Rescue Bird Quotes

She wanted so to be tranquil, to be someone who took walks in the late-afternoon sun, listening to the birds and crickets and feeling the whole world breathe. Instead, she lived in her head like a madwoman locked in a tower, hearing the wind howling through her hair and waiting for someone to come and rescue her from feeling things so deeply that her bones burned.

We walk for about an hour before Raffe whispers, “Does moping actually help humans feel better?” “I’m not moping,” I whisper back. “Of course you’re not. A girl like you, spending time with a warrior demigod like me. What’s to mope about? Leaving a wheelchair behind couldn’t possibly show up on the radar compared to that.” I nearly stumble over a fallen branch. “You have got to be kidding me.” “I never kid about my warrior demigod status.” “Oh. My. God.” I lower my voice, having forgotten to whisper. “You are nothing but a bird with an attitude. Okay, so you have a few muscles, I’ll grant you that. But you know, a bird is nothing but a barely evolved lizard. That’s what you are.” He chuckles. “Evolution.” He leans over as if telling me a secret. “I’ll have you know that I’ve been this perfect since the beginning of time.” He is so close that his breath caresses my ear. “Oh, please. Your giant head is getting too big for this forest. Pretty soon, you’re going to get stuck trying to walk between two trees. And then, I’ll have to rescue you.” I give him a weary look. “Again.” I pick up my pace, trying to discourage the smart comeback that I’m sure will come. But it doesn’t. Could he be letting me have the last say? When I look back, Raffe has a smug grin on his face. That’s when I realize I’ve been manipulated into feeling better. I stubbornly try to resist but it’s already too late.

Later he explained that when a person is beating you you should scream as loud as possible; maybe the whipper will become embarrassed or else some sympathetic soul might come to your rescue.

I’ve never believed in fairy tales. One day, the fairies will tell this story. There will be a valiant prince, a part no doubt played in history by the brave Vartan who journeys to rescue his bride from a dragon. There will be fairies. There will be horse-birds and there will be an enchanted blade. But, I will no doubt be stricken from the tale, a cursed blemish on a shining story. Happy endings don’t always happen in the real world.

Here at our ministry we refuse to present a picture of “gentle Jesus, meek and mild,” a portrait that tugs at your sentiments or pulls at your heartstrings. That’s because we deal with so many people who suffer, and when you’re hurting hard, you’re neither helped nor inspired by a syrupy picture of the Lord, like those sugary, sentimental images many of us grew up with. You know what I mean? Jesus with His hair parted down the middle, surrounded by cherubic children and bluebirds. Come on. Admit it: When your heart is being wrung out like a sponge, when you feel like Morton’s salt is being poured into your wounded soul, you don’t want a thin, pale, emotional Jesus who relates only to lambs and birds and babies. You want a warrior Jesus. You want a battlefield Jesus. You want his rigorous and robust gospel to command your sensibilities to stand at attention. To be honest, many of the sentimental hymns and gospel songs of our heritage don’t do much to hone that image. One of the favorite words of hymn writers in days gone by was sweet. It’s a term that down’t have the edge on it that it once did. When you’re in a dark place, when lions surround you, when you need strong help to rescue you from impossibility, you don’t want “sweet.” You don’t want faded pastels and honeyed softness. You want mighty. You want the strong arm an unshakable grip of God who will not let you go — no matter what.

You can rescue someone from danger, but not from change and death; the soldier who survives the battle becomes someone else, something else, somewhere else. His war subsides; his memory fades; his nation ceases to exist; all but the elemental structures decay away; the very atoms that were once warring sides are now soil, trees, lovers, birds; all the medals are playthings for strangers; the cannons have been melted down and turned back into church bells that will become cannons again for another war.

You cannot rescue somebody, little bird. You can help them. But they must rescue themselves.

I want to find my way to where you are-you, the Kumiko who wants me to rescue her...I wanted to let you know that. I'm getting closer to where you are, and I intend to get closer still.

Poles had a dark joke in 1944, about a bird which falls out of the sky into a cowpat, to be rescued by a cat; its moral, they said, was that “Not everyone who gets you out of the shit is necessarily your friend.

Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own. Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one. In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis... In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Swans," the banished sister can only disenchant her eleven brothers -- who are swans all day look but turn human at night -- by gathering stinging nettles barehanded from churchyard graves, making them into flax, spinning them and knitting eleven long-sleeved shirts while remaining silent the whole time. If she speaks, they'll remain birds forever. In her silence, she cannot protest the crimes she accused of and nearly burned as a witch. Hauled off to a pyre as she knits the last of the shirts, she is rescued by the swans, who fly in at the last moment. As they swoop down, she throws the nettle shirts over them so that they turn into men again, all but the youngest brother, whose shirt is missing a sleeve so that he's left with one arm and one wing, eternally a swan-man. Why shirts made of graveyard nettles by bleeding fingers and silence should disenchant men turned into birds by their step-mother is a question the story doesn't need to answer. It just needs to give us compelling images of exile, loneliness, affection, and metamorphosis -- and of a heroine who nearly dies of being unable to tell her own story.

Clint stared down at him. He was wearing what appeared to be a massive, lopsided and jewel-encrusted crown, holding a scepter and surrounded by a floating mass of Roombas. “Welcome to the sovereign nation of Bartonia,” he said, with a straight face. “My subjects, the Roombas, the drones and one random mechanical bird thing that I found, and I welcome you, and ask you what the fuck you think you're doing here, you are seriously a fucking moron.” “I'm here,” Tony gritted out, “to rescue you, and what kind of fucking attitude is that?.” “A little short for a storm trooper, aren't you?” Clint said, arching an eyebrow. He offered Tony a hand. “Are you wearing a crown? Seriously? Where did you get a- Why are you wearing a crown?” Tony asked, taking it and allowing Clint to help lever him back to his feet. “Listen, dude, I have learned something about myself today. Mostly, I have learned that if I end up in some sort of alien rubbish dump surrounded by neurotic robots and without a clue as to if I'm ever going to make it home, if I find a crown, I'm putting that bad boy on. There should never be a time when you do not wear a crown. Find a crown, you wear it and declare sovereignty over the vast mechanical wastes.” Clint waved his scepter around a bit, making the Roombas dodge. “Thus, Bartonia.

Trees don’t ask why they don’t move from place to place, nor do they ask any other meaningless questions. But their branches tremble when the birds leave them,

I want you to read ‘God Sees the Truth, but Waits,’ ” said Mother. “Tolstoy writes about a man, wrongly accused of a murder, who spends the rest of his life in a prison camp. Twenty-six years later, as a convict in Siberia, he meets the true murderer and has an opportunity to free himself, but chooses not to. His longing for home leaves him and he dies.” I ask Mother why this story matters to her. “Each of us must face our own Siberia,” she says. “We must come to peace within our own isolation. No one can rescue us. My cancer is my Siberia.” Suddenly, two white birds about the size of finches, dart in front of us and land on the snow.

And I think I decided not to love Charlie because I thought I had to be rescued. For practical reasons but also as a proof of love. It's better that Charlie and I didn't make an automatic transaction, love exchanged for rescue. All you can do after that is put the love and the rescue up on the shelf, moving them farther and farther back as you make room for all the other items you acquire over the years. This way a ragged stem still grows between us, almost pretty. Though really we should crush it now, before the buds bloom skeletal.

Throughout his life--as a child, poor and meanly treated, as a foot-loose youth, as an imprisoned man--the yellow bird, huge and parrot-faced, had soared across Perry's dreams, an avenging angel who savaged his enemies or, as now, rescued him in moments of mortal danger.

