writer's only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies.

It's not reasonable to love people who are only going to die," she said. Nash thought about that for a moment, stroking Small's neck with great deliberation, as if the fate of the Dells depended on that smooth, careful movement. "I have two responses to that," he said finally. "First, everyone's going to die. Second, love is stupid. It has nothing to do with reason. You love whomever you love. Against all reasons I loved my father." He looked at her keenly. "Did you love yours?" "Yes," she whispered. He stroked Small's nose. "I love you," he said, "even knowing you'll never have me. And I love my brother, more than I ever realized before you came along. You can't help whom you love, Lady. Nor can you know what it's liable to cause you to do." She made a connection then. Surprised she sat back from him and studied his face, soft with shadows and light. She saw a part of him she hadn't seen before. "You came to me for lessons to guard your mind," she said, "and you stopped asking me to marry you, both at the same time. You did those things out of love for your brother." "Well" he said, looking a bit sheepishly at the floor. "I also took a few swings at him, but that's neither here nor there." "You're good at love," she said simply, because it seemed to her that it was true. "I'm not so good at love. I'm like a barbed creature. I push everyone I love away." He shrugged. "I don't mind you pushing me away if it means you love me, little sister.

life responsibilities in the right order: God, family, education, and then business.

Ian’s the black sheep.” “I thought I was the black sheep,” said Seth, sounding almost hurt. “No. You’re the unfocused artistic one. I’m the responsible one. Ian’s the wild, hedonistic one.” “What’s hedonistic?” asked Kendall. Her father considered. “It means you run up a lot of credit card bills you can’t pay, change jobs a lot, and have a lot of…lady friends.

Men sometimes have to leave their ladies alone, and ladies are not responsible for the bad manners of fools.

Don’t make trouble at the pub tonight, Wayne,” the man intoned in response. “My temper is really short.” “Temper?” Wayne said, passing him. “That’s a funny name for it, mate, but if the ladies like you givin’ silly names to your body parts, I ain’t gonna say nothin’.

I think I know the perfect prayer.” I twirled a dandelion before my face and closed my eyes. “God, give me exactly what I would ask for if I knew everything you know.” His eyes sparkled in response. “Brilliant.

Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?

Why did you pull the arrow out?” she demanded, pulling her sweater over her head. She had a tank top on under it. She patted his chest and side with the sweater, absorbing as much of the blood as she could. Jules’s breath was coming in harsh pants. “Because when someone—shoots you with an arrow—” he gasped, “your immediate response is not—‘Thanks for the arrow, I think I’ll keep it for a while.’” “Good to know your sense of humor is intact.

Oh my God! I'm engaged! I'm marrying Cole!" "What?!" Livia squeezed her sister hard. "Let me see. When did this happen? Did you tell Dad? When is it going to be? How did he propose?" The men stopped their congratulatory handshake to stare at the speed-talking ladies. "Last night, not yet, four weeks from today, naked!" Kyle blurted in response The girls became a moving, jumping circle of hug. "Cole, you popped the question in your birthday suit?" Blake teased. Cole put his face in his hands. "Did not think she would share that bit of information.

My, my," he said, looking the note over. "If only students would write this much in their essays. One of you has considerably worse writing than the other, so forgive me if I get anything wrong here." He cleared his throat."'So, I saw J last night,' begins the person with bad handwriting, to which the response is,'What happened,' followed by no fewer than five question marks. Understandable, since sometimes one—let alone four—just won't get the point across, eh?" The class laughed, and I noticed Mia throwing me a particularly mean smile. "The first speaker responds:'What do you think happened? We hooked up in one of the empty lounges.'“ Mr. Nagy glanced up after hearing some more giggles in the room. His British accent only added to the hilarity. "May I assume by this reaction that the use of 'hook up' pertains to the more recent, shall we say,carnal application of the term than the tamer one I grew up with?” More snickers ensued. Straightening up, I said boldly, "Yes, sir, Mr. Nagy. That would be correct, sir." A number of people in the class laughed outright. "Thank you for that confirmation, Miss Hathaway. Now, where was I? Ah yes, the other speaker then asks,'How was it?' The response is,'Good,' punctuated with a smiley face to confirm said adjective. Well. I suppose kudos are in order for the mysterious J, hmmm?'So, like, how far did you guys go?' Uh, ladies," said Mr. Nagy, "I do hope this doesn't surpass a PG rating.'Not very.We got caught.'And again, we are shown the severity of the situation, this time through the use of a not-smiling face.'What happened?' 'Dimitri showed up. He threw Jesse out and then bitched me out.'“ The class lost it, both from hearing Mr. Nagy say "bitched" and from finally getting some participants named. "Why, Mr.Zeklos, are you the aforementioned J? The one who earned a smiley face from the sloppy writer?

I think a lot about queer villains, the problem and pleasure and audacity of them. I know I should have a very specific political response to them. I know, for example, I should be offended by Disney’s lineup of vain, effete ne’er-do-wells (Scar, Jafar), sinister drag queens (Ursula, Cruella de Vil), and constipated, man-hating power dykes (Lady Tremaine, Maleficent). I should be furious at Downton Abbey’s scheming gay butler and Girlfriend’s controlling, lunatic lesbian, and I should be indignant about Rebecca and Strangers on a Train and Laura and The Terror and All About Eve, and every other classic and contemporary foppish, conniving, sissy, cruel, humorless, depraved, evil, insane homosexual on the large and small screen. And yet, while I recognize the problem intellectually—the system of coding, the way villainy and queerness became a kind of shorthand for each other—I cannot help but love these fictional queer villains. I love them for all of their aesthetic lushness and theatrical glee, their fabulousness, their ruthlessness, their power. They’re always by far the most interesting characters on the screen. After all, they live in a world that hates them. They’ve adapted; they’ve learned to conceal themselves. They’ve survived.

Even if you love a lady, don't say you will take care of her while someone else is catering for your needs.

He pierced her with a look. “I thought we had an agreement. I keep my men away from your ladies, and you keep your distance from me. You’re not holding your end of the bargain.” “It’s but a momentary interruption. Just this once.” “Just this once?” He made a dismissive noise, rifling through papers. “What about just now in the church?” “Very well, twice.” “Try again.” He stacked his papers and looked up, devouring her with his intent green gaze. “You invaded my dreams at least a half-dozen times last night. When I’m awake, you keep traipsing through my thoughts. Sometimes you’re barely clothed. What excuse can you make for that?” She stammered to form a response, her tongue tripping against her teeth. “I . . . I would never traipse.” Idiotic reply. “Hm.” He tilted his head and regarded her thoughtfully. “Would you saunter?

Well,' said Can o' Beans, a bit hesitantly,' imprecise speech is one of the major causes of mental illness in human beings.' Huh?' Quite so. The inability to correctly perceive reality is often responsible for humans' insane behavior. And every time they substitute an all-purpose, sloppy slang word for the words that would accurately describe an emotion or a situation, it lowers their reality orientations, pushes them farther from shore, out onto the foggy waters of alienation and confusion.' The manner in which the other were regarding him/her made Can O' Beans feel compelled to continue. 'The word neat, for example, has precise connotations. Neat means tidy, orderly, well-groomed. It's a valuable tool for describing the appearance of a room, a hairdo, or a manuscript. When it's generically and inappropriately applied, though, as it is in the slang aspect, it only obscures the true nature of the thing or feeling that it's supposed to be representing. It's turned into a sponge word. You can wring meanings out of it by the bucketful--and never know which one is right. When a person says a movie is 'neat,' does he mean that it's funny or tragic or thrilling or romantic, does he mean that the cinematography is beautiful, the acting heartfelt, the script intelligent, the direction deft, or the leading lady has cleavage to die for? Slang possesses an economy, an immediacy that's attractive, all right, but it devalues experience by standardizing and fuzzing it. It hangs between humanity and the real world like a . . . a veil. Slang just makes people more stupid, that's all, and stupidity eventually makes them crazy. I'd hate to ever see that kind of craziness rub off onto objects.

Steel squared her shoulders. "Ladies, and gentlemen, are are no' at home to Mr Fuckup today. Who are we no' at home to?" The response wasn't much more than an embarrassed murmur. "Mr Fuckup." "I CAN'T HEAR YOU! WHO ARE WE NO' AT HOME TO?" Better this time: "Mr Fuckup." "ONE MORE TIME!" They bellowed it out: "WE ARE NOT AT HOME TO MR FUCKUP!" "Damn right we're no'." She smiled, nodded. "Now get out there and catch me those bloody killers.

Because when someone-shoots you with an arrow-"he gasped, "your immediate response is not 'Thanks for the arrow, I think I'll keep it for a while.

Listen to me, you bastard." "No," Gabriel said. This simple response left Ash nonplussed. But fuming. "I'm listening to exactly one person in this room," Gabriel said evenly. "It isn't you. The lady can speak for herself." Oh. Penny's heart fluttered in her chest. If by chance, he did mean to seduce her, repeating that sentence fifty times over might do the trick.

A sense of responsibility— or was it guilt?— hung over me, that I was in some way at fault because of cowering to all these pompous men all these years, when I should have had the bravery to reclaim my own mind. That if we women had done this years ago, before the last war, before this one, we’d be in a very different world.

The writer's only responsibility is to his art. He will be completely ruthless if he is a good one... If a writer has to rob his mother, he will not hesitate; the Ode on a Grecian Urn is worth any number of old ladies.

Am I going to be blessed with the pleasure of hearing your voice, or have you resolved to be silent for the duration of our journey?” “I’m afraid your questions didn’t merit a verbal response.” Dorian bowed low. “Then I apologize, my lady! How terrible it must be to condescend to answer! Next time, I’ll try to think of something more stimulating to say.

The challenge we now face is to build on the record of the past, to continue accepting new responsibilities and seeking new opportunities to serve.

Å, forstår du da ikke, at forvandlingen kom, - at forvandlingen måtte komme - da jeg fik vælge i frihed.

In the days before deathly contrivances hustled them through their lives, and when they had no telephones—another ancient vacancy profoundly responsible for leisure—they had time for everything: time to think, to talk, time to read, time to wait for a lady!

Dandy," Martin replied, once again pleased with his response. A girl can make a guy feel good, great, and even fabulous, but how often does a lady hear that her man is feeling dandy? Not often, he guessed.

From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it’s a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what’s right for us? Every shrink, every career counselor, every Disney princess knows the answer: “Be yourself.” “Follow your heart.” Only here’s what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can’t be trusted—? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight towards a beautiful flare of ruin, self-immolation, disaster?

For those of us with a bookish bent, reading is a reflexive response to everything. This is how we deal with the world and anything that comes our way. We have always known that there is a book for every occasion and every obsession. When in doubt, we are always looking things up.

There was a line from The Lady in the Lake I could have quoted him: “Police business is a hell of a problem. It’s a good deal like politics. It asks for the highest type of men, and there’s nothing in it to attract the highest type of men.” When Jake recognized that he had failed to live up to his responsibility to uphold that law, he had resigned. He had had the honor and the courage to step away. Not every man had that in him; I thought probably very few men did.

In my opinion, most of us have not been taught how to be responsible for our thoughts and feelings. I see this strongly in the widespread tendency to read books and stories as if they exist to confirm how we are supposed to be, think, and feel. I'm not talking about wacky political correctness, I'm talking mainstream.... Ladies and gentlemen, please. Stop asking, "What am I supposed to feel?" Why would an adult look to me or any other writer to tell him or her what to feel? You're not supposed to feel anything. You feel what you feel. Where you go with it is your responsibility. If a writer chooses to aggressively let you know what he or she feels, where you go with it is still your responsibility.

