Remembrance Of Things Past Quotes

Remembrance of things past is not necessarily the remembrance of things as they were.

When we think of the past it's the beautiful things we pick out. We want to believe it was all like that.

If a little dreaming is dangerous, the cure for it is not to dream less, but to dream more, to dream all the time.

Love is not vain because it is frustrated, but because it is fulfilled. The people we love turn to ashes when we posess them.

Nine tenths of the ills from which intelligent people suffer spring from their intellect.

The universe is a dark forest. Every civilization is an armed hunter stalking through the trees like a ghost, gently pushing aside branches that block the path and trying to tread without sound. Even breathing is done with care. The hunter has to be careful, because everywhere in the forest are stealthy hunters like him. If he finds other life—another hunter, an angel or a demon, a delicate infant or a tottering old man, a fairy or a demigod—there’s only one thing he can do: open fire and eliminate them. In this forest, hell is other people. An eternal threat that any life that exposes its own existence will be swiftly wiped out. This is the picture of cosmic civilization. It’s the explanation for the Fermi Paradox.

We are all of us obliged, if we are to make reality endurable, to nurse a few little follies in ourselves.

The bonds that unite us to another human being are sanctified when he or she adopts the same point of view as ourselves in judging one of our imperfections.

There is no man...however wise, who has not at some period in his youth said things, or lived a life, the memory of which is so unpleasant to him that he would gladly expunge it. And yet he ought not entirely to regret it, because he cannot be certain that he has indeed become a wise man...

Time is the one thing that can’t be stopped. Like a sharp blade, it silently cuts through hard and soft, constantly advancing. Nothing is capable of jolting it even the slightest bit, but it changes everything.

The time is ripe for looking back over the day, the week, the year, and trying to figure out where we have come from and where we are going to, for sifting through the things we have done and the things we have left undone for a clue to who we are and who, for better or worse, we are becoming. But again and again we avoid the long thoughts….We cling to the present out of wariness of the past. And why not, after all? We get confused. We need such escape as we can find. But there is a deeper need yet, I think, and that is the need—not all the time, surely, but from time to time—to enter that still room within us all where the past lives on as a part of the present, where the dead are alive again, where we are most alive ourselves to turnings and to where our journeys have brought us. The name of the room is Remember—the room where with patience, with charity, with quietness of heart, we remember consciously to remember the lives we have lived.

Remembrance of things past is just for the rich. For the poor it only marks the faint traces on the path to death.

It's said, after all, that people reach middle age the day they realize they're never going to read Remembrance of Things Past.

Perhaps the immobility of the things that surround us is forced upon them by our conviction that they are themselves, and not anything else, and by the immobility of our conceptions of them.

Remembrance of things past, I do that all the time.

It was cold and barren. It was no longer the view that I remembered. The sunshine of her presence was far from me. The charm of her voice no longer murmured in my ear.

There are people whose faces assume an unaccustomed beauty and majesty the moment they cease to look out of their eyes.

Most of our faculties lie dormant because they can rely upon Habit, which knows what there is to be done and has no need of their services.

...a writer's works, like the water in an artesian well, mount to a height which is in proportion to the depth to which suffering has penetrated his soul.

For me, remembrance of things past has always been a waste of time, and what’s the point of tears? I don’t know. I’ve always been focussed on today. Yesterday and tomorrow hold no interest for me. What had to happen, did, and what will happen, will.

When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought...

There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain.

Every person is destroyed when we cease to see him; after which his next appearance is a new creation, different from that which immediately preceded it, if not from them all.

Human beings do terrible things to each other and the tragic thing about it all is the way the remembrance of past hurt can rob us of our future and become the narrative of our lives.

Everywhere, it seemed, I had to explore two pasts and two presents; one white, one black, separate and unreconcilable. The past had poisoned the present and the present, in turn, now poisoned remembrance of things past.

The soldier is convinced that a certain indefinitely extendable time period is accorded him before he is killed, the burglar before he is caught, men in general, before they must die. That is the amulet which preserves individuals — and sometimes populations — not from danger, but from the fear of danger, in reality from the belief in danger, which in some cases allows them to brave it without being brave. Such a confidence, just as unfounded, supports the lover who counts on a reconciliation, a letter.

the remembrence of things past is not nessecarly the remeberance of things as they were

A work in which there are theories is like an object which still has its price-tag on.

More are men's ends mark'd than their lives before: The setting sun, and music at the close, As the last taste of sweets, is sweetest last, Writ in remembrance more than things long past

For a long time I used to go to bed early.

Everything you see before you is the result of poverty. But how are things any better in the wealthy countries? They protect their own environments, but then shift the heavily polluting industries to the poorer nations.

