Replacement Players Quotes

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Choose a life. Choose a job. Choose a career. Choose a family. Choose a fucking big television. Choose washing machines, cars, compact disc players and electrical tin openers... Choose DSY and wondering who the fuck you are on a Sunday morning. Choose sitting on that couch watching mind-numbing, spirit crushing game shows, stucking junk food into your mouth. Choose rotting away in the end of it all, pishing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourself, choose your future. Choose life... But why would I want to do a thing like that?
Irvine Welsh (Trainspotting)
Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suit on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck you are on Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pissing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourselves. Choose your future. Choose life… But why would I want to do a thing like that? I chose not to choose life. I chose somethin’ else. And the reasons? There are no reasons. Who needs reasons when you’ve got heroin?
Irvine Welsh (Trainspotting)
Anyway, Patrick started driving really fast, and just before we got to the tunnel, Sam stood up, and the wind turned her dress into ocean waves. When we hit the tunnel, all the sound got scooped up into a vacuum, and it was replaced by a song on the tape player. A beautiful song called "Landslide." When we got out of the tunnel, Sam screamed this really fun scream, and there it was. Downtown. Lights on buildings and everything that makes you wonder. Sam sat down and started laughing. Patrick started laughing. I started laughing. And in that moment, I swear we were infinite.
Stephen Chbosky (The Perks of Being a Wallflower)
Choose life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, Choose washing machines, cars, compact disc players, and electrical tin openers. Choose good health, low cholesterol and dental insurance. Choose fixed- interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisure wear and matching luggage. Choose a three piece suite on hire purchase in a range of fucking fabrics. Choose DIY and wondering who you are on a Sunday morning. Choose sitting on that couch watching mind-numbing sprit- crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pishing you last in a miserable home, nothing more than an embarrassment to the selfish, fucked-up brats you have spawned to replace yourself. Choose your future. Choose life... But why would I want to do a thing like that?
John Hodge (Trainspotting: A Screenplay (Based on the Novel by Irvine Welsh))
Patrick started driving really fast, and just before we got to the tunnel. Sam stood up, and the wind turned her dress into ocean waves. When we hit the tunnel, all the sound got scooped up into a vacuum, and it was replaced by a song on the tape player. A beautiful song called “Landslide.” When we got out of the tunnel, Sam screamed this really fun scream, and there it was. Downtown. Lights on buildings and everything that makes you wonder. Sam sat down and started laughing. Patrick started laughing. I started laughing. And in that moment, I swear we were infinite.
Stephen Chbosky (The Perks of Being a Wallflower)
There is a great new work before us, which is to replace with true knowledge the ignorance that has destroyed human minds. We will construct unity in a world [which] has been brutally torn apart by false divisions of race, religion, gender, nationality, and age. We will heal with unconditional love those souls whose hearts have been disfigured by hatred and loneliness.
Aberjhani (Songs from the Black Skylark zPed Music Player)
Men of our generation often disappear once they’ve got a woman to say ‘I love you’ back to them, because it’s almost like they’ve completed a game. Because they’re the first boys who grew up glued to their PlayStations and Game Boys, they weren’t conditioned to develop any sense of honour and duty in adolescence the way our fathers were. PlayStations replaced parenting. They were taught to look for fun, complete the fun, then get to the next level, switch players or try a new game. They need maximum stimulation all the time. ‘I love you’ is the relationship equivalent of Level 17 of Tomb Raider 2 for a lot of millennial men.
Dolly Alderton (Ghosts)
Girls like Caroline and Lily are constantly performing, as much for the Good Girl they think they should be as for the adults and peers who look on. They have spent their lives growing internally dependent on external rewards: pats on the back A's, club presidencies, Most Valuable Player trophies. They become more concerned with how they appear and should be than who they are What other think and feel replaces what is true for them.
Rachel Simmons (The Curse of the Good Girl: Raising Authentic Girls with Courage and Confidence)
Without regard for the wishes of men, any machines or techniques or forms of organization that can economically replace men do replace men. Replacement is not necessarily bad, but to do it without regard for the wishes of men is lawlessness.
Kurt Vonnegut Jr. (Player Piano)
In your life you are William Wallace—who else could be? There is no other man who can replace you in your life, in the arena you’ve been called to. If you leave your place in the line, it will remain empty. No one else can be who you are meant to be. You are the hero in your story. Not a bit player, not an extra, but the main man.
John Eldredge (Wild at Heart Revised and Updated: Discovering the Secret of a Man's Soul)
Substitution is a true test of strength. The real performance of a player is seen not only during playing time but also and more especially when the player is substituted.
Ernest Agyemang Yeboah
To the people who were going to be replaced by machines, maybe. A third one, eh? In a way, I guess the third one’s been going on for some time, if you mean thinking machines. That would be the third revolution, I guess—machines that devaluate human thinking. Some of the big computers like EPICAC do that all right, in specialized fields.
Kurt Vonnegut Jr. (Player Piano)
There are no specific memories of the first time I used ketamine, which was around age 17 or 18. The strongest recollection of ketamine use regarded an instance when I was concurrently smoking marijuana and inhaling nitrous oxide. I was in an easy chair and the popular high school band Sublime was playing on the CD player. I was with a friend. We were snorting lines of ketamine and then smoking marijuana from a pipe and blowing the marijuana smoke into a nitrous-filled balloon and inhaling and exhaling the nitrous-filled balloon until there was no more nitrous oxide in the balloon to achieve acute sensations of pleasure, [adjective describing state in which one is unable to comprehend anything], disorientation, etc. The first time I attempted this process my vision behaved as a compact disc sound when it skips - a single frame of vision replacing itself repeatedly for over 60 seconds, I think. Everything was vibrating. Obviously I couldn't move. My friend was later vomiting in the bathroom a lot and I remember being particularly fascinated by the sound of it; it was like he was screaming at the same time as vomiting, which I found funny, and he was making, to a certain degree, demon-like noises. My time 'with' ketamine lasted three months at the most, but despite my attempts I never achieved a 'k-hole.' At a party, once, I saw a girl sitting in bushes and asked her what she was doing and she said "I'm in a 'k-hole.'" While I have since stopped doing ketamine because of availability and lack of interest, I would do ketamine again because I would like to be in a 'k-hole.
