“
We are not people who touch each other carelessly; every point of contact between us feels important, a rush of energy and relief.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
It is a feeling of relief, almost of pleasure, at knowing yourself at last genuinely down and out. You have talked so often of going to the dogs — and well, here are the dogs, and you have reached them, and you can stand it. It takes off a lot of anxiety.
”
”
George Orwell (Down and Out in Paris and London)
“
But I MUST say what I feel and think in some way — it is such a relief! But the effort is getting to be greater than the relief.
”
”
Charlotte Perkins Gilman (The Yellow Wall-Paper)
“
There is no feeling, except the extremes of fear and grief, that does not find relief in music.
”
”
T.S. Eliot
“
I told myself that if I didn't care, this wouldn't have hurt so much - surely that proved I was alive and human and all those touchy-feely things, for once and for all. But that wasn't a relief, not when I felt like a skyscraper with dynamite on every floor.
”
”
Jodi Picoult (Handle with Care)
“
I wanted to kill the me underneath. That fact haunted my days and nights. When you realize you hate yourself so much, when you realize that you cannot stand who you are, and this deep spite has been the motivation behind your behavior for many years, your brain can’t quite deal with it. It will try very hard to avoid that realization; it will try, in a last-ditch effort to keep your remaining parts alive, to remake the rest of you. This is, I believe, different from the suicidal wish of those who are in so much pain that death feels like relief, different from the suicide I would later attempt, trying to escape that pain. This is a wish to murder yourself; the connotation of kill is too mild. This is a belief that you deserve slow torture, violent death.
”
”
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
“
In this sad world of ours, sorrow comes to all; and, to the young, it comes with bitterest agony, because it takes them unawares. The older have learned to ever expect it. I am anxious to afford some alleviation of your present distress. Perfect relief is not possible, except with time. You can not now realize that you will ever feel better. Is not this so? And yet it is a mistake. You are sure to be happy again. To know this, which is certainly true, will make you some less miserable now. I have had experience enough to know what I say; and you need only to believe it, to feel better at once.
”
”
Abraham Lincoln
“
When you come out of the grips of a depression there is an incredible relief, but not one you feel allowed to celebrate. Instead, the feeling of victory is replaced with anxiety that it will happen again, and with shame and vulnerability when you see how your illness affected your family, your work, everything left untouched while you struggled to survive. We come back to life thinner, paler, weaker … but as survivors. Survivors who don’t get pats on the back from coworkers who congratulate them on making it. Survivors who wake to more work than before because their friends and family are exhausted from helping them fight a battle they may not even understand. I hope to one day see a sea of people all wearing silver ribbons as a sign that they understand the secret battle, and as a celebration of the victories made each day as we individually pull ourselves up out of our foxholes to see our scars heal, and to remember what the sun looks like.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
There is no feeling, except the extremes of fear and grief, that does not find relief in music.
”
”
George Eliot
“
I feel like a rock being skipped through the ocean—pain, relief, pain again, relief again, eventually destined to sink.
”
”
Adam Silvera (History Is All You Left Me)
“
...when your child dies, you feel everything you'd expect to feel, feelings so well-documented by so many others that I won't even bother to list them here, except to say that everything that's written about mourning is all the same, and it's all the same for a reason - because there is no read deviation from the text. Sometimes you feel more of one thing and less of another, and sometimes you feel them out of order, and sometimes you feel them for a longer time or a shorter time. But the sensations are always the same.
But here's what no one says - when it's your child, a part of you, a very tiny but nonetheless unignorable part of you, also feels relief. Because finally, the moment you have been expecting, been dreading, been preparing yourself for since the day you became a parent, has come.
Ah, you tell yourself, it's arrived. Here it is.
And after that, you have nothing to fear again.
”
”
Hanya Yanagihara (A Little Life)
“
I stare into a thin, web-like crack above the urinal's handle and think to myself that if I were to disappear into that crack, say somehow miniaturize and slip into it, the odds are good that no one would notice I was gone. No... one... would... care. In fact some, if they noticed my absence, might feel an odd, indefinable sense of relief. This is true: the world is better off with some people gone. Our lives are not all interconnected. That theory is crock. Some people truly do not need to be here.
”
”
Bret Easton Ellis (American Psycho)
“
Relief feels like happiness, if you don’t know the difference.
”
”
T. Kingfisher (Paladin's Grace (The Saint of Steel, #1))
“
The main thing I feel is a sense of relief. That I can give up this game. That the question of whether I can succeed in this venture has been answered, even if that answer is a resounding no. That if desperate times call for desperate measures, I am free to act as desperately as I want.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
Some say that love is the sweetest feeling, the purest form of joy, but that isn't right. It's not love--it's relief.
”
”
Karen Thompson Walker (The Age of Miracles)
“
There’s something amazing about this life. The very same worldly attribute that causes us pain is also what gives us relief: Nothing here lasts. What does that mean? It means that the breathtakingly beautiful rose in my vase will wither tomorrow. It means that my youth will neglect me. But it also means that the sadness I feel today will change tomorrow. My pain will die. My laughter won’t last forever but neither will my tears. We say this life isn’t perfect. And it isn’t. It isn’t perfectly good. But, it also isn’t perfectly bad, either.
”
”
Yasmin Mogahed
“
Without the dark there isn’t light. Without the pain there is no relief. And I remind myself that I’m lucky to be able to feel such great sorrow, and also such great happiness. I can grab on to each moment of joy and live in those moments because I have seen the bright contrast from dark to light and back again. I am privileged to be able to recognize that the sound of laughter is a blessing and a song, and to realize that the bright hours spent with my family and friends are extraordinary treasures to be saved, because those same moments are a medicine, a balm. Those moments are a promise that life is worth fighting for, and that promise is what pulls me through when depression distorts reality and tries to convince me otherwise.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
From the moment I told her about my dad, it was as if her whole body sighed in relief. As if someone else’s misery comforted her, made her feel as if she wasn’t alone.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
Here in the dark, dusty corners of my mind I feel a strange relief. I am always welcome here in my loneliness, in my sadness in this abyss, there is a rhythm I remember. The steady drop of tears, the temptation to retreat, the shadow of my past the life I choose to forget has not
will never
ever
forget me
”
”
Tahereh Mafi (Restore Me (Shatter Me, #4))
“
Because secrets do not increase in value if kept in a gore-ian lockbox, because one's past is either made useful or else mutates and becomes cancerous. We share things for the obvious reasons: it makes us feel un-alone, it spreads the weight over a larger area, it holds the possibility of making our share lighter. And it can work either way - not simply as a pain-relief device, but, in the case of not bad news but good, as a share-the-happy-things-I've-seen/lessons-I've-learned vehicle. Or as a tool for simple connectivity for its own sake, a testing of waters, a stab at engagement with a mass of strangers.
