Renovated Quotes

We've searched our database for all the quotes and captions related to Renovated. Here they are! All 70 of them:

With destruction comes renovation.
Wally Lamb (I Know This Much Is True)
At Camp Half-Blood. The Hades cabin needs a head counsellor. Have you seen the decor? It’s disgusting. I’ll have to renovate. And someone needs to do the burial rites properly, since demigods insist on dying heroically.’ ‘That’s – that’s fantastic! Dude!’ Jason opened his arms for a hug, then froze. ‘Right. No touching. Sorry.’ Nico grunted. ‘I suppose we can make an exception.’ Jason squeezed him so hard Nico thought his ribs would crack.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Songs remain. They last...A song can last long after the events and the people in it are dust and dreams and gone. That's the power of songs.
Neil Gaiman (Anansi Boys)
We don't believe something by merely saying we believe it, or even when we believe that we believe it. We believe something when we act as if it were true.
Dallas Willard (Renovation of the Heart: Putting On the Character of Christ)
Rev. Pat Robertson says that if more states legalize gay marriage, God will destroy America. He did say that afterwards, gays will come in and do a beautiful renovation.
Conan O'Brien
Renovate your life, the old myths say, and the universe is yours.
Wally Lamb
A carefully cultivated heart will, assisted by the grace of God, foresee, forestall, or transform most of the painful situations before which others stand like helpless children saying “Why?
Dallas Willard (Renovation of the Heart: Putting On the Character of Christ)
True compassion does not sit on the laps of renovation; it dives with an approach to reconstruction. Don't throw a coin at a begger. Rather, destroy his source of poverty.
Israelmore Ayivor
The confusion is not my invention. We cannot listen to a conversation for five minutes without being aware of the confusion. It is all around us and our only chance now is to let it in. The only chance of renovation is to open our eyes and see the mess. It is not a mess you can make sense of.
Samuel Beckett
I fought a killer and didn’t even smudge my makeup.
Rose Pressey Betancourt (Flip That Haunted House (Haunted Renovation Mystery, #1))
Fans don’t mind him doing a little touch-up work, but Jesus wants complete renovation. Fans come to Jesus thinking tune-up, but Jesus is thinking overhaul. Fans think a little makeup is fine, but Jesus is thinking makeover. Fans think a little decorating is required, but Jesus wants a complete remodel. Fans want Jesus to inspire them, but Jesus wants to interfere with their lives.
Kyle Idleman (Not a Fan: Becoming a Completely Committed Follower of Jesus)
Actions are not impostions on who we are, but are expressions of who we are. They come out of our heart and the inner realities it supervises and interacts with
Dallas Willard (Renovation of the Heart: Putting On the Character of Christ)
The USSR, which they'd begun to renovate and improve at about the time when Tatarsky decided to change his profession, improved so much that it ceased to exist (if a state is capable of entering nirvana, that's what must have happened in this case)
Victor Pelevin
My boyfriend likes to fuck my brains out on our kitchen island. Which tile would you recommend for that?
Alice Clayton (Rusty Nailed (Cocktail, #2))
The appropriate response to this gospel proclamation is to rethink everything in the light of the risen and ascended Christ and live accordingly. We rethink our lives (which is what it means to repent) not so we can escape a doomed planet, but in order to participate in God’s design to redeem the human person and renovate human society in Christ. Salvation is a restoration project, not an evacuation project!
Brian Zahnd (A Farewell to Mars: An Evangelical Pastor's Journey Toward the Biblical Gospel of Peace)
The images of men's wit and knowledge remain in books, exempted from the worry of time and capable of perpetual renovation.
Francis Bacon
Jesus is not a heavenly conductor handing out tickets to heaven. Jesus is the carpenter who repairs, renovates, and restores God’s good world.
Brian Zahnd (A Farewell to Mars: An Evangelical Pastor's Journey Toward the Biblical Gospel of Peace)
Recognizing the structure of your psychology doesn't mean you can easily rebuild it. The Chamber of Unreasonable Guilt is part of my mental architecture, and I doubt that I will ever be able to renovate that particular room in this strange castle that is me.
