Repulsion Quotes

We've searched our database for all the quotes and captions related to Repulsion. Here they are! All 100 of them:

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I always had a repulsive need to be something more than human. I felt very puny as a human. I thought, 'Fuck that. I want to be a superhuman.
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David Bowie
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Without contraries is no progression. Attraction and repulsion, reason and energy, love and hate, are necessary to human existence.
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William Blake (The Marriage of Heaven and Hell)
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I don't want your love unless you know i am repulsive,and love me even as you know it.
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Georges Bataille
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I was suffering the easily foreseeable consequences. Addiction is the hallmark of every infatuation-based love story. It all begins when the object of your adoration bestows upon you a heady, hallucinogenic dose of something you never dared to admit you wanted-an emotional speedball, perhaps, of thunderous love and roiling excitement. Soon you start craving that intense attention, with a hungry obsession of any junkie. When the drug is witheld, you promptly turn sick, crazy, and depleted (not to mention resentful of the dealer who encouraged this addiction in the first place but now refuses to pony up the good stuff anymore-- despite the fact that you know he has it hidden somewhere, goddamn it, because he used to give it to you for free). Next stage finds you skinny and shaking in a corner, certain only that you would sell your soul or rob your neighbors just to have 'that thing' even one more time. Meanwhile, the object of your adoration has now become repulsed by you. He looks at you like you're someone he's never met before, much less someone he once loved with high passion. The irony is,you can hardly blame him. I mean, check yourself out. You're a pathetic mess,unrecognizable even to your own eyes. So that's it. You have now reached infatuation's final destination-- the complete and merciless devaluation of self." - pg 20-21
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Elizabeth Gilbert
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Yes, if truth is not undergirded by love, it makes the possessor of that truth obnoxious and the truth repulsive.
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Ravi Zacharias
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When the two people who thus discover that they are on the same secret road are of different sexes, the friendship which arises between them will very easily pass – may pass in the first half hour – into erotic love. Indeed, unless they are physically repulsive to each other or unless one or both already loves elsewhere, it is almost certain to do so sooner or later. And conversely, erotic love may lead to Friendship between the lovers. But this, so far from obliterating the distinction between the two loves, puts it in a clearer light. If one who was first, in the deep and full sense, your Friend, is then gradually or suddenly revealed as also your lover you will certainly not want to share the Beloved’s erotic love with any third. But you will have no jealousy at all about sharing the Friendship. Nothing so enriches an erotic love as the discovery that the Beloved can deeply, truly and spontaneously enter into Friendship with the Friends you already had; to feel that not only are we two united by erotic love but we three or four or five are all travelers on the same quest, have all a common vision.
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C.S. Lewis (Four Loves)
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Why do they blame me for all their little failings? They use my name as if I spent my entire days sitting on their shoulders, forcing them to commit acts they would otherwise find repulsive. 'The devil made me do it.' I have never made one of them do anything. Never. They live their own tiny lives. I do not live their lives for them.
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Neil Gaiman (The Sandman, Vol. 4: Season of Mists)
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It's amazing how people can sound like retards when they're talking to their girlfriend, especially if they really love her a lot. Because when you're just fucking someone you make a point of keeping your cool, but when you're really in love - it can sound pretty repulsive.
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Etgar Keret (The Nimrod Flipout)
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In proportion therefore, as the repulsiveness of the work increases, the wage decreases.
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Karl Marx (The Communist Manifesto)
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MEMORY'S SO TREACHEROUS. ONE MOMENT YOU'RE LOST IN A CARNIVAL OF DELIGHTS, WITH POIGNANT CHILDHOOD AROMAS , THE FLASHING NEON OF PUBERTY, ALL THAT SENTIMENTAL CANDY-FLOSS ... THE NEXT , IT LEADS YOU SOMEWHERE YOU DON'T WANT TO GO... ...SOMEWHERE DARK AND COLD, FILLED WITH THE DAMP, AMBIGUOUS SHAPES OF THINKS YOU'D HOPED WERE FORGOTTEN. MEMORIES CAN BE VILE, REPULSIVE LITTLE BRUTES. LIKE CHILDREN, I SUPPOSE. HAHA. BUT CAN WE LIVE WITHOUT THEM? MEMORIES ARE WHAT OUR REASON IS BASED UPON. IF WE CAN'T FACE THEM, WE DENY REASON ITSELF! ALGHOUGH, WHY NOT? WE AREN'T CONTRACTUALLY TIED DOWN TO RATIONALITY! THERE IS NO SANITY CLAUSE! SO WHEN YOU FIND YOURSELF LOCKED ONTO AN UNPLEASANT TRAIN OF THOUGHT, HEADING FOR THE PLACES IN YOUR PAST WHERE THE SCREAMING IS UNBEARABLE, REMEMBER THERE'S ALWAYS MADNESS. MADNESS IS THE EMERGENCY EXIT... YOU CAN JUST STEP OUTSIDE, AND CLOSE THE DOOR ON ALL THOSE DREADFUL THINGS THAT HAPPENED. YOU CAN LOCK THEM AWAY... FOREVER.
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Alan Moore (Batman: The Killing Joke)
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Immodest and attractive is easy. Modest and repulsive is easy too. But modest and attractive is an art form.
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Douglas Wilson (5 Paths to the Love of Your Life: Defining Your Dating Style)
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So much of the pain of loneliness is to do with concealment, with feeling compelled to hide vulnerability, to tuck ugliness away, to cover up scars as if they are literally repulsive. But why hide? What's so shameful about wanting, about desire, about having failed to achieve satisfaction, about experiencing unhappiness? Why this need to constantly inhabit peak states, or to be comfortably sealed inside a unit of two, turned inward from the world at large?
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Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
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There was a deliberate voluptuousness that was both thrilling and repulsive. And as she arched her neck she actually licked her lips like an animal till I could see in the moonlight the moisture Then lapped the white, sharp teeth. Lower and lower went her head. I closed my eyes in a languorous ecstasy and waited.
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Bram Stoker (Dracula)
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Perhaps it's just me, but I am wary of any persons whose belief system is the only thing standing between them and repulsive behavior.
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Frans de Waal (The Bonobo and the Atheist: In Search of Humanism Among the Primates)
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God loves human beings. God loves the world. Not an ideal human, but human beings as they are; not an ideal world, but the real world. What we find repulsive in their opposition to God, what we shrink back from with pain and hostility, namely, real human beings, the real world, this is for God the ground of unfathomable love.