The setting sun, and music at the close, As the last taste of sweets, is sweetest last, Writ in remembrance more than things long past.

All remembrance of things past is fiction.

Cheng Xin now recalled the strange feeling she had experienced each time she had looked at Van Gogh’s painting. Everything else in the painting—the trees that seemed to be on fire, and the village and mountains at night—showed perspective and depth, but the starry sky above had no three-dimensionality at all, like a painting hanging in space. Because the starry night was two-dimensional. How could Van Gogh have painted such a thing in 1889? Did he, having suffered a second breakdown, truly leap across five centuries

[The shells] do not have the meaning they once did, but, as Swann said in Remembrance of Things Past, "even when one is no longer attached to things, it's still something to have been attached to them." (22)

I remember I’ve never shared tears with someone that longed for (me) and loved me; I didn’t know how to be compassionate.” (The truth, the lies & the love, p. 76)

She's on the stairs, ma'am, getting her breath,' said the young servant, who had not been long up from the country, where my mother had the excellent habit of getting all her servants. Often she had seen them born. That's the only way to get really good ones. And they're the rarest of luxuries.

He remembered a version of himself untrammeled by expectation, unimpeded by Ego. He had suffered in the many years since then, seeking to return to that original self, if, in fact, it ever existed. And yet, he was helpless but to regard that unmistakable fear that gripped him in his dream as a sign that his unevenness lent him now to utter incongruity with this specter of past.

The belief that a person has a share in an unknown life to which his or her love may win us admission is, of all the prerequisites of love, the one which it values most highly and which makes it set little store by all the rest.

Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain.

She was the most beautiful thing in my life and my mind had settled long ago that she always would be. I loved her so much I could barely wrap my mind around it. It was like the sun being the center of the universe, the planets all held captive around it, unable to break free of the pull and unable to sustain without its magnificence. She was my sun, the absolute center of my universe.

Carried away in a sort of dream, he smiled, then he began to hurry back towards the lady; he was walking faster than usual, and his shoulders swayed backwards and forwards, right and left, in the most absurd fashion; altogether he looked, so utterly had he abandoned himself to it, ignoring all other considerations, as though he were the lifeless and wire-pulled puppet of his own happiness.

I had spent the New Year's Day of old men, who differ on that day from their juniors, not because people have ceased to give them presents but because they themselves have ceased to believe in the New Year.

Facts are but the Play-things of lawyers,-- Tops and Hoops, forever a-spin... Alas, the Historian may indulge no such idle Rotating. History is not Chronology, for that is left to Lawyers,-- nor is it Remembrance, for Remembrance belongs to the People. History can as little pretend to the Veracity of the one, as claim the Power of the other,-- her Practitioners, to survive, must soon learn the arts of the quidnunc, spy, and Taproom Wit,-- that there may ever continue more than one life-line back into a Past we risk, each day, losing our forebears in forever,-- not a Chain of single Links, for one broken Link could lose us All,-- rather, a great disorderly Tangle of Lines, long and short, weak and strong, vanishing into the Mnemonick Deep, with only their Destination in common.

You are my heart. The most beautiful and precious thing in my world. Don’t forget that.

It is to such sufferings that we attach the pleasure of loving, of delighting in the most insignificant remarks of a woman, which we know to be insignificant, but which we perfume with her scent.

Everywhere, it seemed, I had to explore two pasts and two presents; one white, one black, separate and unreconcilable. The past had poisoned the present and the present, in turn, now poisoned remembrance of things past.

Nine tenths of the ills from which intelligent people suffer spring from their intellect. They need at least a doctor who understands the disease. How can you expect Cottard to be able to treat you? He has made allowances for the difficulty of digesting sauces, for gastric trouble, but he has made no allowance for the effect of reading Shakespeare.

And once the novelist has brought us to this state, in which, as in all purely mental states, every emotion is multiplied ten-fold, into which his book comes disturb us as might a dream, but a dream more lucid and more abiding than those that come to us in sleep, why then, for the space of an hour he sets free within us all the joys and sorrows in the world.

Anyone who's read all of Proust plus The Man withour Qualities is bound t be missing out on a few other titles.

Was it possible to feel nostalgic about something that had never happened to him, possible for nostalgia to be taken in by the body as a free pathogen to infect the consciousness with stray sentiments? Perhaps, in his dreams, he had traveled back in time, or even drifted into another dimension of space-time and inhabited the body, experiences, and nostalgia of another. To even envisage so allowed the trauma of those lost moments, though not his own, to draw from him a certain envy for the entity in whose memories he had basked vicariously. . .Perhaps, nostalgia was a microorganism. . .the bacterium that infected. . . Yes. . .maybe he was sick.

