Remote Village Quotes

For all its material advantages, the sedentary life has left us edgy, unfulfilled. Even after 400 generations in villages and cities, we haven’t forgotten. The open road still softly calls, like a nearly forgotten song of childhood. We invest far-off places with a certain romance. This appeal, I suspect, has been meticulously crafted by natural selection as an essential element in our survival. Long summers, mild winters, rich harvests, plentiful game—none of them lasts forever. It is beyond our powers to predict the future. Catastrophic events have a way of sneaking up on us, of catching us unaware. Your own life, or your band’s, or even your species’ might be owed to a restless few—drawn, by a craving they can hardly articulate or understand, to undiscovered lands and new worlds. Herman Melville, in Moby Dick, spoke for wanderers in all epochs and meridians: “I am tormented with an everlasting itch for things remote. I love to sail forbidden seas…” Maybe it’s a little early. Maybe the time is not quite yet. But those other worlds— promising untold opportunities—beckon. Silently, they orbit the Sun, waiting.

Like chess masters and firefighters, premodern villagers relied on things being the same tomorrow as they were yesterday. They were extremely well prepared for what they had experienced before, and extremely poorly equipped for everything else. Their very thinking was highly specialized in a manner that the modern world has been telling us is increasingly obsolete. They were perfectly capable of learning from experience, but failed at learning without experience. And that is what a rapidly changing, wicked world demands—conceptual reasoning skills that can connect new ideas and work across contexts. Faced with any problem they had not directly experienced before, the remote villagers were completely lost. That is not an option for us. The more constrained and repetitive a challenge, the more likely it will be automated, while great rewards will accrue to those who can take conceptual knowledge from one problem or domain and apply it in an entirely new one.

The holiday village had sprung up in Bryant Park, and the ice rink and booths were bustling with early Christmas shoppers. It smelled like fried food and scented candles, mixed with the occasional blast of diesel from the traffic inching along 42nd Street. When I think of how New York City smells, this is it.

I can't believe it's actually happening. This is independent adulthood, this is what it feels like. Shouldn't there be some sort of ritual? In certain remote African tribes there'd be some incredible four day rites of passage ceremony involving tattooing and potent hallucinogenic drugs extracted from tree-frogs, and village elders smearing my body with monkey blood, but here,rites of passage is all about three new pairs of pants and stuffing your duvet in a bin-liner.

Don`t talk to me about Matisse the European style of 1900, the tradition of the studio where the nude style woman reclines forever on a sheet of blood. Talk to me instead about the culture generally how the murderers were sustained by the beauty robbed of savages: to our remote villages the painters came, and our white-washed mud-huts were splattered with gunfire.

When outsiders stare into the void that is today’s North Korea, they think of remote villages of Africa or Southeast Asia where the civilizing hand of electricity has not yet reached. But North Korea is not an undeveloped country; it is a country that has fallen out of the developed world. You can see the evidence of what once was and what has been lost dangling overhead alongside any major North Korean road — the skeletal wires of the rusted electrical grid that once covered the entire country.

Long before it was known to me as a place where my ancestry was even remotely involved, the idea of a state for Jews (or a Jewish state; not quite the same thing, as I failed at first to see) had been 'sold' to me as an essentially secular and democratic one. The idea was a haven for the persecuted and the survivors, a democracy in a region where the idea was poorly understood, and a place where—as Philip Roth had put it in a one-handed novel that I read when I was about nineteen—even the traffic cops and soldiers were Jews. This, like the other emphases of that novel, I could grasp. Indeed, my first visit was sponsored by a group in London called the Friends of Israel. They offered to pay my expenses, that is, if on my return I would come and speak to one of their meetings. I still haven't submitted that expenses claim. The misgivings I had were of two types, both of them ineradicable. The first and the simplest was the encounter with everyday injustice: by all means the traffic cops were Jews but so, it turned out, were the colonists and ethnic cleansers and even the torturers. It was Jewish leftist friends who insisted that I go and see towns and villages under occupation, and sit down with Palestinian Arabs who were living under house arrest—if they were lucky—or who were squatting in the ruins of their demolished homes if they were less fortunate. In Ramallah I spent the day with the beguiling Raimonda Tawil, confined to her home for committing no known crime save that of expressing her opinions. (For some reason, what I most remember is a sudden exclamation from her very restrained and respectable husband, a manager of the local bank: 'I would prefer living under a Bedouin muktar to another day of Israeli rule!' He had obviously spent some time thinking about the most revolting possible Arab alternative.) In Jerusalem I visited the Tutungi family, who could produce title deeds going back generations but who were being evicted from their apartment in the old city to make way for an expansion of the Jewish quarter. Jerusalem: that place of blood since remote antiquity. Jerusalem, over which the British and French and Russians had fought a foul war in the Crimea, and in the mid-nineteenth century, on the matter of which Christian Church could command the keys to some 'holy sepulcher.' Jerusalem, where the anti-Semite Balfour had tried to bribe the Jews with the territory of another people in order to seduce them from Bolshevism and continue the diplomacy of the Great War. Jerusalem: that pest-house in whose environs all zealots hope that an even greater and final war can be provoked. It certainly made a warped appeal to my sense of history.

Oh, mansion shmansion. Did Gandhi's house have the largest outdoor trampoline in the tristate area? Did Jesus have a two-acre remote-controlled car track, with mountains to scale and a little village that lit up at night? Not in his Bible.

the women began traveling to remote villages, distributing articles that argued not just against “honor” killings but also against forced marriages and the pernicious way gossip is used in small communities to control the behavior of women and girls.

Of course, New Guineans tend to perform poorly at tasks that Westerners have been trained to perform since childhood and that New Guineans have not. Hence when unschooled New Guineans from remote villages visit towns, they look stupid to Westerners. Conversely, I am constantly aware of how stupid I look to New Guineans when I’m with them in the jungle, displaying my incompetence at simple tasks

I had expected them to talk about my childlessness. I was armed with millions of smiles. Apologetic smiles, pity-me smiles, I-look-unto-God smiles - name all the fake smiles needed to get through an afternoon with a group of people who claim to want the best for you while poking at your open sore with a stick - and I had them ready. I was ready to listen to them tell me I must do something about my situation. I expected to hear about a new pastor I could visit; a new mountain where I could go to pray; or an old herbalist in a remote village or town whom I could consult. I was armed with smiles for my lips, an appropriate sheen of tears for my eyes and sniffles for my nose. I was prepared to lock up my hairdressing salon throughout the coming week and go in search of a miracle with my mother-in-law in tow. What I was not expecting was another smiling woman in the room, a yellow woman with a blood-red mouth who grinned like a new bride.

In that way, the students had something in common with Luria’s remote villagers—even the science majors were typically unable to generalize research methods from their own field to other fields. Flynn’s conclusion: “There is no sign that any department attempts to develop [anything] other than narrow critical competence.

TB, malaria, diarrhoea, and dysentery affect many in Palamau. But the cure for almost all ills here is the saline drip. In remote areas, quacks mesmerise people with the drip. Even malaria patients are subjected to it. Many villagers believe that paani chadaana (infusion of water) is a mighty cure. So they borrow money to pay the doctor for the miracle.

A person with a universal mind who lives in a remote village knows the world much better than a person with a local mind who lives in a big city!

The Fear of Burial In the empty field, in the morning, the body waits to be claimed. The spirit sits beside it, on a small rock-- nothing comes to give it form again. Think of the body's loneliness. At night pacing the sheared field, its shadow buckled tightly around. Such a long journey. And already the remote, trembling lights of the village not pausing for it as they scan the rows. How far away they seem, the wooden doors, the bread and milk laid like weights on the table.

