“
I hated cats. I was a dog lover," Des says with a shrug. "What's the point of a cat? They're not affectionate. But that's because it's not my cat. I mean, your wife wouldn't jump on my lap. That's because she's your wife, not mine. Until you have your own cat, you really don't understand.
”
”
Denise Flaim (Rescue Ink: How Ten Guys Saved Countless Dogs and Cats, Twelve Horses, Five Pigs, One Duck,and a Few Turtles)
“
When I ride a horse, it just makes my blood wiggle! [Cole, age 5]
”
”
Kim Meeder (Bridge Called Hope: Stories of Triumph from the Ranch of Rescued Dreams)
“
So that means your mom's okay with everything?"
"She will be," Ellie said. "We both will."
Graham nodded. "I'm glad."
"She took it better than expected. If you'd asked me yesterday, I would've guessed I'd be locked in my room tonight."
He waved this away. "I'd have to come to rescue you," he told her. "I might not have a white horse, but I do have a very portly pig."
"How romantic," Ellie said.
”
”
Jennifer E. Smith (This Is What Happy Looks Like (This is What Happy Looks Like, #1))
“
If a person fights, that's their own choice," Angel says. "But getting two roosters to fight or two dogs like pit bulls to fight, the animals don't have a choice there. They can't decide not to fight.
”
”
Denise Flaim (Rescue Ink: How Ten Guys Saved Countless Dogs and Cats, Twelve Horses, Five Pigs, One Duck,and a Few Turtles)
“
Cat rescue is like a virus," says Des placidely about the cat obsession that has taken over his life. "And once you're infected, it's incurable.
”
”
Denise Flaim (Rescue Ink: How Ten Guys Saved Countless Dogs and Cats, Twelve Horses, Five Pigs, One Duck,and a Few Turtles)
“
An old adage says that a good rider can hear his horse speak and a great rider can hear his horse whisper.
”
”
Elizabeth Letts (The Perfect Horse: the Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
“
Sacrificing her own safety and comfort, a broken young woman lay down in the snow, side by side with a broken young horse.
”
”
Kim Meeder (Bridge Called Hope: Stories of Triumph from the Ranch of Rescued Dreams)
“
It wouldn't kill you to flirt a little, so I don't remember this assignment as totally sucking. I'm babysitting a guy who thinks he's a leprechaun, and I'm rescuing a has-been horse. The least you could do I grab my ass once in a while.
”
”
Janet Evanovich (Plum Lucky (Stephanie Plum, #13.5))
“
I’ve never believed in fairy tales. One day, the fairies will tell this story. There will be a valiant prince, a part no doubt played in history by the brave Vartan who journeys to rescue his bride from a dragon. There will be fairies. There will be horse-birds and there will be an enchanted blade. But, I will no doubt be stricken from the tale, a cursed blemish on a shining story. Happy endings don’t always happen in the real world.
”
”
T.T. Escurel (The House of Rose (Auronia #1))
“
He dug his heels into his horse's flanks and sped down the path. He heard the others call out behind him, but he ignored them. He was sure Karl and Johan and the others would have searched the rosebush and that entire are carefully enough; there was nothing to learn there. But he wanted to get to the hunting lodge, to find Prince Grigori and punch him in the nose for losing Petunia, and then make certain that her sisters were alright. And then her would find Petunia, and he would bring her home.
”
”
Jessica Day George (Princess of the Silver Woods (The Princesses of Westfalin Trilogy, #3))
“
[Hades] returned his attention to the playlist while I eased the car back on the road. His fingers flipped deftly over the screen. 'Orpheus...Dusk...Orpheus...Dusk...do you have anything on here that doesn't make people want to jump off a cliff?'
... 'I'm driving. When you learn to drive something more modern than a horse and buggy, we can listen to your music.'
'I can drive!'
'Did they even have cars the last time you can to the surface?' I teased.
'Yes.'
'Not counting the minute and a half you spent rescuing me last year?'
Hades fell silent, and I laughed. 'I didn't think so.
”
”
Kaitlin Bevis
“
Whoa,” I pinned my dress under my legs and nudged his chest with my elbow. “Put me down. This is kidnapping.”
“No, it's not,” he stated with a smile, keeping his eyes on the path ahead, “It's is a rescue.”
“Rescue?” I scoffed, but imagined a white horse waiting for us as we burst through the doors. “I don't need to be rescued.”
He stopped walking and looked down at me; I shrank into his arms a little. “The fair maiden, who is locked in the darkest tower, guarded by the cruellest beast, never believes herself to be in danger, only suffering from sorrows untold and a heart untouched.
”
”
Angela M. Hudson (Tears of the Broken (Dark Secrets, #0))
“
Perhaps he was like a horse rescued from a barn on fire, who runs back into his burning stall simply because the place is familiar.
”
”
Geraldine Brooks (Horse)
“
Perhaps I do not have the sense to tell a duke from a dray horse. But such a thing might prove easier if the former did not so perfectly resemble the latter’s backside.” The
”
”
Elisa Braden (The Truth About Cads and Dukes (Rescued from Ruin, #2))
“
To step inside a sealed, twelve-by-twelve-foot space with a wild animal that is many times your size is extremely hazardous to say the least. Yet sending these frightened animals out into the real world without giving them tools to safely deal with a new environment...could be disastrous. It would not be unlike sending a soldier on a mission without any training. Clearly, it was not a scenario lending itself toward safety or success for either horse or new owner.
”
”
Kim Meeder (Bridge Called Hope: Stories of Triumph from the Ranch of Rescued Dreams)
“
The royal Mongol women raced horses, commanded in war, presided as judges over criminal cases, ruled vast territories, and sometimes wrestled men in public sporting competitions. They arrogantly rejected the customs of civilized women of neighboring cultures, such as wearing the veil, binding their feet, or hiding in seclusion.
”
”
Jack Weatherford (The Secret History of the Mongol Queens: How the Daughters of Genghis Khan Rescued His Empire)
“
I get it. Having had Satoru take me in as his cat, I think I felt as lucky as he did. Strays, by definition, have been abandoned or left behind, but Satoru rescued me when I broke my leg. He made me the happiest cat on earth. I'll always remember those five years we had together. And I'll forever go by the name Nana, the name that - let's face it - is pretty unusual for a male cat. The town where Satoru grew up, too, I would remember that. And the green seedlings swaying in the fields. The sea, with its frighteningly loud roar. Mount Fuji, looming over us. How cosy it felt on top of that boxy TV. That wonderful lady cat, Momo. That nervy but earnest hound, Toramaru. That huge white ferry, which swallowed up cars into its stomach. The dogs in the pet holding area, wagging their tails at Satoru. That foul-mouthed chinchilla telling me Guddo rakku! The land in Hokkaido stretching out forever. Those vibrant purple and yellow flowers by the side of the road. The field of pampas grass like an ocean. The horses chomping on grass. The bright-red berries on the mountain-ash trees. The shades of red on the mountain ash that Satoru taught me. The stands of slender white birch. The graveyard, with its wide-open vista. The bouquet of flowers in rainbow colours. The white heart-shaped bottom of the deer. That huge, huge, huge double rainbow growing out of the ground. I would remember these for the rest of my life. And Kosuke, and Yoshimine, and Sugi and Chikako. And above all, the one who brought up Satoru and made it possible for us to meet - Noriko. Could anyone be happier than this?
”
”
Hiro Arikawa (Nana Du Ký)
“
And you may comfort yourself with the thought that you have been the caltrop under her satin shoe every step of the way. You misdirected the Romantic Facilitator she had hired, you turned up in her own house and reported her plans to her father and when she was on the brink of snatching the ransom you careered in from stage left dressed as a pantomime horse and threw everything into disorder. And then, just when she was probably working her way towards claiming a second ransom, you rescued her.
”
”
Frances Hardinge (Fly Trap)
“
When it comes to cats and the people who love them, Des is respectful of the bond, even when it reaches a level most would call obsession.
”
”
Denise Flaim (Rescue Ink: How Ten Guys Saved Countless Dogs and Cats, Twelve Horses, Five Pigs, One Duck,and a Few Turtles)
“
Great dressage demands more than skill; it engages a rider's inner wisdom and his ability to communicate with a mount in the silent language of horsemanship.
”
”
Elizabeth Letts (The Perfect Horse: the Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
“
With a sigh of resignation, I dial Ryder’s number.
Exactly seven minutes later, he knocks on the door. Ryder to the rescue. I resist the urge to look around for his white horse.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
I
Not my best side, I'm afraid.
The artist didn't give me a chance to
Pose properly, and as you can see,
Poor chap, he had this obsession with
Triangles, so he left off two of my
Feet. I didn't comment at the time
(What, after all, are two feet
To a monster?) but afterwards
I was sorry for the bad publicity.
Why, I said to myself, should my conqueror
Be so ostentatiously beardless, and ride
A horse with a deformed neck and square hoofs?
Why should my victim be so
Unattractive as to be inedible,
And why should she have me literally
On a string? I don't mind dying
Ritually, since I always rise again,
But I should have liked a little more blood
To show they were taking me seriously.
II
It's hard for a girl to be sure if
She wants to be rescued. I mean, I quite
Took to the dragon. It's nice to be
Liked, if you know what I mean. He was
So nicely physical, with his claws
And lovely green skin, and that sexy tail,
And the way he looked at me,
He made me feel he was all ready to
Eat me. And any girl enjoys that.
So when this boy turned up, wearing machinery,
On a really dangerous horse, to be honest
I didn't much fancy him. I mean,
What was he like underneath the hardware?
He might have acne, blackheads or even
Bad breath for all I could tell, but the dragon--
Well, you could see all his equipment
At a glance. Still, what could I do?
The dragon got himself beaten by the boy,
And a girl's got to think of her future.
III
I have diplomas in Dragon
Management and Virgin Reclamation.
My horse is the latest model, with
Automatic transmission and built-in
Obsolescence. My spear is custom-built,
And my prototype armour
Still on the secret list. You can't
Do better than me at the moment.
I'm qualified and equipped to the
Eyebrow. So why be difficult?
Don't you want to be killed and/or rescued
In the most contemporary way? Don't
You want to carry out the roles
That sociology and myth have designed for you?
Don't you realize that, by being choosy,
You are endangering job prospects
In the spear- and horse-building industries?
What, in any case, does it matter what
You want? You're in my way.
- Not My Best Side
”
”
U.A. Fanthorpe
“
Just as ballroom dancing and pair skating command partners to work together seamlessly, in the sport of dressage, the rider performers an intricate pas de deux with his partner—a twelve-hundred-pound four-footed beast.
”
”
Elizabeth Letts (The Perfect Horse: the Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
“
Cats can be a very affectionate type of animal, but it's an affection you have to win. Pretty much the way you earn the affection of your friends and your lovers and your wives and your girlfriends and anybody else that's meaningful in your life,' says Des philosophically. 'There's a period of time where you don't know your positioning, and you work for it. And then all of a sudden, the relationship is established and it's yours, it belongs to you, it's something tangible. You can feel it, you can touch it.