Cinderella, until lately, has never been a passive dreamer waiting for rescue. The forerunners of the Ash-girl have all been hardy, active heroines who take their lives into their own hands and work out their own salvations .... Cinderella speaks to all of us in whatever skin we inhabit: the child mistreated, a princess or highborn lady in disguise bearing her trials with patience, fortitude, and determination. Cinderella makes intelligent decisions, for she knows that wishing solves nothing without concomitant action. We have each been that child. (Even boys and men share thatdream, as evidenced by the many Ash-boy variants.) It is the longing of any youngster sent supperless to bed or given less than a full share at Christmas. And of course it is the adolescent dream. To make Cinderella less than she is, an ill-treated but passive princess awaiting her rescue, cheapens our most cherished dreams and makes a mockery of the magic inside us all—the ability to change our own lives, the ability to control our own destinies. [The Walt Disney film] set a new pattern for Cinderella: a helpless, hapless, pitiable, useless heroine who has to be saved time and time again by the talking mice and birds because she is “off in a world of dreams.” It is a Cinderella who is not recognized by her prince until she is magically back in her ball gown, beribboned and bejewelled. Poor Cinderella. Poor us.

What in Bursin’s holy name is that?” he snarled. If it were possible to die of embarrassment, Martise was sure she wouldn’t survive the next few minutes.  “I was singing.” His eyebrows rose almost to his hairline.  “Singing.  Is that what you call it?  It sounded like someone was torturing a cat.” “I thought I might work faster if I sang.”  She wiped the perspiration from her forehead with a gloved hand and regretted the action.  The swipe of citrus oil she’d left on her skin burned.  Cael continued to howl, and a door shut with a bang. "That will be Gurn coming to rescue us from whatever demon he thinks is attacking."  The branch supporting Silhara creaked as he adjusted his stance and leaned closer to her.  “Tell me something, Martise.”  A leaf slapped him in the eye, and he ripped it off its twig with an irritated snap.  “How is it that a woman, blessed with a voice that could make a man come, sings badly enough to frighten the dead?” She was saved from having to answer the outlandish question by the quick thud of running footsteps.  Silhara disappeared briefly from view when he bent to greet their visitor.  Unfortunately, his answers to Gurn’s unspoken questions were loud and clear. “That was Martise you heard.  She was…singing. “Trust me, I’m not jesting.  You can unload your bow.” His next indignant response made her smile.  “No, I wasn’t beating her!  She’s the one tormenting me with that hideous wailing!” Martise hid her smile when he reappeared before her.  His scowl was ferocious.  “Don’t sing.”  He pointed a finger at her for emphasis.  “You’ve scared my dog, my birds and my servant with your yowling.”  He paused.  “You’ve even managed to scare me.

Uncle Willie ordered us between licks to stop crying. I tried to, but Bailey refused to cooperate. Later he explained that when a person is beating you you should scream as loud as possible; maybe the whipper will become embarrassed or else some sympathetic soul might come to your rescue.

They entered our lives opportunistically, because our food attracted their prey (primarily rodents and birds) and because they enjoyed rooting through our garbage for edible bits.

I contemplated suicide. Every so often I contemplate suicide merely to remind myself of my complete lack of interest in it as a solution to anything at all. There was a time when I worried about this, when I thought galloping neurosis was wildly romantic, when I longed to be the sort of girl who knew the names of wildflowers and fed baby birds with eyedroppers and rescued bugs from swimming pools and wanted from time to time to end it all. Now, in my golden years, I have come to accept the fact that there is not a neurasthenic drop of blood in my body, and I have become very impatient with it in others. Show me a woman who cries when the trees lose their leaves in autumn and I’ll show you a real asshole.

He wagged his tail, and his whole body tingled. He realized the emptiness inside was not filled with happiness. Blue felt a glow within that was a result of more than just the warm sunshine on a spring day. It was more than just the gentle tumble of the waterfall, or the wind or the sound of birds. It was much, much more he knew. He looked about him and he knew he had found what he had been looking for. He had found more than his true heart's desire... He had found a forever home!

the yellow bird, huge and parrot-faced, had soared across Perry’s dreams, an avenging angel who savaged his enemies or, as now, rescued him in moments of mortal danger: “She lifted me, I could have been light as a mouse, we went up, up, I could see the Square below, men running,

Why didn't I know about Sedona before? Why did no one tell me? It's breathtaking. It's... indescribable. Well, all right, not literally indescribable. You can describe it. You can say, There are these huge red sandstone rocks everywhere, jutting up from the desert, making you feel all tiny and insignificant. You can say, There's a kind of rawness to the landscape which gives you goosebumps. You can say, There's a solitary bird of prey hanging above us, high in the sky, which seems to put all of humankind into perspective. You can say all that. But it's not the same as being there.

Rules or no rules, it was certainly better to see these things than not to see them. Marya felt that she had a secret, a very good secret, and that if she took care of it, the secret would take care of her. She had seen the world naked, caught out. Her sisters had been rescued from the city as beautiful girls are often rescued from unpleasant things, but they did not know what their husbands really were. They were missing viral information. Marya saw right away that this made a tilted kind of marriage, and she wanted no part of that. 'I will never be without information,' she determined. 'I will do better than my sisters. If a bird or any other beast comes out of that uncanny republic where husbands are grown, I will see him with his skin off before I fall in love.' For this was how Marya Morevna surmised that love was shaped: an agreement, a treaty between two nations that one could either sign or not as they pleased.

Gail told amusing stories about wildlife rescue and trying to bandage up an injured great blue heron. “I had to wear a welding face mask,” she said. “And if I’d had a riot shield, I’d have used it. Those beaks are like a spring-loaded javelin, and they’re never grateful.” She smiled fondly at the memory of a bird trying to put its beak through her eye.

In 1755, some seventy years after the last dodo’s death, the director of the Ashmolean Museum in Oxford decided that the institution’s stuffed dodo was becoming unpleasantly musty and ordered it tossed on a bonfire. This was a surprising decision as it was by this time the only dodo in existence, stuffed or otherwise. A passing employee, aghast, tried to rescue the bird but could save only its head and part of one limb.

Furthermore, this triune God is known in an act of redemption as Christ enters into a hostile world to rescue it. This God is saving the cosmos through Christ—and in a humiliating and costly way. Hence salvation, in this sense, is part of the being and identity of God. Moreover, Paul has grasped helpfully that this saving dynamic is rooted in divine love (e.g., 5:8). God’s extravagant love led to God’s extraordinary and self-sacrificing salvation.

The dancing was breathtaking, yes, and the story it told was certainly lovely—a legend of a prince seeking to rescue his bride, and the cunning bird he captured to help him to do it—but the music. Had there ever been anything more beautiful, more exquisitely painful? She clenched the arms of the seat, her fingers digging into the velvet as the music hurtled toward its finale, sweeping her away in a flood. With each beat of the drum, each trill of the flute and blare of the horn, she felt all of it along her skin, along her bones. The music broke her apart and put her back together, only to rend her asunder again and again.

This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented

Facts swooped like swallows, darting across her mind; there was a rush of pride in things still remembered. Singing was limited to the perching birds, the order Passeriformes. Nearly half the birds in the world didn't sing, but they still used sound to communicate- calls as opposed to song. Most birds had between five and fifteen distinct calls in their repertoire; alarm and territorial defense calls, distress calls from juveniles to bring an adult to the rescue, flight calls to keep the flock coordinated, even separate calls for commencing and ending flight. Nest calls. Feeding calls. Pleasure calls. Some chicks used calls to communicate with their mothers while they were still in the egg.

Then he thinks that there should be a place in every town where people could put rescued or found things. Not just objects, but snippets of forgotten languages, or misused time – an hour that can never be lived again. It would be a place where lost faiths could be collected, as well as keys, gloves and love letters never sent. Here you could find extinct animals and old wives’ tales vanished in history; a whole shelf of unfinished songs, discontinued books, deleted texts. It would be a safe for fleeting emotions – the first flush of love, or a particular scent on a sunny day that is never savoured again. Among the dog leads, phones and hats, there would be babies hoped for and lost. All this would be remembered: missed opportunities, mislaid friends, the smile of a wife. It would be a place for lost things.