Tears flashed into her eyes. "That's very dear of you. It's sweet to be remembered when one is away." In her voice there was the heart-breaking sweetness one sometimes hears in lovely, gentle old songs.

Habit enables us to cling to the familiar, to the self we think we know with a persistence almost irresistible. An anodyne for the terror of the unknown, it effectively keeps us from knowing, and is fatal in itself. Habit is a fiction the organism requires to dim perception. It screens us from the world, and from the true world of the self. Habit—no matter how intense the suffering it causes—is the last thing the personality will give up. It is arming itself against danger. The weapons may be more painful to use than the pain they seek to deflect. No matter. Habit allows us to live—by which Proust means it allows us to exist while it simultaneously compels us to miss Life.

Those two axioms are solid enough from a sociological perspective … but you rattled them off so quickly, like you’d already worked them out,” Luo Ji said, a little surprised. “I’ve been thinking about this for most of my life, but I’ve never spoken about it with anyone before. I don’t know why, really.… One more thing: To derive a basic picture of cosmic sociology from these two axioms, you need two other important concepts: chains of suspicion, and the technological explosion.” “Interesting terms. Can you explain them?” Ye Wenjie glanced at her watch. “There’s no time. But you’re clever enough to figure them out. Use those two axioms as a starting point for your discipline, and you might end up becoming the Euclid of cosmic sociology.” “I’m no Euclid. But I’ll remember what you said and give it a whirl. I might come to you for guidance, though.” “I’m afraid there won’t be that opportunity.… In that case, you might as well just forget I said anything. Either way, I’ve fulfilled my duty. Well, Xiao Luo, I’ve got to go.” “Take care, Professor.” Ye Wenjie went off through the twilight to her final meet-up. The

The twentieth century was wedded to the remembrance of things past, with Proust making the act of remembrance an art of sensory timeslip in the first texts which would become A la Recherche du Temps Perdu in 1913 and with Joyce making an epic forever out of a single passing ordinary day with the serialization of the first chapters of Ulysses not long after.

Je moi-même semblait en fait à avoir devenir la sujet de ma livre: un église, un quatuor, et la amitié entre François I and Charles V.

I love you, Ryan. You're the only thing i need.

medical prescriptions, everything that she needed for the performance, in bed, of her duties to soul and body, to keep the proper times for pepsin and for

People wish to learn to swim and at the same time to keep one foot on the ground.

Medicine, when it fails to cure, busies itself with changing the sense of verbs and pronouns.

The universe is a dark forest. Every civilization is an armed hunter stalking through the trees like a ghost, gently pushing aside branches that block the path and trying to tread without sound. Even breathing is done with care. The hunter has to be careful, because everywhere in the forest are stealthy hunters like him. If he finds other life—another hunter, an angel or a demon, a delicate infant or a tottering old man, a fairy or a demigod—there’s only one thing he can do: open fire and eliminate them. In this forest, hell is other people.

the thing we call French culture may be due to the fact that French children can play, surrounded by the things of the past, palaces of bygone kings, statues, remembrances of history.

The past was like a handful of sand you thought you were squeezing tightly, but which had already run out through the cracks between your fingers. Memory was a river that had run dry long ago, leaving only scattered gravel in a lifeless riverbed. He had lived life always looking out for the next thing, and whenever he had gained, he had also lost, leaving him with little in the end.

But when from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, taste and smell alone, more fragile but more enduring, more unsubstantial, more persistent, more faithful, remain poised a long time, like souls, remembering, waiting, hoping, amid the ruins of all the rest; and bear unflinchingly, in the tiny and almost impalpable drop of their essence, the vast structure of recollection. And as soon as

In the past an artist produced things that were necessary socially; they were instruments, albeit of a special kind, that helped the dead reach eternity, spells to be cast, prayers to be liturgically fleshed. . . . The aesthetic component of those instruments enhanced their function but was never central, never an independent, nonutilitarian thing.

One world and then another, running like a chain. One world treading on the heels of another world that plodded just ahead. One world’s tomorrow, another world’s today. And yesterday is tomorrow and tomorrow is the past. Except, there wasn’t any past. No past, that was, except the figment of remembrance that flitted like a night-winged thing in the shadow of one’s mind. No past that one could reach. No pictures painted on the wall of time. No film that one could run backward and see what-once-had-been.

One thing in particular that struck him was the total absence of landscapes, the mark of a mature aesthetic sensibility: hanging landscape paintings in a house situated in the Garden of Eden would be as pointless as pouring a bucket of water into the ocean.