He told him about his routines, how they had started out as a comfort and became a prison. (He was about to say that a very nice lady had helped him out of it. But it was himself who had done it...He was responsible for the change in his life.)

A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are. Because—isn’t it drilled into us constantly, from childhood on, an unquestioned platitude in the culture—? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it’s a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what’s right for us? Every shrink, every career counselor, every Disney princess knows the answer: “Be yourself.” “Follow your heart.” Only here’s what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can’t be trusted—? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight towards a beautiful flare of ruin self-immolation, disaster? Is Kitsey right? If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you?

Why did you pull the arrow out?” “Because when someone shoots you with an arrow, you immediate response is not “Thanks for the arrow, I think I’ll keep it for a while.

You are no more responsible for what that man said than I am. You cannot take the blame for another's actions.

When Dr. Samuel Johnson had completed the first real dictionary of the English language, he was visited by a delegation of respectable old ladies who wished to congratulate him for not including any indecent words. His response—which was that he was interested to see that the ladies had been looking them up—contains almost all that needs to be said on this point.

What is the next thing you need for leadership? It is the ability to make up your mind to make a decision and accept full responsibility for that decision. Have you ever wondered why people do not make a decision? The answer is quite simple. It is because they lack professional competence, or they are worried that their decision may be wrong and they will have to carry the can. Ladies and Gentlemen, according to the law of averages, if you take ten decisions, five ought to be right. If you have professional knowledge and professional competence, nine will be right, and the one that might not be correct will probably be put right by a subordinate officer or a colleague. But if you do not take a decision, you are doing something wrong. An act of omission is much worse than an act of commission. An act of commission can be put right. An act of omission cannot.

Ladies and Gentlemen! Silence please!" Every one was startled. They looked round-at each other, at the walls. Who was speaking? The Voice went on- a high clear voice. You are charged with the following indictments: Edward George Armstrong, that you did upon the 14th day of March, 1925, cause the death of Louisa Mary Clees. Emily Caroline Brent, that upon the 5th November, 1931, you were responsible for the death of Beatrice Taylor. William Henry Blore, that you brought about the death of James Stephen Landor on October 10th, 1928. Vera Elizabeth Claythorne, that on the 11th day of August, 1935, you killed Cyril Ogilvie Hamilton. Philip Lombard, that upon a date in February, 1932, you were guilty of the death of twenty-one men, members of an East African tribe. John Gordon Macarthur, that on the 4th of January, 1917, you deliberately sent your wife's lover, Arthur Richmond, to his death. Anthony James Marston, that upon the 14th day of November last, you were guilty of murder of John and Lucy Combes. Thomas Rogers and Ethel Rogers, that on the 6th of May, 1929, you brought about the death of Jennifer Brady. Lawrence John Wargrave, that upon the 10th day of June, 1930, you were guilty of the murder of Edward Seton. Prisoners at the bar, have you anything to say in your defense?

My Lady, you certainly tell me about wonderful constancy, strength and virtue and firmness of women, so can one say the same thing about men? (...) Response [by Lady Rectitude]: "Fair sweet friend, have you not yet heard the saying that the fool sees well enough a small cut in the face of his neighbour, but he disregards the great gaping one above his own eye? I will show you the great contradiction in what the men say about the changeability and inconstancy of women. It is true that they all generally insist that women are very frail [= fickle] by nature. And since they accuse women of frailty, one would suppose that they themselves take care to maintain a reputation for constancy, or at the very least, that the women are indeed less so than they are themselves. And yet, it is obvious that they demand of women greater constancy than they themselves have, for they who claim to be of this strong and noble condition cannot refrain from a whole number of very great defects and sins, and not out of ignorance, either, but out of pure malice, knowing well how badly they are misbehaving. But all this they excuse in themselves and say that it is in the nature of man to sin, yet if it so happens that any women stray into any misdeed (of which they themselves are the cause by their great power and longhandedness), then it's suddenly all frailty and inconstancy, they claim. But it seems to me that since they do call women frail, they should not support that frailty, and not ascribe to them as a great crime what in themselves they merely consider a little defect.

Do you mind not intoning the responses, Jeeves?" I said. "This is a most complicated story for a man with a headache to have to tell, and if you interrupt you'll make me lose the thread. As a favour to me, therefore, don't do it. Just nod every now and then to show that you're following me." I closed my eyes and marshalled the facts. "To start with then, Jeeves, you may or may not know that Mr Sipperley is practically dependent on his Aunt Vera." "Would that be Miss Sipperley of the Paddock, Beckley-on-the-Moor, in Yorkshire, sir?" "Yes. Don't tell me you know her!" "Not personally, sir. But I have a cousin residing in the village who has some slight acquaintance with Miss Sipperley. He has described her to me as an imperious and quick-tempered old lady. ... But I beg your pardon, sir, I should have nodded." "Quite right, you should have nodded. Yes, Jeeves, you should have nodded. But it's too late now.

Everybody in a village had a role to play in bringing up a child—and cherishing it—and in return that child would in due course feel responsible for everybody in that village. That is what makes life in society possible. We must love one another and help one another in our daily lives. That was the traditional African way and there was no substitute for it. None.

Wouldst like to con a glimmer with me this early black?’, which he [Cab Calloway] helpfully explains as ‘the proper way to ask a young lady to go to the movies’. It should be noted here, that if the object of your affections replies ‘Kill me’, they are not requesting to be euthanatised and you should not actually murder them. Kill me is merely the Cab Calloway way of saying ‘Show me a good time’ and is the best response you could have hoped for. Jive was rather confusing in this way.

(Somalia) was a watershed," said one State Department official, "The idea used to be that terrible countries were terrible because good, decent, innocent people were being oppressed by evil, thuggish leaders. Somalia changed that. Here you have a country where just about everybody is caught up in hatred and fighting. You stop an old lady on the street and ask her if she wants peace, and she’ll say, yes, of course, I pray for it daily. All the things you’d expect her to say. Then ask her if she would be willing for her clan to share power with another in order to have that peace, and she’ll say, 'With those murderers and thieves? I’d die first.' People in these countries - Bosnia is a more recent example - don’t want peace. They want victory. They want power. Men, women, old and young. Somalia was the experience that taught us that people in these places bear much of the responsibility for things being the way they are. The hatred and the killing continues because they want it to. Or because they don’t want peace enough to stop it." (pg 334-335)

Yes. Mind you, sociopaths experience many of the same needs we all do," Hetheridge continued. "They attend school, maintain jobs. I believe they can even love, in the way little children love—a combination of wanting and demanding. But sociopaths have no conscience, no innate sense of responsibility toward others. They cannot believe other people have separate lives beyond the sociopath's own needs and expectations. Sociopaths are incapable of empathy, though the more intelligent ones are frequently able to fake it. And that's the key.

Mr. Brundy, you are no doubt as well acquainted with my circumstances as I am with yours, so let us not beat about the bush. I have a fondness for the finer things in life, and I suppose I always will. As a result, I am frightfully expensive to maintain. I have already bankrupted my father, and have no doubt I should do the same to you, should you be so foolhardy as to persist in the desire for such a union. Furthermore, I have a shrewish disposition and a sharp tongue. My father, having despaired of seeing me wed to a gentleman of my own class, has ordered me to either accept your suit or seek employment. If I married you, it would be only for your wealth, and only because I find the prospect of marriage to you preferable –but only slightly!- to the life of a governess or a paid companion. If, knowing this, you still wish to marry me, why, you have only to name the day.” Having delivered herself of this speech, Lady Helen waited expectantly for Mr. Brundy’s stammering retraction. Her suitor pondered her words for a long moment, then made his response. “’ow about Thursday?

By the time I had gathered my wits sufficiently to press the point the lamps had guttered out and Brisbane was sleeping heavily fatigued by his effortshighly successful efforts I must confessto divert me from the investigation. I lay awake physically satisfied but deeply annoyed. Even after nine months of marriage I was still not entirely comfortable with my responses to his physical overtures. The merest touch from him and all reasonable though seemed to fly out of my head. It was most disconcerting and more so because he apparently knew it I thought irritable.

Classic Insults—The exchange between Churchill & Lady Astor:     She said, "If you were my husband I'd poison your tea."     He said, "If you were my wife, I'd drink it." "I am enclosing two tickets to the first night of my new play; bring a friend.... if you have one." - George Bernard Shaw to Winston Churchill     "Cannot possibly attend first night, will attend second... if there is one." - Winston Churchill, in response.

What is it? For God’s sake, what is it about me you find so intolerable? So wretchedly unbearable you can’t even stand to be in the same room?” He muttered an oath. “Stop provoking me. You won’t like the answer.” “I want to hear it anyhow.” He plunged one hand into her hair, startling a gasp from her lips. Strong fingers curled to cup the back of her head. His eyes searched her face, and every nerve ending in her body crackled with tension. The sinking sun threw a last flare of red-orange light between them, setting the moment ablaze. “It’s this.” With a flex of his arm, he pulled her into a kiss. And he kissed her the way he did everything. Intensely, and with quiet force. His lips pressed firm against hers, demanding a response.

It made me think of the nice old Marimekko-clad ladies I sometimes went to see in the Ritz Tower: gravel-voiced, turban-wearing, panther-braceleted widows looking to move to Miami, their apartments filled with smoked-glass and chromed-steel furniture that, in the seventies, they'd purchased through their decorators for the price of a good Queen Anne--but (I was responsible for telling them, reluctantly) had not held its value and could not be re-sold at even half what they'd bought it for.

Birthdays are a time when one stock takes, which means, I suppose, a good spineless mope: I scan my horizon and can discern no sail of hope along my own particular ambition. I tell you what it is: I'm quite in accord with the people who enquire 'What is the matter with the man?' because I don't seem to be producing anything as the years pass but rank self indulgence. You know that my sole ambition, officially at any rate, was to write poems & novels, an activity I never found any difficulty fulfilling between the (dangerous) ages of 17-24: I can't very well ignore the fact that this seems to have died a natural death. On the other hand I feel regretful that what talents I have in this direction are not being used. Then again, if I am not going to produce anything in the literary line, the justification for my selfish life is removed - but since I go on living it, the suspicion arises that the writing existed to produce the life, & not vice versa. And as a life it has very little to recommend it: I spend my days footling in a job I care nothing about, a curate among lady-clerks; I evade all responsibility, familial, professional, emotional, social, not even saving much money or helping my mother. I look around me & I see people getting on, or doing things, or bringing up children - and here I am in a kind of vacuum. If I were writing, I would even risk the fearful old age of the Henry-James hero: not fearful in circumstance but in realisation: because to me to catch, render, preserve, pickle, distil or otherwise secure life-as-it-seemed for the future seems to me infinitely worth doing; but as I'm not the entire morality of it collapses. And when I ask why I'm not, well, I'm not because I don't want to: every novel I attempt stops at a point where I awake from the impulse as one might awake from a particularly-sickening nightmare - I don't want to 'create character', I don't want to be vivid or memorable or precise, I neither wish to bathe each scene in the lambency of the 'love that accepts' or be excoriatingly cruel, smart, vicious, 'penetrating' (ugh), or any of the other recoil qualities. In fact, like the man in St Mawr, I want nothing. Nothing, I want. And so it becomes quite impossible for me to carry on. This failure of impulse seems to me suspiciously like a failure of sexual impulse: people conceive novels and dash away at them & finish them in the same way as they fall in love & will not be satisfied till they're married - another point on which I seem to be out of step. There's something cold & heavy sitting on me somewhere, & until something budges it I am no good.