”
”
Dave Eggers (A Heartbreaking Work of Staggering Genius)
“
The best thing—in Shadow's opinion, perhaps the only good thing—about being in prison was a feeling of relief. The feeling that he'd plunged as low as he could plunge and he'd hit bottom. He didn't worry that the man was going to get him, because the man had got him. He was no longer scared of what tomorrow might bring, because yesterday had brought it.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
don't say no to me you can't say no to me because it's such a relief to have love again and to lie in bed and be held and touched and kissed and adored and your heart will leap when you hear my voice and see my smile and feel my breath on your neck and your heart will race when I want to see you and I will lie to you from day one and use you and screw you and break your heart because you broke mine first and you will love me more each day until the weight is unbearable and your life is mine and you'll die alone because I will take what I want then walk away and owe you nothing it's always there it's always been there and you cannot deny the life you feel fuck that life fuck that life fuck that life I have lost you now.
”
”
Sarah Kane (Crave)
“
You need songs that make you feel. Some make you string, some make you weak. Some build determination, some tear you apart. But you need all of those...Run through the pain.
”
”
Jessica Park (Left Drowning (Left Drowning, #1))
“
The first noble truth of the Buddha is that when we feel suffering, it doesn’t mean that something is wrong. What a relief. Finally somebody told the truth. Suffering is part of life, and we don’t have to feel it’s happening because we personally made the wrong move. In reality, however, when we feel suffering, we think that something is wrong. As long as we’re addicted to hope, we feel that we can tone our experience down or liven it up or change it somehow, and we continue to suffer a lot.
”
”
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times)
“
Some pain has no relief,it can only be sealed
You can grasp the wound to feel the scar unhealed.
”
”
Munia Khan
“
You're very young...you haven't got to that yet. But it does come! The blessed relief when you know that you've done with it all - that you haven't got to carry the burden any longer. You'll feel that too someday...
”
”
Agatha Christie (And Then There Were None)
“
Would it hurt, or would it feel like relief, when the bullet finally split her open?
”
”
Holly Jackson (Five Survive)
“
My brief flash of relief and confidence melted away. Good thing it did, too. I'm sure the world would come to an end if I were allowed to feel a sense of relief and well-being for any length of time.
”
”
Jim Butcher (Dead Beat (The Dresden Files, #7))
“
But all I feel is impatience, fury for the opposition I anticipate and the lies I'm going to have to tell to make it happen, and frustration that I can't even take a walk without them sending someone to hover. Attack me," she said.
"I beg your pardon, Lady Queen?"
"You should attack me, and we'll see what he does. He's probably quite bored--it'll be a relief to him."
"Mightn't he run me through with his sword?"
"Oh." Bitterblue chuckled. "Yes, I suppose he might. That would be a shame."
"I'm gratified that you think so," said Giddon dryly.
”
”
Kristin Cashore (Bitterblue (Graceling Realm, #3))
“
The problem with thick skin is that it leaves you impervious to the sharpest of pins. Everything becomes dull. But without that sense of pain, there cannot be that sense of relief. Ultimately, the thickened skin leaves you numb, incapable of feeling the highs and lows of life. It leaves you rough like a rock and just as inanimate.
”
”
Michael Soll
“
We are all of us not merely liable to fear, we are also prone to be afraid of being afraid, and the conquering of fear produces exhilaration.…The contrast between the previous apprehension and the present relief and feeling of security promotes a self-confidence that is the very father and mother of courage.
”
”
Malcolm Gladwell (David and Goliath: Underdogs, Misfits, and the Art of Battling Giants)
“
The rage is growing inside me, overtaking the shock and grief. I can feel it blossoming up behind my ribs. It’s almost a relief, how it obliterates every other feeling in its path.
”
”
Lucy Foley (The Guest List)
“
People always want to know what it feels like, so I’ll tell you: there’s a sting when you first slice, and then your heart speeds up when you see the blood, because you know you’ve done something you shouldn’t have, and yet you’ve gotten away with it. Then you sort of go into a trance, because it’s truly dazzling—that bright red line, like a highway route on a map that you want to follow to see where it leads. And—God—the sweet release, that’s the best way I can describe it, kind of like a balloon that’s tied to a little kid’s hand, which somehow breaks free and floats into the sky. You just know that balloon is thinking, Ha, I don’t belong to you after all; and at the same time, Do they have any idea how beautiful the view is from up here? And then the balloon remembers, after the fact, that it has a wicked fear of heights.
When reality kicks in, you grab some toilet paper or a paper towel (better than a washcloth, because the stains don’t ever come out 100 percent) and you press hard against the cut. You can feel your embarrassment; it’s a backbeat underneath your pulse. Whatever relief there was a minute ago congeals, like cold gravy, into a fist in the pit of your stomach. You literally make yourself sick, because you promised yourself last time would be the last time, and once again, you’ve let yourself down. So you hide the evidence of your weakness under layers of clothes long enough to cover the cuts, even if it’s summertime and no one is wearing jeans or long sleeves. You throw the bloody tissues into the toilet and watch the water go pink before you flush them into oblivion, and you wish it were really that easy.
”
”
Jodi Picoult (Handle with Care)
“
He was a breath of fresh air after the heart wrenching storm that had engulfed me.
”
”
Rebecca Donovan (Reason to Breathe (Breathing, #1))
“
Do you know how it feels to resign yourself to your fate? It is almost welcome. There was to be no more pain, no more fear, no more longing. It is the death of hope that comes as the greatest relief.
