Remote Car Quotes

We've searched our database for all the quotes and captions related to Remote Car. Here they are! All 100 of them:

I love going out of my way, beyond what I know, and finding my way back a few extra miles, by another trail, with a compass that argues with the map…nights alone in motels in remote western towns where I know no one and no one I know knows where I am, nights with strange paintings and floral spreads and cable television that furnish a reprieve from my own biography, when in Benjamin’s terms, I have lost myself though I know where I am. Moments when I say to myself as feet or car clear a crest or round a bend, I have never seen this place before. Times when some architectural detail on vista that has escaped me these many years says to me that I never did know where I was, even when I was home.
Rebecca Solnit (A Field Guide to Getting Lost)
Space isn't remote at all. It's only an hour's drive away if your car could go straight upwards.
Fred Hoyle
Historical fact: People stopped being people in 1913. That was the year Henry Ford put his cars on rollers and made his workers adopt the speed of the assembly line. At first, workers rebelled. They quit in droves, unable to accustom their bodies to the new pace of the age. Since then, however, the adaptation has been passed down: we've all inherited it to some degree, so that we plug right into joy-sticks and remotes, to repetitive motions of a hundred kinds.
Jeffrey Eugenides (Middlesex)
Do you know where Jason is?” she asked Dmitri when they exited the morgue. Dmitri pressed the car remote to unlock the flame red Ferrari parked in the employees-only lot. “Tired of your Bluebell already?” A tendril of champagne circled around her senses, cut with something far harder. Never had she felt that harsh edge in Dmitri’s scent. She pitied the woman he took to his bed today. “Yeah, that’s it. I’m building a harem.
Nalini Singh (Archangel's Consort (Guild Hunter, #3))
On the way out to the car, Philip turns to me. “How could you be so stupid? I shrug, stung in spite of myself. “I thought I grew out of it.” Philip pulls out his key fob and presses the remote to unlock his Mercedes. I slide into the passenger side, brushing coffee cups off the seat and onto the floor mat, where crumpled printouts from MapQuest soak up any spilled liquid. “I hope you mean sleepwalking,” Philip says, “since you obviously didn’t grow out of stupid.
Holly Black (White Cat (Curse Workers, #1))
He emptied all his handheld video games and Josh’s remote control cars, and called his grandma to tell her that all he wanted for his birthday in November was AA batteries.
Rainbow Rowell (Eleanor & Park)
Termite, you're young, and I'm not sure if you're going to understand what I'm about to say, but here's the nugget: Without the heart, nothing else matters. She could be the Goddess of Love, you could have all the mind-blowing sex you could physically handle, but when the shooting is over, and you're starting to think about getting a bite to eat, smoking a cigarette, or what you do with her now, you're just lying in bed with a woman who means little more to you than the remote control for your TV. Love is not tool; neither is a woman's heart. What I'm talking about, you won't find in that magazine." "How would you know? You just said you've only loved one woman. I think you need to test-drive a few cars before you buy one." "You can buy that lie if you want, but if you're working for a bank, you don't study the counterfeit to know the real thing. You study the real thing to know the counterfeit." Reese talking to Termite, pg. 109-110
Charles Martin (When Crickets Cry)
Damn me not I make a better fool. And there is nothing vaster, more beautiful, remote, unthinking (eternal rose-red sunrise on the surf—great rectitude of rocks) than man, inhuman man, At whom I look for a thousand light years from a seat near Scorpio, amazed and touched by his concern and pity for my plight, a simple star, Then trading shapes again. My wife is gone, my girl is gone, my books are loaned, my clothes are worn, I gave away a car; and all that happened years ago. Mind & matter, love & space are frail as foam on beer.
Gary Snyder (Riprap and Cold Mountain Poems)
Oh, mansion shmansion. Did Gandhi's house have the largest outdoor trampoline in the tristate area? Did Jesus have a two-acre remote-controlled car track, with mountains to scale and a little village that lit up at night? Not in his Bible.
George Saunders (Tenth of December)
That night, Park made a tape with the Joy Division song on it, over and over again. He emptied all his handheld video games and Josh's remote control cars, and called his grandma to tell her that all he wanted for his birthday in November was AA batteries.
Rainbow Rowell (Eleanor & Park)
Publicity is effective precisely because it feeds upon the real. Clothes, food, cars, cosmetics, baths, sunshine are real things to be enjoyed in themselves. Publicity begins by working on a natural appetite for pleasure. But it cannot offer the real object of pleasure and there is no convincing substitute for a pleasure in that pleasure's own terms. The more convincingly publicity conveys the pleasure of bathing in a warm, distant sea, the more the spectator-buyer will become aware that he is hundreds of miles away from that sea and the more remote the chance of bathing in it will seem to him. This is why publicity can never really afford to be about the product or opportunity it is proposing to the buyer who is not yet enjoying it. Publicity is never a celebration of a pleasure-in-itself. Publicity is always about the future buyer. It offers him an image of himself made glamorous by the product or opportunity it is trying to sell. The image then makes him envious of himself as he might be. Yet what makes this self-which-he-might-be enviable? The envy of others. Publicity is about social relations, not objects. Its promise is not of pleasure, but of happiness : happiness as judged from the outside by others. The happiness of being envied is glamour. Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you. You are observed with interest but you do not observe with interest - if you do, you will become less enviable. ... ... The spectator-buyer is meant to envy herself as she will become if she buys the product. She is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself. One could put this another way : the publicity images steals her love of herself as she is, and offers it back to her for the price of the product. (P. 128)
John Berger (Ways of Seeing)
Think about it: If you have saved just enough to have your own house, your own car, a modicum of income to pay for food, clothes, and a few conveniences, and your everyday responsibilities start and end only with yourself… You can afford not to do anything outside of breathing, eating, and sleeping. Time would be an endless, white blanket. Without folds and pleats or sudden rips. Monday would look like Sunday, going sans adrenaline, slow, so slow and so unnoticed. Flowing, flowing, time is flowing in phrases, in sentences, in talk exchanges of people that come as pictures and videos, appearing, disappearing, in the safe, distant walls of Facebook. Dial fast food for a pizza, pasta, a burger or a salad. Cooking is for those with entire families to feed. The sala is well appointed. A day-maid comes to clean. Quietly, quietly she dusts a glass figurine here, the flat TV there. No words, just a ho-hum and then she leaves as silently as she came. Press the shower knob and water comes as rain. A TV remote conjures news and movies and soaps. And always, always, there’s the internet for uncomplaining company. Outside, little boys and girls trudge along barefoot. Their tinny, whiny voices climb up your windowsill asking for food. You see them. They don’t see you. The same way the vote-hungry politicians, the power-mad rich, the hey-did-you-know people from newsrooms, and the perpetually angry activists don’t see you. Safely ensconced in your tower of concrete, you retreat. Uncaring and old./HOW EASY IT IS NOT TO CARE
Psyche Roxas-Mendoza
I'm not sure we should get camera phones, that's all." She hit the remote and the car doors unlocked. She reached for the door handle. Matt hesitated. Olivia looked at him. "What?" he asked. "If we both get camera phones," Olivia said, "I could send you nuddies when you're at work." Matt opened the door. "Verizon on Sprint?" from The Innocent
Harlan Coben
The Gunner's Dream (From The Final Cut) Floating down through the clouds Memories come rushing up to meet me now. In the space between the heavens and in the corner of some foreign field I had a dream. I had a dream. Good-bye Max. Good-bye Ma. After the service when you're walking slowly to the car And the silver in her hair shines in the cold November air You hear the tolling bell And touch the silk in your lapel And as the tear drops rise to meet the comfort of the band You take her frail hand And hold on to the dream. A place to stay Enough to eat Somewhere old heroes shuffle safely down the street Where you can speak out loud About your doubts and fears And what's more no-one ever disappears You never hear their standard issue kicking in your door. You can relax on both sides of the tracks And maniacs don't blow holes in bandsmen by remote control And everyone has recourse to the law And no-one kills the children anymore. And no one kills the children anymore. Night after night Going round and round my brain His dream is driving me insane. In the corner of some foreign field The gunner sleeps tonight. What's done is done. We cannot just write off his final scene. Take heed of his dream.
Roger Waters
This pool of vomit with its clots of blood like liquid rubies, as viscous and discreet as everything produced by Catherine, still contains for me the essence of the erotic delirium of the car-crash, more exciting than her own rectal and vaginal mucus, as refined as the excrement of a fairy queen, or the minuscule globes of liquid that formed beside the bubbles of her contact lenses. In this magic pool, lifting from her throat like a rare discharge of fluid from the mouth of a remote and mysterious shrine, I saw my own reflection, a mirror of blood, semen and vomit, distilled from a mouth whose contours only a few minutes before had drawn steadily against my penis.
J.G. Ballard (Crash)
When the boys come, instead of buying Barbie dolls, all of a sudden you’re into trucks and remote controls, cars and tanks. You buy building blocks and build castles and locomotives. You get into knives and later take them shooting with pistols, shotguns, and rifles. All of which made me very happy.
Arnold Schwarzenegger (Total Recall: My Unbelievably True Life Story)
know I shouldn’t say it in this day and age but I’m absolutely useless without a man. There isn’t a moment I don’t miss Charlie. I never get anything right. I can’t work out the buttons on the TV remote control. Parking the car is a nightmare even though it’s only a Toyota Prius and it isn’t that big.
Anthony Horowitz (The Sentence is Death (Hawthorne & Horowitz, #2))
In ordinary times we get along surprisingly well, on the whole, without ever discovering what our faith really is.If, now and again, this remote and academic problem is so unmannerly as to thrust its way into our minds, there are plenty of things we can do to drive the intruder away. We can get the car out or go to a party or to the cinema or read a detective story or have a row with a district council or write a letter to the papers about the habits of the nightjar or Shakespeare's use of nautical metaphor. Thus we build up a defense mechanism against self-questioning because, to tell the truth, we are very much afraid of ourselves.
Dorothy L. Sayers (Letters to a Diminished Church: Passionate Arguments for the Relevance of Christian Doctrine)
Cormick! Anything even remotely resembling trespassing and breaking and entering is going to look bad to a parole officer!' Cormick stopped, then turned and headed back to the car, 'I hate that.' I thought a moment, 'I'm not on parole.' I started for the box... 'Don't touch anything you find,' Cormick said as we passed each other.
Carrie Vaughn (Kitty Goes to War (Kitty Norville, #8))
Say you spend thirty minutes driving in rush hour every morning and another fifteen getting to your car and into the office. That’s 1.5 hours a day, 7.5 hours per week, or somewhere between 300 and 400 hours per year, give or take holidays and vacation. Four hundred hours is exactly the amount of programmer time we spent building Basecamp, our most popular product. Imagine what you could do with 400 extra hours a year. Commuting isn’t just bad for you, your relationships, and the environment—it’s bad for business.
Jason Fried (Remote: Office Not Required)
What Satan put into the heads of our remote ancestors was the idea that they could ‘be like gods’—could set up on their own as if they had created themselves—be their own masters—invent some sort of happiness for themselves outside God, apart from God. And out of that hopeless attempt has come nearly all that we call human history—money, poverty, ambition, war, prostitution, classes, empires, slavery—the long terrible story of man trying to find something other than God which will make him happy. The reason why it can never succeed is this. God made us: invented us as a man invents an engine. A car is made to run on petrol, and it would not run properly on anything else. Now God designed the human machine to run on Himself. He Himself is the fuel our spirits were designed to burn, or the food our spirits were designed to feed on. There is no other. That is why it is just no good asking God to make us happy in our own way without bothering about religion. God cannot give us a happiness and peace apart from Himself, because it is not there. There is no such thing.
C.S. Lewis (Mere Christianity)
Control your temper, or it will control you. Sometimes even remotely, like a toy car. Christmas is coming up, and for only $44.44 I’ll sell you a gift that would be perfect for the child in your life.