Halt glared at his friend as the whistling continued. 'I had hoped that your new sense of responsibly would put an end to that painful shrieking noise you make between your lips' he said. Crowley smiled. It was a beautiful day and he was feeling at peace with the world. And that meant he was more than ready to tease Halt 'It's a jaunty song' 'What's jaunty about it?' Halt asked, grim faced. Crowley made an uncertain gesture as he sought for an answer to that question. 'I suppose it's the subject matter' he said eventually. 'It's a very cheerful song. Would you like me to sing it for you?' 'N-' Halt began but he was too late, as Crowley began to sing. He had a pleasant tenor voice, in fact, and his rendering of the song was quite good. But to Halt it was as attractive as a rusty barn door squeaking. 'A blacksmith from Palladio, he met a lovely lady-o' 'Whoa! Whoa!' Halt said 'He met a lovely lady-o?' Halt repeated sarcastically 'What in the name of all that's holy is a lady-o?' 'It's a lady' Crowley told him patiently. 'Then why not sing 'he met a lovely lady'?' Halt wanted to know. Crowley frowned as if the answer was blatantly obvious. "Because he's from Palladio, as the song says. It's a city on the continent, in the southern part of Toscana.' 'And people there have lady-o's, instead of ladies?' Asked Halt 'No. They have ladies, like everyone else. But 'lady' doesn't rhyme with Palladio, does it? I could hardly sing, 'A blacksmith from Palladio, he met his lovely lady', could I?' 'It would make more sense if you did' Halt insisted 'But it wouldn't rhyme' Crowley told him. 'Would that be so bad?' 'Yes! A song has to rhyme or it isn't a proper song. It has to be lady-o. It's called poetic license.' 'It's poetic license to make up a word that doesn't exist and which, by the way, sound extremely silly?' Halt asked. Crowley shook his head 'No. It's poetic license to make sure that the two lines rhyme with each other' Halt thought for a few seconds, his eyes knitted close together. Then inspiration struck him. 'Well then couldn't you sing 'A blacksmith from Palladio, he met a lovely lady, so...'?' 'So what?' Crowley challenged Halt made and uncertain gesture with his hands as he sought more inspiration. Then he replied. 'He met a lovely lady, so...he asked her for her hand and gave her a leg of lamb.' 'A leg of lamb? Why would she want a leg of lamb?' Crowley demanded Halt shrugged 'Maybe she was hungry

Can you please stop talking so I can go back to enjoying Daniel Craig’s outrageously good body?” “That’s so gay,” JP said. “I’m a girl,” said the Duke. “It’s not gay for me to be attracted to men. Now, if I said you had a hot body, that would be gay, because you’re built like a lady.” “Oh, burn,” I said. The Duke raised her eyes at me and said, “Although JP’s a freaking paragon of masculinity compared to you.” I had no response to that. “Keun is at work,” I said. “He gets paid double on Christmas Eve.” “Oh, right,” said JP. “I forgot that Waffle Houses are like Lindsay Lohan’s legs: always open.

We could come up with a reasonable explanation for your wearing it. Would that help?" wheedled Sophronia. "Justification for my trotting around wearing a lady's undergarments? I hardly see how." Soap's eyes were sparkling with amusement, and Vieve was dimpling openly at the very idea of Pillover in a skirt. Pillover stood holding the petticoat between thumb and forefinger as if it were contaminated with some dreaded chemical. "Go on, pull it on over you clothes and go out there," Sophronia urged. "You could say you were running some experiment dangerous to your nether regions," suggested Vieve. "You could say you were testing the response time of the maid mechanicals," suggested Sophronia. "You could say you like ladies' undergarments," suggested Soap. "I'm doomed." Pillover rolled his eyes and flapped the petticoat.

Don’t you wish to marry?” At Pandora’s lack of response, she pressed impatiently, “Well?” Pandora glanced at Kathleen for guidance. “Should I say the conventional thing or the honest thing?” Lady Berwick replied before Kathleen was able. “Answer honestly, child.” “In that case,” Pandora said, “No, I don’t wish to marry, ever. I like men quite well—at least the ones I’ve been acquainted with—but I shouldn’t like to have to obey a husband and serve his needs. It wouldn’t make me at all happy to have a dozen children, and stay at home knitting while he goes out romping with his friends. I would rather be independent.

Toot showed me how to balance a checkbook and resist buying stuff I didn’t need. She was the reason why, even in my most revolutionary moments as a young man, I could admire a well-run business and read the financial pages, and why I felt compelled to disregard overly broad claims about the need to tear things up and remake society from whole cloth. She taught me the value of working hard and doing your best even when the work was unpleasant, and about fulfilling your responsibilities even when doing so was inconvenient. She taught me to marry passion with reason, to not get overly excited when life was going well, and to not get too down when it went badly. All this was instilled in me by an elderly, plainspoken white lady from Kansas. It was her perspective that often came to mind when I was campaigning, and her worldview that I sensed in many of the voters I encountered, whether in rural Iowa or in a Black neighborhood in Chicago, that same quiet pride in sacrifices made for children and grandchildren, the same lack of pretension, the same modesty of expectations.

People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….] I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors: Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space. […] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!

Begin your day by dedicating the entire day to the Lord.” Papa had a whole speech. “Then when things seem to go haywire, you will remember that whatever the problem is, it’s there because God allowed it and you will see it as simply another way to glorify Him, another opportunity to praise Him. When you take responsibility for the day yourself, though, and things go wrong, you get upset and bent out of shape and start looking for people to blame.

When choosing a life partner, do not leave anything to chance. If a young girl gets pregnant for you, it is not enough reason to marry her. You should take responsibility and care for the young child and mum as far as you can, but, that shouldn't be a compulsion towards matrimony! If you are the lady, you must decide if you would ordinarily marry this young man if there were no pregnancies. If no, move on. When choosing a life partner, look as far into the future as you can and see what is required in the goal you have chosen to pursue and get someone who is as hungry and as interested in those goals as you. When choosing a life partner, LEAVE NOTHING TO DOUBT AND CHANCE.

It was the kind of upheaval, smack in the middle of adulthood, which was messy enough to make me consider, back then, the wisdom of early marriage. When we’re young, after all, our lives are so much more pliant, can be joined without too much fuss. When we grow on our own, we take on responsibility, report to bosses, become bosses; we get our own bank accounts, acquire our own debts, sign our own leases. The infrastructure of our adulthood takes shape, connects to other lives; it firms up and gets less bendable. The prospect of breaking it all apart and rebuilding it elsewhere becomes a far more daunting project than it might have been had we just married someone at twenty-two, and done all that construction together. The

I know this may be a disappointment for some of you, but I don’t believe there is only one right person for you. I think I fell in love with my wife, Harriet, from the first moment I saw her. Nevertheless, had she decided to marry someone else, I believe I would have met and fallen in love with someone else. I am eternally grateful that this didn’t happen, but I don’t believe she was my one chance at happiness in this life, nor was I hers. Another error you might easily make in dating is expecting to find perfection in the person you are with. The truth is, the only perfect people you might know are those you don’t know very well. Everyone has imperfections. Now, I’m not suggesting you lower your standards and marry someone with whom you can’t be happy. But one of the things I’ve realized as I’ve matured in life is that if someone is willing to accept me—imperfect as I am—then I should be willing to be patient with others’ imperfections as well. Since you won’t find perfection in your partner, and your partner won’t find it in you, your only chance at perfection is in creating perfection together. There are those who do not marry because they feel a lack of “magic” in the relationship. By “magic” I assume they mean sparks of attraction. Falling in love is a wonderful feeling, and I would never counsel you to marry someone you do not love. Nevertheless—and here is another thing that is sometimes hard to accept—that magic sparkle needs continuous polishing. When the magic endures in a relationship, it’s because the couple made it happen, not because it mystically appeared due to some cosmic force. Frankly, it takes work. For any relationship to survive, both parties bring their own magic with them and use that to sustain their love. Although I have said that I do not believe in a one-and-only soul mate for anyone, I do know this: once you commit to being married, your spouse becomes your soul mate, and it is your duty and responsibility to work every day to keep it that way. Once you have committed, the search for a soul mate is over. Our thoughts and actions turn from looking to creating. . . . Now, sisters, be gentle. It’s all right if you turn down requests for dates or proposals for marriage. But please do it gently. And brethren, please start asking! There are too many of our young women who never go on dates. Don’t suppose that certain girls would never go out with you. Sometimes they are wondering why no one asks them out. Just ask, and be prepared to move on if the answer is no. One of the trends we see in some parts of the world is our young people only “hanging out” in large groups rather than dating. While there is nothing wrong with getting together often with others your own age, I don’t know if you can really get to know individuals when you’re always in a group. One of the things you need to learn is how to have a conversation with a member of the opposite sex. A great way to learn this is by being alone with someone—talking without a net, so to speak. Dates don’t have to be—and in most cases shouldn’t be—expensive and over-planned affairs. When my wife and I moved from Germany to Salt Lake City, one of the things that most surprised us was the elaborate and sometimes stressful process young people had developed of asking for and accepting dates. Relax. Find simple ways to be together. One of my favorite things to do when I was young and looking for a date was to walk a young lady home after a Church meeting. Remember, your goal should not be to have a video of your date get a million views on YouTube. The goal is to get to know one individual person and learn how to develop a meaningful relationship with the opposite sex.

Ladies and Gentlemen - I'm only going to talk to you just for a minute or so this evening. Because... I have some very sad news for all of you, and I think sad news for all of our fellow citizens, and people who love peace all over the world, and that is that Martin Luther King was shot and was killed tonight in Memphis, Tennessee. Martin Luther King dedicated his life to love and to justice between fellow human beings. He died in the cause of that effort. In this difficult day, in this difficult time for the United States, it's perhaps well to ask what kind of a nation we are and what direction we want to move in. For those of you who are black - considering the evidence evidently is that there were white people who were responsible - you can be filled with bitterness, and with hatred, and a desire for revenge. We can move in that direction as a country, in greater polarization - black people amongst blacks, and white amongst whites, filled with hatred toward one another. Or we can make an effort, as Martin Luther King did, to understand and to comprehend, and replace that violence, that stain of bloodshed that has spread across our land, with an effort to understand, compassion and love. For those of you who are black and are tempted to be filled with hatred and mistrust of the injustice of such an act, against all white people, I would only say that I can also feel in my own heart the same kind of feeling. I had a member of my family killed, but he was killed by a white man. But we have to make an effort in the United States, we have to make an effort to understand, to get beyond these rather difficult times. My favorite poet was Aeschylus. He once wrote: "Even in our sleep, pain which cannot forget falls drop by drop upon the heart, until, in our own despair, against our will, comes wisdom through the awful grace of God." What we need in the United States is not division; what we need in the United States is not hatred; what we need in the United States is not violence and lawlessness, but is love and wisdom, and compassion toward one another, and a feeling of justice toward those who still suffer within our country, whether they be white or whether they be black. (Interrupted by applause) So I ask you tonight to return home, to say a prayer for the family of Martin Luther King, yeah that's true, but more importantly to say a prayer for our own country, which all of us love - a prayer for understanding and that compassion of which I spoke. We can do well in this country. We will have difficult times. We've had difficult times in the past. And we will have difficult times in the future. It is not the end of violence; it is not the end of lawlessness; and it's not the end of disorder. But the vast majority of white people and the vast majority of black people in this country want to live together, want to improve the quality of our life, and want justice for all human beings that abide in our land. Let us dedicate ourselves to what the Greeks wrote so many years ago: to tame the savageness of man and make gentle the life of this world. Let us dedicate ourselves to that, and say a prayer for our country and for our people. Thank you very much.