”
”
Denise Flaim (Rescue Ink: How Ten Guys Saved Countless Dogs and Cats, Twelve Horses, Five Pigs, One Duck,and a Few Turtles)
“
It may seem easier to have someone sweep in and take control. Maybe you need to be rescued and here comes the prince on a horse to save the day. If someone starts out controlling this is a person with control issues. You have to take care of yourself. Never let someone control you.
”
”
Tracy Malone
“
The war had destroyed many things, but one of the worst casualties was the loss of hope for a peaceful world. Yet every man who saw these horses at Hostau ended up with a smile on his face and an image in his mind of a world less troubled than the one in which he currently dwelled.
”
”
Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
“
City of Vassillian a party of five sage princes with four horses. The princes, who are of course brave, noble and wise, travel widely in distant lands, fight giant ogres, pursue exotic philosophies, take tea with weird gods and rescue beautiful monsters from ravening princesses before finally announcing that they have achieved enlightenment and that their wanderings are therefore accomplished. The second, and much longer, part of each song would then tell of all their bickerings about which one of them is going to have to walk back. All this lay in the planet’s remote past.
”
”
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
“
He was to be a nice sheep-farmer, and one evening, as he was riding home, he was to see the beautiful heiress being carried off by a robber on a black horse, and give chase, and rescue her. Of course, she would fall in love with him, and he with her, and they would get married, and come home, and live in an immense house in London. Yes,
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
I believed, like the child I once was, fairy tales were more than just stories that our parents read to us every night before bed. I believed that I would one day grow into a princess and Prince Charming would rescue me on his white horse and whisk me away into the distance.
... And they lived happily ever after.
What a crock of shit.
”
”
Sofie Hartley (Once upon a Time (A Broken Fairy Tale, #1))
“
The heavy rain dripped off his thick leather hat and sloshed on the dry hard ground. To someone with a soul, it might have been peaceful, pretty, even to watch the drops bounce and form graceful puddles before they disappeared into the cracks in the Earth.
Daniel Marlin merely cursed. He only saw the weather as another delay before they could rescue their brother from jail. He turned the horse back into the copse of trees, hating to admit defeat.
”
”
Grace Willows
“
sweet feed—the stuff did have a shelf-life, after all, and those bags were getting close—when her cell phone rang. She’d been able to prepay it this month, although it was a bare bones plan. She’d gotten rather good at stretching her limited income. The small inheritance from her father was her mainstay, and she supplemented that with her work as a freelance photographer, although she donated those services to the animal shelters and other rescues who called. But the horse rescue expenses
”
”
Justine Davis (Whiskey River Rescue (Whiskey River, #1))
“
In the third part of the year
When men begin to gather fuel
Against the coming cold
Here hooves run hard on frosty ground
Begins our song:
For centuries we lived alone high on the moors
Herding the deer for milk and cheese
For leather and horn
Humans came seldom nigh
For we with our spells held them at bay
And they with gifts of wine and grain
Did honour us.
Returning at evening from the great mountains
Our red hoods rang with bells.
Lightly we ran
Until before our own green hill
There we did stand.
She is stolen!
She is snatched away!
Through watery meads
Straying our lovely daughter.
She of the wild eyes!
She of the wild hair!
Snatched up to the saddle of the lord of Weir
Who has his castle high upon a crag
A league away.
Upon the horse of air at once we rode
To where Weir's castle looks like a crippled claw
Into the moon.
And taking form of minstrels brightly clad
We paced upon white ponies to the gate
And rang thereon
"We come to sing unto my lord of Weir
A merry song."
Into his sorry hall we stepped
Where was our daughter bound?
Near his chair.
"Come play a measure!"
"Sir, at once we will."
And we began to sing and play
To lightly dance in rings and faster turn
No man within that hall could keep his seat
But needs must dance and leap
Against his will
This was the way we danced them to the door
And sent them on their way into the world
Where they will leap amain
Till they think one kind thought
For all I know they may be dancing still.
While we returned with our own
Into our hall
And entering in
Made fast the grassy door.
from "The Dancing of the Lord of Weir
”
”
Robin Williamson
“
When they finally made it back to England, they didn’t realize they had violated a whole slew of British customs regulations. Kevin and Rick came to work as usual, blissfully unaware of any wrong doing, until customs officials dragged them away and swarmed over their boat searching every nook and cranny for contraband. On another occasion, during a surprise dorm inspection, their rooms were discovered devoid of all beds and other furniture but stacked floor-to ceiling with sheep and horse pelts they had bought in Iceland. They planned to sell the hides for a profit, but the inspection short circuited their scheme.
”
”
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
“
My beautiful wooden leader
with your heartful of medals
made of wood, fixing it
each time so you almost win,
you long to be bandaged
before you have been cut.
My love for you is the love
of one statue for another: tensed
and static. General, you enlist
my body in your heroic
struggle to become real:
though you promise bronze rescues
you hold me by the left ankle
so that my head brushes the ground,
my eyes are blinded,
my hair fills with white ribbons.
There are hordes of me now, alike
and paralyzed, we follow you
scattering floral tributes
under your hooves.
Magnificent on your wooden horse
you point with your fringed hand;
the sun sets, and the people all
ride off in the other direction.
”
”
Margaret Atwood (Power Politics: Poems (A List))
“
Why trust this account when humanity has never been so rich, so healthy, so long-lived? When fewer die in wars and childbirth than ever before—and more knowledge, more truth by way of science, was never so available to us all? When tender sympathies—for children, animals, alien religions, unknown, distant foreigners—swell daily? When hundreds of millions have been raised from wretched subsistence? When, in the West, even the middling poor recline in armchairs, charmed by music as they steer themselves down smooth highways at four times the speed of a galloping horse? When smallpox, polio, cholera, measles, high infant mortality, illiteracy, public executions and routine state torture have been banished from so many countries? Not so long ago, all these curses were everywhere. When solar panels and wind farms and nuclear energy and inventions not yet known will deliver us from the sewage of carbon dioxide, and GM crops will save us from the ravages of chemical farming and the poorest from starvation? When the worldwide migration to the cities will return vast tracts of land to wilderness, will lower birth rates, and rescue women from ignorant village patriarchs? What of the commonplace miracles that would make a manual labourer the envy of Caesar Augustus: pain-free dentistry, electric light, instant contact with people we love, with the best music the world has known, with the cuisine of a dozen cultures? We’re bloated with privileges and delights, as well as complaints, and the rest who are not will be soon.
”
”
Ian McEwan (Nutshell)
“
Laila grinned widely. “My hero.” She kissed him on the cheek, and Enrique beamed. He wasn’t quite like the heroes he’d dreamed of becoming. He hadn’t saved a country from oppression or rescued anyone on his white horse … but he still felt rather impressive. He turned to Zofia, about to congratulate her, when she crossed her arms over her chest. “I’m not going to kiss you like Laila did.” Black ash streaked Zofia’s arms and the tops of her cheekbones. It made her eyes look like blue fire, her hair a wisp of candlelight. The farthest thing from his mind was her mouth on his, but when she said it, he couldn’t help but look at her lips. They were red as candy. Abruptly, Enrique pinched the bridge of his nose. He must have hit his head because the strangest thoughts kept darting through it.
”
”
Roshani Chokshi (The Gilded Wolves (The Gilded Wolves, #1))
“
There is an inherent, humbling cruelty to learning how to run white water. In most other so-called "adrenaline" sports—skiing, surfing and rock climbing come to mind—one attains mastery, or the illusion of it, only after long apprenticeship, after enduring falls and tumbles, the fatigue of training previously unused muscles, the discipline of developing a new and initially awkward set of skills.
Running white water is fundamentally different. With a little luck one is immediately able to travel long distances, often at great speeds, with only a rudimentary command of the sport's essential skills and about as much physical stamina as it takes to ride a bicycle downhill. At the beginning, at least, white-water adrenaline comes cheap.
It's the river doing the work, of course, but like a teenager with a hot car, one forgets what the true power source is. Arrogance reigns. The river seems all smoke and mirrors, lots of bark (you hear it chortling away beneath you, crunching boulders), but not much bite. You think: Let's get on with it! Let's run this damn river!
And then maybe the raft hits a drop in the river— say, a short, hidden waterfall. Or maybe a wave reaches up and flicks the boat on its side as easily as a horse swatting flies with its tail. Maybe you're thrown suddenly into the center of the raft, and the floor bounces back and punts you overboard. Maybe you just fall right off the side of the raft so fast you don't realize what's happening.
It doesn't matter. The results are the same.
The world goes dark. The river— the word hardly does justice to the churning mess enveloping you— the river tumbles you like so much laundry. It punches the air from your lungs. You're helpless. Swimming is a joke. You know for a fact that you are drowning. For the first time you understand the strength of the insouciant monster that has swallowed you.
Maybe you travel a hundred feet before you surface (the current is moving that fast). And another hundred feet—just short of a truly fearsome plunge, one that will surely kill you— before you see the rescue lines. You're hauled to shore wearing a sheepish grin and a look in your eye that is equal parts confusion, respect, and raw fear.
That is River Lesson Number One. Everyone suffers it. And every time you get the least bit cocky, every time you think you have finally figured out what the river is all about, you suffer it all over again.
”
”
Joe Kane (Running the Amazon)
“
A story of a princess named Ella, trapped at the top of a tower guarded by a dragon, forever gazing up at the stars and wishing she was free. And of handsome, charming princes in shining armor coming to her rescue but never succeeding. Never defeating the giant, fire-breathing dragon. And so the princess stayed in the tower, and I always wondered when the right prince would finally arrive to save her. I loved imagining that my life was a fairy tale. That I was really a princess, and my dad would ride in on his majestic horse to save me. That was before I grew up and found out about boys. My dad never did tell me the ending to that bedtime story. I asked him if the princess would be trapped in that tower forever, always waiting. He never gave me a straight answer, though, saying I had to figure out the ending for myself.
”
”
Yesenia Vargas (#TheRealCinderella (#BestFriendsForever #1))
“
Hey—we have a problem. You have some unexpected guests down at the gate. You should go check it out.”
Guests? Who would come here to see me?
I hop in the golf cart and drive down to the main gate. Just in time to hear Franny Barrister, the Countess of Ellington, tearing into a poor, clueless Matched security guard.
“Don’t you tell me we can’t come in, you horse’s arse. Where’s Henry—what have you done with him?”
Simon, my brother’s best friend, sees me approach, his sparkling blue eyes shining. “There he is.”
I nod to security and open the gate.
“Simon, Franny, what are you doing here?”
“Nicholas said you didn’t sound right the last time he spoke to you. He asked us to peek in on you,” Simon explains.