Brandon Scott Gorrell
Harry Potter isn’t going to tank because they’ve replaced the person who plays Quidditch player number four.
Jen Calonita (There's No Place Like Home (Secrets of My Hollywood Life, #6))
Mind you, he looks a bit out of it, gazing around in confusion, as if his sax player’s brain has been removed and replaced with a drummer’s.
Pete McCarthy (The Road to McCarthy: Around the World in Search of Ireland)
He should take a different bank card to replace one that was out of date. Cars no longer had CD players, so he should look one out if he was to play her favourite disc.
Ian McEwan (Lessons)
In a golf club everyone knows the player who does not replace his divot. One can guess how he leads the rest of his life.
Michael Murphy (Golf in the Kingdom)
Continual Learning Educate yourself. Read books and learn from others who have done it before. Learn by doing. Theory is nice, but nothing replaces actual experience. Learn by surrounding yourself with talented players. Just because you win a hand doesn’t mean you’re good and you don’t have more learning to do. You might have just gotten lucky. Don’t be afraid to ask for advice.
Tony Hsieh (Delivering Happiness: A Path to Profits, Passion, and Purpose)
On top of it all, the NFL decided to replace all players who refused to stand during the National Anthem with other players who would, and those replaced players were banned completely from ever playing again.
Willow Rose (Girl Divided)
The morality of need. The pastor preaches to minds that believe bigger is better; the more spectacular the more important; the most important thing about life is that it is enjoyed; basic needs are a nice home, two cars, a three-week paid vacation, several weekends away; life has cheated you unless you have a Caribbean cruise, a DVD player, and an iPod. People have a corrupted sense of need. Needs become values, they take on their own morality. The language of need has replaced the language of greed.
Bill Hull (The Disciple-Making Pastor: Leading Others on the Journey of Faith)
The subjects that have replaced politics among Chileans are money, which there is never enough of, and soccer, which is a kind of consolation. The lowliest illiterate knows the names of all the players throughout our history, and has his own opinion of each.
Isabel Allende (My Invented Country: A Nostalgic Journey Through Chile)
Elite performers win in their minds first. The mind is a battleground where the greatest struggle takes place. The thoughts that win the battle for your mind will direct your life. Mental state affects physical performance. The mind constantly sends messages to the body, and the body listens and responds. Therefore, elite warriors train their minds to focus and think in a way that maximizes how they practice and how they perform in competition. Getting your mind right means managing two things: A) What you focus on. B) How you talk to yourself. If you focus on negative things and talk to yourself in negative ways, that will put you into a negative mindset. Your performance will suffer. If you focus on productive things and talk to yourself in productive ways, that will put you into a productive mindset. Your performance will be enhanced. We teach our players to replace low-performance self-talk with high-performance self-talk. We tell our players, “The voice in your mind is a powerful force. Take ownership of that force.
Urban Meyer (Above the Line: Lessons in Leadership and Life from a Championship Program)
For the TL;DR (too long; didn’t read), generation dating is just one more arena vying for our headspace. The days of introspection and developing relationships have been replaced with instant, curated imagery, all intended to get to the point of selling our sexual market brand in the best picture before the swipe. Image and perception are king.
Rollo Tomassi (The Rational Male - The Players Handbook: A Red Pill Guide to Game)
The cool thing about Bench was that he didn’t seem to care that he wasn’t very good; he just enjoyed being a part of the team. The other players didn’t mind having him around because he was a nice guy (who also never threatened to replace them), and the coaches liked him because he was an A student and never complained. Bench was BMS’s poster boy for student athletes;
John David Anderson (Posted)
A few years later, they unveiled a new retinal implant that allowed any blind people who wished to be sighted to “see” perfectly inside the OASIS. And by linking two head-mounted mini cameras to the same implant, their real-world sight could be restored as well. The ARL’s next invention was a brain implant that allowed paraplegics to control the movements of their OASIS avatar simply by thinking about it. It worked in conjunction with a separate implant that allowed them to feel simulated sensory input. And the very same implants gave these individuals the ability to regain control of their lower extremities, while restoring their sense of touch. They also allowed amputees to control robotic replacement limbs, and to receive sensory input through them as well.
Ernest Cline (Ready Player Two (Ready Player One, #2))
Anyway, Patrick started driving really fast, and just before we got to the tunnel, Sam stood up, and the wind turned her dress into ocean waves. When we hit the tunnel, all the sound got scooped up into a vacuum, and it was replaced by a song on the tape player. A beautiful song called “Landslide.” When we got out of the tunnel, Sam screamed this really fun scream, and there it was. Downtown. Lights on buildings and everything that makes you wonder. Sam sat down and started laughing. Patrick started laughing. I started laughing. And in that moment, I swear we were infinite.