Sonnet of Human Duty To deliver humanity from inhumanity, Is the duty of every human. To deliver the innocent from injustice, Is the duty of every human. The indifferent may call it god complex, Apathetic pessimists may call it idealism. I call it the meaning of life and sanity, The opposite is just a sign of doofusism. Differences won't destroy the world, Indifference is far more ominous. The problem is not the evil doers, But the silent spectators. Mark me well, the day I stay silent is the day, Lady liberty throws her torch away.

Probit analysis provides a mathematical foundation for the doctrine first established by the sixteenth-century physician Paracelsus: “Only the dose makes a thing not a poison.” Under the Paracelsus doctrine, all things are potential poisons if given in a high enough dose, and all things are nonpoisonous if given in a low enough dose. To this doctrine, Bliss added the uncertainty associated with individual results. One reason why many foolish users of street drugs die or become very sick on cocaine or heroin or speed is that they see others using the drugs without being killed. They are like Bliss’s insects. They look around and see some of their fellow insects still alive. However, knowing that some individuals are still living provides no assurance that a given individual will survive. There is no way of predicting the response of a single individual.

The Healing spells on his chest were certainly earning their keep tonight. Sullivan got to his feet. The lack of noise from the courtyard indicated that his team had gotten all the mechanical men. “Thanks.” Toru just grunted a noncommittal response as he lifted the feed tray to check the condition of his borrowed machine gun. They didn’t see the final robot inside until it turned on its eye and illuminated the Iron Guard in blue light. Sullivan’s Spike reversed gravity, and the gigantic machine fell upward to hit the steel beams in the ceiling. Sullivan cut his Power and the robot dropped. It crashed hard into the floor where it lay twitching and kicking. The two of them riddled the mechanical man with bullets until the light died and it lay still in a spreading puddle of oil. “Normally, this would be the part where you thank me for returning the favor and saving your life.” “Yes. Normally… If we were court ladies instead of warriors,” Toru answered. “Shall we continue onward or do you wish to stop and discuss your feelings over tea?” Sullivan looked forward to the day that the two of them would be able to finish their fight. “Let’s go.

It was a nice story, but most fairy tales had a dark side to them, especially when it came to a princess’s fate. “A footman or maid?” “I—I don’t believe anyone else is missing,” Lady Crenshaw said. “But Elizabeth wouldn’t… she’s such a good girl. She probably didn’t wish to ruin our trip. It’s not as if she’s a lower-class trollop.” I chomped down on my immediate response, face burning. If she were a he, I doubted they’d call her such names. And her station had nothing to do with the matter whatsoever. Plenty of less fortunate families had more class than Lady Crenshaw had just showed.

In many ways, the emotional and economic self-sufficiency of unmarried life is more demanding than the state we have long acknowledged as (married) maturity. Being on one’s own means shouldering one’s own burdens in a way that being coupled rarely demands. It means doing everything—making decisions, taking responsibility, paying bills, cleaning the refrigerator—without the benefits of formal partnership. But we’ve still got a lot of hardwired assumptions that the successful female life is measured not in professional achievements or friendships or even satisfying sexual relationships, but by whether you’re legally coupled.

DEAR MAMA, I’m sorry it’s taken me so long to write. Every time I try to write to you and Papa I realize I’m not saying the things that are in my heart. That would be O.K., if I loved you any less than I do, but you are still my parents and I am still your child. I have friends who think I’m foolish to write this letter. I hope they’re wrong. I hope their doubts are based on parents who loved and trusted them less than mine do. I hope especially that you’ll see this as an act of love on my part, a sign of my continuing need to share my life with you. I wouldn’t have written, I guess, if you hadn’t told me about your involvement in the Save Our Children campaign. That, more than anything, made it clear that my responsibility was to tell you the truth, that your own child is homosexual, and that I never needed saving from anything except the cruel and ignorant piety of people like Anita Bryant. I’m sorry, Mama. Not for what I am, but for how you must feel at this moment. I know what that feeling is, for I felt it for most of my life. Revulsion, shame, disbelief—rejection through fear of something I knew, even as a child, was as basic to my nature as the color of my eyes. No, Mama, I wasn’t “recruited.” No seasoned homosexual ever served as my mentor. But you know what? I wish someone had. I wish someone older than me and wiser than the people in Orlando had taken me aside and said, “You’re all right, kid. You can grow up to be a doctor or a teacher just like anyone else. You’re not crazy or sick or evil. You can succeed and be happy and find peace with friends—all kinds of friends—who don’t give a damn who you go to bed with. Most of all, though, you can love and be loved, without hating yourself for it.” But no one ever said that to me, Mama. I had to find it out on my own, with the help of the city that has become my home. I know this may be hard for you to believe, but San Francisco is full of men and women, both straight and gay, who don’t consider sexuality in measuring the worth of another human being. These aren’t radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, it’s all right for you to like me too. I know what you must be thinking now. You’re asking yourself: What did we do wrong? How did we let this happen? Which one of us made him that way? I can’t answer that, Mama. In the long run, I guess I really don’t care. All I know is this: If you and Papa are responsible for the way I am, then I thank you with all my heart, for it’s the light and the joy of my life. I know I can’t tell you what it is to be gay. But I can tell you what it’s not. It’s not hiding behind words, Mama. Like family and decency and Christianity. It’s not fearing your body, or the pleasures that God made for it. It’s not judging your neighbor, except when he’s crass or unkind. Being gay has taught me tolerance, compassion and humility. It has shown me the limitless possibilities of living. It has given me people whose passion and kindness and sensitivity have provided a constant source of strength. It has brought me into the family of man, Mama, and I like it here. I like it. There’s not much else I can say, except that I’m the same Michael you’ve always known. You just know me better now. I have never consciously done anything to hurt you. I never will. Please don’t feel you have to answer this right away. It’s enough for me to know that I no longer have to lie to the people who taught me to value the truth. Mary Ann sends her love. Everything is fine at 28 Barbary Lane. Your loving son, MICHAEL

Ladies and gents, we’re almost there!” I call out to the crew. Hearty shouts go up in response. “Begging your pardon, Captain,” Enwen says, inching closer to me, “but are we sure going ashore is the best idea? The island could be haunted.” “Sirens roam these waters, Enwen, and you’re worried about ghosts?” I ask. “Ghosts, ghouls, banshees, wraiths—” “Don’t exist,” Kearan cuts in from where he steers at the helm. “Do so.” “Have you ever seen one?” “No, but there are stories.” “Stories parents tell their children to make them behave,” Kearan says. “Nothing more. They’re not real.” “You said sirens weren’t real once. And now look at our captain!” Enwen looks to me. “Meaning no offense, Captain. You’re all right.” “Thanks, Enwen.” “You happened to be right one time,” Kearan says. “That does not make the rest of your superstitions real.” “Why’s that?” “Because—” Kearan cuts himself off. “How am I having this conversation? Enwen, go blather to someone who wants to listen.” “You like listening to me.” “I really don’t.” “Stop it,” I say to the two of them. “We’re going ashore. End of discussion. Niridia! Get everyone on the deck.

When I see two little Jewish old ladies giggling over coffee at a Manhattan diner, it makes me smile, because I hear my own mother’s laughter beneath theirs. Conversely, when I hear black “leaders” talking about “Jewish slave owners” I feel angry and disgusted, knowing that they’re inflaming people with lies and twisted history, as if all seven of the Jewish slave owners in the antebellum South, or however few there were, are responsible for the problems of African-Americans now. Those leaders are no better than their Jewish counterparts who spin statistics in marvelous ways to make African-Americans look like savages, criminals, drags on society, and “animals” (a word quite popular when used to describe blacks these days). I don’t belong to any of those groups. I belong to the world of one God, one people.

Dear Young Black Males, Are you growing up without your father? How does that make you feel? Angry, sad, confused, resentful, etc? Do you feel a void in your life? Do you feel like your life would’ve been better if your father had been in your life? If you get a young lady pregnant, do what’s right. Even if you choose NOT to be with her anymore, you have a responsibility to your child. Even if it was a one-night stand and/or booty call, hey, you took that risk. If you don’t want kids, strap up every time. I don’t care if she tells you she’s on the pill. Strap up! If not, don’t get mad or make excuses when she tells you that she’s having your baby. If you refuse to do your part, she may even get you for child support. If you have a job, that means your check will be garnished. So think twice before you take off your clothes. Is it worth it? Think it through.

Many years ago while serving as a full-time missionary, I had the privilege of meeting Elder Bruce R. McConkie. He was a new General Authority and had come to tour our mission. My companion and I were assigned to drive him from Missoula to Butte, Montana. As we talked along the way, one of us asked him, "How can we know whom we should marry?" To our surprise, his response was quick and certain. He asked us to turn to the 88th section of the Doctrine and Covenants, 40th verse, which reads: "For intelligence cleaveth unto intelligence; wisdom receiveth wisdom; truth embraceth truth; virtue loveth virtue; light cleaveth unto light; mercy hath compassion on mercy and claimeth her own; justice continueth its course and claimeth its own; judgment goeth before the face of him who sitteth upon the throne and governeth and executeth all things." We showed some consternation. Elder McConkie explained to us that if we were men who loved the truth, we would be attracted to others who loved the truth. If we were men of virtue, we would attract others who were virtuous. If we loved light and justice and mercy, we would be attracted to a person who loved these qualities. He then said, "If you are men who love truth and virtue, go and find a young lady with these attributes, and then proceed to fall in love.

Though one of the greatest love stories in world literature, Anna Karenin is of course not just a novel of adventure. Being deeply concerned with moral matters, Tolstoy was eternally preoccupied with issues of importance to all mankind at all times. Now, there is a moral issue in Anna Karenin, though not the one that a casual reader might read into it. This moral is certainly not that having committed adultery, Anna had to pay for it (which in a certain vague sense can be said to be the moral at the bottom of the barrel in Madame Bovary). Certainly not this, and for obvious reasons: had Anna remained with Karenin and skillfully concealed from the world her affair, she would not have paid for it first with her happiness and then with her life. Anna was not punished for her sin (she might have got away with that) nor for violating the conventions of a society, very temporal as all conventions are and having nothing to do with the eternal demands of morality. What was then the moral "message" Tolstoy has conveyed in his novel? We can understand it better if we look at the rest of the book and draw a comparison between the Lyovin-Kitty story and the Vronski-Anna story. Lyovin's marriage is based on a metaphysical, not only physical, concept of love, on willingness for self-sacrifice, on mutual respect. The Anna-Vronski alliance was founded only in carnal love and therein lay its doom. It might seem, at first blush, that Anna was punished by society for falling in love with a man who was not her husband. Now such a "moral" would be of course completely "immoral," and completely inartistic, incidentally, since other ladies of fashion, in that same society, were having as many love-affairs as they liked but having them in secrecy, under a dark veil. (Remember Emma's blue veil on her ride with Rodolphe and her dark veil in her rendezvous at Rouen with Léon.) But frank unfortunate Anna does not wear this veil of deceit. The decrees of society are temporary ones ; what Tolstoy is interested in are the eternal demands of morality. And now comes the real moral point that he makes: Love cannot be exclusively carnal because then it is egotistic, and being egotistic it destroys instead of creating. It is thus sinful. And in order to make his point as artistically clear as possible, Tolstoy in a flow of extraordinary imagery depicts and places side by side, in vivid contrast, two loves: the carnal love of the Vronski-Anna couple (struggling amid their richly sensual but fateful and spiritually sterile emotions) and on the other hand the authentic, Christian love, as Tolstoy termed it, of the Lyovin-Kitty couple with the riches of sensual nature still there but balanced and harmonious in the pure atmosphere of responsibility, tenderness, truth, and family joys.