Franny’s shrewd gaze rakes me over. “He doesn’t look drunk. And he obviously hasn’t hung himself from the rafters—that’s better than I was expecting.”
“Thanks for the vote of confidence.”
Simon peers around the grounds, at the smattering of crew members and staging tents. “What the hell is going on, Henry?”
I clear my throat. “So . . . the thing is . . . I’m sort of . . . filming a reality dating television show here at the castle and we started with twenty women and now we’re down to four, and when it’s over one of them will get the diamond tiara and become my betrothed. At least in theory.”
It sounded so much better in my head.
“Don’t tell Nicholas.”
Simon scrubs his hand down his face. “Now I’m going to have to avoid his calls—I’m terrible with secrets.”
And Franny lets loose a peal of tinkling laughter. “This is fabulous! You never disappoint, you naughty boy.” She pats my arm. “And don’t worry, when the Queen boots you out of the palace, Simon and I will adopt you. Won’t we, darling?”
Simon nods. “Yes, like a rescue dog.”
“Good to know.” Then I gesture back to their car. “Well . . . it was nice of you to stop by.”
Simon shakes his head. “You’re not getting rid of us that easily, mate.”
“Yes, we’re definitely staying.” Franny claps her hands. “I have to see this!”
Fantastic.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
The only time one could have seen two Templar knights on a single horse would have been when they were returning from the battlefield. If one knight’s horse died in battle, and the man faced imminent death on foot with the enemy on every side, no other knight was allowed to leave the field of battle. The nearest knight was obliged by stubborn honor to fly to the aid of his brother, no matter the cost. I believe it is that loyal knight, having rescued his brother, whom we see returning after battle with his fellow knight seated behind. That was the symbol of the Templars. To them, it embodied their pride, their honor, and lifelong bonds of brotherhood. The Templar Rule and culture seems to have so strongly permeated every aspect of their life that it imbued each white knight, green cleric, and brown-clad servingman with this indelible sense of brotherhood. Among the Templars. the punishment for failing to live up to those standards was swift and clear. Suffice it to say that the average person of that day seemed unable
”
”
Sanford Holst (Sworn in Secret: Freemasonry and the Knights Templar)
“
Do you ride?" The question was out of his mouth before he'd thought.
She glanced at him, surprised by the comment coming out of nowhere, but then she nodded and looked ahead. "I love to ride. I don't get as much opportunity as I'd like what with being in London so much, but whenever I can manage it, I'll get on a horse." Her lips twitched and she glanced up at him. "Preferably one of Demon's."
He grinned. "His are the best."
"Do you have any?"
He nodded. "One definite benefit of being connected to the family."
"I love the exhilaration one gets when pounding along-I think that's what I enjoy the most."
He blinked. Decided hard riding wasn't the best choice of conversational topics. At least not for him. Especially not with her. "What about dancing?"
"I love to waltz. I even enjoy the older forms, the quadrilles and cotillions. They might be less fashionable now, but there's a certain...reined power in them, don't you think?"
"Hmm." Where was an innocent topic when he needed one?
"Have you ever danced the gavotte?"
"Years ago." And he still remembered it. And of course the thought of dancing that particular measure with her, in full flight, instantly filled his mind.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
Clark Air base in Angeles City is a hub of commerce. The streets teem with industrious Filipinos hustling to make a living. Rusty cars and trucks clog narrow streets and honk their horns with abandon. Jeepneys ferry passengers around town for only a few pesos and serve as public transportation. The jeepney is the official vehicle of the Philippines. Jeepneys are long, open-sided jeeps and have bench seats for passengers. The best jeepneys are very ornate, their hoods festooned with a multitude of fancy chrome horses and ornaments, multihued streamers, and hand-operated rubber-bulb horns. Safety standards are third-world-relaxed in the PI, and jeepney drivers casually smoke cigarettes while they sit with plastic containers of gasoline nestled between their feet. The clear plastic jugs have a tube that connects to the engine and serves as the jeepney’s improvised gas tank, making it easier for the driver to monitor and conserve fuel. Jeepneys are not the only transportation available. Small, sidecar-equipped motorcycles called tricycles, also serve as cheap taxis, crowding the streets near popular establishments. The alleys are lined with side-by-side food stalls, and street vendors occupy every corner.
”
”
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
“
Around the glade this pair of woodland nymphs danced. He swept her in a waltz to a duet that was sometimes off tune, sometimes rent with giggling and laughter as they made their own music. A breathless Erienne fell to a sun-dappled hummock of deep, soft moss, and laughing for the pure thrill of the day, she spread her arms, creating a comely yellow-hued flower on the dark green sward while seeming every bit as fragile as a blossom to the man who watched her. With bliss-bedazzled eyes, she gazed through the treetops overhead where swaying branches, bedecked in the first bright green of spring, caressed the underbellies of the freshlet zephyrs, and the fleecy white clouds raced like frolicking sheep across an azure lea. Small birds played courting games, and the earlier ones tended nests with single-minded perseverance. A sprightly squirrel leapt across the spaces, and a larger one followed, bemused at the sudden coyness of his mate. Christopher came to Erienne and sank to his knees on the thick, soft carpet, then bracing his hands on either side of her, slowly lowered himself until his chest touched her bosom. For a long moment he kissed those blushing lips that opened to him and welcomed him with an eagerness that belied the once-cool maid. Then he lifted her arm and lay beside her, keeping her hand in his as he shared her viewpoint of the day. They whispered sweet inanities, talked of dreams, hopes, and other things, as lovers are wont to do. Erienne turned on her side and taking care to keep her hand in the warm nest, ran her other fingers through his tousled hair.
“You need a shearing, milord,” she teased. He rolled his head until he could look up into those amethyst eyes. “And does my lady see me as an innocent lamb ready to be clipped?”
At her doubtful gaze, he questioned further. “Or rather a lusting, long-maned beast? A zealous suitor come to seduce you?”
Erienne’s eyes brightened, and she nodded quickly to his inquiry.
“A love-smitten swain? A silver-armored knight upon a white horse charging down to rescue you?”
“Aye, all of that,” she agreed through a giggle. She came to her knees and grasped his shirt front with both hands. “All of that and more.” She bent to place a honeyed kiss upon his lips, then sitting back, spoke huskily. “I see you as my husband, as the father of my child, as my succor against the storm, protector of my home, and lord of yonder manse. But most of all, I see you as the love of my life.”
-Erienne & Christopher
”
”
Kathleen E. Woodiwiss (A Rose in Winter)
“
And then the horn sounded. The horn gave a clear, cold note like none I had ever heard before. There was a purity to that horn, a chill hard purity like nothing else on all the earth. It sounded once, it sounded twice, and the second call was enough to give even the naked men pause and make them turn towards the east from where the sound had come. I looked too. And I was dazzled. It was as though a new bright sun had risen on that dying day. The light slashed over the pastures, blinding us, confusing us, but then the light slid on and I saw it was merely the reflection of the real sun glancing from a shield polished bright as a mirror. But that shield was held by such a man as I had never seen before; a man magnificent, a man lifted high on a great horse and accompanied by other such men; a horde of wondrous men, plumed men, armoured men, men sprung from the dreams of the Gods to come to this murderous field, and over the men’s plumed heads there floated a banner I would come to love more than any banner on all God’s earth. It was the banner of the bear. The horn sounded a third time, and suddenly I knew I would live, and I was weeping for joy and all our spearmen were half crying and half shouting and the earth was shuddering with the hooves of those Godlike men who were riding to our rescue. For Arthur, at last, had come.
”
”
Bernard Cornwell (The Winter King (The Warlord Chronicles, #1))
“
What!" said the king; "is that wretch still alive? Go and behead him at once. I authorise you." "Sire," said Saouy, "I thank your Majesty for the justice you do me. I would further beg, as Noureddin publicly affronted me, that the execution might be in front of the palace, and that it might be proclaimed throughout the city, so that no one may be ignorant of it." The king granted these requests, and the announcement caused universal grief, for the memory of Noureddin's father was still fresh in the hearts of his people. Saouy, accompanied by twenty of his own slaves, went to the prison to fetch Noureddin, whom he mounted on a wretched horse without a saddle. Arrived at the palace, Saouy went in to the king, leaving Noureddin in the square, hemmed in not only by Saouy's slaves but by the royal guard, who had great difficulty in preventing the people from rushing in and rescuing Noureddin. So great was the indignation against Saouy that if anyone had set the example he would have been stoned on his way through the streets. Saouy, who witnessed the agitation of the people from the windows of the king's privy chambers, called to the executioner to strike at once. The king, however, ordered him to delay; not only was he jealous of Saouy's interference, but he had another reason. A troop of horsemen was seen at that moment riding at full gallop towards the square.
”
”
Anonymous (The Arabian Nights Entertainments)
“
With a sigh of resignation, I dial Ryder’s number.
Exactly seven minutes later, he knocks on the door. Ryder to the rescue. I resist the urge to look around for his white horse.
“Okay, where is he?” he asks with a frown. His hair is wet, his T-shirt clinging damply to his skin. I’d either caught him in the shower or in the pool. Probably the pool, since he smells vaguely of chlorine.
I hook a thumb toward the living room. “In there. Passed out on the couch.”
He looks at me sharply. “You haven’t been drinking, have you?”
He’s lucky I don’t slap him. “I was sitting upstairs in my room, minding my own business, when he showed up at the door. What do you think? Asshat,” I add under my breath.
His brow furrows. “What was that?”
“Nothing. C’mon. Get him out of there before he makes a mess.”
“What about his car?”
I shrug. “I’ll drive it school tomorrow and get a ride home from Lucy or something.”
“I’ll drive you home,” he offers. Correction: he asserts--arrogantly, as if he’s used to giving orders. “We need to go get those tarps and sandbags anyway.”
“How did you…?” I trail off as the answer dawns on me. “My dad e-mailed you, didn’t he?”
“Called me, actually. We’ll go after school tomorrow. After practice,” he amends.
“Yeah. Fine, whatever.” Truthfully, I wasn’t looking forward to lugging sandbags by myself. I wasn’t even sure how I was going to fit them in my little Fiat. Problem solved.