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Dietrich Bonhoeffer (A Year with Dietrich Bonhoeffer)
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Oh? We're not all freakish repulsive animals who sully your reputation?" "No, I was right about all that.
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Susan Ee (End of Days (Penryn & the End of Days, #3))
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An emotion is a thought, yes, an idea, but it is also a sensation, an ache in your body. Desire, love, hate, fear, repulsion - you feel these things in your muscle and bones, not just in your mind.
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William Landay (Defending Jacob)
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You know, I honestly can’t decide if your ego is repulsive or just impressive.
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Kylie Scott (Play (Stage Dive, #2))
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I hate most people. And I don’t want to, it’s an awful way to be. But the human race gives me no comfort. I find myself turning to books and films for comfort still. It’s repulsive, because one’s life consists of people, not things.
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Morrissey
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Family likeness has often a deep sadness in it. Nature, that great tragic dramatist, knits us together by bone and muscle, and divides us by the subtler web of our brains; blends yearning and repulsion; and ties us by our heart-strings to the beings that jar us at every movement.
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George Eliot (Adam Bede)
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There is a thin line between attraction and repulsion
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Candace Bushnell (Unknown Book 11676291)
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I always had a repulsive need to be something more than human.
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David Bowie
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Your mind is both fascinating and repulsive.
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Tiffany Reisz (The Angel (The Original Sinners, #2))
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You are your only hope, because we're not changing until you do. Our job is to keep coming at you, as hard as we can, with everything that angers, upsets, or repulses you, until you understand. We love you that much, whether we're aware of it or not. The whole world is about you.
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Byron Katie (Loving What Is: Four Questions That Can Change Your Life)
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This is not to say that I wasn't completely repulsed. I mean, I wasn't exactly proud that my stepbrother was in there tongue wrestling with the second stupidest person in our class, after himself.
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Meg Cabot (Ninth Key (The Mediator, #2))
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I scoffed. β€œWhy would I fall in love with you? You’re just a hot, closet-nerd vampire with a bazillion dollars and a Harley. There’s absolutely nothing attractive about you.” β€œI’m repulsive, I know.
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Temple West (Velvet (Velvet, #1))
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This instinctive repulsion which tradespeople inspire in men of sensitive feeling is one of the very rare consolations for being so impoverished which are given to those of us who don’t sell anything to anybody.
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Louis-Ferdinand CΓ©line (Journey to the End of the Night (English and French Edition))
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we are drawn to each other like drops of water, like the planets we repulse each other like magnets, like the color of our skin.
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Tite Kubo (Bleach, Volume 04)
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The notion that I should be fine with the status quo even if I am not wholly affected by the status quo is repulsive.
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Roxane Gay (Bad Feminist)
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There are such repulsive faces in the world.
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Leo Tolstoy (War and Peace)
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People who start a sentence with personally (and they're always women) ought to be thrown to the lions. It's a repulsive habit.
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Georgette Heyer (Death in the Stocks (Inspectors Hannasyde and Hemingway, #1))
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That girl was the real me. Frightened. Worthless. A terrible friend. Terrible daughter. Well educated but so limited in ideas worth having. Beautiful yet repulsive… And finally honest.
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Fisher Amelie (Vain (The Seven Deadly, #1))
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The truth does not change according to our ability to stomach it emotionally. A higher paradox confounds the emotion as well as reason and there are long periods in the lives of all of us, when the truth as revealed by faith is hideous, emotionally disturbing, downright repulsive. Witness the dark night of the soul in individual saints . . .
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Flannery O'Connor
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It seemed as though he gave way all at once; he was so languid that he could not control his thoughts; they would wander to her; they would bring back the scene,- not of his repulse and rejection the day before but the looks, the actions of the day before that. He went along the crowded streets mechanically, winding in and out among the people, but never seeing them, -almost sick with longing for that one half-hour-that one brief space of time when she clung to him, and her heart beat against his-to come once again.
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Elizabeth Gaskell (North and South)
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Oh, please, spare me the male ego. I'm not repulsed by sex, and I can reach an orgasm as well as any woman. After all, there are fifty-seven erotic points on a woman's body. If a man can't find one of them, he needs a flashlight and a sex manual.
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Sandra Hill (The Outlaw Viking (Viking I, #2))
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I ate the roll, and forced down some more sparkling wine. When your eyes closed against the sun again, and I had nothing else to look at I glanced quickly at your chest, curious, really. I'd only seen chests like that in magazines. I wondered if that's how you'd got all your money . . . modeling. I looked down at my stomach. I grabbed at it, seeing how much fat I could lift up in a roll. "Don't worry," you said, one eye open again like a crocodile, watching me. "You're beautiful." You tipped your head back again "Beautiful," you murmured. "Perfect." "You wouldn't know. You're built like some sort of supermodel." I bit my lip, wishing I hadn't complimented you like that. "Or a stripper," I added. "Prostitute." "I wouldn't want you to think I'm repulsive," you said, half smiling. "Too late." You opened your other eye to squint at me. "Will you ever give me a break?
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Lucy Christopher (Stolen (Stolen, #1))
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I find most of the human race extraordinarily repulsive. They probably reciprocate this feeling.
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Agatha Christie (Sad Cypress (Hercule Poirot, #22))
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He walked on without resting. He had a terrible longing for some distraction, but he did not know what to do, what to attempt. A new overwhelming sensation was gaining more and more mastery over him every moment; this was an immeasurable, almost physical, repulsion for everything surrounding him, an obstinate, malignant feeling of hatred. All who met him were loathsome to him - he loathed their faces, their movements, their gestures. If anyone had addressed him, he felt that he might have spat at him or bitten him... .
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Fyodor Dostoevsky (Crime and Punishment)
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Rarely will two or three tribes confer to repulse a common danger. Accordingly they fight individually and are collectively conquered.
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Tacitus (The Agricola and The Germania)
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She boasted the general battle-ax demeanor of an especially strict governess. This was the kind of woman who took her tea black, smoked cigars after midnight, played a mean game of cribbage, and kept a bevy of repulsive little dogs. Alexia liked her immediately.
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Gail Carriger (Changeless (Parasol Protectorate, #2))
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[the abject] is simply a frontier, a repulsive gift that the Other, having become alter ego, drops so that the "I" does not disappear in it but finds, in that sublime alienation, a forfeited existence.