”
”
Jojo Moyes (The Girl You Left Behind)
“
Is it possible really to love other people? If I’m lonely and in pain, everyone outside me is potential relief—I need them. But can you really love what you need so badly? Isn’t a big part of love caring more about what the other person needs? How am I supposed to subordinate my own overwhelming need to somebody else’s needs that I can’t even feel directly? And yet if I can’t do this, I’m damned to loneliness, which I definitely don’t want … so I’m back at trying to overcome my selfishness for self-interested reasons.
”
”
David Foster Wallace (Consider the Lobster and Other Essays)
“
I would say I’m sorry, but you wouldn’t believe me. I don’t blame you for that, but don’t you dare insinuate that what I’ve done with you was purely an act or that what I’m feeling is fake when I’ve spent my entire godsdam life not being allowed to want or even feel anything for myself! Not when I spent the last three years hating myself for the relief I felt when you didn’t take me because it meant I didn’t have to do what was expected of me.
”
”
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
“
The hole in my heart, I can’t even begin to describe. It’s hard when you open your heart and let someone in and then suddenly they’re not in it anymore. It doesn’t matter whose fault it is; that empty spot stings so bad that you want to find any kind of relief, or wrap yourself up so tight you can’t feel it anymore. I knew it might be there a little while. Or maybe even a long while. For both of us.
”
”
Bill Konigsberg (Openly Straight (Openly Straight, #1))
“
With time and perspective we recognize that such problems in life do come for a purpose, if only to allow the one who faces such despair to be convinced that he really does need divine strength beyond himself, that she really does need the offer of heaven’s hand. Those who feel no need for mercy usually never seek it and almost never bestow it. Those who have never had a heartache or a weakness or felt lonely or forsaken never have had to cry unto heaven for relief of such personal pain. Surely it is better to find the goodness of God and the grace of Christ, even at the price of despair, than to risk living our lives in a moral or material complacency that has never felt any need for faith or forgiveness, any need for redemption or relief.
”
”
Jeffrey R. Holland
“
As always, the blessed relief of starting, a feeling that was like falling into a hole filled with bright light.
As always, the glum knowledge that he would not write as well as he wanted to write.
As always the terror of not being able to finish, of accelerating into a brick wall.
As always, the marvelous joyful nervy feeling of journey begun.
”
”
Stephen King (Misery)
“
If I could,” he went on, “I would remain like this indefinitely—clasped by you, held inside you, a part of you—without moving at all. When we make love, I fight climax with everything I have. I don’t want to come; I do not want it to end. No matter how long I make it last, it isn’t nearly long enough. I am furious when I cannot hold back any longer. Why, Jess? If all I seek is the physical relief of natural lust, just as I would seek sleep or food, why would I deny myself?”
She turned her head and caught his mouth with hers, kissing him desperately.
“Tell me you understand,” he demanded, his lips moving beneath hers. “Tell me you feel it, too.”
“I feel you,” she breathed, as intoxicated by his ardency as she was by the finest claret. “You have become everything to me.
”
”
Sylvia Day (Seven Years to Sin)
“
Want to talk about it?" I asked gently.
He smirked at me. "I appreciate the offer, but I'm a guy. We don't do that." My nose scrunched up in confusion. "We don't discuss our feelings."
"That's a relief; I don't want to talk about it either.
”
”
Lani Woodland (Intrinsical (The Yara Silva Trilogy, #1))
“
To be mad is to feel with excruciating intensity the sadness and joy of a time which has not arrived or has already been. And to protect their delicate vision of that other time, madmen will justify their condition with touching loyalty, and surround it with a thousand distractive schemes. These schemes, in turn, drive them deeper and deeper into the darkness and light (which is their mortification and their reward), and confront them with a choice. They may either slacken and fall back, accepting the relief of a rational view and the approval of others, or they may push on, and, by falling, arise. When and if by their unforgivable stubbornness they finally burst through to worlds upon worlds of motionless light, they are no longer called afflicted or insane. They are called saints.
”
”
Mark Helprin (Winter's Tale)
“
It was only then that she realized, that she remembered, what the true danger in this was. Only then that she understood what Gabriel had meant by his warnings.
Because she could feel what he felt. And along with the gratitude, the sheer satisfaction and relief, were other emotions. Appreciation, joy, wonder, and-oh, dear God, love....
Gabriel loved her.
”
”
L.J. Smith (Dark Visions (Dark Visions, #1-3))
“
Can I see anothers woe,
And not be in sorrow too.
Can I see anothers grief,
And not seek for kind relief.
Can I see a falling tear.
And not feel my sorrows share,
Can a father see his child,
Weep, nor be with sorrow fill'd.
Can a mother sit and hear,
An infant groan, an infant fear-
No no never can it be,
Never, never can it be.
”
”
William Blake (Songs of Innocence and of Experience)
“
I did it," I gasp, still reeling from the thrill and the fear. "I really-"
Quince's mouth is on mine in an instant.
His arms around my waist, mine around his neck. It's the fear, i know it's the fear. And the bond. And the adrenaline. That whole i-was-this-close-to-death-and-really-really-really-glad-to-be-alive emotional response. Anxiety and relief and joy swirl between us until i can't tell which are his and which are mine. I can't not be kissing him right now.
The urgency in his kiss tells me he feels the same.
”
”
Tera Lynn Childs (Forgive My Fins (Fins, #1))
“
It was such a strange tormenting feeling when your daemon was pulling at the link between you; part physical pain deep in the chest, part intense sadness and love. Everyone tested it when they were growing up: seeing how far they could pull apart, coming back with intense relief.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
If outer events bring him to a position where he can bear them no longer and force him to cry out to the higher power in helplessness for relief, or if inner feelings bring humiliation and recognition of his dependence on that power, this crushing of the ego may open the door to grace.
”
”
Paul Brunton (Healing of the Self, the Negatives: Notebooks)
“
From the moment I start a new novel, life’s just one endless torture. The first few chapters may go fairly well and I may feel there’s still a chance to prove my worth, but that feeling soon disappears and every day I feel less and less satisfied. I begin to say the book’s no good, far inferior to my earlier ones, until I’ve wrung torture out of every page, every sentence, every word, and the very commas begin to look excruciatingly ugly. Then, when it’s finished, what a relief! Not the blissful delight of the gentleman who goes into ecstasies over his own production, but the resentful relief of a porter dropping a burden that’s nearly broken his back . . . Then it starts all over again, and it’ll go on starting all over again till it grinds the life out of me, and I shall end my days furious with myself for lacking talent, for not leaving behind a more finished work, a bigger pile of books, and lie on my death-bed filled with awful doubts about the task I’ve done, wondering whether it was as it ought to have been, whether I ought not to have done this or that, expressing my last dying breath the wish that I might do it all over again!
