Reported Speech Movie Quotes

We've searched our database for all the quotes and captions related to Reported Speech Movie. Here they are! All 6 of them:

In the business people with expertise, experience and evidence will make more profitable decisions than people with instinct, intuition and imagination.
Amit Kalantri (Wealth of Words)
Nope. Look. The Raft is a media event. But in a much more profound, general sense than you can possibly imagine." "Huh?" "It's created by the media in that without the media, people wouldn't know it was here, Refus wouldn't come out and glom onto it the way they do. And it sustains the media. It creates a lot of information flow-movies, news reports - - you know." "So you're creating your own news event to make money off the information flow that it creates?" says the journalist, desperately trying to follow. His tone of voice says that this is all a waste of videotape. His weary attitude suggests that this is not the first time Rife has flown off on a bizarre tangent. "Partly. But that's only a very crude explanation. It really goes a lot deeper than that. You've probably heard the expression that the Industry feeds off of biomass, like a whale straining krill from the ocean." "I've heard the expression, yes." "That's my expression. I made it up. An expression like that is just like a virus, you know -- it's a piece of information -- data -- that spreads from one person to the next. Well, the function of the Raft is to bring more biomass. To renew America. Most countries are static, all they need to do is keep having babies. But America's like this big old clanking, smoking machine that just lumbers across the landscape scooping up and eating everything in sight. Leaves behind a trail of garbage a mile wide. Always needs more fuel... "Now I have a different perspective on it. America must look, to those poor little buggers down there, about the same as Crete looked to those poor Greek suckers. Except that there's no coercion involved. Those people down there give up their children willingly. Send them into the labyrinth by the millions to be eaten up. The Industry feeds on them and spits back images, sends out movies and TV programs, over my networks, images of wealth and exotic things beyond their wildest dreams, back to those people, and it gives them something to dream about, something to aspire to. And that is the function of the Raft. It's just a big old krill carrier." Finally the journalist gives up on being a journalist, just starts to slag L. Bob Rife openly. He's had it with this guy. "That's disgusting. I can't believe you can think about people that way." "Shit, boy, get down off your high horse. Nobody really gets eaten. It's just a figure of speech. They come here, they get decent jobs, find Christ, buy a Weber grill, and live happily ever after. What's wrong with that?
Neal Stephenson (Snow Crash)
say   v. (says; past and past part.said) 1 [reporting verb] utter words so as to convey information, an opinion, a feeling or intention, or an instruction: [with direct speech] “Thank you,” he said | [with clause] he said the fund stood at $100,000 | [trans.] our parents wouldn't believe a word we said | [with infinitive] he said to come early.    (of a text or a symbolic representation) convey specified information or instructions: [with clause] the law says such behavior is an offense.  [trans.] enable a listener or reader to learn or understand something by conveying or revealing (information or ideas): I don't want to say too much | FIGURATIVEthe movie's title says it all.  [trans.] (of a clock or watch) indicate (a specified time): the clock says ten past two.  (be said) be asserted or reported (often used to avoid committing the speaker or writer to the truth of the assertion): [with infinitive] they were said to be training freedom fighters | [with clause] it is said that she lived to be over a hundred.  [trans.] (say something for) present a consideration in favor of or excusing (someone or something): all I can say for him is that he's
Oxford University Press (The New Oxford American Dictionary)
Such indirection and ambivalence typify the politics of Wong's work. He's not in any conventional sense an ideological filmmaker. "It's never been my intention," he said at the Cannes press conference for 2046, "to make films with any political content whatsoever." A cautious man allergic to grand pronouncements, he doesn't make message movies, much less give political speeches or man the barricades. The rise of China has been the biggest story in the world for the last 20 years--no place has felt this more deeply than Hong Kong--yet Wong's work is notable for its apparent lack of interest in post-revolutionary China, either in its Maoist incarnation or today's hyper-capitalist model launched by Deng Xiaoping, whose death appears in a news report Lai watches in Happy Together. It's not that he doesn't thing about political issues, but he weaves his ideas (and they are intuitions more than ideological stances) into the intricate fabric of his work. This makes him ripe for interpretation, especially by critical admirers who, almost to a one, prefer to think of him as being some sort of social radical whose political ideas bubble beneath the surface of his work.
Wong Kar-Wai
The Keeling Curve is a useful reality check, one that cuts through all the noise and confusion of the climate and energy debates. Unlike the slopes of the huge volcano on which it is measured, the initially gentle upward curve gets steeper the higher you go. That means that the rate of CO2 accumulation in the atmosphere is steadily increasing, from roughly 1 ppm in the early years to about 2 ppm annually today. There is no visible slowdown, no sudden downwards blip, to mark the implementation of the Kyoto Protocol, still less 2009’s Copenhagen ‘two degrees’ commitment or the landmark Paris Agreement of 2015. All those smiling heads of state shaking hands, the diplomats hugging on the podium after marathon sessions of all-night negotiating – none of that actually made any identifiable difference to the Keeling Curve, which is the only thing that actually matters to the planet’s temperature. All our solar panels, wind turbines, electric cars, lithium-ion batteries, LED lightbulbs, nuclear plants, biogas digesters, press conferences, declarations, pieces of paper; all our shouting and arguing, weeping and marching, reporting and ignoring, decrying and denying; all our speeches, movies, websites, lectures and books; our announcements, carbon-neutral targets, moments of joy and despair; none of these to date have so much as made the slightest dent in the steepening upward slope of the Keeling Curve.
Mark Lynas (Our Final Warning: Six Degrees of Climate Emergency)
Sitting in the Jacuzzi is where I got the idea for my speech to the American people after the events of January 6, 2021. Like most people, I watched the riots unfold at the US Capitol on television and then in great depth on social media. And like most people, I went through a range of emotions. Disbelief. Frustration. Confusion. Anger. Then, finally, sadness. I was sad for our country, because this was a dark day. But I also felt bad for all the men and women, young and old, whom the cameras found, as television networks covered the historic moment and broadcast their angry, desperate, alienated faces across the planet. Whether they liked it or not, this was going to be the mark those people left on the world. This would be their legacy. I thought about them a lot that night as I sat in the Jacuzzi letting the jets loosen up my neck and shoulder muscles, which were tense from the stress of the day. I slowly came to the conclusion that what we all watched that day wasn’t the exercise of political speech, it wasn’t an attempt to refresh the tree of liberty with the blood of patriots and tyrants, as Thomas Jefferson might say . . . it was a cry for help. And I wanted to help them. Since 2003, that has been my life’s focus. Helping people. Public service. Using the power that comes with fame and with political office to make a difference in the lives of as many people as possible. That was the direction my vision took for the third act in the movie of my life. But this was something different. Something more. I was watching all these videos and reading real-time updates on Twitter and Instagram from people who were there. Protesters. Police. Bystanders. Reporters. If they could reach me through social media, I thought, then I could reach them.
Arnold Schwarzenegger (Be Useful: Seven Tools for Life)