Put it on record --I am an Arab And the number of my card is fifty thousand I have eight children And the ninth is due after summer. What's there to be angry about? Put it on record. --I am an Arab Working with comrades of toil in a quarry. I have eight childern For them I wrest the loaf of bread, The clothes and exercise books From the rocks And beg for no alms at your doors, --Lower not myself at your doorstep. --What's there to be angry about? Put it on record. --I am an Arab. I am a name without a tide, Patient in a country where everything Lives in a whirlpool of anger. --My roots --Took hold before the birth of time --Before the burgeoning of the ages, --Before cypess and olive trees, --Before the proliferation of weeds. My father is from the family of the plough --Not from highborn nobles. And my grandfather was a peasant --Without line or genealogy. My house is a watchman's hut --Made of sticks and reeds. Does my status satisfy you? --I am a name without a surname. Put it on Record. --I am an Arab. Color of hair: jet black. Color of eyes: brown. My distinguishing features: --On my head the 'iqal cords over a keffiyeh --Scratching him who touches it. My address: --I'm from a village, remote, forgotten, --Its streets without name --And all its men in the fields and quarry. --What's there to be angry about? Put it on record. --I am an Arab. You stole my forefathers' vineyards --And land I used to till, --I and all my childern, --And you left us and all my grandchildren --Nothing but these rocks. --Will your government be taking them too --As is being said? So! --Put it on record at the top of page one: --I don't hate people, --I trespass on no one's property. And yet, if I were to become starved --I shall eat the flesh of my usurper. --Beware, beware of my starvation. --And of my anger!

A farmer feels insecure because of unseasonal rains, lack of rains, pests etc. He hopes to get stability in life when his children get jobs in city. A job goer is stressed due to insecurities of corporate world. She dreams of a peaceful and stable life somewhere in a remote village where she would grow her own food and eat. Mind keeps looking for peace and stability somewhere in future. And that's the trap.

The Nestlé Até Você a Bordo (‘Nestlé Takes You Onboard’) boat is described on Nestlé’s website as a ‘floating supermarket’. Its mission is to sail up the Amazon stopping at remote villages and encampments, reaching a potential 800,000 low-income tribal people. The crew of the Nestlé ship hand out free ‘starter packs’ of ice cream, baby milk, milkshakes and chocolate bars to people who have never seen or eaten processed food before.

A woman from the Hunan Province told it to me,” said Charon. “Once upon a time a stranger came to a remote village with an elephant. Everyone got excited, including three blind men who didn’t know what an elephant was. They decided to find out for themselves. “The first man approached the elephant near its head. He reached his hand out and felt the leathery ear. The second man approached from behind and brushed the elephant’s bristly tail. The third came at it from the side and stroked its wide midsection. “ ‘What a strange creature an elephant is,’ the first man said. ‘So flat and thin, like wash hung from the line.’ “ ‘What are you talking about?’ said the second man. ‘That animal was hairy and coarse, like the bristles on a stiff broom.’ “ ‘You are both wrong!’ said the third. ‘The beast was as broad and sturdy as a wall.’ They three men argued and argued, but they never could come to an agreement.” Charon

The happiest people in life don’t necessarily have the best of everything. They just try to make the best of everything. They’re like the person in a remote village going to a well every day to get water who says, “Every time I come to this well, I come away with my bucket full!” instead of, “I can’t believe I have to keep coming back to this well to fill up my bucket!

There is so much life on the sides, the margins, in dark alleys, in parks, and remote villages that most tourists never get to see, and thus never get to feel and capture the real spirit of the places they visit. And thus, Dear Readers, I ask: can we travel without being tourists? Indeed, can we stop being tourists altogether? Can we begin to master the art of getting lost; the art of finding hidden gems, beauty, or simple experiences after which life is never the same?

I’ve noticed that ‘news’ is not what’s happened. It’s what’s happened on camera. If a herd of tigers runs amok in a remote Indian village, it’s not news. If a gang of wide-eyed rebels slaughters the inhabitants of a faraway African village, it’s not news. But if it’s a bit windy in America, it is news. Because in America everything that happens is recorded. I find myself wondering if last week’s Israeli raid on a Turkish ship in a flotilla carrying aid to Gaza would have had the coverage it did if the battle hadn’t been captured on film. And likewise the racing driver who broke a leg after crashing in the Indy 500. It only became a big deal because we could watch the accident from several angles in slow motion.

There is a small village graveyard in a remote corner of Russia. Like almost all of our graveyards it has a sad look. Sheep wander freely over the graves... But among them is one grave untouched by man, untrodden by beast. Two old people often come to it from a little village nearby - a husband and a wife, now infirm. Supporting each other and with heavy steps. They exchange a few words, they wipe the dust from the stone and adjust a fir branch, and they say another prayer, unable to leave this place. Are their prayers and tears really in vain? Has love, holy, devoted love, really lost its power over all? No, no! The grave may hold a passionate, sinful, rebellious heart, but the flowers growing on it gaze serenely at us with their innocent eyes. They do not only speak to us of everlasting peace. They also speak of eternal reconciliation and of life without end...

If a boy with Albert Einstein's brain had been born in Germany in the dark ages, there would have been no scientific revolution emanating from him. If a girl with Marie Curie's mind had been born in a remote Indian village twenty years ago, today she'd probably be harvesting rice and struggling to raise her children.

Thinking back, ladies, looking back, gentlemen, thinking and looking back on my European tour, I feel a heavy sadness descend upon me. Of course, it is partly nostalgia, looking back at that younger me, bustling around Europe, having adventures and overcoming obstacles that, at the time, seemed so overwhelming, but now seem like just the building blocks of a harmless story. But here is the truth of nostalgia: we don’t feel it for who we were, but who we weren’t. We feel it for all the possibilities that were open to us, but that we didn’t take. Time is like wax, dripping from a candle flame. In the moment, it is molten and falling, with the capability to transform into any shape. Then the moment passes, and the wax hits the table top and solidifies into the shape it will always be. It becomes the past, a solid single record of what happened, still holding in its wild curves and contours the potential of every shape it could have held. It is impossible - no matter how blessed you are by luck or the government or some remote, invisible deity gently steering your life with hands made of moonlight and wind - it is impossible not to feel a little sad, looking at that bit of wax. That bit of the past. It is impossible not to think of all the wild forms that wax now will never take. The village, glimpsed from a train window, beautiful and impossible and impossibly beautiful on a mountaintop, and you wonder what it would be if you stepped off the train and walked up the trail to its quiet streets and lived there for the rest of your life. The beautiful face of that young man from Luftknarp, with his gaping mouth and ashy skin, last seen already half-turned away as you boarded the bus, already turning towards a future without you in it, where this thing between you that seemed so possible now already and forever never was. All variety of lost opportunity spied from the windows of public transportation, really. It can be overwhelming, this splattered, inert wax recording every turn not taken. ‘What’s the point?’ you ask. ’Why bother?’ you say. ’Oh, Cecil,’ you cry. ’Oh, Cecil.’ But then you remember - I remember! - that we are even now in another bit of molten wax. We are in a moment that is still falling, still volatile, and we will never be anywhere else. We will always be in that most dangerous, most exciting, most possible time of all: the Now. Where we never can know what shape the next moment will take. Stay tuned next for, well, let’s just find out together, shall we?

The behavior “anchor baby” refers to is the fraud of illegal aliens giving birth at U.S. hospitals, thus anchoring an entire extended family to the United States by virtue of the child’s auto-citizenship. There’s no logical reason for the whole family to come here, but we get wails of You’re trying to separate us from our American citizen child! No one ever considers the possibility that the family could also stay together by going back to their own country. This is the way immigration law is abused with “family reunification” policies, also known as “chain migration”—or as the Times would put it, “a derisive term” to describe remote villages relocating to America on the basis of a single villager’s U.S. citizenship.

For this village, even were it incomparably more remote and incredibly more primitive, is the West, the West onto which I have been so strangely grafted. These people cannot be, from the point of view of power, strangers anywhere in the world; they have made the modern world, in effect, even if they do not know it. The most illiterate among them is related, in a way that I am not, to Dante, Shakespeare, Michelangelo, Aeschylus, Da Vinci, Rembrandt, and Racine; the cathedral at Chartres says something to them which it cannot say to me, as indeed would New York’s Empire State Building, should anyone here ever see it. Out of their hymns and dances come Beethoven and Bach. Go back a few centuries and they are in their full glory—but I am in Africa, watching the conquerors arrive.