”
”
Émile Zola (The Masterpiece)
“
It is growing up different. It is extreme hypersensitivity. It is a bottomless pit of feeling you're failing, but three days later, you feel you can do anything, only to end the week where you began. It is not learning from your mistakes. It is distrusting people because you have been hurt enough. It is moments of knowing your pain is self inflicted, followed by blaming the world. It is wanting to listen, but you just can’t anymore because your life has been to full of people that have judged you. It is fighting to be right; so for once in your life someone will respect and hear you for a change. It is a tiring life of endless games with people, in order to seek stimulus. It is a hyper focus, so intense about what bothers you, that you can’t pay attention to anything else, for very long. It is a never-ending routine of forgetting things. It is a boredom and lack of contentment that keeps you running into the arms of anyone that has enough patience to stick around. It wears you out. It wears everyone out. It makes you question God’s plan. You misinterpret everything, and you allow your creative mind to fill the gaps with the same old chains that bind you. It narrows your vision of who you let into your life. It is speaking and acting without thinking. It is disconnecting from the ones you love because your mind has taken you back to what you can’t let go of. It is risk taking, thrill seeking and moodiness that never ends. You hang your hope on “signs” and abandon reason for remedy. It is devotion to the gifts and talents you have been given, that provide temporary relief. It is the latching onto the acceptance of others---like a scared child abandoned on a sidewalk. It is a drive that has no end, and without “focus” it takes you nowhere. It is the deepest anger when someone you love hurts you, and the greatest love when they don't. It is beauty when it has purpose. It is agony when it doesn’t. It is called Attention Deficit Disorder.
”
”
Shannon L. Alder
“
If we are taken over by craving, no matter who or what is before us, all we can see is how it might satisfy our needs. This kind of thirst contracts our body and mind into a profound trance. We move through the world with a kind of tunnel vision that prevents us from enjoying what is in front of us. The color of an autumn leaves or a passage of poetry merely amplifies the feeling that there is a gaping hole in our life. The smile of a child only reminds us that we are painfully childless. We turn away from simple pleasures because our craving compels us to seek more intense stimulation or numbing relief.
”
”
Tara Brach (Radical Acceptance: Embracing Your Life With the Heart of a Buddha)
“
I am a cutter, you see. Also a snipper, a slicer, a carver, a jabber. I am a very special case. I have a purpose. My skin, you see, screams. It's covered with words - cook, cupcake, kitty, curls - as if a knife-wielding first-grader learned to write on my flesh. I sometimes, but only sometimes, laugh. Getting out of the bath and seeing, out of the corner of my eye, down the side of a leg: babydoll. Pull on a sweater and, in a flash of my wrist: harmful. Why these words? Thousands of hours of therapy have yielded a few ideas from the good doctors. They are often feminine, in a Dick and Jane, pink vs. puppy dog tails sort of way. Or they're flat-out negative. Number of synonyms for anxious carved in my skin: eleven. The one thing I know for sure is that at the time, it was crucial to see these letters on me, and not just see them, but feel them. Burning on my left hip: petticoat.
And near it, my first word, slashed on an anxious summer day at age thirteen: wicked. I woke up that morning, hot and bored, worried about the hours ahead. How do you keep safe when your whole day is as wide and empty as the sky? Anything could happen. I remember feeling that word, heavy and slightly sticky across my pubic bone. My mother's steak knife. Cutting like a child along red imaginary lines. Cleaning myself. Digging in deeper. Cleaning myself. Pouring bleach over the knife and sneaking through the kitchen to return it. Wicked. Relief. The rest of the day, I spent ministering to my wound. Dig into the curves of W with an alcohol-soaked Q-tip. Pet my cheek until the sting went away. Lotion. Bandage. Repeat.
”
”
Gillian Flynn (Sharp Objects)
“
After each dream, Frankie woke with a start, soaked in tears. But she found no relief in the peaceful silence of her room, because there everything was real. And the guilt was too immense to bear. Each time she opened her eyes, she'd quickly shut them. And wish that she had woken up for the very last time.
”
”
Lisi Harrison (Monster High (Monster High, #1))
“
She had been defeated by herself alone, and the sadness of it left a dark shadow in her heart. It further sapped her confidence and left her ever more withdrawn, ever more capable of suppressing her feelings. Like her roughened hands, her sensitivity was slowly being hardened, and she drew relief from the numbness creeping through her.
”
”
Yo Yo (Ghost Tide)
“
So you would think that at this moment, I would be in utter despair. Here's what's strange. The main thing I feel is a sense of relief. That I can give up this game. That the question of whether I can succeed in this venture has been answered, even if that answer is resounding no. That if desperate times call for desperate measures, then I am free to act as desperately as I wish.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
He was not wearing the woollen cap. His newly minted hair was uncovered, and he looked as fresh as he had emerging from the baths the night before, as he had waking beneath Damen's hands. But he had resumed the cool restraint, his jacket laced, his expression disagreeable from the haughty profile to the intolerant blue eyes.
'You're alive,' Damen said, and the words came out on a rush of relief that made him feel weak.
'I'm alive,' said Laurent. They were gazing at one another. 'I wasn't sure you'd come back.'
'I came back,' said Damen.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
Well, most women are full to the brim, that's all...We are, most of us, ready to explode, especially when our children are small and we are so weary with the demands for love and attention and the kind of service that makes you feel you should be wearing a uniform with "Mommy" embroidered over the left breast, over the heart...If a stranger had come up to me and said, "Do you want to talk about it? I have time to listen," I think I might have burst into tears at the relief of it.
”
”
Elizabeth Berg (The Pull of the Moon)
“
A storm was brewing. The wind has picked up and a mass of purple clouds was coming in from the West. It felt good to have my hair whipping around my head. I thought it might feel good to have hail beat down on me. Sometimes storms outside are the only relief for storms inside...