I love mockingbirds, but I cannot rehab them because they imprint, or bond, or whatever you choose to call it. Young ravens and crows are worse. In their quest for attention and affection, they are akin to domestic dogs. And when you placate young wild animals with a tender human touch, it changes them forever. So rehabbers have to reject the overtures of creatures who attempt to bond, to ensure they retain their wild nature. Some people are good at this. I am not. I have too much of what John Keats called negative capability as well as a close corollary, empathy. When birds arrive at my door lost, broken, and terrified, the distinctions between us fall away, and they are no longer wild animals separate from my humanity. Instead, I am right there with them, sharing their troubles, fear, and pain. I see myself in them and want to protect, love, and reassure them.

Karl was the last to be with him. He found him calm and almost gay. After he had gone, Ludwig put his few things in order and wrote for some time. Then he drew a chair to the window and set a basin with warm water on the table beside him. He locked the door, sat himself on the settle and with his arm in the water, he cut the artery. The pain was slight. He saw the blood flowing, a scene he had often thought on—to let this hateful, poisoned blood pour out of his body. His room became very clear. He saw every hook, every nail, every glint of the quartzes, the iridescence, the colours; he absorbed it: his room. It gathered about him, it passed in with his breath and was one with his life. Then it receded, uncertain. His youth began, in pictures. Eichendorff, the woods, homesickness. Reconciled, without pain. Beyond the woods rose up barbed-wire entanglements, little white shrapnel clouds, the burst of heavier shells. But they alarmed him no longer. They were muffled, almost like bells. The bells became louder, but the woods were still there. The bells pealed in his head so loudly that he felt it must burst. Then it grew darker. The pealing sounded fainter, and the evening came in at the window, clouds floated up under his feet. He had wished once in his life to see flamingoes; now he knew; these were flamingoes, with broad, pinkish-grey wings, lots of them, a phalanx—Did wild ducks not once fly so toward the very red moon, red as poppies in Flanders? —The landscape receded farther and farther, the woods sank deeper, rivers rose up, gleaming, silver, and islands; the pinkish-grey wings flew ever higher and higher, and the horizon became ever brighter—Now, suddenly, a dark cry swelled in his throat, hot, insistent, a last thought spilled over out of the brain into the failing consciousness: fear, rescue, bind it up! —He tried to rise, staggering, to lift his hand; the body jerked, but already it was too weak. —It spun round and spun round, then it vanished; and the giant bird with dark pinions came very gently with slow sweeps and the wings closed noiselessly over him. A

When's the last time you called them?" "I haven't. But they needed to rescue us just the other day. From the bison." "They rescued you from -?" Reyna shook her head. " I don't want to know. So when else have they rescued you?" "Well, never, but I'm supposed to do this on my own. They told me where to find Mjölnir, right after they gave me my goats." "Goats? No, again, I don't want to know." She paused. "Wait, actually, I do. You get goats?" "Magic battle goats." "Of course. So you get magic goats, a magic necklace, a magic hammer, a magic shield. You're like the favourite child who gets all the best Christmas gifts. What does Freya have?" "Um, a magic cloak." She waved that off. "Got it already. What else?" "There's the boar, Hildisvini." "Who? What?" "Hildisvini. He's a boar. It's a wild pig -" "I know what a boar is. That's almost as bad as goats. What else?" "Um ... swans, I think?" "Swans? Great. You get killer goats, and I get pretty birds." "Have you ever met a swan? They're vicious. I think I'd rather take my chances with a goat." Her eyes lit up. "Really? Now that would be cool. Everyone would think they were just pretty birds and then they attack. Stealth swans.

Around the glade this pair of woodland nymphs danced. He swept her in a waltz to a duet that was sometimes off tune, sometimes rent with giggling and laughter as they made their own music. A breathless Erienne fell to a sun-dappled hummock of deep, soft moss, and laughing for the pure thrill of the day, she spread her arms, creating a comely yellow-hued flower on the dark green sward while seeming every bit as fragile as a blossom to the man who watched her. With bliss-bedazzled eyes, she gazed through the treetops overhead where swaying branches, bedecked in the first bright green of spring, caressed the underbellies of the freshlet zephyrs, and the fleecy white clouds raced like frolicking sheep across an azure lea. Small birds played courting games, and the earlier ones tended nests with single-minded perseverance. A sprightly squirrel leapt across the spaces, and a larger one followed, bemused at the sudden coyness of his mate. Christopher came to Erienne and sank to his knees on the thick, soft carpet, then bracing his hands on either side of her, slowly lowered himself until his chest touched her bosom. For a long moment he kissed those blushing lips that opened to him and welcomed him with an eagerness that belied the once-cool maid. Then he lifted her arm and lay beside her, keeping her hand in his as he shared her viewpoint of the day. They whispered sweet inanities, talked of dreams, hopes, and other things, as lovers are wont to do. Erienne turned on her side and taking care to keep her hand in the warm nest, ran her other fingers through his tousled hair. “You need a shearing, milord,” she teased. He rolled his head until he could look up into those amethyst eyes. “And does my lady see me as an innocent lamb ready to be clipped?” At her doubtful gaze, he questioned further. “Or rather a lusting, long-maned beast? A zealous suitor come to seduce you?” Erienne’s eyes brightened, and she nodded quickly to his inquiry. “A love-smitten swain? A silver-armored knight upon a white horse charging down to rescue you?” “Aye, all of that,” she agreed through a giggle. She came to her knees and grasped his shirt front with both hands. “All of that and more.” She bent to place a honeyed kiss upon his lips, then sitting back, spoke huskily. “I see you as my husband, as the father of my child, as my succor against the storm, protector of my home, and lord of yonder manse. But most of all, I see you as the love of my life.” -Erienne & Christopher

You know just as well as I do that Vikram’s thread never budged,” I said stonily. Amar bowed his head. Good, I thought. At least he could fake some guilt. “I know.” “Why couldn’t I? Why did you made it sound like I could? All this talk about being a true ruler here, this…awakening of power. Or control. I had no control over that thread. I couldn’t even pull it from one side to another.” “It takes time. But it’s a start. It’s a new beginning,” he said. A chill ran up my spine. “For you and me.” He braced his elbows against his knees, the sleeves revealing the bracelet of my hair around his wrist. He had tethered a part of me to him, but I had nothing of his. He kept all his secrets from me. “Trust me,” said Amar. “And tonight, we shall celebrate. Where shall I take you, my queen? Your will is where I lay my head.” My mind twisted into a snarl. “How can I trust you?” Amar’s grin slipped off his face and his eyes narrowed. “Have I not proven myself? I rescued you from death--” “You don’t know that,” I retorted, my voice raising. “Perhaps I would’ve made a last-minute escape. Perhaps the kingdom would’ve changed its mind.” “But they didn’t, did they?” said Amar coldly. “I’m the one who took you to safety. I’m the one who made you a queen.” “Queen? I’m no better than a caged bird,” I bit out. The words tasted like bile. “What would that make me? An owner? You have free rein, as always, over this kingdom. Much more freedom than any caged bird. Think on that. All I ask, for now, is that you don’t--” “Walk alone? Question you? Breathe without your permission?” I offered, knowing what he would say. “I have free rein except when I don’t.