Stephen Chbosky (The Perks of Being a Wallflower)
your team is ranked first? congratulations and big deal. maintaining a top position is far easier than starting over from the gutters. kevin is doing that right now. he’s facing entirely new schools and learning to play with his less dominant hand. when he masters it, and he will, he’ll be better than you could ever have made him. do you know why? it’s not just his natural talent. it’s because he’s with us. there are only ten foxes this year. that’s one sub for every position. think about it. last night we played blackenridge. they have twenty-seven people on their roster. they can burn through players as fast as they want because they have a pile of replacements. we don’t have that luxury. we have to hold our ground on our own.” “you didn’t hold your ground, you lost. your school is the laughingstock of the ncaa. you’re a team with no concept of teamwork.” “lucky for you. if we were a unified front, you wouldn’t have a chance against us.” “you cannot last and your unfounded arrogance is offensive to everyone who actually earned a spot in first class. everyone knows the only reason palmetto qualified for this division is because of your coach.” “funny, i’m pretty sure that’s how edgar allan qualified.” - neil & riko
Nora Sakavic (The Foxhole Court (All for the Game, #1))
I’d love to be William Wallace, leading the charge with a big sword in my hand,” sighed a friend. “But I feel like I’m the guy back there in the fourth row, with a hoe.” That’s a lie of the Enemy—that your place is really insignificant, that you aren’t really armed for it anyway. In your life you are William Wallace—who else could be? There is no other man who can replace you in your life, in the arena you’ve been called to. If you leave your place in the line, it will remain empty. No one else can be who you are meant to be. You are the hero in your story. Not a bit player, not an extra, but the main man. This is the next leg in the initiation journey, when God calls a man forward to the front lines. He wants to develop and release in us the qualities every warrior needs—including a keen awareness of the enemies we will face.
John Eldredge (Wild at Heart: Discovering the Secret of a Man's Soul)
The world order, largely intact since the end of the World War II, seems to be breaking down. Capitalism, and its relentless march towards progress, allowed many to win. Although no system is perfect, the rules by which capitalism operated were well regarded and understood. You could expect that if you made a big bet and were wrong, you would be wiped out—but if you were right, your hard work, ingenuity, or risk taking would be rewarded. In game theory, we could call this a dominant cooperative strategy, and it dominated for the better part of the twentieth century. The rise of fiat currencies that could be manipulated domestically and the bailout in 2008 changed that strategy to one where the players whose bad bets caused the crisis, instead of being wiped out, were rewarded handsomely. Capitalism’s long-dominant cooperative strategy was replaced by a non-dominant strategy, crony capitalism, where the cheaters won.
Jeff Booth (The Price of Tomorrow: Why Deflation is the Key to an Abundant Future)
Have you given any thought to the formula you would like me to run?" Alex nearly lost his grip on the decanter. "I beg your pardon?" "At least a few of your patrons will need to achieve moderate success, and the occasional player will need to achieve considerable success at the vingt-et-un table if you hope to attract those individuals whose pocket books match their greed and belief that the next hand will change their fortune. I will require instruction as to how you wish me to deal in order to maximize both prophets and popularity." She withdrew a small square of paper from a hidden pocket somewhere in the folds of her skirts and held it out to him. "I've run some scenarios, allowing for a margin of error that I will not be able to avoid. It's all basic accounting worked into a matrix of probabilities, but I thought you might want to review it." Alex very carefully replaced the heavy crystal on the surface of his desk struggling to draw a breath. This was not good at all. Forget his alarming charge into the fray on a white horse, he was rather afraid he had just fallen in love.
Kelly Bowen (Between the Devil and the Duke (Season for Scandal, #3))
Two things that weren’t even on the agenda survived every upheaval that followed. General Akhtar remained a general until the time he died, and all God’s names were slowly deleted from the national memory as if a wind had swept the land and blown them away. Innocuous, intimate names: Persian Khuda which had always been handy for ghazal poets as it rhymed with most of the operative verbs; Rab, which poor people invoked in their hour of distress; Maula, which Sufis shouted in their hashish sessions. Allah had given Himself ninety-nine names. His people had improvised many more. But all these names slowly started to disappear: from official stationery, from Friday sermons, from newspaper editorials, from mothers’ prayers, from greeting cards, from official memos, from the lips of television quiz-show hosts, from children’s storybooks, from lovers’ songs, from court orders, from telephone operators’ greetings, from habeas corpus applications, from inter-school debating competitions, from road inauguration speeches, from memorial services, from cricket players’ curses; even from beggars’ begging pleas. In the name of God, God was exiled from the land and replaced by the one and only Allah who, General Zia convinced himself, spoke only through him. But today, eleven years later, Allah was sending him signs that all pointed to a place so dark, so final, that General Zia wished he could muster up some doubts about the Book. He knew if you didn’t have Jonah’s optimism, the belly of the whale was your final resting place.
Mohammed Hanif (A Case of Exploding Mangoes)
Does the prince play?" asked the lute player. "Hamish is a wee beast with all stringed things," Fergus said. "Pity those wolves didn't have strings." Immediately, the woman passed the lute to Hamish. He didn't move his arms in time to take it, so she simply plopped it down in his lap. "I'll trade you a tune for your dish of pears." Hamish sat there, a frozen little creature with big eyes. Pinned to the bench by fear and by the lute. How badly Merida wanted him to be able to play fearlessly for this group. Not for their benefit, but for his. How was it that his sense of fun had been replaced by a sense of fear? She whispered to him, "You could play 'Crosses and Squares.'" Still he was frozen. Maldouen said, "Don't you think you owe Ol' Flower a tune for saving your life?" Maldouen was being playful, but he had, without realizing, hit upon the only way Hamish perform: obligation. Hamish let fear rule him, but not at the expense of other people. Hamish whispered, "All right," and then added, to the dog, "Ma'am," which made the entire table laugh uproariously. Hamish began to play. The villagers began to clap in time with him. Hamish played faster. They clapped faster. Hamish played little riffs and twirls, and the villagers got up and danced along with the well-known tune. With the lute in his hand and the tune ringing out strongly, it was almost possible to believe Hamish wasn't afraid, but Merida knew better. This was how it always went. When Hamish played for other people, he always looked like a different person. Straighter, surer. More like Hubert or Harris. This was part of a good show, after all, and he felt obligated to give Ol' Flower a good show.