Dean Koontz (Odd Thomas (Odd Thomas, #1))
All white people are born with a singular mission in life in order to pass from regular whitehood into ultra-whitehood. Just as Muslims have to visit Mecca, all white people must eventually renovate a house before they can be complete.
Christian Lander (Stuff White People Like: A Definitive Guide to the Unique Taste of Millions)
Now if you're not „hot”, you are expected to work on it until you are. It's like when you renovate a house and you're legally required to leave just one of the original walls standing. If you don't have a good body you have down to a neutral shape, then bolt on some breast implants, replace your teeth, dye you hair, and call yourself the Playmate of the Year. How do we survive this? How do we teach our daughters and our gay sons that they are good enough the way they are? We have to lead by example.
Tina Fey (Bossypants)
A contest was held in 1994 to rename the Los Angeles Convention and Exhibition Center after an extensive renovation and expansion. The winning name, chosen from over ten thousand entries, was the Los Angeles Convention Center.
James Frey (Bright Shiny Morning)
I’d find someone else. No distractions. Men get in the way of ambition. Plus, they laugh at you when you fail
Rose Pressey Betancourt (Flip That Haunted House (Haunted Renovation Mystery, #1))
we will see profound spiritual renovation if by God’s grace we make it our commitment not to put anyone down—except on our prayer list.
D.A. Carson (A Call to Spiritual Reformation: Priorities from Paul and His Prayers)
The Black Pit of Despair is temporarily closed for renovations. We apologize for any inconvenience.
David C. Holley (Write like no one is reading)
Many actions which seem cruel are from a deep friendship. Many demolitions are actually renovations.
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
He saves us by realistic restoration of our heart to God and then by dwelling there with his Father through the distinctively divine Spirit. The heart thus renovated and inhabited is the only real hope of humanity on earth.
Dallas Willard (Renovation of the Heart: Putting On the Character of Christ)
It's called joining the property market - and it shits on war for stress
Tyne O'Connell (Latest Accessory (Meet Me at the Bar, #2))
Round about the accredited and orderly facts of every science there ever floats a sort of dust-cloud of exceptional observations, of occurrences minute and irregular and seldom met with, which it always proves more easy to ignore than to attend to... Anyone will renovate his science who will steadily look after the irregular phenomena, and when science is renewed, its new formulas often have more of the voice of the exceptions in them than of what were supposed to be the rules.
William James
Because I’m sore and I need a break, and if he woke up and rolled over, his dick would have found a way inside of me again and again until I wouldn’t be able to walk…and there’s no guarantee he would have stopped even if I hung a CLOSED FOR RENOVATIONS sign around my hips.” She sighed. “I left for the well-being of my pud.
Shay Rucker (On the Edge of Love (Mama's Brood, #1))
They toured the new hospital, the renovated and expanded McVeigh Home, and the (named without apparent irony) Bay View Home for the Blind and Helpless.
Alan Brennert (Moloka'i (Moloka'i, #1))
We’re good at learning by tinkering—which is fortunate, because we’re terrible at getting things right the first time.
Bent Flyvbjerg (How Big Things Get Done: The Surprising Factors That Determine the Fate of Every Project, from Home Renovations to Space Exploration and Everything In Between)
She felt safe here in the arms of this dangerous man. It was like returning to a home that had been destroyed and rebuilt. The same bones, same structure, but a new core that felt more foreign than if you hadn't ever known it from before. Walls and obstacles constructed by hands that were not her own. But it didn't matter to her. She'd learn this man he'd become, renovate with her love what could be improved upon, and accept and adapt to what she could not repair.
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
(Regarding the Roosevelt Tram along Queensboro Bridge): "They had it renovated by the French. French cars. French cables. Cables that surrender! Would you ride in a tram that surrenders? I sure as hell wouldn't!
Camilla Monk (Beating Ruby (Spotless, #2))
Mom, for example, is Procter and Gamble’s perfect repeat customer. Renovation contractors send her personalized Christmas cards. She lives for the Sunday edition of our local newspaper. She thumbs through the “Modern Home” section. She mopes through the rest of the day, unhappy with all her outdated things.
