Reluctant Person Quotes

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Most enjoyable activities are not natural; they demand an effort that initially one is reluctant to make. But once the interaction starts to provide feedback to the person's skills, it usually begins to be intrinsically rewarding.
Mihály Csíkszentmihályi (Flow: The Psychology of Optimal Experience)
Real adventure is defined best as a journey from which you may not come back alive, and certainly not as the same person.
Yvon Chouinard (Let My People Go Surfing: The Education of a Reluctant Businessman)
Have McNab take the edge if you need one. Can he handle bad cop?" "He does it really well during personal role-playing games when I'm the reluctant witness.
J.D. Robb (Survivor In Death (In Death, #20))
Journeys are the midwives of thought. Few places are more conducive to internal conversations than a moving plane, ship or train. There is an almost quaint correlation between what is in front of our eyes and the thoughts we are able to have in our heads: large thoughts at times requiring large views, new thoughts new places. Introspective reflections which are liable to stall are helped along by the flow of the landscape. The mind may be reluctant to think properly when thinking is all it is supposed to do. At the end of hours of train-dreaming, we may feel we have been returned to ourselves - that is, brought back into contact with emotions and ideas of importance to us. It is not necessarily at home that we best encounter our true selves. The furniture insists that we cannot change because it does not; the domestice setting keeps us tethered to the person we are in ordinary life, but who may not be who we essentially are. If we find poetry in the service station and motel, if we are drawn to the airport or train carriage, it is perhaps because, in spite of their architectural compromises and discomforts, in spite of their garish colours and harsh lighting, we implicitly feel that these isolated places offer us a material setting for an alternative to the selfish ease, the habits and confinement of the ordinary, rooted world.
Alain de Botton (The Art of Travel)
The goal of climbing big, dangerous mountains should be to attain some sort of spiritual and personal growth, but this won’t happen if you compromise away the entire process.
Yvon Chouinard (Let My People Go Surfing: The Education of a Reluctant Businessman)
And above all, you must be asking which door is the true one; not which pleases you best by its paint and panelling…the question should never be: ‘Do I like that kind of service?’ but ‘Are these doctrines true: Is holiness there? Does my conscience move me towards this? Is my reluctance to move to this door due to my pride, or my mere taste, or my personal dislike for this particular door-keeper?
C.S. Lewis (Mere Christianity)
I may be, tied up, but at least, I am HIS. I may be hurting, But I am HIS, I may be reluctant, but I am HIS, I may be lonely, but I am HIS, I may be frustrated, but I am HIS, That’s why I am praising Him, because I’m glad He tied me up. He stopped me from doing the things I would have done, that would’ve messed up myself. When I look at how my friends got loosed, I thank Him for tying me up. When I look at how the neighborhood boys are locked up in jail, I thank Him for tying me up. I am not happy about it then, but I’m glad about it now. When I think about the person I almost married, When I think about the job I almost got, When I think about the people who wouldn’t let me join their clique, When I think about the people who stops talking to me, I thank Him for tying me up. I thank Him for the rope that got me tied up.
T.D. Jakes
Everything we personally own that’s made, sold, shipped, stored, cleaned, and ultimately thrown away does some environmental harm every step of the way, harm that we’re either directly responsible for or is done on our behalf.
Yvon Chouinard (Let My People Go Surfing: The Education of a Reluctant Businessman)
Helping a person in need is good in itself. But the degree of goodness is hugely affected by the attitude with which it is done. If you show resentment because you are helping the person out of a reluctant sense of duty, then the person may recieve your help but may feel awkward and embarrassed. This is because he will feel beholden to you. If,on the other hand, you help the person in a spirit of joy, then the help will be received joyfully. The person will feel neither demeaned nor humiliated by your help, but rather will feel glad to have caused you pleasure by receiving your help. And joy is the appropriate attitude with which to help others because acts of generosity are a source of blessing to the giver as well as the receiver.
John Chrysostom
It was not in my nature to be an assertive person. I was used to looking to others for guidance, for influence, sometimes for the most basic cues of life. And yet writing stories is one of the most assertive things a person can do. Fiction is an act of willfulness, a deliberate effort to reconceive, to rearrange, to reconstitute nothing short of reality itself. Even among the most reluctant and doubtful of writers, this willfulness must emerge. Being a writer means taking the leap from listening to saying, “Listen to me.
Jhumpa Lahiri
Responsible is Able to Respond, able to answer for the way we choose to live. There's only one person we have to answer to, of course, and that is...? ...ourselves.
Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
Having survived something like that, it shows a person they can take more than they thought. It tempers the soul, and if it doesn't destroy you, it can make you stronger. Sometimes the old cliches weren't just bullshit.
Tymber Dalton (The Reluctant Dom (Suncoast Society, #4))
The more divided a society becomes in terms of wealth, the more reluctant the wealthy are to spend money on common needs. The rich don’t need to rely on government for parks or education or medical care or personal security.
Joseph E. Stiglitz (The Price of Inequality: How Today's Divided Society Endangers Our Future)
You can have all the confidence in the world and still be reluctant to self-promote out of a steadfast belief that a person’s work should speak for itself. It doesn’t.
Valerie Young (The Secret Thoughts of Successful Women: And Men: Why Capable People Suffer from Impostor Syndrome and How to Thrive In Spite of It)
I see this as the central issue of our time: how to find a substitute for war in human ingenuity, imagination, courage, sacrifice, patience... War is not inevitable, however persistent it is, however long a history it has in human affairs. It does not come out of some instinctive human need. It is manufactured by political leaders, who then must make a tremendous effort--by enticement, by propaganda, by coercion--to mobilize a normally reluctant population to go to war.
Howard Zinn (You Can't Be Neutral on a Moving Train: A Personal History of Our Times)
A woman in her thirties came to see me. As she greeted me, I could sense the pain behind her polite and superficial smile. She started telling me her story, and within one second her smile changed into a grimace of pain. Then, she began to sob uncontrollably. She said she felt lonely and unfulfilled. There was much anger and sadness. As a child she had been abused by a physically violent father. I saw quickly that her pain was not caused by her present life circumstances but by an extraordinarily heavy pain-body. Her pain-body had become the filter through which she viewed her life situation. She was not yet able to see the link between the emotional pain and her thoughts, being completely identified with both. She could not yet see that she was feeding the pain-body with her thoughts. In other words, she lived with the burden of a deeply unhappy self. At some level, however, she must have realized that her pain originated within herself, that she was a burden to herself. She was ready to awaken, and this is why she had come. I directed the focus of her attention to what she was feeling inside her body and asked her to sense the emotion directly, instead of through the filter of her unhappy thoughts, her unhappy story. She said she had come expecting me to show her the way out of her unhappiness, not into it. Reluctantly, however, she did what I asked her to do. Tears were rolling down her face, her whole body was shaking. “At this moment, this is what you feel.” I said. “There is nothing you can do about the fact that at this moment this is what you feel. Now, instead of wanting this moment to be different from the way it is, which adds more pain to the pain that is already there, is it possible for you to completely accept that this is what you feel right now?” She was quiet for a moment. Suddenly she looked impatient, as if she was about to get up, and said angrily, “No, I don't want to accept this.” “Who is speaking?” I asked her. “You or the unhappiness in you? Can you see that your unhappiness about being unhappy is just another layer of unhappiness?” She became quiet again. “I am not asking you to do anything. All I'm asking is that you find out whether it is possible for you to allow those feelings to be there. In other words, and this may sound strange, if you don't mind being unhappy, what happens to the unhappiness? Don't you want to find out?” She looked puzzled briefly, and after a minute or so of sitting silently, I suddenly noticed a significant shift in her energy field. She said, “This is weird. I 'm still unhappy, but now there is space around it. It seems to matter less.” This was the first time I heard somebody put it like that: There is space around my unhappiness. That space, of course, comes when there is inner acceptance of whatever you are experiencing in the present moment. I didn't say much else, allowing her to be with the experience. Later she came to understand that the moment she stopped identifying with the feeling, the old painful emotion that lived in her, the moment she put her attention on it directly without trying to resist it, it could no longer control her thinking and so become mixed up with a mentally constructed story called “The Unhappy Me.” Another dimension had come into her life that transcended her personal past – the dimension of Presence. Since you cannot be unhappy without an unhappy story, this was the end of her unhappiness. It was also the beginning of the end of her pain-body. Emotion in itself is not unhappiness. Only emotion plus an unhappy story is unhappiness. When our session came to an end, it was fulfilling to know that I had just witnessed the arising of Presence in another human being. The very reason for our existence in human form is to bring that dimension of consciousness into this world. I had also witnessed a diminishment of the pain-body, not through fighting it but through bringing the light of consciousness to it.
Eckhart Tolle (A New Earth: Awakening to Your Life's Purpose)
A person gets used to being alone, but break it just for a day and you have to get used to it again, all over from the beginning.
Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
The mind is reluctant to embrace deep change, and will play devious games to maintain the status quo.
Kristin Linklater (Freeing the Natural Voice)
Even if he or she isn’t aware of it, every individual spends an entire lifetime creating and evolving a personal image that others perceive.
Yvon Chouinard (Let My People Go Surfing: The Education of a Reluctant Businessman)
Actually, I need to change what I said. Everybody wants something from you, but sometimes there’s a person you want to give to. Sometimes what you give them makes you better for having given it. And it makes having to give to everyone else not so bad.
Alyssa Cole (A Princess in Theory (Reluctant Royals, #1))
You both love Tolstoy and Dostoyevsky, Hawthorne and Melville, Flaubert and Stendahl, but at that stage of your life you cannot stomach Henry James, while Gwyn argues that he is the giant of giants, the colossus who makes all other novelists look like pygmies. You are in complete harmony about the greatness of Kafka and Beckett, but when you tell her that Celine belongs in their company, she laughs at you and calls him a fascist maniac. Wallace Stevens yes, but next in line for you is William Carlos Williams, not T.S. Eliot, whose work Gwyn can recite from memory. You defend Keaton, she defends Chaplin, and while you both howl at the sight of the Marx Brothers, your much-adored W.C. Fields cannot coax a single smile from her. Truffaut at his best touches you both, but Gwyn finds Godard pretentious and you don't, and while she lauds Bergman and Antonioni as twin masters of the universe, you reluctantly tell her that you are bored by their films. No conflicts about classical music, with J.S. Bach at the top of the list, but you are becoming increasingly interested in jazz, while Gwyn still clings to the frenzy of rock and roll, which has stopped saying much of anything to you. She likes to dance, and you don't. She laughs more than you do and smokes less. She is a freer, happier person than you are, and whenever you are with her, the world seems brighter and more welcoming, a place where your sullen, introverted self can almost begin to feel at home.