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Julia Kristeva (Powers of Horror: An Essay on Abjection)
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ego is the enemy of what you want and of what you have: Of mastering a craft. Of real creative insight. Of working well with others. Of building loyalty and support. Of longevity. Of repeating and retaining your success. It repulses advantages and opportunities. It’s a magnet for enemies and errors. It is Scylla and Charybdis.
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Ryan Holiday (Ego Is the Enemy)
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Bluh-huh-huh" Minho groaned, a shudder of repulsion, like he'd just stepped in a pile of klunk.
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James Dashner (The Maze Runner (The Maze Runner, #1))
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Why kid ourselves, people have nothing to say to one another, they all talk about their own troubles and nothing else. Each man for himself, the earth for us all. They try to unload their unhappiness on someone else when making love, they do their damnedest, but it doesn't work, they keep it all, and then they start all over again, trying to find a place for it. "Your pretty, Mademoiselle," they say. And life takes hold of them again until the next time, and then they try the same little gimmick. "You're very pretty, Mademoiselle..." And in between they boast that they've succeeded in getting rid of their unhappiness, but everyone knows it's not true and they've simply kept it all to themselves. Since at the little game you get uglier and more repulsive as you grow older, you can't hope to hide your unhappiness, your bankruptcy, any longer. In the end your features are marked with that hideous grimace that takes twenty, thrity years or more to climb form your belly to your face. That's all a man is good for, that and no more, a grimace that he takes a whole lifetime to compose. The grimace a man would need to express his true soul without losing any of it is so heavy and complicated that he doesn't always succeed in completing it.
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Louis-Ferdinand CΓ©line (Journey to the End of the Night)
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I’m beginning to sense a theme,” Mircea said, tossing his suit coat over a buckskin-covered chair. A moose head with huge, outspread antlers loomed over it, its bright glass eyes looking oddly lifelike in the low light. Mircea took in the room, his expression slightly repulsed yet fascinated. β€œI believe there is only one thing to say at this point.” What’s that?” Yee haw,” he said gravely, and took me down like a rodeo calf.
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Karen Chance (Curse the Dawn (Cassandra Palmer, #4))
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I saw then what I hadn't seen before, that I was very good at despising slavery in the abstract, in the removed and anonymous masses, but in the concrete, intimate flesh of the girl beside me, I'd lost the ability to be repulsed by it. I'd grown comfortable with the particulars of evil. There's a frightful muteness that dwells at the center of all unspeakable things, and I had found my way into it.
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Sue Monk Kidd (The Invention of Wings)
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This is what's so terrifying about being lonely: the instinctive sense that it is literally repulsive, inhibiting contact at just the moment contact is most required.
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Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
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I find it truly appalling that there are people in the world like you. You are a disgusting, vile, repulsive, repugnant, foul creature. Because of you, I don't believe in God anymore. No just God would allow someone like you to exist. (Quoting feedback from a reader)
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Tucker Max (I Hope They Serve Beer in Hell (Tucker Max, #1))
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To die for God is not a proof of faith in God. To die for an unknown and repulsive convict who is a victim of injustice, that is a proof of faith in God.
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Simone Weil (The Simone Weil Reader)
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we should remember how repulsive our carnivorous habits would seem to an intelligent rabbit.
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H.G. Wells (The War of the Worlds)
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I don't want your love unless you know I am repulsive, and love me even as you know it.
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Georges Bataille
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Remembering's dangerous. I find the past such a worrying, anxious place. "The Past Tense," I suppose you'd call it. Memory's so treacherous. One moment you're lost in a carnival of delights, with poignant childhood aromas, the flashing neon of puberty, all that sentimental candy-floss... the next, it leads you somewhere you don't want to go. Somewhere dark and cold, filled with the damp ambiguous shapes of things you'd hoped were forgotten. Memories can be vile, repulsive little brutes. Like children I suppose. But can we live without them? Memories are what our reason is based upon. If we can't face them, we deny reason itself! Although, why not? We aren't contractually tied down to rationality! There is no sanity clause! So when you find yourself locked onto an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember there's always madness. Madness is the emergency exit… you can just step outside, and close the door on all those dreadful things that happened. You can lock them away… forever.
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Alan Moore (Batman: The Killing Joke)
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Do not imagine that mathematics is hard and crabbed, and repulsive to common sense. It is merely the etherealization of common sense.
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William Thomson
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To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy power which seems omnipotent; To love, and bear; to hope till Hope creates From its own wreck the thing it contemplates Life may change, but it may fly not; Hope may vanish, but can die not; Truth be veiled, but still it burneth; Love repulsed -but it returneth.
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Percy Bysshe Shelley (Prometheus Unbound)
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I look for something else I could do for work but feel unqualified for everything interesting and repulsed by everything else.
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Halle Butler (The New Me)
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I find something repulsive about the idea of vicarious redemption. I would not throw my numberless sins onto a scapegoat and expect them to pass from me; we rightly sneer at the barbaric societies that practice this unpleasantness in its literal form. There's no moral value in the vicarious gesture anyway. As Thomas Paine pointed out, you may if you wish take on a another man's debt, or even to take his place in prison. That would be self-sacrificing. But you may not assume his actual crimes as if they were your own; for one thing you did not commit them and might have died rather than do so; for another this impossible action would rob him of individual responsibility. So the whole apparatus of absolution and forgiveness strikes me as positively immoral, while the concept of revealed truth degrades the concept of free intelligence by purportedly relieving us of the hard task of working out the ethical principles for ourselves.
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Christopher Hitchens (Letters to a Young Contrarian)
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Marriage is a sort of tacit hunting in couples. The world all in couples, each couple in its own little house, watching its own little interests and stewing in its own little privacy - it's the most repulsive thing in the world. One's got to get rid of the exclusiveness of married love.
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Susan Sontag (Reborn: Journals and Notebooks, 1947-1963)
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After telling the hard facts to anyone from lover to friend, I have changed in their eyes. Often it is awe or admiration, sometimes it is repulsion, once or twice it has been fury hurled directly at me for reasons I remain unsure of.
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Alice Sebold (Lucky)
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This, to use an American term in which discovery, retribution, torture, death, eternity appear in the shape of a singularly repulsive nutshell, was it.
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Vladimir Nabokov (Lolita)
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Let me make no bones about it: I write from the standpoint of Christian orthodoxy. Nothing is more repulsive to me than the idea of myself setting up a little universe of my own choosing and propounding a little immoralistic message. I write with a solid belief in all the Christian dogmas.