Maggie Stiefvater (Bravely)
Michael Lewis, the author of The Blind Side, wrote about professional basketball player Shane Battier, who plays for the Houston Rockets, in an article titled “The No-Stats All-Star.” He describes Battier as follows: “Shane Battier is widely regarded inside the NBA as, at best, a replaceable cog in a machine driven by superstars. And yet every team he has ever played on has acquired some magical ability to win. [Because] Battier . . . seems to help the team in all sorts of subtle, hard-to-measure ways that appear to violate his personal interests.” Subtle, hard-to-measure ways. Lewis continues: Battier’s game is a weird combination of obvious weaknesses and nearly invisible strengths. When he is on the court, his teammates get better, often a lot better, and his opponents get worse—often a lot worse. He may not grab huge numbers of rebounds, but he has an uncanny ability to improve his teammates’ rebounding. He doesn’t shoot much, but when he does, he takes only the most efficient shots . . . On defense, although he routinely guards the NBA’s most prolific scorers, he significantly reduces shooting percentages. [We] call him Lego. When he’s on the court, all the pieces start to fit together. Husbands, children, and coworkers may not understand what it is exactly that we do. Yet because of who we are and what we do, whether in our home, community, or workplace, things magically work. Like Shane Battier, our very presence seems to just make everything and everyone work better together. It’s hard to put your finger on it, but in my experience this “magic” of bringing people together and enhancing their strengths is a talent that many women seem to have. It’s one reason we are so good at being a safe haven and playing a supporting role, but it’s a talent that we can use for great good when we dust off our dreams and put on our Batman suit.
Whitney Johnson (Dare, Dream, Do: Remarkable Things Happen When You Dare to Dream)
More than other sports, baseball, Halberstam observed, depends on statistics because they give meaning to the game’s mythology. A player’s “performance is not fulfilling enough,” he wrote. “It must be shown in quantified heroics, records to be set and broken, new myths and heroes to replace the old.”9
Randy W. Roberts (A Season in the Sun: The Rise of Mickey Mantle)
There definitely isn’t a girl like this Embers chick anywhere in Ohio, he playfully thought to himself. It didn't take long before his phone was exploding with text replies, but the grin on his face disappeared as he began to read them. The consensus (to put it in a much more polite way than a group of college football players normally would) was to ask him: ”Are you coming out of the closet, dude?” Taken aback by the bombardment of texts questioning his sexuality, rather than the expected congratulatory replies and requests for more, Zane scrolled through the pictures on his phone, and then his camera –shocked to find these were not the pictures of a stunning raven-haired beauty that he'd taken, but instead image after image of hairy, balding, middle-aged men, wearing Speedos. Confusion turned to horror as he went through dozens, and then hundreds of pictures on his phone. From work, from parties, from Spring Break in Panama City Beach, in every picture, without exception, all girls had been replaced by an assortment of increasingly repulsive men, some with their arms draped across Zane Holt’s broad, well-muscled shoulders, just as the women he’d been partying with had been. Across the pool, the hint of a wicked smile crossed the lips of Calista Embers.
Alison Claire (Hell's Belles (Hell's Belles Trilogy Book 1))
Whoever said technology would replace all paper  > obviously hasn't tried wiping their bottom with an iPad. Q. How do you find Will Smith in the snow? A. You look for the fresh prints. Q. Why should you never date a tennis player? A. Because love means nothing to them.
Hudson Moore (The Best Jokes 2016: Ultimate Collection)
During World War II, rationing in Russia had made vinyl prohibitively expensive, and cheap X-ray film became the bootleg music industry’s substitute. After purchasing a used X-ray plate for a ruble or two from a medical facility, music lovers could cut the plate into a disk with scissors or a knife before having it etched with their favorite tunes. Students studying engineering, I was told, particularly excelled in this bootlegging process. But even a thawed Khrushchev regime had its standards to uphold, and in 1959 the government began a crackdown on this illicit music market. One government tactic was to flood record shops with unplayable records, many intended to damage record players. Some of these records included threatening vocals placed in the middle of a recording, which screamed at the unsuspecting listener, “You like rock and roll? Fuck you, anti-Soviet slime!” Eventually the use of bone records declined as replacement technologies, such as magnetic reel-to-reel tape, took over. But until then, bone-record makers were hunted down and sent to the Gulags. Particularly offensive to the Soviet government were bootleggers who reproduced American jazz records, music Stalin had declared a “threat to civilization.” Despite
Donnie Eichar (Dead Mountain: The Untold True Story of the Dyatlov Pass Incident)
banjo. A plucked, fretted lute where a thin skin diaphragm is stretched over a circular metal frame amplifying the sound of the strings. The instrument is believed to have evolved from various African and African-American prototypes. Four- and 5-stringed versions of the banjo are popular, each associated with specific music genres; the 5-stringed banjo, plucked and strummed with the fingers, is associated with Appalachian, old-time and bluegrass music, while the four-stringed versions (both the “plectrum” banjo, which is an identical 22-fret banjo, just like the 5-string instrument but without the fifth string and played with a plectrum, and the tenor banjo which has fewer frets [17 or 19], a shorter neck, is tuned in fifths and is played with a plectrum) is associated with vaudeville, Dixieland jazz, ragtime and swing, as well as Irish folk and traditional music. The first Irish banjo player to record commercially was James Wheeler, in the U.S. in 1916, for the Columbia label; as part of The Flanagan Brothers duo, Mick Flanagan recorded during the 1920s and 1930s as did others in the various dance bands popular in the U.S. at the time. Neil Nolan, a Boston-based banjo player originally from Prince Edward Island, recorded with Dan Sullivan’s Shamrock Band; the collaboration with Sullivan led to him also being included in the line-up for the Caledonia and Columbia Scotch Bands, alongside Cape Breton fiddlers; these were recorded for 78s in 1928. In the 1930s The Inverness Serenaders also included a banjo player (Paul Aucoin). While the instrument was not widely used in Cape Breton, a few notable players were Packie Haley and Nellie Coakley, who were involved in the Northside Irish tradition of the 1920s and 1930s; Ed MacGillivray played banjo with Tena Campbell; and the Iona area had some banjo players, such as the “Lighthouse” MacLeans. The banjo was well known in Cape Breton’s old-time tradition, especially in the 1960s, but was not really introduced to the Cape Breton fiddle scene until the 1970s when Paul Cranford, a 6-string banjo player, arrived from Toronto. He has since replaced the banjo with fiddle. A few fiddlers have dabbled with the instrument but it has had no major presence within the tradition.
