Removable Wallpaper Quotes

Haute couture and getting hauter. Fire inches down the foyer wallpaper. Me, for added set dressing I started the fire. Special effects can go a long way to heighten a mood, and it's not as if this is a real house. What's burning down is a re-creation of a period revival house patterned after a copy of a copy of a copy of a mock-Tudor big manor house. It's a hundred generations removed from anything original, but the truth is aren't we all?

I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.

On 20 November, front-line troops got 500 grams of bread per day, factory workers received 250, and everyone else 125 (that is, two slices). ‘Twigs were collected and stewed,’ records an historian of the siege. ‘Peat shavings, cottonseed cake, bonemeal was pressed into use. Pine sawdust was processed and added to the bread. Mouldy grain was dredged from sunken barges and scraped out of the holds of ships. Soon Leningrad bread was containing 10% cottonseed cake that had been processed to remove poisons. Household pets, shoe leather, fir bark and insects were consumed, as was wallpaper paste which was reputed to be made with potato flour. Guinea pigs, white mice and rabbits were saved from vivisection in the city’s laboratories for a more immediately practical fate. ‘Today it is so simple to die,’ wrote one resident, Yelena Skryabina, in her diary. ‘You just begin to lose interest, then you lie on your bed and you never get up again. Yet some people were willing to go to any lengths in order to survive: 226 people were arrested for cannibalism during the siege. ‘Human meat is being sold in the markets,’ concluded one secret NKVD report, ‘while in the cemeteries bodies pile up like carcasses, without coffins.

I still have no choice but to bring out Minerva instead.” “But Minerva doesn’t care about men,” young Charlotte said helpfully. “She prefers dirt and rocks.” “It’s called geology,” Minerva said. “It’s a science.” “It’s certain spinsterhood, is what it is! Unnatural girl. Do sit straight in your chair, at least.” Mrs. Highwood sighed and fanned harder. To Susanna, she said, “I despair of her, truly. This is why Diana must get well, you see. Can you imagine Minerva in Society?” Susanna bit back a smile, all too easily imagining the scene. It would probably resemble her own debut. Like Minerva, she had been absorbed in unladylike pursuits, and the object of her female relations’ oft-voiced despair. At balls, she’d been that freckled Amazon in the corner, who would have been all too happy to blend into the wallpaper, if only her hair color would have allowed it. As for the gentlemen she’d met…not a one of them had managed to sweep her off her feet. To be fair, none of them had tried very hard. She shrugged off the awkward memories. That time was behind her now. Mrs. Highwood’s gaze fell on a book at the corner of the table. “I am gratified to see you keep Mrs. Worthington close at hand.” “Oh yes,” Susanna replied, reaching for the blue, leatherbound tome. “You’ll find copies of Mrs. Worthington’s Wisdom scattered everywhere throughout the village. We find it a very useful book.” “Hear that, Minerva? You would do well to learn it by heart.” When Minerva rolled her eyes, Mrs. Highwood said, “Charlotte, open it now. Read aloud the beginning of Chapter Twelve.” Charlotte reached for the book and opened it, then cleared her throat and read aloud in a dramatic voice. “’Chapter Twelve. The perils of excessive education. A young lady’s intellect should be in all ways like her undergarments. Present, pristine, and imperceptible to the casual observer.’” Mrs. Highwood harrumphed. “Yes. Just so. Hear and believe it, Minerva. Hear and believe every word. As Miss Finch says, you will find that book very useful.” Susanna took a leisurely sip of tea, swallowing with it a bitter lump of indignation. She wasn’t an angry or resentful person, as a matter of course. But once provoked, her passions required formidable effort to conceal. That book provoked her, no end. Mrs. Worthington’s Wisdom for Young Ladies was the bane of sensible girls the world over, crammed with insipid, damaging advice on every page. Susanna could have gleefully crushed its pages to powder with a mortar and pestle, labeled the vial with a skull and crossbones, and placed it on the highest shelf in her stillroom, right beside the dried foxglove leaves and deadly nightshade berries. Instead, she’d made it her mission to remove as many copies as possible from circulation. A sort of quarantine. Former residents of the Queen’s Ruby sent the books from all corners of England. One couldn’t enter a room in Spindle Cove without finding a copy or three of Mrs. Worthington’s Wisdom. And just as Susanna had told Mrs. Highwood, they found the book very useful indeed. It was the perfect size for propping a window open. It also made an excellent doorstop or paperweight. Susanna used her personal copies for pressing herbs. Or occasionally, for target practice. She motioned to Charlotte. “May I?” Taking the volume from the girl’s grip, she raised the book high. Then, with a brisk thwack, she used it to crush a bothersome gnat. With a calm smile, she placed the book on a side table. “Very useful indeed.