In the very midst of this panic came the news that the steamer Central America, formerly the George Law, with six hundred passengers and about sixteen hundred thousand dollars of treasure, coming from Aspinwall, had foundered at sea, off the coast of Georgia, and that about sixty of the passengers had been providentially picked up by a Swedish bark, and brought into Savannah. The absolute loss of this treasure went to swell the confusion and panic of the day. A few days after, I was standing in the vestibule of the Metropolitan Hotel, and heard the captain of the Swedish bark tell his singular story of the rescue of these passengers. He was a short, sailor-like-looking man, with a strong German or Swedish accent. He said that he was sailing from some port in Honduras for Sweden, running down the Gulf Stream off Savannah. The weather had been heavy for some days, and, about nightfall, as he paced his deck, he observed a man-of-war hawk circle about his vessel, gradually lowering, until the bird was as it were aiming at him. He jerked out a belaying pin, struck at the bird, missed it, when the hawk again rose high in the air, and a second time began to descend, contract his circle, and make at him again. The second time he hit the bird, and struck it to the deck. . . . This strange fact made him uneasy, and he thought it betokened danger; he went to the binnacle, saw the course he was steering, and without any particular reason he ordered the steersman to alter the course one point to the east. After this it became quite dark, and he continued to promenade the deck, and had settled into a drowsy state, when as in a dream he thought he heard voices all round his ship. Waking up, he ran to the side of the ship, saw something struggling in the water, and heard clearly cries for help. Instantly heaving his ship to, and lowering all his boats, he managed to pick up sixty or more persons who were floating about on skylights, doors, spare, and whatever fragments remained of the Central America. Had he not changed the course of his vessel by reason of the mysterious conduct of that man-of-war hawk, not a soul would probably have survived the night.

He'd found a sweet-water stream that I drank from, and for dinner we found winkles that we ate baked on stones. We watched the sun set like a peach on the sea, making plans on how we might live till a ship called by. Next we made a better camp beside a river and had ourselves a pretty bathing pool all bordered with ferns; lovely it was, with marvelous red parrots chasing through the trees. Our home was a hut made of branches thatched with flat leaves, a right cozy place to sleep in. We had fat birds that Jack snared for our dinner, and made fire using a shard of looking glass I found in my pocket. We had lost the compass in the water, but didn't lament it. I roasted fish and winkles in the embers. For entertainment we even had Jack's penny whistle. It was a paradise, it was." "You loved him," her mistress said softly, as her pencil resumed its hissing across the paper. Peg fought a choking feeling in her chest. Aye, she had loved him- a damned sight more than this woman could ever know. "He loved me like his own breath," she said, in a voice that was dangerously plaintive. "He said he thanked God for the day he met me." Peg's eyes brimmed full; she was as weak as water. The rest of her tale stuck in her throat like a fishbone. Mrs. Croxon murmured that Peg might be released from her pose. Peg stared into space, again seeing Jack's face, so fierce and true. He had looked down so gently on her pitiful self; on her bruises and her bony body dressed in salt-hard rags. His blue eyes had met hers like a beacon shining on her naked soul. "I see past your always acting the tough girl," he insisted with boyish stubbornness. "I'll be taking care of you now. So that's settled." And she'd thought to herself, so this is it, girl. All them love stories, all them ballads that you always thought were a load of old tripe- love has found you out, and here you are. Mrs. Croxon returned with a glass of water, and Peg drank greedily. She forced herself to continue with self-mocking gusto. "When we lay down together in our grass house we whispered vows to stay true for ever and a day. We took pleasure from each other's bodies, and I can tell you, mistress, he were no green youth, but all grown man. So we were man and wife before God- and that's the truth." She faced out Mrs. Croxon with a bold stare. "You probably think such as me don't love so strong and tender, but I loved Jack Pierce like we was both put on earth just to find each other. And that night I made a wish," Peg said, raising herself as if from a trance, "a foolish wish it were- that me and Jack might never be rescued. That the rotten world would just leave us be.

In the early 1680s, at just about the time that Edmond Halley and his friends Christopher Wren and Robert Hooke were settling down in a London coffee house and embarking on the casual wager that would result eventually in Isaac Newton’s Principia, Hemy Cavendish’s weighing of the Earth, and many of the other inspired and commendable undertakings that have occupied us for much of the past four hundred pages, a rather less desirable milestone was being passed on the island of Mauritius, far out in the Indian Ocean some eight hundred miles off the east coast of Madagascar. There, some forgotten sailor or sailor’s pet was harrying to death the last of the dodos, the famously flightless bird whose dim but trusting nature and lack of leggy zip made it a rather irresistible target for bored young tars on shore leave. Millions of years of peaceful isolation had not prepared it for the erratic and deeply unnerving behavior of human beings. We don’t know precisely the circumstances, or even year, attending the last moments of the last dodo, so we don’t know which arrived first a world that contained a Principia or one that had no dodos, but we do know that they happened at more or less the same time. You would be hard pressed, I would submit to find a better pairing of occurrences to illustrate the divine and felonious nature of the human being-a species of organism that is capable of unpicking the deepest secrets of the heavens while at the same time pounding into extinction, for no purpose at all, a creature that never did us any harm and wasn’t even remotely capable of understanding what we were doing to it as we did it. Indeed, dodos were so spectacularly short on insight it is reported, that if you wished to find all the dodos in a vicinity you had only to catch one and set it to squawking, and all the others would waddle along to see what was up. The indignities to the poor dodo didn’t end quite there. In 1755, some seventy years after the last dodo’s death, the director of the Ashmolean Museum in Oxford decided that the institution’s stuffed dodo was becoming unpleasantly musty and ordered it tossed on a bonfire. This was a surprising decision as it was by this time the only dodo in existence, stuffed or otherwise. A passing employee, aghast tried to rescue the bird but could save only its head and part of one limb. As a result of this and other departures from common sense, we are not now entirely sure what a living dodo was like. We possess much less information than most people suppose-a handful of crude descriptions by "unscientific voyagers, three or four oil paintings, and a few scattered osseous fragments," in the somewhat aggrieved words of the nineteenth century naturalist H. E. Strickland. As Strickland wistfully observed, we have more physical evidence of some ancient sea monsters and lumbering saurapods than we do of a bird that lived into modern times and required nothing of us to survive except our absence. So what is known of the dodo is this: it lived on Mauritius, was plump but not tasty, and was the biggest-ever member of the pigeon family, though by quite what margin is unknown as its weight was never accurately recorded. Extrapolations from Strickland’s "osseous fragments" and the Ashmolean’s modest remains show that it was a little over two and a half feet tall and about the same distance from beak tip to backside. Being flightless, it nested on the ground, leaving its eggs and chicks tragically easy prey for pigs, dogs, and monkeys brought to the island by outsiders. It was probably extinct by 1683 and was most certainly gone by 1693. Beyond that we know almost nothing except of course that we will not see its like again. We know nothing of its reproductive habits and diet, where it ranged, what sounds it made in tranquility or alarm. We don’t possess a single dodo egg. From beginning to end our acquaintance with animate dodos lasted just seventy years.

Just ask the animals, and they will teach you. Ask the birds of the sky, and they will tell you. Speak to the earth, and it will instruct you. JOB 12:7-8

Costermongers crowded the thoroughfare, hawking their wares with impatient cries. They sold everything imaginable: ropes of onions and braces of dead game, teapots, flowers, matches, and caged larks and nightingales. This last presented frequent problems to the Hathaways, as Beatrix was determined to rescue every living creature she saw. Many a bird had been reluctantly purchased by their brother-in-law, Mr. Rohan, and set free at their country estate. Rohan swore that by now he had purchased half the avian population in Hampshire.

Full-size palm trees jutted up towards the glass ceiling. Orchids dripped from the walls and the palm trunks. Birds of paradise filled the room with bright red flowers. The guests were seated in rows of chairs lined up to face a waterfall that landed in a crystal-clear pool behind the minister.