Paul Auster (Invisible (Rough Cut))
When it comes to leaders we have, if anything, a superabundance—hundreds of Pied Pipers…ready and anxious to lead the population. They are scurrying around, collecting consensus, gathering as wide an acceptance as possible. But what they are not doing, very notably, is standing still and saying, ' This is what I believe. This I will do and that I will not do. This is my code of behavior and that is outside it. This is excellent and that is trash.' There is an abdication of moral leadership in the sense of a general unwillingness to state standards….Of all the ills that our poor…society is heir to, the focal one, it seems to me, from which so much of our uneasiness and confusion derive, is the absence of standards. We are too unsure of ourselves to assert them, to stick by them, if necessary in the case of persons who occupy positions of authority, to impose them. We seem to be afflicted by a widespread and eroding reluctance to take any stand on any values, moral, behavioral or esthetic.
Barbara W. Tuchman
The life that I touch for good or ill will touch another life, and that in turn another, until who knows where the trembling stops or in what far place and time my touch will be felt. Our lives are linked together. No man is an island. But there is another truth, the sister of this one, and it is that every man is an island. It is a truth that often the tolling of a silence reveals even more vividly than the tolling of a bell. We sit in silence with one another, each of us more or less reluctant to speak, for fear that if he does, he may sound life a fool. And beneath that there is of course the deeper fear, which is really a fear of the self rather than of the other, that maybe truth of it is that indeed he is a fool. The fear that the self that he reveals by speaking may be a self that the others will reject just as in a way he has himself rejected it. So either we do not speak, or we speak not to reveal who we are but to conceal who we are, because words can be used either way of course. Instead of showing ourselves as we truly are, we show ourselves as we believe others want us to be. We wear masks, and with practice we do it better and better, and they serve us well –except that it gets very lonely inside the mask, because inside the mask that each of us wears there is a person who both longs to be known and fears to be known. In this sense every man is an island separated from every other man by fathoms of distrust and duplicity. Part of what it means to be is to be you and not me, between us the sea that we can never entirely cross even when we would. “My brethren are wholly estranged from me,” Job cries out. “I have become an alien in their eyes.” The paradox is that part of what binds us closest together as human beings and makes it true that no man is an island is the knowledge that in another way every man is an island. Because to know this is to know that not only deep in you is there a self that longs about all to be known and accepted, but that there is also such a self in me, in everyone else the world over. So when we meet as strangers, when even friends look like strangers, it is good to remember that we need each other greatly you and I, more than much of the time we dare to imagine, more than more of the time we dare to admit. Island calls to island across the silence, and once, in trust, the real words come, a bridge is built and love is done –not sentimental, emotional love, but love that is pontifex, bridge-builder. Love that speak the holy and healing word which is: God be with you, stranger who are no stranger. I wish you well. The islands become an archipelago, a continent, become a kingdom whose name is the Kingdom of God.
Frederick Buechner (The Hungering Dark)
The hall is a place to wait in, a place from which to try the various doors, not a place to live in. For that purpose the worst of the rooms (whichever that may be) is, I think, preferable. It is true that some people may find they have to wait in the hall for a considerable time, while others feel certain almost at once which door they must knock at. I do not know why there is this difference, but I am sure God keeps no one waiting unless He sees that it is good for him to wait. When you do get into your room you will find that the long wait has done you some kind of good which you would not have had otherwise. But you must regard it as waiting, not as camping. You must keep on praying for light; and, of course, even in the hall, you must begin trying to obey the rules which are common to the whole house. And above all you must be asking which door is the true one; not which pleases you best by its paint and panelling. In plain language, the question should never be: 'Do I like that kind of service?' but 'Are these doctrines true: is holiness here? Does my conscience move me towards this? Is my reluctance to knock at this door due to my pride, or my mere taste, or my personal dislike of this particular door-keeper?' When you have reached your own room, be kind to those who have chosen different doors and to those who are still in the hall. If they are wrong they need your prayers all the more; and if there are your enemies, then you are under orders to pray for them. That is one of the rules common to the whole house.
C.S. Lewis
We like to think of individuals as unique. Yet if this is true of everyone, then we all share the same quality, namely our uniqueness. What we have in common is the fact that we are all uncommon. Everybody is special, which means that nobody is. The truth, however, is that human beings are uncommon only up to a point. There are no qualities that are peculiar to one person alone. Regrettably, there could not be a world in which only one individual was irascible, vindictive or lethally aggressive. This is because human beings are not fundamentally all that different from each other, a truth postmodernists are reluctant to concede. We share an enormous amount in common simply by virtue of being human, and this is revealed by the vocabularies we have for discussing human character. We even share the social processes by which we come to individuate ourselves.
Terry Eagleton (How to Read Literature)
Two features in his personality make-up stand out as particularly pathological. The first is his ‘paranoid’ orientation toward the world. He is suspicious and distrustful of others, tends to feel that others discriminate against him, and feels that others are unfair to him and do not understand him. He is overly sensitive to criticism that others make of him, and cannot tolerate being made fun of. He is quick to sense slight or insult in things others say, and frequently may misinterpret well-meant communications. He feels the great need of friendship and understanding, but he is reluctant to confide in others, and when he does, expects to be misunderstood or even betrayed. In evaluating the intentions and feelings of others, his ability to separate the real situation from his own mental projections is very poor. He not infrequently groups all people together as being hypocritical, hostile, and deserving of whatever he is able to do to them. Akin to this first trait is the second, an ever -present, poorly controlled rage--- easily triggered by any feelings of being tricked, slighted, or labeled inferior by others. For the most part, his rages in the past have been directed at authority figures (297).
Truman Capote (In Cold Blood)
Strane says I need to contextualize my reluctance to grow up, that everyone my age is drawn to self-victimization. “And that mentality is especially difficult for young women to resist,” he says. “The world has a vested interest in keeping you helpless.” He says as a culture we treat victimhood as an extension of childhood. So when a woman chooses victimhood, she is therefore freed from personal responsibility, which then compels others to take care of her, which is why once a woman chooses victimhood, she will continue to choose it again and again.
Kate Elizabeth Russell (My Dark Vanessa)
In Atlas Shrugged, Ayn Rand stated that there's no such thing as real altruism. She espoused the principle of ethical egotism, meaning that a person's moral obligation is to promote their own welfare. Translation? I still have the musical sensibilities of a teenage girl and I kind of want to see a shitty pop concert in the guise of doing something nice for my pal's kid, so I need to find a way to make it happen.
Jen Lancaster (Jeneration X: One Reluctant Adult's Attempt to Unarrest Her Arrested Development; Or, Why It's Never Too Late for Her Dumb Ass to Learn Why Froot Loops Are Not for Dinner)
The acquisition of knowledge from books provides an experience different from the Internet. Reading is relatively time-consuming; to ease the process, style is important. Because it is not possible to read all books on a given subject, much less the totality of all books, or to organize easily everything one has read, learning from books places a premium on conceptual thinking—the ability to recognize comparable data and events and project patterns into the future. And style propels the reader into a relationship with the author, or with the subject matter, by fusing substance and aesthetics. Traditionally, another way of acquiring knowledge has been through personal conversations. The discussion and exchange of ideas has for millennia provided an emotional and psychological dimension in addition to the factual content of the information exchanged. It supplies intangibles of conviction and personality. Now the culture of texting produces a curious reluctance to engage in face-to-face interaction, especially on a one-to-one basis.
Henry Kissinger (World Order: Reflections on the Character of Nations and the Course of History)
What to one person is common courtesy is to another tender words of life - and by the same token, what one person intends to show as great affection may be to his beloved an irrelevant show of frivolousness compared to the kindness of simply doing the laundry sometimes.
Anna Broadway (Sexless in the City: A Memoir of Reluctant Chastity)
That is my favorite kind of integrated person. Some of each thing and not too much of any one.
Gabrielle Hamilton (Blood, Bones, and Butter: The Inadvertent Education of a Reluctant Chef)
Marriage requires falling in love many times with the same person.
Kate Stewart (The Fall (The Reluctant Romantics, #1))
How many people have I heard claim their children as the greatest accomplishment and comfort of their lives? It's the thing they can always lean on during a metaphysical crisis, or a moment of doubt about their relevancy - If I have done nothing else in this life, then at least I have raised my children well. But what if, either by choice or by reluctant necessity, you end up not participating in this comforting cycle of family and continuity? What if you step out? Where do you sit at the reunion? How do you mark time's passage without the fear that you've just fritted away your time on earth without being relevant? You'll need to find another purpose, another measure by which to judge whether or not you have been a successful human being. I love children, but what if I don't have any? What kind of person does that make me? Virginia Woolf wrote, "Across the broad continent of a woman's life falls the shadow of a sword." On one side of that sword, she said, there lies convention and tradition and order, where "all is correct." But on the other side of that sword, if you're crazy enough to cross it and choose a life that does not follow convention, "all is confusion. Nothing follows a regular course." Her argument was that the crossing of the shadow of that sword may bring a far more interesting existence to a woman, but you can bet it will also be more perilous.
Elizabeth Gilbert (Eat, Pray, Love)
Snowden’s itinerary does, however, seem to bear the fingerprints of Julian Assange. Assange was often quick to criticise the US and other western nations when they abused human rights. But he was reluctant to speak out against governments that supported his personal efforts to avoid extradition.
Luke Harding (The Snowden Files: The Inside Story of the World's Most Wanted Man)
It's by far the best decision to find someone who, right out of the gate, is at least a moderately good person who won't constantly leave you shakily checking your phone like some lovestruck cokehead.
Chelsea Fagan (I'm Only Here for the WiFi: A Complete Guide to Reluctant Adulthood)
When a writer doesn't show his face, he becomes a local symptom of God's famous reluctance to appear." We're all drawn to remoteness. A hard-to-reach place is necessarily beautiful. Beautiful and a little sacred, maybe. And a person who becomes inaccessible has a grace and wholeness the rest of us envy.
Don DeLillo (Mao II)
Exiting from any long-term relationship comes at great personal expense, which explains why so many people are understandably reluctant to endure the cost of severance. Beginnings and endings are always dramatic and occasionally traumatic. Youthful brio allows us to engage in transformation. As we age, we carefully weigh the spectacle of continuing enduring harrowing situations or seeking melodramatic renovation of our core being. Analysis of the respective cost benefit ratio, consideration of the known versus the unknown, can delay or permanently deter us from altering our environment, leading our persona to become more rigid as we mature. Transformations in life are disconcerting to people who resist change.