”
”
Elizabeth Chandler (Love at First Click (First Kisses, #6))
“
We need to have an escape plan.""
"I'll shoot him," Bradley offered helpfully.
"He has your gun,"Mary replied.
"Oh, then that won't work."
Mary sighed. Somehow she didn't think that Bradley's warrior-police guy was coming back anytime soon.
"So, how do your legs feel?" she asked.
She felt a large hand squeeze her thigh.
"Bradley, that was my leg."
"Oh, sorry, but what a relief, I thought I had lost feeling in my legs.
”
”
Terri Reid (Loose Ends (Mary O’Reilly #1))
“
I do not want to take part in my life. It can just go on without me; I’m not giving it any help. I don’t want to see it, I don’t want to talk to it, I don’t want it anywhere near me. It takes too much energy. I refuse to be a part of it. If you have a life, even if you get used to it ruining your sleep, spoiling your fun, requiring your somewhat undivided attention, what overwhelming relief one must feel when it finally skips town.
”
”
Carrie Fisher (The Princess Diarist)
“
Whatever’s there to feel, feel it – the riddance, the relief, the fright and freedom, the fear of forgetting, the dull ache of your own mortality. Get with someone you can trust with tears, with anger, and wonderment and utter silence. Get that part done – the sooner the better. The only way around these things is through them.
”
”
Thomas Lynch (The Undertaking: Life Studies from the Dismal Trade)
“
She straightens, and runs her finger over her lips, gazing down at me. “Did you feel that?”
The spark, the electricity. The desire that feeds on itself, relishing the relief of contact but always wanting more.
“Yes.”
She takes my hand and places it over her breast – where her heartbeat throbs wildly in her chest. “And do you feel this?”
My own chest pounds with the same rhythm.
“Yes.”
“Some people go their whole lives without feeling that.
”
”
Emma Chase (Royally Screwed (Royally, #1))
“
Your answer is the logical, coherent answer an absolutely normal person would give: It's a tie! A lunatic, however, would say that what I have around my neck is a ridiculous, useless bit of colored cloth tied in a very complicated way, which makes it harder to get air into your lungs and difficult to turn your neck. I have to be careful when I'm anywhere near a fan, or I could be strangled by this bit of cloth.
If a lunatic were to ask me what this tie is for, I would have to say, absolutely nothing. It's not even purely decorative, since nowadays it's become a symbol of slavery, power, aloofness. The only really useful function a tie serves is the sense of relief when you get home and take it off; you feel as if you've freed yourself from something, though quite what you don't know.
”
”
Paulo Coelho (Veronika Decides to Die)
“
I wanted a drink. There were a hundred reasons why a man will want a drink, but I wanted one now for the most elementary reason of all. I didn't want to feel what I was feeling, and a voice within was telling me that I needed a drink, that I couldn't bear it without it.
But that voice is a liar. You can always bear the pain. It'll hurt, it'll burn like acid in an open wound, but you can stand it. And, as long as you can make yourself go on choosing the pain over the relief, you can keep going.
”
”
Lawrence Block (Out on the Cutting Edge (Matthew Scudder, #7))
“
I'll see you there little Red.' Fane’s voice faded out of her mind and she could feel his humor. Oh, wasn't he just too cute, picking up on her two best friends' idea of a sick joke - to turn her into the little girl who almost wound up as the wolf's dinner.
"My, what big eyes you have, wolf-man," Jacque said out loud, unable to stop her sarcasm from boiling up.
“The better to see you with love,” Jen chimed in.
“What big ears you have!” Sally continued their comic relief.
“The better to hear you with my love,” Jen followed.
“What big teeth you have!” Sally mocked, her hands on either side of her face.
“The better to eat you with my love,” Jen cackled, but she wasn’t finished. True to Jen form she added her own twisted sense of humour. “My, what a big-“
Sally slapped a hand over her mouth, quickly realising where Jen was going with that statement.
”
”
Quinn Loftis (Blood Rites (The Grey Wolves, #2))
“
Like, you know that feeling," I try to explain, "where it's Sunday night and you have school or work the next morning but then it's a snow day and you don't have to go in? You feel like that."
"I feel like a natural disaster?" he teases, but his gaze is intent.
"No," I say, forcing myself to say what I mean. "A relief. You feel like a huge relief."
Rex's eyes go very soft. "You feel like a relief too, Daniel," he says.
”
”
Roan Parrish (In the Middle of Somewhere (Middle of Somewhere, #1))
“
How are you coming with your home library? Do you need some good ammunition on why it's so important to read? The last time I checked the statistics...I think they indicated that only four percent of the adults in this country have bought a book within the past year. That's dangerous. It's extremely important that we keep ourselves in the top five or six percent.
In one of the Monthly Letters from the Royal Bank of Canada it was pointed out that reading good books is not something to be indulged in as a luxury. It is a necessity for anyone who intends to give his life and work a touch of quality. The most real wealth is not what we put into our piggy banks but what we develop in our heads. Books instruct us without anger, threats and harsh discipline. They do not sneer at our ignorance or grumble at our mistakes. They ask only that we spend some time in the company of greatness so that we may absorb some of its attributes.
You do not read a book for the book's sake, but for your own.
You may read because in your high-pressure life, studded with problems and emergencies, you need periods of relief and yet recognize that peace of mind does not mean numbness of mind.
You may read because you never had an opportunity to go to college, and books give you a chance to get something you missed. You may read because your job is routine, and books give you a feeling of depth in life.
You may read because you did go to college.
You may read because you see social, economic and philosophical problems which need solution, and you believe that the best thinking of all past ages may be useful in your age, too.
You may read because you are tired of the shallowness of contemporary life, bored by the current conversational commonplaces, and wearied of shop talk and gossip about people.
Whatever your dominant personal reason, you will find that reading gives knowledge, creative power, satisfaction and relaxation. It cultivates your mind by calling its faculties into exercise.
Books are a source of pleasure - the purest and the most lasting. They enhance your sensation of the interestingness of life. Reading them is not a violent pleasure like the gross enjoyment of an uncultivated mind, but a subtle delight.
