Resigned To Fate Quotes

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The first lesson a revolutionary must learn is that he is a doomed man.
Huey P. Newton
I'm trying to let him know what I'm about to do. I'm hoping he can save me, even though I realize he can't.
Matthew Quick (Forgive Me, Leonard Peacock)
As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of the world.
Anna Kavan (Ice)
Don't put one foot in your job and the other in your dream, Ed. Go ahead and quit, or resign yourself to this life. It's just too much of a temptation for fate to split you right up the middle before you've made up your mind which way to go.
Kurt Vonnegut Jr. (Player Piano)
Do you know how it feels to resign yourself to your fate? It is almost welcome. There was to be no more pain, no more fear, no more longing. It is the death of hope that comes as the greatest relief.
Jojo Moyes (The Girl You Left Behind)
By the age of twenty, you know you're not going to be a rock star. By twenty-five, you know you're not going to be a dentist or any kind of professional. And by thirty, darkness starts moving in- you wonder if you're ever going to be fulfilled, let alone wealthy and successful. By thirty-five, you know, basically, what you're going to be doing for the rest of your life, and you become resigned to your fate... ...I mean, why do people live so long? What could be the difference between death at fifty-five and death at sixty-five or seventy-five or eighty-five? Those extra years... what benefit could they possibly have? Why do we go on living even though nothing new happens, nothing new is learned, and nothing new is transmitted? At fifty-five, your story's pretty much over.
Douglas Coupland (Player One: What Is to Become of Us (CBC Massey Lectures))
Though all three men faced the same hardship, their differing perceptions of it appeared to be shaping their fates. Louie and Phil's hope displaced their fear and inspired them to work toward their survival, and each success renewed their physical and emotional vigor. Mac's resignation seemed to paralyze him and the less he participated in their efforts to survive, the more he slipped. Though he did the least, as the days passed, it was he who faded the most. Louie and Phil's optimism, and Mac's hopelessness, were becoming self-fulfilling.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
There are people who are willing to suffer and swallow their tears at leisure, and God will not doubt reward them in heaven for their resignation; but those who have the will to struggle strike back at fate in retaliation for the blows they receive. Do you intend to fight back at fate, Valentine? That's what I came here to ask you. -Maximilien Morrel
Alexandre Dumas (The Count of Monte Cristo)
The notion of nothingness is not characteristic of laboring humanity: those who toil have neither time nor inclination to weigh their dust; they resign themselves to the difficulties or the doltishness of fate; they hope: hope is a slave’s virtue.
Emil M. Cioran (A Short History of Decay)
If you make a person believe that his misfortune in this birth is due to his sins in his previous birth, he will resign himself to his fate and not vent his fury on society at large.
Amish Tripathi (The Immortals of Meluha (Shiva Trilogy, #1))
Ah, Catylast, can it be that you do not see all the changes you have made? Some by your resignation and acceptance of circumstance, some by your wild struggles. You say that you hate change, but you *are* change. The Fool in Fool's Fate
Robin Hobb
We are left with nothing but death, the irreducible fact of our own mortality. Death after a long illness we can accept with resignation. Even accidental death we can ascribe to fate. But for a man to die of no apparent cause, for a man to die simply because he is a man, brings us so close to the invisible boundary between life and death that we no longer know which side we are on. Life becomes death, and it is as if this death has owned this life all along. Death without warning. Which is to say: life stops. And it can stop at any moment.
Paul Auster (The Invention of Solitude)
Look, look,' cried the count, seizing the young man's hands - "look, for on my soul it is curious. Here is a man who had resigned himself to his fate, who was going to the scaffold to die - like a coward, it is true, but he was about to die without resistance. Do you know what gave him strength? - do you know what consoled him? It was, that another partook of his punishment - that another partook of his anguish - that another was to die before him. Lead two sheep to the butcher's, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man - man, who God created in his own image - man, upon whom God has laid his first, his sole commandment, to love his neighbour - man, to whom God has given a voice to express his thoughts - what is his first cry when he hears his fellowman is saved? A blasphemy. Honour to man, this masterpiece of nature, this king of the creation!
Alexandre Dumas (The Count of Monte Cristo)
You know, from what I've seen, at twenty you know you're not going to be a rock star. By twenty-five, you know you're not going to be a dentist or a professional. And by thirty, a darkness starts moving in - you wonder if you're ever going to be fulfilled, let alone wealthy or successful. By thirty-five, you know, basically, what you're going to be doing the rest of your life; you become resigned to your fate.
Douglas Coupland (Girlfriend in a Coma)
Some dangers are so spectacular and so much beyond normal experience that the mind refuses to accept them as real, and watches the approach of doom without any sense of apprehension. The man who looks at the onrushing tidal wave, the descending avalanche, or the spinning funnel of the tornado, yet makes no attempt to flee, is not necessarily paralyzed with fright or resigned to an unavoidable fate. He may simply be unable to believe that the message of his eyes concerns him personally. It is all happening to somebody else.
Arthur C. Clarke (2010: Odyssey Two)
Fate is unalterable only in the sense that given a cause, a certain result must follow, but no cause is inevitable in itself, and man can shape his world if he does not resign himself to ignorance.
Pearl S. Buck (My Several Worlds)
I had never heard her sound so calm, so resigned to her fate. She said she was neither happy nor unhappy, and that was why she couldn't go on.
Paulo Coelho (Veronika Decides to Die)
Justine shook her head mournfully. "I do not fear to die," she said; "that pang is past. God raises my weakness and gives me courage to endure the worst. I leave a sad and bitter world; and if you remember me and think of me as of one unjustly condemned, I am resigned to the fate awaiting me. Learn from me, dear lady, to submit in patience to the will of heaven!
Mary Wollstonecraft Shelley (Frankenstein, or the Modern Prometheus)
Numberless are the world's wonders, but none More wonderful than man; the storm gray sea Yields to his prows, the huge crests bear him high; Earth, holy and inexhaustible, is graven With shining furrows where his plows have gone Year after year, the timeless labor of stallions. The light-boned birds and beasts that cling to cover, The lithe fish lighting their reaches of dim water, All are taken, tamed in the net of his mind; The lion on the hill, the wild horse windy-maned, Resign to him; and his blunt yoke has broken The sultry shoulders of the mountain bull. Words also, and thought as rapid as air, He fashions to his good use; statecraft is his And his the skill that deflects the arrows of snow, The spears of winter rain: from every wind He has made himself secure--from all but one: In the late wind of death he cannot stand. O clear intelligence, force beyond all measure! O fate of man, working both good and evil! When the laws are kept, how proudly his city stands! When the laws are broken, what of his city then? Never may the anarchic man find rest at my hearth, Never be it said that my thoughts are his thoughts.
Sophocles (Antigone (The Theban Plays, #3))
It's a change, and I don't like changes, especially changes I don't understand.' 'Life is change,' the Fool observed lacidly. 'And death is an even greater change. I think we must resign ourselves to change, Fitz.' 'I'm tired of resigning myself to things. My entire life has been one long resignation.
Robin Hobb (Fool's Fate (Tawny Man, #3))
...sometimes I do actually forget that the person to whom I owe that love is a real person, complete in himself, not someone who should make do with some rather diffuse emotion which gradually resigns itself to its own fatal vagueness, as if that were a fate against which there were no possible appeal...
José Saramago
I leave a sad and bitter world; and if you remember me, and think of me as of one unjustly condemned, I am resigned to the fate awaiting me.
Mary Wollstonecraft Shelley
Twenty years from now, would that be me? Would I be resigned to my fate, pushing my daughter toward the light so she could be free? Or pulling her down so I wouldn’t be along in the dark?