Now to solve my other problem--the one lying on my couch.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
Lord Gareth?" He froze. It was she, staring out at him with an expression of astounded disbelief on her lovely face. Gareth was caught totally unprepared. He knew he must look like an arse because he certainly felt like one. But the comic ridiculousness of the situation suddenly hit him, and his lips began twitching uncontrollably. He gazed up at her with perfect innocence. "Hello, Juliet." A chorus of out-of-tune voices came up from below. "Romeo, O Romeo, wherefore art thou, Romeo?" Gareth flung his crop down at their heads. Cokeham let out a yelp, then fell to laughing. The girl's smooth, high brow pleated in a frown as she took in the scene. Perry down there with the horses. The other Den of Debauchery members all gathered below, beaming stupidly up at her. And Gareth, grinning, sprawled full-length along a tree branch just outside her window. "Just what on earth are you doing, Lord Gareth?" The way she said it made his cheeks warm with embarrassment. So he was a pillock. Who cared? Instead, he gave her his most devastating grin and said with cheerful earnestness, "Why, I have come to rescue you, of course." "Rescue me?" "Surely you didn't think I'd allow Lucien to banish you into obscurity, now, did you?" "Well, I — The duke didn't ban—" She gave a disbelieving little laugh and leaned out the window, grasping the blanket tightly at her breasts. Her hair, caught in a long, dark braid, swung tantalizingly out over her bosom. "Really, Lord Gareth. This is ... highly irregular!" "Yes, but the hour is late, and as it took me all day to find you, I was feeling rather impatient. I do hope you'll forgive me for resorting to such desperate measures. May I come in and talk?" "Of course not! I — I cannot have a man in my bedroom!" "Why not, my sweet?" He pushed aside a small, leafy twig in order to see her better and grinned cajolingly up at her. "I had you in mine." She shook her head, torn between what she wanted to do — and what she ought to do. "Really, Lord Gareth ... your brother will never approve of this. You should go home. After all, you're the son of a duke and I'm just a — " " — beautiful young woman with nowhere else to go. A beautiful young woman who should be a part of my family. Now, do collect Charlotte and your things, Miss Paige — I fear we must make haste, if we are to marry before Lucien catches up to us." "Marry?!" she cried, forgetting to whisper. He gazed at her in blank, perfect innocence. "Well, yes, of course," he said, clinging to the branch as it dropped another few inches. "Surely you don't think I'd be hanging out of a tree for anything less, do you?" "But —" "Come now." He smiled disarmingly. "Surely, you must see there is really no other option for you. And I won't have my niece growing up without a father. What kind of a man do you think I am? Now, gather up Charlotte and get your things, my dear Miss Paige, and come outside. I am growing most uncomfortable." Juliet
”
”
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
“
I'm unaccustomed to being cooped up all day-I really must insist that you permit me to enjoy a short walk."
"Not on your life," Fletcher growled.
From the sound, Breckenridge realized the group had moved closer to the tap.
"You don't need to think you're going to give us the slip so easily," Fletcher said again.
"My dear good man"-Heather with her nose in the air; Breckenridge could tell by her tone-"just where in this landscape of empty fields do you imagine I'm going to slip to?"
Cobbins opined that she might try to steal a horse and ride off.
"Oh,yes-in a round gown and evening slippers," Heather jeered. "But I wasn't suggesting you let me ramble on my own-Martha can come with me."
That was Martha's cue to enter the fray, but Heather stuck to her guns, refusing to back down through the ensuing, increasingly heated verbal stoush.
Until Fletcher intervened, aggravated frustration resonating in his voice. "Look you-we're under strict orders to keep you safe, not to let you wander off to fall prey to the first shiftless rake who rides past and takes a fancy to you."
Silence reigned for half a minute, then Heather audibly sniffed. "I'll have you know that shiftless rakes know better than to take a fancy to me."
Not true, Breckenridge thought, but that wasn't the startling information contained in Fletcher's outburst. "Come on, Heather-follow up."
As if she'd heard his muttered exhortation, she blithely swept on. "But if rather than standing there arguing, you instead treated me like a sensible adult and told me what your so strict orders with respect to me were, I might see my way to complying-or at least to helping you comply with them."
Breckenridge blinked as he sorted through that pronouncement; he could almost feel for Fletcher when he hissed out a sigh.
"All right," Fletcher's frustration had reached breaking point. "If you must know, we're to keep you safe from all harm. We're not to let a bloody pigeon pluck so much as a hair from your head. We're to deliver you up in prime condition, exactly as you were when he grabbed you."
From the change in Fletcher's tone, Breckenridge could visualize him moving closer to tower over Heather to intimidate her into backing down; he could have told him it wouldn't work.
"So now you see," Fletcher went on, voice low and forceful, "that it's entirely out of the question for you to go out for any ramble."
"Hmm." Heather's tone was tellingly mild.
Fletcher was about to get floored by an uppercut. For once not being on the receiving end, Breckenridge grinned and waited for it to land.
"If, as you say, your orders are to-do correct me if I'm wrong-keep me in my customary excellent health until you hand me over to your employer, then, my dear Fletcher, that will absolutely necessitate me going for a walk. Being cooped up all day in a carriage has never agreed with me-if you don't wish me to weaken or develop some unhealthy affliction, I will require fresh air and gentle exercise to recoup." She paused, then went on, her tone one of utmost reasonableness, "A short excursion along the river at the rear of the inn, and back, should restore my constitution."
Breckenridge was certain he could hear Fletcher breathing in and out through clenched teeth.
A fraught moment passed on, then, "Oh, very well! Martha-go with her. Twenty minutes, do you hear? Not a minute more."
"Thank you, Fletcher. Come, Martha-we don't want to waste the light."
Breckenridge heard Heather, with the rather slower Martha, leave the inn by the main door. He sipped his ale, waited. Eventually, Fletcher and Cobbins climbed the stairs, Cobbins grumbling, Fletcher ominously silent.
The instant they passed out of hearing, Breckenridge stood, stretched, then walked out of the tap and into the foyer. Seconds later, he slipped out of the front door.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
I’m really not in the mood for your bullshit, Patrick. Go, before Ryder sees your car in the driveway or something.”
“Oh, you expectin’ Ryder?” he slurs. “He gonna ride in on his white horse like a knight and save you? Is that what your hopin’ for? Maybe that’s why you been holdin’ out on me. You wanna give it to him instead.”
His eyes are glassy, slightly unfocused. It’s obvious I can’t let him drive home like this.
Shit.
Ignoring his drunken little tirade, I reach for his hand and drag him into the living room, pushing him toward the velvet sofa. “C’mon, Patrick, you need to lie down. I’m going to call someone to come pick you up.” His legs buckle the minute they hit the cushions, and he crumples into a heap--half on the floor, half on the sofa. He starts to make a retching noise, and I hurriedly slip off my hoodie and shove it under his face. “I swear, if you puke on my sofa, I’m going to freaking kill you.”
Mercifully, he doesn’t. Instead, he starts making a quiet, snuffling noise. Like he’s passed out cold. I run upstairs and grab my cell from my bedroom, trying to decide who to call. Obviously, Ryder makes the most sense, since he lives just up the road and can be here in a matter of minutes.
But what if he mentions it to his mom? I mean, I can tell him not to, but then it makes me look guilty, like I’m trying to hide something. It’s not my fault that Patrick showed up on my doorstep unannounced.
I run through the other options in my head. Calling Ben or Mason is about the same as calling Ryder. They’re his best friends. They talk. I could try Tanner. He is my cousin, so I could invoke some sort of family loyalty oath of silence or something. Only problem is, Tanner lives on the far side of town--about as far away from here as anyone can be and still live in Magnolia Branch. Which means leaving a passed-out, about-to-puke Patrick on my couch for a good twenty minutes, waiting for a ride.
Nope. Not gonna happen. With a sigh of resignation, I dial Ryder’s number.
Exactly seven minutes later, he knocks on the door. Ryder to the rescue. I resist the urge to look around for his white horse.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
Hey,” he said, his hand gently rubbing my back. I heard the diesel rattle of vehicles driving away from the scene.
“Hey,” I replied, sitting up and looking at my watch. It was 5:00 A.M. “Are you okay?”
“Yep,” he said. “We finally got it out.” Marlboro Man’s clothes were black. Heavy soot covered his drawn, exhausted face.
“Can I go home now?” I said. I was only halfway kidding. And actually, I wasn’t kidding at all.
“Sorry about that,” Marlboro Man said, still rubbing my back. “That was crazy.” He gave a half-chuckle and kissed my forehead. I didn’t know what to say.
Driving back to his house, the pickup was quiet. My mind began to race, which is never good at five in the morning. And then, inexplicably, just as we reached the road to his house, I lost it.
“So, why did you even take me there, anyway?” I said. “I mean, if I’m just going to ride in someone’s pickup, why even bring me along? It’s not like I was any help to anyone…”
Marlboro Man glanced over at me. His eyes were tired. “So…did you want to operate one of the sprayers?” he asked, an unfamiliar edge to his voice.
“No, I just…I mean…” I searched for the words. “I mean, that was just ridiculous! That was dangerous!”
“Well, prairie fires are dangerous,” Marlboro Man answered. “But that’s life. Stuff like this happens.”
I was cranky. The nap had done little to calm me down. “What happens? You just drive right into fires and throw caution to the wind? I mean, people could die out there. I could have died. You could have died! I mean, do you realize how crazy that was?”
Marlboro Man looked straight ahead, rubbing his left eye and blinking. He looked exhausted. He looked spent.
We arrived in his driveway just in time to see the eastern sun peeking over the horse barn. Marlboro Man stopped his pickup, put it into park, and said, still looking straight ahead, “I took you with me…because I thought you’d like to see a fire.” He turned off the pickup and opened his door. “And because I didn’t want to leave you here by yourself.”
I didn’t say anything. We both exited the pickup, and Marlboro Man began walking toward his house. And then, still walking, he said it--words that chilled me to the bone.
“I’ll see you later.” He didn’t even turn around.
I stood there, not knowing what to say, though deep down I knew I wouldn’t have to. I knew that just as he’d always done anytime I’d ever been rendered speechless in his presence, he’d speak up, turn around, come to my rescue, hold me in his arms…and infuse love into my soul, as only he could do. He always swooped in to save me, and this time would be no different.
But he didn’t turn around. He didn’t speak up. He simply walked toward the house, toward the door on his back porch--the same porch door where, hours earlier, he and I had stood in a complete fit of romance and lust, where the heat between us was but a foreshadowing of the fire waiting for us in that distant prairie.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Miss Prudence Mercer
Stony Cross
Hampshire, England
7 November 1854
Dear Prudence,
Regardless of the reports that describe the British soldier as unflinching, I assure you that when riflemen are under fire, we most certainly duck, bob, and run for cover. Per your advice, I have added a sidestep and a dodge to my repertoire, with excellent results. To my mind, the old fable has been disproved: there are times in life when one definitely wants to be the hare, not the tortoise.
We fought at the southern port of Balaklava on the twenty-fourth of October. Light Brigade was ordered to charge directly into a battery of Russian guns for no comprehensible reason. Five cavalry regiments were mowed down without support. Two hundred men and nearly four hundred horses lost in twenty minutes. More fighting on the fifth of November, at Inkerman.
We went to rescue soldiers stranded on the field before the Russians could reach them. Albert went out with me under a storm of shot and shell, and helped to identify the wounded so we could carry them out of range of the guns. My closest friend in the regiment was killed.