Liz Doherty (The Cape Breton Fiddle Companion)
In 2013, one of the Cardinals’ rival scouting departments commissioned a study that examined draft outcomes more deeply still. The study, which extended back to 1990, found that if a club’s draft produces nine players who appear in the majors for even a single game, it ranks in the 95th percentile. The 95th percentile for number of everyday players—defined as those who go on to accumulate 1,500 big league plate appearances or batters faced—is four. The 95th percentile for number of firmly above-average players—that is, those who produce a cumulative Wins Above Replacement above 6.0 in their six cost-controlled, pre–free agency seasons—is three.
Ben Reiter (Astroball: The New Way to Win It All)
To write the history of neighborhood strife during this period of time without describing the efforts of people like Louis Wirth and his collaboration with the psychological warfare establishment during World War II, or the American Friends Service Committee and their work in both Philadelphia and Chicago, or Paul YIvisaker and his creation of the Gray Areas grants for the Ford Foundation and their subsequent takeover by a quintessential establishment figure like McGeorge Bundy, or Leon Sullivan, one of the players created by the Ford Foundation, and his collaboration with Robert Weaver while head of the Federal Housing Administration, is to tell less than half of the story. It is to do a remake of King Kong without the gorilla. It is also a bad example of whiggish history, a genre depressingly familiar to anyone who has done any reading in the conventional accounts of the sexual revolution and the civil rights movement, where effects have no causes and actual people making actual decisions in actual rooms are replaced by broad historical forces and Enlightenment melodramas like the triumph of liberation over bondage and light over darkness.
E. Michael Jones (The Slaughter of Cities: Urban Renewal as Ethnic Cleansing)
Kwitny’s Endless Enemies: The Making of an Unfriendly World (1984), an astute examination of U.S. economic policy and its long habit of manipulating governments. Kwitny wrote extensively about the Congo: how its hard-won independence lasted only about fifty days before it was lost again—diamonds, cobalt, self-determination, and all—to foreign business interests. The U.S. was the star player in this piracy. The first elected Congolese Prime Minister, Patrice Lumumba, declared that Congo’s wealth belonged to her people and would be used to improve their lives. The U.S. response was to hatch an assassination plan, finance a coup, and replace Lumumba with a puppet dictator who could be bribed to open the vaults to multinational corporations.
Adam Hochschild (King Leopold's Ghost)
When we try to establish justice apart from worship of the true God, at best we will, as Jayakumar reminded me, simply replace one set of god players with another. What will never be addressed by these thin, secular conceptions of justice is the heart of the biblical understanding of justice: the restoration of the human capacity to bear the image in all its fullness.
Andy Crouch (Playing God: Redeeming the Gift of Power)
Do you know what I learned from the last six years? I learned that nothing can replace you. Nothing.
Victoria Denault (One More Shot (Hometown Players, #1))
A player who is working hard and productively for the group shouldn’t receive the same treatment as someone who is offering less. And while each and every person on your team fills a role and performs a function, some of those roles and functions are filled by people much harder to replace than others. It would be naïve to suggest that a superstar in your organization—a top producer—won’t receive some accommodations not afforded others. This is not a double standard but rather a fact of life. Those small accommodations, however, must not apply in areas of your basic principles and values or they will soon be replaced by the perception that favoritism and special treatment are the norm.
John Wooden (Wooden on Leadership: How to Create a Winning Organization)
As had happened with several previous decentralized systems, this one had naturally tended toward greater centralization because of the efficiency made possible by specialization. This looked, increasingly, like Napster giving way to iTunes. In that case, the old power brokers—the record labels—were destroyed, but they were mostly just replaced by a new set of power players.