Kilroy J. Oldster (Dead Toad Scrolls)
Perhaps such secrets, the secrets of everyone, were only expressed when the person laboriously ragged them into the light of the world, imposed them on the world, and made them a part of the world's experience. Without this effort, the secret place was merely a dungeon in which the person perished; without this effort, indeed, the entire world would be an uninhabitable darkness; and she saw, with a dreadful reluctance why this effort was so rare.
James Baldwin
Love was more than just a fleeting desire, or a brief glimpse into a fairy tale, or a flash of playful flirtation in her beautiful hazel eyes. It was more than infatuation with a person’s best qualities, or reluctant acceptance of their less appealing traits. Real love meant loving the whole person, in every form, in every state, in every way. It was what transformed the ordinary monotony of everyday life into extraordinary moments of warmth and compassion and joy.
Jacqueline E. Smith (Between Worlds (Cemetery Tours, #2))
At the opposite extreme, people are often reluctant to assert about the “little things” in life. They say, “I shouldn’t be so ‘small’ and ‘picky’ to be bothered by such an insignificant thing.” Sometimes we can truly develop more acceptance of another person’s behavior, but often a pseudoacceptance develops in the top of our mind while the irritation continues to grow in the depth of our gut.
Robert Bolton (People Skills: How to Assert Yourself, Listen to Others, and Resolve Conflicts)
One helpful approach to identify whether or not the person you are involved with has a narcissistic personality disorder is to reflect on your own feelings. So, as a start, I offer you a list of questions that will assist you in detecting this problem in a particular relationship. 1. Do you frequently feel as if you exist to listen to or admire his or her special talents and sensitivities? 2. Do you frequently feel hurt or annoyed that you do not get your turn and, if you do, the interest and quality of attention is significantly less than the kind of attention you give? 3. Do you sense an intense degree of pride in this person or feel reluctant to offer your opinions when you know they will differ from his or hers? 4. Do you often feel that the quality of your whole interaction will depend upon the kind of mood he or she is in? 5. Do you feel controlled by this person 6. Are you afraid of upsetting him or her for fear of being cut off or retaliated against? 7. Do you have difficulty saying no? 8. Are you exhausted from the kind of energy drain or worry that this relationship causes you?
Eleanor D. Payson (The Wizard of Oz and Other Narcissists: Coping with the One-Way Relationship in Work, Love, and Family)
Throughout the 1950s, the government was reluctant to recognise that the country had a problem with racism. But there was some movement. In 1960, backbench Labour MP Archibald Fenner Brockway repeatedly tried to bring forward a Race Discrimination Bill with the aim of outlawing ‘discrimination to the detriment of any person on the grounds of colour, race and religion in the United Kingdom’.28 Every single one of the nine times he tabled the Bill, it was defeated.
Reni Eddo-Lodge (Why I’m No Longer Talking to White People About Race)
I think there is a limit beyond which free speech can't go….a limit that is very seldom mentioned. It's the point where free speech begins to collide with the right to privacy… I don't think there are any other conditions to free speech. I have the right to say and to believe anything I please, but I don't have the right to press it on anybody else. For example, take for instance the Catholic Church, which I am on good terms with, personally, but which I have no belief in whatsoever. I have a right to print my dissent from its doctrines, to utter them. I have exercised that right for many years. But I have no right to go on the cathedral steps on Sunday morning, when the Catholics are coming out from High Mass, and make a speech denouncing them. I don't think there is any such right. Nobody has got the right to be a nuisance to his neighbors, or to hurt his neighbor's feelings wantonly. If they come to him and say "What do you think of this Mass that we have just finished?", I think that he has the right to answer. But he has no right to press his opinions on them. Of course you'll notice the peculiar thing about the United States, where there is very little free speech. Free speech is a very limited right, in this country, as I have learned to my bitter experience, more than once. Yet, it is the country where the right to press opinions on reluctant hearers is carried to a development that is unheard of on earth. The whole country's full of propagandists who are bothering everybody, all the time.
H.L. Mencken
I am often slow in catching up to the times, but even so, I still cannot even grip this idea: With nothing more than pitocin in your IV drip, you can sooner control the date and time of the birth of a human being-- the gushing entry into the great blue world of a whole new person-- than you can the scheduling of a few line cooks in your operation.
Gabrielle Hamilton (Blood, Bones, and Butter: The Inadvertent Education of a Reluctant Chef)
back of the other person. Unfortunately, I know a lot of people who are reluctant to do this and/or feel very awkward when
Joe Navarro (What Every Body is Saying: An FBI Agent's Guide to Speed-Reading People)
I think of prayers like tech support. Unless I get a person live on the phone, I’m not sure it’s getting to anybody.
Mike Birbiglia (The New One: Painfully True Stories from a Reluctant Dad)
This seemed like such a good and noble idea ten minutes ago," Tyler said. "I forgot that I'm not a good and noble person.
Krystal Sutherland (House of Hollow)
I force myself to write this diary, but my reluctance is exquisite. I know now why I never kept a personal diary: for me life is secretive. With respect to others (and that is what pained X. so much) but also, life must be lived through my own eyes, I must not reveal it in words. Unheard and unexposed, like this it is rich for me. If I force myself to keep a personal diary at this moment, it is out of panic in the face of my failing memory. But I am not sure I can continue. Besides, even so, I forget to note many things. And I say nothing of what I think.
Albert Camus (Notebooks 1951-1959)
participants were told that they would shortly have a get-acquainted conversation with another person and were asked to set up two chairs while the experimenter left to retrieve that person. Participants primed by money chose to stay much farther apart than their nonprimed peers (118 vs. 80 centimeters). Money-primed undergraduates also showed a greater preference for being alone. The general theme of these findings is that the idea of money primes individualism: a reluctance to be involved with others, to depend on others, or to accept demands from others.
Daniel Kahneman (Thinking, Fast and Slow)
Even the commissioner of the Department of Labor, Andrew McBride, who had previously seemed reluctant to intervene, now beat the drum of change. He made a personal visit to the Orange studio and asked why the Drinkers’ safety recommendations had not been put into effect; he was informed that the firm “did not agree with them all, many of them had already been followed, and some were impractical.”32
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
If they were honest, many parents would confess that their primary reasons for not allowing their child to quit something is because of financial reasons, or personal reluctance to get involved, or both.
Richard Blackaby (Customized Parenting in a Trending World)
Nobody listened. Nobody took any notice of Mrs Wilkins. She was the kind of person who is not noticed at parties. Her clothes, infested by thrift, made her practically invisible, her face was non-arresting, her conversation was reluctant, she was shy. And if one’s clothes and face and conversation are all negligible, though Mrs Wilkins – who recognised her disabilities – what, at parties, is there left of one?
Elizabeth von Arnim
Trump often spoke of himself in the third person. Trump did this. The Trumpster did that. So powerful was this persona, or role, that he seemed reluctant, or unable, to give it up in favor of being president—or presidential.
Michael Wolff (Fire and Fury: Inside the Trump White House)
His personal fulfillment did not lead him to evolve a cheerful Madonna; on the contrary this Madonna was sad; she had already, through his sculptures, known the Descent. The tranquility of his early bas-relief, when Mary still had her decision to make, could never be recaptured. This young mother was committed; she knew the end of her boy’s life. That was why she was reluctant to let him go, this beautiful, husky,healthy boy, his hand clasped for protection in hers. That was why she sheltered him with the side of her cloak. The child, sensitive to his mother’s mood, had a touch of melancholy about the eyes. He was strong, he had courage, he would step forth from the safe harbor of his mother’s lap, but just now he gripped her hand with the fingers of one hand, and with the other held securely to her side. Or was it his own mother he was thinking about, sad because she must leave her son alone in the world? Himself, who clung to her?
Irving Stone (The Agony and the Ecstasy)
I was saddened to find it in such a state- no, no more than saddened, I was shamed. This was where I came from, this was my provenance, and it smacked of lowliness. But as I reacclimatized and my surroundings once again became familiar, it occurred to me that the house had not changed in my absence. I had changed. I was looking about me with the eyes of a foreigner, but that particular type of entitled and unsympathetic American who so annoyed me when I encountered him in the classrooms and workplaces of your country's elite. This realization angered me; staring at my reflection in the speckled glass of bathroom mirror I resolved to exorcise the unwelcome sensibility by which I had become possessed. It was only after so doing that I saw my house properly again, appreciating its enduring grandeur, its unmistakable personality and idiosyncratic charm. Mughal miniatures and ancient carpets graced its reception rooms; an excellent library abutted its veranda. It was far from impoverished; indeed, it was rich with history. I wondered how I could ever have been so ungenerous- and so blind- to have thought otherwise, and I was disturbed by what this implied about myself: that I was a man lacking in substance and hence easily influenced by even a short sojourn in the company of others.
Mohsin Hamid (The Reluctant Fundamentalist)
Don has the worst fucking judgment of anyone I have ever met,” Trump would often tell me, adding that he’d been reluctant to bestow his first name on his first-born son. He didn’t want to share his name with a “loser,” if that was what his son turned out to be.
Michael Cohen (Disloyal: The True Story of the Former Personal Attorney to President Donald J. Trump)
For some reason I was reluctant to ask anybody what had happened. I hate being the person who always doesn't know what's going on and has to ask somebody; it always seems like everybody else knows what's going on. This is a clear low-status marker, and I resisted it.
David Foster Wallace
I am always concerned when people, finding out that I am a writer, apologise and say, “I’m not much of a reader actually. I know I ought to, but I just don’t seem able to find the time,” and then go on to tell me how they feel obliged to finish any book they begin. Well, of course, I say, you will be reluctant to open one in the first place, knowing what it might entail. It isn’t meant to be like that, I assure them. If you begin a book and you don’t like it, just throw it away. Or take it round to a charity shop. It’s like going to a party: some people you linger with, knowing you get on. Some people you exchange greeting with and move on fast. It’s nothing against them. They’re just not your kind of person. It’s the same with books. You must be prepared to discard. And though you may feel it’s a waste of money not reading a book you don’t get on with, that’s like not opening the windows when the weather turns warm for fear of wasting the central heating. So, as I say, now is a good point to abandon the book. You have my permission - even my encouragement.