Michael Benzehabe (Zonked Out: The Teen Psychologist of San Marcos Who Killed Her Santa Claus and Found the Blue-Black Edge of the Love Universe)
A great part of the disaster of contemporary life lies in the fact that it is organized around feelings. People nearly always act on their feelings, and think it only right. The will is then left at the mercy of circumstances that evoke feelings. Christian spiritual formation today must squarely confront this fact and overcome it.
Dallas Willard (Renovation of the Heart: Putting on the Character of Christ with Bonus Content (Designed for Influence))
You know I wouldn't know a Louis Vuitton from a Louis L'Amour
Juliet Blackwell (Dead Bolt (Haunted Home Renovation Mystery, #2))
Spending time with God will fill vacant places in our lives.
Adria Wilkins (Heart Renovation: A Construction Guide to Godly Character)
The meek don't give up their power to "win" in order to be godly--they give up using their power to harm.
Katy Kauffman (Heart Renovation: A Construction Guide to Godly Character)
A home is never finished, it’s only saved from decay.
Victor LaValle (Lone Women)
I took the sleeper out of Glasgow, and as the smelly old train bumped out of Central Station and across the Jamaica Street Bridge, I stared out at the orange halogen streetlamps reflected in the black water of the river Clyde. I gazed at the crumbling Victorian buildings that would soon be sandblasted and renovated into yuppie hutches. I watched the revelers and rascals traverse the shiny wet streets. I thought of the thrill and danger of my youth and the fear and frustration of my adult life thus far. I thought of the failure of my marriage and my failures as a man. I saw all this through my reflection in the nighttime window. Down the tracks I went, hardly aware that I was going further south with every passing second.
Craig Ferguson (American on Purpose: The Improbable Adventures of an Unlikely Patriot)
...Jesus did not send his students out to start governments or even churches as we know them today... They were, instead, to establish beachheads of his person, word, and power in the midst of a failing and futile humanity.
Dallas Willard (Renovation of the Heart: Putting On the Character of Christ)
Men will become more clever and more acute, but not better, happier, and stronger in action, or at least only at epochs. I foresee the time when God will have no more joy in them, but will break up everything for a renewed creation. I am certain that everything is planned to this end, and that the time and hour are already fixed in the distant future for the occurrence of this renovating epoch. But a long time will elapse first, and we may still for thousands and thousands of years amuse ourselves in all sorts of ways on this dear old surface.
Johann Wolfgang von Goethe
Scapegrace: Back then, I was full of ideas, I was going to renovate the whole front of the pub,, and extend out to the west, maybe get in a music system a little dancefloor. In the end, I decided not to. Too expensive, you know. And, like, nobody wanted to dance so. Skulduggery: Vaurien, if you're trying to kill us, there are quicker ways than telling us your life story Valkryie: Less painful too.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
Nothing shapes us like our friends. Family, definitely. Families fuck us up by an order of magnitude. But friends, we collect them like bricks and nails and drywall. They’re pieces in the blueprint, but that blueprint is always under renovation. We’re all deciding toward who we were always meant to be, choosing, mutating, growing into ourselves. Friends are the qualities we want to absorb. What we want to be.
Elle Kennedy (The Dare (Briar U, #4))
But taking love itself—God’s kind of love—into the depths of our being through spiritual formation will, by contrast, enable us to act lovingly to an extent that will be surprising even to ourselves, at first.
Dallas Willard (Renovation of the Heart: Putting On the Character of Christ)
Renova-te. Renasce em ti mesmo. Multiplica os teus olhos, para verem mais. Multiplica-se os teus braços para semeares tudo. Destrói os olhos que tiverem visto. Cria outros, para as visões novas. Destrói os braços que tiverem semeado, Para se esquecerem de colher. Sê sempre o mesmo. Sempre outro. Mas sempre alto. Sempre longe. E dentro de tudo.
Cecília Meireles
Modern prophets say that our economics have failed us. No! It is not our economics which have failed; it is man who has failed-man who has forgotten God. Hence no manner of economic or political readjustment can possibly save our civilization; we can be saved only by a renovation of the inner man, only by a purging of our hearts and souls; for only by seeking first the Kingdom of God and His Justice will all these other things be added unto us.