Like you, I grew up in a remote animist village. But then I went to a strict Catholic education in France. I was perfectly content to accept the grand Shee Yee of the Otherworld and the Lord B, and Jesus and his mother as my spiritual icons as long as I didn't have to spend too long on my knees. I would have settled for a committee. I just wanted order. But once I started to see my own ghosts I understood what these religions were all about. They were clubs set up by people like me to stop themselves from going mad. You know what I really think happens? You die. You wait for your number. There's a bit of time to take care of unfinished business. And you pass on. And, as you don't come back, nobody actually knows what you pass on to. But that description has never been acceptable. People want an ending. They don't want to vanish into thin air. So these great religious gurus made some endings up. The more comfortable and happy your ending, the more members signed up and paid their fees. And the kings and emperors started to add rules and regulations to subjugate the commoners and keep them in line. As so they invented hell and told you if you coveted your neighbor's mule you wouldn't even get into the clubhouse at the end of it all.

Neuropsychologists are coming to recognize that there is a specialized subset of long-term memory. Remote memories are ones stretching back to your childhood—the name of your village, your native language, the smell of your grandmother’s baking. They appear to be stored in some sort of archival way in your brain separate from more recent long-term memories. Often, in patients with a dementia that devastates most long-term memory, the more remote facets can remain intact.

The so-called “scar literature” first appeared in China in the late 1970s, when the men and women who survived the turmoil of Mao’s Cultural Revolution began writing about their experiences in both fiction and nonfiction. Two of the best novels are Balzac and the Little Chinese Seamstress by Dai Sijie, the story of two young boys—children of the hated intelligentsia—who are sent to a remote mountain village to be reeducated, and Dai Houying’s Stones of the Wall, one of the earliest (and still one of the best) novels about the effects of the Cultural Revolution, which is set in the late 1970s around a group of college professors who are trying to rebuild lives thrown into despair and uncertainty by the cataclysm. (This is a novel I’ve remembered vividly since I first read it in 1985.)

Hearth to hearth, the Flame of War went. Over snow-blasted mountains and amongst the trees of tangled forests, hiding from the enemies that prowled the skies. Through long, bitterly cold nights where the wind howled as it tried to wipe out any trace of that flame. But the wind did not succeed, not against the flame of the queen. So hearth to hearth, it went. To remote villages where people screamed and scattered as a young-faced woman descended from the skies on a broom, waving her torch high. Not to signal them, but the few women who did not run. Who walked toward the flame, the rider, as she called out, “Your queen summons you to war. Will you fly?” Trunks hidden in attics were thrown open. Folded swaths of red cloth pulled from within. Brooms left in closets, beside doorways, tucked under beds, were brought out, bound in gold or silver or twine. And swords—ancient and beautiful—were drawn from beneath floorboards, or hauled down from haylofts, their metal shining as bright and fresh as the day they had been forged in a city now lying in ruin. Witches, the townsfolk whispered, husbands wide-eyed and disbelieving as the women took to the skies, red cloaks billowing. Witches amongst us all this time. Village to village, where hearths that had never once gone fully dark blazed in answer. Always one rider going out, to find the next hearth, the next bastion of their people. Witches, here amongst us. Witches, now going to war. A rising tide of witches, who took to the skies in their red cloaks, swords strapped to their backs, brooms shedding years of dust with each mile northward. Witches who bade their families farewell, offering no explanation before they kissed their sleeping babes and vanished into the starry night. Mile after mile, across the darkening world, the call went out, ceaseless and unending as the eternal flame that passed from hearth to hearth. “Fly, fly, fly!” they shouted. “To the queen! To war!” Far and wide, through snow and storm and peril, the Crochans flew.

In 1931, amid that incredible transformation, a brilliant young Russian psychologist named Alexander Luria recognized a fleeting “natural experiment,” unique in the history of the world. He wondered if changing citizens’ work might also change their minds. When Luria arrived, the most remote villages had not yet been touched by the warp-speed restructuring of traditional society. Those villages gave him a control group. He learned the local language and brought fellow psychologists to engage villagers in relaxed social situations—teahouses or pastures—and discuss questions or tasks designed to discern their habits of mind. Some were very simple: present skeins of wool or silk in an array of hues and ask participants to describe them. The collective farmers and farm leaders, as well as the female students, easily picked out blue, red, and yellow, sometimes with variations, like dark blue or light yellow. The most remote villagers, who were still “premodern,” gave more diversified descriptions: cotton in bloom, decayed teeth, a lot of water, sky, pistachio. Then they were asked to sort the skeins into groups. The collective farmers, and young people with even a little formal education, did so easily, naturally forming color groups. Even when they did not know the name of a particular color, they had little trouble putting together darker and lighter shades of the same one. The remote villagers, on the other hand, refused, even those whose work was embroidery. “It can’t be done,” they said, or, “None of them are the same, you can’t put them together.” When prodded vigorously, and only if they were allowed to make many small groups, some relented and created sets that were apparently random. A few others appeared to sort the skeins according to color saturation, without regard to the color. Geometric shapes followed suit. The greater the dose of modernity, the more likely an individual grasped the abstract concept of “shapes” and made groups of triangles, rectangles, and circles, even if they had no formal education and did not know the shapes’ names. The remote villagers, meanwhile, saw nothing alike in a square drawn with solid lines and the same exact square drawn with dotted lines. To Alieva, a twenty-six-year-old remote villager, the solid-line square was obviously a map, and the dotted-line square was a watch. “How can a map and a watch be put together?” she asked, incredulous. Khamid, a twenty-four-year-old remote villager, insisted that filled and unfilled circles could not go together because one was a coin and the other a moon.

Two men were advancing towards the car along the cross track. One man carried a short wooden bench on his back, the other a big wooden object about the size of an upright piano. Richard hailed them, they greeted him with every sign of pleasure. Richard produced cigarettes and a cheerful party spirit seemed to be developing. Then Richard turned to her. “Fond of the cinema? Then you shall see a performance.” He spoke to the two men and they smiled with pleasure. They set up the bench and motioned to Victoria and Richard to sit on it. Then they set up the round contrivance on a stand of some kind. It had two eye-holes in it and as she looked at it, Victoria cried: “It’s like things on piers. What the butler saw.” “That’s it,” said Richard. “It’s a primitive form of same.” Victoria applied her eyes to the glass-fronted peephole, one man began slowly to turn a crank or handle, and the other began a monotonous kind of chant. “What is he saying?” Victoria asked. Richard translated as the singsong chant continued: “Draw near and prepare yourself for much wonder and delight. Prepare to behold the wonders of antiquity.” A crudely coloured picture of Negroes reaping wheat swam into Victoria’s gaze. “Fellahin in America,” announced Richard, translating. Then came: “The wife of the great Shah of the Western world,” and the Empress Eugénie simpered and fingered a long ringlet. A picture of the King’s Palace in Montenegro, another of the Great Exhibition. An odd and varied collection of pictures followed each other, all completely unrelated and sometimes announced in the strangest terms. The Prince Consort, Disraeli, Norwegian Fjords and Skaters in Switzerland completed this strange glimpse of olden far-off days. The showman ended his exposition with the following words: “And so we bring to you the wonders and marvels of antiquity in other lands and far-off places. Let your donation be generous to match the marvels you have seen, for all these things are true.” It was over. Victoria beamed with delight. “That really was marvellous!” she said. “I wouldn’t have believed it.” The proprietors of the travelling cinema were smiling proudly. Victoria got up from the bench and Richard who was sitting on the other end of it was thrown to the ground in a somewhat undignified posture. Victoria apologized but was not ill pleased. Richard rewarded the cinema men and with courteous farewells and expressions of concern for each other’s welfare, and invoking the blessing of God on each other, they parted company. Richard and Victoria got into the car again and the men trudged away into the desert. “Where are they going?” asked Victoria. “They travel all over the country. I met them first in Transjordan coming up the road from the Dead Sea to Amman. Actually they’re bound now for Kerbela, going of course by unfrequented routes so as to give shows in remote villages.” “Perhaps someone will give them a lift?