Fay Weldon (Chalcot Crescent)
But what if, either by choice or by reluctant necessity, you end up not participating in this comforting cycle of family and continuity? What if you step out? Where do you sit at the reunion? How do you mark time's passage without the fear that you've just frittered away your time on earth without being relevant? You'll need to find another purpose, another measure by which to judge whether or not you have been a successful human being. I love children, but what if I don't have any? What kind of person does that make me? Virginia Woolf wrote, "Across the broad continent of a woman's life falls the shadow of a sword." On one side of that sword, she said, there lies convention and tradition and order, where "all is correct." But on the other side of that sword, if you're crazy enough to cross it and choose a life that does not follow convention, "all is confusion. Nothing follows a regular course." Her argument was that the crossing of the shadow of that sword may bring a far more interesting existence to a woman, but you can bet it will also be more perilous.
Elizabeth Gilbert (Eat, Pray, Love)
Most such criticism and confrontation, usually made impulsively in anger or annoyance, does more to increase the amount of confusion in the world than the amount of enlightenment. For the truly loving person the act of criticism or confrontation does not come easily; to such a person it is evident that the act has great potential for arrogance. To confront one’s beloved is to assume a position of moral or intellectual superiority over the loved one, at least so far as the issue at hand is concerned. Yet genuine love recognizes and respects the unique individuality and separate identity of the other person. (I will say more about this later.) The truly loving person, valuing the uniqueness and differentness of his or her beloved, will be reluctant indeed to assume, “I am right, you are wrong; I know better than you what is good for you.” But the reality of life is such that at times one person does know better than the other what is good for the other, and in actuality is in a position of superior knowledge or wisdom in regard to the matter at hand. Under these circumstances the wiser of the two does in fact have an obligation to confront the other with the problem. The loving person, therefore, is frequently in a dilemma, caught between a loving respect for the beloved’s own path in life and a responsibility to exercise loving leadership when the beloved appears to need such leadership. The dilemma can be resolved only by painstaking self-scrutiny, in which the lover examines stringently the worth of his or her “wisdom” and the motives behind this need to assume leadership. “Do I really see things clearly or am I operating on murky assumptions? Do I really understand my beloved? Could it not be that the path my beloved is taking is wise and that my perception of it as unwise is the result of limited vision on my part? Am I being self-serving in believing that my beloved needs redirection?” These are questions that those who truly love must continually ask themselves. This self-scrutiny, as objective as possible, is the essence of humility or meekness. In the words of an anonymous fourteenth-century British monk and spiritual teacher, “Meekness in itself is nothing else than a true knowing and feeling of
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
...when Clive stood from the piano and shuffled to the doorway to turn out the studio lights, and looked back at the rich, the beautiful chaos that surrounded his toils, and had once more a passing thought, the minuscule fragment of a suspicion that he would not have shared with a single person in the world, would not even have committed to his journal and whose key word he shaped in his mind only with reluctance ; the thought was, quite simply, that it might not be going too far to say that he was... a genius. A genius. Though he sounded it guiltily on his inner ear, he would not let the word reach his lips.
Ian McEwan (Amsterdam)
Even Diotima and Amheim were shy of using it without a modifier, for it is still possible to speak of having a great, noble, craven, daring, or debased soul, but to come right out with "my soul" is something one simply cannot bring oneself to do. It is distinctly an older person's word, and this can only be understood by assuming that in the course of life people become more and more aware of something for which they urgently need a name they cannot find until they finally resort, reluctantly, to the name they had originally despised. How to describe it, then? Whether one is at rest or in motion, what matters is not what lies ahead, what one sees, hears, wants, takes, masters. It forms a horizon, a semicircle before one, but the ends of this semicircle are joined by a string, and the plane of this string goes right through·the middle of the world. In front, the face and hands look out of it; sensations and strivings run ahead of it, and no one doubts that whatever one does·is always reasonable, or at least passionate. In other words, outer circumstances call for us to act in a way everyone can understand; and if, in the toils of passion, we do something incomprehensible, that too is, in its own way, understandable.
Robert Musil (The Man Without Qualities: Volume I)
Whatever you want," he said. "Will you please come here now?" I slipped a piece of protective tissue over my drawing and flipped the book closed. A piece of blue scratch paper slid out, the line I'd copied from Edward;s poetry book. "Hey. Translate for me, Monsieur Bainbridge." I set the sketchbook on my stool and joined him on the chaise. He tugged me onto his lap and read over his head. "'Qu'ieu sui avinen, leu lo sai.' 'That I am handsome, I know." "Verry funny." "Very true." He grinned. "The translation. That's what it says. Old-fashionedly." I thought of Edward's notation on the page, the reminder to read the poem to Diana in bed, and rolled my eyes. You're so vain.I bet you think this song is about you..."Boy and their egos." Alex cupped my face in his hands. "Que tu est belle, tu le sais." "Oh,I am not-" "Shh," he shushed me, and leaned in. The first bell came way too soon. I reluctantly loosened my grip on his shirt and ran my hands over my hair. He prompty thrust both hands in and messed it up again. "Stop," I scolded, but without much force. "I have physics," he told me. "We're studying weak interaction." I sandwiched his open hand between mine. "You know absolutely nothing about that." "Don't be so quick to accept the obvious," he mock-scolded me. "Weak interaction can actually change the flavor of quarks." The flavor of quirks, I thought, and vaguely remembered something about being charmed. I'd sat through a term of introductory physics before switching to basic biology. I'd forgotten most of that as soon as I'd been tested on it,too. "I gotta go." Alex pushed me to my feet and followed. "Last person to get to class always gets the first question, and I didn't do the reading." "Go," I told him. "I have history. By definition, we get to history late." "Ha-ha. I'll talk to you later." He kissed me again, then walked out, closing the door quietly behind him.
Melissa Jensen (The Fine Art of Truth or Dare)
Without you what shall I do with my abiding love of genius, in whose name I have at least been able to attempt a few acknowledgments here and there? I flatter myself I know where genius is, almost what it consists of, and I held it capable of conciliating all the other great passions with itself. I believe blindly in your genius. Reluctantly, sadly, I withdraw this word, if it shocks you. But in that case, I prefer to banish it altogether. Genius ... what could I still expect from the few possible intercessors who have appeared to me under this sign, and which, at your side, I have ceased to possess! Without doing it on purpose, you have taken the place of forms most familiar to me, as well as several figures of my foreboding. All I know is that this substitution of persons stops with you, because [and this is my favorite part!] nothing can be substituted for you, and because for me it was for all eternity that this succession of terrible or charming enigmas was to come to an end at your feet. You are not an enigma for me. I say that you have turned me from engimas forever. Since you exist, as you alone know how to exist ..
André Breton
CEO Gil Amelio stumbled. Ellison may have been baffled when Jobs insisted that he was not motivated by money, but it was partly true. He had neither Ellison’s conspicuous consumption needs nor Gates’s philanthropic impulses nor the competitive urge to see how high on the Forbes list he could get. Instead his ego needs and personal drives led him to seek fulfillment by creating a legacy that would awe people. A dual legacy, actually: building innovative products and building a lasting company. He wanted to be in the pantheon with, indeed a notch above, people like Edwin Land, Bill Hewlett, and David Packard. And the best way to achieve all this was to return to Apple and reclaim his kingdom. And yet when the cup of power neared his lips, he became strangely hesitant, reluctant, perhaps coy. He returned to Apple officially in January 1997 as a part-time advisor, as he had told Amelio he would. He began to assert himself in some personnel areas, especially in protecting his people who had made the transition from NeXT. But in most other ways he was unusually passive. The decision not to ask him to join the board offended him, and he felt demeaned
Walter Isaacson (Steve Jobs)
The purpose of poetry is to remind us how difficult it is to remain just one person, for our house is open, there are no keys in the doors, and invisible guests come in and out at will. What I'm saying here is not, I agree, poetry, as poems should be written rarely and reluctantly, under unbearable duress and only with the hope that good spirits, not evil ones, choose us for their instrument.
Czesław Miłosz
But to get the full benefit of your exploration, your story has to go deep and take risks. You may censor your story as you tell it, and that holding back may obscure the lessons the story has to give... Tell your stories, and when you sense fear and reluctance, try to relax. The more your stories pour out unimpeded, the better chance you have of glimpsing your soul. You need to see it before you can work with it.
Thomas Moore (A Religion of One's Own: A Guide to Creating a Personal Spirituality in a Secular World)
There is not a hint of one person who was afraid to draw near him. There were those who mocked him. There were those who were envious of him. There were those who misunderstood him. There were those who revered him. But there was not one person who considered him too holy, too divine, or too celestial to touch. There was not one person who was reluctant to approach him for fear of being rejected. Remember that. Remember
Max Lucado (God Came Near: God's Perfect Gift)
Hi.What are you doing here?" He frowned. "Damned if I know." Unable to suppress her smile she said, "The usual excuse is that you happened to be in the neighborhood and decided to drop by." "Now why didn't I think of that?" Nick mocked dryly. "Well,are you going to invite me in?" "I don't know," she said honestly. "Should I?" His gaze traveled down the entire length of her body, lifted to her lips and finally her eyes. "I wouldn't if I were you." Breathless from his frankly sensual glance, Lauren was nevertheless determined to abide by her decision to avoid all personal involvement with him. And judging from the way he had just looked at her, his reason for being here was very, very personal. Reluctantly she made her decision. "In that case,I'll follow your advice. Goodbye,Nick," she said, starting to close the door. "And thank you for stopping by.
Judith McNaught (Double Standards)
Rubashov had always believed that he knew himself rather well. Being without moral prejudices, he had no illusions about the phenomenon called the "first person singular" and had taken for granted, without particular emotion, that this phenomenon was endowed with certain impulses which people are generally reluctant to admit. Now, when he stood with his forehead against the window or suddenly stopped on the third black tile, he made unexpected discoveries. He found that those processes wrongly known as monologues are really dialogues of a special kind - dialogues in which one partner remains silent while the other, against all grammatical rules, addresses him as "I" instead of "you," in order to creep into his confidence and to fathom his intentions, but the silent partner just remains silent, shuns observation, and even refuses to be localized in time and space.
Arthur Koestler
I must emphasize and explain repeatedly the moral dimensions of all social life, and point out that morality is, in fact, hidden in everything. And this is true; whenever I encounter a problem in my work and try to get to the bottom of it, I always discover some moral aspect, be it apathy, unwillingness to recognize personal error or guilt, reluctance to give up certain positions and the advantages flowing from them, envy, an excess of self-assurance, or whatever.