Thus engaged, with her right elbow supported by her left hand, Madame Defarge said nothing when her lord came in, but coughed just one grain of cough. This, in combination with the lifting of her darkly defined eyebrows over her toothpick by the breadth of a line, suggested to her husband that he would do well to look round the shop among the customers, for any new customer who had dropped in while he stepped over the way. The wine-shop keeper accordingly rolled his eyes about, until they rested upon an elderly gentleman and a young lady, who were seated in a corner. Other company were there: two playing cards, two playing dominoes, three standing by the counter lengthening out a short supply of wine. As he passed behind the counter, he took notice that the elderly gentleman said in a look to the young lady, "This is our man." "What the devil do you do in that galley there?" said Monsieur Defarge to himself; "I don't know you." But, he feigned not to notice the two strangers, and fell into discourse with the triumvirate of customers who were drinking at the counter. "How goes it, Jacques?" said one of these three to Monsieur Defarge. "Is all the spilt wine swallowed?" "Every drop, Jacques," answered Monsieur Defarge. When this interchange of Christian name was effected, Madame Defarge, picking her teeth with her toothpick, coughed another grain of cough, and raised her eyebrows by the breadth of another line. "It is not often," said the second of the three, addressing Monsieur Defarge, "that many of these miserable beasts know the taste of wine, or of anything but black bread and death. Is it not so, Jacques?" "It is so, Jacques," Monsieur Defarge returned. At this second interchange of the Christian name, Madame Defarge, still using her toothpick with profound composure, coughed another grain of cough, and raised her eyebrows by the breadth of another line. The last of the three now said his say, as he put down his empty drinking vessel and smacked his lips. "Ah! So much the worse! A bitter taste it is that such poor cattle always have in their mouths, and hard lives they live, Jacques. Am I right, Jacques?" "You are right, Jacques," was the response of Monsieur Defarge. This third interchange of the Christian name was completed at the moment when Madame Defarge put her toothpick by, kept her eyebrows up, and slightly rustled in her seat. "Hold then! True!" muttered her husband. "Gentlemen--my wife!" The three customers pulled off their hats to Madame Defarge, with three flourishes. She acknowledged their homage by bending her head, and giving them a quick look. Then she glanced in a casual manner round the wine-shop, took up her knitting with great apparent calmness and repose of spirit, and became absorbed in it. "Gentlemen," said her husband, who had kept his bright eye observantly upon her, "good day. The chamber, furnished bachelor- fashion, that you wished to see, and were inquiring for when I stepped out, is on the fifth floor. The doorway of the staircase gives on the little courtyard close to the left here," pointing with his hand, "near to the window of my establishment. But, now that I remember, one of you has already been there, and can show the way. Gentlemen, adieu!" They paid for their wine, and left the place. The eyes of Monsieur Defarge were studying his wife at her knitting when the elderly gentleman advanced from his corner, and begged the favour of a word. "Willingly, sir," said Monsieur Defarge, and quietly stepped with him to the door. Their conference was very short, but very decided. Almost at the first word, Monsieur Defarge started and became deeply attentive. It had not lasted a minute, when he nodded and went out. The gentleman then beckoned to the young lady, and they, too, went out. Madame Defarge knitted with nimble fingers and steady eyebrows, and saw nothing.

Jem,” he said, “are you responsible for this?” “Yes sir.” “Why’d you do it?” Jem said softly, “She said you lawed for niggers and trash.” “You did this because she said that?” Jem’s lips moved, but his, “Yes sir,” was inaudible. “Son, I have no doubt that you’ve been annoyed by your contemporaries about me lawing for niggers, as you say, but to do something like this to a sick old lady is inexcusable. I strongly advise you to go down and have a talk with Mrs. Dubose,” said Atticus. “Come straight home afterward.” Jem did not move. “Go on, I said.” I followed Jem out of the livingroom. “Come back here,” Atticus said to me. I came back. Atticus picked up the Mobile Press and sat down in the rocking chair Jem had vacated. For the life of me, I did not understand how he could sit there in cold blood and read a newspaper when his only son stood an excellent chance of being murdered with a Confederate Army relic. Of course Jem antagonized me sometimes until I could kill him, but when it came down to it he was all I had. Atticus did not seem to realize this, or if he did he didn’t care. I hated him for that, but when you are in trouble you become easily tired: soon I was hiding in his lap and his arms were around me. “You’re mighty big to be rocked,” he said. “You don’t care what happens to him,” I said. “You just send him on to get shot at when all he was doin‘ was standin’ up for you.” Atticus pushed my head under his chin. “It’s not time to worry yet,” he said.

In his book Real Presences, George Steiner asks us to "imagine a society in which all talk about the arts, music and literature is prohibited." In such a society there would be no more essays on whether Hamlet was mad or only pretending to be, no reviews of the latest exhibitions or novels, no profiles of writers or artists. There would be no secondary, or parasitic, discussion - let alone tertiary: commentary on commentary. We would have, instead, a "republic for writers and readers" with no cushion of professional opinion-makers to come between creators and audience. While the Sunday papers presently serve as a substitute for the experiencing of the actual exhibition or book, in Steiner's imagined republic the review pages would be turned into listings:catalogues and guides to what is about to open, be published, or be released. What would this republic be like? Would the arts suffer from the obliteration of this ozone of comment? Certainly not, says Steiner, for each performance of a Mahler symphony is also a critique of that symphony. Unlike the reviewer, however, the performer "invests his own being in the process of interpretation." Such interpretation is automatically responsible because the performer is answerable to the work in a way that even the most scrupulous reviewer is not. Although, most obviously, it is not only the case for drama and music; all art is also criticism. This is most clearly so when a writer or composer quotes or reworks material from another writer or composer. All literature, music, and art "embody an expository reflection which they pertain". In other words it is not only in their letters, essays, or conversation that writers like Henry James reveal themselves also to be the best critics; rather, The Portrait of a Lady is itself, among other things, a commentary on and a critique of Middlemarch. "The best readings of art are art." No sooner has Steiner summoned this imaginary republic into existence than he sighs, "The fantasy I have sketched is only that." Well, it is not. It is a real place and for much of the century it has provided a global home for millions of people. It is a republic with a simple name: jazz.

Well now, what’s the problem?” Hawk asked after a long swallow to banish the dust of the training field. Dragon hesitated but, to his credit, not for long. “I brought a girl with me. Krysta is seeing to her now. She’s Lady Rycca of Wolscroft.” Hawk’s brows rose slightly. “Your betrothed.” “My errant betrothed. I met her a few days ago, apparently after she donned boy’s garb and fled from her home rather than come here and be married to me.” Hawk cleared his throat, decided this was a good time for more ale, and emptied the horn. He finished up with a deep breath before attempting a response. “I see . . . well, I don’t actually. She was dressed as a boy, you met several days ago, but you didn’t bring her until now?” “I didn’t know who she was. She wouldn’t tell me her name so I—” His mouth thinned sardonically. “I decided not to tell her mine. Clever, don’t you think?” “Why do I have the distinct impression that it was anything but?” “Not knowing who I was—” Dragon broke off. His gaze sought a distant corner of the hall. Quietly, he said, “Not knowing who I was, she lay with me.

She had three days to ponder what that truth might be.Three days during which Dragon scarcely let her out of his sight. He went so far as to try to accompany her to the queen's solar, only to be shooed away by Ealhswith even as she smiled and took pains to reassure him. "I promise you, my lord,the Lady Rycca will be as safe here as a babe in arms. Believe me, the quarters of the queen are not entered into by miscreants." "That is all well and fine, majesty, but-" "Should you not be aware,my lord, we had an incident here last year when the Lady Krysta was taken from Winchester by stealth. Since then, my lord husband has spared no effort to assure nothing of the sort can ever happen again." She gestured toward the grim-faced guards on watch in the corridor. "You will find the same beneath my windows, Lord of Landsende,and even above us on the roof. Not even an errant bird can enter here." Even as she spoke, through the open door where she stood Dragon saw a raven alight on the sill of one of the solar's windows. Rather oddly, he thought, Krysta walked over and began talking to it. "There are four new books in the scriptorium, my lord," the queen said, unaware of what was going on behind her, "and a young priest-a friend of Father Desmond, who is now at Hawkforte-who is responsible for one of them. By the way,he has a yen to travel." That said,she shut the door not quite in his face but as close to it as that gently lady could ever come. Dragon hesitated. He eyed the guards,who eyed him back,reminded himself that he was in the house of the king,and finally decided to go look at the new books. While he was at it,he just might have a word with the priest.

Oh no,” she breathed. “Not the Highwoods.” She called after the coach as it rumbled off into the distance. “Mrs. Highwood, wait! Come back. I can explain everything. Don’t leave!” “They seem to have already left.” She turned on Bram, flashing him an angry blue glare. The force of it pushed against his sternum. Not nearly sufficient to move him, but enough to leave an impression. “I do hope you’re happy, sir. If tormenting innocent sheep and blowing ruts in our road weren’t enough mischief for you today, you’ve ruined a young woman’s future.” “Ruined?” Bram wasn’t in the habit of ruining young ladies-that was his cousin’s specialty-but if he ever decided to take up the sport, he’d employ a different technique. He edged closer, lowering his voice. “Really, it was just a little kiss. Or is this about your frock?” His gaze dipped. Her frock had caught the worst of their encounter. Grass and dirt streaked the yards of shell-pink muslin. A torn flounce drooped to the ground, limp as a forgotten handkerchief. Her neckline had likewise strayed. He wondered if she knew her left breast was one exhortation away from popping free of her bodice altogether. He wondered if he should stop staring at it. No, he decided. He would do her a favor by staring at it, calling her attention to what needed to be repaired. Indeed. Staring at her half-exposed, emotion-flushed breast was his solemn duty, and Bram was never one to shirk responsibility. “Ahem.” She crossed her arms over her chest, abruptly aborting his mission. “It’s not about me,” she said, “or my frock. The woman in that carriage was vulnerable and in need of help, and…” She blew out a breath, lifting the stray wisps of hair from her brow. “And now she’s gone. They’re all gone.” She looked him up and down. “So what is it you require? A wheelwright? Supplies? Directions to the main thoroughfare? Just tell me what you need to be on your way, and I will happily supply it.” “We won’t put you to any such trouble. So long as this is the road to Summerfield, we’ll-“ “Summerfield? You didn’t say Summerfield.” Vaguely, he understood that she was vexed with him, and that he probably deserved it. But damned if he could bring himself to feel sorry. Her fluster was fiercely attractive. The way her freckles bunched as she frowned at him. The elongation of her pale, slender neck as she stood straight in challenge. She was tall for a woman. He liked his women tall. “I did say Summerfield,” he replied. “That is the residence of Sir Lewis Finch, is it not?” Her brow creased. “What business do you have with Sir Lewis Finch?” “Men’s business, love. The specifics needn’t concern you.” “Summerfield is my home,” she said. “And Sir Lewis Finch is my father. So yes, Lieutenant Colonel Victor Bramwell”-she fired each word as a separate shot-“you concern me.