Jarod Kintz (This Book is Not for Sale)
The naturalist E. O. Wilson gave a name to this warm, fuzzy feeling I’m experiencing: biophilia. He defined it as “the innately emotional affiliation of human beings to other living organisms.” Wilson argued that our connection to nature is deeply ingrained in our evolutionary past. That connection isn’t always positive. Take snakes, for instance. The chances of encountering a snake, let alone dying from a snakebite, are extraordinarily remote. Yet modern humans continue to fear snakes even more, studies have found, than car accidents or homicide or any of the dozens of other more plausible ways we might meet our demise. The fear of snakes resides deep in our primitive brain. The fear of the Long Island Expressway, while not insignificant, was added much more recently.
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
Homer's Hymn to the Moon Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition; dated 1818. Daughters of Jove, whose voice is melody, Muses, who know and rule all minstrelsy Sing the wide-winged Moon! Around the earth, From her immortal head in Heaven shot forth, Far light is scattered—boundless glory springs; Where'er she spreads her many-beaming wings The lampless air glows round her golden crown. But when the Moon divine from Heaven is gone Under the sea, her beams within abide, Till, bathing her bright limbs in Ocean's tide, Clothing her form in garments glittering far, And having yoked to her immortal car The beam-invested steeds whose necks on high Curve back, she drives to a remoter sky A western Crescent, borne impetuously. Then is made full the circle of her light, And as she grows, her beams more bright and bright Are poured from Heaven, where she is hovering then, A wonder and a sign to mortal men. The Son of Saturn with this glorious Power Mingled in love and sleep—to whom she bore Pandeia, a bright maid of beauty rare Among the Gods, whose lives eternal are. Hail Queen, great Moon, white-armed Divinity, Fair-haired and favourable! thus with thee My song beginning, by its music sweet Shall make immortal many a glorious feat Of demigods, with lovely lips, so well Which minstrels, servants of the Muses, tell.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
There’s a workaround for encroaching phone stupidity. The first thing I did when I got to my place in Austin – an apartment rented for three days over the internet – was connect the thing to wifi. Just like that, my secondary brain got all its little grey cells back. The next few days were all about scurrying from wifi field to field, trying to keep the thing on life support. It’s a workaround. We live in a workaround culture. You have to jiggle the key in the ignition just right to start the car. You have to hold the TV remote at a certain angle. You know how it goes.
Warren Ellis (CUNNING PLANS: Talks By Warren Ellis)
As Ian popped the lock and opened the car door, he turned to Phoebe. “Can you do me a favour?” She immediately stepped toward him, fully embracing their new mature relationship. “Of course.” Ian looked pointedly over his own shoulder and said, “Tell me the truth. Does this car make my glowing ass look fat?” She’d naturally followed the direction of his gaze, but now she looked up, hard, into his eyes. And she smiled back at him despite herself. She even laughed. “You’re an idiot.” “When things get too serious, I get a rash.” She pointedly looked back down at his nether regions, despite the fact doing so made her blush. Still, she spoke coolly, dryly. “Not on your ass.” If Ian believed in love, that would’ve been it for him. Instantly. Enthrallingly. Eternally. Instead, he just laughed. “Thank God for that. See if there’s anything remotely clothinglike in the backseat or the trunk.
Suzanne Brockmann (Do or Die (Reluctant Heroes #1))
It was during the 1970s that statisticians decided it would be a good idea to measure banks’ “productivity” in terms of their risk-taking behavior. The more risk, the bigger their slice of the GDP.14 Hardly any wonder, then, that banks have continually upped their lending, egged on by politicians who have been convinced that the financial sector’s slice is every bit as valuable as the whole manufacturing industry. “If banking had been subtracted from the GDP, rather than added to it,” the Financial Times recently reported, “it is plausible to speculate that the financial crisis would never have happened.”15 The CEO who recklessly hawks mortgages and derivatives to lap up millions in bonuses currently contributes more to the GDP than a school packed with teachers or a factory full of car mechanics. We live in a world where the going rule seems to be that the more vital your occupation (cleaning, nursing, teaching), the lower you rate in the GDP. As the Nobel laureate James Tobin said back in 1984, “We are throwing more and more of our resources, including the cream of our youth, into financial activities remote from the production of goods and services, into activities that generate high private rewards disproportionate to their social productivity.”16
Rutger Bregman (Utopia for Realists: And How We Can Get There)
The train station is the ideal scenario for greetings and farewells. The car is too banal. What does it mean to set off in a car? Nothing. The airport is too exhausting and impersonal, the plane itself remote, unseen, the barriers and security disturbing. Here the powerful beast of the locomotive thrusts its nose under the great arch of the station.
Tim Parks (Italian Ways: On and Off the Rails from Milan to Palermo)
Was the iPhone a malevolent protean organism, the stem-cell phone, mocking him who had cameras with real physical shutters whose sound you couldn’t turn off? Promising to replace every other device on earth with its shape-shifting self – garage door openers, solar timers, television remotes, car keys, guitar tuners, GPS modules, light meters, spirit levels, you name it?
David Cronenberg (Consumed)
Or was it a more sinister thing? Was the iPhone a malevolent protean organism, the stem-cell phone, mocking him who had cameras with real physical shutters whose sound you couldn’t turn off? Promising to replace every other device on earth with its shape-shifting self—garage door openers, solar timers, television remotes, car keys, guitar tuners, GPS modules, light meters, spirit levels, you name it?
David Cronenberg (Consumed)
Sometimes difficulty clarifies things. And sometimes realizing that the road you’ve chosen is a demanding one gives you the courage to stay on that road. It reveals the nature of our relationship with God. It sounds cute and comforting to say “God is in control,” and people who say that may imagine sitting on their daddy’s lap behind the wheel of the family car, going “Vroom vroomy vroom!” while Daddy does the steering. In reality, when God is in control, it feels more like one of those movies where some amateur has to step up and land the airplane or steer the ship to safety through a crashing storm, with an expert giving them instructions remotely through a headset. In theory, following the expert’s instructions will help us get in safely; but our fear, panic, self-doubt, and lack of skill are not exactly comforting. Yes, God is in control, but we’re the ones who are in for a rough ride.
Simcha Fisher (The Sinner's Guide to Natural Family Planning)
Sometimes I wander round and round in circles, going over the same ground, getting lost, sometimes for hours, or days, or even weeks....But I know that if I immerse myself in it long enough, things will clarify, simplify. I can count on that. When it happens, it happens fast. Boom ba boom ba boom! One thing after the other, taking the breath away. And then, you know, I feel like I'm walking out in some remote corner of space, where no mortal's ever been, all alone with something beautiful....Once, when I was in Switzerland some friends took me up in some very high cable cars, climbing up a mountain....There was a restaurant on top and the view was supposed to be sublime. When we got up it was a great disappointment because the clouds were obscuring everything. But suddenly there was a rent in the clouds and there were the Jungrau and two other peaks towering right in front of us....That's what it's like.
Steven Pinker (The Stuff of Thought: Language as a Window into Human Nature)
•  The four highest-impact things an individual can do to tackle climate change are eat a plant-based diet, avoid air travel, live car-free, and have fewer children. •  Of those four actions, only plant-based eating immediately addresses methane and nitrous oxide, the most urgently important greenhouse gases. •  Most people are not in the process of deciding whether to have a baby. •  Eighty-five percent of Americans drive to work. Few drivers can simply decide to stop using their cars. •  For Americans, 29 percent of air travel in 2017 was for business purposes, and 21 percent was for “personal non-leisure purposes.” Businesses must rely more on remote communication, “personal non-leisure” flights must be reduced, and personal leisure flights can and must be cut, but the fact remains that a sizable portion of air travel is unavoidable. •  Everyone will eat a meal relatively soon and can immediately participate in the reversal of climate change.
Jonathan Safran Foer (We Are the Weather: Saving the Planet Begins at Breakfast)
It is important here not to confuse publicity with the pleasure or benefits to be enjoyed from the things it advertises. Publicity is effective precisely because it feeds upon the real. Clothes, food, cars, cosmetics, baths, sunshine are real things to be enjoyed in themselves. Publicity begins by working on a natural appetite for pleasure. But it cannot offer the real object of pleasure and there is no convincing substitute for a pleasure in that pleasure's own terms. The more convincingly publicity conveys the pleasure of bathing in a warm, distant sea, the more the spectator-buyer will become aware that he is hundreds of miles away from that sea and the more remote the chance of bathing in it will seem to him. This is why publicity can never really afford to be about the product or opportunity it is proposing to the buyer who is not yet enjoying it. Publicity is never a celebration of a pleasure-in-itself. Publicity is always about the future buyer. It offers him an image of himself made glamorous by the product or opportunity it is trying to sell. The image then makes him envious of himself as he might be. Yet what makes this self-which-he-might-be enviable? The envy of others. Publicity is about social relations, not objects. Its promise is not of pleasure, but of happiness : happiness as judged from the outside by others. The happiness of being envied is glamour. Being envied is a solitary form of reassurance. It depends precisely upon not sharing your experience with those who envy you. You are observed with interest but you do not observe with interest - if you do, you will become less enviable. ....... The spectator-buyer is meant to envy herself as she will become if she buys the product. She is meant to imagine herself transformed by the product into an object of envy for others, an envy which will then justify her loving herself. One could put this another way : the publicity images steals her love of herself as she is, and offers it back to her for the price of the product.
John Berger (Ways of Seeing)
I stepped from the desert doorway with nothing except the clothes on my back and a shoulder bag filled with notebooks—blue-lined paper pads bound together with rubber bands and stained with my sweat, with camel shit, by smears of my own blood. The pages crazed with jottings about devastating heat. The bearings for remote wells. Inked maps of pilgrim roads. The divinations of Bedouin fire cures. Mile upon mile of sentences from an austere kingdom still largely closed to the world. I walked along the concrete highway and spotted the first alcoholic artifacts I had seen in seven months (bottles, cans), past a large potash mine, and up the wrinkled coast to a tourist town. I saw women in colorful sarongs. Some drove cars. Nobody watched me. I floated out of a desert wadi like windblown trash. I found an ATM. I asked directions to a posh hotel with knockoff Mies van der Rohe tubular furniture in the lobby. Men gave camel rides to tourists outside. “And where”—asked the clerk, without the least curiosity, as I signed the paperwork—”are you coming from, Mr. Salopek?
Paul Salopek
In those days, Alice had a population of 4,000 and hardly any visitors. Today it’s a thriving little city with a population of 25,000 and it is full of visitors – 350,000 of them a year – which is of course the whole problem. These days you can jet in from Adelaide in two hours, from Melbourne and Sydney in less than three. You can have a latte and buy some opals and then climb on a tour bus and travel down the highway to Ayers Rock. The town has not only become accessible, it’s become a destination. It’s so full of motels, hotels, conference centres, campgrounds and desert resorts that you can’t pretend even for a moment that you have achieved something exceptional by getting yourself there. It’s crazy really. A community that was once famous for being remote now attracts thousands of visitors who come to see how remote it no longer is. Nearly all guidebooks and travel articles indulge the gentle conceit that Alice retains some irreproducible outback charm – some away-from-it-all quality that you must come here to see – but in fact it is Anywhere, Australia. Actually, it is Anywhere, Planet Earth. On our way into town we passed strip malls, car dealerships, McDonald’s and Kentucky Fried Chicken outlets, banks and petrol stations.