Reading dispels prejudices which hem our minds within narrow spaces. One of the things that will surprise you as you read good books from all over the world and from all times of man is that human nature is much the same today as it has been ever since writing began to tell us about it.
Some people act as if it were demeaning to their manhood to wish to be well-read but you can no more be a healthy person mentally without reading substantial books than you can be a vigorous person physically without eating solid food. Books should be chosen, not for their freedom from evil, but for their possession of good. Dr. Johnson said: "Whilst you stand deliberating which book your son shall read first, another boy has read both.
”
”
Earl Nightingale
“
It wasn't supposed to. It was just supposed to stop you from hurting yourself.” “It helps—” “No it doesn't. It just pushes it away temporarily. Just like the booze.” “But I need—” “You need to let yourself feel. Feel it, own it. Then move on.” “You make it sound so easy.” Bitterness drips from each syllable. “It’s not. It’s the fucking hardest thing a person can do.” I smooth a damp strand out of her face and away from my mouth. “It’s the hardest fucking thing. It’s why we drink and do drugs and fight. It’s why I play music and build engines.
”
”
Jasinda Wilder (Falling Into You (Falling, #1))
“
In the absence of relief, a young person’s natural response—their only response, really—is to repress and disconnect from the feeling-states associated with suffering. One no longer knows one’s body. Oddly, this self-estrangement can show up later in life in the form of an apparent strength, such as my ability to perform at a high level when hungry or stressed or fatigued, pushing on without awareness of my need for pause, nutrition, or rest.
”
”
Gabor Maté (The Myth of Normal: Trauma, Illness, and Healing in a Toxic Culture)
“
Dead leaves give the feeling of relief that there's still something in the world,
That’s also as devoid as you are
Touching every leaf mark on the stem tells you a story
Listen to it carefully
That once there was a connection
But with time
And the change in the season
Made way for the leave to fall off
To change its color too
To tell the stem that this is the time to take a leave
To finally say "goodbye"
And leave behind the faded scars
That'll make way for the birth of new leaves
To make another affiliation with the new companions.
”
”
Hareem Ch (Muse Buzz)
“
134. Letters are Commonplace
Letters are commonplace enough, yet what splendid things they are! When someone is in a distant province and one is worried about him, and then a letter suddenly arrives, one feels as though one were seeing him face to face. Again, it is a great comfort to have expressed one's feelings in a letter even though one knows it cannot yet have arrived. If letters did not exist, what dark depressions would come over one! When one has been worrying about something and wants to tell a certain person about it, what a relief it is to put it all down in a letter! Still greater is one's joy when a reply arrives. At that moment a letter really seems like an elixir of life.
”
”
Sei Shōnagon (The Pillow Book)
“
JUST LISTEN
“When your mind is quiet and you listen closely, you will hear the children weeping silently. If you can’t quite hear their cries, then listen with your eyes. These are the children of the streets, who have learned pain and suffering before they ever had a chance to experience life. Do not ignore their cries for help, for all they wish is that you will rescue them. They do not have a family that wants them, they don’t know how it feels to be loved and they’ve never lived anywhere that felt like home…the streets are where they find their voice and relief from all of the suffering.
Just listen and you’ll see them.
”
”
Paige Dearth (When Smiles Fade)
“
And it all came to pass, all that she had hoped, but it did not fill her with rapture nor carry her away with the power or the fervor she had expected. She had imagined it all different, and had imagined herself different, too. In dreams and poems everything had been, as it were, beyond the sea; the haze of distance had mysteriously veiled all the restless mass of details and had thrown out the large lines in bold relief, while the silence of distance had lent its spirit of enchantment. It had been easy then to feel the beauty; but now that she was in the midst of it all, when every little feature stood out and spoke boldly with the manifold voices of reality, and beauty was shattered as light in a prism, she could not gather the rays together again, could not put the picture back beyond the sea. Despondently she was obliged to admit to herself that she felt poor, surrounded by riches that she could not make her own.
”
”
Jens Peter Jacobsen (Niels Lyhne)
“
Whenever he remembered this moment, it lasted forever: a flash of complete separateness as Lydia disappeared beneath the surface. Crouched on the dock, he had a glimpse of the future: without her, he would be completely alone. In the instant after, he knew it would change nothing. He could feel the ground still tipping beneath him. Even without Lydia, the world would not level. He and his parents and their lives would spin into the space where she had been. They would be sucked into the vacuum she left behind.
More than this: the second he touched her, he knew that he had misunderstood everything. When his palms hit her shoulders, when the water closed over her head, Lydia had felt relief so great she had sighed in a deep choking lungful. She had staggered so readily, fell so eagerly, that she and Nath both knew: that she felt it, too, this pull she now exerted, and didn't want it. That the weight of everything tilting toward her was too much.
”
”
Celeste Ng (Everything I Never Told You)
“
I bet you didn’t think I’d come back. But here I am. I come to save you.” Too late, thought Edward as Bryce climbed the pole and worked at the wires that were tied around his wrists. I am nothing but a hollow rabbit. Too late, thought Edward as Bryce pulled the nails out of his ears. I am only a doll made of china. But when the last nail was out and he fell forward into Bryce’s arms, the rabbit felt a rush of relief, and the feeling of relief was followed by one of joy. Perhaps, he thought, it is not too late, after all, for me to be saved.
”
”
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
“
My prayers, my tears, my wishes, fears, and lamentations, were witnessed by myself and heaven alone. When we are harassed by sorrows or anxieties, or long oppressed by any powerful feelings which we must keep to ourselves, for which we can obtain and seek no sympathy from any living creature, and which yet we cannot, or will not wholly crush, we often naturally seek relief in poetry—and often find it, too—whether in the effusions of others, which seem to harmonize with our existing case, or in our own attempts to give utterance to those thoughts and feelings in strains less musical, perchance, but more appropriate, and therefore more penetrating and sympathetic, and, for the time, more soothing, or more powerful to rouse and to unburden the oppressed and swollen heart.