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Flannery O'Connor (The Habit of Being: Letters of Flannery O'Connor)
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It was clear that everything considered important and good was insignificant and repulsive, and that all this glamour and luxury hid the old well-known crimes, which not only remained unpunished but were adorned with all the splendor men can devise.
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Leo Tolstoy (Resurrection)
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"I gave up a world for you." He glared at me, not giving me anything. I kept right on going. "I thought, perhaps, when I learned I had powers, I might be able to use them to go home," his eyes flashed but that was all I got so I kept on going, "but not for good. My father isn't dead." Another flash. "He's alive and at home and living maybe with a fake Circe. He'll know the difference, though, I KNOW it. He's out of his mind with worry, I know that too. He's wondering where I am and if I'm okay and how to get me back. I also know that. I know that and I know that my life was good. I loved my life. I loved my home. I loved my job. I had a lot of people who loved me that loved me back." I sucked in a breath and then whispered, "But as much as your world scared me, as much as our practices repulsed me, I still chose you." His torso jerked, it was almost imperceptible, but I caught it. I kept at him. "I gave up my world for you, Lahn. I sat at your side through things people in my world would find loathsome and I did it with my head held high. I even felt 'pride' that I could endure, that I could be a good queen to you.......Everything I did in this fucking place, even before I fell in love with you, was for...fucking...YOU."
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Kristen Ashley (The Golden Dynasty (Fantasyland, #2))
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The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
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Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
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There were six dolls to be taken up and dressed every morning, for Beth was a child still, and loved her pets as well as ever. Not one whole or handsome one among them; all were outcasts till Beth took them in; for, when her sisters outgrew these idols, they passed to her.... Beth cherished them all the more tenderly for that very reason, and set up a hospital for infirm dolls. No pins were ever stuck into their cotton vitals; no harsh words or blows were ever given them; no neglect ever saddened the heart of the most repulsive: but all were fed and clothed, nursed and caressed, with an affection which never failed.
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Louisa May Alcott (Little Women)
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I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn't beβ€”basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distastefulβ€”nonfiction only, please. I do not like genre mash-ups Γ  la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children's books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, andβ€”I imagine this goes without sayingβ€”vampires.
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Gabrielle Zevin (The Storied Life of A.J. Fikry)
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The angry men know that this golden age (of fossil fuels) has gone; but they cannot find the words for the constraints they hate. Clutching their copies of Atlas Shrugged, they flail around, accusing those who would impede them of communism, fascism, religiosity, misanthropy, but knowing at heart that these restrictions are driven by something far more repulsive to the unrestrained man: the decencies we owe to other human beings.
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George Monbiot
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Gregor’s serious wound, from which he suffered for over a month - the apple remained imbedded in his flesh as a visible souvenir since no one dared to remove it - seemed to have reminded even his father that Gregor was a member of the family, in spite of his present pathetic and repulsive shape, who could not be treated as an enemy; that, on the contrary, it was the commandment of the family duty to swallow their disgust and endure him, endure him and nothing more.
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Franz Kafka (The Metamorphosis)
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The man who attempts to live for others is a dependent. He is a parasite in motive and makes parasites of those he serves. The relationship produces nothing but mutual corruption. It is impossible in concept. The nearest approach to it in reality -- the man who lives to serve others -- is the slave. If physical slavery is repulsive, how much more repulsive is the concept of servility of the spirit. The conquered slave has a vestige of honor. He has the merit of having resisted and of considering his condition evil. But the man who enslaves himself voluntarily in the name of love is the basest of creatures. He degrades the dignity of man, and he degrades the conception of love. But that is the essence of altruism
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Ayn Rand
β€œ
The love of Christ both wounds and heals, it fascinates and frightens, it kills and makes alive, it draws and repulses. There can be nothing more terrible or wonderful than to be stricken with love for Christ so deeply that the whole being goes out in a pained adoration of His person, an adoration that disturbs and disconcerts while it purges and satisfies and relaxes the deep inner heart.
”
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A.W. Tozer
β€œ
People don’t just happen. We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The β€œI” it seems doesn’t exist until we are able to say, β€œI am no longer yours.” My grandmother and I, without knowing it, were faithfully following a script that had already been written for us. A woman raises a boy into a man, loving him so intensely that her commitment finally repulses him.
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Saeed Jones (How We Fight For Our Lives)
β€œ
Madame Lefoux acted as midwife. In her scientific way, she was unexpectedly adept at the job. When the infant finally appeared, she held it up for Alexia to see, rather proudly, as though she'd done all the hard work herself. 'Goodness,' said an exhausted Lady Maccon, 'are babies customarily that repulsive looking?
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Gail Carriger (Heartless (Parasol Protectorate, #4))
β€œ
Some people say, β€œOnce you learn to be happy, you won't tolerate being around people who make you feel anything less.” My Christ says, β€œYour job is to get off your self righteous butt and start reaching out to the difficult people because my ministry wasn’t about a bunch of nice people getting together once a week to sing hymns and get a feel good message, that you may or may not apply, depending on the depth of your anger for someone. It is about caring for and helping the broken hearted, the difficult, the hurt, the misunderstood, the repulsive, the wicked and the liars. It is about turning the other cheek when someone hurts you. It is about loving one another and making amends. It is allowing people as many chances as they need because God gives them endless chances. When you do this then you will know me and you will know true happiness and peace. Until then, you will never know who I really am. You will always be just a fan or a Sunday only warrior. You will continue to represent who you are to the world, but not me. I am the God that rescues.
”
”
Shannon L. Alder
β€œ
when she removed my hand from her chest for the one hundred thousandth time. Attack and defense, invasion and repulsion... it was as if breasts were little pieces of property that had been unlawfully annexed by the opposite sex - they were rightfully ours and we wanted them back.
”
”
Nick Hornby (High Fidelity)
β€œ
The need for frequent chemical vacations from intolerable selfhood and repulsive surroundings will undoubtedly remain. What is needed is a new drug which will relieve and console our suffering species without doing more harm in the long run than it does good in the short.
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Aldous Huxley (The Doors of Perception / Heaven and Hell)
β€œ
I felt squeezed in that vise along with the mass of everyday things and people, and I had a bad taste in my mouth, a permanent sense of nausea that exhausted me, as if everything, thus compacted, and always tighter, were grinding me up, reducing me to a repulsive cream.