Studies show that enthusiastic people get better breaks. They’re promoted more often, have higher incomes, and live happier lives. That’s not a coincidence. The word enthusiasm comes from the Greek word entheos. Theos is a term for “God.” When you’re enthusiastic, you are full of God. When you get up in the morning excited about life, recognizing that each day is a gift, you are motivated to pursue your goals. You will have a favor and blessing that will cause you to succeed. The eight undeniable quality of a winner is that they stay passionate throughout their lives. Too many people have lost their enthusiasm. At one time they were excited about their futures and passionate about their dreams, but along the way they hit some setbacks. They didn’t get the promotions they wanted, maybe a relationship didn’t work out, or they had health issues. Something took the wind out of their sails. They’re just going through the motions of life; getting up, going to work, and coming home. God didn’t breathe His life into us so we would drag through the day. He didn’t create us in His image, crown us with His favor, and equip us with His power so that we would have no enthusiasm. You may have had some setbacks. The wind may have been taken out of your sails, but this is a new day. God is breathing new life into you. If you shake off the blahs and get your passion back, then the winds will start blowing once again--not against you, but for you. When you get in agreement with God, He will cause things to shift in your favor. On January 15, 2009, Capt. Chelsey “Sully” Sullenberger successfully landed a jet airplane in the Hudson River after the plane’s engines were disabled by multiple bird strikes. Despite the dangers of a massive passenger plane landing in icy waters, all 155 passengers and crew members survived. It’s known as the “Miracle on the Hudson.” Just after the successful emergency landing and rescue, a reporter asked a middle-aged male passenger what he thought about surviving that frightening event. Although he was shaken up, cold and wet, the passenger had a glow on his face, and excitement in his voice when he replied: “I was alive before, but now I’m really alive.” After facing a life-and-death situation, the survivor found that his perspective had changed. He recognized each moment as a gift and decided that instead of just living, he would start really living.

She didn't eat meat and hadn't for some time. Rescuing, mending and befriending a wee bird with a broken wing had made it impossible for her to eat the meat of flying creatures, and helping Edmund, the stable master at MacFarlane, mend a bull with a broken leg and then having it follow her everywhere like a dog had added beef to the list of things she wouldn't eat either. By the time Claray was fifteen years old, there wasn't any meat she could bring herself to consume. She'd explained this quietly to Conall and, much to her relief, while he'd looked surprised, he hadn't raised a fuss, and she'd then gone into the woods to find wild berries, mushrooms, wood sorrel and elderflower to munch on to ease her hunger.

Does Beron know you saved his wife in the War?” He hadn’t mentioned anything during the meeting. Helion let out a dark laugh. “Cauldron, no.” There was enough wry, knowing humor that I straightened. “You had—an affair after you rescued her?” The amusement only grew, and Helion pushed a finger against his lips in mock warning. “Careful, High Lady. Even the birds report to Thesan here.” I frowned at the birds in cages throughout the room, still silent in Azriel’s shadowy presence. I threw shields around them, Rhys said down the bond. “How long did the affair last?” I asked. That withdrawn female … I couldn’t imagine it. Helion snorted. “Is that a polite question for a High Lady to be asking?” But the way he spoke, that smile … I only waited, using silence to push him instead. Helion shrugged. “On and off for decades. Until Beron found out. They say the lady was all brightness and smiles before that. And after Beron was through with her … You saw what she is.” “What did he do to her?” “The same things he does now.” Helion waved a hand. “Belittle her, leave bruises where no one but him will see them.” I clenched my teeth. “If you were her lover, why didn’t you stop it?” The wrong thing to say. Utterly wrong, by the dark fury that rippled across Helion’s face. “Beron is a High Lord, and she is his wife, mother of his brood. She chose to stay. Chose. And with the protocols and rules, Lady, you will find that most situations like the one you were in do not end well for those who interfere.

In 1973, the Kenyan government banned elephant hunting and the club fell on hard times. Holden brought in two minority partners, Don Hunt and Julian McKeand. Together they created the Mount Kenya Game Ranch with captive breeding programs for thirty-seven African species, and an orphanage for rescued animals. There were fifty types of exotic birds, including sacred ibises, marabou storks, peacocks and Egyptian geese. One of the rarest species at the game ranch was the East African Bongo – a critically endangered red and white-striped antelope, which became the ranch’s mascot. Holden showed Powers the club’s first-class amenities. They visited the Arabian horse stables, and walked down a garden path to the guest cottages, dubbed Millionaire’s Row.

Our doggies, Chula and Jude, were preadapted to being friendly with small birds who could only flutter. They had grown up around our two small rescued parrots and our little flock of free-roving chickens. The training I devised stemmed from a simple premise. I presumed the dogs would chase because of curiosity and impulse, rather than hunger. If I did the catching for them and let them investigate at the closest range, it should quench their curiosity.

Hope is Nature's Defibrillator (The Sonnet) Hope is nature's defibrillator that, Electrifies the heart to unsubmission. Hope rescues us from the depths of despair, Hope drags the being even out of cremation. Hope lights the way when clouds convene, Hope brings sight when smog sets in. Hope is the bird that heralds the dawn, Hope is the answer to all things disheartening. Never let intellect trod on the sapling of hope, When things get rough intellect is first to scarper. The brain needs backbone to trudge through hardship, Without hope, backbone is first to lose its caper. But again, most times inaction sets in, disguised as hope. Real hope sets you on fire, it doesn't make you mellow.

Where were we? Ah, yes, rescuing my little bird.

The LORD of Heaven’s Armies will hover over Jerusalem        and protect it like a bird protecting its nest.   He will defend and save the city;        he will pass over it and rescue it.

As a boy, I had the privilege of realizing that nature only moves and grows in precise, turbulent, spiraling flows. As an adult, I learned that human technology, in the main, tries to suppress turbulence. Nature doesn't waste the opportunity. It exploits the energy that is rolled up in turbulence. Birds, insects, fish, and the human heart clearly demonstrate the advantage of this strategy. Humans insist on traveling in straight lines and guzzle energy. Nature travels in spirals and sips energy. Truly grasping the significance of this simple fact throws open the door to reinventing the industrial world and gives us the tools to rescue our ailing planet, populations, and economy. By adapting and applying nature's spiraling geometries, I am confident that we can halve the world's energy consumption-without sacrifice.

What was a cage to a lobster was a home to a bird. Regardless though, the lobsters do not understand.

Tonight she'll be with Jeremy, her lieutenant, but she wants to be with Roger. Except that, really, she doesn't. Does she? She can't remember being so confused. When she is with Roger it's all love, but at any distance- any at all, Jack- she finds that he depresses and even frightens her. Why? On top of him in the wild nights riding up and down his cock her axis, trying herself to stay rigid enough not to turn to cream taper-wax and fall away melting to the coverlet coming there's only room for Roger, Roger, oh love to the end of breath. But out of bed, walking talking, his bitterness, his darkness, run deeper than the War, the winter: he hates England so, hates "the System," gripes endlessly, says he'll emigrate when the War's over, stays inside his paper cynic's cave hating himself... and does she want to bring him out, really? Isn't it safer with Jeremy? She tried not to allow this question to often, but it's there. Three years with Jeremy. They might as well be married. Three years ought to count for something. Daily, small stitches and easings. She's worn old Beaver's bathrobes, brewed his tea and coffee, sought his eye across lorry-parks, day rooms and rainy mud fields when all the day's mean, dismal losses could be rescued in the one look- familiar, full of trust, in a season where the word is invoked for quaintness or a minor laugh. And to rip it all out? three years? for this erratic, self-centered- boy, really. Weepers, he supposed to be pas thirty, he's years older than she. He ought to've learned something, surely? A man of experience? /// If the rockets don't get her there's still her lieutenant. Damned Beaver/Jeremy IS the War, he is every assertion the fucking War has ever made- that we are meant work and government, for austerity: and these shall take priority over love, dreams, the spirit, the sense and the second-class trivia that are found among the idle and mindless hours of the day... Damn them, they are wrong. They are insane. Jeremy will take her like the Angel itself, in his joyless weasel-worded come-along, and Roger will be forgotten, an amusing maniac, but with no place in the rationalized power-ritual that will be the coming peace. She will take her husband's orders, she will become a domestic bureaucrat, a junior partner, and remember Roger, if at all, as a mistake thank God she did not make... Oh, he feels a raving fit coming on- how the bloody hell can he survive without her? She is the British warm that protects his stooping shoulders, and the wintering sparrow he holds inside his hands. She is his deepest innocence in spaces of bough and hay before wishes were given a separate name to warn they might not come true, and his lithe Parisian daughter of joy, beneath the eternal mirror, forswearing perfumes, capeskins to the armpits, all that is too easy, for his impoverishment and more worthy love. /// Jessica steps away from Roger to blow her nose. The sound is as familiar to him as a bird's song, ip-ip-ip-ip NGUNNGG as the hankerchief comes away..."Oh sooper dooper," she says, "think I'm catching a cold." You're catching the War. It's infecting you and I don't know how to keep it away. Oh, Jess. Jessica. Don't leave me,,,,