Nathaniel Popper (Digital Gold: Bitcoin and the Inside Story of the Misfits and Millionaires Trying to Reinvent Money)
A WHILE BACK, a game designer friend of mine named Phil Fish made a plea on Twitter, “Hey bloggers, no more ‘blank rebuilt in Minecraft’ posts, please. We get it. You can make things in Minecraft. Thanks.” Fish was referring to the popular online game Minecraft, in which players hunt for resources that are used to construct models and apparatuses with the game’s characteristic, cubical visual style. The Internet being what it is, given such tools extreme fans do insane things, like elaborately reconstructing the city King’s Landing from Game of Thrones using nothing but this square matter mined from Minecraft. Seeing Fish’s tweet, an enterprising ironoiac recreated the form of the embedded tweet itself inside Minecraft, a fact that the tech blog VentureBeat then dutifully blogged about, thus completing not one but two cycles of an ironoia self-treatment the environmental philosopher Timothy Morton names “anything you can do I can do meta.”14 In a futile attempt to prevent further metastasis, the blogger concluded his post with the line, “Yes, we’re fully aware of the irony of this post.”15 But rather than satisfying anyone, such a provocation only further irritated the ironoiac itch. Fish tweeted a link to the blog post covering the Minecraft construction of a model of Fish’s tweet protesting blog posts about Minecraft constructions, which one of his followers one-upped by observing the fact that Fish had in fact “tweeted about somebody blogging about somebody making [his] tweet about Minecraft in Minecraft.” Another chimed in, “How long ’til someone recreates that blog post in Minecraft?” Each step represents an attempt to overcome the absurdity of the last by fixing it in a new voice, even though each ironic gesture was evanescent, quickly replaced by yet another layer of buffer from yet another desperate ironoiac. Why do we do it, then? Today, satisfaction is more elusive than ever. In part, the precarity of life after the 2008 global financial collapse and the Great Recession that followed it (and whose effects still linger) makes every transaction with the world feel suspect and risky. We fear that things might turn on us, because we have good evidence that they can, and do. But
Ian Bogost (Play Anything: The Pleasure of Limits, the Uses of Boredom, and the Secret of Games)
Got a hot date tonight, Sarge?” Ro chuckled as he handed Syn the next group of Illustra’s entertainers that were being picked up for questioning. Syn flushed but chose to ignore Ro’s smug grin. “Shut up,” he mumbled, and flipped open the next file. He flinched so hard his neck popped. Syn’s breath caught at the image that stared back at him. “Oh yeah. This is the one I wanted to mention, he might be a prime suspect.” Syn threw his hand up, stopping Ro. This couldn’t be happening. “I thought we’d concluded that the killers were women from that crazy-ass men-bashing group, BTNS?” “Yes, we did. But hear me out; there may be more players in this. Starman was definitely taken out by women but he could’ve been set up by others. This guy's name is Furious Gray Barkley. During questioning, the owner of Illustra, Johnathan Mack said that Furious Barkley, who performs as Furious Styles, was scheduled to do a movie with Sasha Pain but declined. Furious’ replacement was our vic.” Ro rubbed his smooth face and kept talking, oblivious to Syn’s inner turmoil. “Kicker is, although this Furious Gray Barkley has no priors, he’s also known as Furious Gray Nicks. Husband to Patrick Nicks. That image there is a photo that was given to the Charlotte Mecklenburg Police Department when Furious’ husband filed a missing persons on him almost a year ago. Furious is on the run and I want to know why. I contacted the husband but had to leave a message. I already sent Jameson to pick him up. He works at a pub in ... hmmm.” Ro’s eyebrows rose. “In your neighborhood.
A.E. Via
I don’t doubt that Dharmesh really does care about creating a company that people can love, but I am equally sure that Halligan cares only about the numbers. While Dharmesh obsesses about the five principles that make up HEART, Halligan’s big metric is something called VORP, or value over replacement player. The idea comes from Major League Baseball, where it is used to set prices on players. At HubSpot, VORP means evaluating the difference between what you are paid and the least amount the company could pay someone else to do your job. It’s a vicious metric, with only one goal, which is to drive the price of labor as low as possible.
Dan Lyons (Disrupted: My Misadventure in the Start-Up Bubble)
Most mods are single-player only mods. Knowing how to install single player mods helps in installing multiplayer mods. You must first download the mod that you want. Go to a reliable website and download. If the mod that you want is missing and cannot be found, this usually means that it is discontinued.   Windows   First you will need an archive utility application, such as WinZip, WinRAR, 7-Zip, or something similar.   Locate you Minecraft application. Go to the start menu, and type “minecraft” in the search bar. Click on this option to open the folder in a new window.   Your Minecraft application data can be found within your .minecraft folder.   Back-up your Minecraft save files before installing any mod. To do this simply copy your saves folder and paste it into another folder. Copy the previous saves folder back into your .minecraft folder to restore.   Extract the mod you downloaded with WinRAR or any archive utility application.   Locate the minecraft.jar file. This file can be found in the bin folder in .minecraft.   Back-up your minecraft.jar file. Copy minecraft.jar in the same folder as the mods.   Open the minecraft.jar file with WinRAR.   Copy all the mod files into the minecraft.jar file and select "Add and replace files”   Lastly delete the folder named META-INF.
Dreamville Books (The NEW (2015) Complete Guide to: Minecraft Modding Game Cheats AND Guide with Free Tips & Tricks, Strategy, Walkthrough, Secrets, Download the game, Codes, Gameplay and MORE!)
You know, I reckon you’ve had a narrow escape. I was reading an article about early-onset arthritis in rugby players, and apparently the whole lot of them are cripples by the time they get to sixty. And they’re the ones who are sixty now; they played a hell of a lot less games forty years ago.’ ‘But they patch them up a lot better these days,’ I pointed out. ‘There’s still not much you can do about having no cartilage left in any of your joints.’ ‘They can replace knees and hips.’ ‘Not shoulders. Or fingers. How many of them has he dislocated?’ ‘I don’t know. A few.’ ‘There you go. Those’ll all be buggered in another ten years. You would have ended up wiping his bum for him.’ ‘I wouldn’t have minded,’ I muttered. He passed me out a handful of bolts and shuffled along to the next corner. ‘You’re pathetic. And there’s another reason you should have been heading for the hills.’ ‘What?’ I asked. ‘Do you know what the All Blacks’ motto is?’ ‘“Feed your backs”?’ ‘Nope. It is – and I kid you not – “Subdue and penetrate”.’ ‘I don’t believe you.’ ‘Google it then.’ ‘Maybe it didn’t sound so dodgy a hundred years ago when they came up with it,’ I said weakly. ‘Of course it did. It’s not like human biology’s changed since then. Very shady people, rugby players.