Yamile Saied Méndez (Furia)
They share another long look. This one is reserved for ill-fated observers in the moments before impending, inescapable calamity, whether it be natural disaster or violent failure of humanity; a look of resigned melancholy and awe, unblinking in the face of a revealed, horrific, sacred truth. And they realize again, in this darkest hour of the darkest day, they remain alone, fundamentally alone.
Paul Tremblay (The Cabin at the End of the World)
I don’t want to pretend that “to become an adult” is to resign to your fate.
Wataru Watari (やはり俺の青春ラブコメはまちがっている。6)
I do not fear to die, that pang is past. God raises my weakness, and gives me courage to endure the worst. I leave a sad and bitter world; and if you remember me, and think of me as of one unjustly condemned, I am resigned to the fate awaiting me. Learn from me, dear lady, to submit in patience to the will of Heaven!"~~Justine Moritz
Mary Wollstonecraft Shelley (Frankenstein)
He considered the importance of what he was to do, and calmed himself. He felt the dragon’s mood and acknowledged it. It was a willingness to accept whatever fate brought, but without a resignation to defeat. Death might come, but with it might also come victory.
Raymond E. Feist (A Darkness At Sethanon (The Riftwar Saga, #4))
If you are doomed to devour yourself, nothing can keep you from it: a trifle will impel you as much as a tragedy. Resign yourself to erosion at all times: your fate wills it so.
Emil M. Cioran (The Trouble With Being Born)
One of the only coherent philosophical positions is thus revolt. It is a constant confrontation between man and his own obscurity. It is an insistence upon an impossible transparency. It challenges the world anew every second. Just as danger provided man the unique opportunity of seizing awareness, so metaphysical revolt extends awareness to the whole of experience. It is that constant presence of man in his own eyes. It is not aspiration, for it is devoid of hope. That revolt is the certainty of a crushing fate, without the resignation that ought to accompany it.
Albert Camus (The Myth of Sisyphus and Other Essays)
he should accept with patience the tribulation which has actually been dealt out to him—the present anxiety and suspense. It is about this that he is to say ‘Thy will be done’, and for the daily task of bearing this that the daily bread will be provided. It is your business to see that the patient never thinks of the present fear as his appointed cross, but only of the things he is afraid of. Let him regard them as his crosses: let him forget that, since they are incompatible, they cannot all happen to him, and let him try to practise fortitude and patience to them all in advance. For real resignation, at the same moment, to a dozen different and hypothetical fates, is almost impossible,
C.S. Lewis (The Screwtape Letters)
But my decision to create a disturbance by renovating my house had awoken a different reality, as though I had disturbed a beast sleeping in its lair. I had started to become, in effect, angry. I had started to desire power, because what I now realised was that other people had had it all along, that what I called fate was merely the reverberation of their will, a tale scripted not by some universal storyteller but by people who would elude justice for as long as their actions were met with resignation rather than outrage.
Rachel Cusk (Transit)
Though all three men faced the same hardship, their differing perceptions of it appeared to be shaping their fates. Louie and Phil’s hope displaced their fear and inspired them to work toward their survival, and each success renewed their physical and emotional vigor. Mac’s resignation seemed to paralyze him, and the less he participated in their efforts to survive, the more he slipped. Though he did the least, as the days passed, it was he who
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists. “…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…” What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks. I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me. “The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.” “I know what you mean,” I said. His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.” “I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. “I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.
Wally Lamb (She’s Come Undone)
In spite of this awareness of fate, or perhaps because of it, the picture of man's qualities which emerges from the myths is a noble one. The gods are heroic figures, men writ large, who led dangerous, individualistic lives, yet at the same time were part of a closely-knit small group, with a firm sense of values and certain intense loyalties. They would give up their lives rather than surrender these values, but they would fight on as long as they could, since life was well worth while. Men knew that the gods whom they served could not give them freedom from danger and calamity, and they did not demand that they should. We find in the myths no sense of bitterness at the harshness and unfairness of life, but rather a spirit of heroic resignation: humanity is born to trouble, but courage, adventure, and the wonders of life are matters of thankfulness, to be enjoyed while life is still granted to us. The great gifts of the gods were readiness to face the world as it was, the luck that sustains men in tight places, and the opportunity to win that glory which alone can outlive death.
H.R. Ellis Davidson (Gods and Myths of Northern Europe)
Too high for common selfishness , he could At times resign his own for others' good, But not in pity - not because he ought, But in some strange perversity of thought, That swayed him onward with a secred pride To do what few or none could do beside; And this same impulse would, in tempting time, Mislead his spirit equally to crime; So much he soared beyond, or sank beneath, The men with whom he felt condemned to breathe And longed by good or ill to seperate Himself from all who shared his mortal fate.
Lord Byron
It is a mistake to think of the expatriate as someone who abdicates, who withdraws and humbles himself, resigned to his miseries, his outcast state. On a closer look, he turns out to be ambitious, aggressive in his disappointments, his very acrimony qualified by his belligerence. The more we are dispossessed, the more intense our appetites and illusions become. I even discern some relation between misfortune and megalomania. The man who has lost everything preserves as a last resort the hope of glory, or of literary scandal. He consents to abandon everything, except his name. [ . . . ] Let us say a man writes a novel which makes him, overnight, a celebrity. In it he recounts his sufferings. His compatriots in exile envy him: they too have suffered, perhaps more. And the man without a country becomes—or aspires to become—a novelist. The consequence: an accumulation of confusions, an inflation of horrors, of frissons that date. One cannot keep renewing Hell, whose very characteristic is monotony, or the face of exile either. Nothing in literature exasperates a reader so much as The Terrible; in life, it too is tainted with the obvious to rouse our interest. But our author persists; for the time being he buries his novel in a drawer and awaits his hour. The illusion of surprise, of a renown which eludes his grasp but on which he reckons, sustains him; he lives on unreality. Such, however, is the power of this illusion that if, for instance, he works in some factory, it is with the notion of being freed from it one day or another by a fame as sudden as it is inconceivable. * Equally tragic is the case of the poet. Walled up in his own language, he writes for his friends—for ten, for twenty persons at the most. His longing to be read is no less imperious than that of the impoverished novelist. At least he has the advantage over the latter of being able to get his verses published in the little émigré reviews which appear at the cost of almost indecent sacrifices and renunciations. Let us say such a man becomes—transforms himself—into an editor of such a review; to keep his publication alive he risks hunger, abstains from women, buries himself in a windowless room, imposes privations which confound and appall. Tuberculosis and masturbation, that is his fate. No matter how scanty the number of émigrés, they form groups, not to protect their interests but to get up subscriptions, to bleed each other white in order to publish their regrets, their cries, their echoless appeals. One cannot conceive of a more heart rending form of the gratuitous. That they are as good poets as they are bad prose writers is to be accounted for readily enough. Consider the literary production of any "minor" nation which has not been so childish as to make up a past for itself: the abundance of poetry is its most striking characteristic. Prose requires, for its development, a certain rigor, a differentiated social status, and a tradition: it is deliberate, constructed; poetry wells up: it is direct or else totally fabricated; the prerogative of cave men or aesthetes, it flourishes only on the near or far side of civilization, never at the center. Whereas prose demands a premeditated genius and a crystallized language, poetry is perfectly compatible with a barbarous genius and a formless language. To create a literature is to create a prose.
Emil M. Cioran (The Temptation to Exist)
She wanted to increase her own worth by giving herself the label of Chairwoman and she wanted to make sure of her superiority by labeling others and looking down on  them.  That was the true form of the “growth” that Sagami  spoke of.  But growth isn’t something like that.  Don’t go mixing up simple change with growth.  I don’t want to call simple change and the end solution of compromise, “growth”. I don’t want to pretend that “to become an adult” is to resign to your fate. 