Tonight she'll be with Jeremy, her lieutenant, but she wants to be with Roger. Except that, really, she doesn't. Does she? She can't remember being so confused. When she is with Roger it's all love, but at any distance- any at all, Jack- she finds that he depresses and even frightens her. Why? On top of him in the wild nights riding up and down his cock her axis, trying herself to stay rigid enough not to turn to cream taper-wax and fall away melting to the coverlet coming there's only room for Roger, Roger, oh love to the end of breath. But out of bed, walking talking, his bitterness, his darkness, run deeper than the War, the winter: he hates England so, hates "the System," gripes endlessly, says he'll emigrate when the War's over, stays inside his paper cynic's cave hating himself... and does she want to bring him out, really? Isn't it safer with Jeremy? She tried not to allow this question to often, but it's there. Three years with Jeremy. They might as well be married. Three years ought to count for something. Daily, small stitches and easings. She's worn old Beaver's bathrobes, brewed his tea and coffee, sought his eye across lorry-parks, day rooms and rainy mud fields when all the day's mean, dismal losses could be rescued in the one look- familiar, full of trust, in a season where the word is invoked for quaintness or a minor laugh. And to rip it all out? three years? for this erratic, self-centered- boy, really. Weepers, he supposed to be past thirty, he's years older than she. He ought to've learned something, surely? A man of experience? /// If the rockets don't get her there's still her lieutenant. Damned Beaver/Jeremy IS the War, he is every assertion the fucking War has ever made- that we are meant work and government, for austerity: and these shall take priority over love, dreams, the spirit, the senses and the second-class trivia that are found among the idle and mindless hours of the day... Damn them, they are wrong. They are insane. Jeremy will take her like the Angel itself, in his joyless weasel-worded come-along, and Roger will be forgotten, an amusing maniac, but with no place in the rationalized power-ritual that will be the coming peace. She will take her husband's orders, she will become a domestic bureaucrat, a junior partner, and remember Roger, if at all, as a mistake thank God she did not make... Oh, he feels a raving fit coming on- how the bloody hell can he survive without her? She is the British warm that protects his stooping shoulders, and the wintering sparrow he holds inside his hands. She is his deepest innocence in spaces of bough and hay before wishes were given a separate name to warn they might not come true, and his lithe Parisian daughter of joy, beneath the eternal mirror, forswearing perfumes, capeskins to the armpits, all that is too easy, for his impoverishment and more worthy love. /// Jessica steps away from Roger to blow her nose. The sound is as familiar to him as a bird's song, ip-ip-ip-ip NGUNNGG as the hankerchief comes away..."Oh sooper dooper," she says, "think I'm catching a cold." You're catching the War. It's infecting you and I don't know how to keep it away. Oh, Jess. Jessica. Don't leave me....

Apart from instinct, the brute has no other guardian spirit, no other Providence, than its senses or its organs in general. A bird which loses its eyes has lost its guardian angel; … a natural Providence is in the eyes of religion as good as none. Hence Providence has relation essentially to men, and even among men only to the religious. 'God is the saviour of all men, but especially of them that believe.' … [I]t is intended to express the essential distinction of man from the brute, to rescue man from the tyranny of Nature.

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What could I say about Bellingrath Junior High? Not much, except it was named after my secret hero, Bernard Bellingrath. But Barney wasn’t the kind of hero who rescued a kid from a burning building or found a cure for a disease. Barney dropped a big load of money on our school to build the gym, stadium, and later the library annex. As his reward, a faded portrait hung on the wall of the visitors’ area inside the main entrance. But that wasn’t the reason he was my hero. According to legend, Barney had been born with a tail. A tail. Grand-mere Robichaud, who’d once seen such a tail on a baby’s pink bottom, said he could’ve been mistaken for the main course at a cochon de lait—a Cajun pig roast. But Barney’s parents were very religious, so they refused to have the tail removed. In spite of that decision, Barney grew up to be the richest and most powerful man in town. But that still wasn’t the reason he was my hero. The fact that he decided to keep the tail anyway—that was the reason. Now, all these years later, you’d think physical imperfections would be tolerated at a school practically founded by someone with a tail. But no.

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Once humans learned how to enter the psychic plane, then it wouldn’t be long before they discovered what shouldn’t exist. Vampires. Werewolves. Ghosts. La Llorona. El Cucuy. Fairies. Then humans would do to us what they did to the dodo birds, the passenger pigeon, and most of the Native Americans.

We’ve searched all of the homes and carried the food to Ralph’s,” Sam continued. “The problem is that all the fruit and veggies spoiled while we were all filling up on chips and cookies. The meat all rotted. People were stupid and careless, and there’s nothing we can do about that now.” Sam swallowed the bitterness he felt, the anger he felt at his own foolishness. “But we have food sitting out in the fields. Maybe not the food we’d like, but enough to carry us for months—many months—if we bring it in before it rots and the birds eat it.” “Maybe we’ll get rescued, and we won’t have to worry,” another voice said. “Maybe we’ll learn to live on air,” Astrid muttered under her breath but loudly enough to be heard by at least a few. “Why don’t you go get our food back from Drake and the chuds up there?” It was Zil. He accepted a congratulatory slap on the back from a creepy kid named Antoine, part of Zil’s little posse. “Because it would mean getting some kids killed,” Sam said bluntly. “We’d be lucky to rescue any of the food, and we’d end up digging more graves in the plaza. And it wouldn’t solve our problem, anyway.