Please thank your friend Prudence for her advice for Albert. His biting is less frequent, and he never goes for me, although he’s taken a few nips at visitors to the tent.
May and October, the best-smelling months? I’ll make a case for December: evergreen, frost, wood smoke, cinnamon. As for your favorite song…were you aware that “Over the Hills and Far Away” is the official music of the Rifle Brigade?
It seems nearly everyone here has fallen prey to some kind of illness except for me. I’ve had no symptoms of cholera nor any of the other diseases that have swept through both divisions. I feel I should at least feign some kind of digestive problem for the sake of decency.
Regarding the donkey feud: while I have sympathy for Caird and his mare of easy virtue, I feel compelled to point out that the birth of a mule is not at all a bad outcome. Mules are more surefooted than horses, generally healthier, and best of all, they have very expressive ears. And they’re not unduly stubborn, as long they’re managed well. If you wonder at my apparent fondness for mules, I should probably explain that as a boy, I had a pet mule named Hector, after the mule mentioned in the Iliad.
I wouldn’t presume to ask you to wait for me, Pru, but I will ask that you write to me again. I’ve read your last letter more times than I can count. Somehow you’re more real to me now, two thousand miles away, than you ever were before.
Ever yours,
Christopher
P.S. Sketch of Albert included
As Beatrix read, she was alternately concerned, moved, and charmed out of her stockings. “Let me reply to him and sign your name,” she begged. “One more letter. Please, Pru. I’ll show it to you before I send it.”
Prudence burst out laughing. “Honestly, this is the silliest things I’ve ever…Oh, very well, write to him again if it amuses you.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
The first time Christina and Lachlan Meet
...Christina wasn't about to stop fighting—not until she took her last breath. Boring down with her heels, she thrashed. "Get off me, ye brute." She would hold her son in her arms this day if it was the last thing she did. And by the shift of the crushing weight on her chest, she only had moments before her life's breath completely whooshed from her lungs.
The very thought of dying whilst her son was still held captive infused her with strength. With a jab, she slammed the heel of her hand across the man's chin. He flew from her body like a sack of grain. Praises be, had the Lord granted her with superhuman strength? Blinking, Christina sat up.
No, no. Her strike hadn't rescued her from the pillager.
A champion had.
A behemoth of a man pummeled the pikeman's face with his fists. "Never. Ever." His fists moved so fast they blurred. "Harm. A. Woman!"
Bloodied and battered, the varlet dropped to the dirt.
A swordsman attacked her savior from behind.
"Watch out," she cried, but before the words left her lips the warrior spun to his feet. Flinging his arm backward, he grabbed his assailant's wrist, stopped the sword midair and flipped the cur onto his back.
Onward, he fought a rush of English attackers with his bare hands, without armor. Not even William Wallace himself had been so talented. This warrior moved like a cat, anticipating his opponent's moves before they happened.
Five enemy soldiers lay on their backs.
"Quickly," the man shouted, running toward her, his feet bare.
No sooner had she rolled to her knees than his powerful arms clamped around her. The wind whipped beneath her feet. He planted her bum in the saddle.
"Behind!" Christina screamed, every muscle in her body clenching taut.
Throwing back an elbow, the man smacked an enemy soldier in the face resulting in a sickening crack.
She picked up her reins and dug in her heels.
"Whoa!" The big man latched onto the skirt of her saddle and hopped behind her, making her pony's rear end dip. But the frightened galloway didn't need coaxing. He galloped away from the fight like a deer running from a fox.
Christina peered around her shoulder at the mass of fighting men behind them. "My son!"
"Do you see him?" the man asked in the strangest accent she'd ever heard.
She tried to turn back, but the man's steely chest stopped her. "They took him."
"Who?"
"The English, of course."
The more they talked, the further from the border the galloway took them.
"Huh?" the man mumbled behind her like he'd been struck in the head by a hammer. Everyone for miles knew the Scots and the English were to exchange a prisoner that day.
The champion's big palm slipped around her waist and held on—it didn't hurt like he was digging in his fingers, but he pressed firm against her. The sensation of such a powerful hand on her body was unnerving. It had been eons since any man had touched her, at least gently. The truth? Aside from the brutish attack moments ago, Christina's life had been nothing but chaste.
White foam leached from the pony's neck and he took in thunderous snorts. He wouldn't be able to keep this pace much longer. Christina steered him through a copse of trees and up the crag where just that morning she'd stood with King Robert and Sir Boyd before they'd led the Scottish battalion into the valley. There, she could gain a good vantage point and try to determine where the backstabbing English were heading with Andrew this time.
At the crest of the outcropping, she pulled the horse to a halt. "The pony cannot keep going at this pace."
The man's eyebrows slanted inward and he gave her a quizzical stare. Good Lord, his tempest-blue eyes pierced straight through her soul. "Are you speaking English?
”
”
Amy Jarecki (The Time Traveler's Christmas (Guardian of Scotland, #3))
“
The king is not saved by his great army; a warrior is not delivered by his great strength. The war horse is a false hope for salvation, and by its great might it cannot rescue. Behold, the eye of the Lord is on those who fear him, on those who hope in his steadfast love. (Ps. 33:16–18)
”
”
Scotty Smith (Everyday Prayers: 365 Days to a Gospel-Centered Faith)
“
Just ask the animals, and they will teach you. Ask the birds of the sky, and they will tell you. Speak to the earth, and it will instruct you. JOB 12:7-8
”
”
Jennifer Marshall Bleakley (Joey: How a Blind Rescue Horse Helped Others Learn to See)
“
If the truth is that you’ll never be a world-class rider on a world-class horse, then why not do life-changing work? Ride a rescue.
”
”
Anna Blake (Relaxed & Forward: Relationship Advice from Your Horse)
“
Oh,' he said, 'I expect in a minute the door will be flung back and I'll be dragged off to some sort of temple arena where I'll fight maybe a couple of giant spiders and an eight-foot slave from the jungles of Klatch and then I'll rescue some kind of a princess from the altar and then kill off a few guards or whatever and then this girl will show me the secret passage out of the place and we'll liberate a couple of horses and escape with the treasure.
”
”
Terry Pratchett (The Colour of Magic (Discworld, #1))
“
LIST OF CHARACTERS THE EUROPEANS Andrzej Kristalovich (Andrzej Krzysztalowicz): /Ahn-jay Kshee-stal-o-veech/ Director of Poland’s national stud farm. Rudolf Lessing: German army veterinarian stationed at the Hostau stud farm in Czechoslovakia. Alois Podhajsky: /Ah-loys Pod-hey-skee/ Austrian director of the Spanish Riding School of Vienna. Gustav Rau: German horse expert. Chief equerry in charge of all horse breeding in the Third Reich. Hubert Rudofsky: Czech-born ethnic German. Director of the stud farm in Hostau, Czechoslovakia. Jan Ziniewicz:
”
”
Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
“
THE AMERICANS Major James Pitman: West Point graduate, lover of dogs and horses. Executive officer of the 42nd Squadron of the 2nd Cavalry. Lieutenant William Donald “Quin” Quinlivan: Career cavalryman. Assigned to the 42nd Squadron of the 2nd Cavalry. Colonel Charles Hancock “Hank” Reed: Virginia-born, expert horseman, commanding officer of the 2nd Cavalry. Captain Ferdinand Sperl: Swiss-born naturalized U.S. citizen. Interrogator attached to the 2nd Cavalry. Captain Thomas Stewart: Son of a Tennessee senator. Intelligence officer in the 2nd Cavalry.
”
”
Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
“
THE HORSES Lotnik: Gray Arabian stallion foaled in Poland. Neapolitano Africa: Austrian Lipizzaner performing stallion, one of Alois Podhajsky’s personal mounts. Pluto Theodorosta: Austrian Lipizzaner performing stallion, one of Alois Podhajsky’s personal mounts. Witez: /Vee-tezh/ Bay Arabian stallion foaled in Poland in 1938. His official registered name was Witez
”
”
Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
“
It had taken Cyrus a while to come out of his shell. One of those “aw shucks, ma’am” kind of cowboys, he was so darned shy she thought she was going to have to throw herself on the floor at his boots for him to notice her. But once he had opened up a little, they’d started talking, joking around, getting to know each other. Before he left, they’d gone for a horseback ride through the snowy foothills up into the towering pines of the forest. It had been Cyrus’s idea. They’d ridden up into one of the four mountain ranges that surrounded the town of Gilt Edge – and the Cahill Ranch.
It was when they’d stopped to admire the view from the mountaintop that overlooked the small western town that AJ had hoped Cyrus would kiss her. He sure looked as if he’d wanted to as they’d walked their horses to the edge of the overlook.
The sun warming them while the breeze whispered through the boughs of the nearby snow-laden pines, it was one of those priceless Montana January days between snowstorms. That’s why Cyrus had said they should take advantage of the beautiful day before he left for Denver.
Standing on a bared-off spot on the edge of the mountain, he’d reached over and taken her hand in his. “Beautiful,” he’d said. For a moment she thought he was talking about the view, but when she met his gaze she’d seen that he’d meant her.
Her heart had begun to pound. This was it. This was what she’d been hoping for. He drew her closer. His mouth was just a breath away from hers – when his mare nudged him with her nose.
She could laugh about it now. But if she hadn’t grabbed Cyrus he would have fallen down the mountainside.
“She’s just jealous,” Cyrus had said of his horse as he’d rubbed the beast’s neck after getting his footing under himself again.
But the moment had been lost. They’d saddled up and ridden back to Cahill Ranch. AJ still wanted that kiss more than anything.
”
”
B.J. Daniels (Wrangler's Rescue (The Montana Cahills, #7))
“
She’d been so fired up about starting her horse camp this summer, bringing together horses and kids who had seen the worst side of human nature, but she couldn’t very well do that when her horses were about to become homeless. And thinking about that side of human nature always sparked her temper. This was Texas, for God’s sake. They should have more respect for the
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Justine Davis (Whiskey River Rescue (Whiskey River, #1))
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In truth, Belmont’s Jockey Club, the organization that controlled Thoroughbred racing in America, was founded by a mix of people. Some were blue-blooded Americans who traced their ancestry to Mayflower voyagers and Puritan founding fathers, and others were nouveau riche industrialists who wished to ally themselves—through marriages to aristocrats, membership in the Episcopal Church, and associations with the elite sport of horse racing—to the American upper crust. At
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Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
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Sir Francis Galton, a cousin of Charles Darwin, first coined the term “eugenics” in his 1883 book Human Faculty and Its Development.