Bill Bryson (In a Sunburned Country)
I think you’d be a really good Thomasina.” I smile. “Thanks but no thanks.” “Why not? It could be something good to put on your college apps.” “It’s not like I’m going to be a theater major or anything.” “It wouldn’t kill you to get out of your comfort zone a little bit,” he says, stretching his arms out behind his head. “Take a risk. Look at Margot. She’s all the way over in Scotland.” “I’m not Margot.” “I’m not saying you should move to the other side of the world. I know you’d never do that. Hey, what about Honor Council? You love judging people!” I make a face at him. “Or Model UN. I bet you’d like that. I’m just saying…your world could be bigger than just playing checkers with Kitty and riding around in Kavinsky’s car.” I stop highlighting midsentence. Is he right? Is my world really that small? It’s not like his world is so big! “Josh,” I begin. Then I pause, because I don’t know how I’m going to finish the sentence. So instead I throw my highlighter at him. It ricochets off his forehead. “Hey! You could have hit me in the eye!” “And you would have deserved it.” “Okay, okay. You know I didn’t mean it like that. I just mean that you should give people a chance to know you.” Josh points the remote control at me and says, “If people knew you, they would love you.” He sounds so matter-of-fact.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
the cotton fields and strawberry patches of a much harsher world whose tragedies and daily burdens had blunted her temperament and quelled her emotions. But its most immediate impact on this teenage girl was not the lack of a demure coquettishness that otherwise might have defined her had she grown up in better circumstances; it was the visible evidence of the hardship of her journey. This was not a pom-pom-waving homecoming queen or a varsity athlete who had toned her body in a local gym. My mother never complained, but it was her struggles that had visibly shaped her shoulders, grown her biceps, and crusted her palms—while in a less visible way narrowing her view of her own long-term horizons. Decades later, when I was in my forties, I suppressed a defensive anger as I watched my mother sit quietly in an expansive waterfront Florida living room while a well-bred woman her age described the supposedly difficult impact of the Great Depression on her family. As the woman told it, the crash on Wall Street and the failed economy had made it necessary for them to ship their car by rail from New York to Florida when they headed south for the winter. Who could predict, she reasoned, whether there would be food or gasoline if their driver had to refuel and dine in the remote and hostile environs of small-town Georgia? My mother merely smiled and nodded, as
James Webb (I Heard My Country Calling: A Memoir)
This is textbook Bad Idea. We're driving with a stranger, no one knows where we are, and we have no way of getting in touch with anyone. This is exactly how people become statistics." "Exactly?" I asked, thinking of all the bizarre twists and turns that had led us to this place. Ben ceded the point with a sideways shrug. "Maybe not exactly. But still..." He let it go, and the cab eventually stopped at the edge of a remote, forested area. Sage got out and paid. "Everybody out!" Ben looked at me, one eyebrow raised. He was leaving the choice to me. I gave his knee a quick squeeze before I opened the door and we piled out of the car. Sage waited for the cab to drive away, then ducked onto a forest path, clearly assuming we'd follow. The path through the thick foliage was stunning in the moonlight, and I automatically released my camera from its bag. "I wish you wouldn't," Sage said without turning around. "You know I'm not one for visitors." "I'll refrain from selling the pictures to Travel and Leisure, then," I said, already snapping away. "Besides, I need something to take my mind off my feet." My shoes were still on the beach, where I'd kicked them off to dance. "Hey, I offered to carry you," Sage offered. "No, thank you." I suppose I should have been able to move swiftly and silently without my shoes, but I only managed to stab myself on something with every other footfall, giving me a sideways, hopping gait. Every few minutes Sage would hold out his arms, offering to carry me again. I grimaced and denied him each time. After what felt like about ten miles, even the photos weren't distracting enough. "How much farther?" I asked. "We're here." There was nothing in front of us but more trees. "Wow," Ben said, and I followed his eyes upward to see that several of the tree trunks were actually stilts supporting a beautifully hidden wood-and-glass cabin, set high among the branches. I was immediately charmed. "You live in a tree house," I said. I aimed my camera the façade, answering Sage's objection before he even said it. "For me, not for Architectural Digest." "Thank you," Sage said.
Hilary Duff (Elixir (Elixir, #1))
Many operations involved intercepting and seizing someone traveling in a moving vehicle, often with bodyguards. The task force would surreptitiously attach a tracking beacon to the target’s car. Delta was already experimenting with technologies that used an electromagnetic pulse to shut a car’s battery down remotely. The unit also used a catapult net system that would ensnare car and driver alike. Once the car had been immobilized, operators would smash the window with a sledgehammer, pull their target through the window, and make off with him, shooting any bodyguards who posed a threat, while an outer security perimeter kept anyone who might interfere at bay. The operators had a name for these snatches: habeas grab-ass.
Sean Naylor (Relentless Strike: The Secret History of Joint Special Operations Command)
checked the load, and slipped it under my belt behind my right hip. “Are you supposed to be wearing a bulletproof vest, are you supposed to be carrying a gun?” a guard asked. “Isn’t that against the rules?” “What rules?” I said. He didn’t have an answer for that. I put on my leather coat. The money was still packed in the gym bags, the gym bags strapped to the dolly in the center of my living room. I grabbed the handle and started wheeling it to the back door of my house. I had a remote control hanging from the lock on the window overlooking my unattached garage. I used it to open the garage door. “There’s no reason for you guys to hang around anymore,” I said. The guards followed me out of my back door, across the driveway, and into the garage just the same. They stood by and watched while I loaded the dolly and the gym bags into the trunk of the Audi. “Nice car,” one of them said. If he had offered me ten bucks, I would have sold the Audi and all of its contents to him right then and there. Because he didn’t, I unlocked the driver’s door and slid behind the wheel. “Good luck,” the guard said and closed the door for me. He smiled like I was a patient about to be wheeled into surgery; smiled like he felt sorry for me. I put the key in the ignition, started up the car, depressed the clutch, put the transmission in reverse, and—sat there for five seconds, ten, fifteen … Why are you doing this? my inner voice asked. Are you crazy? The guard watched me through the window, an expression of concern mixed with puzzlement on his face. “McKenzie, are you okay?” he asked. “Never better,” I said. I slowly released the clutch and backed the Audi out of my driveway
David Housewright (Curse of the Jade Lily (Mac McKenzie, #9))
Colby arrived the next day, with stitches down one lean cheek and a new prosthesis. He held it up as Cecily came out to the car to greet him. He held it up as Cecily came out to the car to greet him. “Nice, huh? Doesn’t it look more realistic than the last one?” “What happened to the last one?” she asked. “Got blown off. Don’t ask where,” he added darkly. “I know nothing,” she assured him. “Come on in. Leta made sandwiches.” Leta had only seen Colby once, on a visit with Tate. She was polite, but a little remote, and it showed. “She doesn’t like me,” Colby told Cecily when they were sitting on the steps later that evening. “She thinks I’m sleeping with you,” she said simply.” So does Tate.” “Why?” “Because I let him think I was,” she said bluntly. He gave her a hard look. “Bad move, Cecily.” “I won’t let him think I’m waiting around for him to notice me,” she said icily. “He’s already convinced that I’m in love with him, and that’s bad enough. I can’t have him know that I’m…well, what I am. I do have a little pride.” “I’m perfectly willing, if you’re serious,” he said matter-of-factly. His face broke into a grin, belying the solemnity of the words. “Or are you worried that I might not be able to handle it with one arm?” She burst out laughing and pressed affectionately against his side. “I adore you, I really do. But I had a bad experience in my teens. I’ve had therapy and all, but it’s still sort of traumatic for me to think about real intimacy.” “Even with Tate?” he probed gently. She wasn’t touching that line with a pole. “Tate doesn’t want me.” “You keep saying that, and he keeps making a liar of you.” “I don’t understand.” “He came to see me last night. Just after I spoke to you.” He ran his fingers down his damaged cheek. She caught her breath. “I thought you got that overseas!” “Tate wears a big silver turquoise ring on his middle right finger,” he reminded her. “It does a bit of damage when he hits people with it.” “He hit you? Why?” she exclaimed. “Because you told him we were sleeping together,” he said simply. “Honest to God, Cecily, I wish you’d tell me first when you plan to play games. I was caught off guard.” “What did he do after he hit you?” “I hit him, and one thing led to another. I don’t have a coffee table anymore. We won’t even discuss what he did to my best ashtry.” “I’m so sorry!” “Tate and I are pretty much matched in a fight,” he said. “Not that we’ve ever been in many. He hits harder than Pierce Hutton does in a temper.” He scowled down at her. “Are you sure Tate doesn’t want you? I can’t think of another reason he’d try to hammer my floor with my head.” “Big brother Tate, to the rescue,” she said miserably. She laughed bitterly. “He thinks you’re a bad risk.” “I am,” he said easily. “I like having you as my friend.” He smiled. “Me, too. There aren’t many people who stuck by me over the years, you know. When Maureen left me, I went crazy. I couldn’t live with the pain, so I found ways to numb it.” He shook his head. “I don’t think I came to my senses until you sent me to that psychologist over in Baltimore.” He glanced down at her. “Did you know she keeps snakes?” he added. “We all have our little quirks.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Chang opened the door and checked the hallway. She said, “Let’s go.” She opened the door wider. There was a guy standing there. Eyewitness testimony was suspect because of preconditions, and cognitive bias, and suggestibility. It was suspect because people see what they expect to see. Reacher was no different. He was human. The front part of his brain wasted the first precious split second working on the image of the guy at the door, trying to rearrange it into a plausible version of a theoretical McCann. Which was not an easy mental task, because McCann was supposed to be sixty years old and thin and gaunt, whereas the guy at the door was clearly twenty years younger than that, and twice as solid. But still Reacher tried, instinctively, because who else could it be, but McCann? Who else could be at McCann’s door, in McCann’s building, in McCann’s city? Then half a second later the back part of Reacher’s brain took over, and the image resolved itself, crisp and clear, not a potential McCann at all, not even remotely a contender, but the familiar twice-glimpsed face, now three times seen, first in the diner, next in the Town Car, and finally in the there and then, in a dim upstairs hallway in a three-floor walk-up.
Lee Child (Make Me (Jack Reacher, #20))
Two men were advancing towards the car along the cross track. One man carried a short wooden bench on his back, the other a big wooden object about the size of an upright piano. Richard hailed them, they greeted him with every sign of pleasure. Richard produced cigarettes and a cheerful party spirit seemed to be developing. Then Richard turned to her. “Fond of the cinema? Then you shall see a performance.” He spoke to the two men and they smiled with pleasure. They set up the bench and motioned to Victoria and Richard to sit on it. Then they set up the round contrivance on a stand of some kind. It had two eye-holes in it and as she looked at it, Victoria cried: “It’s like things on piers. What the butler saw.” “That’s it,” said Richard. “It’s a primitive form of same.” Victoria applied her eyes to the glass-fronted peephole, one man began slowly to turn a crank or handle, and the other began a monotonous kind of chant. “What is he saying?” Victoria asked. Richard translated as the singsong chant continued: “Draw near and prepare yourself for much wonder and delight. Prepare to behold the wonders of antiquity.” A crudely coloured picture of Negroes reaping wheat swam into Victoria’s gaze. “Fellahin in America,” announced Richard, translating. Then came: “The wife of the great Shah of the Western world,” and the Empress Eugénie simpered and fingered a long ringlet. A picture of the King’s Palace in Montenegro, another of the Great Exhibition. An odd and varied collection of pictures followed each other, all completely unrelated and sometimes announced in the strangest terms. The Prince Consort, Disraeli, Norwegian Fjords and Skaters in Switzerland completed this strange glimpse of olden far-off days. The showman ended his exposition with the following words: “And so we bring to you the wonders and marvels of antiquity in other lands and far-off places. Let your donation be generous to match the marvels you have seen, for all these things are true.” It was over. Victoria beamed with delight. “That really was marvellous!” she said. “I wouldn’t have believed it.” The proprietors of the travelling cinema were smiling proudly. Victoria got up from the bench and Richard who was sitting on the other end of it was thrown to the ground in a somewhat undignified posture. Victoria apologized but was not ill pleased. Richard rewarded the cinema men and with courteous farewells and expressions of concern for each other’s welfare, and invoking the blessing of God on each other, they parted company. Richard and Victoria got into the car again and the men trudged away into the desert. “Where are they going?” asked Victoria. “They travel all over the country. I met them first in Transjordan coming up the road from the Dead Sea to Amman. Actually they’re bound now for Kerbela, going of course by unfrequented routes so as to give shows in remote villages.” “Perhaps someone will give them a lift?