Wataru Watari (やはり俺の青春ラブコメはまちがっている。6)
As Adam lost the heritage of union with God in a garden, so now Our Blessed Lord ushered in its restoration in a garden. Eden and Gethsemane were the two gardens around which revolved the fate of humanity. In Eden, Adam sinned; in Gethsemane, Christ took humanity's sin upon Himself. In Eden, Adam hid himself from God; in Gethsemane, Christ interceded with His Father; in Eden, God sought out Adam in his sin of rebellion; in Gethsemane, the New Adam sought out the Father and His submission and resignation. In Eden, a sword was drawn to prevent entrance into the garden and thus immortalizing of evil; in Gethsemane, the sword would be sheathed.
Fulton J. Sheen (Life of Christ)
I had started to desire power, because what I now realised was that other people had had it all along, that what I called fate was merely the reverberation of their will, a tale scripted not by some universal storyteller but by people who would elude justice for as long as their actions were met with resignation rather than outrage.
Rachel Cusk (Transit)
I hear the door open again behind me. “Honestly, Eleanor, I will not move in with you. You’re welcome to come to Gallen. I’m certain we could find something for you to study.” A voice that is not Eleanor’s answers me. “I plan on studying history scholars, actually.” All the grief I have neatly packed and stored in the shadows of my soul springs up, rising into my throat and choking me. I stand, unable to turn, unable to draw a breath for fear of being mistaken, my eyes glued to the floor. A fine pair of shoes enters the narrow range of my vision. They cast no shadow. “You’re dead,” I whisper, still not daring to look up. “Nearly,” Finn answers, his voice the soft song of my dreams. I look up, barely able to see him through tears. He’s thinner, with the pale and drawn look of someone who has been sick for a long time but is on the mend. “It’s a tricky thing, trying to use a transport spell stored in your body while being pulled down a river bleeding to death. You will have to excuse me for getting lost and taking so long to get back to you.” “I will excuse no such thing.” I throw my arms around his neck and bury my face in his shoulder. “You are not excused, you will never be excused, and you will spend the rest of your life making it up to me.” He laughs. “I had planned on nothing less.” My lips meet his, and I do not resign myself to this fate. I claim it as my own. Forever.
Kiersten White (Illusions of Fate)
Here is a man who was resigned to his fate, who was walking to the scaffold and about to die like a coward, that's true, but at least he was about to die without resisting and without recriminations. Do you know what gave him that much strength? Do you know what consoled him? It was the fact that another man was to die like him, that another man was to die before him! Put two sheep in the slaughter-house or two oxen in the abattoir and let one of them realize that his companion will not die, and the sheep will bleat with joy, the ox low with pleasure. But man, man whom God made in His image, man to whom God gave this first, this sole, this supreme law, that he should love his neighbour, man to whom God gave a voice to express his thoughts - what is man's first cry when he learns that his neighbour is saved? A curse. All honour to man, the masterpiece of nature, the lord of creation!
Alexandre Dumas (The Count of Monte Cristo)
But really, by this point, I think I had resigned myself to fate. No stupid movie would save me.
Ottessa Moshfegh (My Year of Rest and Relaxation)
There’s always more than one path, and to think otherwise is what resigns you to fate.
Allison Winn Scotch (The Theory of Opposites)
You, and you alone, have reported this mysterious sense of doom. You, and you alone, are a chaos magnet the likes of which I have never seen. After our little shopping trip to Diagon Alley, and then the Sorting Hat, and then today's little episode, I can well foresee that I am fated to sit in the Headmaster's office and hear some hilarious tale about Professor Quirrell in which you and you alone play a starring role, after which there will be no choice but to fire him. I am already resigned to it, Mr. Potter. And if this sad event takes place any earlier than the Ides of May, I will string you up by the gates of Hogwarts with your own intestines and pour fire beetles into your nose. Now do you understand me completely?
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
I could almost see the resignation on the old man’s face. I knew he would draw a breath and sigh that I insisted on stacking all my pain in one pile, facing it all at once." p. 480 Fitz about Chade
Robin Hobb (Fool's Fate (Tawny Man, #3))
To those who have resigned themselves to the sorry belief that they are forever held captive to the currents of life, I would suggest that they take some time to learn what the oars in their boat are for.
Craig D. Lounsbrough
Do you know,’ she said slowly, ‘I have just thought – Mr Beaumaris, something tells me that Lady Bridlington may not like this dear little dog!’ Mr Beaumaris waited in patient resignation for his certain fate to descend upon him.
Georgette Heyer (Arabella)
She stared into the flames, resigning herself to her fate. She now knew that she had fallen victim to a sociopath, and yet she didn’t care. No man is perfect; all men have their flaws, and you have to accept the bad with the good. Some men expect you to mother them, or make you into their maid. Others ignore you, or lecture you, or misunderstand everything you say, or are fussy about trivial things. A bad man can kill you with a knife, but a good man can kill you by boring you to death!
Anna Biller (Bluebeard's Castle)
I do not think this is the moment to give way to sterile misery: that may be enough for those who want to suffer at their ease and have time to drink their own tears. There are people like that, and God will no doubt reward them in heaven for their resignation on earth; but anyone who has the will to fight will not lose precious time, but immediately strike back at that Fate which has dealt a blow. Have you the will to fight against ill-fortune, Valentine? Tell me, because that is what I have come to ask you.
Alexandre Dumas (The Count of Monte Cristo)
She was trying to become invisible in the snow. Sudden terror had seized her: the thought of the man whose ice-blue eyes had a magnetic power which could deprive her of will and thrust her down into hallucination and horror. The fear she lived with, always near her, close behind the world's normal façade, had become concentrated on him. And there was another connected with him, they were in league together, or perhaps they were the same person. Both of them persecuted her, she did not understand why. But she accepted the fact as she accepted all the things that happened to her, expecting to be ill-treated, to be made a victim, ultimately to be destroyed, either by unknown forces or by human beings. This fate seemed always to have been waiting for her, ever since time began. Only love might have saved her from it. But she had never looked for love. Her part was to suffer; that was known and accepted. Fatality brought resignation. It was no use fighting against her fate. She knew she had been beaten before the start.
Anna Kavan (Ice)
He began to cry then, clutching LB. The tears came easily. He had not cried tears of such distilled regret since his son had gone missing. LB was going limp, either spent, tired of fighting, or resigned to her fate. Luke hugged her so, so tight. He wanted LB to remember his touch. The warmth and love that radiated from his whole body, coupled with the sadness that she was being ripped away from him. He wanted her to take that one physical memory with her wherever she was going. The imprint of his hands on her. He wished it to be a reminder that she was a good creature, and loved, and that there were places on the continuum where love and kindness still existed, even if she did not share that world presently. She did not deserve this. But things happened. They happened.
Nick Cutter (The Deep)
Despairingly she looked all round. She was completely encircled by the tremendous ice walls, which were made fluid by explosions of blinding light, so that they moved and changed with a continuous liquid motion, advancing in torrents of ice, avalanches as big as oceans, flooding everywhere over the doomed world. Wherever she looked, she saw the same fearful encirclement, soaring battlements of ice, an over-hanging ring of frigid, fiery, colossal waves about to collapse upon her. Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world.
Anna Kavan
scientific knowledge has taught [humans] much since the days of the Deluge, and it will increase their power still further. And, as for the great necessities of Fate, against which there is no help, they will learn to endure them with resignation. Of what use to them is the mirage of wide acres in the moon, whose harvest no one has ever yet seen? As honest smallholders on this earth they will know how to cultivate their plot in such a way that it supports them. By withdrawing their expectations from the other world and concentrating all their liberated energies into their life on earth, they will probably succeed in achieving a state of things in which life will become tolerable for everyone and civilization no longer oppressive to anyone. Then, with one of our fellow-unbelievers, they will be able to say without regret: 'We leave Heaven to the angels and the sparrows.