Danielle Hawkins (Chocolate Cake for Breakfast)
Changing elements usually has the least effect on the system. If you change all the players on a football team, it is still recognizably a football team. (It may play much better or much worse—particular elements in a system can indeed be important.) A tree changes its cells constantly, its leaves every year or so, but it is still essentially the same tree. Your body replaces most of its cells every few weeks, but it goes on being your body. The university has a constant flow of students and a slower flow of professors and administrators, but it is still a university. In fact it is still the same university, distinct in subtle ways from others, just as General Motors and the U.S. Congress somehow maintain their identities even though all their members change. A system generally goes on being itself, changing only slowly if at all, even with complete substitutions of its elements—as long as its interconnections and purposes remain intact.
Donella H. Meadows (Thinking in Systems: A Primer)
The ugliness of woke consumerism is the way it replaces that invitation with a call to using brute force as punishment instead. It’s a game in which all the players lose.
Vivek Ramaswamy (Woke, Inc.: Inside Corporate America's Social Justice Scam)
The man had been desperately unhappy then. Now he was proud and smiling because his hands were busy doing what they liked to do best, Paul supposed - replacing men like himself with machines.
Kurt Vonnegut Jr. (Player Piano)
Six key themes The real reset has gone much deeper and encompasses six key themes, all of which are linked: 1) The shift from a push system, based on producer dominance, oligopolistic competition, limited supply and restricted access, to a pull system driven by consumer dominance, near-perfect competition, perfect knowledge and ubiquitous access to goods. 2) The change from mass marketing, based on a few research and segmentation studies, to personalized marketing, based on individual customer data. 3) The realization that the e-commerce revolution and the communications revolution (social media, user reviews, influencers, etc.) has broken the traditional supply chain, with its multiple players – manufacturers, branded wholesalers and retailers – all supping from the margin cup and adding their mark-ups to prices, and replaced it with a shorter and more direct route to market. 5) The realization that the stores channel was not the only, or even best, way of moving goods from factories to consumers. Indeed, that it was inferior to the e-commerce channel in many respects as a pure goods-transmission mechanism. 6) That putting the consumer at the heart of the business model required seeing the different channels as the consumer saw them – not competing, but complementary to each other. 7) That based on this, the traditional model of the store, as a ‘warehouse’ piled high with stock and with just a narrow fringe of branding and customer service on top, was obsolete and that only a ruthless attention to the remaining added value of physical stores could ensure their continued relevance and survival.
Mark Pilkington (Retail Recovery: How Creative Retailers Are Winning in their Post-Apocalyptic World)
He spends more time than ever now schooling players on the value of competition. He explains to them in spring training the challenge and magnificence of getting a World Series ring, because “it won’t happen accidentally. You gotta tell ’em to want it.” He sees how quickly clubhouses empty out regardless of how sweet the win or how tough the loss, suburbanites hoping to catch the 5:05 home, all-night talk of baseball replaced by simply wanting to get to wherever they’re going. He wishes there were more team parties, but when so many players are glancing impatiently at their Rolexes because it’s almost ten o’clock, no party could generate much esprit de corps. In recent years,
Buzz Bissinger (Three Nights in August: Strategy, Heartbreak, and Joy Inside the Mind of a Manager)
Then I remember that my last tape recorder was replaced by my CD walkman that I used when I used to remember to exercise. Except the CD player was sort of janky, and it wouldn't play unless it was held flat. So, I would power walk through my neighborhood, holding the CD player with both hands in front of me like I was in a really big hurry to present a small waffle iron to someone just around the corner.
Jenny Lawson (Broken (In the Best Possible Way))
Economics 2.0 apparently replaces the single-indirection layer of conventional money, and the multiple-indirection mappings of options trades, with some kind of insanely baroque object-relational framework based on the parameterized desires and subjective experiential values of the players, and as far as the cat is concerned, this makes all such transactions intrinsically untrustworthy.
Charles Stross (Accelerando)
Factom, an Austin, Texas, company that created an audit trail of financial documents’ changes, creating a model that, if it’s widely adopted, will eventually replace the whole industry of quarterly and annual accounting and auditing with something that happens in real time. Another player in this space is called, appropriately, Stampery. Stampery was founded by Luis Iván Cuende, a remarkable young Spanish entrepreneur who founded his first major software project at the age of twelve and at the age of twenty-one had amassed a reputation as one of the world’s most innovative hackers and developers. Stampery takes hashes of documents and records the trail of changes to them to the blockchain, providing valuable proof of status for companies involved in negotiations or litigation.
Michael J. Casey (The Truth Machine: The Blockchain and the Future of Everything)
It may seem unlikely in principle that one individual could really generate so much more wealth than another. The key to this mystery is to revisit that question, are they really worth 100 of us? Would a basketball team trade one of their players for 100 random people? What would Apple’s next product look like if you replaced Steve Jobs with a committee of 100 random people?6 These things don’t scale linearly. Perhaps the CEO or the professional athlete has only ten times (whatever that means) the skill and determination of an ordinary person. But it makes all the difference that it’s concentrated in one individual.
Paul Graham (Hackers & Painters: Big Ideas from the Computer Age)
could write forever on the many dangers of ASI and the difficulty of reining in a superior intelligence. The arguments used in Infinity Born, such as perverse instantiation, are all real and have been used by prominent scientists (as have many other arguments that I didn’t include). For those of you interested in a very thorough, complex, and scholarly treatment of the subject matter, I would recommend the book Superintelligence: Paths, Dangers, Strategies (2014) by Nick Bostrom, a Professor at Oxford. The book I found most useful in researching this novel is entitled, Our Final Invention: Artificial Intelligence and the end of the Human Era (James Barrat, 2013). This described the “God in a box” experiment detailed in the novel, for example, and provided a fascinating, easy-to-read perspective on ASI, at least on the fear-mongering side of the debate. I’ve included a few quotes from this book that I thought were relevant to Infinity Born. Page 59—First, there are too many players in the AGI sweepstakes. Too many organizations in too many countries are working on AGI and AGI-related technology for them all to agree to mothball their projects until Friendly AI is created, or to include in their code a formal friendliness module, if one could be made. Page 61—But what if there is some kind of category shift once something becomes a thousand times smarter than we are, and we just can’t see it from here? For example, we share a lot of DNA with flatworms. But would we be invested in their goals and morals even if we discovered that many millions of years ago flatworms had created us, and given us their values? After we got over the initial surprise, wouldn’t we just do whatever we wanted? Page 86—Shall we build our robot replacement or not? On this, de Garis is clear. “Humans should not stand in the way of a higher form of evolution. These machines are godlike. It is human destiny to create them.