Václav Havel (Summer Meditations)
Writer was the only role I could see myself occupying in society, the only one that might hold everything that I was. Queer, overly emotional, burdensomely perceptive, reluctant to do any kind of work whose purpose was opaque to me, ravenous in ways that made me an outlier. It was an occupation that seemed to offer respite and relief, but also was connected to the sublime. It offered the gift of self-forgetting, a transcendence on the other side of which lay insight.
Melissa Febos (Body Work: The Radical Power of Personal Narrative)
Later that afternoon with the Germans already in Trafalgar Square and advancing down Whitehall to take their position in the rear, the enemy unit advancing across St. James 'Park made their final charge. Several of those in the Downing Street position were already dead... and at last the Bren ceased its chatter, its last magazine emptied. Churchill reluctantly abandoned the machine-gun, drew his pistol and with great satisfaction, for it was a notoriously inaccurate weapon, shot dead the first German to reach the foot of the steps. As two more rushed forward, covered by a third in the distance, Winston Churchill moved out of the shelter of the sandbags, as if personally to bar the way up Downing Street. A German NCO, running up to find the cause of the unexpected hold-up, recognised him and shouted to the soldiers not to shoot, but he was too late. A burst of bullets from a machine-carbine caught the Prime Minister in the chest. He died instantly, his back to Downing Street, his face toward the enemy, his pistol still in his hand.
Norman Longmate
I had never seen this type of clock, carved from hardwood into the shape of our homeland (...) Some craftsman in exile had understood that this was exactly the timepiece his countrymen desired. We were displaced persons, but it was time more than space that defined us. While the distance to return to our lost country was far but finite, the number of years it would take to close that distance was potentially infinite. Thus, for displaced people, the first question was always about time: When can I return? Refugee, exile, immigrant — whatever species of displaced human we were, we did not simply live in two cultures, as celebrants of the great American melting pot imagined. Displaced people also lived in two time zones, the here and the there, the present and the past, being as we were reluctant time-travelers. But while science fiction imagined time-travelers as moving forwards and backwards in time, this timepiece demonstrated a different chronology. The open secret of the clock, naked for all to see, was that we were only going in circles
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
I’m not immediately in love with our monkey. I’m committed to our monkey. I start trying to figure out how to finance our life with the monkey for the next twenty years. If someone tried to take the monkey, I would have punched that person until they killed me. But I’m not attached to the monkey. I’d like to tell you that I was. Because some people are. And some people aren’t. And the ones who aren’t generally don’t tell you that they aren’t. I would do anything for our baby monkey. But it doesn’t mean I understand our baby monkey.
Mike Birbiglia (The New One: Painfully True Stories from a Reluctant Dad)
When you give a present, you are giving part of your spirit to the other person. That’s why presents in Japan are so very important, even if they’re small presents of no real value. This belief also has significance when you buy something secondhand. The Japanese are reluctant to purchase things that have belonged to someone else, maybe because the previous owner’s spirit still lingers inside them. One of the advantages of this belief is that thefts in Japan are almost nonexistent: stealing something from someone would be like stealing part of their spirit.
Héctor García (Geek in Japan: Discovering the Land of Manga, Anime, Zen, and the Tea Ceremony (Geek In...guides))
To get a sense of what I mean by evangelism as the practice of hospitality, visit your local church. Don’t go upstairs, to the sanctuary, go downstairs to that room in the basement with the linoleum tile and the coffee urn. That’s where the AA and NA meetings are held. At its best, Alcoholics Anonymous embodies evangelism as hospitality. They offer an invitation, not a sales pitch. They offer testimony — personal stories — instead of a marketing scheme. They are, in fact and in practice, a bunch of beggars offering other beggars the good news of where they found bread. At its worst, AA sometimes slips into the evangelism-as-sales model. You may have found yourself at some point having a beer when some newly sober 12-step disciple begins lecturing you that this is evidence that you have a problem. He will try to sell you the idea that you are a beggar so he can sell you some bread. The ensuing conversation is tense, awkward and pointless — the precise qualities of the similar conversation you may have had with an evangelical Christian coworker who was reluctantly but dutifully inflicting on you a sales pitch for evangelical Christianity.
Fred Clark (The Anti-Christ Handbook: The Horror and Hilarity of Left Behind)
He spent two years in the extermination camp at Auschwitz. According to his own reluctant account, he came this close to going up a smokestack of a crematorium there: "I had just been assigned to the Sonderkommando," he said to me, "when the order came from Himmler to close the ovens down." Sonderkommando means special detail. At Auschwitz it meant a very special detail indeed--one composed of prisoners whose duties were to shepherd condemned persons into gas chambers, and then to lug their bodies out. When the job was done, the members of the Sonderkommando were themselves killed. The first duty of their successors was to dispose of their remains. Gutman told me that many men actually volunteered for the Sonderkommando. "Why?" I asked him. "If you would write a book about that," he said, "and give the answer to that question, that 'Why?'--you would have a very great book." "Do you know the answer?" I said. "No," he said, "That is why I would pay a great deal of money for a book with the answer in it." "Any guesses?" I said. "No," he said, looking me straight in the eye, "even though I was one of the ones who volunteered." He went away for a little while, after having confessed that. And he thought about Auschwitz, the thing he liked least to think about. And he came back, and he said to me: "There were loudspeakers all over the camp," he said, "and they were never silent for long. There was much music played through them. Those who were musical told me it was often good music--sometimes the best." "That's interesting," I said. "There was no music by Jews," he said. "That was forbidden." "Naturally," I said. "And the music was always stopping in the middle," he said, "and then there was an announcement. All day long, music and announcements." "Very modern," I said. He closed his eyes, remembered gropingly. "There was one announcement that was always crooned, like a nursery rhyme. Many times a day it came. It was the call for the Sonderkommando." "Oh?" I said. "Leichentärger zu Wache," he crooned, his eyes still closed. Translation: "Corpse-carriers to the guardhouse." In an institution in which the purpose was to kill human beings by the millions, it was an understandably common cry. "After two years of hearing that call over the loudspeakers, between the music," Gutman said to me, "the position of corpse-carrier suddenly sounded like a very good job.
Kurt Vonnegut Jr. (Mother Night)
Finally, I had held up examples of Goldhagen's inflammatory language and suggested that he had missed the essence of what Primo Levi once called the 'grey zone' of human affairs, described by the historian Christopher Browning as that foggy universe of mixed motives, conflicting emotions, personal priorities, reluctant choices, opportunism and accomodation, all wedded, when convenient, to self-deception and denial. I thought that by marshalling his research into an overly narrow narrative, painted without nuance in black and white, the author had missed the human complexity and the ordinariness of racism.
Erna Paris (Long Shadows: Truth, Lies and History)
To be ridiculously sweeping: baby boomers and their offspring have shifted emphasis from the communal to the individual, from the future to the present, from virtue to personal satisfaction. Increasingly secular, we pledge allegiance to lowercase gods of our private devising. We are concerned with leading less a good life than the good life. In contrast to our predecessors, we seldom ask ourselves whether we serve a greater social purpose; we are more likely to ask ourselves if we are happy. We shun self-sacrifice and duty as the soft spots of suckers. We give little thought to the perpetuation of lineage, culture or nation; we take our heritage for granted. We are ahistorical. We measure the value of our lives within the brackets of our own births and deaths, and we’re not especially bothered by what happens once we’re dead. As we age—oh, so reluctantly!—we are apt to look back on our pasts and question not did I serve family, God and country, but did I ever get to Cuba, or run a marathon? Did I take up landscape painting? Was I fat? We will assess the success of our lives in accordance not with whether they were righteous, but with whether they were interesting and fun. If that package sounds like one big moral step backward, the Be Here Now mentality that has converted from sixties catchphrase to entrenched gestalt has its upsides. There has to be some value in living for today, since at any given time today is all you’ve got. We justly cherish characters capable of living “in the moment.”…We admire go-getters determined to pack their lives with as much various experience as time and money provide, who never stop learning, engaging, and savoring what every day offers—in contrast to the dour killjoys who are bitter and begrudging in the ceaseless fulfillment of obligation. For the role of humble server, helpmate, and facilitator no longer to constitute the sole model of womanhood surely represents progress for which I am personally grateful. Furthermore, prosperity may naturally lead any well-off citizenry to the final frontier: the self, whose borders are as narrow or infinite as we make them. Yet the biggest social casualty of Be Here Now is children, who have converted from requirement to option, like heated seats for your car. In deciding what in times past never used to be a choice, we don’t consider the importance of raising another generation of our own people, however we might choose to define them. The question is whether kids will make us happy.
Lionel Shriver
Nevertheless there is a great deal in him that must be dismissed as merely megalomaniac. Speaking of Spinoza he says: 'How much of personal timidity and vulnerability does this masquerade of a sickly recluse betray!' Exactly the same may be said of him, with the less reluctance since he has not hesitated to say it of Spinoza. It is obvious that in his day-dreams he is a warrior, not a professor; all the men he admires were military. His opinion of women, like every man's, is an objectification of his own emotion towards them, which is obviously one of fear. 'Forget not thy whip'—but nine women out of ten would get the whip away from him, and he knew it, so he kept away from women, and soothed his wounded vanity with unkind remarks.