Don't say that. I cherish every moment i've had with you. Every single one, okay? Even when we fight. Don't wish it away. Maybe we wouldn't be us if things had been different. And i want this...the way it is between us now is worth all of the waiting and longing.

machinery' of life at Versailles; and was able, too, to persuade herself that her silence, a shade of good humour or of arrogance on her features, would provide Françoise with matter for a mental commentary as tense with passion and terror, as did the silence, the good

   'You said we were exactly alike,' I spoke again. 'In what way?'    But yes, yes we are — she exclaimed —in the way, like you, I've no access to that instinctive enjoyment of things that's typical of normal people. She could sense it very clearly: for me, no less than for her, the past counted far more than the present, remembering something far more than possessing it. Compared to memory, every possession can only ever seem disappointing, banal, inadequate...She understood me so well! My anxiety that the present 'immediately' turned into the past so that I could love it and dream about it at leisure was just like hers, was identical. It was 'our' vice, this: to go forwards with our heads forever turned back.

One can wait a whole lifetime for a moment like this. The woman whom you never hoped to meet now sits before you and she talks and looks exactly like the person you dreamed about. But the strangest of all is that you never realized before that you had dreamed about her. Your whole past is like a long sleep, which would have been forgotten had there been no dream. And the dream too, might have been forgotten had there been no memory, but remembrance is there in the blood and the blood is like an ocean in which every thing is washed away, but that which is new and more substantial even than life: Reality.

Recalling, some time later, what I had felt at the time, I distinguished the impression of having been held for a moment in her mouth, myself, naked, without any of the social attributes which belonged equally to her other playmates and, when she used my surname, to my parents, accessories of which her lips - by the effort she made, a little after her father's manner, to articulate the words to which she wished to give a special emphasis - had the air of stripping, of divesting me, like the skin from a fruit of which one can swallow only the pulp, while her glance, adapting itself to the same new degree of intimacy as her speech, fell on me also more directly and testified to the consciousness, the pleasure, even the gratitude that it felt by accompanying itself with a smile.

XXX When to the sessions of sweet silent thought   I summon up remembrance of things past,   I sigh the lack of many a thing I sought,   And with old woes new wail my dear time's waste:   Then can I drown an eye, unused to flow,   For precious friends hid in death's dateless night,   And weep afresh love's long since cancell'd woe,   And moan the expense of many a vanish'd sight:   Then can I grieve at grievances foregone,   And heavily from woe to woe tell o'er   The sad account of fore-bemoaned moan,   Which I new pay as if not paid before.     But if the while I think on thee, dear friend,     All losses are restor'd and sorrows end.

His real gift was as a phrasemaker. “Shakespeare’s language,” says Stanley Wells, “has a quality, difficult to define, of memorability that has caused many phrases to enter the common language.” Among them: one fell swoop, vanish into thin air, bag and baggage, play fast and loose, go down the primrose path, be in a pickle, budge an inch, the milk of human kindness, more sinned against than sinning, remembrance of things past, beggar all description, cold comfort, to thine own self be true, more in sorrow than in anger, the wish is father to the thought, salad days, flesh and blood, foul play, tower of strength, be cruel to be kind, blinking idiot, with bated breath, tower of strength, pomp and circumstance, foregone conclusion—and many others so repetitiously irresistible that we have debased them into clichés. He was so prolific that he could (in Hamlet) put two in a single sentence: “Though I am native here and to the manner born, it is a custom more honoured in the breach than the observance.” If

When you come to live with a woman, you will soon cease to see anything of what made you love her; though it is true that the two sundered elements can be reunited by jealousy.

The enchantments of the past must always become the disenchantments of the future. But memory, a preservative, may intervene. The embalmer of original enchantments, it is the only human faculty that can outwit the advance of chronological time. Art, the embalmer of memory, is the only human vocation in which the time regained by memory can be permanently fixed.

think of how many millions of details our eyes see every moment that do not stay in our memory-but one which contains worlds. Boundless worlds. They are those worlds that the young Marcel rediscovers, bewildered, every morning, in the first pages of Remembrances of Things Past, in the vertigo of the moment when consciousness emerges like a bubble from unfathomable depths.

the Finger of God, Whose Body might have been concealed below among the crowd of human bodies without fear of my confounding It, for that reason, with them. And so even to-day in any large provincial town, or in a quarter of Paris which I do not know well, if a passer-by who is 'putting me on the right road' shews me from afar, as a point to aim at, some belfry of a hospital, or a convent steeple lifting the peak of its ecclesiastical cap