Fulton J. Sheen (The Prodigal World)
Spiritual formation in Christ moves toward a total interchange of our ideas and images for his.
Dallas Willard (Renovation of the Heart: Putting On the Character of Christ)
When women have so absorbed the disease of sexism that they themselves can inflict it on each other, we clearly have a perfect, self-replenishing machine for the continuation of sexism. Unable to turn our assertiveness against men, we turn it against each other. Thus we remain stuck in the troubles we always had. It is imperative we renovate the machine -- no, not renovate it, but smash it entirely, so that we allow women to be all they need to be.
Erica Jong
Bright color operates like a stimulant, a shot of caffeine for the eyes. It stirs us out of complacency. The artist Fernand Léger related the story of a newly renovated factory in Rotterdam. “The old factory was dark and sad,” he noted. “The new one was bright and colored: transparent. Then something happened. Without any remark to the personnel, the clothes of the workers became neat and tidy.… They felt that an important event had just happened around them, within them.
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
Six month of sitting home, six month of doing absolutely nothing but watching TV, going out, sleeping, getting drunk and sleeping again. Oh no, wait, I was busy with something, I was doing some renovations in my new apartment. Which legally became mine only a month ago. Yep, that's what all my life has been about, spontaneous decisions and living in the moment. Because right now technically I'm a 25-year-old illegal immigrant from Russia, four years in New York, no papers, no work authorization, no work itself. Only a crazy life filled with restaurants, shops, beauty salons, clubs and restaurants again. How is it all possible? Very simple. I used to be a stripper.
Ellie Midwood (The New York Doll)
Let him mock her. Let him joke with strangers at her expense. He had no power to hurt her—not anymore. That ship had sailed months ago, had disappeared over the horizon, and was on the other side of the world with no possibility of a return voyage.
Callie Carpenter (Death by Demo (A Home Renovation Mystery))
My building was constructed in 1896, and the utilities reflect an odd design that has been jerry-rigged further with each renovation. If you want to understand the wiring and plumbing in my building, you have to understand its history, how it was renovated for each new generation of scientists. My head has a long history also, and that history explains complicated nerves like the trigeminal and the facial.
Neil Shubin (Your Inner Fish: a Journey into the 3.5-Billion-Year History of the Human Body)
Exiting from any long-term relationship comes at great personal expense, which explains why so many people are understandably reluctant to endure the cost of severance. Beginnings and endings are always dramatic and occasionally traumatic. Youthful brio allows us to engage in transformation. As we age, we carefully weigh the spectacle of continuing enduring harrowing situations or seeking melodramatic renovation of our core being. Analysis of the respective cost benefit ratio, consideration of the known versus the unknown, can delay or permanently deter us from altering our environment, leading our persona to become more rigid as we mature. Transformations in life are disconcerting to people who resist change.
Kilroy J. Oldster (Dead Toad Scrolls)
But my decision to create a disturbance by renovating my house had awoken a different reality, as though I had disturbed a beast sleeping in its lair. I had started to become, in effect, angry. I had started to desire power, because what I now realised was that other people had had it all along, that what I called fate was merely the reverberation of their will, a tale scripted not by some universal storyteller but by people who would elude justice for as long as their actions were met with resignation rather than outrage.
Rachel Cusk (Transit)
But in his lapsed and sinful state, man is not capable, of any by himself, either to think, to will, or to do that which is really good, but it is necessary for him to be regenerated and renewed in his intellect, affections or will, and in all his powers, by God in Christ through the Holy Spirit, that he may be qualified rightly to understand, esteem, consider, will, and perform whatever is truly good. When he is made a partaker of this regeneration or renovation, I consider that, since he is delivered from sin, he is capable of thinking, willing, and doing that which is good, but yet not without the continued aids of Divine Grace.
Jacobus Arminius
The hidden dimension of each human life is not visible to others, nor is it fully graspable even by ourselves. We usually know very little about the things that move in our own soul, the deepest level of our life, or what is driving it. Our “within” is astonishingly complex and subtle—even devious. It takes on a life of its own. Only God knows our depths, who we are, and what we would do.