Sigmund Freud (The Future of an Illusion)
Once, during my Catholic days, I was complaining with a Catholic friend about how terrible the teaching was in parish life. A priest listening to us said that everything we griped about was true, but we didn't have to resign ourselves and our children to this fate. 'You could go online to Amazon.com tonight and have sent to you within a week a theological library that Aquinas would have envied,' he said. 'My parents raised me in the seventies, which was the beginning of the catechesis nightmare. They knew that if they were going to raise Catholic kids, they would have to do a lot of it themselves, and they did. So do you.
Rod Dreher (The Benedict Option: A Strategy for Christians in a Post-Christian Nation)
For a long time , I said, I believe that it was only through absolute passivity that you could learn to see what was really there. But my decision to create a disturbance...had awoken a different reality, as though I had disturbed a beast sleeping in its lair. I had started to become, in effect, angry. I had started to desire power, because what I now realized was that other people had had it all along, that what I called fate was merely the reverberation of their will, a tail scripted not buy some universal storyteller but by people who would elude justice for as long as their actions were met with resignation rather than outrage.
Rachel Cusk (Transit)
I love birds. I love to cage them, you see, because when you first do it, they fight so terribly hard. They are so alive, so defiant. I measure how long it takes for them to lose their spirit. To stop fighting. To resign themselves to their fate....They all give up, eventually. They are all in a cage, you see. There is no way out.
Kameron Hurley (Empire Ascendant (Worldbreaker Saga, #2))
endures, hupomeno (hoop-ahm-en-oh); Strong’s #5278: To hold one’s ground in conflict, bear up against adversity, hold out under stress, stand firm, persevere under pressure, wait calmly and courageously. It is not passive resignation to fate and mere patience, but the active, energetic resistance to defeat that allows calm and brave endurance.
Jack W. Hayford (New Spirit-Filled Life Bible: Kingdom Equipping Through the Power of the Word, New King James Version)
I’m taking this, Beckett. I did this. I could have just disabled them. But when I heard her say no I just…” Cole seemed resigned to his fate. “They were trying to rape her?” Beckett hit the wall with enough force to hear something crack—either a tile or a knuckle. “She said, ‘I do not want this,’ and they were all over her.” Cole glared at the men on the floor.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
I am off to a life where I can exist in a room and not have to pretend I want to be there. I am off to hear people who have something to say. I don’t even have to agree with it— I just want to know what it’s like to listen to a real sentence. I long for a time where I don’t wish the day would be over. This means leaving the company. I can wonder, or I can wander—and it’s time for me to get lost. Reinvention is hard. To let it go? To admit you don’t love something anymore? That’s the stuff that kills you. But I must run before another workday asks for me again. Things are hard so that we can start. I feel like fate is blindfolding me. My arms reach out not knowing if I’ll impale myself or secure my foothold—but all great things come from motion. Nothing begets nothing. And I’m scared, but I have the movies with me. The things we love require us. I wonder what would happen if everyone in the world did what they loved. Would things fall into place and leave no empty spaces? Would there be harmony in the work field? Sustainable marriages? Children with parents? Dirty water? Would there be resignation letters?
Kristian Ventura (The Goodbye Song)
Ari Thór had come to realise that the only way to survive in the northernmost town in Iceland was to embrace all the seasons and resign yourself to your fate. You had to learn to love the bitterly cold winter nights as much as the never-ending summer days, when darkness is nothing but a distant memory and the sun floods the land with warmth and light. And understand how nourishing the cold can be for the body and the soul.
Ragnar Jónasson (Winterkill (Dark Iceland #6))
I feel excitingly...free. Things were going to happen to me last night that I did not like - and I stopped them. I have never prevented my own doom before. I have never stood in the path of certain unhappiness and told myself - lovingly, like a mother to myself - "No! This unhappiness will not suit you! Turn around and go another way!" I have previously been resigned to any and all fates ahead - mute and compliant, worried about seeming weird or unfuckable, or about making a fuss. But now things have changed: it seems I am now the kind of girl who can instigate a threesome - then cancel a threesome, then order a cab. I am in charge of me. I can change fates! I can reorder evenings! I can say "Yes" - and then "No!" This is new information to me. I like this information. I like all information about me. I am compiling a dossier. I am my own specialist subject.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
Pining for a different role is futile and will only cause you to suffer needlessly, like the dog dragged by the cart. We must learn, say the Stoics, “to desire what we have.” That sounds odd, I realize. Isn’t desire, by definition, a yearning for something we lack? How can we desire what we already have? Nietzsche, I think, answers the question best. Don’t resign yourself to your fate. Don’t accept your fate. Love it. Desire it. The
Eric Weiner (The Socrates Express: In Search of Life Lessons from Dead Philosophers)
Everyone," Ross said, "seems a little less concerned than I do. Am I more tender-hearted for others or only tender because of my own conscience?" "We are not–untender," she said. "Not so. But maybe we are more–resigned. When a man is condemned to death we accept it, though it's sad to do so. We know we cannot change it. You hoped to change it–so it's more of a–a disappointment. You feel you have failed. We don't feel that because we never hoped to succeed.
Winston Graham (The Four Swans (Poldark, #6))
To be free to communicate without consequence—is that ever a possibility? I want to say, “I don’t want you to have feelings about my feelings.” I want to be heard without consequence because to be heard is such a novelty. If someone asks while looking me straight in the eye, I slither away. Even though we are looking at each other, I am still hiding. My dark eyes are good for that. The feelings on the tip of my tongue have no shape; they’re listless, always trying to sneak up in a moment of poignancy. Sometimes what I want to say is “I want you to be mine!” Sometimes it is “I feel trapped!” Sometimes it is “I resigned myself to a fate I thought I wanted, but now I don’t!” But I have yearnings, that’s true. I make choices. I take action. That is simply how I navigate. But isn’t it who I am who goes out into the world? Do those few lonely moments when I return inward, away from noise and glamour, really count?
Marlowe Granados (Happy Hour)
is turning all life into a unified flow experience. If a person sets out to achieve a difficult enough goal, from which all other goals logically follow, and if he or she invests all energy in developing skills to reach that goal, then actions and feelings will be in harmony, and the separate parts of life will fit together—and each activity will “make sense” in the present, as well as in view of the past and of the future. In such a way, it is possible to give meaning to one’s entire life. But isn’t it incredibly naive to expect life to have a coherent overall meaning? After all, at least since Nietzsche concluded that God was dead, philosophers and social scientists have been busy demonstrating that existence has no purpose, that chance and impersonal forces rule our fate, and that all values are relative and hence arbitrary. It is true that life has no meaning, if by that we mean a supreme goal built into the fabric of nature and human experience, a goal that is valid for every individual. But it does not follow that life cannot be given meaning. Much of what we call culture and civilization consists in efforts people have made, generally against overwhelming odds, to create a sense of purpose for themselves and their descendants. It is one thing to recognize that life is, by itself, meaningless. It is another thing entirely to accept this with resignation. The first fact does not entail the second any more than the fact that we lack wings prevents us from flying. From the point of view of an individual, it does not matter what the ultimate goal is—provided it is compelling enough to order a lifetime’s worth of psychic energy. The challenge might involve the desire to have the best beer-bottle collection in the neighborhood, the resolution to find a cure for cancer, or simply the biological imperative to have children who will survive and prosper. As long as it provides clear objectives, clear rules for action, and a way to concentrate and become involved, any goal can serve to give meaning to a person’s life. In the past few years I have come to be quite well acquainted with several Muslim professionals—electronics engineers, pilots, businessmen, and teachers, mostly from Saudi Arabia and from the other Gulf states. In talking to them, I was struck with how relaxed most of them seemed to be even under strong pressure. “There is nothing to it,” those I asked about it told me, in different words, but with the same message: “We don’t get upset because we believe that our life is in God’s hands, and whatever He decides will be fine with us.” Such implicit faith used to be widespread in our culture as well, but it is not easy to find it now. Many of us have to discover a goal that will give meaning to life on our own, without the help of a traditional faith.