Of course, I’ve only brought up two examples. Other universal laws of physics have been used as weapons as well, though we don’t know all of them. It’s very possible that every law of physics has been weaponized. It’s possible that in some parts of the universe, even … Forget it, I don’t even believe that.” “What were you going to say?” “The foundation of mathematics.” Cheng Xin tried to imagine it, but it was simply impossible. “That’s … madness.” Then she asked, “Will the universe turn into a war ruin? Or, maybe it’s more accurate to ask: Will the laws of physics turn into war ruins?” “Maybe they already are.… The physicists and cosmologists of the new world are focused on trying to recover the original appearance of the universe before the wars more than ten billion years ago. They’ve already constructed a fairly clear theoretical model describing the pre-war universe. That was a really lovely time, when the universe itself was a Garden of Eden. Of course, the beauty could only be described mathematically. We can’t picture it: Our brains don’t have enough dimensions.” Cheng Xin thought back to the conversation with the Ring again. Did you build this four-dimensional fragment? You told me that you came from the sea. Did you build the sea? “You are saying that the universe of the Edenic Age was four-dimensional, and that the speed of light was much higher?” “No, not at all. The universe of the Edenic Age was ten-dimensional. The speed of light back then wasn’t only much higher—rather, it was close to infinity. Light back then was capable of action at a distance, and could go from one end of the cosmos to the other within a Planck time.… If you had been to four-dimensional space, you would have some vague hint of how beautiful that ten-dimensional Garden must have been.” “You’re saying—” “I’m not saying anything.” Yifan seemed to have awakened from a dream. “We’ve only seen small hints; everything else is just guessing. You should treat it as a guess, just a dark myth we’ve made up.” But Cheng Xin continued to follow the course of the discussion taken so far. “—that during the wars after the Edenic Age, one dimension after another was imprisoned from the macroscopic into the microscopic, and the speed of light was reduced again and again.…” “As I said, I’m not saying anything, just guessing.” Yifan’s voice grew softer. “But no one knows if the truth is even darker than our guesses.… We are certain of only one thing: The universe is dying.” The

Civilization was like a mad dash that lasted five thousand years. Progress begot more progress; countless miracles gave birth to more miracles; humankind seemed to possess the power of gods; but in the end, the real power was wielded by time. Leaving behind a mark was tougher than creating a world. At the end of civilization, all they could do was the same thing they had done in the distant past, when humanity was but a babe: Carving words into stone.

It became a game that I took to with immense gusto: to see how much I could remember about dandelions themselves, or picking wild grapes with my father and brother, rediscovering the mosquito-breeding ground rain barrel by the side bay window, or searching out the smell of the gold-fuzzed bees that hung around our back porch grape arbor. Bees do have a smell, you know, and if they don't they should, for their feet are dusted with spices from a million flowers.

The aborted research project wasn’t important in and of itself. What mattered was the instruction that Ye Wenjie had given him, so that’s where Luo Ji’s mind was stuck. Over and over again he recalled her words: Suppose a vast number of civilizations are distributed throughout the universe, on the order of the number of detectable stars. Lots and lots of them. The mathematical structure of cosmic sociology is far clearer than that of human sociology. The factors of chaos and randomness in the complex makeups of every civilized society in the universe get filtered out by the immense distance, so those civilizations can act as reference points that are relatively easy to manipulate mathematically. First: Survival is the primary need of civilization. Second: Civilization continuously grows and expands, but the total matter in the universe remains constant. One more thing: To derive a basic picture of cosmic sociology from these two axioms, you need two other important concepts: chains of suspicion and the technological explosion. I’m afraid there won’t be that opportunity.… Well, you might as well just forget I said anything. Either way, I’ve fulfilled my duty. He

Poets claim that we recapture for a moment the self that we were long ago when we enter some house or garden in which we used to live in our youth. But these are most hazardous pilgrimages, which end as often in disappointment as in success. It is in ourselves that we should rather seek to find those fixed places, contemporaneous with different years. And great fatigue followed by a good night's rest can to a certain extent help us to do so. For in order to make us descend into the most subterranean galleries of sleep, where no reflexion from overnight, no gleam of memory comes to light up the interior monologue—if the latter does not itself cease—fatigue followed by rest will so thoroughly turn over the soil and penetrate the bedrock of our bodies that we discover down there, where our muscles plunge and twist in their ramifications and breathe in new life, the garden where we played in our childhood. There is no need to travel in order to see it again; we must dig down inwardly to discover it. What once covered the earth is no longer above but beneath it; a mere excursion does not suffice for a visit to the dead city: excavation is necessary also. But we shall see how certain fugitive and fortuitous impressions carry us back even more effectively to the past, with a more delicate precision, with a more light-winged, more immaterial, more headlong, more unerring, more immortal flight, than these organic dislocations.

Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been re-fashioned anew for our pleasure in the darkness, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness, and the memories of pleasure their pain.