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Elena Ferrante (My Brilliant Friend (My Brilliant Friend #1))
β€œ
If people are honest with themselves when they choose a tattoo, the art will represent them better than anything that will ever come out of their mouth. The things that are most important to me are represented in the art that covers my body. My God, my family, my friends, my job, my social and historical beliefs and the aggressive or even violent nature with which I will protect all of them.....basically in that order of importance. Is it scarey or repulsive to some people? Yes. Does it change who I am? No. If anything it works as an outward conscience that will forever remind me of who I am and what is important during times of trial or long after my mind starts to fade due to old age if I'm blessed with a long life.Remove
”
”
Troy Holloway
β€œ
There were many odd things about human beings. They thought insects were disgusting but felt lucky when a ladybird landed on their fingers. They detested rats but loved squirrels. While they found vultures repulsive, they thought eagles impressive. They despised mosquitoes and flies, but were fond of fire-flies. Even though copper and iron were medicinally important, it was gold that they worshipped instead. They took no notice of the stones under their feet but went mad for polished gems.
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Elif Shafak (Honor)
β€œ
I lost her. She hates me. She hates me and I repulse her and I might never see her again, and it is entirely my own doing. This notebook might be all I have left of her. But part of me is terrified. This might not end well. This might not be anything I want to see. And so help me, if this turns out to be some kind of diary concerning her thoughts and feelings about Kent, I might just throw myself out the window.
”
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Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
β€œ
Hypocrisy, double standards, and "but nots" are the price of universalist pretensions. Democracy is promoted, but not if it brings Islamic fundamentalists to power; nonproliferation is preached for Iran and Iraq, but not for Israel; free trade is the elixir of economic growth, but not for agriculture; human rights are an issue for China, but not with Saudi Arabia; aggression against oil-owning Kuwaitis is massively repulsed, but not against non-oil-owning Bosnians. Double standards in practice are the unavoidable price of universal standards of principle.
”
”
Samuel P. Huntington (The Clash of Civilizations and the Remaking of World Order)
β€œ
She hugs me. It's tentative at first, a little scared, and yes, a little repulsed, but then she melts into it. She rests her head against my cold neck and embraces me. Unable to believer what's happening, I put my arm around her and just hold her. I almost swear I can feel my heart thumping. But it must just be hers, pressed tightly against my chest.
”
”
Isaac Marion
β€œ
All my life I have been a poor go-to-sleeper. People in trains, who lay their newspaper aside, fold their silly arms, and immediately, with an offensive familiarity of demeanour, start snoring, amaze me as much as the uninhibited chap who cozily defecates in the presence of a chatty tubber, or participates in huge demonstrations, or joins some union in order to dissolve in it. Sleep is the most moronic fraternity in the world, with the heaviest dues and the crudest rituals. It is a mental torture I find debasing. The strain and drain of composition often force me, alas, to swallow a strong pill that gives me an hour or two of frightful nightmares or even to accept the comic relief of a midday snooze, the way a senile rake might totter to the nearest euthanasium; but I simply cannot get used to the nightly betrayal of reason, humanity, genius. No matter how great my weariness, the wrench of parting with consciousness is unspeakably repulsive to me.
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Vladimir Nabokov (Speak, Memory)
β€œ
It is quite impossible to understand,’ I commented afterwards, β€˜how we can be such strong individualists, so insistent on the rights and claims of every human soul, and yet at the same time countenance (and if we are English, even take quite calmly) this wholesale murder, which if it were applied to animals or birds or indeed anything except men would fill us with a sickness and repulsion greater than we could endure.
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Vera Brittain (Testament of Youth)
β€œ
The principles underlying propaganda are extremely simple. Find some common desire, some widespread unconscious fear or anxiety; think out some way to relate this wish or fear to the product you have to sell; then build a bridge of verbal or pictorial symbols over which your customer can pass from fact to compensatory dream, and from the dream to the illusion that your product, when purchased, will make the dream come true. They are selling hope. We no longer buy oranges, we buy vitality. We do not just buy an auto, we buy prestige. And so with all the rest. In toothpaste, for example, we buy not a mere cleanser and antiseptic, but release from the fear of being sexually repulsive. In vodka and whisky we are not buying a protoplasmic poison which in small doses, may depress the nervous system in a psychologically valuable way; we are buying friendliness and good fellowship, the warmth of Dingley Dell and the brilliance of the Mermaid Tavern. With our laxatives we buy the health of a Greek god. With the monthly best seller we acquire culture, the envy of our less literate neighbors and the respect of the sophisticated. In every case the motivation analyst has found some deep-seated wish or fear, whose energy can be used to move the customer to part with cash and so, indirectly, to turn the wheels of industry.
”
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Aldous Huxley (Brave New World Revisited)
β€œ
You love tenderly and warmly, but your love is like friendship. That's why you have good friends, you're sociable, sympathetic toward people. Until this dissatisfaction comes over you-you know what I'm talking about. Then you become moody, can even repulse people who are close to you, even people who love you, you know why. Those are bad times when everything goes cold, and they follow the times of great love...
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Christa Wolf (The Quest for Christa T.)
β€œ
Here sighs and cries and shrieks of lamentation echoed throughout the starless air of Hell; at first these sounds resounding made me weep: tongues confused, a language strained in anguish with cadences of anger, shrill outcries and raucous groans that joined with sounds of hands, raising a whirling storm that turns itself forever through that air of endless black, like grains of sand swirling when a whirlwind blows. And I, in the midst of all this circling horror, began, "Teacher, what are these sounds I hear? What souls are these so overwhelmed by grief?" And he to me: "This wretched state of being is the fate of those sad souls who lived a life but lived it with no blame and with no praise. They are mixed with that repulsive choir of angels neither faithful nor unfaithful to their God, who undecided stood but for themselves. Heaven, to keep its beauty, cast them out, but even Hell itself would not receive them, for fear the damned might glory over them." And I. "Master, what torments do they suffer that force them to lament so bitterly?" He answered: "I will tell you in few words: these wretches have no hope of truly dying, and this blind life they lead is so abject it makes them envy every other fate. The world will not record their having been there; Heaven's mercy and its justice turn from them. Let's not discuss them; look and pass them by...
”
”
Dante Alighieri
β€œ
Memories can be vile. Repulsive little brutes, like children I suppose. But can we live without them? Memories are what our reason is based upon. If we can't face them, we deny reason itself! Although, why not? We aren't contractually tied down to rationality. There is no sanity clause. So when you find yourself locked down in an unpleasant train of thought, heading for the places in your past where the screaming is unbearable, remember: There's always madness. You can just step outside and close the door, and all those dreadful things that happened, you can lock them away. Madness... is an emergency exit.