Agatha Christie (They Came to Baghdad)
I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE
Orhan Pamuk (Istanbul: Memories and the City)
Like Felicity they methodically checked the house office, safe and family bank account details and financial affairs. Angelina then had Inspector Mick bug the boys’ homes, cars and offices and with the information she acquired came knowledge and contacts. She wrote a programme called listen, it saved all conversations digitally and converted it to text into a computer file in a remote location not traceable to her or anybody at 3WW but it recorded all his illicit dealings and it gave her valuable information. She hacked into their individual MIS computer systems and sent spyware via e-mail called virus protection free download and once opened it went through their c drive, all files on their computers, and copied all files to a ip address of a remote computer of Angelina’s request, in a phantom company named Borrow. All data was heavily encrypted and deleted after access and storage was onto an external hard drive storage box, deleting the electronic footpath. The spyware recorded their strokes on the keyboard and Angelina was able to secure even their banking pins and passwords and all their computer passwords. She had a brilliant computer mind, wasted in librarianship
Annette J. Dunlea
Space isn’t remote at all. It’s only an hour’s drive away if your car could go straight upwards. —Astronomer Fred Hoyle
Greg Ross (Futility Closet: An Idler's Miscellany of Compendious Amusements)
Once outside the law you're all the way outside. You think he's just a gambler. I think he's a pornographer, a blackmailer, a hot car broker, a killer by remote control, and a suborner of crooked cops. He's whatever looks good to him, whatever has the cabbage pinned to it. Don't try to sell me on any high-souled racketeers. They don't come in that pattern.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
If it's impossible to understand how I could kick a weeping, torn-in-half cog that was gushing something that looked like tapioca pudding and whale semen on my nice shiny space suit, then you probably never kicked a car for getting a flat tire, or slapped a television remote when the batteries were getting weak, in which case you'll never understand what it means or meant to be a human.
Andrew Smith
Originally there had been just two projects, which he had codenamed Bluebird and Artichoke; the bird and vegetable were among his favorites. Later had come Naomi, the name of a distant cousin. But soon there were so many projects that he had resorted to simply numbering them. By now the total number of projects stood at over 100 (they would eventually reach 149). MK-Project 94 was to investigate “remote directional control of activities in specific brain centers.” MK-Project 142 was to “study electrical brain stimulation.” In his never-ending search for information that could prove useful for the biological warfare program, Dr. Gottlieb had enlisted the support of the CIA archivists. They had turned up a box of documents which U.S. Army intelligence officers had recovered in Munich in 1945. The box was labeled: “German War Office Experiments 1934-39.” The documents still bore the German classification “Secret.” Among the experiments were those which had tracked air currents through the subway systems of Paris and London. “The tunnels would be prime targets in a future war when Londoners and Parisians sheltered in the tunnels during air raids. Using bacteria which were excellent biological tracers, the tunnels would be transformed into places for mass epidemics.” The memo had been written in July 1934, after the Nazis had come to power. Two months later on a hot summer’s day, according to another document, German agents had sprayed “billions of microbes into the Paris Metro system from cars they had driven past the subway entrances. Exhaust gasses provided a satisfactory disguise for the release of the microbes from tanks linked to the car exhausts.” A third document claimed that “six hours later, at the Place de la République Metro station, a mile and a half from the dispersal point, our agents discovered thousands of colonies of the germs.” In Berlin the findings had been eagerly studied. A memo sent to Herman Goering, the head of the Luftwaffe, from the German War Office read: “It was possible to drop a suitable biological bomb and be highly certain that the bacteria would enter the subway system.” Similar tests in London had been carried out by the Germans with “the same satisfying results.
Gordon Thomas (Secrets & Lies: A History of CIA Mind Control & germ Warfare)
In 2016, Tesla announced that every new vehicle would be equipped with all the hardware it needs to drive autonomously, including a bevy of sensors and an onboard computer running a neural network.2 The kicker: the autonomous AI software won’t be fully deployed. As it turns out, Tesla will test drivers against software simulations running in the background on the car’s computer. Only when the background program consistently simulates moves more safely than the driver does will the autonomous software be ready for prime time. At that point, Tesla will release the program through remote software updates. What this all means is that Tesla drivers will, in aggregate, be teaching the fleet of cars how to drive.
Paul R. Daugherty (Human + Machine: Reimagining Work in the Age of AI)
I hadn’t been much help packing for the trip. I was accustomed to America, where I was always within striking distance of a grocery store, gas station, or equipment supply. The Australian bush wasn’t like that. Parts of the Burdekin were dangerously remote, and these, of course, were the parts where we were headed. Steve had to pack his own fuel, water, food, spare tires, boat, engine, and extra parts. He loaded up the Ute. Swags went in, but no tent. We would be sleeping under the stars. As we headed out, it came to light that this would be a sixteen-hour trip--and the driving would be shared. “Remember one thing,” Steve said as he climbed over the seat. “If you see a road train coming, you’ve got to get clear off the road.” “Okay,” I agreed. “But I need you to explain what a road train is.” I learned that long-distance truckers in the outback drive huge rigs--double-deckers that are three trailers long. “Okay, great,” I said. “Drive on the left, and watch out for road trains. Got it.” Steve climbed into the back under the canvas canopy and stretched out on top of one of the swags. I wasn’t worried about falling asleep while I was driving. I was too nervous to be sleepy. The farther north I drove, the smaller the roads became. Cars were few and far between. I saw the headlights of an oncoming Ute. Maybe I’ll practice pulling off the road, I thought. I miscalculated the speed of the oncoming vehicle, slowed down more abruptly than I intended, and pulled completely onto the soft gravel shoulder. The draft of the passing truck hit our Ute like a sonic boom--it was a giant beast with a huge welded bull bar on its front and triple trailers behind. The road train flew past us doing every bit of seventy-five miles per hour, never slowing down. I realized that if I hadn’t pulled over, I would have probably been knocked off the face of the earth. I imagined a small paragraph buried deep inside the Eugene Register-Guard, my hometown newspaper: “Oregon Woman Bites the Dust.” Road trains owned the road, but I had passed my first test. I could do this! I should not have spoken so soon.
Terri Irwin (Steve & Me)
A black car is parked a bit away from the school. Viktor unlocks the door with a remote key and walks round to the passenger door to open it for Minoo. She dislikes intensely being subjected to Viktor's old-fashioned manners and reaches for the door handle at the same time as he does. Their hands touch, but Minno gets there first and opens the door herself. Viktor laughs a little and Minno hopes he'll choke on his own tongue.
Sara Bergmark Elfgren (Eld (Engelsfors, #2))
In October of 1991, on the day I met Steve, it was only by chance that I stopped at his wildlife park at all. I had been sleeping in the backseat of a car on the way back from a barbecue at a friend of a friend’s house. Up front, Lori’s friend knew I was interested in zoos. When he saw a sign for this one, he debated with himself whether he should wake me. Even when he did, I wasn’t sure if this reptile park was going to be much more than a few snakes in little glass tanks. So it was only by chance that I was on that highway at all, and only chance that I stopped. And it was only by chance that Steve conducted the croc show that day. Some days, Wes did the show. Chance. Fate. Destiny. These were words I lived by. I believed my life had been shaped for a special purpose. But with Steve’s death my faith was tested. Was it pure chance that Steve, a man who cheated mortality almost every single day of his adult life, died in such a bizarre accident? During the decade and a half that I knew him, I don’t think a week went by when he didn’t get a bite, blow, or injury of some kind. His knee and shoulder plagued him from years of jumping crocs. As Steve erected a fence at our Brigalow Belt conservation property, a big fence-post driver he was using slipped and landed directly on his head, compressing the fifth disk in his neck. Even injured, he still managed to push on--at the zoo, filming, and doing heavy construction. He went at work like a bull at a gate. He climbed trees with orangutans. He traversed the most remote deserts and the most impossible mountains. He packed his life chock-a-block full with risks of all kinds. “I get called an adrenaline junkie every other minute,” Steve said. “I’m just fine with that.” One crowded hour of glorious life is worth more than an age without a name. I had no regrets for Steve’s glorious life, and I know he couldn’t have lived any other way.
Terri Irwin (Steve & Me)
Squaring her shoulders, Megan stepped out into the hall and her bare foot was almost flattened by a remote-control car. She jumped out of the way just in time and watched the thing zip down the hall and hop a makeshift ramp. Megan’s eyes widened in horror as she saw what was at the other end of the jump. Oh…my…God! The car slammed into a mountain of wrapped tampons, which exploded all over the hallway at impact. Ian raced past her, laughing maniacally, wielding the controls. Doug came out of his room to check out the commotion, picked up one of the tampons, and smirked. “Super-absorbency?” he said, just as Evan and Finn emerged from their rooms on opposite sides of the hall. “What’s super-absorbency?” Ian asked, his forehead wrinkling. “I don’t even want to know,” Doug replied, chucking the tampon in Megan’s direction. She caught it, feeling like her body temperature could singe a hole in the rug. Doug laughed and took off down the stairs with Ian barreling after him. “Ignore him. We all do,” Evan said with a groggy smile. “Uh…dude,” Finn said, glancing down at Evan’s boxers, which were covered in cartoon frogs and gaping open. Then Finn glanced over at Megan. Then Evan went back into his room and closed the door. No shame whatsoever. “Here, I’ll…help you clean this up,” Finn said, dropping to the floor and picking up a few tampons. “No!” Megan lurched forward and Finn fell back from his knees to his butt. She grabbed the tampons from his hands. “I’d really rather you didn’t.” “But I can--” “No. Just…I’m fine,” Megan said, awkwardly gathering up the slippery wrappers in her arms. “Thanks.” “Okay,” Finn said. He stood and hovered for a second, prolonging Megan’s mortification. Finally Finn walked into the bathroom and shut the door. Left alone, it was all Megan could do to keep from bursting into tears. They had been in her room. They had gone through her stuff. And Evan had seen her tampons. This was definitely the worst morning of her life. Megan stood up, clamped her things to her chest, walked into her room, and dropped everything on her bed. Okay, get a grip, she told herself. It could have been worse. Somehow.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
When I was twelve, Flip came through Reno and gave out autographs at a casino. I didn't have a glossy photo for him to sign, so I had him sign my hand. For weeks I took a shower with a plastic bag over that hand, rubbed-banded at the wrist. It wasn't quite a romantic infatuation. There are levels of readiness. Young girls don't entertain the idea of sex, their body and another's together. That comes later, but there isn't nothing before it. There's an innocent displacement, a dreaming, and idols are perfect for a little girl's dreaming. They aren't real. They aren't the gas station attendant trying to lure you into the back of the service station, a paperboy trying to lure you into a tool-shed, a friend's father trying to lure you into his car. They don't lure. They beckon, but like desert mirages. Flip Farmer was safely unreachable. He was something special. I chose him from among all the men in the world, and he signed the back of my hand and smiled with very white, straight teeth. He gave us each that same smile, the children and adults who lined up at Hannah's. We weren't individuals but a surface he moved over, smiling and remote. The thing was, if he had returned my gaze, I probably would have washed his autograph from my hand.
Rachel Kushner (The Flamethrowers)
What had saved Ukraine is precisely what made the United States the most vulnerable nation on earth. Ukraine wasn’t fully automated. In the race to plug everything into the internet, the country was far behind. The tsunami known as the Internet of Things, which had consumed Americans for the better part of the past decade, had still not washed up in Ukraine. The nation’s nuclear stations, hospitals, chemical plants, oil refineries, gas and oil pipelines, factories, farms, cities, cars, traffic lights, homes, thermostats, lightbulbs, refrigerators, stoves, baby monitors, pacemakers, and insulin pumps were not yet “web-enabled.” In the United States, though, convenience was everything; it still is. We were plugging anything we could into the internet, at a rate of 127 devices a second. We had bought into Silicon Valley’s promise of a frictionless society. There wasn’t a single area of our lives that wasn’t touched by the web. We could now control our entire lives, economy, and grid via a remote web control. And we had never paused to think that, along the way, we were creating the world’s largest attack surface.