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Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
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The dam, a gray mare, had a rare marking called “the bloody shoulder.” According to Arabian lore, a mare with this distinctive patch of reddish hair would give birth to horses that would win glory in battle. At
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Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
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Among the twentieth-century descendants of the Spanish horse, the Lipizzaner was the most rarefied. Each had its royal pedigree tattooed upon it: the birthplace on the right shoulder; the dam, or mother, on the left flank and the sire on the right flank; and the letter L, marking it as a purebred Lipizzaner, on the cheek. Each was descended from one of six original sires, all born between 1765 and 1810. These
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Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
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Bolshevik marauders in 1917 raided most of the large Polish stud farms and slaughtered the horses, which they viewed as playthings of princes. Horses hung from the barn rafters, their throats slit. Stable courtyards turned into lakes of blood. Of the five hundred registered purebred Arabians in Poland prior to 1917, only fifty survived the raids.
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Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
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Maybe tangled will be a spectacular rump. maybe i will adore it: it could happen. But one thing is for sure: tangled will not be rapunzel. And thats too bad , because rapunzel is an specially layered and relevant fairytale, less about the love between a man and a woman than the misguided attempts of a mother trying to protect her daughter from (what she perceives ) as the worlds evils. The tale, you may recall, begins with a mother-to-bes yearning for the taste of rapunzel, a salad green she spies growing in the garden of the sorceress who happens to live next door. The womans craving becomes so intense , she tells her husband that if he doesn't fetch her some, she and their unborn baby will die.
So he steals into the baby's yard, wraps his hands around a plant, and, just as he pulls... she appears in a fury. The two eventually strike a bargain: the mans wife can have as much of the plant as she wants- if she turns over her baby to the witch upon its birth. `i will take care for it like a mother,` the sorceress croons (as if that makes it all right).
Then again , who would you rather have as a mom: the woman who would do anything for you or the one who would swap you in a New York minute for a bowl of lettuce?
Rapunzel grows up, her hair grows down, and when she is twelve-note that age-Old Mother Gothel , as she calls the witch. leads her into the woods, locking her in a high tower which offers no escape and no entry except by scaling the girls flowing tresses. One day, a prince passes by and , on overhearing Rapunzel singing, falls immediately in love (that makes Rapunzel the inverse of Ariel- she is loved sight unseen because of her voice) . He shinnies up her hair to say hello and , depending on the version you read, they have a chaste little chat or get busy conceiving twins.
Either way, when their tryst is discovered, Old Mother Gothel cries, `you wicked child! i thought i had separated you from the world, and yet you deceived me!` There you have it : the Grimm`s warning to parents , centuries before psychologists would come along with their studies and measurements, against undue restriction . Interestingly the prince cant save Rapuzel from her foster mothers wrath. When he sees the witch at the top of the now-severed braids, he jumps back in surprise and is blinded by the bramble that breaks his fall.
He wanders the countryside for an unspecified time, living on roots and berries, until he accidentally stumbles upon his love. She weeps into his sightless eyes, restoring his vision , and - voila!- they rescue each other . `Rapunzel` then, wins the prize for the most egalitarian romance, but that its not its only distinction: it is the only well-known tale in which the villain is neither maimed nor killed. No red-hot shoes are welded to the witch`s feet . Her eyes are not pecked out. Her limbs are not lashed to four horses who speed off in different directions. She is not burned at the stake. Why such leniency? perhaps because she is not, in the end, really evil- she simply loves too much. What mother has not, from time to time, felt the urge to protect her daughter by locking her in a tower? Who among us doesn't have a tiny bit of trouble letting our children go? if the hazel branch is the mother i aspire to be, then Old Mother Gothel is my cautionary tale: she reminds us that our role is not to keep the world at bay but to prepare our daughters so they can thrive within it.
That involves staying close but not crowding them, standing firm in one`s values while remaining flexible. The path to womanhood is strewn with enchantment , but it also rifle with thickets and thorns and a big bad culture that threatens to consume them even as they consume it. The good news is the choices we make for our toodles can influence how they navigate it as teens. I`m not saying that we can, or will, do everything `right,` only that there is power-magic-in awareness.
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Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
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The Thoroughbred was originally an English breed, and to this day, all so-named horses trace their lineage back to three stallions imported into England from the Middle East in the late seventeenth and early eighteenth centuries.
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Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
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Your heart holds great love for her.”
“Yes. Those terrible men-- She’s just a little girl. They’ve already had her for eight days. I can think of nothing else. Even in my sleep I dream about what could be happening to her, hear her calling for me. I try to find her, and I can’t.”
He grasped her chin, his touch deceptively gentle, as it had always been. “This night, you will sleep without dreams. I have said I will find her. Suvate, it is finished.”
With that, he left the lodge.
A few minutes later he returned. After donning a pair of buckskin pants, which he pulled on while still wearing his breechcloth, he gathered his weapons, making several trips outside to his horse. When he had collected everything he needed, he sat on a fur pallet, propped a small shaving mirror on his knees, and painted his face, outlining his eyes with black graphite and striping his chin thrice with crimson.
Loretta sat on the edge of the bed watching him. When he finished he glanced over at her. She was seeing Hunter the killer for the first time. On the one hand, he looked so fierce that he terrified her; on the other, she felt strangely reassured. Such a brutal, grimly determined man would be able to find and rescue Amy when another might fail.
“What does the paint say?” she asked.
“That this Comanche rides for war.”
“War?” she whispered.
“Santos will know by the paint that I come in anger.”
“Will there be a fight? Amy might get hurt.”
“Your Aye-mee will suffer no harm.” He rose and put away his paints, cleaning his hands on a swatch of cloth. Turning to face her, he said, “My brother, Warrior, and my good friend Swift Antelope will remain beside you. Their strong arms are yours.” He motioned for her to stand. “I take you to Warrior now. You will sleep in his lodge circle. No harm, eh?
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Catherine Anderson (Comanche Moon (Comanche, #1))
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Over the next few weeks, the Comanches attacked with a vengeance. News came that the mercenaries, en route to attack another village, were all killed. Tales of Hunter filtered to the Masters farm, some horrible, some heartbreakingly familiar. As fiercely as the Indians waged war, Hunter still spared women and children. Loretta’s eyes filled with tears when she was told by the border patrol from Fort Belknap that somewhere along the Red River, Hunter had ridden up to a yellow-haired woman and saluted her. Loretta knew Hunter hoped she would somehow hear the tale and understand the message he sent to her.
She did understand, and she grieved for what might have been. With every Indian attack, the chasm between her and Hunter grew wider.
When the horror of it became too much, she found herself justifying the Indians’ actions by remembering the attack on the village. She recalled Many Horses, a frail old man, trying to rescue a child and dying as a result. She thought of the terrified young squaw, running for her life ad her child’s, cut down from behind. She realized now that there was no good or bad, no right or wrong, just people fighting for their lives. Wonderful people, who lived and loved and laughed.
She thought of Red Buffalo often, finally accepting what Hunter had tried so desperately to explain, that good men can be driven to do horrible things. Red Buffalo had committed some unforgivable acts, but at long last Loretta could look deeper into the man and come closer to understanding why. She thanked God that she had saved Red Buffalo’s life during the tosi tivo attack, knowing that Red Buffalo guarded Hunter’s back against the tosi tivo with the same ferocity that he had once tried to guard Hunter’s future against one tosi woman.
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Catherine Anderson (Comanche Moon (Comanche, #1))
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Oh,” he said, “I expect in a minute the door will be flung back and I’ll be dragged off to some sort of temple arena where I’ll fight maybe a couple of giant spiders and an eight-foot slave from the jungles of Klatch and then I’ll rescue some kind of a princess from the altar and then kill off a few guards or whatever and then this girl will show me the secret passage out of the place and we’ll liberate a couple of horses and escape with the treasure.” Hrun leaned his head back on his hands and looked at the ceiling, whistling tunelessly. “All that?” said Twoflower. “Usually.
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Terry Pratchett (The Color of Magic (Discworld, #1))
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Everything that mattered in Hank Reed’s life, outside of his family, revolved around horses. Starting with his days as a cadet, he had lived in a world that could measure everything—honor, kindliness, discipline, sporting spirit, diligence, and, most of all, courage—in equestrian terms. His brain was crammed with the nomenclature of horses: cantle, withers, curb chain, bran mash, fetlock, stock tie, near side, picket line. He knew the aids for a flying lead change, the correct attire for a foxhunt, the thunder of charging by platoon, and the serenity of riding alone on a quiet path, with only his mount’s breaths and cadenced footsteps for company. The rhythm of a horse’s strides was like music to him—the walk a ballad in four/four time, the trot a rousing two-beat march, the canter a smooth three-beat waltz. Reed knew the scent of fresh straw in the stable, the tickle of a horse’s whiskers as it nuzzled up a carrot. He knew that endless moment when a fall was inevitable and then the sudden breathless smack of landing hard on packed dirt. He knew what the end of a day on horseback felt like, salty with sweat, dirt under his fingernails, and a mind whitewashed from all worry. More than anything, Hank Reed understood what was unspoken among all of these horse soldiers. Sunburned, brusque, tough, accustomed to giving and taking orders, they knew that if you live, eat, sleep, and breathe horses for long enough, they become part of you, and your soul is forever altered.
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Elizabeth Letts (The Perfect Horse: The Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
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Hello there,” she said. Then she remembered she hated him and frowned. “What are you doing here?” “Your horse returned without you early this morning. I feared the worst.” Her heart stuttered, but she wouldn’t give him the satisfaction of gratitude. She huffed. “I didn’t need you to come rescue me, you know.” “And yet here I am.
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Heather Crews (Wildflower Heart (Aecoria, #2))
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Life's not a fairy tale. Princes don't come along on their white horses and rescue women from their terrible lives.
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Kristen Granata (Collision (Collision, #1))
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Whitney Sanderson has loved horses since she was a child, riding in a 4-H club and reading series like The Saddle Club and The Black Stallion. In addition to always having a horse or two in the backyard, she grew up surrounded by beautiful equine artwork created by her mother, Horse Diaries illustrator Ruth Sanderson. Whitney is the author of Horse Diaries #5: Golden Sun and Horse Diaries #10: Darcy, as well as another chapter book called Horse Rescue: Treasure.
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Whitney Sanderson (Lily (Horse Diaries #15))
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Summer: I feel like we live on the same piece of land and yet, I haven’t seen you at all. Willa: Been busy. Summer: With what? Willa: Saving horses. Summer: Oh, yeah? Willa: Sum, I’ve saved so many I might as well open a rescue. Summer: Good lord. Willa: Would it be legal for me to have Cade write me a charitable donation receipt to offset my taxes? Summer: I think he’s fucked you stupid, bestie.
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Elsie Silver (Heartless (Chestnut Springs, #2))
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There's no rule that says someone has to ride or drive or have a hands-on connection tog et joy from horses; some sponsor a young rider, work with horse-rescue organizations, build saddles, or write horse books. Others read horse books, and still others have horses as pasture pets and never ride them but get a great deal of pleasure from the company of their horses and from just taking care of them. The only person you have to please is yourself.