Mihály Csíkszentmihályi (Flow: The Psychology of Optimal Experience)
Look, look,” cried the count, seizing the young men’s hands—“look, for on my soul it is curious. Here is a man who had resigned himself to his fate, who was going to the scaffold to die—like a coward, it is true, but he was about to die without resistance. Do you know what gave him strength?—do you know what consoled him? It was, that another partook of his punishment—that another partook of his anguish—that another was to die before him. Lead two sheep to the butcher’s, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man—man, whom God created in his own image—man, upon whom God has laid his first, his sole commandment, to love his neighbor—man, to whom God has given a voice to express his thoughts—what is his first cry when he hears his fellow-man is saved? A blasphemy. Honor to man, this masterpiece of nature, this king of the creation!
Alexandre Dumas (The Count of Monte Cristo)
It is man’s duty to live in conformity with the divine will, and this means, firstly, bringing his life into line with ‘nature’s laws’, and secondly, resigning himself completely and uncomplainingly to whatever fate may send him. Only by living thus, and not setting too high a value on things which can at any moment be taken away from him, can he discover that true, unshakeable peace and contentment to which ambition, luxury and above all avarice are among the greatest obstacles.
Seneca (Letters from a Stoic)
Lincoln couldn't help wondering if what had happened at Rockers was best viewed as an isolated incident or as part of a long-established pattern, one that could be summed up as Teddy's life not, to borrow Coffin's term, working out. Even back at Minerva, Teddy had seemed resigned to the likelihood that it wouldn't. Which begged a question: Had Teddy meekly accepted what he saw as the invisible trajectory of his life, or had he courageously accepted what he couldn't possibly change?
Richard Russo (Chances Are...)
It helps to resign as the controller of your fate. All that energy we expend to keep things running right is not what’s keeping things running right. We’re bugs struggling in the river, brightly visible to the trout below. With that fact in mind, people like me make up all these rules to give us the illusion that we are in charge. I need to say to myself, they’re not needed, hon. Just take in the buggy pleasures. Be kind to the others, grab the fleck of riverweed, notice how beautifully your bug legs scull.
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
True resignation consists of this: that man, feeling his subordination to the course of world events, makes his way toward inward freedom from the fate that shapes his external existence. Inward freedom gives him the strength to triumph over the difficulties of everyday life and to become a deeper and more inward person, calm, and peaceful. Resignation, therefore, is the spiritual and ethical affirmation of one’s own existence. Only he that has gone through the trial of resignation is capable of accepting the world.
Albert Schweitzer (Reverence for Life: The Words of Albert Schweitzer)
Though all three men faced the same hardship, their differing perceptions of it appeared to be shaping their fates. Louie and Phil’s hope displaced their fear and inspired them to work toward their survival, and each success renewed their physical and emotional vigor. Mac’s resignation seemed to paralyze him, and the less he participated in their efforts to survive, the more he slipped. Though he did the least, as the days passed, it was he who faded the most. Louie and Phil’s optimism, and Mac’s hopelessness, were becoming self-fulfilling.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
Look, look,’ the count continued, grasping each of the two young men by the hand. ‘Look, because I swear to you, this is worthy of your curiosity. Here is a man who was resigned to his fate, who was walking to the scaffold and about to die like a coward, that’s true, but at least he was about to die without resisting and without recriminations. Do you know what gave him that much strength? Do you know what consoled him? Do you know what resigned him to his fate? It was the fact that another man would share his anguish, that another man was to die like him, that another man was to die before him! Put two sheep in the slaughter-house or two oxen in the abattoir and let one of them realize that his companion will not die, and the sheep will bleat with joy, the ox low with pleasure. But man, man whom God made in His image, man to whom God gave this first, this sole, this supreme law, that he should love his neighbour, man to whom God gave a voice to express his thoughts – what is man’s first cry when he learns that his neighbour is saved? A curse. All honour to man, the masterpiece of nature, the lord of creation!’ He
Alexandre Dumas (The Count of Monte Cristo)
about society buying itself a slave. Who from? From destitution. From hunger, from cold, from loneliness, from abandonment, from dire poverty. A painful bargain. A soul for a bit of bread. Destitution makes an offer, society gives the nod. The sacred law of Jesus Christ governs our civilization, but it has not yet managed to permeate it. They say slavery has vanished from European civilization. That is wrong. It still exists, but it now preys only on women, and it goes by the name of prostitution. It preys on women, meaning on grace, on weakness, on beauty, on the maternal. It is not the least of man’s shameful secrets. At the point we have reached in this doleful drama, there is nothing left of the Fantine of the past. In becoming trash she turned to marble. Whoever touches her feels cold. She wafts into view, she goes along with you yet knows nothing about you; she is the face of dishonor and severity. Life and the social order have had their final say. All that can happen has happened to her. She has felt everything, accepted everything, experienced everything, suffered everything, lost everything, cried over everything. She is resigned with a resignation that resembles indifference just as death resembles sleep. Nothing is too awful for her now. She fears nothing. Let the sky fall on her head, let the whole ocean crash over her! What does she care? She is a sponge already completely soaked. That, at least, is what she believes, but it is a mistake to imagine that you can exhaust fate or that you ever hit rock bottom—in anything. Alas! What are all these lives driven willy-nilly? Where are they going? Why are they like this? He who knows the answer to that, sees the darkness as a whole. He is alone. His name is God.
Victor Hugo (Les Misérables)
When, without the bitterness of impotent rebellion, we have learnt both to resign ourselves to the outward rules of Fate and to recognise that the non-human world is unworthy of our worship, it becomes possible at last so to transform and refashion the unconscious universe, so to transmute it in the crucible of imagination, that a new image of shining gold replaces the old idol of clay. In all the multiform facts of the world--in the visual shapes of trees and mountains and clouds, in the events of the life of man, even in the very omnipotence of Death--the insight of creative idealism can find the reflection of a beauty which its own thoughts first made. In this way mind asserts its subtle mastery over the thoughtless forces of Nature. The more evil the material with which it deals, the more thwarting to untrained desire, the greater is its achievement in inducing the reluctant rock to yield up its hidden treasures, the prouder its victory in compelling the opposing forces to swell the pageant of its triumph. Of all the arts, Tragedy is the proudest, the most triumphant; for it builds its shining citadel in the very centre of the enemy's country, on the very summit of his highest mountain; from its impregnable watchtowers, his camps and arsenals, his columns and forts, are all revealed; within its walls the free life continues, while the legions of Death and Pain and Despair, and all the servile captains of tyrant Fate, afford the burghers of that dauntless city new spectacles of beauty. Happy those sacred ramparts, thrice happy the dwellers on that all-seeing eminence. Honour to those brave warriors who, through countless ages of warfare, have preserved for us the priceless heritage of liberty, and have kept undefiled by sacrilegious invaders the home of the unsubdued.
Bertrand Russell
Even if the powers destroy us," he said, "who are we, to condemn them? As well might a fleeting word judge the speaker that forms it. Perhaps they use us for their own high ends, use our strength and our weakness, our joy and our pain, in some theme inconceivable to us, and excellent." But I protested, "What theme could justify such waste, such futility? And how can we help judging; and how otherwise can we judge than by the light of our own hearts, by which we judge ourselves? It would be base to praise the Star Maker, knowing that he was too insensitive to care about the fate of his worlds." Bvalltu was silent in his mind for a moment. Then he looked up, searching among the smoke-clouds for a daytime star. And then he said to me in his mind, "If he saved all the worlds, but tormented just one man, would you forgive him? Or if he was a little harsh only to one stupid child? What has our pain to do with it, or our failure? Star Maker! It is a good word, though we can have no notion of its meaning. Oh, Star Maker, even if you destroy me, I must praise you. Even if you torture my dearest. Even if you torment and waste all your lovely worlds, the little figments of your imagination, yet I must praise you. For if you do so, it must be right. In me it would be wrong, but in you it must be right.