Cecily.” His gaze wandered from her unbound hair to her disheveled gown, to her fingers still laced with Luke’s. “I . . . I was just about to go searching for you.” “There you are!” Portia called from behind him. “Come in, come in.” She lay swaddled in blankets on the divan, with her bandaged leg propped on a nearby ottoman. Brooke sat beside her, balancing a teacup in either hand. Cecily turned to Denny. “I’m sorry to have worried you, but . . .” She squeezed Luke’s hand for courage. “You see, Luke and I—” “I understand,” he replied. The serious expression on his face told her he did understand, completely. To his credit, he took it well. He turned to Luke. “When will you be married?” “Married?” Portia exclaimed. Cecily sighed. Just like Denny, to take his responsibilities as her third cousin twice removed— and only male relation in the vicinity— so seriously. But did he have to force the issue now? Certainly, she hoped that she and Luke might one day— “As soon as possible.” Luke’s arm slid around her waist. Cecily’s gaze snapped up to his. Are you certain? she asked him silently. He answered her with a quick kiss. “Well, then. When can we be married?” Brooke directed his question to Portia. “Married!” Blushing furiously, Portia made a dismissive gesture with both hands. “Why, I’m only just learning to enjoy being a widow. I don’t want to be married. I want to write scandalous novels and take dozens of lovers.” Brooke raised an eyebrow. “Can that be negotiated to lover, singular?” “That,” she said, giving him a coy smile, “would depend on your skill at negotiation.” “What an evening you’ve had, Portia,” Cecily said. “A brush with death, a proposal of marriage, an indecent proposition . . . Surely you have sufficient inspiration for your gothic novel?” “Too much inspiration!” Portia wailed, gesturing toward her bandaged foot. “I am done with gothics completely. No, I shall take a cue from my insipid wallpaper and write a bawdy little tale about a wanton dairymaid and her many lovers.” “Lover, singular.” Brooke flopped on the divan and settled her feet in his lap. “Oh,” she sighed, as he massaged her uninjured foot. “Oh, very well.” Luke tugged on Cecily’s hand, drawing her toward the doorway. “Let’s make our escape.” As they left, she heard Denny say in his usual jocular tone, “Do me a favor, Portia? Model your hero after me. Just once, I should like to get the girl.

David smiled tightly. In the last three days, he’d replaced missing bricks in the chimney, fixed a dripping bathroom faucet, installed a ceiling fan in the den, painted the garage, removed a stump from the backyard, took apart and cleaned and reassembled the lawn mower, put up Dora the Explorer wallpaper in Anna’s room, replaced a sputtering garbage disposal, changed the oil in the Escalade, and reread a dog-eared copy of Ice Station Zebra. So yeah. He’d stayed busy around the house. David rocked heel to toe. “Oh, you know. The usual.” “Right.” Jeff tossed back the rest of the beer. “Well, you know, it’ll pick up.

Milton took out his Sig and went inside. The first room used to be a kitchen. Old appliances had been left to rot, with anything that could be easily removed long since sold for scrap. The walls were partially stripped and scabbed with lead paint, and the remnants of a twee wallpaper that depicted an Alpine scene had been left to peel away like patches of dead, flaking skin. Empty cardboard boxes and fast-food wrappers were scattered on the floor. A single man, strung out and emaciated, was slumped against the wall. He was unconscious, and Milton would not have been able to say whether he was dead or alive. He heard low conversation from the front of the house and set off towards it. The junkie’s arm swept around sharply and his eyes swam with drunken stupor, but he paid Milton no heed as he passed through the room.

Here is the correct order for performing renovations. 1.       Remove any flooring to be replaced 2.       Ceiling repair and ceiling painting 3.       Strip wallpaper, repair walls, paint walls 4.       Paint and replace trim, including crown molding 5.       Cabinet and countertop work 6.       Install tile or quality wood laminate flooring (this may shorten the space for the appliances that go under the counter like dishwashers, so be careful with measurements pre-floor installation) 7.       Install new appliances 8.       Install base molding and baseboards in rooms with tile, vinyl, or quality wood laminate flooring 9.       Install carpet (scratch that, NEVER put carpet in a rental) 10.   Tidy up the landscaping

By the time he returned to her small room, Quincy’s shock, like a typewriter, had come to the end of tis row, and her internal bell had rung. She was up, removing the blackened wallpaper to see what damage the wall had sustained.

When will you be married?” “Married?” Portia exclaimed. Cecily sighed. Just like Denny, to take his responsibilities as her third cousin twice removed—and only male relation in the vicinity—so seriously. But did he have to force the issue now? Certainly, she hoped that she and Luke might one day— “As soon as possible.” Luke’s arm slid around her waist. Cecily’s gaze snapped up to his. Are you certain? she asked him silently. He answered her with a quick kiss. “Well, then. When can we be married?” Brooke directed his question to Portia. “Married!” Blushing furiously, Portia made a dismissive gesture with both hands. “Why, I’m only just learning to enjoy being a widow. I don’t want to be married. I want to write scandalous novels and take dozens of lovers.” Brooke raised an eyebrow. “Can that be negotiated to lover, singular?” “That,” she said, giving him a coy smile, “would depend on your skill at negotiation.” “What an evening you’ve had, Portia,” Cecily said. “A brush with death, a proposal of marriage, an indecent proposition . . . Surely you have sufficient inspiration for your gothic novel?” “Too much inspiration!” Portia wailed, gesturing toward her bandaged foot. “I am done with gothics completely. No, I shall take a cue from my insipid wallpaper and write a bawdy little tale about a wanton dairymaid and her many lovers.” “Lover, singular.” Brooke flopped on the divan and settled her feet in his lap. “Oh,” she sighed, as he massaged her uninjured foot. “Oh, very well.” Luke

Does the head wrapped so tightly in the dirty scarf look up at me, or is it not bothered? In the thin light I’m reminded of a balloon I once covered in wallpaper paste and strips of newspaper at school, before painting it. Within days the balloon was punctured and removed, leaving a dry, hollow head behind that I didn’t want to take home with me, and was glad to see crushed into a bin that smelled of orange peel and pencil shavings.