Dallas Willard (Renovation of the Heart: Putting On the Character of Christ)
as architect of choosing... choose. to. live. awakened. entirely. wholly. wildly powerful,  deeply masterful,  authentically creative, thriving.  this is not a hoped-for possible self. [reminder: this is an immutable Law of your being] needing not to learn the skill of being whole,  the antidote is to unlearn the habit of living incompletely here’s the practice: ‘know thyself‘—its about spirit  righteousness is underrated elevate connection with the changeless essence seek similitude with the will of Source and will of self 'choose thyself'—its about substance sacred. sagacious. spacious. in thought, word and deed— intend to: honor virtue. innovate enthusiastically. master integrity. 'become who you are'—its about style  a human, being an entrepreneur of life experiences a human, being a purveyor of preferences being-well with the known experience of soul, in service your relationship with insecurities, contradictions, & failures? obstacles or...invitations to grow? [mindset forms manifestation] emotions are messengers are gifts data for discernment: dare to deconstruct them your fears a belief renovation: fear.less. & aspire towards ascendance, anyway support your shine lean into the Light be.come. incandescent as architect of choosing, I choose...  to disrupt the energy of the status quo, to eclipse the realms of ordinary, & to live--a life-well lived. w/ spirit, substance & style.
LaShaun Middlebrooks Collier
The revolution of Jesus is in the first place and continuously a revolution of the human heart or spirit. It did not and does not proceed by means of the formation of social institutions and laws, the outer forms of our existence, intending that these would then impose a good order of life upon people who come under their power. Rather, his is a revolution of character, which proceeds by changing people from the inside through ongoing personal relationship to God in Christ and to one another. It is one that changes their ideas, beliefs, feelings, and habits of choice, as well as their bodily tendencies and social relations. It penetrates to the deepest layers of their soul.
Dallas Willard (Renovation of the Heart: Putting On the Character of Christ)
To “grow in grace” means to utilize more and more grace to live by, until everything we do is assisted by grace. Then, whatever we do in word or deed will all be done in the name of the Lord Jesus (Colossians 3:17). The greatest saints are not those who need less grace, but those who consume the most grace, who indeed are most in need of grace—those who are saturated by grace in every dimension of their being. Grace to them is like breath.
Dallas Willard (Renovation of the Heart: Putting On the Character of Christ)
They were Chinese vampires. They were discovered during renovation work at the Bok Kai Temple in Old Sacramento. One of the priests there told his brother about them. The brother's whatever the Chinese version of mobbed up is. Alex here thinks he's using them to distract the Nortenos and the Black Dragons long enough to take over the marijuana trade in Sacramento using the stuff they're making in a bunch of grow houses in Elk Grove." Ted stared at me. "And will the Chinese vampires be joined by legions of Korean werewolves who have been cooking meth in trailer parks in Truckee? "No. The werewolves are refusing to get involved. Trust me, I've tried to talk them into helping. They'll have nothing to do with it.
Eileen Rendahl (Don't Kill The Messenger (Messenger, #1))
He like both types of conversation with Willem, but he appreciates the mundane ones more than he'd imagined he would. He had always felt bound to Willem by the big things -love, trust- but he likes being bound to him by the small things as well: bills and taxes and dental checkups. He is always reminded of a visit to Harold and Julia's ....(they) had begun talking about the Truro house's kitchen renovation. He half dozed, listening to their quiet talk, which had been so dull that he couldn't follow any of the details but had also filled him with a great sense of peace: it had seemed to him the ideal expression of an adult relationship, to have someone with whom you can discuss the mechanics of a shared experience.
Hanya Yanagihara (A Little Life)
My father exerted an emotional monopoly. His happiness tolerated no dissent. When he was in a good mood, everyone was supposed to be delighted to hear his long stories, laugh at his jokes and cheerfully partake in whatever project he had in mind—calamitous home renovations, around-the-clock printing jobs, excursions to the Bronx in search of an Italian butcher someone had mentioned. But whenever he was low or had been wronged, he made everyone pay for it. I have yet to see a face as determined as his was in anger. It was, sadly, a determination that was fixed only on itself—determined to be determined. Once he got into that state, I think he viewed any kind of compromise as self-betrayal, as if his whole being could be eroded and wiped away by the admission of a fault. I lived with my father for over twenty years, and we stayed close after I moved out. Not once, in all those decades, did he apologize to me for anything.