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Denny Emerson (Begin and Begin Again: The Bright Optimism of Reinventing Life with Horses)
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Why are women paraded down the aisle like a prize horse? Why do we have to marry whoever our fathers pick out for us? Where is the love? The adventure? Where is the freedom?
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Lucy Gould (The Rescue)
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A memorial on the crash site. Behind the memorial is the mountain that Parrado and Canessa climbed for the final push to reach rescue. That evening, as Parrado gathered firewood, Canessa looked up and saw a man on a horse on the other side of the river. Parrado dropped his sticks and, although he was utterly exhausted, he galloped down to the water’s edge. The world knew first For the fourteen people still at the crash site it was the most joyous radio broadcast they ever heard: the national news announced that Parrado and Canessa had successfully found help and rescue teams were on their way. Parrado guided two helicopters back to the site and by the morning of 23 December 1972 the fourteen remaining passengers of Flight 571 had been plucked from the mountain.
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Collins Maps (Extreme Survivors: 60 of the World’s Most Extreme Survival Stories)
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Paul Ricœur has two terms that neatly sum up this difference between modern contracts and God’s covenants.12 Contracts obey a logic of equivalence, a regime of strict justice in which unerring calculation determines the just measure of commitment in each case. It is the logic of the transaction and of the market, a reciprocal paradigm in which debts must be paid in full, but no more. The logic of equivalence belongs to a view of the world in which every gift is a trojan horse that requires reciprocation sooner or later: “They invited us round for dinner and baked their own dessert; we will have to do the same!” It is the ethics of a Derrida who ruefully acknowledges that “for there to be gift, there must be no reciprocity, return, exchange, counter-gift, or debt.”13 This is an impossible standard that leads him to conclude that the pure gift is impossible and could not even be recognized as such: gifts always fall back into economies of debt sooner or later, a grim reality that leads Terry Eagleton to remark “one would not have wished to spend Christmas in the Derrida household.”14 The contractual logic of equivalence is the logic of an eye for an eye and a tooth for a tooth. It is a human logic. God’s covenants, by contrast, operate according to a logic of superabundance, a lavish, gracious, loving paradigm of excess. God walks between the animal parts alone; the exodus rescue precedes the Sinai law; Christ lays down his life in the new covenant in his blood. This is the logic of the “how much more” of the Pauline epistles (Rom 5:9, 10, 15, 17; 11:24; 1 Cor 6:3; 2 Cor 3:9) and the letter to the Hebrews (Heb 9:14; 10:29; 12:9), of going beyond the call of duty, beyond what is right and proper, beyond what could reasonably be demanded on a ledger of credit and debt. The logic of superabundance replaces the fear and submission of Hobbes’s Leviathan or the tyranny of Rousseau’s general will with the love and sacrifice of Christ. It is the logic of grace and the gift. It is a divine logic. The
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Christopher Watkin (Biblical Critical Theory: How the Bible's Unfolding Story Makes Sense of Modern Life and Culture)
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In 1973, the Kenyan government banned elephant hunting and the club fell on hard times. Holden brought in two minority partners, Don Hunt and Julian McKeand. Together they created the Mount Kenya Game Ranch with captive breeding programs for thirty-seven African species, and an orphanage for rescued animals. There were fifty types of exotic birds, including sacred ibises, marabou storks, peacocks and Egyptian geese. One of the rarest species at the game ranch was the East African Bongo – a critically endangered red and white-striped antelope, which became the ranch’s mascot. Holden showed Powers the club’s first-class amenities. They visited the Arabian horse stables, and walked down a garden path to the guest cottages, dubbed Millionaire’s Row.
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Howard Johns (Drowning Sorrows: A True Story of Love, Passion and Betrayal)
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Reaching the brow of a stunted hill, Amelia paused in bewilderment at the sight of a towering contraption made of metal. It appeared to be a chute propped up on legs, tilted at a steep angle.
Her attention was caught by a minor commotion farther afield … two men emerging from behind a small wooden shelter … they were shouting and waving their arms at her.
Amelia instantly realized she had stumbled into danger, even before she saw the smoldering trail of sparks move, snakelike, along the ground toward the metal chute.
A fuse?
Although she didn’t know much about explosive devices, she was aware that once a fuse had been lit, nothing could be done to stop it. Dropping to the sun-warmed grass, Amelia covered her head with her arms, having every expectation of being blown to bits. A few heartbeats passed, and she let out a startled cry as she felt a large, heavy body fall on hers … no, not fall, pounce. He covered her completely, his knees digging into the ground on either side of her as he made a shelter of his body.
At the same moment, a deafening explosion pierced the air, and there was a violent whoosh over their heads, and a shock went through the ground beneath them. Too stunned to move, Amelia tried to gather her wits. Her ears were filled with a high-pitched buzz.
Her companion remained motionless over her, breathing heavily in her hair. The air was sharp with smoke, but even so, Amelia was aware of a pleasant masculine scent, skin-salt and soap and an intimate spice she couldn’t quite identify. The noise in her ears faded. Raising up on her elbows, feeling the solid wall of his chest against her back, she saw shirtsleeves rolled up over forearms cabled with muscle … and there was something else …
Her eyes widened at the sight of a small, stylized design inked on his arm. A tattoo of a black winged horse with eyes the color of brimstone. It was an Irish design, of a nightmare horse called a pooka: a malevolent mythical creature that spoke in a human voice and carried people away at midnight.
Her heart stopped as she saw the heavy rounded band of a thumb ring.
Wriggling beneath him, Amelia tried to turn over.
The strong hand curved around her shoulder, helping her. His voice was low and familiar. “Are you hurt? I’m sorry. You were in the way of—”
He stopped as Amelia rolled to her back. The front of her hair had come loose, pulled free of a strategically anchored pin. The lock fanned over her face, obscuring her vision. Before she could reach up to push it away, he did it for her, and the brush of his fingertips sent ripples of liquid fire along intimate pathways of her body.
“You,” he said softly.
Cam Rohan.
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Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
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Servants entered with soup and bread, no doubt delicious, but neither Grayden nor I had much of an appetite. We didn’t speak, either. This, ironically, Steldor found interesting. His eyes flicked to me several times during the meal, and he made no effort to hide his mirth.
Finally, my suitor managed to ask, “How have you been?”
“Well.”
The awful silence recommenced, and I started counting the seconds, hoping Steldor would interrupt and take me home. He didn’t; he was enjoying our plight.
“How h-have you been?” I stuttered.
“Oh, I’ve been well, as well.”
I laughed. “’Well, as well.’ How very…articulate.”
I paled, for he could consider my comment an insult. I needed to win him over in a hurry if I were to salvage our time together.
Grayden chuckled, rescuing me from embarrassment. “I thought I heard your uncle say that you have been ill. Is that true?”
And here I thought the situation could not get any more awkward.
“My uncle is an honest man,” I said, trying to dodge the topic.
“Of course! I certainly didn’t mean to imply otherwise.”
“And I didn’t mean to imply that you meant to imply…anything.”
We stared at each other, and I could see that Grayden was on the verge of laughing. I probably would have laughed myself, but the spatter of freckles across his nose forced me to look down at my napkin. My eyes welled at the powerful recollections sweeping through me, and at the images of handsome, strong, charismatic Saadi that rose unbidden in my mind.
“Are you all right?” Grayden asked.
I raised my gaze to his and forced my tone to brighten. “Yes, I’m sorry, just a speck of dust in my eye.”
“I understand. Perhaps some fresh air would help.” He was unexpectedly astute, but at least was not asking any more questions. He glanced at Steldor, who motioned us from the room with but one piece of advice for me.
“You’ll have to scream more loudly from out there.”
Grayden escorted me into the corridor and through a back door that I anticipated would open upon a garden. But what I saw instead was my version of Eden--a row of paddocks beside a large stable, all filled with beautiful horses.
“I’m afraid it’s not exactly fresh air,” Grayden jested, walking to lean against the nearest fence, leaving me to follow.
“It’s fresh enough.”
I gaped at the well-bred animals, not even aware of Grayden’s eyes on me.
“Your uncle told me of your love for horses, Shaselle,” he said, startling me out of my trance.
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Cayla Kluver (Sacrifice (Legacy, #3))
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When you buy a pet-store puppy, you know nothing about the health or temperament of the parents. You have no connection to the breeder of the dog, no resource to go to if you have questions or problems a few months or years from now. But perhaps most important, when you buy a pet-store puppy, you contribute to the demand for puppy-mill-bred puppies, and add to the cycle of misery of mill-owned breeding dogs.
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Denise Flaim (Rescue Ink: How Ten Guys Saved Countless Dogs and Cats, Twelve Horses, Five Pigs, One Duck,and a Few Turtles)
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The solution to the feral cats that already exist is the one no one wants to hear: accepting the fact that feral cats will live among us, and taking responsibility for controlling their numbers by trapping, neutering, and returning them to their outdoor territories.
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Denise Flaim (Rescue Ink: How Ten Guys Saved Countless Dogs and Cats, Twelve Horses, Five Pigs, One Duck,and a Few Turtles)
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They rode separately. She was on Javelin. He rode a mare. The next time they stopped to rest the horses, she came closer to the fire, even though this meant coming closer to him. She was achingly cold.
He offered her bread and dried meat. He apologized for it. “I know you’re used to better.”
Which was a stupid thing to say, given that he’d just rescued her from a prison.
“I’m sorry,” he said. “That was a stupid thing to say.
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Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
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Sir Joseph, good morning,” Louisa replied. “My compliments to your horse. That’s the same one you had at the Christmas meet, isn’t it?” “The selfsame. Sonnet, say good morning to the ladies.” The horse tucked a foreleg back and bowed his glossy head without any visible cue from the rider. Jenny’s smile could not have been brighter. “How marvelous! Louisa, we must expand your list to include Sonnet. He’s tall, dark, and handsome, and possessed of both good manners and the ability to dance.” “A list?” Sir Joseph petted his horse again, but this time it seemed to Louisa to be more of a caress down the gelding’s crest. “Are you looking for a new mount, Lady Louisa?” Jenny snorted, the wretch, then turned it into a coughing fit. “I am not. Genevieve, we’ve had our gallop, so why don’t you rescue His Grace from Lord Mannering? I’ll catch up in a moment.” Jenny
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Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
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You might fight your enemy—that had respect in it. You might even kill him—respect again. But to do what the wasicu did: afflict your enemy with disease, pen him up, starve him, and then rescue his body on the condition that he surrender his spirit
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Win Blevins (Stone Song: A Novel of the Life of Crazy Horse (Native Spirit Adventures Book 1))
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Among the numerous heartbreaks of this terrible war, the innocent horses shot, abused, and killed would not rank among the worst atrocities—but somehow, the killing of innocent beasts, domesticated animals who existed only for man's beauty and pleasure, seemed to highlight the barbaric and depraved depths to which man had allowed himself to sink.