It had had a fragrant element, reminding him of a regular childhood experience, a memory that reverberated like the chimes of a prayer bell inside his head. For a few moments, he pictured the old Orthodox church that had dominated his remote Russian village. The bearded priest was swinging the elaborate incense-burner, suspended from gold-plated chains. It had been the same odour. Hadn’t it? He blinked, shook his head. He couldn’t make sense of that. He decided, with an odd lack of enthusiasm, that he’d imagined it. The effects of the war played tricks of the mind, of the senses. Looking over his shoulder, he counted all seven of his men as they emerged from the remnants of the four-storey civic office building. A few muddied documents were scattered on the ground, stamped with the official Nazi Party eagle, its head turned to the left, and an emblem he failed to recognize, but which looked to him like a decorative wheel, with a geometrical design of squares at its centre. Even a blackened flag had survived the bomb damage. Hanging beneath a crumbling windowsill, the swastika flapped against the bullet-ridden façade, the movement both panicky and defiant, Pavel thought. His men were conscripts. A few still wore their padded khaki jackets and mustard-yellow blouses. Most, their green field tunics and forage caps. All the clothing was lice-ridden and smeared with soft ash. Months of exposure to frozen winds had darkened their skins and narrowed their eyes. They’d been engaged in hazardous reconnaissance missions. They’d slept rough and had existed on a diet of raw husks and dried horsemeat. Haggard and weary now, he reckoned they’d aged well beyond their years.

Grinding may look easy, and it is, for the first ten minutes. To grind a quantity of grain, though, as I found out when I tried, takes skill, control, physical strength, and time. I was quickly panting, sweaty, and dizzy, my hair in my eyes, and the mano slipping at awkward angles. Grinding is hard on the knees, hips, back, shoulders, and elbows, causing arthritis and bone damage. Grinding is lonely, too exhausting to allow for chatter. Kneeling to grind with the breasts swinging can be seen as submissive, demeaning, and sexually provocative, as lascivious eighteenth- and nineteenth-century illustrations of Mexican women grinding make clear. The heavy labor was relegated to women, convicts, and slaves, called “grinding slaves” in the technical language of seventh-century English court documents.42 Even today Mexican women in remote villages grind five hours daily to prepare enough maize for a family of five or six. For generation upon generation of grinders in the bread-eating parts of the world, the author of Genesis (3:19) had it nailed. “In the sweat of thy face shalt thou eat bread, till thou return unto the ground; for out of it wast thou taken: for dust thou art, and unto dust shalt thou return.

The impulse appears to have been sporadic and spontaneous. In remote country hamlets, in mining villages buried in distant valleys, one man or one woman would have it laid upon his or her soul to pray that the Holy Spirit might be poured out upon the cause in which they were spiritually concerned. There does not seem to have been any organized effort anywhere.

Waste persons are those no longer useful as resources to a society for whatever reason, and have become apatrides, or noncitizens. Waste persons must be placed out of view-in ghettos, slums, reservations, camps, retirement villages, mass graves, remote territories, strategic hamlets-all places of desolation, and uninhabitable. We live in a century whose Master Players have created many millions of such "superfluous persons" (Rubenstein).

Living in a fairly remote village one soon learns to accept that having a roof, a fire, some warm clothes and enough to eat are really the only material essentials for a comfortable life.

It’s the same as I said before: if it’s predetermined it’s predeterminable. If I’m ‘fated’ to die in a car accident when I’m 19 and I find out about that ‘fate,’ I can change it. I can spend the whole year away from cars in some remote village in Africa, or I could even kill myself ahead of time. The point being, either way, the fated event doesn’t happen. Fate loses.” I shrug. “I mean, that’s just my opinion.

Why is the media here so negative? Why are we in India so embarrassed to recognize our own strengths, our achieve-ments? We are such a great nation. We have so many amazing success stories but we refuse to acknowledge them. Why? We are the first in milk production. We are number one in remote-sensing satellites. We are the second largest producer of wheat. We are the second largest producer of rice. Look at Dr. Sudarshan, he has transferred a tribal village into a self-sustaining, self-driving unit. There are millions of such achievements but our media is only obsessed with the bad news and failures and disasters. I was in Tel Aviv once and I was reading the Israeli newspaper. It was the day after a lot of attacks and bombardments and deaths had taken place. The Hamas had struck. But the front page of the newspaper had a picture of a Jewish gentleman who, in five years, had transformed his desert land into an orchid and a granary. It was this inspiring picture that everyone woke up to. The gory details of killings, bombardments, deaths, were inside in the newspaper, buried among other news. In India we only read about death, sickness, terrorism, crime. Why are we so negative?

Once a country is included on the “counterinsurgency” list, or any other such category, a move is made to develop a CIA echelon, usually within the structure of whatever U.S. military organization exists there at the time. Then the CIA operation begins Phase I by proposing the introduction of some rather conventional aircraft. No developing country can resist such an offer, and this serves to create a base of operations, usually in a remote and potentially hostile area. While the aircraft program is getting started the Agency will set up a high frequency radio network, using radios positioned in villages throughout the host country. The local inhabitants are told that these radios will provide a warning of guerrilla activity. Phase II of such a project calls for the introduction of medium transport type aircraft that meet anti-guerrilla warfare support requirements. The crew training program continues, and every effort is made to develop an in-house maintenance capability. As the level of this activity increases, more and more Americans are brought in, ostensibly as instructors and advisers; at this phase many of the Americans are Army Special Forces personnel who begin civic action programs. The country is sold the idea that it is the Army in most developing nations that is the usual stabilizing influence and that it is the Army that can be trusted. This is the American doctrine; promoting the same idea, but in other words, it is a near paraphrase of the words of Chairman Mao. In the final phase of this effort, light transports and liaison type aircraft are introduced to be used for border surveillance, landing in remote areas, and for resupplying small groups of anti-guerrilla warfare troops who are operating away from fixed bases. These small specialized aircraft are usually augmented by helicopters. When the plan has developed this far, efforts are made to spread the program throughout the frontier area of the country. Villagers are encouraged to clear off small runways or helicopter landing pads, and more warning network radios are brought into remote areas. While this work is continuing, the government is told that these activities will develop their own military capability and that there will be a bonus economic benefit from such development, each complementing the other. It also makes the central government able to contact areas in which it may never have been able to operate before, and it will serve as a tripwire warning system for any real guerrilla activities that may arise in the area. There is no question that this whole political economic social program sounds very nice, and most host governments have taken the bait eagerly. What they do not realize, and in many cases what most of the U.S. Government does not realize, is that this is a CIA program, and it exists to develop intelligence. If it stopped there, it might be acceptable but intelligence serves as its own propellant, and before long the agents working on this type of project see, or perhaps are a factor in creating, internal dissension.

Twelve secret presses printed the text in Germany. A clandestine network of couriers carried copies to every parish. Catholic youth used backpack caravans and hiked through the Bavarian Alps, the Black Forest, and along the Rhine. Altar boys pedaled bicycles at night. High school athletes ran across barley farms. Nuns rode motorcycles to remote villages. In church confessional booths, the couriers delivered their cargo to priests. The priests locked the text in their tabernacles, and on Palm Sunday, they read it from every pulpit in the Reich.29

A good example of ill-conceived (and premature) training approaches is seen in the many calls I get to conduct training programs to help people become better managers. I put my callers through a standard set of questions: •Did you choose people for managerial roles because they were the type of people who could get their fulfillment and satisfaction out of helping other people shine rather than having the ego-need to shine themselves? (No!) •Did you select them because they had a prior history of being able to give a critique to someone in such a way that the other person responds: "Wow, that was really helpful, I'm glad you helped me see all that." (No!) •Do you reward these people for how well their group has done, or do you reward them for their own personal accomplishments in generating business and serving clients? (Both, but with an emphasis on their personal numbers!) People can detect immediately a lack of alignment between what they are being trained in and how they are being managed. When they do detect it, little of what has been discussed or "trained" ever gets implemented. "So, let's summarize;' I say. "You've chosen people who don't want to do the job, who haven't demonstrated any prior aptitude for the job, and you are rewarding them for things other than doing the job?" Thanks, but I'll pass on the wonderful privilege of training them! Here's a good test for the timing of training: If the training was entirely optional and elective, and only available in a remote village accessible only by a mule, but your people still came to the training because they were saying to themselves, "I have got to learn this-it's going to be critical for my future; then, and only then, you will know you have timed your training well. Anything less than that, and you are doing the training too soon.