Nicole Perlroth (This Is How They Tell Me the World Ends: The Cyberweapons Arms Race)
I had a gut feeling that this might be one of those cases we were waiting for. I immediately made the necessary arrangements and less than ninety minutes later a private jet was waiting on the tarmac at McCarran Airport to whisk us to northern Utah. No other group of scientists investigating the paranormal had a private jet at their disposal. Most of them couldn’t even afford to rent a car for the weekend.
Colm A. Kelleher (Hunt for the Skinwalker: Science Confronts the Unexplained at a Remote Ranch in Utah)
Vickie is a Christian who does not believe in UFOs or extraterrestrial life, and when she saw the bright object she thought the end of the world had come. Because she expected to see Jesus come out of the light, she stared at it intently. Colby begged his grandmother to get back in the car. After about three minutes she did so and told him not to be afraid because “when that big man comes out of the burning cloud, it will be Jesus.
Colm A. Kelleher (Hunt for the Skinwalker: Science Confronts the Unexplained at a Remote Ranch in Utah)
When I am carrying an object such as a ruler, and moving fast compared to you, my ruler will be measured by you to be smaller than it is for me. I might measure it to be 10 cm, say: [Image] But to you, it might appear to be merely 6 cm: [Image] Surely, this is an illusion, you might say, because how could the same object have two different lengths? The atoms can’t be compressed together for you, but not for me. Once again, we return to the question of what is “real.” If every measurement you can perform on my ruler tells you it is 6 cm long, then it is 6 cm long. “Length” is not an abstract quantity but requires a measurement. Since measurement is observer dependent, so is length. To see this is possible while illuminating another of relativity’s slippery catch-22s, consider one of my favorite examples. Say I have a car that is twelve feet long, and you have a garage that is eight feet deep. My car will clearly not fit in your garage: [Image] But, relativity implies that if I am driving fast, you will measure my car to be only, say, six feet long, and so it should fit in your garage, at least while the car is moving: [Image] However, let’s view this from my vantage point. For me, my car is twelve feet long, and your garage is moving toward me fast, and it now is measured by me to be not eight feet deep, but rather four feet deep: [Image] Thus, my car clearly cannot fit in your garage. So which is true? Clearly my car cannot both be inside the garage and not inside the garage. Or can it? Let’s first consider your vantage point, and imagine that you have fixed big doors on the front of your garage and the back of your garage. So that I don’t get killed while driving into it, you perform the following. You have the back door closed but open the front door so my car can drive in. When it is inside, you close the front door: [Image] However, you then quickly open the back door before the front of my car crashes, letting me safely drive out the back: [Image] Thus, you have demonstrated that my car was inside your garage, which of course it was, because it is small enough to fit in it. However, remember that, for me, the time ordering of distant events can be different. Here is what I will observe. I will see your tiny garage heading toward me, and I will see you open the front door of the garage in time for the front of my car to pass through. I will then see you kindly open the back door before I crash: [Image] After that, and after the back of my car is inside the garage, I will see you close the front door of your garage: [Image] As will be clear to me, my car was never inside your garage with both doors closed at the same time because that is impossible. Your garage is too small. “Reality” for each of us is simply based on what we can measure. In my frame the car is bigger than the garage. In your frame the garage is bigger than my car. Period. The point is that we can only be in one place at one time, and reality where we are is unambiguous. But what we infer about the real world in other places is based on remote measurements, which are observer dependent.
Lawrence M. Krauss (The Greatest Story Ever Told—So Far: Why Are We Here?)
if we use electrodes to study its oddly intelligent brain, we can replicate a pack of cloned genius dogs to do our bidding.” Everyone in the room smiled along with their leader. They followed his gaze to the TV monitor, now showing a photo of Wolfe with his arm around a young woman, and talking to a smiling black couple, while the dog sat at their feet. If any of those people happened to witness Jake Wolfe’s murder, they’d be killed too. He turned to Gisela and demanded, “Is the laboratory completion on schedule?” “Yes, it’s ready now, awaiting the scientists.” She tapped the remote and played a video. Attached to the mansion, in what appeared to be a five-car garage, a secret laboratory had been prepared for two epidemiologists Belken intended to kidnap. They would be forced to mutate the 1918 influenza pathogen into an even deadlier strain to be used as an aerosolized microbe weapon sprayed from ships or planes onto targeted cities. Their other task, equally important, would be to develop a new flu shot to immunize against the threat. There were murmurs of approval around the table. Belken nodded, hearing their flattering remarks. “Any report on our team kidnapping the targets?
Mark Nolan (Deadly Weapon (Jake Wolfe, #5))
ADD may be present. Since everybody will answer “yes” to some number of questions, and since we have not established norms for this questionnaire, it should only be used as an informal gauge. 1. Are you left-handed or ambidextrous? 2. Do you have a family history of drug or alcohol abuse, depression, or manic-depressive illness? 3. Are you moody? 4. Were you considered an underachiever in school? Now? 5. Do you have trouble getting started on things? 6. Do you drum your fingers a lot, tap your feet, fidget, or pace? 7. When you read, do you find that you often have to reread a paragraph or an entire page because you are daydreaming? 8. Do you tune out or space out a lot? 9. Do you have a hard time relaxing? 10. Are you excessively impatient? 11. Do you find that you undertake many projects simultaneously so that your life often resembles a juggler who’s got six more balls in the air than he can handle? 12. Are you impulsive? 13. Are you easily distracted? 14. Even if you are easily distracted, do you find that there are times when your power of concentration is laser-beam intense? 15. Do you procrastinate chronically? 16. Do you often get excited by projects and then not follow through? 17. More than most people, do you feel that it is hard for you to make yourself understood? 18. Is your memory so porous that if you go from one room to the next to get something, by the time you get to the next room you’ve sometimes forgotten what you were looking for? 19. Do you smoke cigarettes? 20. Do you drink too much? 21. If you have ever tried cocaine, did you find that it helped you focus and calmed you down, rather than making you high? 22. Do you change the radio station in your car frequently? 23. Do you wear out your TV remote-control switch by changing stations frequently? 24. Do you feel driven, as if an engine inside you won’t slow down? 25. As a kid, were you called words like, “a daydreamer,” “lazy,” “a spaceshot,” “impulsive,” “disruptive,” “lazy,” or just plain “bad”?
Edward M. Hallowell (Driven to Distraction: Recognizing and Coping with Attention Deficit Disorder)
If God is Art, then what do we make of Jasper Johns?” One never knows what sort of question a patient will pose, or how exactly one should answer. Outside the window, snow on snow began to answer the ground below with nothing more than foolish questions. We were no different. I asked again: “Professor, have we eased the pain?” Eventually, he’d answer me with: “Tell me, young man, whom do you love?” “E," I’d say, “None of the Above," and laugh for lack of something more to add. For days he had played that game, and day after day I avoided your name by instinct. I never told him how we often wear each other’s clothes— we aren’t what many presuppose. Call it an act of omission, my love. Tonight, while walking to the car, I said your name to the evening star, clearly pronouncing the syllables to see your name dissipate in the air, evaporate. Only the night air carries your words up to the dead I watched them rise, become remote. Rapidly, yet without any sense of hurry, information about three people is conveyed in passing: not only profession (in the third line) , sexual orientation and educational level but also subtler matters of personality and humor. "In passing" -- well, not exactly: In a work of art, it may be that every moment is part of the destination. The end-rhyming of the second and third lines of each stanza and the banter of patient and doctor are part of the rich, ambiguous conclusion, where the intimacy of a spoken name rises toward the dead in the night air. The "foolish," solicitous and respectful question the doctor asks the patient becomes part of the implicit question of the final lines: In relation to the particular dead people in anyone's life, or in relation to mortality itself, have art and intimacy eased the pain?
C. Dale Young (The Second Person: Poems (Stahlecker Series Selections))
It’s the same as I said before: if it’s predetermined it’s predeterminable. If I’m ‘fated’ to die in a car accident when I’m 19 and I find out about that ‘fate,’ I can change it. I can spend the whole year away from cars in some remote village in Africa, or I could even kill myself ahead of time. The point being, either way, the fated event doesn’t happen. Fate loses.” I shrug. “I mean, that’s just my opinion.
Madeline Claire Franklin (The Hierophant (The Arcana Series, #1))
As a mechanical engineer who took a lot of physics, I am fascinated by this particular creationist argument, because it is both scientifically subtle and completely misinformed. Here’s the most important thing to know: The Second Law applies only to closed systems, like a cylinder in a car engine, and Earth is not even remotely a closed system. Transfers of matter and energy are constantly taking place. Life here is nothing like a perpetual motion machine, but neither is it like a ball rolling inexorably downhill. There are three main sources of energy for life on Earth: the Sun, the heat from fissioning atoms deep inside Earth, and the primordial spin of Earth itself. These sources provide energy throughout the day. The Sun provides the most energy. It’s a fusion reactor releasing 1026 Watts every second (1026 Joules). Earth’s core also provides energy in the form of heat. The spinning of our planet keeps shifting the energy inputs and adds acceleration to the wind and the waves. So as you can see, the world we live on is not even remotely a closed system. All of our world’s ecosystems ultimately run on a continual external source of light and heat. Energy
Bill Nye (Undeniable: Evolution and the Science of Creation)
table, a chest of drawers, a window seat, a color television with a working remote, and a closet with a light that came on automatically when he opened it. He went to the closet, pulled out a briefcase and opened it on the bed. Inside was a monocular, a cassette recorder with a phone clip, and a Polaroid Spectra camera with a half-dozen rolls of film. Excellent. He closed the briefcase, made a quick trip to the bathroom, and rode back down to the street. A bellhop, loitering in the phone-booth-sized lobby, said, “Cab, Mr. Davenport?” “No. I’ve got a car coming,” he said. Outside, he hurried down the street to a breakfast bar, got a pint of orange juice in a wax carton, and went back outside. After leaving Fell the night before, he’d gone to Lily’s apartment and given her the key impressions. Lily knew an intelligence officer
John Sandford (Silent Prey (Lucas Davenport, #4))
You’re a wonder, Kerry McCrae,” he said, dipping his head, kissing each warm cheek, her nose, then her mouth. The first kisses were sweet, the last one utterly carnal. He did that to her. Made her feel cherished one moment and utterly desirable the next. She might have been breathing just a bit unevenly when he lifted his head, a gleam of an entirely different sort in his eyes now. “I’d ask when I could see you again, but I suppose I need to let Fergus have at least a bit of your time. And I don’t want to press.” She barked out a short laugh at that. “You? Press? No,” she said in mock surprise. He chuckled, too, his grin not remotely sheepish, then leaned down to scoop up hamper and cooler, leaving the lighter laundry bundle for her to grab. They stopped at his car first, stowing his load in the trunk. “I’m happy to take the laundry,” he said. “I’m sure I can find somewhere to--” “No, I’ll take care of it,” she said, maybe too quickly, just imagining Delia and Grace’s faces when he asked them where he could find a good Laundromat. The gossip mill would get all this juicy new grist soon enough but no need to willingly feed it. “Well, I’ll be happy to return them to Thomas, spare you the trip.” “The walk of shame, you mean?” she said, then laughed as they paused by the passenger’s side of her truck so she could stow the laundry bundle on the front seat. “Actually, I plan to get them washed and back on the boat before he comes to move it tomorrow.” Cooper considered that, then nodded. “Sound plan.” He smiled. “Need a ride? Maybe a sunrise breakfast?” Smiling, she nudged him as they walked around to the driver’s side. “Look at you, making it a whole five minutes before pressing.” She wiped a pretend tear from the corner of her eye. “I’m so proud.” Chuckling, he snatched her up close to him and kissed her senseless before she knew what was happening, turning her squeal of surprise into a soft moan of need in a matter of seconds. “You forget,” he said moments later, his voice a bit gruff, too, “I know how to handle that saucy lip of yours now.” “I should be so affronted by your smug machismo,” she scolded, then let him pull her in for a nice, tight hug as she rested her cheek on his shoulder. “And yet…” She sighed, smiled, and slid her arms around his waist. “And yet indeed,” he said quietly, rubbing her back. “We’re a pair, we are, Starfish.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
In a remote area on the western side of the island, near the town of Marrawah, a pod of sperm whales was stranded on the beach. One big male came to shore first. Over the next twenty-four hours, another thirty-four whales stranded themselves, including calves and pregnant mothers. Whale stranding is one of the heartbreaking mysteries of the animal world. It is little understood. At this moment no scientific reasoning mattered as we encountered the tragedy unfolding on that Tasmanian beach. I felt so helpless. All I could do was be there as the huge, gorgeous sea mammals fought pitifully to stay alive. The weather was cold, even though it was officially the Tasmanian summer, and the seas were too rough to get a boat out to help the whales. We put our arms around the dying animals, spoke to them, and looked into their eyes to share in their pain and grief. By the end of the day I was so cold that I had trouble getting my pants off over my pregnant belly. It took me half an hour of struggling in the car park to strip off my soaking-wet clothes and get into some warm, dry gear. Physically, emotionally, and even spiritually, it had been an exhausting day. I pondered what communication the baby inside me would have gotten from the event. The dying whales had sung among themselves. Steve and I spoke back and forth over their stranded bodies. What did baby Igor pick up on? Through our experiences, we were beginning to form our very own tiny wildlife warrior, even before the baby was born. Igor had only just begun his education.