How nice that our former stable boy has begotten a namesake from my elder daughter,” the countess remarked acidly. “This will be the first of many brats, I am sure. Regrettably there is still no heir to the earldom…which is your responsibility, I believe. Come to me with news of your impending marriage to a bride of good blood, Westcliff, and I will evince some satisfaction. Until then, I see little reason for congratulations.” Though he displayed no emotion at his mother’s hard-hearted response to the news of Aline’s child, not to mention her infuriating preoccupation with the begetting of an heir, Marcus was hard-pressed to hold back a savage reply. In the midst of his darkening mood, he became aware of Lillian’s intent gaze. Lillian stared at him astutely, a peculiar smile touching her lips. Marcus arched one brow and asked sardonically, “Does something amuse you, Miss Bowman?” “Yes,” she murmured. “I was just thinking that it’s a wonder you haven’t rushed out to marry the first peasant girl you could find.” “Impertinent twit!” the countess exclaimed. Marcus grinned at the girl’s insolence, while the tightness in his chest eased. “Do you think I should?” he asked soberly, as if the question was worth considering. “Oh yes,” Lillian assured him with a mischievous sparkle in her eyes. “The Marsdens could use some new blood. In my opinion, the family is in grave danger of becoming overbred.” “Overbred?” Marcus repeated, wanting nothing more than to pounce on her and carry her off somewhere. “What has given you that impression, Miss Bowman?” “Oh, I don’t know…” she said idly. “Perhaps the earth-shattering importance you attach to whether one should use a fork or spoon to eat one’s pudding.” “Good manners are not the sole province of the aristocracy, Miss Bowman.” Even to himself, Marcus sounded a bit pompous. “In my opinion, my lord, an excessive preoccupation with manners and rituals is a strong indication that someone has too much time on his hands.” Marcus smiled at her impertinence. “Subversive, yet sensible,” he mused. “I’m not certain I disagree.” “Do not encourage her effrontery, Westcliff,” the countess warned. “Very well—I shall leave you to your Sisyphean task.” “What does that mean?” he heard Daisy ask. Lillian replied while her smiling gaze remained locked with Marcus’s. “It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task…rolling a huge boulder up a hill, only to have it roll down again just before he reached the top.” “Then if the countess is Sisyphus,” Daisy concluded, “I suppose we’re…” “The boulder,” Lady Westcliff said succinctly, causing both girls to laugh. “Do continue with our instruction, my lady,” Lillian said, giving her full attention to the elderly woman as Marcus bowed and left the room. “We’ll try not to flatten you on the way down.

Then we’re kissing right there in front of everyone. And nothing else seems to matter. Certainly not etiquette, or what anyone else thinks. It’s only his lips on mine, the pressure gentle. It’s only us. And I can’t stop— Which is when Derrick arrives out of thin air and careens into my shoulder in a mess of wings and limbs. “Hellooooo! Don’t mind me, I’m just interrupting your brazen cuddle to steal the lady for a few minutes.” Oh, damnation, not now. I’m really regretting not giving Derrick that extra five minutes. “Derrick,” I say through clenched teeth. I step back from Kiaran and try to control the pixie’s wriggling body in my hair. “Not—” “My god.” Derrick collapses on my shoulder. “I am full of pie. I can barely even move my wings. I—” He squints over at Kiaran and smiles in delight. “Oh, hulloooooo, villainous wastrel!” Kiaran is clearly not impressed. “You’ve a bit of pastry on your jacket.” Derrick swipes at the morsel, snatches it, and eats it. “Was just saving a wee snack for later.” He giggles. For god’s sake. I look pleadingly at Kiaran. “Just . . . save that thought. Don’t go anywhere.” I’d like to resume the kissing. “I’ll be right back—” “Kiaraaaaaaaaaan.” Derrick giggles. “Or would you prefer I keep villainous wastrel? I never asked.” Kiaran arches an eyebrow. “I suppose that depends. Would you prefer pain in my arse?” Derrick bursts into laughter. “Arse! Aileana. He said arse.” “Hell,” I mutter. “Will you excuse me for a moment?” I don’t wait for Kiaran’s response. I take Derrick with me to the lift and don’t say anything until I reach the fourth floor. “Let me just say, if someone gave you honey, I’ll—” “No, no, no,” Derrick says, gliding off my shoulder. He now looks suspiciously lucid. “You said to save you after twenty-five minutes. So I did.” “I said to save me if I was around Daniel and in obvious distress.” Not when I’m kissing someone in obvious delight. “Firstly, I was the one in distress watching you kiss Kiaran because ughhhh.” Derrick wags a finger at me. “And secondly, you never said anything about distress, you said—” “Forget what I said.” I narrow my eyes. “Are you telling me that down there was all an act?” He grins. “I would have been perfect in the theater, wouldn’t you say?” “Good heavens,” I murmur. At least I don’t have to deal with a drunk pixie. “Let’s just check the wards, all right

His tongue slid down the inner length of her finger, then traced the lines on her palm. “Such lovely hands,” he murmured, nibbling on the fleshy part of her thumb as his fingers entwined with hers. “Strong, and yet so graceful and delicate.” “You’re talking nonsense,” Kate said self-consciously. “My hands—” But he silenced her with a finger to her lips. “Shhh,” he admonished. “Haven’t you learned that you should never ever contradict your husband when he is admiring your form?” Kate shivered with delight. “For example,” he continued, the very devil in his voice, “if I want to spend an hour examining the inside of your wrist”— with lightning-quick movements, his teeth grazed the delicate thin skin on the inside of her wrist—“ it is certainly my prerogative, don’t you think?” Kate had no response, and he chuckled, the sound low and warm in her ears. “And don’t think I won’t,” he warned, using the pad of his finger to trace the blue veins that pulsed under her skin. “I may decide to spend two hours examining your wrist.” Kate watched with fascination as his fingers, touching her so softly that she tingled from the contact, made their way to the inside of her elbow, then stopped to twirl circles on her skin. “I can’t imagine,” he said softly, “that I could spend two hours examining your wrist and not find it lovely.” His hand made the jump to her torso, and he used his palm to lightly graze the tip of her puckered breast. “I should be most aggrieved were you to disagree.” He leaned down and captured her lips in a brief, yet searing kiss. Lifting his head just an inch, he murmured, “It is a wife’s place to agree with her husband in all things, hmmm?” His words were so absurd that Kate finally managed to find her voice. “If,” she said with an amused smile, “his opinions are agreeable, my lord.” One of his brows arched imperiously. “Are you arguing with me, my lady? And on my wedding night, no less.” “It’s my wedding night, too,” she pointed out. He made a clucking noise and shook his head. “I may have to punish you,” he said. “But how? By touching?” His hand skimmed over one breast, then the next. “Or not touching?” He lifted his hands from her skin, but he leaned down, and through pursed lips, blew a soft stream of air over her nipple. “Touching,” Kate gasped, arching off the bed. “Definitely touching.” “You think?” He smiled, slowly like a cat. “I never thought I’d say this, but not touching has its appeal.

Ella?” Cinder asked when things got quiet. “Are you there?” He sounded hesitant. “Welcome to my life,” I said with a sigh of defeat. “Sorry about that.” “It’s okay.” It was definitely not okay. I was so humiliated. It was a miracle I wasn’t crying. I think that was only because I was still in so much shock. “Look, thanks for giving me your phone number, but maybe this is a bad time.” My dad scrambled to his feet, waving his hands at me. “No! You don’t have to end your call. We’ll give you some privacy.” He glanced at both Jennifer and Juliette. “Won’t we, ladies?” His blatant desperation for me to talk to someone—even a stranger from the Internet—was as embarrassing as Anastasia’s outburst. Even worse, Jennifer was just as bad. “Of course! You go ahead and talk to your boyfriend, Ella,” she squealed. “We can keep an eye on you from the kitchen. I have to get dinner started anyway.” While I was busy dying from her use of the word boyfriend, she hopped off the elliptical. She hurried to catch up to my dad, seeming more than happy to finish her workout early. As they started up the steps, they both turned back to Juliette, who had sprawled out on the couch instead of getting up. “I was here first,” Juliette said in response to their expectant looks. “There’s no way I’m going anywhere near the upstairs with Ana in the mood she’s in, and I really don’t care about Ella’s love life. Besides, she’s not supposed to be alone, anyway. What if she tries to throw herself off the balcony or something?” Was there anyone in the world that didn’t feel the need to humiliate me? I glared at Juliette, and she just waved a pair of earbuds at me and shoved them in her ears. “I’ll turn the volume up.” My dad and Jennifer both gave me such hopeful looks that I couldn’t argue anymore. I rolled my eyes and made my way over to the armchair my father had been lounging in. Once Dad and Jennifer were gone, I glanced over at the couch. Juliette was already doing what she did best—ignoring me. She was bobbing her head along with her music as she read out of a textbook. I doubted she could hear me, but I spoke softly anyway, just in case. “Cinder? Are you still there?” “I didn’t realize upping our relationship to phone buddies would come with a boyfriend title. Does that mean if we ever meet in person, we’ll have to get married?” Surprised, I burst into laughter. Juliette glanced at me with one raised eyebrow, but went back to her textbook without saying anything.

Coming to the balcony, they both rested their elbows on the railing and looked down into the main room, which was filled wall-to-wall with patrons. Evie saw the antique-gold gleam of Sebastian’s hair as he half sat on the desk in the corner, relaxed and smiling as he conversed with the crowd of men around him. His actions of ten days ago in saving Evie’s life had excited a great deal of public admiration and sympathy, especially after an article in the Times had portrayed him in a heroic light. That, and the perception that his friendship with the powerful Westcliff had renewed, were all it had taken for Sebastian to gain immediate and profound popularity. Piles of invitations arrived at the club daily, requesting the attendance of Lord and Lady St. Vincent at balls, soirees, and other social events, which they declined for reasons of mourning. There were letters as well, heavily perfumed and written by feminine hands. Evie had not ventured to open any of them, nor had she asked about the senders. The letters had accumulated in a pile in the office, remaining sealed and untouched, until Evie had finally been moved to say something to him earlier that morning. “You have a large pile of unread correspondence,” she had told him, as they had taken breakfast together in his room. “It’s occupying half the space in the office. What shall we do with all the letters?” An impish smile rose to her lips as she added. “Shall I read them to you while you rest?” His eyes narrowed. “Dispose of them. Or better yet, return them unopened.” His response had caused a thrill of satisfaction, though Evie had tried to conceal it. “I wouldn’t object if you corresponded with other women,” she said. “Most men do, with no impropriety attached—” “I don’t.” Sebastian had looked into her eyes with a long, deliberate stare, as if to make certain that she understood him completely. “Not now.

Mom?” Then again, louder. “Mom?” She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared. “I don’t feel good. Can I stay home today?” No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?” “I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again. “I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?” Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her. Funny things, though. Not scary things. “Can you tell me your name?” she repeated. “Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?” She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?” Something tightened in my chest to the point of snapping. “Mom, Mommy, why—” “Stop it,” she hissed, “stop calling me that!” “What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it. “We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—” “I live here!” I told her. “I live here! I’m Ruby!” When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby. “Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!” She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.” The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage. She hadn’t even turned on the light for me. I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.