Lerner held that Brigadoon was one of Minnelli’s least vivacious efforts, despite the potential offered by CinemaScope. Only the wedding scene and the chase that follows reveal Minnelli’s unique touch. Before shooting began, Freed rushed to inform Lerner that “Vincente is bubbling over with enthusiasm about Brigadoon.” But, evidently, his heart was not in this film. Early on, Minnelli made a mistake and confessed to Kelly that he really hadn’t liked the Broadway show. As a film, Brigadoon was curiously flat and rambling, lacking in warmth or charm, and the direction lacks Minnelli’s usual vitality and smooth flow. Admittedly, Lerner’s fairy-tale story was too much of a wistful fancy. Two American hunters go astray in the Scottish hills, landing in a remote village that seems to be lost in time. One of the fellows falls in love with a bonnie lass from the past, which naturally leads to some complications. Minnelli thought that it would be better to set the story in 1774, after the revolts against English rule had ended. For research about the look of the cottages, he consulted with the Scottish Tourist Board in Edinburgh. But the resulting set of the old highland village looks artificial, despite the décor, the Scottish costumes, the heather blossoms, and the scenic backdrops. Inexplicably, some of the good songs that made the stage show stand out, such as “Come to Me, Bend to Me,” “My Mother’s Wedding Day,” and “There But for You Go I,” were omitted from the film. Other songs, such as “The Heather on the Hill” and “Almost Like Being in Love,” had some charm, though not enough to sustain the musical as a whole. Moreover, the energy of the stage dances was lost in the transfer to the screen, which was odd, considering that Kelly and Charisse were the dancers. For some reason, their individual numbers were too mechanical. What should have been wistful and lyrical became an exercise in trickery and by-now-predictable style. With the exception of “The Chase,” wherein the wild Scots pursue a fugitive from their village, the ensemble dances were dull. Onstage, Agnes de Mille’s choreography gave the dance a special energetic touch, whereas Kelly’s choreography in the film was mediocre at best and uninspired at worst. It didn’t help that Kelly and Charisse made an odd, unappealing couple. While he looks thin and metallic, she seems too solemn and often just frozen. The rest of the cast was not much better. Van Johnson, as Kelly’s friend, pouts too much. As Scottish villagers, Barry Jones, Hugh Laing, and Jimmy Thompson act peculiarly, to say the least.

Whoever passed on the virus, its effects were still visible a decade later in 1792, when the British navigator George Vancouver led the first European expedition to survey Puget Sound. Like Cook’s crew in Kamchatka, he found a charnel house: deserted villages, abandoned fishing boats, human remains “promiscuously scattered about the beach, in great numbers.” Everything they saw suggested “that at no very remote period this country had been far more populous than at present.

When they had discovered the poppy fields, they were young adolescents wanting to read in a quiet place and get away from the crowds yet away from the town. They read the term ‘countryside’ and fell in love with it. To think of the authentic part of the country residing with the ones living in the more remote and natural parts was, above all else, beautiful. Now they did not live in the village, they lived in a small town in the French countryside. And will against will, day upon day, the poppy fields were not poppy fields anymore. They were the poppy fields near the French countryside.

once spoke with a missionary who had been laboring in a remote part of the world, ministering to a group of people who had never seen a person from the West before. The missionary labored with this tribe for several years, and when they finally came to an understanding of the gospel, many were converted to Christ—including the chief of the village. On one occasion, the chief asked the missionary how long ago Jesus lived on the earth. The missionary tried to find a way to communicate in the language of the people the vast distance of time of two thousand years. There was no way she could communicate that until they talked about generations. The chief then took some sticks, and he had each stick represent a generation. He asked, “Did Jesus live during my generation?” and the missionary said no. Then he took a second stick, and he said, “Did He live during my father’s life?” No. And then a third stick: “My grandfather’s life?” No. And with each stick that he put on the ground, his countenance grew more and more distressed. When he finally had a length of sticks on the ground stretching all the way back to the first century, he was beside himself, and he asked, “If Jesus lived so long ago, why is it that we are only hearing about Him now?

Horror director, Eli Roth, showed villagers in a remote native village deep in the Peruvian Amazon the controversial 1980 horror film "Cannibal Holocaust". The villagers thought it was a comedy and the funniest thing they've ever seen.

Indonesia Mengajar offers a similar empowerment platform through education. It rigorously selects the country's top graduates, asking them to forgo potentially high-paying jobs in favor of teaching in remote village schools for one year.

Despite all his intellectual struggles, and the deliberate search for an enlightened and tolerant liberalism, my father knew he was a victim and an involuntary representative of the prejudices of the dismal, antiquated and stagnant education he had received in the remote villages where he grew up.

Many people believe there exists a single person who is their perfect partner or “soul mate.” That may be true, but then I certainly hope that my soul mate does not live in a remote village in India. Suppose that my soul mate was born, like me, in the 1960s. Limiting myself to women who are still alive, and assuming that half of them have already met their soul mates, I have perhaps 200 million potential partners. If I meet two potential partners a day, there’s a 50/50 chance I will find my soul mate within a quarter of a million years.

Gather some food and go out into the streets and into the remote villages to educate the ill-educated and the illiterate - first feed their stomach, then their soul - the purpose is not to make scholars out of them, but simply to open their eyes to the possibilities of the new world - the purpose is to help them become self-reliant.

Try to fancy poor Jesus, for example, coming to life again (actually, not doctrinally), and learning that he was the founder, the teacher, the exemplar, the very God of Christendom; fancy him searching for some trait of his own life and ruling principles in the lives and ruling principles of the millions who call themselves Christians; fancy him in spiritual communion with the Pope, the cardinals, the bishops (though their lackeys would never admit him to the presence of any of these), the most prominent ministers of the various Christian sects. He would find himself an outcast in his nominal kingdom, denounced and reviled as a madman, an idiot, an impostor; the moral and intellectual life of Christendom would be as alien and bewildering to him as its steamboats and railways and telegraphs. Paul and the other early apostles, the ancient heathenisms of Greece and Rome, of the East and the West, old philosophies and older superstitions, national characteristics, physical and other circumstances, the growth of science, the ever-varying conditions of life and modes of thought; everything, in brief, affecting the character of the converts, has affected the religion. By the time a doctrine gets embodied in a Church or other institution, its original spirit has nearly vanished. Its progress may be well compared to the course of a great river, rivers being remarkably convenient things for all such analogies. Some remotest mountain–rill or rocky well–spring has the honour of being termed its source; and the name of this tiny trickling is borne triumphant down a thousand broadening leagues to the sea. The rill is soon joined by others, each very like itself. As it flows onward, ever descending (for this is the universal law), it is joined by streamlets and rivers more and more unlike itself, they having flowed through unlike soils and regions; and more than one may be greater than itself, as the Missouri is greater than the Mississippi; and its own original waters are more and more modified by the new and various districts they traverse. As it proceeds, growing deeper and wider, villages and towns arise on its banks, and it receives copious tribute not merely of natural streams, but likewise of sewage and the pestilent refuse abominations of manifold factories and wharves. When it is become a mighty river, crowded with ships and bordered by some wealthy and populous capital, it may be a mere open cloaca maxima; and at any rate it must be as dissimilar in the quality of its waters as in their quantity and surroundings from the pure rill of the mountain solitudes, from the pure brook of the woodland shadows and pastoral peace. The waters actually from the fountain-head are but an insignificant drop in the vast and composite volumes of the thick bronze or yellow flood which finally disembogues through fat flat lowlands, in several devious channels with broad stretches of marsh and lagoon, into the immense purifying laboratory of the untainted salt sea. The remote rill-source is Christ or Mohammed, the mighty river is the Christian or Mohammedan Church; the sea in all cases is the encompassing ocean of death and oblivion, which makes life possible by preserving the earth from putrefaction.