Hernan Diaz (Trust)
the only prospect which is really desirable or delightful, is that from the window of the breakfast-room [...] where we meet the first light of the dewy day, the first breath of the morning air, the first glance of gentle eyes; to which we descend in the very spring and elasticity of mental renovation and bodily energy, in the gathering up of our spirit for the new day, in the flush of our awakening from the darkness and the mystery of faint and inactive dreaming, in the resurrection from our daily grave, in the first tremulous sensation of the beauty of our being, in the most glorious perception of the lightning of our life; there, indeed, our expatiation of spirit, when it meets the pulse of outward sound and joy, the voice of bird and breeze and billow, does demand some power of liberty, some space for its going forth into the morning, some freedom of intercourse with the lovely and limitless energy of creature and creation.
John Ruskin (The poetry of architecture: Or, The architecture of the nations of Europe considered in its association with natural scenery and national character)
These changes, I believe, can be the basis of a true Islamic Reformation, one that progresses to the twenty-first century rather than regresses to the seventh. Some of these changes may strike readers as too fundamental to Islamic belief to be feasible. But like the partition walls or superfluous stairways that a successful renovation removes, they can in fact be modified without causing the entire structure to collapse. Indeed, I believe these modifications will actually strengthen Islam by making it easier for Muslims to live in harmony with the modern world. It is those hell-bent on restoring it to its original state who are much more likely to lead Islam to destruction. Here again are my five theses, nailed to a virtual door: 1. Ensure that Muhammad and the Qur’an are open to interpretation and criticism. 2. Give priority to this life, not the afterlife. 3. Shackle sharia and end its supremacy over secular law. 4. End the practice of “commanding right, forbidding wrong.” 5. Abandon the call to jihad. In the chapters that follow, I will explore the source of the ideas and doctrines in question and evaluate the prospects for reforming them. For now, we may simply note that they are closely interrelated.
Ayaan Hirsi Ali (Heretic: Why Islam Needs a Reformation Now)
We have familiar experience of the order, the constancy, the perpetual renovation of the material world which surrounds us. Frail and transitory as is every part of it, restless and migratory as are its elements, still it abides. It is bound together by a law of permanence, and though it is ever dying, it is ever coming to life again. Dissolution does but give birth to fresh modes of organization, and one death is the parent of a thousand lives. Each hour, as it comes, is but a testimony how fleeting, yet how secure, how certain, is the great whole. It is like an image on the waters, which is ever the same, though the waters ever flow. The sun sinks to rise again; the day is swallowed up in the gloom of night, to be born out of it, as fresh as if it had never been quenched. Spring passes into summer, and through summer and autumn into winter, only the more surely, by its own ultimate return, to triumph over that grave towards which it resolutely hastened from its first hour. We mourn the blossoms of May because they are to wither; but we know that May is one day to have its revenge upon November, by the revolution of that solemn circle which never stops—which teaches us in our height of hope, ever to be sober, and in our depth of desolation, never to despair.
William Peter Blatty (The Exorcist)
the knowledge of Christian doctrine grounded only upon arguments is a doubtful and uncertain knowledge.  I conceive that syllogisms and arguments are only for this world, and the things of this world, but not for the things of God and of the other world.  The natural philosopher attains to his natural knowledge by observations and experiments in several particulars, by antecedents and consequences.  Most of his knowledge in those things is very feeble, crazy, questionable, and the like, which made that great Philosopher after his inquiry for knowledge profess, that he only attained to this, that he knew himself to be ignorant, Hoc tantum scio quod bihil scio, “this only do I know, I know nothing.”  But God has ordained a better way to convey His truth into our hearts, and that is by a renovation of our minds and by the communication of a divine nature.  God has not let His people remain in uncertainties in those things which are material and necessary, but has given a certainty of demonstration.  Whatsoever I do receive for truth on the account of argumentative conclusions, that I am bound to lay aside and disown for error upon the same account when a more probable argument comes along.  Truly friends, if all the ground of our entertaining Christ and truth, or Christian doctrine is because such an argument conveyed it to us, what will become of us and the truth when we meet with a subtle philosopher and antichristian head who will frame an argument against the truth, unanswerable by our logic?  Where shall a man ever consist, if he must live on the terms in the world?  Besides, every one to whom the Gospel of Christ is preached is not headstrong enough to grapple with the bigness and depth of some kind of arguments.  They may have their hearts truly mortified to this world, and carried out in love to the person and nature of our Lord Jesus.