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Elizabeth Letts (The Perfect Horse: the Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
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The stallion’s crest was arched, his nose was perpendicular to the floor, and his hind legs were gathered underneath him, showing off the powerfully developed muscles in his massive hindquarters. His ears cocked back toward his rider—he was concentrating.
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Elizabeth Letts (The Perfect Horse: the Daring U.S. Mission to Rescue the Priceless Stallions Kidnapped by the Nazis)
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the woman whom I rescued from between the deathly paws of poverty; I opened my coffers to her and made her envied by all women for the beautiful raiment and precious gems and magnificent carriages drawn by spirited horses; the woman whom my heart has loved and at whose feet I poured affection; the woman, to whom I was a true friend, sincere companion and a faithful husband; The woman who betrayed me and departed me
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Kahlil Gibran (11 Books: The Prophet / Spirits Rebellious / The Broken Wings / A Tear and a Smile / The Madman / The Forerunner / Sand and Foam / Jesus the Son of Man / Lazarus and His Beloved / The Earth Gods / The Wanderer / The Garden of the Prophet)
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I’ve just been to see Audrey,” Beatrix said breathlessly, entering the private upstairs parlor and closing the door. “Poor Mr. Phelan isn’t well, and--well, I’ll tell you about that in a minute, but--here’s a letter from Captain Phelan!”
Prudence smiled and took the letter. “Thank you, Bea. Now, about the officers I met last night…there was a dark-haired lieutenant who asked me to dance, and he--”
“Aren’t you going to open it?” Beatrix asked, watching in dismay as Prudence laid the letter on a side table.
Prudence gave her a quizzical smile. “My, you’re impatient today. You want me to open it this very moment?”
”Yes.” Beatrix promptly sat in a chair upholstered with flower-printed fabric.
“But I want to tell you about the lieutenant.”
“I don’t give a monkey about the lieutenant, I want to hear about Captain Phelan.”
Prudence gave a low chuckle. “I haven’t seen you this excited since you stole that fox that Lord Campdon imported from France last year.”
“I didn’t steal him, I rescued him. Importing a fox for a hunt…I call that very unsporting.” Beatrix gestured to the letter. “Open it!”
Prudence broke the seal, skimmed the letter, and shook her head in amused disbelief. “Now he’s writing about mules.” She rolled her eyes and gave Beatrix the letter.
Miss Prudence Mercer
Stony Cross
Hampshire, England
7 November 1854
Dear Prudence,
Regardless of the reports that describe the British soldier as unflinching, I assure you that when riflemen are under fire, we most certainly duck, bob, and run for cover. Per your advice, I have added a sidestep and a dodge to my repertoire, with excellent results. To my mind, the old fable has been disproved: there are times in life when one definitely wants to be the hare, not the tortoise.
We fought at the southern port of Balaklava on the twenty-fourth of October. Light Brigade was ordered to charge directly into a battery of Russian guns for no comprehensible reason. Five cavalry regiments were mowed down without support. Two hundred men and nearly four hundred horses lost in twenty minutes. More fighting on the fifth of November, at Inkerman.
We went to rescue soldiers stranded on the field before the Russians could reach them. Albert went out with me under a storm of shot and shell, and helped to identify the wounded so we could carry them out of range of the guns. My closest friend in the regiment was killed.
Please thank your friend Prudence for her advice for Albert. His biting is less frequent, and he never goes for me, although he’s taken a few nips at visitors to the tent.
May and October, the best-smelling months? I’ll make a case for December: evergreen, frost, wood smoke, cinnamon. As for your favorite song…were you aware that “Over the Hills and Far Away” is the official music of the Rifle Brigade?
It seems nearly everyone here has fallen prey to some kind of illness except for me. I’ve had no symptoms of cholera nor any of the other diseases that have swept through both divisions. I feel I should at least feign some kind of digestive problem for the sake of decency.
Regarding the donkey feud: while I have sympathy for Caird and his mare of easy virtue, I feel compelled to point out that the birth of a mule is not at all a bad outcome. Mules are more surefooted than horses, generally healthier, and best of all, they have very expressive ears. And they’re not unduly stubborn, as long they’re managed well. If you wonder at my apparent fondness for mules, I should probably explain that as a boy, I had a pet mule named Hector, after the mule mentioned in the Iliad.
I wouldn’t presume to ask you to wait for me, Pru, but I will ask that you write to me again. I’ve read your last letter more times than I can count. Somehow you’re more real to me now, two thousand miles away, than you ever were before.
Ever yours,
Christopher
P.S. Sketch of Albert included
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Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
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11.8 Christmas came and went. Parties; provincial exile; a return to London more relieved than joyous; more parties. On the 1st of January I found myself sitting, once more, beside my desk and blotter, looking through the window at the dawn. I always wake up early after drinking. It was a clear dawn, a good one to usher the new year in. The first phase of the Project would be going live this year. I looked at the pond, this site (since I’d rescued the girl there) of a minor resurrection, and thought of Vanuatans once again. On New Year’s Day, the men ride out on horses or just run about a stretch of pasture firing arrows up into the air: straight up, more or less vertically. The arrows, naturally, fall back down, with pretty much the same velocity as that with which they flew up in the first place. The men ride or run around until an arrow lands on one of them and kills him. Then they stop: the ritual demands that one man must be taken every year. Hungover, jaded, generally un-invigorated by the world, I found myself, in reverie, wishing—just as I had as a child when jumping from my sisters’ bed—that I could be one of these Vanuatan warriors, galloping about the fields, new-year’s wind biting at my cheeks, death whistling all around me, whistling me to life …
”
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Tom McCarthy (Satin Island)
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February 27 Devoted Gazes of a Slave But now that you have been set free from sin and have become slaves to God, the benefit you reap leads to holiness, and the result is eternal life. —Romans 6:22 It was bitterly cold and raining, as I went to the barn to get horse feed. In the darkness, I could barely see a patch of white in the hay. “not a good idea to leave the poor thing,” I said to myself. Assuming it was a cat, I thought I bet I’m going to get scratched. But there was no resistance. As I slid my hand under the tiny animal, I realized it was a puppy. I tucked it deep into the folds of my jacket and walked back to the house. After vigorously rubbing her coat, I wrapped her in a big, fluffy towel—still shivering. As I entered the kitchen to get milk, her little body was leaning as far to the left as she could trying not to lose sight of me. I never found the owner and from that day, Chelsea was wholly devoted to me. None of my dogs ever doted on me like she did. She literally became my slave. Her gaze was constantly upon me. She was obedient and lived to bring pleasure. I tell this story to illustrate the loving gaze of the slave toward her master. She knows he has rescued her from certain death and even now has the power of life and death over her, yet she loves him for sparing her life. She watches him closely, trying to learn his wants and desires; she devotes herself to pleasing him. Her joy becomes his joy; and in the end, he blesses her with more than she has ever given him. Perhaps it’s been a while since you’ve gazed upon the one who has saved you from the slavery of sin. Would you return to worship at his feet with loving devotion, knowing that he will give you much more than you could ever sacrifice for Him?
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The writers of Encouraging.com (God Moments: A Year in the Word)
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Is it time to go?” she asked, propping herself onto her elbow. He tugged up the collar of his coat and slipped his feet into his boots. Then he looked at her with a seriousness that sent a jolt of fear through her. “We can’t leave.” “Sure we can.” She pushed herself up but was immediately overcome by a wave of dizziness. “Even if you were up to leaving, which you’re not”—he nodded at her weak attempt at sitting up—“I let the horse go last night. It was her only chance of surviving. Hopefully she made her way back to the stable.” “We could walk—” “Not without snowshoes. The snow’s too deep and the wind too harsh.” She leaned back again, suddenly weary and cold. “Then we’re stuck here?” “Until a rescue party comes for us.” He pulled on his gloves. “Or until spring. Whichever comes first.” He gave a halfhearted grin at his attempt at a joke.
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Jody Hedlund (Unending Devotion (Michigan Brides, #1))
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Rooms, corridors, bookcases, shelves, filing cards, and computerized catalogues assume that the subjects on which our thoughts dwell are actual entities, and through this assumption a certain book may be lent a particular tone and value. Filed under Fiction, Jonathon Swift's Gulliver's Travels is a humorous novel of adventure; under Sociology, a satirical study of England in the eighteenth century; under Children's Literature, an entertaining fable about dwarfs and giants and talking horses; under Fantasy, a precursor of science fiction; under Travel, an imaginary voyage; under Classics, a part of the Western literary canon. Categories are exclusive; reading is not--or should not be. Whatever classifications have been chosen, every library tyrannizes the act of reading, and forces the reader--the curious reader, the alert reader--to rescue the book from the category to which it has been condemned.
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Alberto Manguel (A History of Reading)
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Papa says. “Our Stars of David glowed in the spotlight! He immediately ordered his soldiers to avoid bombing that area. Then he flew down to rescue us! The Russians are stationed not far away in Lodz so they ran for their horses and rode in to find us!” Amazing!
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Jennifer Roy (Yellow Star)
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There’s a reason the hero is always called Prince Charming in all the stories. It’s not just an interchangeable name. It’s the same damned knight on a white horse, looking for a girl who’s grateful to be rescued. Once he’s managed the deed—and once she’s forgotten what she has to be grateful about, and started to realize that this is the rest of her life—there’s nothing left but regret. Snow White will have decades to remember that at least the seven dwarves said “thank you,” goddammit. And then there was that nice woodcutter boy who worshipped her. He never would have looked down on her, not once.
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Courtney Milan (Trade Me (Cyclone, # 1))
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They were heading I judged for the Sixth Precinct. Had I had the black hat with me, and sufficient men and horses and lariats and .30-30s, and popular support from the masses and a workable revolutionary ideology and/or a viable myth pattern, I would have rescued them.
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Donald Barthelme (Sixty Stories)
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Will returned to where Tug waited patiently and loosened the saddle girths so the horse would be more comfortable. Then he sat, his back resting against the bole of a palm tree, his eyes closed, while he tried to make sense of the situation. Somehow, he would have to rescue his friends. He knew that much. But how? He was alone and he was unfamiliar with the territory. Against that, his friends were being held by two hundred armed bandits—cruel and merciless men who would cut their throats without hesitation. He was a foreigner. He would stand out among the Arridi villagers, if he could even manage to find the correct village in the first place. He realized that he didn’t even know where to pick up the trail left by the Tualaghi. And if his recent attempts at navigation were anything to judge by, he’d probably never find them. He must have dozed, affected by the heat of the day. He was woken by the sound of Umar lowering himself to the sand beside him with a faint grunt of exertion. “We’ve talked,” he said simply. Will looked at him. There was no hint in his bland expression of what he and his advisers had decided. “Will you let Hassan guide me to where the Tualaghi captured my friends?” he said.
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John Flanagan (Erak's Ransom (Ranger's Aprentice, #7))