Bertrand Russell (A History of Western Philosophy)
With great reluctance— sitting in the chair with Kate and doing nothing but hold her was surprisingly satisfying— he stood, lifting her in his arms as he did so, and then set her back in the chair. “This has been a delightful interlude,” he murmured, leaning down to drop a kiss on her forehead. “But I fear your mother’s early return. I shall see you Saturday morning?” She blinked. “Saturday?” “A superstition of my mother’s,” he said with a sheepish smile. “She thinks it’s bad luck for the bride and groom to see one another the day before the wedding.” “Oh.” She rose to her feet, self-consciously smoothing her dress and hair. “And do you believe it as well?” “Not at all,” he said with a snort. She nodded. “It’s very sweet of you to indulge your mother, then.” Anthony paused for a moment, well aware that most men of his reputation did not want to appear tied to apron strings. But this was Kate, and he knew that she valued devotion to family as much as he did, so he finally said, “There is little I would not do to keep my mother content.” She smiled shyly. “It is one of the things I like best about you.” He made some sort of gesture designed to change the subject, but she interrupted with, “No, it’s true. You’re far more caring a person than you’d like people to believe.” Since he wasn’t going to be able to win the argument with her— and there was little point in contradicting a woman when she was being complimentary— he put a finger to his lips and said, “Shhh. Don’t tell anyone.” And then, with one last kiss to her hand and a murmured, “Adieu,” he made his way out the door and outside. -Anthony & Kate
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
When you were born, you could have been anybody. So quick and malleable, your parents could look at your face and see a future president. They tried to mold you as you grew, but they could only work with what they had. And when their tools stopped working, they gradually handed them off to you, asking, “What do you want to be when you grow up?” There’s a certain art to becoming who you are. There’s no standard kit you can use to assemble yourself, swapping out parts as needed. Instead, it feels more like a kind of stretching, a teasing out at the edges, like a glassblower standing at the furnace. A teenage personality is a delicate medium, its emotions almost too heavy to handle. You had to figure out a way to keep yourself together and tease out the good parts without falling out of balance or stretching yourself too thin. You couldn’t stop everything to try to fix your flaws, but you couldn’t just ignore them either. Luckily, you were nothing if not flexible, softened by the heat of youth, which kept you warm on a dingy couch or a night in the wilderness. You knew that you weren’t just you, you were also the person you would one day become. So even when you failed, you could still be whatever you wanted to be. As long as you kept moving. Inevitably you got hit, and you got hurt. You prided yourself on how well you absorbed the blow, bouncing back as if nothing had happened. But the pain changed you, in little chips and cracks that might take you years to notice. Over time you learned how to position yourself in very specific ways, protecting the most vulnerable parts of your psyche, even as you knew they were still a crucial part of the real you. Gradually you became more and more reluctant to move from that position. Growing a little harder, a little more brittle.
John Koenig (The Dictionary of Obscure Sorrows)
The loud banging on Himari’s door could only be one person, only one person in the world knocked like that, her neighbor Filippo ben Vincente. “I am not home,” Himari yelled, refusing to leave her nest on the couch. “I have your favorite… amaretti. Still warm from the oven,” Filippo coaxed. Himari looked at the junk food wrappers scattered on the coffee table and thought about her empty kitchen. Filippo’s cookies were divine. “Make me a cappuccino, too?” “Yes, I make you two cappuccino. Come on.” Himari rolled her eyes. She stopped correcting his English, especially when she found it charming. Shuffling to the door, she pulled it open and gave him a reluctant smile. He threw up his hands and said, “Mamma Mia, look at you, eh? What is this you are wearing? It’s the same clothes since two days ago, and they were disgusting then.” “Shut up and give me cookies.” Himari moved past him, seeing his studio door ajar.
Staci Morrison (M3-The Outsiders (Millennium))
Something staticky and paranormally ventilated about the air, which drifted through a half-open window, late one afternoon, caused a delicately waking Paul, clutching a pillow and drooling a little, to believe he was a small child in Florida, in a medium-size house, on or near winter break. He felt dimly excited, anticipating a hyperactive movement of his body into a standing position, then was mostly unconscious for a vague amount of time until becoming aware of what seemed to be a baffling non sequitur—and, briefly, in its mysterious approach from some eerie distance, like someone else’s consciousness—before resolving plainly as a memory, of having already left Florida, at some point, to attend New York University. After a deadpan pause, during which the new information was accepted by default as recent, he casually believed it was autumn and he was in college, and as he felt that period’s particular gloominess he sensed a concurrent assembling, at a specific distance inside himself, of dozens of once-intimate images, people, places, situations. With a sensation of easily and entirely abandoning a prior context, of having no memory, he focused, as an intrigued observer, on this assembling and was surprised by an urge, which he immediately knew he hadn’t felt in months, or maybe years, to physically involve himself—by going outside and living each day patiently—in the ongoing, concrete occurrence of what he was passively, slowly remembering. But the emotion dispersed to a kind of nothingness—and its associated memories, like organs in a lifeless body, became rapidly indiscernible, dissembling by the metaphysical equivalent, if there was one, of entropy—as he realized, with some confusion and an oddly instinctual reluctance, blinking and discerning his new room, which after two months could still seem unfamiliar, that he was somewhere else, as a different person, in a much later year.
Tao Lin (Taipei)
What’s more, if the Varden lose, Eragon and I can be together as brothers ought to be. But if they win, it’ll mean the death of Thorn and me. It’ll have to.” “Oh? And what of me?” she asked. “If Galbatorix wins, shall I become his slave, to order about as he wills?” Murtagh refused to answer, but she saw the tendons on the back of his hands tighten. “You can’t give up, Murtagh.” “What other choice do I have!” he shouted, filling the room with echoes. She stood and stared down at him. “You can fight! Look at me…Look at me!” He reluctantly lifted his gaze. “You can find ways to work against him. That’s what you can do! Even if your oaths will allow only the smallest of rebellions, the smallest of rebellions might still prove to be his undoing.” She restated his question for effect. “What other choice do you have? You can go around feeling helpless and miserable for the rest of your life. You can let Galbatorix turn you into a monster. Or you can fight!” She spread her arms so that he could see all of the burn marks on her. “Do you enjoy hurting me?” “No!” he exclaimed. “Then fight, blast you! You have to fight or you will lose everything you are. As will Thorn.” She held her ground as he sprang to his feet, lithe as a cat, and moved toward her until he was only a few inches away. The muscles in his jaw bunched and knotted while he glowered at her, breathing heavily through his nostrils. She recognized his expression, for it was one she had seen many times before. His was the look of a man whose pride had been offended and who wanted to lash out at the person who had insulted him. It was dangerous to keep pushing him, but she knew she had to, for she might never get the chance again. “If I can keep fighting,” she said, “then so can you.” “Back to the stone,” he said in a harsh voice. “I know you’re not a coward, Murtagh. Better to die than to live as a slave to one such as Galbatorix. At least then you might accomplish some good, and your name might be remembered with a measure of kindness after you’re gone.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
For an immeasurable period of time, hours, days, weeks, it seemed, Celia had been struggling against tides of anguish, sinking deeper and deeper into a dreadful sea, whose waves broke at ever shorter intervals until at last there was no respite, but an endless torment that drowned and broke and shattered her to nothing. There was no longer any such person as Celia Bryant in the living world. All that remained was an anonymous hulk, a bleeding rag of flesh in a universe of pain. Her brain had long ago ceased to function. Only somewhere, at the centre of torture, an inexorable core of consciousness persisted. Hours ago, years ago, she had thought: 'This is too much. No one could bear such agony and go on living.' It seemed that something in her must break; that she must either die or fall into oblivion. Yet somehow she had gone on bearing everything. She had not died. She had not lost consciousness. All that she had lost was the sense of her personal integrity. As a human being she was obliterated; her mind was dispersed. she could not any longer envisage an end of torment. 'Not only not to hope:not even to wait. Just to endure.' At last, in some region utterly remote, a new thing came into being, words were spoken, and strangely, incredibly, the words had significance. That which had once been Celia could not grasp their meaning because somewhere else a woman's voice was crying out lamentably. Nevertheless, she heard a man speaking, and with a new searing pain there pierced her also a thin shaft of hope, the first premonitory pang of deliverance. Thereafter she seemed to fall into a black and quiet place, a dark hole of oblivion, where she lay as at the bottom of a deep well. Slowly, painfully, the disintegrated fragments of her being reassembled themselves. By long and difficult stages she returned to some sort of normality. Her brain, her senses, all the strained mechanism of her body and mind, reluctantly began to function once more. The miracle for which she no longer hoped had actually come to pass: there was an end of pain.
Anna Kavan (Change the Name)
To be ridiculously sweeping: baby boomers and their offspring have shifted emphasis from the communal to the individual, from the future to the present, from virtue to personal satisfaction. Increasingly secular, we pledge allegiance to lowercase gods of our private devising. We are concerned with leading less a good life than the good life. In contrast to our predecessors, we seldom ask ourselves whether we serve a greater social purpose; we are more likely to ask ourselves if we are happy. We shun self-sacrifice and duty as the soft spots of suckers. We give little thought to the perpetuation of lineage, culture, or nation; we take our heritage for granted. We are ahistorical. We measure the value of our lives within the brackets of our own births and deaths, and we’re not especially bothered with what happens once we’re dead. As we age—oh, so reluctantly!—we are apt to look back on our pasts and question not did I serve family, God, and country, but did I ever get to Cuba, or run a marathon? Did I take up landscape painting? Was I fat? We will assess the success of our lives in accordance not with whether they were righteous, but with whether they were interesting and fun.
Meghan Daum (Selfish, Shallow, and Self-Absorbed: Sixteen Writers on The Decision Not To Have Kids)
Oh, my son loves Japan!" she says, her voice soaring. "He's been studying Japanese, all by himself, and he went there recently actually for the first time, and he said he just felt immediately at home there, you know really comfortable. I mean with him it's mostly the, the, the-" My brain silently fills in the next word: anime. "The animation and so on, you know he's really into technology. I mean he's only seventeen, you know so who knows what is going to happen. But it does seem like, you know, a real thing for him." "Right," I say, and I nod. "That's great." Sometimes at times like these, what fills my head is the things I do not and could not ever say. For example: "You have no idea how many stories I've heard exactly like that one!" Or: "You know, even though I'm generally reluctant to admit the existence of 'types' among people, I'm often shocked by the parallels that exist between the kind of young men who like anime and all things Japanese, to the extent that I sometimes struggle to believe that a group of people with such intensely similar interests are in fact individuals." Certainly I do not say: "And what would you like to bet that he ends up marrying a Japanese woman and becomes an academic teaching the world about Japanese culture while she gives up her job to bring up his children?" But even if these things flicker through my mind, I'm not anywhere near as rageful as any of that makes me sound. In fact, if anything, what I feel in this particular moment is something like envy, for this son of hers that I've never met, I understand that taking refuge in Japan and being shielded from the demands of full adulthood is a privilege offered to predominantly white, educated, Anglophone men, because they are deemed the most desirable that the world has to offer; that it feeds off power relations that date back to the American occupation and beyond, and which hew closely to the colonial paradigm even if there are important differences (and even if Japan also has a history of colonialism of its own to reckon with); and that even leaving all of this aside, this Peter Pan status is not something I am interested in. And yet I can't help but look at the sort of person who feels "immediately" comfortable in Japan and wish that I had felt like that, only because it might validate the way I've dedicated a lot of my life to the country, but because the security of that sensation in itself feels like something I would love to experience.