To begin with, poor people’s memory is less nourished than that of the rich; it has fewer landmarks in space because they seldom leave the place where they live, and fewer reference points in time throughout lives that are grey and featureless. Of course there is the memory of the heart that they say is the surest kind, but the heart wears out with sorrow and labour, it forgets sooner under the weight of fatigue. Remembrance of things past is just for the rich. For the poor it only marks the faint traces on the path to death.

O, but they say the tongues of dying men Enforce attention like deep harmony. Where words are scarce, they are seldom spent in vain, For they breathe truth that breathe their words in pain. He that no more must say is listened more Than they whom youth and ease have taught to gloze. More are men’s ends marked than their lives before. The setting sun and music at the close, As the last taste of sweets, is sweetest last, Writ in remembrance more than things long past. Though Richard my life’s counsel would not hear, My death’s sad tale may yet undeaf his ear.

When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste: Then can I drown an eye, unused to flow, For precious friends hid in death's dateless night, And weep afresh love's long since cancelled woe, And moan the expense of many a vanished sight: Then can I grieve at grievances foregone, And heavily from woe to woe tell o'er The sad account of fore-bemoanèd moan, Which I new pay as if not paid before. But if the while I think on thee, dear friend, All losses are restored and sorrows end.

Suppose a vast number of civilizations are distributed throughout the universe, on the order of the number of detectable stars. Lots and lots of them. The mathematical structure of cosmic sociology is far clearer than that of human sociology. The factors of chaos and randomness in the complex makeups of every civilized society in the universe get filtered out by the immense distance, so those civilizations can act as reference points that are relatively easy to manipulate mathematically. First: Survival is the primary need of civilization. Second: Civilization continuously grows and expands, but the total matter in the universe remains constant. One more thing: To derive a basic picture of cosmic sociology from these two axioms, you need two other important concepts: chains of suspicion and the technological explosion.

And these dreams warned me that since I wanted to be a writer someday, it was time to find out what I meant to write. But as soon as I asked myself this, trying to find a subject in which I could anchor some infinite philosophical meaning, my mind would stop functioning. I could no longer see anything but empty space before my attentive eyes, I felt that I had no talent or perhaps a disease of the brain kept it from being born.

what we love is too much in the past, consists too much in the time that we have spent together for us to require the whole woman; we wish only to be sure that it is she, not to be mistaken as to her identity, a thing far more important than beauty to those who are in love; her cheeks may grow hollow, her body thin, even to those who were originally most proud, in the eyes of the world, of their domination over beauty, that little tip of a nose, that sign in which is summed up the permanent personality of a woman, that algebraical formula, that constant, is sufficient to prevent a man who is courted in the highest society and is in love with her from being free upon a single evening because he is spending his evenings in brushing and entangling, until it is time to go to bed, the hair of the woman whom he loves, or simply in staying by her side, so that he may be with her or she with him, or merely that she may not be with other people.

As he spoke, he looked up and once again saw Zhang Beihai’s steady gaze, which revealed a determination that warmed his heart a little. Zhang Beihai, I know you have faith. With a father like that, it would be impossible for you not to. But things are definitely not as simple as you say. I don’t know what you base your faith on, and I don’t even know what else your faith encompasses. Just like your father. I admired him, but I have to admit that in the end I couldn’t figure him out. Chang

When they were about a hundred meters from the death lines, Yifan waved Cheng Xin to a stop. Each death line was about twenty or thirty meters in diameter, and from here, they resembled death columns. “These are probably the darkest things in the universe,” Cheng Xin said. The death lines showed no details except an exceptional blackness showing the boundaries of the zero-lightspeed region, with no real surface. Looking up, the lines showed up clearly even against the dark backdrop of space. “These are the deadest things in the universe as well,” said Guan Yifan. “Zero-lightspeed means absolute, one hundred percent death. Inside it, every fundamental particle, every quark is dead. There is no vibration. Even without a source of gravity inside, each death line is a black hole. A zero-gravity black hole. Anything that falls in cannot reemerge.” Yifan picked up a rock and tossed it toward one of the death lines. The rock disappeared inside the absolute darkness. “Can your lightspeed ships produce death lines?” Cheng Xin asked. “Far from it.” “So you’ve seen these before, then?” “Yes, but only rarely.” Cheng