William Tyndale (The Writings of A Puritan's Mind Volume 1)
I have used the theologians and their treatment of apocalypse as a model of what we might expect to find not only in more literary treatments of the same radical fiction, but in the literary treatment of radical fictions in general. The assumptions I have made in doing so I shall try to examine next time. Meanwhile it may be useful to have some kind of summary account of what I've been saying. The main object: is the critical business of making sense of some of the radical ways of making sense of the world. Apocalypse and the related themes are strikingly long-lived; and that is the first thing to say tbout them, although the second is that they change. The Johannine acquires the characteristics of the Sibylline Apocalypse, and develops other subsidiary fictions which, in the course of time, change the laws we prescribe to nature, and specifically to time. Men of all kinds act, as well as reflect, as if this apparently random collocation of opinion and predictions were true. When it appears that it cannot be so, they act as if it were true in a different sense. Had it been otherwise, Virgil could not have been altissimo poeta in a Christian tradition; the Knight Faithful and True could not have appeared in the opening stanzas of "The Faerie Queene". And what is far more puzzling, the City of Apocalypse could not have appeared as a modern Babylon, together with the 'shipmen and merchants who were made rich by her' and by the 'inexplicable splendour' of her 'fine linen, and purple and scarlet,' in The Waste Land, where we see all these things, as in Revelation, 'come to nought.' Nor is this a matter of literary allusion merely. The Emperor of the Last Days turns up as a Flemish or an Italian peasant, as Queen Elizabeth or as Hitler; the Joachite transition as a Brazilian revolution, or as the Tudor settlement, or as the Third Reich. The apocalyptic types--empire, decadence and renovation, progress and catastrophe--are fed by history and underlie our ways of making sense of the world from where we stand, in the middest.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
It might be useful here to say a word about Beckett, as a link between the two stages, and as illustrating the shift towards schism. He wrote for transition, an apocalyptic magazine (renovation out of decadence, a Joachite indication in the title), and has often shown a flair for apocalyptic variations, the funniest of which is the frustrated millennialism of the Lynch family in Watt, and the most telling, perhaps, the conclusion of Comment c'est. He is the perverse theologian of a world which has suffered a Fall, experienced an Incarnation which changes all relations of past, present, and future, but which will not be redeemed. Time is an endless transition from one condition of misery to another, 'a passion without form or stations,' to be ended by no parousia. It is a world crying out for forms and stations, and for apocalypse; all it gets is vain temporality, mad, multiform antithetical influx. It would be wrong to think that the negatives of Beckett are a denial of the paradigm in favour of reality in all its poverty. In Proust, whom Beckett so admires, the order, the forms of the passion, all derive from the last book; they are positive. In Beckett, the signs of order and form are more or less continuously presented, but always with a sign of cancellation; they are resources not to be believed in, cheques which will bounce. Order, the Christian paradigm, he suggests, is no longer usable except as an irony; that is why the Rooneys collapse in laughter when they read on the Wayside Pulpit that the Lord will uphold all that fall. But of course it is this order, however ironized, this continuously transmitted idea of order, that makes Beckett's point, and provides his books with the structural and linguistic features which enable us to make sense of them. In his progress he has presumed upon our familiarity with his habits of language and structure to make the relation between the occulted forms and the narrative surface more and more tenuous; in Comment c'est he mimes a virtually schismatic breakdown of this relation, and of his language. This is perfectly possible to reach a point along this line where nothing whatever is communicated, but of course Beckett has not reached it by a long way; and whatever preserves intelligibility is what prevents schism. This is, I think, a point to be remembered whenever one considers extremely novel, avant-garde writing. Schism is meaningless without reference to some prior condition; the absolutely New is simply unintelligible, even as novelty. It may, of course, be asked: unintelligible to whom? --the inference being that a minority public, perhaps very small--members of a circle in a square world--do understand the terms in which the new thing speaks. And certainly the minority public is a recognized feature of modern literature, and certainly conditions are such that there may