Polly Barton (Fifty Sounds)
Along with saying no, the easiest thing you can do to become more influential is just ask. Ask more often, ask more directly, and ask for more. People who ask for what they want get better grades, more raises and promotions, and bigger job opportunities and even more orgasm. This might seem obvious but apparently it isn't. Most people do not realize how often they are not asking until they start asking more often. Whenever our MBA course ends and students share the biggest thing they have learned - after we have done so much together - the most common answer is “just ask”. The full realization comes from practice. What if you’re not sure how to ask? Just ask the other person. Seriously. One of the simplest and most surprising influence hacks is that if you ask people how to influence them, they will often tell you. Most of us are reluctant to ask because we fundamentally misunderstand the psychology of asking and we underestimate our likelihood of success. In one series of experiments, employees were more likely to turn in mediocre work than to ask for deadline extension, fearing their supervisor, would think them incompetent if they asked for extra time. But they had it backward: Managers saw extension requests as a good sign of capability and motivation. Pg 64, 65
Zoe Chance (Influence Is Your Superpower: The Science of Winning Hearts, Sparking Change, and Making Good Things Happen)
O my God! how much I long to be the missionary of Your holy will, and to teach all men that there is nothing more easy, more attainable, more within reach, and in the power of everyone, than sanctity. How I wish that I could make them understand that just as the good and the bad thief had the same things to do and to suffer; so also two persons, one of whom is worldly and the other leading an interior and wholly spiritual life have, neither of them, anything different to do or to suffer; but that one is sanctified and attains eternal happiness by submission to Your holy will in those very things by which the other is damned because he does them to please himself, or endures them with reluctance and rebellion. This proves that it is only the heart that is different. Oh! all you that read this, it will cost you no more than to do what you are doing, to suffer what you are suffering, only act and suffer in a holy manner. It is the heart that must be changed. When I say heart, I mean will. Sanctity, then, consists in willing all that God wills for us. Yes! sanctity of heart is a simple “fiat,” a conformity of will with the will of God. What could be more easy, and who could refuse to love a will so kind and so good? Let us love it then, and this love alone will make everything in us divine.
Jean-Pierre de Caussade (Abandonment to Divine Providence)
Billy Sol Estes, who died on May 14, 2013, rebuffed my many attempts to interview him. He had long stopped speaking publicly about the strange deaths or his knowledge of them, praying as he got older in years for a more spiritual solution to the murders. “I think there’s still a God in heaven, and I think that God will straighten history out,” Estes said. “I’ve decided that none of us can do it down here.”69 I did have access and the full cooperation of Billy Sol Estes’s personal attorney Douglas Caddy, who supplied interviews, source materials, and remembrances for this book. I can understand Estes’s reluctance to give interviews in his later years. By the time I asked him in 2012, he had already identified Lyndon Johnson as the ultimate perpetrator in the murder of President Kennedy and had implicated him in seven other murders on record, in interviews and with many credible media outlets. Both Bobby Baker and Billy Sol Estes were self-described wheeler dealers, operators, hustlers; both were in deep with Johnson, made money from his political influence, and eventually paid for it. Both overreached for personal gain, possibly believing that their leader could exonerate them. Johnson used them for his own wealth until they became a liability. Then, they were promptly cut off the tree and left to rot.
Roger Stone (The Man Who Killed Kennedy: The Case Against LBJ)
The characteristic error of the middle-class intellectual of modern times is his tendency to abstractness and absoluteness, his reluctance to connect idea with fact, especially with personal fact. I cannot recall that Orwell ever related his criticism of the intelligentsia to the implications of Keep the Aspidistra Flying, but he might have done so, for the prototypical act of the modern intellectual is his abstracting himself from the life of the family. It is an act that has something about it of ritual thaumaturgy—at the beginning of our intellectual careers we are like nothing so much as those young members of Indian tribes who have had a vision or a dream which gives them power on condition that they withdraw from the ordinary life of the tribe. By intellectuality we are freed from the thralldom to the familial commonplace, from the materiality and concreteness by which it exists, the hardness of the cash and the hardness of getting it, the inelegance and intractability of family things. It gives us power over intangibles and imponderables, such as Beauty and Justice, and it permits us to escape the cosmic ridicule which in our youth we suppose is inevitably directed at those who take seriously the small concerns of the material quotidian world, which we know to be inadequate and doomed by the very fact that it is so absurdly conditioned—by things, habits, local and temporary customs, and the foolish errors and solemn absurdities of the men of the past.
Lionel Trilling (The Moral Obligation to Be Intelligent: Selected Essays)
A few minutes later Elizabeth watched Lucinda emerge from the cottage with Ian, but there was no way to guess from their closed expressions what they’d discussed. In fact, the only person betraying any emotion at all was Jake Wiley as he led two horses into the yard. And his face, Elizabeth noted with confusion-which had been stormy when he went off to saddle the horses-was now wreathed in a smile of unrestrained glee. With a sweep of his arm and a bow he gestured toward a swaybacked black horse with an old sidesaddle upon its back. “Here’s your mount, ma’am,” he told Lucinda, grinning. “His name’s Attila.” Lucinda cast a disdainful eye over the beast as she transferred her umbrella to her right hand and pulled on her black gloves. “Have you nothing better?” “No, ma’am. Ian’s horse has a hurt foot.” “Oh, very well,” said Lucinda, walking briskly forward, but as she came within reach the black suddenly bared his teeth and lunged. Lucinda struck him between the ears with her umbrella without so much as a pause in her step. “Cease!” she commanded, and, ignoring the animal’s startled grunt of pain, she continued around to his other side to mount. “You brought it on yourself,” she told the horse as Jake held Attila’s head, and Ian Thornton helped her into the sidesaddle. The whites of Attila’s eyes showed as he warily watched her land in his saddle and settle herself. The moment Jake handed Lucinda the reins Attila began to leap sideways and twist around in restless annoyance. “I do not countenance ill-tempered animals,” she warned the horse in her severest tone, and when he refused to heed her and continued his threatening antics she hauled up sharply on his reins and simultaneously gave him a sharp jab in the flank with her umbrella. Attila let out a yelping complaint, broke into a quick, animated trot, and headed obediently down the drive. “If that don’t beat all!” Jake said furiously, glowering after the pair, and then at Ian. “That animal doesn’t know the meaning of the word loyalty!” Without waiting for a reply Jake swung into his saddle and cantered down the lane after them. Absolutely baffled over everyone’s behavior this morning, Elizabeth cast a puzzled, sideways glance at the silent man beside her, then gaped at him in amazement. The unpredictable man was staring after Lucinda, his hands shoved into his pockets, a cigar clamped between his white teeth, his face transformed by a sweeping grin. Drawing the obvious conclusion that these odd reactions from the men were somehow related to Lucinda’s skillful handling of an obstinate horse, Elizabeth commented, “Lucinda’s uncle raised horses, I believe.” Almost reluctantly, Ian transferred his admiring gaze from Lucinda’s rigid back to Elizabeth. His brows rose. “An amazing woman,” he stated. “Is there any situation of which she can’t take charge?” “None that I’ve ever seen,” Elizabeth said with a chuckle; then she felt self-conscious because his smile faded abruptly, and his manner became detached and cool.
Judith McNaught (Almost Heaven (Sequels, #3))
Mom,” Vaughn said. “I’m sure Sidney doesn’t want to be interrogated about her personal life.” Deep down, Sidney knew that Vaughn—who’d obviously deduced that she’d been burned in the past—was only trying to be polite. But that was the problem, she didn’t want him to be polite, as if she needed to be shielded from such questions. That wasn’t any better than the damn “Poor Sidney” head-tilt. “It’s okay, I don’t mind answering.” She turned to Kathleen. “I was seeing someone in New York, but that relationship ended shortly before I moved to Chicago.” “So now that you’re single again, what kind of man are you looking for? Vaughn?” Kathleen pointed. “Could you pass the creamer?” He did so, then turned to look once again at Sidney. His lips curved at the corners, the barest hint of a smile. He was daring her, she knew, waiting for her to back away from his mother’s questions. She never had been very good at resisting his dares. “Actually, I have a list of things I’m looking for.” Sidney took a sip of her coffee. Vaughn raised an eyebrow. “You have a list?” “Yep.” “Of course you do.” Isabelle looked over, surprised. “You never told me about this.” “What kind of list?” Kathleen asked interestedly. “It’s a test, really,” Sidney said. “A list of characteristics that indicate whether a man is ready for a serious relationship. It helps weed out the commitment-phobic guys, the womanizers, and any other bad apples, so a woman can focus on the candidates with more long-term potential.” Vaughn rolled his eyes. “And now I’ve heard it all.” “Where did you find this list?” Simon asked. “Is this something all women know about?” “Why? Worried you won’t pass muster?” Isabelle winked at him. “I did some research,” Sidney said. “Pulled it together after reading several articles online.” “Lists, tests, research, online dating, speed dating—I can’t keep up with all these things you kids are doing,” Adam said, from the head of the table. “Whatever happened to the days when you’d see a girl at a restaurant or a coffee shop and just walk over and say hello?” Vaughn turned to Sidney, his smile devilish. “Yes, whatever happened to those days, Sidney?” She threw him a look. Don’t be cute. “You know what they say—it’s a jungle out there. Nowadays a woman has to make quick decisions about whether a man is up to par.” She shook her head mock reluctantly. “Sadly, some guys just won’t make the cut.” “But all it takes is one,” Isabelle said, with a loving smile at her fiancé. Simon slid his hand across the table, covering hers affectionately. “The right one.” Until he nails his personal trainer. Sidney took another sip of her coffee, holding back the cynical comment. She didn’t want to spoil Isabelle and Simon’s idyllic all-you-need-is-love glow. Vaughn cocked his head, looking at the happy couple. “Aw, aren’t you two just so . . . cheesy.” Kathleen shushed him. “Don’t tease your brother.” “What? Any moment, I’m expecting birds and little woodland animals to come in here and start singing songs about true love, they’re so adorable.” Sidney laughed out loud. Quickly, she bit her lip to cover.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
Hero might have enjoyed the evening spent at Almack's Assembly Rooms, but it had not been one of unmixed pleasure for her escort, while for one other person it had been an evening of almost unleavened annoyance. Miss Milborne, seeing the most ardent of her admirers enter the rooms with Hero on his arm, had suffered something in the nature of a shock. Never before had she seen George in attendance on any other lady than herself! When he came to Almack's it was to form one of her court; and when she did not dance with him he had a gratifying habit of leaning against the wall and watching her, instead of soliciting some other damsel to dance with him. Now, on the heels of the most obdurate quarrel they had had, here he was, looking perfectly cheerful, actually laughing at something Hero had said to him, his handsome head bent a little to catch her words. Hero, too, was in very good looks: in fact, Miss Milborne had not known that her little friend could appear to such advantage. She could never, of course, aspire to such beauty as belonged to the Incomparable, but Miss Milborne was no fool, and she was obliged to own that there was something particularly taking in the bride's smile and mischievous twinkle. Watching George, she came to the reluctant conclusion that he was fully sensible of his partner's charm. He had given his adored Isabella nothing more than a common bow upon catching sight of her, and it was plain that he meant to devote his evening to Hero. Miss Milborne could think of a dozen reasons to account for his gallanting Hero to the ball, but none of them satisfied her; nor could the distinguishing attention paid to her by her ducal admirer quite restore her spirits.