Terri Irwin (Steve & Me)
I lowered my face, took two more steps—and that was when I spotted Coach Bobby and his buddies in a Ford Expedition. Sigh. All four of them were there: Assistant Coach Pat drove, Coach Bobby was in the passenger seat, the other two slabs of beef sat in the back. I took out my mobile phone and hit the speed-dial button one. Win answered on the first ring. “Articulate,” Win said. That’s how he always answers the phone, even when he can clearly see on the caller ID that it’s me, and yes, it is annoying. “You better circle back,” I said. “Oh,” Win said, his voice kid-on-Christmas-morning happy, “goodie, goodie.” “How long will it take?” “I’m just down the street. I suspected something like this might occur.” “Don’t shoot anyone,” I said. “Yes, Mother.” My car was parked near the back of the lot. The Expedition followed slowly. The drizzle picked up a bit. I wondered what their plan was—something moronically macho, no doubt—and decided to just play it as it lays. Win’s Jag appeared and waited in the distance. I drive a Ford Taurus, aka The Chick Trawler. Win hates my car. He won’t sit in it. I took out my keys and hit the remote. The car made that little ding noise and unlocked. I slipped inside. The Expedition made its big move then. It raced forward and stopped directly behind the Taurus, blocking me in. Coach Bobby jumped out first, petting his goatee. His two buddies followed. I
Harlan Coben (Long Lost (Myron Bolitar, #9))
Of more angst to drivers are the customer ratings systems imposed by the app companies. While most drivers do not have a problem with the notion of being rated, they are concerned that they will receive poor marks for circumstances beyond their control. Customers can give even the most earnest drivers bad ratings for any reason such as bumpy rides over pothole strewn roads, traffic congestion and passengers underestimating how much time they need to reach their destinations. Miscommunication between passengers and drivers can occur because passengers cannot speak the local language, are drunk, or fall asleep and cannot direct the driver to their remote destinations. Perhaps some passengers just do not like the ethnic group to which some drivers appear to belong. Circumstances such as these are clearly the fault of passengers who may rate drivers poorly nonetheless. Drivers with low ratings can be expelled from on-demand taxi services. This unfairness is compounded to the extent that drivers make large investments in their cars, insurance and fuel. Making drivers, who basically invested in a franchise, vulnerable to expulsion from a system because of unfair ratings seems to me to be a potential source of dissention or even litigation. Another concern associated with the taxi app business model is that drivers only have 15 seconds to respond to notices of pick up opportunities. Drivers that fail to respond in such tight windows lose the business. Repeat failures to make timely responses can result in temporary suspensions. This pressure, and related distractions associated with interacting with handsets, is applied simultaneously with all of the challenges of navigating traffic in a variety of weather conditions. Foremost, this is a driving hazard that imperils everyone in the vicinity. It also ties in with the ratings systems because drivers are only rated on the rides they complete. Drivers who claim rides but abandon the customer if it looks like the pickup will be delayed have no ratings risk. Paradoxically, no ratings result in the worst customer service as passengers end up stranded.
David Wanetick (Business Model Validation)
Too Much Sitting Humans are built to move—after all, our ancestors were hunters and gatherers. But we don’t move much anymore. Most of us lead a sedentary lifestyle, with hours of sitting every day and not many calories burned from physical activity. We have cars, remote controls, elevators, and online shopping portals. We go to the
Alex Brecher (The BIG Book on the Gastric Sleeve: Everything You Need To Know To Lose Weight and Live Well with the Vertical Sleeve Gastrectomy (The BIG Books on Weight Loss Surgery 2))
She was not alone. “There’s a definite panic on the hip scene in Cambridge,” wrote student radical Raymond Mungo that year, “people going to uncommonly arduous lengths (debt, sacrifice, the prospect of cold toes and brown rice forever) to get away while there’s still time.” And it wasn’t just Cambridge. All over the nation at the dawn of the 1970s, young people were suddenly feeling an urge to get away, to leave the city behind for a new way of life in the country. Some, like Mungo, filled an elderly New England farmhouse with a tangle of comrades. Others sought out mountain-side hermitages in New Mexico or remote single-family Edens in Tennessee. Hilltop Maoists traversed their fields with horse-drawn plows. Graduate students who had never before held a hammer overhauled tobacco barns and flipped through the Whole Earth Catalog by the light of kerosene lamps. Vietnam vets hand-mixed adobe bricks. Born-and-bred Brooklynites felled cedar in Oregon. Former debutants milked goats in Humboldt County and weeded strawberry beds with their babies strapped to their backs. Famous musicians forked organic compost into upstate gardens. College professors committed themselves to winter commutes that required swapping high heels for cross-country skis. Computer programmers turned the last page of Scott and Helen Nearing’s Living the Good Life and packed their families into the car the next day. Most had no farming or carpentry experience, but no matter. To go back to the land, it seemed, all that was necessary was an ardent belief that life in Middle America was corrupt and hollow, that consumer goods were burdensome and unnecessary, that protest was better lived than shouted, and that the best response to a broken culture was to simply reinvent it from scratch.
Kate Daloz (We Are As Gods: Back to the Land in the 1970s on the Quest for a New America)
This rich array of innovation capabilities has already begun to transform many everyday products and some industrial ones. The following examples are all available today: E-cigarette— heats liquid into a nicotine-laced vapor instead of burning tobacco Digital billboard— senses who is viewing and responds to that person Smart soccer ball— reports its speed, direction, and other data to a mobile device Augmented-reality ski goggles— show a radar-like display of skiers’ locations Car smartphone remote control— provides access to the air conditioning controls or fuel gauge Robot golf course lawnmower— repeats perfect pattern cutting of greens Crypto currencies— substitute for conventional government-issued money Smart-home lightbulbs— set precise color hue and brightness remotely
Mark Raskino (Digital to the Core: Remastering Leadership for Your Industry, Your Enterprise, and Yourself)
Forget the stiff punches, or the hardcore bloodlettings, or the shoot interviews: This is the ne plus ultra of reality in wrestling. The enlightened wrestling fan has likely spent significant amounts of time explaining to nonviewers that even though wrestling is staged, it’s not fake—that no amount of planning, no amount of scripting, no amount of physical trickery or assisted landing, no amount of ring elasticity or floor mat cushion can remotely assuage the physical assault of an average wrestling match. Every night on the road ends with ice bags or painkillers or just plain old pain, the unrelenting kind, the “you sit down in your rental car and electric voltage shoots up your spine” kind of pain, and so what, you get in your car anyway and drive to the next town and work another match tomorrow night and the fans cheer but they don’t know. And you get two or three days off after tomorrow or the next day, and let’s hope to God that’s enough to get you right, because then it starts all over again. And then again next week, and then for months, and if you’re lucky—imagine that word, here of all places—if you’re lucky it’ll keep going for years. And there’s no off-season, no prolonged downtime unless, God forbid, you’re seriously injured. That’s reality. Fans will try to explain this to people, but wrestlers themselves are, for the most part, too proud—or too committed to the facade—to explain it to anyone, and it’s this kind of pride, this commitment, that leads to a functional code of silence, even within the locker room, even among friends, and so to painkiller abuse, to alcohol abuse to take the edge off, to illicit drug use to get you going afterward, out of the fog of painkillers and beer. This is reality. Wrestling fans can explain this, but who can put into words the pain of working a wrestling match in which you’re in so much pain that you don’t want to be touched but you’re too proud not to go through with it? When your livelihood is your body and your body is betraying you? Best-case scenario, working a match in that shape is a cry for help.
Anonymous
I call Graham as I drive. I know, shame on me. But it isn't illegal! Although, with the way I drive, maybe it should be—for me anyway. “On your way home?” his voice greets. Home. His home and my home are the same home. Deep sigh. “Yeah, but I have a favor to ask.” “Okay.” This is so like Graham—ready to do anything needed of him without hesitation. “It's sort of bad.” I pull out in front of a Nissan and wave when they honk at me. It isn't like we crashed. He laughs. “I doubt it's that bad. What do you need?” “My dad called me. He wants us to come over.” “All right.” Answered immediately and without any snark. He is a good man. “I'm supposed to find his remote while you get to endure his worshipful eyes admiring your every move.” “I can handle that.” “I know. My dad loves you. He wishes you were his son instead of me.” “I don't think that's it.” He pauses. “And you're not his son.” “Oh. Right. Silly me. How could I forget that?” “It'll be fine. I promise.” I nod even though he can't see me, feeling better just from our short conversation. “We'll probably be there a while. I don't know about roller-skating tonight. I'm sorry. I suck.” “You don't suck.” Do not respond to that, Kennedy. “I like your family,” he adds. “I know. You're weird.” “I like you too.” “Exactly my point.” I pull the car into the parking lot of the apartment building and turn it off. Only the key won't turn off. I glance down at the gear shifty thing and note that it isn't in park. Muttering to myself, I put it in park and it shuts off. “What was that?” “I forgot to put the car in park again.” His laughter washes over me and I find myself grinning. “I take it you're at the apartment?” “Yeah. Where are you?” “I'm pulling into the parking lot now
Lindy Zart (Roomies)
When we’re outside, I hear Brittany take a deep breath. I swear it sounds as if she’s holding herself together by a thin thread. Not the way it’s supposed to go down: bring girl home, kiss girl, mom insults girl, girl leaves crying. “Don’t sweat it. She’s just not used to me bringin’ girls in the house.” Brittany’s expressive blue eyes appear remote and cold. “That shouldn’t have happened,” she says, throwing back her shoulders in a stance as stiff as a statue’s. “What? The kiss or you likin’ it so much?” “I have a boyfriend,” she says as she fidgets with the strap on her designer book bag. “You tryin’ to convince me, or yourself?” I ask her. “Don’t turn this around. I don’t want to upset my friends. I don’t want to upset my mom. And Colin…I’m just really confused right now.” I hold out my hands and raise my voice, something I usually avoid because like Paco says, it means I actually care. I don’t care. Why should I? My mind says to shut the fuck up at the same time words spout from my mouth. “I don’t get it. He treats you like you’re his damn prize.” “You don’t even know what it’s like with me and Colin…” “Tell me, dammit,” I say, unable to hide the edge to my voice. Initially I hold myself back from what I really want to say, but I can’t resist and tell it to her straight up. “’Cause that kiss back there…it meant somethin’. You know it as well as I do. I dare you to tell me bein’ with Colin is better than that.” She looks away hastily. “You wouldn’t understand.” “Try me.” “When people see Colin and me together, they comment on how perfect we are. You know, the Golden Couple. Get it?” I stare at her in disbelief. That is beyond fucked up. “I get it. I just can’t believe I’m hearin’ it. Does bein’ perfect mean that much to you?” There’s a long, brittle silence. I catch a flicker of sadness in those sapphire eyes, but then it’s gone. In an instant her expression stills and grows serious. “I haven’t been doing a bang-up job at it lately, but yes. It does,” she finally admits. “My sister isn’t perfect, so I have to be.” That is the most pathetic shit I’ve ever heard. I shake my head in disgust and point to Julio. “Get on and I’ll take you back to school to get your car.” Silently, Brittany straddles my motorcycle. She holds herself so far away from me I can barely feel her behind me. I almost take a detour to make the ride last longer. She treats her sister with patience and adoration. God knows I wouldn’t be able to spoon-feed one of my brothers and wipe his mouth. The girl I once accused of being self-absorbed is not one-dimensional. Dios mío, I admire her. Somehow, being with Brittany brings something to my life that’s missing, something…right. But how am I going to convince her of that?