In a dear little village Remote and obscure A beautiful maiden resided As to whether or not Her intentions were pure Opinions were sharply divided She loved to lie Out 'neath the darkening sky And allow the night breeze To entrance her She whispered her dreams To the birds flying by But seldom received any answer Over the field and along the lane Gentle Alice would love to stray When it came to the end of the day She would wander away Unheeding Dreaming her innocent dreams she strode Quite unaffected by heat or cold Frequently freckled or soaked with rain Alice was out in the lane Who she met there Every day Was a question Answered by none But she'd get there And she'd stay there 'Til whatever she did Was undoubtedly done You might also like Mad Dogs And Englishmen Noël Coward You’re Losing Me (From The Vault) Taylor Swift Cupid (Twin Version) FIFTY FIFTY (피프티피프티) Over the field and along the lane Both her parents would call in vain Sadly, sorrowfully, they'd complain 'Alice is at it again.' Although that dear little village Surrounded by trees Had neither a school, nor a college Gentle Alice acquired From the birds and the bees Some exceedingly practical knowledge The curious secrets that nature revealed She refused to allow to upset her But she thought When observing the beasts of the field That things might have been organised better Over the field and along the lane Gentle Alice would make up And take up Her stand The road was not exactly arterial But it led to a town nearby Where quite a lot of masculine material Caught her rolling eye She was ready to hitchhike Cadillac or motorbike She wasn't proud or choosy All she Was aiming to be Was a pinked-up Minked-up Fly-by-night floozy When old Rogers Gave her pearls as large as Nuts on a chestnut tree All she'd say was 'Fiddle-di-dee! The wages of sin will be the death of me!' Over the field and along the lane Gentle Alice's parents Would wait Hand in hand Her dear old white-headed mother Wistfully sipping champagne Said 'We've spoiled our child Spared the rod Open up the caviar and say "Thank God!" We've got no cause to complain! Alice is at it again!

come with me and we’ll see if we can find you a more practical skill?’ The structure wasn’t much bigger than a cottage of the kind you might find in any village, but its outer stone walls were curved like a miniature tower and its roof was a dome made from dozens of individual panes of black glass. ‘What’s in there?’ I asked. I’ve learned to be suspicious of any place that looks like it could serve as a particularly secure prison cell or possibly a ritualistic torture chamber. ‘We call it the cauldron,’ he said. The name didn’t strike me as being even remotely reassuring. The abbot gave me a shove in the direction of the iron-gated front door. ‘Time to see what you’re made of, kid.

Moreover, the spread of cable and satellite television, beaming programmes like Baywatch and The Bold and the Beautiful in to millions of ordinary mofussil towns and villages, has made vast numbers of Indians aware for the first time of how the other half lives, inevitably generating resentment that others are enjoying a lifestyle that to them is totally inaccessible. An Inspector General of Police told me that towards the end of the 1980s, as satellite dishes and cable began to reach the remoter parts of his state, the crime in his area rose exponentially. The poor had become aware for the first time of what they were missing.

There is so much life on the sides, the margins, in dark alleys, in parks, and remote villages that most tourists never get to see, and thus never get to feel and capture the real spirit of the places they visit. And thus, Dear Readers, I ask: can we travel without being tourists? Indeed, can we stop being tourists altogether? Can we begin to master the art of getting lost; the art of finding hidden gems, beauty, or simple experiences after which life is never the same? " [From “Can We Travel Without Being Tourists?” published on CounterPunch on March 15, 2024]

Since early 1964, I have frequented the remote villages of Vietnam, along with teams of young social workers, and it is from these visits that I interpret the mind of the peasant.

To cease, to sleep, to replace this intermittent consciousness with better, more melancholy things uttered in secret to a stranger! … To cease, to flow, fluid as a river, as the ebb and flow of a vast sea along coasts seen in a night in which one could really sleep! … To cease, to be unknown and external, the stirring of branches in remote avenues, the tenuous falling of leaves that one senses without hearing them fall, the subtle sea of distant fountains, and the whole indistinct world of gardens at night, lost in endless complexities, the natural labyrinths of the dark!… To cease, to end once and for all, but yet to survive in another form, as the page of a book, a loose lock of hair, a swaying creeper outside a half-open window, insignificant footsteps on the fine gravel on the curve of a path, the last twist of smoke high above a village as it falls asleep, the idle whip of the waggoner stopped by the road in the morning … Absurdity, confusion, extinction -anything but life …

Or, said another way, Native Americans, unlike the people of more modern cultures, don't believe talking is the same thing as thinking.

Two years outside the country, and not much had changed. Still, more people watched the Super Bowl than voted; budgets for defense outweighed education, medicine, and everything else combined....

Top Reasons to Go to Vietnam There's just no dearth of things to do in Vietnam and you can be rest assured that your Vietnam getaways will not have a single dull moment. Vietnam tours are another name of enjoyable and excitement. There are lots of tour operators that conduct interesting Vietnam tours and journeys through a number of Vietnam bundle trip. Holidaying in Vietnam is fantastic undoubtedly for sightseeing in Vietnam. The country is dotted with numerous well-known tourist websites in Vietnam. Amongst many places of interest in Vietnam astounding natural charm, tranquil villages, serene lakes, old pagodas, gorgeous lakes especially allure the travel freaks. Even the history fans like to discover the popular traveler destinations. Hanoi, Ho Chi Minh City, Hue, Hoi An are significant cities of Vietnam that are frequented by visitors. Sightseeing tours in Vietnam take the travelers to various places of historic, spiritual significance and Vietnam Culture Trip. Fantastic architecture of the citadels, royal tombs, temples and palaces is marvelous site. Dien Bien Phu, C? Loa citadel, Hoa Lo prison, Ho Chi Minh mausoleum and Ba Dinh square and Quang Tri are not to be missed out on while exploring in Vietnam. Things to do in Vietnam give a broad variety of options. Some locations like Hoi Chin Minh City and Hanoi are finest locations to have trendy clothes and actual antique pieces. People also like to have Vietnam War- Army watches and military clothes as momentums of the nation. Entertainment in Vietnam has numerous alternatives. Night life of Vietnam is pulsating and the celebration enthusiasts are thrilled by the revitalizing nightlife here. Vietnam tourist guide will assist you know more about nightlife in Vietnam. Pool, Nightclubs, bars, clubs are an usual website below. Even in the far-flung and remote mountainous areas like Sapa, Karaoke bars are popular amongst the different nightspots of Vietnam. There are numerous bars and clubs in Ho Chin Minh City, vietnam tours, the most popular ones among them being Apocalypse Now, Q Bar, Underground Bar and Grill and Carmen Bar. Nha Trang too offers a selection of choices with regards to bars and bars. With these options, you certainly wouldn't need to stress over things to do in Vietnam after dusk sets in. There's just no dearth of things to do in Vietnam and you can be rest assured that your Vietnam trips will not have a single dull moment. There are many trip operators that conduct remarkable Vietnam tours and moves through a number of vietnam holiday packages. Holidaying in Vietnam is terrific certainly for sightseeing in Vietnam. Touring tours in Vietnam take the travelers to various places of historical, spiritual significance and Vietnam Culture Trip. Vietnam traveler guide will help you know more about night life in Vietnam.

Foreword Reviews Magazine. Foreword Reviews. Summer 2014 issue. "By way of introduction to Vivienne Kruger’s Balinese Food, bear in mind that eight degrees south of the equator, this modest-sized lava rich, emerald green island rests among the 17,508 remote, culturally distinct constellation of Indonesian islands. It is home to three million mortals who believe they are protected by an unfathomable number of Bali-Hindu goddesses and gods that inhabit the island’s sacred mountain peaks. The Balinese are unlike almost any other island people in that they are suspicious, even distrustful of the sea, believing mischievous spirits and negative powers dwell there—the underworld, as it were. Yes, they eat seafood, they just mostly let other Indonesians do the fetching. Fittingly, Kruger’s masterful use of language; dogged, on the ground conversations with thousands of Balinese cooks and farmers; and disarming humanity leads to a culinary-minded compendium unlike almost any other. Bali, you got the scribe you deserved. What made Kruger’s work even more impressive is the fact that almost nothing about Balinese food history has been written down over the years. She writes: “Like so many other traditions in Bali, cooking techniques and eating habits are passed down verbally by elders to their children and grandchildren who help in the kitchen. However, Indonesia has an old orally transmitted food culture because the pleasure of storytelling is entwined with the pleasure and effort of cooking and eating.” Balinese Food is framed around twenty-one chapters, including the all-important Sacred Ceremonial Cuisine, Traditional Village Foods, the Cult of Rice, Balinese Pig, Balinese Duck, and specialized cooking techniques like saté, banana leaf wrappers, and the use of bumbu, a sacred, powerful dry spice paste mixture. In the chapter Seafood in Bali, she lists a popular, fragrant accompaniment called Sambal Matah—chopped shallots, red chilies, coconut oil, and kaffir lime juice—that is always served raw and fresh, in this case, alongside a simple recipe for grilled tuna. An outstanding achievement in the realm of island cooking and Indonesian history, Balinese Food showcases the Balinese people in the most flattering of ways.