I simply do not understand the appeal of the turban. Lady Barrington looks as if a feather pillow has attached itself to her head.” Unable to miss the headwear in question, Alex adopted the same method of conversation and replied, “Indeed. Although considering the enormous peacock feather protruding from the thing, it appears as though there may be some kind of exotic bird trapped under there.” “Should we attempt a rescue?” Ella asked casually, sending all three girls into bright laughter. As

and John explained that Christ would baptize with the Holy Spirit. In the broader context of Isaiah 40–55, there is a close connection between the outpouring of the Spirit and the resulting new creation: “For I will pour water on him who is thirsty, and floods on the dry ground; I will pour My Spirit on your descendants, and My blessing on your offspring” (Isa. 44:3; cf. Gen. 49:25; Ezek. 34:26–27; Joel 2:14; Mal. 3:10–11). Here the dry and thirsty land receives the outpouring of water, which brings rejuvenation, and this imagery is tied to the outpouring of the Spirit. Concerning this verse, though, John Goldingay explains, “Yhwh’s renewal of the people is an act of new creation.”46 This conclusion seems warranted, especially in light of Isaiah 44:2: “Thus says the LORD who made you and formed you from the womb [עשך ויצרך], who will help you.” E. J. Young explains, “The expression Creator [יצר] used of God as the Creator of His people is found only in Isaiah, as also the parallels Maker and Former.”47 This language is used, for example, in the creation account of man (Gen. 2:7). All of this imagery comes with a kaleidoscope of ideas that ties together creation, exodus, new creation, and the eschatological outpouring of the Spirit.48 These observations are not new. J. Luzarraga, commenting on Isaiah 31:5, explains that this verse, as well as the others thus far surveyed, refer to: a “return,” a second exodus, a new exodus, which…comes described with features taken from the first exodus, projecting upon an eschatological future, for the gifts that God has granted in the past are only a symbol of his provision in the future. As in the days past, so also in the ones to come, “Like birds hovering, so the LORD of hosts will protect Jerusalem; he will protect and deliver it; he will spare and rescue

Aaarrgghheeee….” There was a pounding of feet and a yell that would make a ninja master proud. I spun around just as Shawn dashed past me in a mindless panic. Before I could understand the reason behind his mad dash for freedom, I felt the brush of feathers. A black swan was madly flapping his wings and chasing after my boyfriend, reaching his long neck to peck at his butt. Shawn ran for his life, darting across the lawn and running in a circle before making his way back toward me. “Shawn!” I gasped in shock and panic. He attempted to jump over a small tree in the garden, but caught his foot and went sprawling on the lakeside path, knocking me off balance as he fell. I took a step backward with the impact of his body against mine, but there was nothing behind me apart from lake. The water was knee deep, and I fell, spread eagle on my back, and splashed into it without hurting myself. But it was cold, wet, and dirty. Birds scattered in fright as I picked myself up with disgust. Ow, help, ow, help, ow, get off, ow.” Shawn was still yelling, and I looked up to see a swan attacking his prone body, pecking at his arms, legs, and face. His mother came to the rescue, using her handbag like a battle-ax, knocking the bird away from Shawn, then swinging the bag in front of the swan’s face until he gave up the fight and retreated to the water. I climbed out of the lake, dripping and stinking like a sewer. “Shawn?” There was blood on his clothes, and my heart stopped. “Shawn? Baby? You’re bleeding.” He sat up gingerly and inspected a couple of peck marks on his arms before touching his chin. “Oh, fiddlesticks,” he exclaimed. “I hit my chin when I fell. How bad is it, Harley?” Still soaking wet, I drove him to the hospital, where Christine exclaimed with delight over his injuries before the doctor slipped in three stitches under his chin. Christine patched up his peck marks and cleaned his grazed palms before we went home.

All the years she had given up to the Pocket. The sacrifices that were now irrelevant. There would be no more lost time. No more derelicts stranded in the fringe without hope of rescue. No more last goodbyes to old friends. No skipping across the entire lifetimes of forgotten lovers. It was so beautiful, and so horrible, she couldn’t breathe.

While Jack had missed, Bruce wasn’t one to watch his prey get away, and caught her mid-air like a cat catching a bird. Because he was a cat. And she was a bird. At least kind of.

Pulling back long enough to mumble, “Hey, sweetheart,” he put his hand on her back, pressing her harder against him. He didn’t give her a chance to respond. Taking her mouth again, Hollywood swore he heard birds singing and bells ringing. It was ridiculous, but nothing in his entire life felt as good as Kassie’s lips and tongue moving under his own.

supposed to stay in a box with a bunch of baby birds called goslings. I nudged a few of them aside and lay down and at once they were huddled all around me, trying to cuddle right up to my nose. I was worried that if I yawned they might try to climb into my mouth!

From the den, they heard… like the busy whistling of a bird on a branch in springtime… a high-pitched breathy monologue, a squeaky soliloquy… Connor was talking, Connor was babbling, to Casey! They sat side by side on the den sofa – Casey, resting her head on her front paws, gazed off into the middle distance, while Conner looked down upon her from above and held forth. The mumble of little whispery syllables included, frequently, “Ay-ee,” followed by a deep breath, and then another arpeggio of nasally notes. The mother and the speech therapist couldn’t make out the subject, but they perceived emotion, syntax, punctuation, narrative arc, rising tension, and perhaps even denouement. Since Casey’s arrival, Connor had worked hard to speak loudly and clearly enough for his commands to be understood; now he seemed to have grasped the essence of speech as a medium for relaying one’s innermost thoughts and feelings to one’s closest friend.

Himalayan Sonneteer Sonnet 16 Hope is nature's defibrillator that, Electrifies the heart to unsubmission. Hope rescues us from the depths of despair, Hope drags the being even out of cremation. Hope lights the way when clouds convene, Hope brings sight when smog sets in. Hope is the bird that heralds the dawn, Hope is the answer to all things disheartening. Never let intellect trod on the sapling of hope, When things get rough intellect is first to scarper. The brain needs backbone to trudge through hardship, Without hope, backbone is first to lose its caper. But again, most times inaction sets in, disguised as hope. Real hope sets you on fire, it doesn't make you mellow.

As the elder statesman crumbled, so did the farm, the stone walls, the fort, the boats and Boisbriant itself, the ceilings flaking, the colours fading from the rooms, the aviaries empty of birds. The once impeccable gardens were now wildly overgrown, but that sad and sorry state was not prolonged, for to the rescue with a welcome reprieve hot in their hands came the Cloustons — may their tribe increase!

You're goig through a neighborhood and there's no people, no grass, no birds, no animals... and it's beautiful but you know how screwed up it is that it looks that way, what it means that it looks that way." - Kit Boggio

There is never any call for envy or stinginess in owls, Soren. We have the sky, we have the great forests and the trees. We are the most beautiful fliers on earth. Why would we envy any other bird or animal?

Most people with whom I have discussed pigeons hold them in low esteem. I have history with pigeons, or perhaps I would not even have noticed the small creature. The great gentleness I have found seems to have escaped most people’s notice. Of course, like most humans, I did not recognize their true worth at all until I got to know one very well.

Rule number one: The Game is secret. But I listened and, once or twice when temptation drove me and the coast was clear, I peeked inside the box. This is what I learned. The Game was old. They'd been playing it for years. No, not playing. That is the wrong verb. Living; they had been living The Game for years. For The Game was more than its name suggested. It was a complex fantasy, an alternate world into which they escaped. There were no costumes, no swords, no feathered headdresses. Nothing that would have marked it as a game. For that was its nature. It was secret. Its only accoutrement was the box. A black lacquered case brought back from China by one of their ancestors; one of the spoils from a spree of exploration and plunder. It was the size of a square hatbox- not too big and not too small- and its lid was inlaid with semiprecious gems to form a scene: a river with a bridge across it, a small temple on one bank, a willow weeping from the sloping shore. Three figures stood atop the bridge and above them a lone bird circled. They guarded the box jealously, filled as it was with everything material to The Game. For although The Game demanded a good deal of running and hiding and wrestling, its real pleasure was enjoyed elsewhere. Rule number two: all journeys, adventures, explorations and sightings must be recorded. They would rush inside, flushed with danger, to record their recent adventures: maps and diagrams, codes and drawings, plays and books. The books were miniature, bound with thread, writing so small and neat that one had to hold them close to decipher them. They had titles: Escape from Koshchei the Deathless; Encounter with Balam and His Bear, Journey to the Land of White Slavers. Some were written in code I couldn't understand, though the legend, had I had the time to look, would no doubt have been printed on parchment and filed within the box. The Game was simple. It was Hannah and David's invention really, and as the oldest they were its chief instigators. They decided which location was ripe for exploration. The two of them had assembled a ministry of nine advisers- an eclectic group mingling eminent Victorians with ancient Egyptian kings. There were only ever nine advisers at any one time, and when history supplied a new figure too appealing to be denied inclusion, an original member would die or be deposed. (Death was always in the line of duty, reported solemnly in one of the tiny books kept inside the box.) Alongside the advisers, each had their own character. Hannah was Nefertiti and David was Charles Darwin. Emmeline, only four when governing laws were drawn up, had chosen Queen Victoria. A dull choice, Hannah and David agreed, understandable given Emmeline's limited years, but certainly not a suitable adventure mate. Victoria was nonetheless accommodated into The Game, most often cast as a kidnap victim whose capture was precipitant of a daring rescue. While the other two were writing up their accounts, Emmeline was allowed to decorate the diagrams and shade the maps: blue for the ocean, purple for the deep, green and yellow for land.