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
One random Friday, the president announced that an asteroid was on a collision course for Earth. My world and everyone else’s—the entire planet—fell into chaos. Everything that was capable of collapsing eventually did. My grandfather showed up the next day as stores were being ransacked and riots were erupting in the streets. He begged us to run. Escape to his survival-adapted cabin in the middle of nowhere where he’d stored up years’ worth of food and provisions. My parents finally agreed, but they insisted on taking the time to pack all their favorite possessions while Grandpa and I waited impatiently in his old truck. The delay was a mistake. Large groups of violent looters were already hitting the wealthy neighborhoods in town, plundering houses and killing anyone who resisted. My mom and dad didn’t resist. Neither of them had ever thrown a punch or loaded a gun in their lives. But they were killed anyway, and Grandpa and I barely made it out of there alive. By then the interstates and highways were impossible, clogged with cars and roadblocked by aggressive militia groups whose day had finally arrived. Grandpa took us on smaller back roads, shooting at or running over anyone who tried to stop us, until we reached his remote cabin and left the remains of civilization behind. We stayed there—living off everything he’d stored up and using the self-sustaining energy and plumbing systems he’d installed—for more than eight years. A couple of years ago, as our supplies were running low, we realized we’d finally have to leave the safe isolation of our home long enough to scavenge for food and provisions. This region of the Ozarks was abandoned a long time ago as the protected forests and uncultivated wildland overtook the former pockets of residents, but there are still plenty of abandoned buildings remaining.
Claire Kent (Homestead (Kindled, #7))
The nearest approach to such a new drug - and how immeasurably remote it is from the ideal intoxicant! - is the drug of speed. Speed, it seems to me, provides the one genuinely modern pleasure. True, men have always enjoyed speed; but their enjoyment has been limited, until very recent times, by the capacities of the horse, whose maximum velocity is not much more than thirty miles an hour. Now thirty miles an hour on a horse feels very much faster than sixty miles an hour in a train or a hundred in an aeroplane. The train is too large and steady, the aeroplane too remote from stationary surroundings, to give the passengers a very intense sensation of speed. The automobile is sufficiently small and sufficiently near the ground to be able to compete, as an intoxicating speed-purveyor, with the galloping horse. The inebriating effects of speed are noticeable, on horseback, at about twenty miles an hour, in a car at about sixty. When the car has passed seventy-two, or thereabouts, one begins to feel an unprecedented sensation - a sensation which no man in the days of horses ever felt. It grows intenser with every increase of velocity. I myself have never travelled at much more than eighty miles an hour in a car; but those who have drunk a stronger brewage of this strange intoxicant tell me that new marvels await anyone who has the opportunity of passing the hundred mark. At what point the pleasure turns into pain, I do not know. Long before the fantastic Daytona figures are reached, at any rate. Two hundred miles an hour must be absolute torture.
Aldous Huxley
It was difficult in the ’70s to get hypodermics in America. So when I traveled I would wear a hat and use a needle to fix a little feather to the hatband, so it was just a hat pin. I would put the trilby with the red, green and gold feather in the hat bag. So the minute James turned up, I got the shit. OK, but now I need the syringe. My trick was, I’d order a cup of coffee, because I needed a spoon for cooking up. And then I’d go down to FAO Schwarz, the toy shop right across Fifth Avenue from the Plaza. And if you went to the third floor, you could buy a doctor and nurse play set, a little plastic box with a red cross on it. That had the barrel and the syringe that fitted the needle that I’d brought. I’d go round, “I’ll have three teddy bears, I’ll have that remote-control car, oh, and give me two doctor and nurse kits! My niece, you know, she’s really into that. Must encourage her.” FAO Schwarz was my connection. Rush back to the room, hook it up and fix it.
Keith Richards (Life)
We are astoundingly, sumptuously, radiantly ignorant of life beneath the seas. Even the most substantial ocean creatures are often remarkably little known to us including the most mighty of them all, the great blue whale, a creature of such leviathan proportions that (to quote David Attenborough) its "tongue weighs as much as an elephant, its heart is the size of a car and some of its blood vessels are so wide that you could swim down them." It is the most gargantuan beast that Earth has yet produced, bigger even than the most cumbrous dinosaurs. Yet the lives of blue whales are largely a mystery to us. Much of the time we have no idea where they are-where they go to breed, for instance, or what routes they follow to get there. What little we know of them comes almost entirely from eavesdropping on their songs, but even these are a mystery. Blue whales will sometimes break off a song, then pick it up again at the same spot six months later. Sometimes they strike up with a new song, which no member can have heard before but which each already knows. How they do this is not remotely understood. And these are animals that must routinely come to the surface to breathe.
Bill Bryson (A Short History of Nearly Everything)
I watch the passage of the morning cars with the same feeling that I do the rising of the sun, which is hardly more regular. Their train of clouds stretching far behind and rising higher and higher, going to heaven while the cars are going to Boston, conceals the sun for a minute and casts my distant field into the shade, a celestial train beside which the petty train of cars which hugs the earth is but the barb of the spear. The stabler of the iron horse was up early this 97 winter morning by the light of the stars amid the mountains, to fodder and harness his steed. Fire, too, was awakened thus early to put the vital heat in him and get him off. If the enterprise were as innocent as it is early! If the snow lies deep, they strap on his snow-shoes, and with the giant plough, plough a furrow from the mountains to the seaboard, in which the cars, like a following drill-barrow, sprinkle all the restless men and floating merchandise in the country for seed. All day the fire-steed flies over the country, stopping only that his master may rest, and I am awakened by his tramp and defiant snort at midnight, when in some remote glen in the woods he fronts the elements incased in ice and snow; and he will reach his stall only with the morning star, to start once more on his travels without rest or slumber. Or perchance, at evening, I hear him in his stable blowing off the superfluous energy of the day, that he may calm his nerves and cool his liver and brain for a few hours of iron slumber. If the enterprise were as heroic and commanding as it is protracted and unwearied!
Henry David Thoreau (Walden)
I watch the passage of the morning cars with the same feeling that I do the rising of the sun, which is hardly more regular. Their train of clouds stretching far behind and rising higher and higher, going to heaven while the cars are going to Boston, conceals the sun for a minute and casts my distant field into the shade, a celestial train beside which the petty train of cars which hugs the earth is but the barb of the spear. The stabler of the iron horse was up early this winter morning by the light of the stars amid the mountains, to fodder and harness his steed. Fire, too, was awakened thus early to put the vital heat in him and get him off. If the enterprise were as innocent as it is early! If the snow lies deep, they strap on his snow-shoes, and with the giant plough, plough a furrow from the mountains to the seaboard, in which the cars, like a following drill-barrow, sprinkle all the restless men and floating merchandise in the country for seed. All day the fire-steed flies over the country, stopping only that his master may rest, and I am awakened by his tramp and defiant snort at midnight, when in some remote glen in the woods he fronts the elements incased in ice and snow; and he will reach his stall only with the morning star, to start once more on his travels without rest or slumber. Or perchance, at evening, I hear him in his stable blowing off the superfluous energy of the day, that he may calm his nerves and cool his liver and brain for a few hours of iron slumber. If the enterprise were as heroic and commanding as it is protracted and unwearied!
Henry David Thoreau (Walden)
[...] Even then I wanted to slip into the wet dark rectangle and swim on barefoot to other depths where nothing could be seen that was a further story — "Lock" [..] having reached for what is remote, covert during a tender alliance like hidden stairs down into a pond — "Leg Glance" from dark rural highways into a city wild with light I remember you in a rented car in blackness, a loose map on your knees both of us tense with sudden geography [...] — "Night When I Drove
Michael Ondaatje (A Year of Last Things: Poems)
You will invariably face jobs that are associated with uncomfortable feelings, ranging from relatively minor annoyance (e.g., taking out the garbage in the rain) to more persistent and recurring feelings of stress and discomfort (e.g., dissertation, organizing income taxes) that activate your procrastination script. Even a minimal degree of stress or inconvenience (what we have come to describe as the feeling of “Ugh”) can be potent enough to make you delay action. Think about some of the mundane examples of procrastination, such as watching a boring television show because the remote control is out of reach (e.g., “It’s ALL THE WAY over there.”) or exercise (e.g., “I’m TOO TIRED to change into my workout clothes.”). The use of capital letters is meant to illustrate the tone of voice of your selftalk, which serves to exaggerate and convince you of the difficulty of what you want to do. You are capable to perform the action, but your thoughts and feelings (including feeling tired or “low energy”) makes you conclude that you are not at your best and therefore cannot and will not follow through (for seemingly justifiable reasons). You might think, “I have to be in the mood to do some things.” But, how often are any of us in the mood to do many of the tasks on which we end up procrastinating? The very fact that we have to plan them indicates that these tasks require some targeted planning and effort. When facing emotional discomfort, ADHD adults are particularly at risk for bolting to pleasant, easy, and yet often unsatisfying activities, such as eating junk food, watching television, social networking, surfing the Internet, etc. In fact, sometimes you may escape from stressful tasks by performing other, lower priority errands or chores. Thus, you rationalize violating your high-priority project plan in order to run out to fill your car with gas. This strategy can be seen as a form of “plea bargaining”—“I will do something productive in order to justify not doing the higher priority but less appealing task.” Moreover, these errands are often more discrete and time limited than the task you are putting off (i.e., “If I start mowing the lawn now, I will be done in 1 hour. I don’t know how long taxes will take me.”), which is often their appeal—even though they are low priority, you are more confident you will get them done. You need not be “in the mood” for a task in order to perform it. A useful reframe is the reminder that you have “enough” energy to get started and recall that once you get started on the first step, you usually feel better and more engaged. Breaking the task down into its discrete steps and setting an end time help you to reframe the plan (e.g., “I’m tired, but I have enough energy to do this task for 15 minutes.”). Rather than setting up the unrealistic expectation that you must be stress-free and 100% energized before you can do tasks, the notion of acceptance of discomfort is a useful mindset to adopt and practice.