Astrid struck at the warrior, remembering the young villager who had wandered into a remote meadow near their encampment. The girl had befriended her and invited her back to her family’s farm on the far side of the valley. When her mother and Balin found Astrid, the brute threw her over his shoulder like a sack of grain and carried her off. They dismantled their home after her indiscretion with the outsider and moved yet again,

Most of the villages in this area were picture-perfect tourist honeypots of stone cottages and tea rooms. But just a few miles away you'd come upon a remote  settlement full of rusting machinery, bags of cement, feral collies, and farmers who'd stare blankly at you as if they'd never previously encountered someone from outside Derbyshire.

How different this view was from her parent’s croft, where her evening vantage from the doorway was peppered with trees. From there, north of the village and off the main road, she would hear sheep baying the night, and some nights, if the breeze was just right, she could catch the smell of the sea she had never seen. How different this life was than the one she had grown up in. She still worked hard, cooked, cleaned, and sewed, but something else persisted. Here she was in the center of the MacLeod’s, where everything bustled in a way nonexistent at the remote croft of her parents.

Jimmy Slade exhibits a form of arrogance that I have not seen in many people. He believes that he is low-key and chill, as he might describe himself in his unlearned vernacular, but in reality he is constantly seeking attention and verification from outside sources regarding his abilities to fight and be viewed as ‘dominant,’ as he would say.” I crumpled the paper and threw it onto the floor. “That is not remotely true.

Horseman is the haunting sequel to the 1820 novel The Legend of Sleepy Hollow by Washington Irving and takes place two decades after the events that unfolded in the original. We are introduced to 14-year-old trans boy Bente “Ben” Van Brunt, who has been raised by his idiosyncratic grandparents - lively Brom “Bones” Van Brunt and prim Kristina Van Tassel - in the small town of Sleepy Hollow, New York, where gossip and rumour run rife and people are exceedingly closed-minded. He has lived with them on their farm ever since he was orphaned when his parents, Bendix and Fenna, died in suspicious and enigmatic circumstances. Ben and his only friend, Sander, head into the woodland one Autumn day to play a game known as Sleepy Hollow Boys, but they are both a little startled when they witness a group of men they recognise from the village discussing the headless, handless body of a local boy that has just been found. But this isn't the end; it is only the beginning. From that moment on, Ben feels an otherworldly presence following him wherever he ventures, and one day while scanning his grandfather’s fields he catches a fleeting glimpse of a weird creature seemingly sucking blood from a victim. An evil of an altogether different nature. But Ben knows this is not the elusive Horseman who has been the primary focus of folkloric tales in the area for many years because he can both feel and hear his presence. However, unlike others who fear the Headless Horseman, Ben can hear whispers in the woods at the end of a forbidden path, and he has visions of the Horseman who says he is there to protect him. Ben soon discovers connections between the recent murders and the death of his parents and realises he has been shaded from the truth about them his whole life. Thus begins a journey to unravel the mystery and establish his identity in the process. This is an enthralling and compulsively readable piece of horror fiction building on Irvings’ solid ground. Evoking such feelings as horror, terror, dread and claustrophobic oppressiveness, this tale invites you to immerse yourself in its sinister, creepy and disturbing narrative. The staggering beauty of the remote village location is juxtaposed with the darkness of the demons and devilish spirits that lurk there, and the village residents aren't exactly welcoming to outsiders or accepting of anyone different from their norm. What I love the most is that it is subtle and full of nuance, instead of the usual cheap thrills with which the genre is often pervaded, meaning the feeling of sheer panic creeps up on you when you least expect, and you come to the sudden realisation that the story has managed to get under your skin, into your psyche and even into your dreams (or should that be nightmares?) Published at a time when the nights are closing in and the light diminishes ever more rapidly, not to mention with Halloween around the corner, this is the perfect autumnal read for the spooky season full of both supernatural and real-world horrors. It begins innocuously enough to lull you into a false sense of security but soon becomes bleak and hauntingly atmospheric as well as frightening before descending into true nightmare-inducing territory. A chilling and eerie romp, and a story full of superstition, secrets, folklore and old wives’ tales and with messages about love, loss, belonging, family, grief, being unapologetically you and becoming more accepting and tolerant of those who are different. Highly recommended.

I am Gardnerian. As such, I’m barely tolerated here, stranded in a sea of Kelts, allowed to exist only because my aptitude for healing brews is considered useful in this tiny, remote village. It would be easier, perhaps, if my appearance didn’t set me apart so much. My forest-green eyes and dark hair might seem unremarkable, but the black tunic and long skirt I wear, paired with a silver Erthia orb necklace, mark me as one of the First Children. And the way my skin shimmers a faint emerald in the dark—perhaps the most undeniable sign of all—makes it impossible for me to hide what I am. A Gardnerian Mage. Hated by all but my own people.

It is no wonder that historians trace the birth of Western civilization to these jewels of the Aegean, Ionian, and Mediterranean seas. The Greek Isles are home to wide-ranging and far-reaching cultural traditions and mythic tales, not to mention the colorful history and unforgettable vistas that still draw thousands of tourists to the region every year. Minoan ruins stand alongside Byzantine churches and Crusader fortresses. Terra-cotta pots spilling over with hibiscus flowers adorn blinding-white stucco houses that reflect the sun’s dazzling light. Fishing villages perched upon craggy cliffs overlook clusters of colorful boats in island harbors. Centuries-old citrus and olive groves dot the hillsides. Lush vegetation and rocky shores meet isolated stretches of sand and an azure sea. Masts bob left and right on sailboats moored in secluded inlets. Each island is a world unto itself. Although outsiders and neighbors have inhabited, visited, and invaded these islands throughout the centuries, the islands’ rugged geography and small size have also ensured a certain isolation. In this environment, traditional ways of life thrive. The arts--pottery, glass blowing, gem carving, sculpture, and painting, among others--flourish here today, as contemporary craft artists keep alive techniques begun in antiquity. In the remote hilltop villages of Kárpathos, for example, artisans practice crafts that date back eons, and inhabitants speak a dialect close to ancient Greek. Today, to walk along the pebbled pathways of a traditional Greek mountain village or the marbled streets of an ancient acropolis is to step back in time. To meander at a leisurely pace through these island chains by boat is to be captivated by the same dramatic landscapes and enchanted islets that make the myths of ancient Greece so compelling. To witness the Mediterranean sun setting on the turquoise sea is to receive one of life’s greatest blessings.

Liu was taken at bayonet point from his Shandong village in 1944 and sent to work in the Showa coal mine in Hokkaido. Unlike those at Hanaoka who rose up in rebellion, he fled into the mountains. He escaped in July 1945, just about one month before the end of the war, but he was so terrified that he remained in hiding, living off grasses and nuts, and occasionally descending to the remote coastline to collect seaweed, less afraid of bears than of human beings, and with no knowledge that the war was over, until he was by chance discovered by a rabbit trapper in 1958. When he emerged, not only was the war over, but Kishi Nobosuke, the Tojo Cabinet's Minister for Commerce and Labor, who had been responsible for the forced-labor program, had become prime minister. When Kishi's government ordered an investigation of Liu on suspicion of illegal entry into the country, Liu published a famous statement of protest and then returned to China. As of the early 1990s, he was still pursuing his case for justice against the Japanese government, and still waiting for a response from it.