These memories of former times do not awaken desire so much as sorrow - a vast, inapprehensible melancholy. Once we had such desires - but they return not. They are past, they belong to another world that is gone from us. In the barracks they called forth a rebellious, wild craving for their return; for then they were still bound to us, we belonged to them and they to us, even though we were already absent from them. They appeared in the soldiers' songs which we sang as we marched between the glow of the dawn and the black silhouettes of the forests to drill on the moor, they were a powerful remembrance that was in us and came from us. But here in the trenches they are completely lost to us. They arise no more; we are dead and they stand remote on the horizon, they are a mysterious reflection, an apparition, that haunts us, that we fear and love without hope. They are strong and our desire is strong - but they are unattainable, and we know it. And even if these scenes of our youth were given back to us we would hardly know what to do. The tender, secret influence that passed from them into us could not rise again. We might be amongst them and move in them; we might remember and love them and be stirred by the sight of them. But it would be like gazing at the photograph of a dead comrade; those are his features, it is his face, and the days we spent together take on a mournful life in the memory; but the man himself it is not. We could never regain the old intimacy with those scenes. It was not any recognition of their beauty and their significance that attracted us, but the communion, the feeling of a comradeship with the things and events of our existence, which cut us off and made the world of our parents a thing incomprehensible to us--for then we surrendered ourselves to events and were lost in them, and the least little thing was enough to carry us down the stream of eternity. Perhaps it was only the privilege of our youth, but as yet we recognised no limits and saw nowhere an end. We had that thrill of expectation in the blood which united us with the course of our days. To-day we would pass through the scenes of our youth like travellers. We are burnt up by hard facts; like tradesmen we understand distinctions, and like butchers, necessities. We are no longer untroubled--we are indifferent. We might exist there; but should we really live there? We are forlorn like children, and experienced like old men, we are crude and sorrowful and superficial - I believe we are lost.

Their stillness is the reason why these memories of former times do not awaken desire so much as sorrow—a vast, inapprehensible melancholy. Once we had such desires—but they return not. They are past, they belong to another world that is gone from us. In the barracks they called forth a rebellious, wild craving for their return; for then they were still bound to us, we belonged to them and they to us, even though we were already absent from them. They appeared in the soldiers’ songs which we sang as we marched between the glow of the dawn and the black silhouettes of the forests to drill on the moor, they were a powerful remembrance that was in us and came from us. But here in the trenches they are completely lost to us. They arise no more; we are dead and they stand remote on the horizon, they are a mysterious reflection, an apparition, that haunts us, that we fear and love without hope. They are strong and our desire is strong—but they are unattainable, and we know it. And even if these scenes of our youth were given back to us we would hardly know what to do. The tender, secret influence that passed from them into us could not rise again. We might be amongst them and move in them; we might remember and love them and be stirred by the sight of them. But it would be like gazing at the photograph of a dead comrade; those are his features, it is his face, and the days we spent together take on a mournful life in the memory; but the man himself it is not. We could never regain the old intimacy with those scenes. It was not any recognition of their beauty and their significance that attracted us, but the communion, the feeling of a comradeship with the things and events of our existence, which cut us off and made the world of our parents a thing incomprehensible to us—for then we surrendered ourselves to events and were lost in them, and the least little thing was enough to carry us down the stream of eternity.

lived within a mile of the place." My grandmother, who held that, when one went to the seaside, one ought to be on the beach from morning to night, to taste the salt breezes, and that one should not know anyone in the place, because calls and parties and excursions were so much time stolen from what belonged, by rights, to the sea-air, begged him on no account to speak to Legrandin of our plans; for already, in her mind's eye, she could see his sister, Mme. de Cambremer, alighting from her carriage at the door of our hotel just as we were on the point of going out fishing, and obliging us to remain indoors all afternoon to entertain her. But Mamma laughed her fears to scorn, for she herself felt that the danger was not so threatening, and that Legrandin would shew no undue anxiety to make us acquainted with his sister. And, as it happened, there was no need for any of us to introduce the subject of Balbec, for it was Legrandin himself who, without the least suspicion that we had ever had any intention of visiting those parts, walked into the trap uninvited one evening, when we met him strolling on the banks of the Vivonne. "There are tints in the clouds this evening, violets and blues, which are very beautiful, are they not, my friend?" he said to my father. "Especially a blue which is far more floral than atmospheric, a cineraria blue, which it is surprising to see in the sky.

There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamored of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those who minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black, fantastic shapes, dumb shadows crawl into the corners of the room, and crouch there. Outside, there is the stirring of the birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleeper, and yet must needs call forth Sleep from her purple cave. Veil after veil of thin, dusky gauze is lifted, and by degrees the forms and colors of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colors, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness, and the memories of pleasure their pain.