I'm going to throw some suggestions at you now in rapid succession, assuming you are a father of one or more boys. Here we go: If you speak disparagingly of the opposite sex, or if you refer to females as sex objects, those attitudes will translate directly into dating and marital relationships later on. Remember that your goal is to prepare a boy to lead a family when he's grown and to show him how to earn the respect of those he serves. Tell him it is great to laugh and have fun with his friends, but advise him not to be "goofy." Guys who are goofy are not respected, and people, especially girls and women, do not follow boys and men whom they disrespect. Also, tell your son that he is never to hit a girl under any circumstances. Remind him that she is not as strong as he is and that she is deserving of his respect. Not only should he not hurt her, but he should protect her if she is threatened. When he is strolling along with a girl on the street, he should walk on the outside, nearer the cars. That is symbolic of his responsibility to take care of her. When he is on a date, he should pay for her food and entertainment. Also (and this is simply my opinion), girls should not call boys on the telephone-at least not until a committed relationship has developed. Guys must be the initiators, planning the dates and asking for the girl's company. Teach your son to open doors for girls and to help them with their coats or their chairs in a restaurant. When a guy goes to her house to pick up his date, tell him to get out of the car and knock on the door. Never honk. Teach him to stand, in formal situations, when a woman leaves the room or a table or when she returns. This is a way of showing respect for her. If he treats her like a lady, she will treat him like a man. It's a great plan. Make a concerted effort to teach sexual abstinence to your teenagers, just as you teach them to abstain from drug and alcohol usage and other harmful behavior. Of course you can do it! Young people are fully capable of understanding that irresponsible sex is not in their best interest and that it leads to disease, unwanted pregnancy, rejection, etc. In many cases today, no one is sharing this truth with teenagers. Parents are embarrassed to talk about sex, and, it disturbs me to say, churches are often unwilling to address the issue. That creates a vacuum into which liberal sex counselors have intruded to say, "We know you're going to have sex anyway, so why not do it right?" What a damning message that is. It is why herpes and other sexually transmitted diseases are spreading exponentially through the population and why unwanted pregnancies stalk school campuses. Despite these terrible social consequences, very little support is provided even for young people who are desperately looking for a valid reason to say no. They're told that "safe sex" is fine if they just use the right equipment. You as a father must counterbalance those messages at home. Tell your sons that there is no safety-no place to hide-when one lives in contradiction to the laws of God! Remind them repeatedly and emphatically of the biblical teaching about sexual immorality-and why someone who violates those laws not only hurts himself, but also wounds the girl and cheats the man she will eventually marry. Tell them not to take anything that doesn't belong to them-especially the moral purity of a woman.

Time for an exercise, which I shall call 'Say It Out Loud With Miranda'. Please take a moment to sit back, breathe and intone: 'I am taking myself seriously as a woman.' Note your response. If you're reading this on the bus, or surreptitiously in the cinema, or in any other public scenario, then please note other people's responses. (If you are male, and teenaged, and reading this in a room with other teenage boys, then for your own safety I advise you not to participate.) The rest of you – what comes to mind when you say those words? Is it a fine lady scientist, a ballsy young anarchist with tights on her head or a feminist intellectual from the 1970s nose-down in Simone de Beauvoir? Or is it what I think my friend meant when she said 'woman' which is really 'aesthetic object'. Clothes-horse. Show pony. General beautiful piece of well-groomed stuff that's lovely to look at? I reckon, to my great dismay, that she did indeed mean the latter. And in saying that I don't take myself seriously in this regard her assessment of me is absolutely bang-on. If taking oneself seriously as a woman means committing to a like of grooming, pumicing, pruning and polishing one's exterior for the benefit of onlookers, then I may as well heave my unwieldy rucksack to the top of a bleak Scottish hill and make my home there under a stone, where I'll fashion shoes out of mud and clothes out of leaves.

Anyway, I should probably get going.” That big, beautiful man leaned forward in his chair, his eyes sweeping over my face and the hair that had gotten pretty wavy because of the humidity. I had almost forgotten I’d put a silver glitter clip into it that morning to keep it out of my face. “You’re gonna leave me here alone?” “You really want me to keep you company?” His response was a long, long look. For some reason, it made me feel oddly vulnerable. He thought I was pathetic. I knew it. But pathetic or not, well, he was kind of hinting he wanted me to keep him company. “I can stay if you want.” He didn’t say he wanted me to, but… he just kept right on looking at me. So I took it as a yes. “Okay, I’ll stay.” It was the right answer. He took a sip of his drink. “Good.” Well, it looked like I was staying a little longer now. With our conversation still nipping at the back of my head, I asked him again, “So, you’ve really never had a girlfriend? Not in forty-one years?” “Nope.” “Not even in high school?” He shook his head. “Not once?” “Nope.” He gave me this face that almost seemed like a challenge. Like a dare. “I’ve got two numbers on my phone that don’t belong to somebody who’s got a dick. One’s the lady that cleans my place once a week…” “Who’s the other?” I asked, trying to ignore the edge of jealousy waiting around the corner of his answer. That got me another snicker. “You, who the hell else?” “Me?” I leaned forward then. “Since when? You’ve never called my cell.” “Since always. Just ’cause I don’t call you doesn’t mean I don’t have it.” I couldn’t help raising my hands up to my heart and settling them there, this huge smile coming over my face. “Does this mean… Boss, are we friends? Outside of work, of course.” His face went totally serious for a moment before he tossed his head back and laughed. “Get the fuck outta here, Luna. Christ.” We were. We were so totally friends. He was my boss too, but that didn’t mean we couldn’t be friends when we weren’t at the shop. Or during lunch. Or when my life tried to fall apart on me a little. Me and Rip. Friends. I’d take it. I’d take it every day of the year, forever.

We are glad to visit your beautiful country. It is prosperous—you all live far from the struggle. Nobody destroys your towns, cities, fields. Nobody kills your citizens, your sisters and mothers, your fathers and brothers. I come from a place where bombs pound villages into ash, where Russian blood oils the treads of German tanks, where innocent civilians die every day.” She caught herself up, exhaled slowly as she marshaled her next words. No one moved, least of all the marksman. “An accurate bullet fired by a sniper like me, Mrs. Roosevelt, is no more than a response to an enemy. My husband lost his life at Sevastopol before my eyes. He died in my arms. As far as I am concerned, any Hitlerite I see through my telescopic sights is the one who killed him.” A frozen silence fell over the room. Only the marksman’s eyes moved as he looked around the table, cataloging responses. The Soviet delegation leader sat clutching his butter knife, looking like he wanted to saw off her head and bowl it through the window into the White House gardens. The smart Washington women in their frills and pearls looked appalled. The First Lady looked . . . Embarrassed? the marksman wondered. Did that horsey presidential bitch look embarrassed? “I’m sorry, Lyudmila dear,” she said quietly, laying down her napkin. “I had no wish to offend you. This conversation is important, and we will continue it in a more suitable setting. But now, unfortunately, it is time to disperse. My duties are calling, and I understand

Leaning back in his chair, Ian listened to Larimore’s irate summation of the wild and fruitless chase he’d been sent on for two days by Lady Thornton and her butler: “And after all that,” Larimore flung out in high dudgeon, “I returned to the house on Promenade Street to demand the butler allow me past the stoop, only to have the man-“ “Slam the door in your face?” Ian suggested dispassionately. “No, my lord, he invited me in,” Larimore bit out. “He invited me to search the house to my complete satisfaction. She’s left London,” Larimore finished, avoiding his employer’s narrowed gaze. “She’ll go to Havenhurst,” Ian said decisively, and he gave Larimore directions to find the small estate. When Larimore left, Ian picked up a contract he needed to read and approve; but before he’d read two lines Jordan stalked into his study unannounced, carrying a newspaper and wearing an expression Ian hadn’t seen before. “Have you seen the paper today?” Ian ignored the paper and studied his friend’s angry face instead. “No, why?” “Read it,” Jordan said, slapping it down on the desk. “Elizabeth allowed herself to be questioned by a reporter from the Times. Read that.” He jabbed his finger at a few lines near the bottom of the article about Elizabeth by one Mr. Thomas Tyson. “That was your wife’s response when Tyson asked her how she felt when she saw you on trial before your peers.” Frowning at Jordan’s tone, Ian read Elizabeth’s reply: My husband was not tried before his peers. He was merely tried before the Lords of the British Realm. Ian Thornton has no peers. Ian tore his gaze from the article, refusing to react to the incredible sweetness of her response, but Jordan would not let it go. “My compliments to you, Ian,” he said angrily. “You serve your wife with a divorce petition, and she responds by giving you what constitutes a public apology!” He turned and stalked out of the room, leaving Ian behind to stare with clenched jaw at the article. One month later Elizabeth had still not been found. Ian continued trying to purge her from his mind and tear her from his heart, but with decreasing success. He knew he was losing ground in the battle, just as he had been slowly losing it from the moment he’d looked up and seen her walking into the House of Lords.

The evil stepmother is a fixture in European fairy tales because the stepmother was very much a fixture in early European society–mortality in childbirth was very high, and it wasn’t unusual for a father to suddenly find himself alone with multiple mouths to feed. So he remarried and brought another woman into the house, and eventually they had yet more children, thus changing the power dynamics of inheritance in the household in a way that had very little to do with inherent, archetypal evil and everything to do with social expectation and pressure. What was a woman to do when she remarried into a family and had to act as mother to her husband’s children as well as her own, in a time when economic prosperity was a magical dream for most? Would she think of killing her husband’s children so that her own children might therefore inherit and thrive? [...] Perhaps. Perhaps not. But the fear that stepmothers (or stepfathers) might do this kind of thing was very real, and it was that fear–fed by the socioeconomic pressures felt by the growing urban class–that fed the stories. We see this also with the stories passed around in France–fairies who swoop in to save the day when women themselves can’t do so; romantic tales of young girls who marry beasts as a balm to those young ladies facing arranged marriages to older, distant dukes. We see this with the removal of fairies and insertion of religion into the German tales. Fairy tales, in short, are not created in a vacuum. As with all stories, they change and bend both with and in response to culture.

Family is everything to him. When he was a young boy, he lost his mother and four sisters to scarlet fever, and was sent away to boarding school. He grew up very much alone. So he would do anything to protect or help the people he cares about." She hefted the album into Keir's lap, and watched as he began to leaf through it dutifully. Keir's gaze fell to a photograph of the Challons relaxing on the beach. There was Phoebe at a young age, sprawling in the lap of a slender, laughing mother with curly hair. Two blond boys sat beside her, holding small shovels with the ruins of a sandcastle between them. A grinning fair-haired toddler was sitting squarely on top of the sandcastle, having just squashed it. They'd all dressed up in matching bathing costumes, like a crew of little sailors. Coming to perch on the arm of the chair, Phoebe reached down to turn the pages and point out photographs of her siblings at various stages of their childhood. Gabriel, the responsible oldest son... followed by Raphael, carefree and rebellious... Seraphina, the sweet and imaginative younger sister... and the baby of the family, Ivo, a red-haired boy who'd come as a surprise after the duchess had assumed childbearing years were past her. Phoebe paused at a tintype likeness of the duke and duchess seated together. Below it, the words "Lord and Lady St. Vincent" had been written. "This was taken before my father inherited the dukedom," she said. Kingston- Lord St. Vincent back then- sat with an arm draped along the back of the sofa, his face turned toward his wife. She was a lovely woman, with an endearing spray of freckles across her face and a smile as vulnerable as the heartbeat in an exposed wrist.