I cannot agree with the gentleman in the magenta coat that Potter’s Pond is only a wretched little hamlet. But it is certainly a very remote and secluded village; so that it seems quite outlandish, like a village of a hundred years ago. The spinsters are really spinsters — damn it, you could almost imagine you saw them spin. The ladies are not just ladies. They are gentlewomen; and their chemist is not a chemist, but an apothecary; pronounced potecary. They do just admit the existence of an ordinary doctor like myself to assist the apothecary. But I am considered rather a juvenile innovation, because I am only fifty-seven years old and have only been in the county for twenty-eight years. The solicitor looks as if he had known it for twenty-eight thousand years. Then there is the old Admiral, who is just like a Dickens illustration; with a house full of cutlasses and cuttle-fish and equipped with a telescope.’ ‘I suppose,’ said Father Brown, ‘there are always a certain number of Admirals washed up on the shore. But I never understood why they get stranded so far inland.’ ‘Certainly no dead-alive place in the depths of the country is complete without one of these little creatures,’ said the doctor. ‘And then, of course, there is the proper sort of clergyman; Tory and High Church in a dusty fashion dating from Archbishop Laud; more of an old woman than any of the old women. He’s a white-haired studious old bird, more easily shocked than the spinsters. Indeed, the gentlewomen, though Puritan in their principles, are sometimes pretty plain in their speech; as the real Puritans were. Once or twice I have known old Miss Carstairs-Carew use expressions as lively as anything in the Bible. The dear old clergyman is assiduous in reading the Bible; but I almost fancy he shuts his eyes when he comes to those words.

The age of ambition swept inland from China’s coast, reversing the route of migration; it moved from the cities to the factory towns, and from the factory towns to the villages. As it reached people who had long waited for a chance to escape their origins, the pursuit of fortune intensified into magical thinking. Farmers in remote villages embarked on audacious inventions, earning the nickname “Peasant da Vincis.

The village needs men who head into the woods and kill whatever is eating the livestock. It needs men who can charge remote beaches, men who can fight, not just at work, but also at home. The world needs Living Myth now more than ever. It needs men like my friend CJ, who moved from California to the projects of Portland to live among the needy, the poor, and thousands of homeless teenagers—to restore dignity and love them quietly and without fanfare. CJ

When I learn that in 1913, mass women's marches were held in South Africa which caused the rescinding of entry permit laws; that in 1956, 20,000 women assmesbled in Pretoria to protest pass laws for women, that resistance to these laws was carried out in remote country villages and punished bu shootings, beatings, and burnings; that in 1959, 2,000women demonstrated in Durban against laws which provided beerhalls for African men and criminalized women's traditional home brewing; that at one and the same time, African women have played a majow role alongside men in resisting apartheid, I have to ask myself why it took me so long to learn these chapters of women's history, why the leadership and strategies of African women have been son unrecognized as theory in action by white Western feminist thought. -Notes Toward a Politics of Location

Jung loved to tell “The Rainmaker Story” which he used to illustrate our journey of return to ourselves. This story is so popular in our circles that you may have heard it before. In this story, a remote village in China was experiencing a prolonged drought. The fields were parched, the crops were dying and the people were facing starvation. They had done everything they could. They prayed to their ancestors; their priests took the sacred images from their temples and marched them around the parched fields. But no prayers or rituals brought the rain that they so badly needed. In despair, the villagers pooled their last few resources and sent for a rainmaker from far away. When the little old man arrived, he found the cattle dying and the people in a miserable state. When the people asked him what he wanted, he said only a small hut and a little food and water. He went into the hut, closed the door, and left the people wondering what he was doing. On the third day, it began to rain. When he emerged, they asked him what he did. “Oh,” he replied, “that is very simple. I didn’t do anything. I came from an area that was in Tao, in balance. Your area is disturbed, out of balance, and when I came into it, I became disturbed. I retreated to the little hut to meditate, to bring myself back into balance. When I am able to get myself in order, everything around me is set right.

Initially the training in Ajahn Chah’s tradition requires long periods of communal walking and sitting practice, and frequent all-night sittings in the Buddha Hall. After training together with the collective of monks, you may then be directed to a period of practice in solitude for some months. For this part of the training, monks live in isolated caves or in more distant parts of jungles and mountains, a long morning’s walk from the last remote village. Or, in certain retreat centers, small huts are provided for solitary intensive meditation. My own training included a solitary retreat for one year and three months. I didn’t leave my room, just meditated fifteen to eighteen hours a day, sitting for an hour, walking for an hour, then sitting again. I’d see my teacher every two days for a fifteen-minute interview. You don’t have to be in solitude very long before any pride you have goes away. It is quite humbling. Your mind will do anything. Every past thing you’ve ever done or imagined comes back. Every mood, every fear, every longing, your loneliness, your pain, your love, creativity, and boredom appear with great intensity.

Like Miles Davis, Graham often used to turn his back on his audiences. This was primarily between songs, while he was retuning his guitars. For Graham, in the early 1960s, was privy to a secret alternative tuning system known as DADGAD, which he was reluctant to share with any rival guitarists in the crowd. He began using it around 1962–3, on a trip to the bohemian Beat capital Tangier, where he spent six months and earned his keep by working in a snack booth selling hash cakes to locals. The raw Gnaoua trance music preserved in Morocco’s town squares and remote Rif mountain villages stretched back thousands of years, and Graham was hypnotised by the oud, a large Arabic lute which resembles a bisected pear (the word ‘lute’ itself derives from the Arabic ‘al-ud’) and has been identified in Mesopotamian wall paintings 5,000 years old. The paradigm of Eastern music, defining its difference from the West, is the maqam, which uses a microtonal system that blasts open the Western eight-note octave into fifty-three separate intervals. DADGAD is not one of the tunings commonly used on the eleven-string oud, but Graham found that tuning a Western guitar that way made it easier to slip into jam sessions with Moroccan players. The configuration allows scales and chords to be created without too much complicated fingering; its doubled Ds and As and open strings often lead to more of a harp-like, droning sonority than the conventional EADGBE.

Ours is a country where babies are born with crushing debts, where more than half the country are hungry and homeless, where the rays of modernisation never reach those far-flung remote villages, where there is not network of roads in mountain districts, no safe drinking water or a regular supply of already meagre electricity. We sell the electricity at low price and buy back at high price – what madness is this? Those buggers on the high government chairs should die of shame.

Globalisation creates a world where causes are remote form effects, and the connections between them are often hidden or obscure.

The alleged atrocities committed by the security forces were said to be much higher, in remote villages, than in the cities, but the reality remained hidden from the press, and international media, due to affected areas being so physically inaccessible. Yet, the city dwellers continued claiming that they had been facing much more as compared to the rural dwellers.

In July 1697 the matter went to three arbitrators, including two former witchcraft judges. To them the Nurse family complained that Parris led his congregants into “dangerous errors, and preached such scandalous immoralities” that he ought be dismissed from his profession. He had stifled some accusations while encouraging others. He had sworn to falsehoods. Both sides reached to hyperbole; as his critics saw it, Parris had “been the beginner and procurer of the sorest afflictions, not to this village only, but to this whole country, that did ever befall them.” The arbitrators ruled against him. Parris returned to Stow, the remote hamlet where he had preached earlier. Immediately embroiled

Huddled in swamps and on remote islands, fearful that to venture back to their villages meant certain death, Indians throughout the region were unable to plant the crops on which their lives depended. By summer, they had begun to die at a startling rate. “[ C] ertainly it is strange to hear how many of late have, and still daily die amongst them,” Winslow wrote. Just about every notable sachem on the Cape died in the months ahead, including Canacum at Manomet, Aspinet at Nauset, and the “personable, courteous, and fair conditioned” Iyanough at Cummaquid. Word reached Plymouth that before he died, the handsome young sachem had “in the midst of these distractions, said the God of the English was offended with them, and would destroy them in his anger.” One village decided to send some gifts to the Pilgrims in hopes of establishing peace, but the Indians’ canoe capsized almost within sight of the plantation, and three of them drowned. Since that incident, not a single Indian from Cape Cod had dared to approach the settlement. Among the Massachusetts, the Pilgrims had earned a new name: wotawquenange—cutthroats. Standish’s raid had irreparably damaged the human ecology of the region.