Georgette Heyer (Friday's Child)
The traditional reluctance in this country to confront the real nature of racism is once again illustrated by the manner in which the majority of American whites interpreted what the Kerner Commission had to say about white racism. It seems that they have taken the Kerner Report as a call merely to examine their individual attitudes. The examination of individual attitudes is, of course, an indispensable requirement if the influence of racism is to be neutralized, but it is neither the only nor the basic requirement. The Kerner Report took great pains to make a distinction between racist attitudes and racist behavior. In doing so, it was trying to point out that the fundamental problem lies in the racist behavior of American institutions toward Negroes, and that the behavior of these institutions is influenced more by overt racist actions of people than by their private attitudes. If so, then the basic requirement is for white Americans, while not ignoring the necessity for a revision of their private beliefs, to concentrate on actions that can lead to the ultimate democratization of American institutions. By focusing upon private attitudes alone, white Americans may come to rely on token individual gestures as a way of absolving themselves personally of racism, while ignoring the work that needs to be done within public institutions to eradicate social and economic problems and redistribute wealth and opportunity. I mean by this that there are many whites sitting around in drawing rooms and board rooms discussing their consciences and even donating a few dollars to honor the memory of Dr. King. But they are not prepared to fight politically for the kind of liberal Congress the country needs to eradicate some of the evils of racism, or for the massive programs needed for the social and economic reconstruction of the black and white poor, or for a revision of the tax structure whereby the real burden will be lifted from the shoulders of those who don't have it and placed on the shoulders of those who can afford it. Our time offers enough evidence to show that racism and intolerance are not unique American phenomena. The relationship between the upper and lower classes in India is in some ways more brutal than the operation of racism in America. And in Nigeria black tribes have recently been killing other black tribes in behalf of social and political privilege. But it is the nature of the society which determines whether such conflicts will last, whether racism and intolerance will remain as proper issues to be socially and politically organized. If the society is a just society, if it is one which places a premium on social justice and human rights, then racism and intolerance cannot survive —will, at least, be reduced to a minimum. While working with the NAACP some years ago to integrate the University of Texas, I was assailed with a battery of arguments as to why Negroes should not be let in. They would be raping white girls as soon as they came in; they were dirty and did not wash; they were dumb and could not learn; they were uncouth and ate with their fingers. These attitudes were not destroyed because the NAACP psychoanalyzed white students or held seminars to teach them about black people. They were destroyed because Thurgood Marshall got the Supreme Court to rule against and destroy the institution of segregated education. At that point, the private views of white students became irrelevant. So while there can be no argument that progress depends both on the revision of private attitudes and a change in institutions, the onus must be placed on institutional change. If the institutions of this society are altered to work for black people, to respond to their needs and legitimate aspirations, then it will ultimately be a matter of supreme indifference to them whether white people like them, or what white people whisper about them in the privacy of their drawing rooms.
Bayard Rustin (Down the Line: The Collected Writings of Bayard Rustin)
Visible over Madame’s shoulder was a clock, hanging on the wall between a flag and a poster. The poster was for a new brand of beer, featuring three bikini-clad young women sprouting breasts the size and shape of children’s balloons; the flag was of the defeated Republic of Vietnam, three bold red horizontal stripes on a vivid field of yellow. This was the flag, as the General had noted more than once to me, of the free Vietnamese people. I had seen the flag countless times before, and posters like that one often, but I had never seen this type of clock, carved from hardwood into the shape of our homeland. For this clock that was a country, and this country that was a clock, the minute and hour hands pivoted in the south, the numbers of the dial a halo around Saigon. Some craftsman in exile had understood that this was exactly the timepiece his refugee countrymen desired. We were displaced persons, but it was time more than space that defined us. While the distance to return to our lost country was far but finite, the number of years it would take to close that distance was potentially infinite. Thus, for displaced people, the first question was always about time: When can I return? Speaking of punctuality, I said to Madame, your clock is set to the wrong time. No, she said, rising to fetch the beer. It’s set to Saigon time. Of course it was. How could I not have seen it? Saigon time was fourteen hours off, although if one judged time by this clock, it was we who were fourteen hours off. Refugee, exile, immigrant—whatever species of displaced human we were, we did not simply live in two cultures, as celebrants of the great American melting pot imagined. Displaced people also lived in two time zones, the here and the there, the present and the past, being as we were reluctant time travelers. But while science fiction imagined time travelers as moving forward or backward in time, this timepiece demonstrated a different chronology. The open secret of the clock, naked for all to see, was that we were only going in circles.
Viet Thanh Nguyen (The Sympathizer)
As a child, Callum never sympathized much with storybook villains, who were always clinging to some sort of broad, unspecified drive. It wasn’t the depravity that unnerved him, but the desperation of it all; the need, the compulsion, which always destroyed them in the end. That was the distasteful thing about villains, really. Not the manner in which they went about their business, which was certainly gruesome and morally corrupt, but the fact that they desired things so intensely. The heroes were always reluctant, always pushed into their roles, martyring themselves. Callum didn’t like that, either, but at least it made sense. Villains were far too proactive. Must they participate in the drudgery of it all for some interminable cause? Taking over the world was a mostly nonsensical agenda. Have control of these puppets, with their empty heads and their pitchforked mobs? Why? Wanting anything—beauty, love, omnipotence, absolution—was the natural flaw in being human, but the choice to waste away for anything made the whole indigestible. A waste. Simple choices were what registered to Callum as most honestly, the truest truths: fairy-tale peasants need money for dying child, accepts whatever consequence follow. The rest of the story—about rewards of choosing good or the ill-fated outcomes of desperation and vice—we’re always too lofty, a pretty but undeniable lie. Cosmic justice wasn’t real. Betrayal was all too common. For better or worse, people did not get what they deserved. Callum had always tended toward the assassins in the stories, the dutiful soldiers, those driven by personal reaction rather than on some larger moral cause. Perhaps it was a small role to serve on the whole, but at least it was rational, comprehensible beyond fatalistic. Take the huntsman who failed to kill Snow White, for example. An assassin acting on his own internal compass. Whether humanity as a whole won or lost as a result of his choice? Unimportant. He didn’t raise an army, didn’t fight for good, didn’t interfere much with the queen’s other evils. It wasn’t the whole world at stake; it was never about destiny. Callum admired that, the ability to take a moral stance and hold it. It was only about whether the huntsman could live with his decision—because however miserable or dull or uninspired, life was the only thing that mattered in the end. The truest truths: Mortal lifetimes were short, inconsequential. Convictions were death sentences. Money couldn’t buy happiness, but nothing could buy happiness, so at least money could buy everything else. In terms of finding satisfaction, all a person was capable of controlling was himself.
Olivie Blake (The Atlas Six (The Atlas #1))
If it will reassure you that I’m not a coward, I suppose I could rearrange his face.” Quietly he added, “The music has ended,” and for the first time Elizabeth realized they were no longer waltzing but were only swaying lightly together. With no other excuse to stand in his arms, Elizabeth tried to ignore her disappointment and step back, but just then the musicians began another melody, and their bodies began to move together in perfect time to the music. “Since I’ve already deprived you of your escort for the outing to the village tomorrow,” he said after a minute, “would you consider an alternative?” Her heart soared, because she thought he was going to offer to escort her himself. Again he read her thoughts, but his words were dampening. “I cannot escort you there,” he said flatly. Her smile faded. “Why not?” “Don’t be a henwit. Being seen in my company is hardly the sort of thing to enhance a debutante’s reputation.” Her mind whirled, trying to tally some sort of balance sheet that would disprove his claim. After all, he was a favorite of the Duke of Hammund’s…but while the duke was considered a great matrimonial prize, his reputation as a libertine and rake made mamas fear him as much as they coveted him as a son-in-law. On the other hand, Charise Dumont was considered perfectly respectable by the ton, and so this country gathering was above reproach. Except it wasn’t, according to Lord Howard. “Is that why you refused to dance with me when I asked you to earlier?” “That was part of the reason.” “What was the rest of it?” she asked curiously. His chuckle was grim. “Call it a well-developed instinct for self-preservation.” “What?” “Your eyes are more lethal than dueling pistols, my sweet,” he said wryly. “They could make a saint forget his goal.” Elizabeth had heard many flowery praises sung to her beauty, and she endured them with polite disinterest, but Ian’s blunt, almost reluctant flattery made her chuckle. Later she would realize that at this moment she had made her greatest mistake of all-she had been lulled into regarding him as an equal, a gently bred person whom she could trust, even relax with. “What sort of alternative were you going to suggest for tomorrow?” “Luncheon,” he said. “Somewhere private where we can talk, and where we won’t be seen together.” A cozy picnic luncheon for two was definitely not on Lucinda’s list of acceptable pastimes for London debutantes, but even so, Elizabeth was reluctant to refuse. “Outdoors…by the lake?” she speculated aloud, trying to justify the idea by making it public. “I think it’s going to rain tomorrow, and besides, we’d risk being seen together there.” “Then where?” “In the woods. I’ll meet you at the woodcutter’s cottage at the south end of the property near the stream at eleven. There's a path that leads to it two miles from the gate-off the main road." Elizabeth was too alarmed by such a prospect to stop to wonder how and when Ian Thornton had become so familiar with Charise's property and all its secluded haunts. "Absolutely not," she said in a shaky, breathless voice. Even she was not naïve enough to consider being alone with a man in a cottage, and she was terribly disappointed that he'd suggested it. Gentlemen didn't make such suggestions, and well-bred ladies never accepted them. Lucinda's warnings about such things had been eloquent and, Elizabeth felt, sensible.
Judith McNaught (Almost Heaven (Sequels, #3))