”
”
Anne Brontë (Agnes Grey)
“
this is one of my absolute favourite quotes its from the evernight series (stargazer)
charity to Balthazar
You remind me of too much. you remind me of what it felt like to be alive, to think of sunlight as something you could enjoy instead of something you could bare, to breath and have it change you, refresh you, awaken you, instead of just churning on and on some old useless habit that taunts you with what you use to be, to sigh and feel relief, to cry and let your sadness pass, instead of having it all bottled up inside of you forever and ever until you don't know who you are any more.
”
”
Claudia Gray (Stargazer (Evernight, #2))
“
Rush please," I begged, fighting the urge to grab his hand and force him to bring me relief from the throbbing underneath his touch "I need..." I didn't know what I needed. I just needed.
Rush lifted his head and ran his nose up my neck then pressed a kiss to my chin.
"I know what you need. I'm just not sure I can handle watching you get it. You've got me all kinds of worked up, girl. I'm trying hard to be a good boy. I can't lose control in the back of damn car."
I shook my head. He couldn't stop. I didn't want him to be good. I wanted him inside me. Now. "Please, don't be good. Please," I begged. Rush let out a rugged breath "Shit, baby. Stop it. I'm going to explode. I'll give you your release but when I finally bury myself inside you for the first time you won't be sprawled in the back of my car. You'll be in my bed."
His hand moved before I could respond and my eyes rolled back in my head. "That's it. Come for me, sweet Blaire. Come on my hand and let me feel it. I want to watch you." His words sent me spiralling over the edge of the cliff I'd been trying so hard to reach.
"Ruuuuuush!" I heard the loud cry that came from me as i went falling into complete bliss. I knew I was crying for him, screaming out his name and maybe even clawing at him but I could no longer control myself. The ecstasy was too much.
”
”
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
“
While I pressed the tissue to my face, Beck said, “Can I tell you something? There are a lot of empty boxes in your head, Sam.”
I looked at him, quizzical. Again, it was a strange enough concept to hold my attention.
“There are a lot of empty boxes in there, and you can put things in them.” Beck handed me another tissue for the other side of my face.
My trust of Beck at that point was not yet complete; I remember thinking that he was making a very bad joke that I wasn’t getting. My voice sounded wary, even to me. “What kinds of things?”
“Sad things,” Beck said. “Do you have a lot of sad things in your head?”
“No,” I said.
Beck sucked in his lower lip and released it slowly. “Well, I do.”
This was shocking. I didn’t ask a question, but I tilted toward him.
“And these things would make me cry,” Beck continued. “They used to make me cry all day long.”
I remembered thinking this was probably a lie. I could not imagine Beck crying. He was a rock. Even then, his fingers braced against the floor, he looked poised, sure, immutable.
“You don’t believe me? Ask Ulrik. He had to deal with it,” Beck said. “And so you know what I did with those sad things? I put them in boxes. I put the sad things in the boxes in my head, and I closed them up and I put tape on them and I stacked them up in the corner and threw a blanket over them.”
“Brain tape?” I suggested, with a little smirk. I was eight, after all.
Beck smiled, a weird private smile that, at the time, I didn’t understand. Now I knew it was relief at eliciting a joke from me, no matter how pitiful the joke was. “Yes, brain tape. And a brain blanket over the top. Now I don’t have to look at those sad things anymore. I could open those boxes sometime, I guess, if I wanted to, but mostly I just leave them sealed up.”
“How did you use the brain tape?”
“You have to imagine it. Imagine putting those sad things in the boxes and imagine taping it up with the brain tape. And imagine pushing them into the side of your brain, where you won’t trip over them when you’re thinking normally, and then toss a blanket over the top. Do you have sad things, Sam?”
I could see the dusty corner of my brain where the boxes sat. They were all wardrobe boxes, because those were the most interesting sort of boxes — tall enough to make houses with — and there were rolls and rolls of brain tape stacked on top. There were razors lying beside them, waiting to cut the boxes and me back open.
“Mom,” I whispered.
I wasn’t looking at Beck, but out of the corner of my eye, I saw him swallow.
“What else?” he asked, barely loud enough for me to hear. “The water,” I said. I closed my eyes. I could see it, right there, and I had to force out the next word. “My …” My fingers were on my scars.
Beck reached out a hand toward my shoulder, hesitant. When I didn’t move away, he put an arm around my back and I leaned against his chest, feeling small and eight and broken.
“Me,” I said.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
The function of mindfulness is, first, to recognize the suffering and then to take care of the suffering. The work of mindfulness is first to recognize the suffering and second to embrace it. A mother taking care of a crying baby naturally will take the child into her arms without suppressing, judging it, or ignoring the crying. Mindfulness is like that mother, recognizing and embracing suffering without judgement.
So the practice is not to fight or suppress the feeling, but rather to cradle it with a lot of tenderness. When a mother embraces her child, that energy of tenderness begins to penetrate into the body of the child. Even if the mother doesn't understand at first why the child is suffering and she needs some time to find out what the difficulty is, just her acto f taking the child into her arms with tenderness can alreadby bring relief. If we can recognize and cradle the suffering while we breathe mindfully, there is relief already.
”
”
Thich Nhat Hanh (No Mud, No Lotus: The Art of Transforming Suffering)
“
Her room was warm and lightsome. A huge doll sat with her legs apart in the copious easy-chair beside the bed. He tried to bid his tongue speak that he might seem at ease, watching her as she undid her gown, noting the proud conscious movements of her perfumed head.
As he stood silent in the middle of the room she came over to him and embraced him gaily and gravely. Her round arms held him firmly to her and he, seeing her face lifted to him in serious calm and feeling the warm calm rise and fall of her breast, all but burst into hysterical weeping. Tears of joy and relief shone in his delighted eyes and his lips parted though they would not speak.
She passed her tinkling hand through his hair, calling him a little rascal.
—Give me a kiss, she said.
His lips would not bend to kiss her. He wanted to be held firmly in her arms, to be caressed slowly, slowly, slowly. In her arms he felt that he had suddenly become strong and fearless and sure of himself. But his lips would not bend to kiss her.