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Alan Moore (Batman: The Killing Joke)
β€œ
Some sleepers have intelligent faces even in sleep, while other faces, even intelligent ones, become very stupid in sleep and therefore ridiculous. I don't know what makes that happen; I only want to say that a laughing man, like a sleeping one, most often knows nothing about his face. A great many people don't know how to laugh at all. However, there's nothing to know here: it's a gift, and it can't be fabricated. It can only be fabricated by re-educating oneself, developing oneself for the better, and overcoming the bad instincts of one's character; then the laughter of such a person might quite possibly change for the better. A man can give himself away completely by his laughter, so that you suddenly learn all of his innermost secrets. Even indisputably intelligent laughter is sometimes repulsive. Laughter calls first of all for sincerity, and where does one find sincerity? Laughter calls for lack of spite, but people most often laugh spitefully. Sincere and unspiteful laughter is mirth. A man's mirth is a feature that gives away the whole man, from head to foot. Someone's character won't be cracked for a long time, then the man bursts out laughing somehow quite sincerely, and his whole character suddenly opens up as if on the flat of your hand. Only a man of the loftiest and happiest development knows how to be mirthful infectiously, that is, irresistibly and goodheartedly. I'm not speaking of his mental development, but of his character, of the whole man. And so, if you want to discern a man and know his soul, you must look, not at how he keeps silent, or how he speaks, or how he weeps, or even how he is stirred by the noblest ideas, but you had better look at him when he laughs. If a man has a good laugh, it means he's a good man. Note at the same time all the nuances: for instance, a man's laughter must in no case seem stupid to you, however merry and simplehearted it may be. The moment you notice the slightest trace of stupidity in someone's laughter, it undoubtedly means that the man is of limited intelligence, though he may do nothing but pour out ideas. Or if his laughter isn't stupid, but the man himself, when he laughs, for some reason suddenly seems ridiculous to you, even just slightlyβ€”know, then, that the man has no real sense of dignity, not fully in any case. Or finally, if his laughter is infectious, but for some reason still seems banal to you, know, then, that the man's nature is on the banal side as well, and all the noble and lofty that you noticed in him before is either deliberately affected or unconsciously borrowed, and later on the man is certain to change for the worse, to take up what's 'useful' and throw his noble ideas away without regret, as the errors and infatuations of youth.
”
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Fyodor Dostoevsky (The Adolescent (Vintage Classics))
β€œ
The Titans looked on humans the way we might look on gerbils. Some Titans thought humans were kind of cute, though they died awfully quick and didn't serve any purpose. Other Titans thought they were repulsive rodents. Some Titans didn't pay them any attention at all. As for the humans, they mostly just cowered in their caves and scurried around trying not to get stepped on.
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Rick Riordan (Percy Jackson's Greek Gods)
β€œ
LADIES AND GENTLEMEN! YOU'VE READ ABOUT IT IN THE NEWSPAPERS! NOW, SHUDDER AS YOU OBSERVE, BEFORE YOUR VERY EYES, THAT MOST RAREAND RAGIC OF NATURE'S MISTAKES! I GIVE YOU... THE AVERAGE MAN! PHYSICALLY UNREMARKABLE , IT HAS INSTEAD A DEFORMED SET OF VALUES. NOTICE THE HIDEOUSLY BLOATED SENSE OF HUMANITY'S IMPORTANCE. THE CLUB-FOOTED SOCIAL CONSCIENCE AND THE WITHERED OPTIMISM. IT'S CERTAINLY NOT FOR THE SQUEAMISH IS IT? MOST REPULSIVE OF ALL , ARE ITS FRAIL AND USELESS NOTIONS OF ORDER AND SANITY. IF TOO MUCH WEIGHT IS PLACED UPON THEM... ... THEY SNAP. HOW DOES IT LIVE , I HEAR YOU ASK? HOW DOES THIS POOR, PATHETIC SPECIMEN SURVIVE IN TODAY'S HARSH AND IRRATIONAL WORLD? THE SAD ANSWER IS 'NOT VERY WELL.
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Alan Moore
β€œ
How to repulse a demon (an old problem)? The demons, especially if they are demons of language (and what else could they be?) are fought by language. Hence I can hope to exorcise the demonic word which is breathed into my ears (by myself) if I substitute for it (if I have the gifts of language for doing so) another, calmer word (I yield to euphemism). Thus: I imagined I had escaped from the crisis at last, when behold -- favored by a long car trip -- a flood of language sweeps me away, I keep tormenting myself with the thought, desire, regret, and rage of the other; and I add to these wounds the discouragement of having to acknowledge that I am falling back, relapsing; but the French vocabulary is a veritable pharmacopoeia (poison on one side, antidote on the other): no, this is not a relapse, only a last soubresaut, a final convulsion of the previous demon.
”
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Roland Barthes (A Lover's Discourse: Fragments)
β€œ
There is only one real misfortune: to forfeit one's own good opinion of oneself. To have lost one's self-respect: that is what unhappiness is. Oh, I have always known that so well! Everything else is part of the game, an enrichment of one's life; in every other form of suffering one can feel such extraordinary self-satisfaction, one can cut such a fine figure. Only when one has fallen out with oneself and no longer suffers with a good conscience, only in the throes of stricken vanity - only then does one become a pitiful and repulsive spectacle.
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Thomas Mann (Death in Venice and Seven Other Stories)
β€œ
My first emotions had been those of pure melancholy and sincerest pity; but just in proportion as the forlornness of Bartleby grew and grew to my imagination, did that same melancholy merge into fear, that pity into repulsion. So true it is, and so terrible too, that up to a certain point the thought or sight of misery enlists our best affections; but, in certain special cases, beyond that point it does not. They err who would assert that invariably this is owing to the inherent selfishness of the human heart. It rather proceeds from a certain hopelessness of remedying excessive and organic ill. To a sensitive being, pity is not seldom pain. And when at last it is perceived that such pity cannot lead to effectual succor, common sense bids the soul rid of it. What I saw that morning persuaded me that the scrivener was the victim of innate and incurable disorder. I might give alms to his body; but his body did not pain him; it was his soul that suffered, and his soul I could not reach.