Was this the end of the madness? Were science and rationality really coming back? Ye asked herself these questions repeatedly. Ye never again received any communication from Trisolaris. She knew that she would have to wait at least eight years to hear that world’s response to her message, and after leaving the base, she no longer had any way of receiving extraterrestrial replies. It was such an important thing, and yet she had done it all by herself. This gave her a sense of unreality. As time passed, that sense grew ever stronger. What had happened resembled an illusion, a dream. Could the sun really amplify radio signals? Did she really use it as an antenna to send a message about human civilization into the universe? Did she really receive a message from the stars? Did that blood-hued morning, when she had betrayed the entire human race, really happen? And those murders … Ye tried to numb herself with work so as to forget the past—and almost succeeded. A strange kind of self-protective instinct caused her to stop recalling the past, to stop thinking about the communication she had once had with another civilization. Her life passed this way, day after day, in tranquility. *

You don’t need to pity them. Really, let me tell you: don’t. The reality of the universe is not something to envy.” “Why?” Yifan lifted a hand and pointed at the stars of the galaxy. Then he let the 3G force pull his arm back to this chest. “Darkness. Only darkness.” “You mean the dark forest state?” Guan Yifan shook his head, a gesture that appeared to be a struggle in hypergravity. “For us, the dark forest state is all-important, but it’s just a detail of the cosmos. If you think of the cosmos as a great battlefield, dark forest strikes are nothing more than snipers shooting at the careless—messengers, mess men, etc. In the grand scheme of the battle, they are nothing. You have not seen what a true interstellar war is like.” “Have you?” “We’ve caught a few glimpses. But most things we know are just guesses.… Do you really want to know? The more you possess of this kind of knowledge, the less light remains in your heart.” “My heart is already completely dark. I want to know.” And so, more than six centuries after Luo Ji had fallen through ice into that lake, another dark veil hiding the truth about the universe was lifted before the gaze of one of the only survivors of Earth civilization. Yifan asked, “Why don’t you tell me what the most powerful weapon for a civilization possessing almost infinite technological prowess is? Don’t think of this as a technical question. Think philosophy.” Cheng Xin pondered for a while and then struggled to shake her head. “I don’t know.” “Your experiences should give you a hint.” What had she experienced? She had seen how a cruel attacker could lower the dimensions of space by one and destroy a solar system. What are dimensions? “The universal laws of physics,” Cheng Xin said. “That’s right. The universal laws of physics are the most terrifying weapons, and also the most effective defenses. Whether it’s by the Milky Way or the Andromeda Galaxy, at the scale of the local galactic group or the Virgo Supercluster, those warring civilizations possessing godlike technology will not hesitate to use the universal laws of physics as weapons. There are many laws that can be manipulated into weapons, but most commonly, the focus is on spatial dimensions and the speed of light. Typically, lowering spatial dimensions is a technique for attack, and lowering the speed of light is a technique for defense. Thus, the dimensional strike on the Solar System was an advanced attack method. A dimensional strike is a sign of respect. In this universe, respect is not easy to earn. I guess you could consider it an honor for Earth civilization.

There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room, and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills, and wandering round the silent house, as though it feared to wake the sleepers, and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness, and the memories of pleasure their pain.

First let me thank all of you for your honesty,” Chang Weisi said, and then turned to Zhang Beihai. “Excellent, Comrade Zhang. Tell us, on what do you base your confidence?” Zhang Beihai stood up, but Chang Weisi motioned for him to sit down. “This is not a formal meeting,” he said. “It’s just a heart-to-heart chat.” Still standing at attention, Zhang Beihai said, “Commander, I can’t answer your question sufficiently in just a few words, because building faith is a long and complicated process. First of all, I’d like to make note of the mistaken thinking among the troops at the present time. We all know that prior to the Trisolar Crisis, we had been advocating for the examination of the future of war from scientific and rational perspectives, and a powerful inertia has sustained this mentality to the present day. This is particularly the case in the present space force, where it has been exacerbated by the influx of a large number of academics and scientists. If we use this mentality to contemplate an interstellar war four centuries in the future, we’ll never be able to establish faith in a victory.” “What Comrade Zhang Beihai says is peculiar,” a colonel said. “Is steadfast faith not built upon science and reason? No faith is solid that is not founded on objective fact.” “Then let’s take another look at science and reason. Our own science and reason, remember. The Trisolarans’ advanced development tells us that our science is no more than a child collecting shells on the beach who hasn’t even seen the ocean of truth. The facts we see under the guidance of our science and reason may not be the true, objective facts. And since that’s the case, we need to learn how to selectively ignore them. We should see how things change as they develop, and we shouldn’t write off the future through technological determinism and mechanical materialism.” “Excellent,” Chang Weisi said, and nodded at him to continue. “We must establish faith in victory, a faith that is the foundation of military duty and dignity! When the Chinese military once faced a powerful enemy under extremely poor conditions, it established a firm faith in victory through a sense of responsibility to the people and the motherland. I believe that today, a sense of responsibility to the human race and to Earth civilization can encourage the same faith.