Olaf Stapledon
Now, where will I come by a book on etiquette? You wouldn't know if his lordship's got on win the library, would you, love?' Her colour somewhat heightened, she disengaged herself from his embrace, saying: 'No, but I shouldn't think so. He has one about ranks and dignitaries and orders of precedency: is that what you mean?' 'Nay, that's no use to me! I want one that'll tell me how to behave correctly.' 'I am well aware that you are trying to roast me,' said Anthea, resigned to this fate, 'and also that you don't stand in any need of a book on etiquette - though one of *propriety* wouldn't come amiss!' 'I'm not trying to roast you!' declared Hugo. 'I want to know how long you must be acquainted with a lass before it's polite to propose to her!
Georgette Heyer (The Unknown Ajax)
We see the same thing in what psychologists have defined as battered woman syndrome, a form of PTSD where women (or children) who live under the constant threat of fear and violence may develop “learned helplessness”—a state in which they resign themselves to a fate that seems inescapable. This makes it very hard for them to get themselves out of a bad situation. We’ve also seen this with kidnapped children who don’t flee their captors even when they have a chance because they’ve lost the sense of having any control over their lives. This state has even been created in animals during experiments with electric shock. When the animal comes to believe shock is inescapable, it stops doing anything to avoid it, even when given the opportunity to do so.
Jeffrey L. Rinek (In the Name of the Children: An FBI Agent's Relentless Pursuit of the Nation's Worst Predators)
Look, look," cried the count, seizing the young men's hands - "look, for on my soul it is curious. Here is a man who had resigned himself to his fate, who was going to the scaffold to die - like a coward, it is true, but he was about to die without resistance. Do you know what gave him strength? - do you know what consoled him? It was, that another partook of his punishment - that another partook of his anguish - that another was to die before him. Lead two sheep to the butcher's, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man - man, whom God created in his own image - man, upon whom God has laid his first, his sole commandment, to love his neighbor - man, to whom God has given a voice to express his thoughts - what is his first cry when he hears his fellow man is saved? A blasphemy. Honor to man, this masterpiece, this masterpiece of nature, this king of the creation! The people all took part against Andrea, and twenty thousand voices cried, "Put him to death! put him to death!" Franz sprang back, but the count seized his arm, and held him before the window. "What are you doing?" said he. "Do you pity him? If you heard the cry of 'Mad dog!' you would take your gun - you would unhesitatingly shoot the poor beast, who, after all, was only guilty of having been bitten by another dog. And yet you pity a man who, without being bitten by one of his race, has yet murdered his benefactor; and who, now unable to kill any one, because his hands are bound, wishes to see his companion in captivity perish. No, no - look, look!
Alexandre Dumas
Gaman. I've fought my whole life against it, but looking back, it's all I know how to do. I used gammon when I saw that first text to Dad when I was twelve. I used gammon with Trish when she got popular and made all those new, popular friends. I used gaman when I had a crush on her. I thought I'd changed when we moved to California and I finally made real friends, finally kissed Jamie, finally started to live a little. I thought I was done with gaman. But I was wrong. I tried to do something about Dad, and I failed. I tried to tell Mom the truth about me, and I chickened out. I tried to take action when I thought Jamie might leave me, and I screwed up. So I've resigned myself to my fate like a good Japanese girl, and I'm doing my best to pull myself together, squelch the complaints, and endure, endure, endure. Gaman. This is what Mom has been training me for since I was born, and it's clearly what I'm best at.
Misa Sugiura (It's Not Like It's a Secret)
One of the sturdiest precepts of the study of human delusion is that every golden age is either past or in the passing. During 1941, in the wake of that outburst of gaudy hopefulness, the World’s Fair, a sizable portion of the citizens of New York City had the odd experience of feeling for the time in which they were living, at the very moment they were living in it, that strange blend of optimism and nostalgia which is the usual hallmark of the aetataureate delusion. The rest of the world was busy feeding itself, country by country, to the furnace, but while the city’s newspapers and newsreels at the Trans-Lux were filled with ill portents, defeats, atrocities, and alarms, the general mentality of the New Yorker was not one of siege, panic, or grim resignation to fate but rather the toe-wiggling, tea-sipping contentment of a woman curled on a sofa, reading in front of a fire with cold rain rattling against the windows. The economy was experiencing a renewal not only of sensation but of perceptible movement in its limbs, Joe DiMaggio hit safely in fifty-six straight games, and the great big bands reached their suave and ecstatic acme in the hotel ballrooms and moth-lit summer pavilions of America.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
Ah, Lina Cerullo, you are beyond correction. Why did you make that list? You don’t want to be exploited? You want to improve your condition and the condition of these people? You’re convinced that you, and they, starting from here, from what you are now, will join the victorious march of the proletariat of the whole world? No way. March to become what? Now and forever workers? Workers who slave from morning to night but are empowered? Nonsense. Hot air to sweeten the pill of toil. You know that it’s a terrible condition, it shouldn’t be improved but eliminated, you’ve known it since you were a child. Improve, improve yourself? You, for example, are you improved, have you become like Nadia or Isabella? Is your brother improved, has he become like Armando? And your son, is he like Marco? No, we remain us and they are they. So why don’t you resign yourself? Blame the mind that can’t settle down, that is constantly seeking a way to function. Designing shoes. Getting busy setting up a shoe factory. Rewriting Nino’s articles, tormenting him until he did as you said. Using for your own purposes the installments from Zurich, with Enzo. And now demonstrating to Nadia that if she is making the revolution, you are even more. The mind, ah yes, the evil is there, it’s the mind’s discontent that causes the body to get sick. I’ve had it with myself, with everything. I’ve even had it with Gennaro: his fate, if all goes well, is to end up in a place like this, crawling to some boss for another five lire. So? So, Cerullo, take up your responsibilities and do what you have always had in mind: frighten Soccavo, eliminate his habit of fucking the workers in the drying room. Show the student with the wolf face what you’ve prepared...
Elena Ferrante (Those Who Leave and Those Who Stay (Neapolitan Novels, #3))
I was turned High Fae when an enemy shoved me into it. It’s raw power, but also … sentient.” “Like that mask you put on earlier.” Azriel folded his wings tightly, clearly wary of discussing such a powerful instrument with a potential enemy. But Nesta asked, “You detected a sentience in the Mask?” Bryce nodded. “It didn’t, like, talk to me or anything. I could just … sense it.” “What did it feel like?” Nesta asked quietly. “Like death,” Bryce breathed. “Like death incarnate.” Nesta’s eyes grew distant, grave. “That’s what the Mask can do. Give its wearer power over Death itself.” Bryce’s blood chilled. “And this is a … normal type of weapon here?” “No,” Azriel said from ahead, shoulders tense. “It is not.” Nesta explained, “The Mask is one of three objects of catastrophic power, Made by the Cauldron itself. The Dread Trove, we call it.” “And the Mask is … yours?” “I was also Made by the Cauldron,” Nesta said, “which allows me to wield it.” She spoke with no pride or boasting. Merely cold resignation and responsibility. “Made,” Bryce mused. “You said that my tattoo was Made.” “It is a mystery to us,” Nesta said. “You’d need to have had the ink Made by the Cauldron, in this world, for it to be so.” The Horn had come from here. Had been brought by Theia and Pelias into Midgard. Perhaps it, too, had been forged by the Cauldron. Bryce tucked away the knowledge, the questions it raised. “We don’t have anything like the Cauldron on Midgard. Solas is our sun god, Cthona his mate and the earth goddess. Luna is his sister, the moon; Ogenas, Cthona’s jealous sister in the seas. And Urd guides all—she’s the weaver of fate, of destiny.” Bryce added after a moment, “I think she’s the reason I’m here.” “Urd,” Nesta murmured. “The Fae say the Cauldron holds our fates. Maybe it became this Urd.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Every so often, the gods stop laughing long enough to do something terrible. There are few facts that are not brutal. The bitter, insufficient truth is that God recovered, but fun is dead. Alcohol: the antidote to civilization. Alcoholism is a fatal disease. But then I am not a member of Alcoholics Anonymous, because I don't want to be cured. Alcoholism is suicide with training wheels. I watch myself sinking, an inch at a time, and I spit into the eye of fate, like Doc Holliday, who died too weak to lift a playing card. My traitorous and degenerate attitude is sort of my book review of the world we live in. I resign from the human race. I declare myself null and void; folded, spindled, and mutilated. . . .This bar is an oasis for the night people, the street people, the invisible tribe, the people who simply do not exist in the orderly world we see in Time - the weekly science fiction magazine published by the Pentagon - an orderly world which is a sanitized Emerald City populated by contented Munchkins who pay taxes to buy tanks, nerve gas, and bombers and not a world which is a bus-station toilet where the air is a chemical cocktail of cancer-causing agents, children are starving, and the daily agenda is kill or be killed. When the world demands that you be larger than life, and you are finding it hard enough just being life-size, you can come here, in the messy hemorrhaging of reality, let your hair down, take your girdle off, and not be embarrassed by your wounds and deformities. Here among the terminally disenchanted you are graded not by the size of the car on display in your driveway but by the size of your courage in the face of nameless things. . . .Half of these people look like they just came back from the moon, and all of them are sworn witnesses for the prosecution on the charge that Earth serves as Hell for some other planet.