be many small minorities instead of one large one; and certainly this is in itself schismatic. The history of European literature, from the time the imagination's Latin first made an accommodation with the lingua franca, is in part the history of the education of a public--cultivated but not necessarily learned, as Auerbach says, made up of what he calls la cour et la ville. That this public should break up into specialized schools, and their language grow scholastic, would only be surprising if one thought that the existence of excellent mechanical means of communication implied excellent communications, and we know it does not, McLuhan's 'the medium is the message' notwithstanding. But it is still true that novelty of itself implies the existence of what is not novel, a past. The smaller the circle, and the more ambitious its schemes of renovation, the less useful, on the whole, its past will be. And the shorter. I will return to these points in a moment.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
It is already the fashion to diminish Eliot by calling him derivative, the mouthpiece of Pound, and so forth; and yet if one wanted to understand the apocalypse of early modernism in its true complexity it would be Eliot, I fancy, who would demand one's closest attention. He was ready to rewrite the history of all that interested him in order to have past and present conform; he was a poet of apocalypse, of the last days and the renovation, the destruction of the earthly city as a chastisement of human presumption, but also of empire. Tradition, a word we especially associate with this modernist, is for him the continuity of imperial deposits; hence the importance in his thought of Virgil and Dante. He saw his age as a long transition through which the elect must live, redeeming the time. He had his demonic host, too; the word 'Jew' remained in lower case through all the editions of the poems until the last of his lifetime, the seventy-fifth birthday edition of 1963. He had a persistent nostalgia for closed, immobile hierarchical societies. If tradition is, as he said in After Strange Gods--though the work was suppressed--'the habitual actions, habits and customs' which represent the kinship 'of the same people living in the same place' it is clear that Jews do not have it, but also that practically nobody now does. It is a fiction, a fiction cousin to a myth which had its effect in more practical politics. In extenuation it might be said that these writers felt, as Sartre felt later, that in a choice between Terror and Slavery one chooses Terror, 'not for its own sake, but because, in this era of flux, it upholds the exigencies proper to the aesthetics of Art.' The fictions of modernist literature were revolutionary, new, though affirming a relation of complementarity with the past. These fictions were, I think it is clear, related to others, which helped to shape the disastrous history of our time. Fictions, notably the fiction of apocalypse, turn easily into myths; people will live by that which was designed only to know by. Lawrence would be the writer to discuss here, if there were time; apocalypse works in Woman in Love, and perhaps even in Lady Chatterley's Lover, but not n Apocalypse, which is failed myth. It is hard to restore the fictive status of what has become mythical; that, I take it, is what Mr. Saul Bellow is talking about in his assaults on wastelandism, the cant of alienation. In speaking of the great men of early modernism we have to make very subtle distinctions between the work itself, in which the fictions are properly employed, and obiter dicta in which they are not, being either myths or dangerous pragmatic assertions. When the fictions are thus transformed there is not only danger but a leak, as it were, of reality; and what we feel about. all these men at times is perhaps that they retreated inso some paradigm, into a timeless and unreal vacuum from which all reality had been pumped. Joyce, who was a realist, was admired by Eliot because he modernized myth, and attacked by Lewis because he concerned himself with mess, the disorders of common perception. But Ulysses ,alone of these great works studies and develops the tension between paradigm and reality, asserts the resistance of fact to fiction, human freedom and unpredictability against plot. Joyce chooses a Day; it is a crisis ironically treated. The day is full of randomness. There are coincidences, meetings that have point, and coincidences which do not. We might ask whether one of the merits of the book is not its lack of mythologizing; compare Joyce on coincidence with the Jungians and their solemn concordmyth, the Principle of Synchronicity. From Joyce you cannot even extract a myth of Negative Concord; he shows us fiction fitting where it touches. And Joyce, who probably knew more about it than any of the others, was not at tracted by the intellectual opportunities or the formal elegance of fascism.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)