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Herman Melville (Bartleby the Scrivener)
β€œ
Thirty years later he could not come to any other conclusion: women were indisputably better than men. They were gentler, more affectionate, more loving and more compassionate, they were rarely violent, selfish, cruel or self-centred. Moreover, they were more rational, more intelligent and more hardworking. What on earth were men for? Michael wondered as he watched sunlight play across the closed curtains. In earlier times, when bears were more common, perhaps masculinity served a particular function, but for centuries now, men served no useful purpose. For the most part, they assuaged their boredom playing squash, which was a lesser evil; but from time to time they felt the need to change history - which expressed itself in leading a revolution or starting a war somewhere. Aside from the senseless suffering they caused, revolutions and war destroyed the achievements of the past, forcing societies to build again. Without the notion of continuous progress, human evolution took random, irregular and violent turns for which men (with their predilection for risk and danger, their repulsive egotism, their volatile nature and their violent tendencies) were directly to blame. A society of women would be immeasurably superior, tracing a slow, unwavering progression, with no U-turns and no chaotic insecurity, towards a general happiness.
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Michel Houellebecq (The Elementary Particles)
β€œ
I’m such a negative person, and always have been. Was I born that way? I don’t know. I am constantly disgusted by reality, horrified and afraid. I cling desperately to the few things that give me some solace, that make me feel good. I hate most of humanity. Though I might be very fond of particular individuals, humanity in general fills me with contempt and despair. I hate most of what passes for civilization. I hate the modern world. For one thing there are just too Goddamn many people. I hate the hordes, the crowds in their vast cities, with all their hateful vehicles, their noise and their constant meaningless comings and goings. I hate cars. I hate modern architecture. Every building built after 1955 should be torn down! I despise modern music. Words cannot express how much it gets on my nerves – the false, pretentious, smug assertiveness of it. I hate business, having to deal with money. Money is one of the most hateful inventions of the human race. I hate the commodity culture, in which everything is bought and sold. No stone is left unturned. I hate the mass media, and how passively people suck up to it. I hate having to get up in the morning and face another day of this insanity. I hate having to eat, shit, maintain the body – I hate my body. The thought of my internal functions, the organs, digestion, the brain, the nervous system, horrify me. Nature is horrible. It’s not cute and loveable. It’s kill or be killed. It’s very dangerous out there. The natural world is filled with scary, murderous creatures and forces. I hate the whole way that nature functions. Sex is especially hateful and horrifying, the male penetrating the female, his dick goes into her hole, she’s impregnated, another being grows inside her, and then she must go through a painful ordeal as the new being pushes out of her, only to repeat the whole process in time. Reproduction – what could be more existentially repulsive? How I hate the courting ritual. I was always repelled by my own sex drive, which in my youth never left me alone. I was constantly driven by frustrated desires to do bizarre and unacceptable things with and to women. My soul was in constant conflict about it. I never was able to resolve it. Old age is the only relief. I hate the way the human psyche works, the way we are traumatized and stupidly imprinted in early childhood and have to spend the rest of our lives trying to overcome these infantile mental fixations. And we never ever fully succeed in this endeavor. I hate organized religions. I hate governments. It’s all a lot of power games played out by ambition-driven people, and foisted on the weak, the poor, and on children. Most humans are bullies. Adults pick on children. Older children pick on younger children. Men bully women. The rich bully the poor. People love to dominate. I hate the way humans worship power – one of the most disgusting of all human traits. I hate the human tendency towards revenge and vindictiveness. I hate the way humans are constantly trying to trick and deceive one another, to swindle, to cheat, and take unfair advantage of the innocent, the naΓ―ve and the ignorant. I hate the vacuous, false, banal conversation that goes on among people. Sometimes I feel suffocated; I want to flee from it. For me, to be human is, for the most part, to hate what I am. When I suddenly realize that I am one of them, I want to scream in horror.
”
”
Robert Crumb
β€œ
How can I number the worlds to which the eye gives me entry? - the world of light, of colour, of shape, of shadow: of mathematical precision in the snowflake, the ice formation, the quartz crystal, the patterns of stamen and petal: of rhythm in the fluid curve and plunging line of the mountain faces. Why some blocks of stone, hacked into violent and tortured shapes, should so profoundly tranquillise the mind I do not know. Perhaps the eye imposes its own rhythm on what is only a confusion: one has to look creatively to see this mass of rock as more than jag and pinnacle - as beauty. Else why did men for so many centuries think mountains repulsive? A certain kind of consciousness interacts with the mountain-forms to create this sense of beauty. Yet the forms must be there for the eye to see. And forms of a certain distinction: mere dollops won't do it. It is, as with all creation, matter impregnated with mind: but the resultant issue is a living spirit, a glow in the consciousness, that perishes when the glow is dead. It is something snatched from non-being, that shadow which creeps in on us continuously and can be held off by continuous creative act. So, simply to look on anything, such as a mountain, with the love that penetrates to its essence, is to widen the domain of being in the vastness of non-being. Man has no other reason for his existence.
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Nan Shepherd (The Living Mountain)
β€œ
From early childhood he had experienced the wish to die, to commit suicide, as they say, but never was totally concentrated. He could never come to terms with being born into a world that basically repulsed him in every detail from the very beginning. He grew older and thought that his wish to die would suddenly no longer be there, but this wish grew more intense from year to year, without ever becoming totally intense and concentrated. My constant curiosity got in the way of my suicide, so he said, I thought. We never forgive our fathers for having sired us, nor our mothers for having brought us into the world, he said, nor our sisters for continuing to be witnesses to our unhappiness. To exist means nothing other than we despair, he said. When I go to bed I have no other wise than to die, never to wake up, but then I wake up again and the awful process repeats itself, finally repeats itself for fifty years, he said. To think that for fifty years we don't wish for anything other than to be dead and are still alive and can't change it because we are thoroughly inconsistent, so he said. Because we are wretched, vile creatures. No musical ability! he cried out, no life ability!
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Thomas Bernhard (The Loser)
β€œ
You want to know the story? I'd be happy to tell you. I think I have just enough caloric energy stored up to make it through the telling of the tale. It's short. I am monstrously fat. I am a glutton. My wife was disgusted and repulsed. She gave me six months to lose one hundred pounds. I joined Weight Watchers . . . see it there, right across the street, that gaunt storefront? This afternoon was the big six-month weigh-in. So to speak. I had gained almost seventy pounds in the six months. An errant Snickers bar fell out of the cuff of my pants and rolled against my wife's foot as I stepped on the scale. The scale over there across the street is truly an ingenious device. One preprograms the desired new weight into it, and if one has achieved or gone below that new low weight, the scale bursts into recorded whistles and cheers and some lively marching-band tune. Apparently, tiny flags protrude from the top and wave mechanically back and forth. A failure--see for instance mine--results in a flatulent dirge of disappointed and contemptuous tuba. To the strains of the latter my wife left, the establishment, me, on the arm of a svelte yogurt distributor whom I am even now planning to crush, financially speaking, first thing tomorrow morning. Ms. Beadsman, you will find an eclair on the floor to the left of your chair. Could you perhaps manipulate it onto this plate with minimal chocolate loss and pass it to me.