Gustav Hasford (A Gypsy Good Time)
She started to head out, but she passed her room. It was the same as she'd left it: a pile of cushions by her bed for Little Brother to sleep on, a stack of poetry and famous literature on her desk that she was supposed to study to become a "model bride," and the lavender shawl and silk robes she'd worn the day before she left home. The jade comb Mulan had left in exchange for the conscription notice caught her eye; it now rested in front of her mirror. Mulan's gaze lingered on the comb, on its green teeth and the pearl-colored flower nestled on its shoulder. She wanted to hold it, to put it in her hair and show her family- to show everyone- she was worthy. After all, her surname, Fa, meant flower. She needed to show them that she had bloomed to be worthy of her family name. But no one was here, and she didn't want to face her reflection. Who knew what it would show, especially in Diyu? She isn't a boy, her mother had told her father once. She shouldn't be riding horses and letting her hair loose. The neighbors will talk. She won't find a good husband- Let her, Fa Zhou had consoled his wife. When she leaves this household as a bride, she'll no longer be able to do these things. Mulan hadn't understood what he meant then. She hadn't understood the significance of what it meant for her to be the only girl in the village who skipped learning ribbon dances to ride Khan through the village rice fields, who chased after chickens and helped herd the cows instead of learning the zither or practicing her painting, who was allowed to have opinions- at all. She'd taken the freedom of her childhood for granted. When she turned fourteen, everything changed. I know this will be a hard change to make, Fa Li had told her, but it's for your own good. Men want a girl who is quiet and demure, polite and poised- not someone who speaks out of turn and runs wild about the garden. A girl who can't make a good match won't bring honor to the family. And worse yet, she'll have nothing: not respect, or money of her own, or a home. She'd touched Mulan's cheek with a resigned sigh. I don't want that fate for you, Mulan. Every morning for a year, her mother tied a rod of bamboo to Mulan's spine to remind her to stand straight, stuffed her mouth with persimmon seeds to remind her to speak softly, and helped Mulan practice wearing heeled shoes by tying ribbons to her feet and guiding her along the garden. Oh, how she'd wanted to please her mother, and especially her father. She hadn't wanted to let them down. But maybe she hadn't tried enough. For despite Fa Li's careful preparation, she had failed the Matchmaker's exam. The look of hopefulness on her father's face that day- the thought that she'd disappointed him still haunted her. Then fate had taken its turn, and Mulan had thrown everything away to become a soldier. To learn how to punch and kick and hold a sword and shield, to shoot arrows and run and yell. To save her country, and bring honor home to her family. How much she had wanted them to be proud of her.
Elizabeth Lim (Reflection)
The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes. On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles. Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour. Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world. Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim. It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.
Anna Kavan (Ice)
What led voters to demand a change of course on Iraq in November 2006 was not that they had new information. They had new emotions. The compass shifted from nationalistic pride and hope to anger, concern, and a rising crest of resignation. “Stay the course” made little sense in light of this emotional shift.
Drew Westen (The Political Brain: The Role of Emotion in Deciding the Fate of the Nation)
The crafter was grateful to enter the massive building. As he walked up the long, steep staircase, the oppressive heat from the nearby sea of lava diminished a bit. But now, instead of feeling like he was standing in the center of a flame, with blaring heat and brilliant light trying to burn away the last layers of his hope, he felt like he was trapped in the sooty remains of a blast furnace, the darkness chasing away his last bit of courage. Resignation washed over him as he realized that this was his fate. A feeling of overwhelming failure and despair settled down on the
Mark Cheverton (Battle for the Nether)
Look, look," cried the count. seizing the young men's hands — "look, for on my soul it is curious. Here is a man who had resigned himself to his fate, who was going to the scaffold to die — like a coward, it is true, but he was about to die without resistance. Do you know what gave him strength? — do you know what consoled him? It was, that another partook of his punishment — that another partook of his anguish — that another was to die before him. Lead two sheep to the butcher's, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man — man, whom God created in his own image — man, upon whom God has laid his first, his sole commandment, to love his neighbor — man, to whom God has given a voice to express his thoughts — what is his first cry when he hears his fellow-man is saved? A blasphemy. Honor to man, this masterpiece of nature, this king of the creation!" And the count burst into a laugh; a terrible laugh, that showed he must have suffered horribly to be able thus to laugh.
Various (50 Masterpieces You Should Read (ShandonPress))
I'm not afraid or indifferent or anything. I want to live, but I know thats not enough, and I'm resigned to my fate.
Paulo Coelho (Veronika Decides to Die)
Yet, in H.R Ellis Davidson's wise words: In spite of this awareness of fate, or perhaps because of it, the picture of man's qualities which emerges from the myths is a noble one. The gods are heroic figures, men writ large, who led dangerous, individualistic lives, yet at the same time were part of a closely-knit small group, with a firm sense of values and certain intense loyalties. They would give up their lives rather than surrender these values, but they would fight on as long as they could, since life was well worth while. Men knew that the gods whom they served could not give them freedom from danger and calamity, and they did not demand that they should. We find in the myths no sense of bitterness at the harshness and unfairness of life, but rather a spirit of heroic resignation: humanity is born to trouble, but courage, adventure, and the wonders of life are matters of thankfulness, to be enjoyed while life is still granted to us. The great gifts of the gods were readiness to face the world as it was, the luck that sustains men in tight places, and the opportunity to win that glory which alone can outlive death. Reading the myths, we can identify the Norseman's spirit and confidence, his boundless curiosity, extreme bravery, clannish loyalty, generosity and discipline; we can also detect his arrogance and lack of compassion, his cunning if not treachery (amply reflected in the figure of Loki), his ruthlessness and his cruelty.
Kevin Crossley-Holland (The Norse Myths)
Help, help, I’m being kidnapped,” Navi murmured in a dry tone. She reached up to flick her fingers against his abs. His brows wrinkled at the feeble attempt. “Oh well,” she continued, unable to hide the hint of a grin on her lips. “Didn’t work. I suppose I’ll resign myself to my horrible fate.