She sighed. It was a sad, weary sound, and it nearly broke his heart. “You’re very kind to try to help me,” she said, “but I have already explored all of those avenues. Besides, I am not your responsibility.” “You could be.” She looked at him in surprise. In that moment, Benedict knew that he had to have her. There was a connection between them, a strange, inexplicable bond that he’d felt only one other time in his life, with the mystery lady from the masquerade. And while she was gone, vanished into thin air, Sophie was very real. He was tired of mirages. He wanted someone he could see, someone he could touch. And she needed him. She might not realize it yet, but she needed him. Benedict took her hand and tugged, catching her off-balance and wrapping her to him when she fell against his body. “Mr. Bridgerton!” she yelped. “Benedict,” he corrected, his lips at her ear. “Let me—” “Say my name,” he persisted. He could be very stubborn when it suited his interests, and he wasn’t going to let her go until he heard his name cross her lips. And maybe not even then. “Benedict,” she finally relented. “I—” “Hush.” He silenced her with his mouth, nibbling at the corner of her lips. When she went soft and compliant in his arms, he drew back, just far enough so that he could focus on her eyes. They looked impossibly green in the late-afternoon light, deep enough to drown in. “I want you to come back to London with me,” he whispered, the words tumbling forth before he had a chance to consider them. “Come back and live with me.” She looked at him in surprise. “Be mine,” he said, his voice thick and urgent. “Be mine right now. Be mine forever. I’ll give you anything you want. All I want in return is you.” -Sophie & Benedict

Come on, Gray,” another sailor called. “Just one toast.” Miss Turner raised her eyebrows and leaned into him. “Come on, Mr. Grayson. Just one little toast,” she taunted, in the breathy, seductive voice of a harlot. It was a voice his body knew well, and vital parts of him were quickly forming a response. Siren. “Very well.” He lifted his mug and his voice, all the while staring into her wide, glassy eyes. “To the most beautiful lady in the world, and the only woman in my life.” The little minx caught her breath. Gray relished the tense silence, allowing a broad grin to spread across his face. “To my sister, Isabel.” Her eyes narrowed to slits. The men groaned. “You’re no fun anymore, Gray,” O’Shea grumbled. “No, I’m not. I’ve gone respectable.” He tugged on Miss Turner’s elbow. “And good little governesses need to be in bed.” “Not so fast, if you please.” She jerked away from him and turned to face the assembled crew. “I haven’t made my toast yet. We ladies have our sweethearts too, you know.” Bawdy murmurs chased one another until a ripple of laughter caught them up. Gray stepped back, lifting his own mug to his lips. If the girl was determined to humiliate herself, who was he to stop her? Who was he, indeed? Swaying a little in her boots, she raised her tankard. “To Gervais. My only sweetheart, mon cher petit lapin.” My dear little rabbit? Gray sputtered into his rum. What a fanciful imagination the chit had. “My French painting master,” she continued, slurring her words, “and my tutor in the art of passion.” The men whooped and whistled. Gray plunked his mug on the crate and strode to her side. “All right, Miss Turner. Very amusing. That’s enough joking for one evening.” “Who’s joking?” she asked, lowering her mug to her lips and eyeing him saucily over the rim. “He loved me. Desperately.” “The French do everything desperately,” he muttered, beginning to feel a bit desperate himself. He knew she was spinning naïve schoolgirl tales, but the others didn’t. The mood of the whole group had altered, from one of good-natured merriment to one of lust-tinged anticipation. These were sailors, after all. Lonely, rummed-up, woman-starved, desperate men. And to an innocent girl, they could prove more dangerous than sharks. “He couldn’t have loved you too much, could he?” Gray grabbed her arm again. “He seems to have let you go.” “I suppose he did.” She sniffed, then flashed a coquettish smile at the men. “I suppose that means I need a new sweetheart.” That was it. This little scene was at its end. Gray crouched, grasping his wayward governess around the thighs, and then straightened his legs, tossing her over one shoulder. She let out a shriek, and he felt the dregs of her rum spill down the back of his coat. “Put me down, you brute!” She squirmed and pounded his back with her fists. Gray bound her legs to his chest with one arm and gave her a pat on that well-padded rump with the other. “Well, then,” he announced to the group, forcing a roguish grin, “we’ll be off to bed.” Cheers and coarse laughter followed them as Gray toted his wriggling quarry down the companionway stairs and into the ladies’ cabin. With another light smack to her bum that she probably couldn’t even feel through all those skirts and petticoats, Gray slid her from his shoulder and dropped her on her feet. She wobbled backward, and he caught her arm, reversing her momentum. Now she tripped toward him, flinging her arms around his neck and sagging against his chest. Gray just stood there, arms dangling at his sides. Oh, bloody hell.

Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“ “Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?” “Lucinda!” Elizabeth whispered desperately. “They didn’t know we were coming.” “No respectable person would dwell in such a place even for a night,” she snapped, and Elizabeth watched in mingled distress and admiration as the redoubtable woman turned around and directed her attack on their unwilling host. “The responsibility for our being here is yours, whether it was a mistake or not! I shall expect you to rout your servants from their hiding places and have them bring clean linens up to us at once. I shall also expect them to have this squalor remedied by morning! It is obvious from your behavior that you are no gentleman; however, we are ladies, and we shall expect to be treated as such.” From the corner of her eye Elizabeth had been watching Ian Thornton, who was listening to all of this, his jaw rigid, a muscle beginning to twitch dangerously in the side of his neck. Lucinda, however, was either unaware of or unconcerned with his reaction, for, as she picked up her skirts and turned toward the stairs, she turned on Jake. “You may show us to our chambers. We wish to retire.” “Retire!” cried Jake, thunderstruck. “But-but what about supper?” he sputtered. “You may bring it up to us.” Elizabeth saw the blank look on Jake’s face, and she endeavored to translate, politely, what the irate woman was saying to the startled red-haired man. “What Miss Throckmorton-Jones means is that we’re rather exhausted from our trip and not very good company, sir, and so we prefer to dine in our rooms.” “You will dine,” Ian Thornton said in an awful voice that made Elizabeth freeze, “on what you cook for yourself, madam. If you want clean linens, you’ll get them yourself from the cabinet. If you want clean rooms, clean them! Am I making myself clear?” “Perfectly!” Elizabeth began furiously, but Lucinda interrupted in a voice shaking with ire: “Are you suggesting, sirrah, that we are to do the work of servants?” Ian’s experience with the ton and with Elizabeth had given him a lively contempt for ambitious, shallow, self-indulgent young women whose single goal in life was to acquire as many gowns and jewels as possible with the least amount of effort, and he aimed his attack at Elizabeth. “I am suggesting that you look after yourself for the first time in your silly, aimless life. In return for that, I am willing to give you a roof over your head and to share our food with you until I can get you to the village. If that is too overwhelming a task for you, then my original invitation still stands: There’s the door. Use it!” Elizabeth knew the man was irrational, and it wasn’t worth riling herself to reply to him, so she turned instead to Lucinda. “Lucinda,” she said with weary resignation, “do not upset yourself by trying to make Mr. Thornton understand that his mistake has inconvenienced us, not the other way around. You will only waste your time. A gentleman of breeding would be perfectly able to understand that he should be apologizing instead of ranting and raving. However, as I told you before we came here, Mr. Thornton is no gentleman. The simple fact is that he enjoys humiliating people, and he will continue trying to humiliate us for as long as we stand here.” Elizabeth cast a look of well-bred disdain over Ian and said, “Good night, Mr. Thornton.” Turning, she softened her voice a little and said, “Good evening, Mr. Wiley.

Lady Rose, you grow lovelier every time I see you.” Had it been a stranger who spoke she might have been flustered, but since it was Archer, Grey’s younger brother, she merely grinned in response and offered her hand. “And your eyesight grows poorer every time you see me, sir.” He bowed over her fingers. “If I am blind it is only by your beauty.” She laughed at that, enjoying the good-natured sparkle in his bright blue eyes. He was so much more easy-natured than Grey, so much more full of life and flirtation. And yet, the family resemblance could not be denied even if Archer’s features were a little thinner, a little sharper. How would Grey feel if she found a replacement for him in his own brother? It was too low, even in jest. “Careful with your flattery, sir,” she warned teasingly. “I am trolling for a husband you know.” Archer’s dark brows shot up in mock horror. “Never say!” Then he leaned closer to whisper. “Is my brother actually fool enough to let you get away?” Rose’s heart lurched at the note of seriousness in his voice. When she raised her gaze to his she saw only concern and genuine affection there. “He’s packing my bags as we speak.” He laughed then, a deep, rich sound that drew the attention of everyone on the terrace, including his older brother. “Will you by chance be at the Devane musicale next week, Lord Archer?” “I will,” he remarked, suddenly sober. “As much as it pains me to enter that viper’s pit. I’m accompanying Mama and Bronte. Since there’s never been any proof of what she did to Grey, Mama refuses to cut the woman. She’s better than that.” Archer’s use of the word “cut” might have been ironic, but what a relief knowing he would be there. “Would you care to accompany Mama and myself as well?” He regarded her with a sly smile. “My dear, Lady Rose. Do you plan to use me to make my brother jealous?” “Of course not!” And she was honest to a point. “I wish to use your knowledge of eligible beaux and have you buoy my spirits. If that happens to annoy your brother, then so much the better.” He laughed again. This time Grey scowled at the pair of them. Rose smiled and waved. Archer tucked her hand around his arm and guided her toward the chairs where the others sat enjoying the day, the table before them laden with sandwiches, cakes, scones, and all kinds of preserves, cream, and biscuits. A large pot of tea sat in the center. “What are you grinning at?” Grey demanded as they approached. Archer gave his brother an easy smile, not the least bit intimidated. “Lady Rose has just accepted my invitation for both she and her dear mama to accompany us to the Devane musicale next week.” Grey stiffened. It was the slightest movement, like a blade of grass fighting the breeze, but Rose noticed. She’d wager Archer did too. “How nice,” he replied civilly, but Rose mentally winced at the coolness of his tone. He turned to his mother. “I’m parched. Mama, will you pour?” And he didn’t look at her again.

He stared at her in insolent silence, unable to believe the alluring, impulsive girl he remembered had become this coolly aloof, self-possessed young woman. Even with her dusty clothes and the smear of dirt on her cheek, Elizabeth Cameron was strikingly beautiful, but she’d changed so much that-except for the eyes-he scarcely recognized her. One thing hadn’t changed: She was still a schemer and a liar. Straightening abruptly from his stance in the doorway, Ian walked forward. “I’ve had enough of this charade, Miss Cameron. No one invited you here, and you damn well know it.” Blinded with wrath and humiliation, Elizabeth groped in her reticule and snatched out the handwritten letter her uncle had received inviting Elizabeth to join Ian there. Marching up to him, she slapped the invitation against his chest. Instinctively he caught it but didn’t open it. “Explain that,” she commanded, backing away and then waiting. “Another note, I’ll wager,” he drawled sarcastically, thinking of the night he’d gone to the greenhouse to meet her and recalling what a fool he’d been about her. Elizabeth stood beside the table, determined to have the satisfaction of hearing his explanation before she left-not that anything he said could make her stay. When he showed no sign of opening it, she turned furiously to Jake, who was sorely disappointed that Ian was deliberately chasing off two females who could surely be persuaded to do the cooking if they stayed. “Make him read it aloud!” she ordered the startled Jake. “Now, Ian,” Jake said, thinking of his empty stomach and the bleak future that lay ahead for it if the ladies went away, “why don’t you jes’ read that there little note, like the lady asked?” When Ian Thornton ignored the older man’s suggestion, Elizabeth lost control of her temper. Without thinking what she was actually doing, she reached out and snatched the pistol off the table, primed it, cocked it, and leveled it at Ian Thornton’s broad chest. “Read that note!” Jake, whose concern was still on his stomach, held up his hands as if the gun were pointed at him. “Ian, it could be a misunderstanding, you know, and it’s not nice to be rude to these ladies. Why don’t you read it, and then we’ll all sit down and have a nice”-he inclined his head meaningfully to the sack of provisions on the table-“supper.” “I don’t need to read it,” Ian snapped. “The last time I read a note from Lady Cameron I met her in a greenhouse and got shot in the arm for my trouble.” “Are you implying I invited you into that greenhouse?” Elizabeth scoffed furiously. With an impatient sigh Ian said, “Since you’re obviously determined to enact a Cheltenham tragedy, let’s get it over with before you’re on your way.” “Do you deny you sent me a note?” she snapped. “Of course I deny it!” “Then what were you doing in the greenhouse?” she shot back at him. “I came in response to that nearly illegible note you sent me,” he said in a bored, insulting drawl. “May I suggest that in future you devote less of your time to theatrics and some of it to improving your handwriting?” His gaze shifted to the pistol. “Put the gun down before you hurt yourself.