Good people destroy nothing needlessly, protect even insects from the flame of the lamp or rescue earthworms from drying asphalt into grass. They are protectors of all life—and do not fear ridicule.

There are many stories about seagoing cats. My research indicates that cats were domesticated about 9,500 years ago. I really don’t know anyone who was around at that time to verify this, but I also don’t have any reason to doubt this little bit of trivia. It is documented that the Egyptians who kept cats around to bring the good luck, also used them to catch thicket birds that lived in the tall grass along the riverbanks. I guess that these small birds were a treat and a welcome substitute for the usual river fish that the sailors would catch with hooks fashioned from bones. In time it was the Phoenicians who inadvertently brought cats from the middle east to Europe. It seems that sailors had cats with them on their ships from the beginning of recorded history. They successfully used the excuse that the cats would keep the rat population under control. I don’t believe that this was really true since there are stories of where the cat befriended the rats, but in most cases the cats did keep the rats from invading their living spaces. Six-toed cats were thought to be better hunters and to this day many islands in remote areas are overrun by these cats and rats that managed to get ashore from ships that foundered along the island’s shore. Sailors are notoriously superstitious and have always believed that cats can predict the weather and bring luck. There are many accounts concerning this and there may be some truth to this but you’ll have to be the judge. Because of their sensitive inner ears cats can sense barometric pressure drops, indicating foul weather and being warned frequently crawl into their safe hidey-hole prior to a storm. A cat named Oscar, or Oskar in German, was the mascot on the German Battle Cruiser Bismarck when she was sunk by the British. Found floating on a wooden plank, Oskar was rescued by the crew of the British ship the HMS Cossack. No sooner recued and with Oskar renamed Oscar, the HMS Cossack was sunk by the Germans. This time Oscar was rescued by the crew of the HMS Arc Royal, which was then also sunk by the German navy. Not believing their bad luck the Brit’s blamed poor Oscar and renamed the cat to the German Oskar. Thinking Oskar to be the harbinger of bad luck they contacted the German Navy and offered to return their cat. The Germans refused the offer, so the British retired Oskar to a home in Plymouth, England. This time they banned poor Oskar from ever sailing on a British Naval Vessel again and changed his name to Sam. The British Navy banned cats from sailing on British war ships in 1975. Even though the British Navy has banned cats from their ships, other countries and merchant ships still have cats aboard.

Look, Mom,” Maggie Rose said softly. “Lily’s doing her job, and Casey’s helping!” “You’re right,” Mom said, just as softly. “I’ve never seen a wild animal calm down so quickly. Sometimes when animals are frightened, seeing something completely unexpected takes their mind off what’s scaring them. Like a bird on a dog’s head!

Here it says that snapping turtles eat crayfish, snails, insects, fish, frogs, salamanders, reptiles, birds, mammals, and aquatic plants. Gee, with a diet like that, we ought to be able to argue that they won’t be eating many fish.” “That’s good,” Greta agreed. “We could also make the case that they control snakes. My mom would go for that.

See what I brought you?” I said in a soft voice. “You’re going to like these.” I dangled one of the mice in front of the owl, but it pressed its beak into its chest and backed away. When I pushed the mouse toward the owl’s beak, its horns flew up. “Don’t tell me I killed this poor little mouse for nothing! You’d better take it.” The bird showed no interest in my offering. Well, I couldn’t wait all day. I had to get to school. So I left the dead mice in the box and went upstairs. “What happened?” Mr. Mallard asked. “It didn’t take them. I left them in the box.” “It’ll eat.” “When is Greta coming home? Did they call?” “Yep. She’s still in the contest.” That was good news for her, but I sure wished she was around to share my misery over what her dad and I were doing.

Together we watched the little bird climb up and down the ramp, and even saw it eat a dead mouse. That was a first, even for me. It held the critter with its feet and tore off the poor thing’s head. Then after bolting the head down, it picked at the body until there was nothing left of it. All this seemed shocking, especially to Greta, because she hadn’t been through the process of reading books, setting traps, and becoming hardened to what it takes to keep an owl alive, as I had. But I found it hard to watch too. “Well, we eat meat,” Greta finally said. “Only, first, somebody else--the butcher, I guess--has to cut off the head of the chicken or the cow so that we don’t have to see it looking at us.” Greta had a way of putting things.

Is this the Mallard residence?” he asked. “Who is it?” Mr. Mallard called from the kitchen. “A conservation officer from the state Department of Fish and Game. I have an order here to pick up some animals,” he called back. Now I was on my own. I was so scared that I thought my legs would give way. And when I opened my mouth to speak, no words came out. Fortunately, Greta’s dad came up behind me. “Is this your daughter?” the man asked him. “No,” he answered. I could tell by the look on the conservation officer’s face that he thought Mr. Mallard was lying. “This order says that your daughter, here, is harboring wild animals in your home.” Then he looked straight at me. “Are you aware that what you are doing is illegal?” “This is not my daughter, I told you. My daughter is in school,” Mr. Mallard said. “What’s your name, young lady?” the man asked. I was still speechless. I guess it didn’t matter, though, because he went right on talking to me, as if I were Greta. “This order says that you have at least two mammals and a bird in your possession, namely, Tamiasciurus hudsonicus, Procyon lotor, and Otus asio. It further says that you have been informed by telephone conversation that holding these animals in captivity violates a state statute, which prohibits unlicensed individuals from harboring wildlife. You were further informed that keeping a migratory bird is prohibited by federal law. You were also ordered to deliver these animals to our headquarters on Saturday, but did not appear. I am now here to confiscate them.” Even if I could have gotten some words out, I was saved from having to do so by Mr. Mallard, who really sounded angry. “First of all, I told you that this little girl is not my daughter,” he said. “In the second place, I don’t know what language you speak, sounds like Greek or Latin to me. This girl and I aren’t versed in those tongues, so you’d better come back with a translator.

On the Flight Deck this afternoon, a young plane captain, his mind obviously preoccupied with other matters, walked directly in front of an F-8 intake as the bird was turning up. He was instantly sucked off his feet and pulled down into the jet turbine tunnel. Fortunately, someone saw it happen and frantically signaled for the pilot to cut his engine. Once silenced, two squadron crew members crawled into the intake to rescue the dumb shit or what was left of him. They found his body wrapped around the generator hump directly in front of the turbine blades. He had miraculously avoided being chopped to pieces like steak in a meat grinder.

Jeremy Vance had rescued a broken bird, expecting her to stay broken. But of course Sarah hadn’t been willing to be frozen in time.

For the first time in her life she was aware of the man ’s potential strength; and it came as a shock to her, for, so far, she had merely been concerned with his physical weakness; and though she was flattered by this display of passion she couldn’t quite persuadeherself that it was seemly, or be sure that incidents of this kind wouldn’t interfere with his music. She could never really think of him as anything but the white-faced invalid whom she had rescued from the cinema. So, con- scientiously, and in spite of his irritation, she restrained these ardours. She couldn’t see that the man had been suddenly smitten with beauty, that the thawed blood was beginning to move in his veins, that love was a necessity.