Katherine McIntyre (Forged Decisions (Tribal Spirits #2))
Lodged inside the feckless heart of human beings is a mild mannered actor whom possesses the exquisite desire to create beauty and build lasting testaments to valor. Also locked up within us is a hard-bitten stranger whom harbors a vindictive thirst to wreak, plunder, and mutilate. The strife between its benevolent and militaristic intellects creates the queer suet that fuels humankind’s impiety. An uneasy, multivariate accord prevails as the arbitrator governing the tallow of human souls. We maintain our precarious crackle barrel coexistence through the doctrine of free will, an ethical hinge dependent upon our loose-lipped ability fastidiously to decide right from wrong. We can employ free will to submit to the tragedy of fate, resign oneself to loss and iniquity. Alternatively, we can employ free will to diagnose sin and seek atonement for our crimes. How we purposefully resolve the noble conspiracy of being determines the orientation of our metabolic life.
Kilroy J. Oldster (Dead Toad Scrolls)
Having accepted a graduate fellowship in the Department of Philosophy at Cornell, I duly presented myself to begin studies for a Ph.D. One of our assignments during the first semester was to read Kant's Critique of Pure Reason from cover to cover, along with Norman Kemp Smith's commentary thereon, which was almost as voluminous. Pondering this literature, it did not take me long to conclude that these Kantian ratiocinations, brilliant though they may be, have little to do with that Sophia—that more-than-human Wisdom—of which authentic philosophy, by its very designation, is literally the love. And so, three weeks into the semester, I resigned my fellowship and left Cornell University. "I had always been attracted to the natural world, to forests and mountains especially; and so I resolved to proceed to the great Northwest, henceforth to earn my keep as a lumberjack. No doubt I had an unrealistic and overly romanticized conception of what this entails; but in any case, at that point fate abruptly intervened. I had made my intentions known to my brother, who at the time was studying chemical engineering at Purdue University. He immediately proceeded to the chairman of the physics department to tell him about my case, going so far as to put my letter in his hands. The verdict was instant: 'Tell you brother to present himself in my office Monday morning to assume his duties as a teaching assistant.' It seems the voice of Providence had spoken: despite my very mixed feelings regarding the contemporary academic world, I was destined to pass most of my professional life in its precincts—but not in departments of philosophy!
Wolfgang Smith (Unmasking the Faces of Antichrist)
When we are asked to act, we do so only if we feel at least minimally competent to do what is asked of us. We need to feel that our actions will ultimately be successful. Without some expectation of success, we are unlikely to act at all and will rather resign ourselves to letting fate take its course. We often redirect our thinking from our actual goals to the goal of preserving a sense of our competence. This act of self-protection is essential to maintaining a minimum capacity to act.
Dietrich Dörner (The Logic of Failure: Recognizing and Avoiding Error in Complex Situations)
The stoic says the universe Is leagued to try the sage's virtue. If evil smites you, look for worse, And if it hurts you, let it hurt you. Let Nature, with its crowd of woes, In vain endeavour to defeat us; Impassive, let us bear its blows Like Seneca and Epictetus. I met a stoic in a bar Who argued much for resignation. He pushed the stoic faith so far That he proposed a demonstration. "I'm tough," he said, "and I defy Fate's angry effort to provoke me. I'll take a breath, and any guy Can hit me. Step right up and poke me!" But no one present wanted much A demonstration so heroic. Fell circumstance refused to clutch. I never saw a madder stoic.
Morris Bishop
They’re military grade,” she told him. It would take something a lot more powerful than his tool to cut through them. “The ship’s about to blow, isn’t it?” He gave her a look that confirmed it as he pulled at the chain that linked the cuffs together. Yeah, right, like he could break it with his bare hands. She was dead after all. Her heart sank painfully into her stomach. She couldn’t believe she’d come so close to freedom to lose it all again. She covered his hand with hers. “Go on while you can. And thank you for at least trying to save me.” His angry and determined look touched her. “I’m not leaving you here to die.” “You’ve done your good deed for the day. You shouldn’t have to die for it.” He laughed bitterly as he worked at the cuffs. “No good deed goes unpunished. Believe me, I know.” “Please, go.” Her voice broke, but she meant it. She was resigned to her fate. “There’s no need in both of us dying tonight.” His feral look cut through her. “I took an oath to save every life I could. I’m not about to back out on it now. I might be a lot of things, but a coward has never been one of them.
Sherrilyn Kenyon (Born of Night (The League, #1))
Moralists and philosophers (I mean true philosophers like Marcus Aurelius and Jesus Christ) never talked politics, they considered their subject only from the human standpoint. Equal rights and other such vain imaginings were not their concern; all that they enjoined upon mankind was resignation to fate...to the constant need to submit to the harsh decrees of nature- a need which no one can deny and no philanthropist can overcome. They asked nothing more of the sage than that he conform to the laws of nature and play his part in his appointed place amidst a general harmony. Illness, death, poverty, spiritual suffering, these are with us always and will torment us under any form of government; democracy or monarchy, it makes no odds. (20 February 1847)
Eugène Delacroix (The Journal of Eugene Delacroix (Phaidon Arts and Letters))
Maddy took one last long look in the mirror and resigned herself to her impending fate with a small
Tiffany D. Jackson (The Weight of Blood)
That experience rattled me so much that I privately started a research agenda to see if the man’s fate was inevitably mine as well—or rather, if there was something I could do to avoid it. I wound up making major changes in my life. I resigned from my job and jumped into a liminal state, moved to work that focused on my crystallized intelligence, and chipped away at my attachments. I developed my friendships and family relationships and deepened my spiritual life. I vowed not to objectify myself and to be defenseless about my weaknesses so I could truly learn my new vocation and dedicate it to lifting up others.
Arthur C. Brooks (From Strength to Strength: Finding Success, Happiness, and Deep Purpose in the Second Half of Life)
Grieving for their future, men and women often took their own lives. Others died when they could not maintain the feverish pace of the march. While the mortality rate of slaves during the Second Middle Passage never approached that of the transatlantic transfer, it surpassed the death rate of those who remained in the seaboard states. Over time some of the hazards of the long march abated, as slave traders - intent on the safe delivery of a valuable commodity - standardized their routes and relied more on flatboats, steamboats, and eventually railroads for transportation. The largest traders established 'jails,' where slaves could be warehoused, inspected, rehabilitated if necessary, and auctioned, sometimes to minor traders who served as middlemen in the expanding transcontinental enterprise. But while the rationalization of the slave trade may have reduced the slaves' mortality rate, it did nothing to mitigate the essential brutality or the profound alienation that accompanied separation from the physical and social moorings of home and family. ... [T]he Second Middle Passage was extraordinarily lonely, debilitating, and dispiriting. Capturing the mournful character of one southward marching coffle, an observer characterized it as 'a procession of men, women, and children resembling that of a funeral.' Indeed, with men and women dying on the march or being sold and resold, slaves became not merely commodified but cut off from nearly every human attachment. Surrendering to despair, many deportees had difficulties establishing friendships or even maintaining old ones. After a while, some simply resigned themselves to their fate, turned inward, and became reclusive, trying to protect a shred of humanity in a circumstance that denied it. Others exhibited a sort of manic glee, singing loudly and laughing conspicuously to compensate for the sad fate that had befallen them. Yet others fell into a deep depression and determined to march no further. Charles Ball, like others caught in the tide, 'longed to die, and escape from the bonds of my tormentors.' But many who survived the transcontinental trek formed strong bonds of friendships akin to those forged by shipmates on the voyage across the Atlantic. Indeed, the Second Middle Passage itself became a site for remaking African-American society. Mutual trust became a basis of resistance, which began almost simultaneously with the long march. Waiting for their first opportunity and calculating their chances carefully, a few slaves broke free and turned on their enslavers. Murder and mayhem made the Second Middle Passage almost as dangerous for traders as it was for slaves, which was why the men were chained tightly and guarded closely.
Ira Berlin (Generations of Captivity: A History of African-American Slaves)