J. Russell Ramsay (The Adult ADHD Tool Kit)
Panic struck when we reached the car and I tried to open the door. It was locked. He'd locked the keys in the car! Then I realized that Dad simply hadn't unlocked it yet. He pressed the button on the remote, and the car unlocked. But in that instant of absentminded panic it occurred to me that for the past fourteen plus hours I'd been gone from reality, I'd been totally lost in the spell of ultrarunning, I'd been so totally immersed in the experience that nothing else seemed material- not the car remote, not the bills that needed paying, not the politicians in the White House, not the emails that needed sending; all of those things had melted away and vaporized. It was a cleansing of the soul, a physical and emotional reincarnation. After fourteen hours of running I was now someone new. p61.
Dean Karnazes (A Runner’s High: My Life in Motion)
The next day after work, we took the bumboat to Pulau Ubin. The tree was located after the Chek Jawa Quarry, where we cut through a dirt path to arrive at a clearing. The tree reminded me of a witch's fingers, upturned towards the sky. Its branches were gnarly and skinny, its trunk about the size of my waist. It looked like a severed hand, sticking out of its grave for one last snatch. 'It's as good as dead,' I said, patting it with my hand and feeling the dry bark. The sun had set, lending the remote island an eerie feel at dusk. We were only twenty minutes out of Singapore, yet Pulau Ubin with its small wooden homes and backyards filled with chicken coops felt like a different country altogether.
Wan Phing Lim (Two Figures in a Car and Other Stories)
Childhood seems remote, like a landscape seen from the window of a speeding car, blurry and inaccessible.
Helen Humphreys
In cleaning up the ills of the world, Edith Pritchet eradicated, not merely objects, but whole classes of objects. Probably, at some remote time and place, she had been annoyed by a honking car. Now, in her pleasant fantasy version of the world, such things didn't exist. They simply weren't. Her list of annoyances was undoubtedly considerable. And there was no way to tell what was included.
Philip K. Dick (Eye in the Sky)
The most common ways we get probability wrong are: We overestimate certainty. When we do this, it doesn’t even occur to us that a decision has any risk associated with it. We assume if we’re buying a house, prices will only go up. Or people move to Hollywood because they believe they are better looking or more talented than most others. The Antars never thought they’d get caught. They believed Sam would always outsmart the SEC and IRS. The other criminals I interviewed didn’t consider getting caught a possibility either. We overestimate the risk of unlikely events. We assume a remote and terrible event is more likely than it is. This is why many people are more afraid of flying than driving, even if they know the odds of dying in a car accident are higher. A plane crash is especially horrific, which is why we put higher odds on its happening. We assume correlations that don’t exist. After being dealt a few good hands in poker, you could think you’re on a roll and that the next hand is bound to be good too. In fact, each hand you are dealt has nothing to do with the last. When it comes to crime, getting away with something once, or many times, creates an illusion you’ll get away with it the next time. The Antars assumed that because they pulled off tax evasion, they could also get away with securities fraud. Wrong again, and their earlier success led them to take bigger risks to continue the fraud. We put a big weight on very likely or unlikely events and put almost no weight on anything that happens in between. The difference between a 0 percent and 5 percent probability feels huge because it creates possibility. The difference between 100 percent and 95 percent also feels meaningful because it creates or eliminates risk. But the difference between 50 percent and 55 percent barely factors into our decisions. The closer we get to certainty, the more we weight a probability, but mathematically, a 5 percent increase should be given equal weight no matter what.
Allison Schrager (An Economist Walks Into a Brothel: And Other Unexpected Places to Understand Risk)
poisoning himself. With that project complete, they decided that the next priority was returning Nelson’s car. Bruce checked the doors and locked the house, set the alarm with his remote, and left in his Chevy Tahoe. Bob and Nick followed in Nelson’s BMW, and it took an hour to wind their way around the devastation. Not surprisingly, there was no one at the condo—no homicide team sifting for clues, no neighbors picking up debris. No one had touched the yellow crime scene tape. Bruce lifted it and Bob returned the BMW to its spot. The three met in the garage and stared at the golf clubs, but said nothing. They closed the overhead door, walked into the kitchen, and discussed Nelson’s keys. If they left them behind, there was the chance that someone
John Grisham (Camino Winds (Camino Island, #2))
Mom, this is Hollis,” I mumble to myself, locking the car with the remote and heading into the garage. “No, no, go on in. I’ll just start the grill. No, I insist,” I pout, deserted and alone.
Sara Ney (Hard Fall (Trophy Boyfriends, #2))
I hate it when Penny does this. Honestly, it can be so annoying. She lives it though. She didn't buy clothes for an entire year, her senior year at Reed, because she felt like she was irresponsible with money. She always looked very beautiful anyway, and for her birthday I bought her some mittens at Saturday Market for seven dollars. She wore them like they were from Tiffany's or something. She always talked about them. They weren't that big of a deal, but she hadn't had any new clothes for a year so I think she wore them while she was sleeping or something. Penny is right about spending money though. Penny is right about everything. Penny said if I were to save about twenty dollars a month and give it to Northwest Medical Teams or Amnesty International, I would literally be saving lives. Literally. But that stupid pleasure center goes off in my brain, and it feels like there is nothing I can do about it. I told Penny about the pleasure center and how I needed the remote control car to make the pleasure center light up, and she just took the phone away from her car and beat it against her chair.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
I hate it when Penny does this. Honestly, it can be so annoying. She lives it though. She didn't buy clothes for an entire year, her senior year at Reed, because she felt like she was irresponsible with money. She always looked very beautiful anyway, and for her birthday I bought her some mittens at Saturday Market for seven dollars. She wore them like they were from Tiffany's or something. She always talked about them. They weren't that big of a deal, but she hadn't had any new clothes for a year so I think she wore them while she was sleeping or something. Penny is right about spending money though. Penny is right about everything. Penny said if I were to save about twenty dollars a month and give it to Northwest Medical Teams or Amnesty International, I would literally be saving lives. Literally. But that stupid pleasure center goes off in my brain, and it feels like there is nothing I can do about it. I told Penny about the pleasure center and how I needed the remote control car to make the pleasure center light up, and she just took the phone away from her ear and beat it against her chair.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
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It’s called Two Ocean Pass because the water on the east side of the mountains begins its flow to the Atlantic, and on the west side it’s headed for the Pacific. It’s high mountain country, and the most remote location in the lower forty-eight in terms of its distance from any road or structure. It is true primitive wilderness, but that’s what you signed up for, isn’t it? “Keep this in mind, folks: only two percent of Yellowstone’s 3,468 square miles is developed in any way. It’s the largest remaining nearly intact ecosystem in the Earth’s northern temperate zone. What you see around you right now—a road, cars, a parking lot—are the last items of modern civilization you’ll see for the next week.
C.J. Box (Back Of Beyond (Highway Quartet #1))
I’m still going to miss you.” “It’s okay to miss me. But you’ve got so much with King, Bear, the kids. You’re going to be so fucking busy, you’re not going to have time to miss me. But I tell you what; I’ll make sure you know I’m around. Can’t find where you put your fucking car keys? That’s ’cause Ghost Preppy put them in the freezer. Can’t find the remote but the channels keep changing? That’s because Ghost Preppy can’t remember what channel American Ninja Warrior is on.” Preppy wiped a tear from my cheek with his thumb. “I love you Preppy,” I said, pulling him in for another hug. “So much.” “I love you too, babe. As much as a motherfucker can love his best friend’s girl, in a friendship kind of way, who he also wouldn’t mind fucking.” Preppy put his hands on my shoulders.
T.M. Frazier (King Series Bundle (King, #1-4))
Oh my god your mother is adorable,” Hollis is saying. “Jesus, I hate lying and I hate you right now. Look how excited she is, you asshole.” She pushes her car door open and steps out. “Mrs. Wallace, hiiiiii!” Women. I’ll never understand them. How can she be hissing obscenities at me one second then going at my mother like they’re long-lost sisters? I climb out at a leisurely pace, giving them time to greet each other without my interference, and then amble over, hands in my pockets. “Mom, this is—” “Hollis, come inside. Trace Robert, can you get the grill going out back? Your father is dragging his feet.” Then she ushers my date into the house, leaving me standing there, the entire speech I prepared a complete waste of time. “Mom, this is Hollis,” I mumble to myself, locking the car with the remote and heading into the garage. “No, no, go on in. I’ll just start the grill. No, I insist,” I pout, deserted and alone.
Sara Ney (Hard Fall (Trophy Boyfriends, #2))
Jesus gives us his body as gift. Yet usually we receive gifts as passive recipients, then take them away on our own. We unwrap that Christmas present, then head to our room to play with those Legos or that new remote control car by ourselves. But when we receive Jesus’ body as gift, we are brought into the gift: we become part of the body of Christ we receive. Indeed, union with Jesus is wrapped up in the very nature of the gift itself.
Joshua Ryan Butler (The Pursuing God: A Reckless, Irrational, Obsessed Love That's Dying to Bring Us Home)
I could have explained that I wanted to walk without Doofus and get some air. But it would be pretty unusual—one might even go so far as to say unheard of—for me to take a hike on a winter night when I was exhausted from boarding all day. I could also come right out and tell both of them that Nick had fallen on the slopes today and I wanted to check on him. But then Mom would suggest I take the car to his house. And then I could never pull off the charade that I just happened by his mansion while walking my dog. Besides, it was the principle of the thing—the very idea that Josh saw I wanted to walk Doofus and he was going out of his way to foil me, like a normal little brother. This made me angry. Did he want Nick to die on the floor of his bathroom from an overdose of mentholated rub? Did he want me to spend the last eighty years of my lifespan in a convent? Maybe he was mad that I was trying to sneak out of the house wearing his jeans for the third day in a row. “I am taking Doofus for another walk,” I said clearly, daring him to defy me. “That would not be good for Doofus.” Josh folded his arms. “Mom, that would not be good for Doofus.” Oh! Dragging Mom into this was low. Not to mention Doofus. “Since when is going for a walk not good for a dog?” I challenged Josh. “He’s an old dog!” Josh protested. “He’s four!” I pointed out. “That’s twenty-eight in dog years! He’s practically thirty!” “Strike!” Mom squealed amid the noise of electronic pins falling. Then she shook her game remote at both of us in turn. “I’m not stupid, you know. And I’m not as out of it as you assume. I know the two of you are really arguing about something else. It’s those jeans again, isn’t it?” She nodded to me. “I should cut them in half and give each of you a leg. Why does either of you want to wear jeans with ‘boy toy’ written across the seat anyway?” “I thought that was the fashion,” Josh said. “Grandma wears a pair of sweatpants with ‘hot mama’ written across the ass.” “That is different,” Mom hissed. “She wears them around the kitchen.” I sniffed indignantly. “I said,” I announced, “I am going for a walk with my dog. My beloved canine and I are taking a turn around our fair community. No activity could be more wholesome for a young girl and her pet. And if you have a problem with that, well! What is this world coming to? Come along, dear Doofus.” I stuck my nose in the air and stalked past them, but the effect was lost. Somewhere around “our fair community,” Mom and Josh both had lost interest and turned back to the TV. Or so I thought. But just as I was about to step outside, Josh appeared in the doorway between the kitchen and the mud room. “What the hell are you doing?” he demanded. I said self-righteously, “I am taking my loyal canine for a w—” “You’re going to Nick’s, aren’t you?” he whispered. “Do you think that’s a good idea? I heard you yelled at him for no reason at the half-pipe, right before he busted ass.” I swallowed. Good news traveled fast. “So?” “So, why are you going over there? Best case scenario, you make out with him again and then have another fight.” Good news about everything traveled fast.
Jennifer Echols (The Ex Games)
The lighthouse is remote enough that it’s not automatic, but still manned, and as Gammy tells me the story of her family and how they’ve always kept it, passed from generation to generation, I feel her deep sense of home. I can feel it in the earth, too, when I get out of the car and walk upon the rocks. It’s in the sky and the roaring ocean and the keening of the wind, it’s in the way she strides over her land and into her lighthouse; she owns this place and it owns her, tangible and unarguable. What must it be like to be bound so deeply and willingly to a place?
Charlotte McConaghy (Migrations)