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David Foster Wallace (The Broom of the System)
β€œ
So long as we have wage slavery," answered Schliemann, "it matters not in the least how debasing and repulsive a task may be, it is easy to find people to perform it. But just as soon as labor is set free, then the price of such work will begin to rise. So one by one the old, dingy, and unsanitary factories will come downβ€” it will be cheaper to build new; and so the steamships will be provided with stoking machinery , and so the dangerous trades will be made safe, or substitutes will be found for their products. In exactly the same way, as the citizens of our Industrial Republic become refined, year by year the cost of slaughterhouse products will increase; until eventually those who want to eat meat will have to do their own killingβ€” and how long do you think the custom would survive then?β€” To go on to another itemβ€” one of the necessary accompaniments of capitalism in a democracy is political corruption; and one of the consequences of civic administration by ignorant and vicious politicians, is that preventable diseases kill off half our population. And even if science were allowed to try, it could do little, because the majority of human beings are not yet human beings at all, but simply machines for the creating of wealth for others. They are penned up in filthy houses and left to rot and stew in misery, and the conditions of their life make them ill faster than all the doctors in the world could heal them; and so, of course, they remain as centers of contagion , poisoning the lives of all of us, and making happiness impossible for even the most selfish. For this reason I would seriously maintain that all the medical and surgical discoveries that science can make in the future will be of less importance than the application of the knowledge we already possess, when the disinherited of the earth have established their right to a human existence.
”
”
Upton Sinclair (The Jungle)
β€œ
My arms broke free from my control. My left hand reached for his face, his hair, to wind my fingers in it. My right hand was faster, was not mine. Melanie's fist punched his jaw, knocked his face away from mine with a blunt, low sound. Flesh against flesh, hard and angry. The force of it was not enough to move him far, but he scrambled away from me the instant our lips were no longer connected, gaping with horrorstruck eyes at my horrorstruck expression. I stared down at the still-clenched fist, as repulsed as if I'd found a scorpion growing on the end of my arm. A gasp of revulsion choked its way out of my throat. I grabbed the right wrist with my left hand, desperate to keep Melanie from using my body for violence again. I glanced up at Jared. He was staring at the fist I restrained, too, the horror fading, surprise taking its place. In that second, his expression was entirely defenseless. I could easily read his thoughts as they moved across his unlocked face. This was not what he had expected. And he's had expectations; that was plain to see. This had been a test. A test he'd thought he was prepared to evaluate. But he'd been surprised. Did that mean pass or fail? The pain in my chest was not a surprise. I already knew that a breaking heart was more than an exaggeration. In a flight-or-fight situation, I never had a choice; it would always be flight for me. Because Jared was between me and the darkness of the tunnel exit, I wheeled and threw myself into the box-packed hole. I was sobbing because it had been a test, and, stupid, stupid, stupid, emotional creature that I was, I wanted it to be real. Melanie was writhing in agony inside me, and it was hard to make sense of the double pain. I felt as thought I was dying because it wasn't real; she felt as though she was dying because, to her, it had felt real enough. In all that she'd lost since the end of the world, so long ago, she'd never before felt betrayed. 'No one's betrayed you, stupid,' I railed at her. 'How could he? How?' she ranted, ignoring me. We sobbed beyond control. One word snapped us back from the edge of hysteria. From the mouth of the hole, Jared's low, rough voice - broken and strangely childlike - asked, "Mel?" "Mel?" he asked again, the hope he didn't want to feel colouring his tone. My breath caught in another sob, an aftershock. "You know that was for you, Mel. You know that. Not for h- it. You know I wasn't kissing it." "If you're in there, Mel..." He paused. Melanie hated the "if". A sob burst up through my lungs and I gasped for air. "I love you," Jared said. "Even if you're not there, if you can't hear me, I love you.
”
”
Stephenie Meyer (The Host (The Host, #1))
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Sometime the witch hunting takes on atrocious dimensions β€” the Nazi persecution of Jews, the Salem witch trials, the Ku Klux Klan scapegoating of blacks. Notice, however, that in all such cases the persecutor hates the persecuted for precisely those traits that the persecutor displays with a glaringly uncivilized fury. At other times, the witch hunt appears in less terrifying proportionsβ€”the cold war fear of a "Commie under every bed," for instance. And often, it appears in comic formβ€”the interminable gossip about everybody else that tells you much more about the gossiper than about the object of gossip. But all of these are instances of individuals desperate to prove that their own shadows belong to other people. Many men and women will launch into tirades about how disgusting homosexuals are. Despite how decent and rational they otherwise try to behave, they find themselves seized with a loathing of any homosexual, and in an emotional outrage will advocate such things as suspending gay civil rights (or worse). But why does such an individual hate homosexuals so passionately? Oddly, he doesn’t hate the homosexual because he is homosexual; he hates him because he sees in the homosexual what he secretly fears he himself might become. He is most uncomfortable with his own natural, unavoidable, but minor homosexual tendencies, and so projects them. He thus comes to hate the homosexual inclinations in other peopleβ€”but only because he first hates them in himself. And so, in one form or another, the witch hunt goes. We hate people "because," we say, they are dirty, stupid, perverted, immoral.... They might be exactly what we say they are. Or they might not. That is totally irrelevent, however, because we hate them only if we ourselves unknowingly possess the despised traits ascribed to them. We hate them because they are a constant reminder of aspects of ourselves that we are loathe to admit. We are starting to see an important indicator of projection. Those items in the environment (people or things) that strongly affect us instead of just informing us are usually our own projections. Items that bother us, upset us, repulse us, or at the other extreme, attract us, compel us, obsess usβ€”these are usually reflections of the shadow. As an old proverb has it, I looked, and looked, and this I came to see: That what I thought was you and you, Was really me and me.
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Ken Wilber (No Boundary: Eastern and Western Approaches to Personal Growth)