Douglas E. Richards (Infinity Born)
What’s the seventh direction?” The seventh direction is within. It is the most important. The Controllers focus on controlling the six directions, while the Sonvertos focus on opening humanity to the seventh direction.” “Why?” Uncle smiled. “Because it’s the one place the Controllers can’t control.” “Why can’t they control the seventh direction, if they can control the other six?” “Because the seventh direction is the sacred way in which the Creator—the Great Mystery - moves into the physical universe. The movement is always one-to-one. Creator to individual. Some people have allowed the Controllers to substitute their own image of a God, in effect, replacing the Great Mystery with the small faith. It’s not so much control as it is a form of magic like a shell game. It’s all about distraction. “Controllers are very good at two things: one, forming distractions so people grow to be predictable and easy to manage; and two, providing substitutions for the Real that, over time, become real to most people.” “I don’t understand,” I said, “why don’t people stop them? Kohana touched my arm gently. “One thing Nammu told you is true; they are a very ancient race. They operate in a different spacetime and they know all about us, because they’ve created the game in which we play, and they’ve been observing us since we began on this planet. “The Controllers may have created the game that humanity plays, but there is a bigger game being played out than one planet and a collection of races we call humanity. In this bigger game there’re larger players, more at stake, and this is where we focus. We don’t try to battle the Controllers, we honor them and their role, we avoid their distractions, and we withdraw our energy from them.” “Honor is our word for accept. If we battle them, then we’re trying to control the Controllers. We become like them. We don’t want to control anything, even the seventh direction.” “But if they’ve created the game,” I asked, “do we let them continue with their ways?” "The real manipulators live out of our reach. We can only teach about the seventh direction. That is what we do and why we’re here.” “It sounds so passive…” I whispered. “It’s passive only when you think in terms of battle,” Kohana said. His tone slightly irritated. “We actively teach. We actively show people how to live aligned to nature. We actively demonstrate how to connect with our Creator. People must have the desire to awaken; we can’t force them to wake up.” “And where do they get this desire?” I asked. “Everything you’ve said about the Controllers is that they’ve deceived us and kept us distracted. So where do people get the desire to even consider the seventh direction?” “These attractions are in mythology, religion, philosophy, poetry, art, nature, even science and technology. The attractions are everywhere, just as the distractions of the Controllers are everywhere. They are competing forces for the attention of a human mind and heart.
James Mahu
Hraith Doomguard wasn’t his real name. He’d chosen it because players always laughed when he told them it was Tom Butler. “That’s too boring,” they’d say. “It can be anything you want here.” Tom had grown up with two brothers and a sister. He’d been teased mercilessly by other kids who called his parents “breeders”—couples who had more than one child. Overpopulation, everyone knew, was the biggest threat to the world, and never mind that the global population was smaller than at any point in the last hundred years. Having grown up in a large family, Tom wanted a family of his own. But every woman he met at the law firm or singles bars had taken the sterilization package to shave ten years off retirement age. Theirs was a purgatory-like existence. None of them wanted marriage. They lived overly safe lives for fear of dying too young, all in the hope of paradise worlds, game worlds, theme worlds, or hedonistic worlds characterized by muscly bodies and supersaturated sensuality. As Tom’s life plodded along, he was plagued with bouts of deep depression which he managed with a medical prescription. In time, he did meet a few women who wanted a family. But he was either too picky or they were, and nothing ever came of it. Lonely and mostly celibate, Tom kept to himself in his later years after watching his friends, parents, brothers, and his sister retire to the Everlife worlds, never to be seen again. At the ripe old age of eighty-five, he finally succumbed to the near-constant government nagging that he was a drain on the system. After a little research, he retired to Mythian. It was fun at first, but eventually the ogres, goblins, and skeleton armies couldn’t replace his longing for a life of purpose. One day, after waking up for the thousandth time—perfectly rested yet unfulfilled—Tom realized the only thing he enjoyed about living was being asleep. That’s why, having reached level 164 for no good reason, he gave up adventuring, went to sleep, and never woke up again.
John L. Monk (Karma's Touch (Chronicles of Ethan, #3))
Most musicians do not play for life. If you’ve written a lot of songs that still get played you might ‘retire’ and live off the royalties, but that would be a small percentage of players. Many will stay in the business but essentially get a desk job like A & R or marketing, but that’s probably a minority as well. That means that a whole bunch of players have had to find other jobs after spending their entire lives learning to do one thing. At least you’re not likely to be replaced by a robot; unless you’re in Kraftwerk.
Todd Rundgren (The Individualist: Digressions, Dreams & Dissertations)
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Core players had turned on Ranieri and lobbied the owners to replace him with his English assistant, Craig Shakespeare. The narrative gathered enough steam that, at Shakespeare’s first game in charge, the Leicester fans unfurled a gigantic display urging their team to CRY HAVOC AND LET SLIP THE DOGS OF WAR. Their choice of a line from William (not Craig) Shakespeare’s Julius Caesar, a play about a Roman leader betrayed by former allies, was no accident.
Joshua Robinson (The Club: How the English Premier League Became the Wildest, Richest, Most Disruptive Force in Sports)