With a sudden movement she bowed his head and joined her lips to his and he read the meaning of her movements in her frank uplifted eyes. It was too much for him. He closed his eyes, surrendering himself to her, body and mind, conscious of nothing in the world but the dark pressure of her softly parting lips. They pressed upon his brain as upon his lips as though they were the vehicle of a vague speech; and between them he felt an unknown and timid pressure, darker than the swoon of sin, softer than sound or odour.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
What would I like to get away from? Complexity. Anxiety. A feeling I've had my whole life that at any given time there's something I'm forgetting, some detail or chore, something that I'm supposed to be doing or should have already done. That nagging sensation - I get up with it, I go through the day with it, I go to sleep with it. When I was a kid, I had a habit of coming home from school on Friday afternoons and immediately doing my homework. So I'd wake up on Saturday morning with this wonderful sensation, a clean, open feeling of relief and possibility and calm. There'd be nothing I had to do. Those Saturday mornings, they were a taste of real freedom that I've hardly ever experienced as an adult. I never wake up in Elmsford with the feeling that I've done my homework.
”
”
Lionel Shriver (So Much for That)
“
Annabelle, what happened to you?” Lillian asked the next morning. “You look dreadful. Why aren’t you wearing your riding habit? I thought you were going to try out the jumping course this morning. And why did you disappear
so suddenly last night? It’s not like you to simply vanish without saying—”
“I didn’t have a choice in the matter,” Annabelle said testily, folding her fingers around the delicate bowl of a porcelain teacup. Looking pale and exhausted, her blue eyes ringed with dark shadows, she swallowed a mouthful of heavily sweetened tea before continuing. “It was that blasted perfume of yours—as soon as he caught one whiff of it, he went berserk.”
Shocked, Lillian tried to take in the information, her stomach plummeting. “It… it had an effect on Westcliff, then?” she managed to ask.
“Good Lord, not Lord Westcliff.” Annabelle rubbed her weary eyes. “He couldn’t have cared less what I smelled like. It was my husband who went completely mad. After he caught the scent of that stuff, he dragged me up to our room and…well, suffice it to say, Mr. Hunt kept me awake all night. All night ,” she repeated in sullen emphasis, and drank deeply of the tea.
“Doing what?” Daisy asked blankly.
Lillian, who was feeling a rush of relief that Lord Westcliff had not been attracted to Annabelle while she
was wearing the perfume, gave her younger sister a derisive glance. “What do you think they were doing? Playing a few hands of Find-the-Lady?
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
There are people who fantasize about suicide, and paradoxically, these fantasies can be soothing because they usually involve either fantasizing about others' reactions to one's suicide or imagining how death would be a relief from life's travails. In both cases, an aspect of the fantasy is to exert control, either over others' views or toward life's difficulties. The writer A. Alvarez stated, " There people ... for whom the mere idea of suicide is enough; they can continue to function efficiently and even happily provided they know they have their own, specially chosen means of escape always ready..." In her riveting 2008 memoir of bipolar disorder, Manic, Terri Cheney opened the book by stating, "People... don't understand that when you're seriously depressed, suicidal ideation can be the only thing that keeps you alive. Just knowing there's an out--even if it's bloody, even if it's permanent--makes the pain bearable for one more day."
This strategy appears to be effective for some people, but only for a while. Over longer periods, fantasizing about death leaves people more depressed and thus at higher risk for suicide, as Eddie Selby, Mike Amestis, and I recently showed in a study on violent daydreaming. A strategy geared toward increased feelings of self-control (fantasizing about the effects of one's suicide) "works" momentarily, but ultimately backfires by undermining feelings of genuine self-control in the long run.
”
”
Thomas E. Joiner (Myths About Suicide)
“
With all these occurrences of death facing me, I thought about issues of freedom. If government projects the idea that we, as people inhabiting this particular land mass, have freedom, then for the rest of our lives we will go out and find what appear to be the boundaries and smack against them like a heart against the rib cage. If we reveal boundaries in the course of our movements, then we will expose the inherent lie in the use of the word freedom. I want to keep breathing and moving until I arrive at a place where motion and strength and relief intersect. I don't know what's ahead of me in the course of my life and this civilization. I just don't feel I have reached the necessary things inside my history that would ease the pressure in my skull and in my future and in my present. It is exhausting, living in a population where people don't speak up if what they witness doesn't directly threaten them.
”
”
David Wojnarowicz (Close to the Knives: A Memoir of Disintegration)
“
How strange! This bed on which I shall lie has been slept on by more than one dying man, but today it does not repel me! Who knows what corpses have lain on it and for how long? But is a corpse any worse than I? A corpse too knows nothing of its father, mother or sisters or Titus. Nor has a corpse a sweetheart. A corpse, too, is pale, like me. A corpse is cold, just as I am cold and indifferent to everything. A corpse has ceased to live, and I too have had enough of life…. Why do we live on through this wretched life which only devours us and serves to turn us into corpses? The clocks in the Stuttgart belfries strike the midnight hour. Oh how many people have become corpses at this moment! Mothers have been torn from their children, children from their mothers - how many plans have come to nothing, how much sorrow has sprung from these depths, and how much relief!… Virtue and vice have come in the end to the same thing! It seems that to die is man’s finest action - and what might be his worst? To be born, since that is the exact opposite of his best deed. It is therefore right of me to be angry that I was ever born into this world! Why was I not prevented from remaining in a world where I am utterly useless? What good can my existence bring to anyone? … But wait, wait! What’s this? Tears? How long it is since they flowed! How is this, seeing that an arid melancholy has held me for so long in its grip? How good it feels - and sorrowful. Sad but kindly tears! What a strange emotion! Sad but blessed. It is not good for one to be sad, and yet how pleasant it is - a strange state…
”
”
Frédéric Chopin
“
I’m such a negative person, and always have been. Was I born that way? I don’t know. I am constantly disgusted by reality, horrified and afraid. I cling desperately to the few things that give me some solace, that make me feel good.
I hate most of humanity. Though I might be very fond of particular individuals, humanity in general fills me with contempt and despair. I hate most of what passes for civilization. I hate the modern world. For one thing there are just too Goddamn many people. I hate the hordes, the crowds in their vast cities, with all their hateful vehicles, their noise and their constant meaningless comings and goings. I hate cars. I hate modern architecture. Every building built after 1955 should be torn down!
I despise modern music. Words cannot express how much it gets on my nerves – the false, pretentious, smug assertiveness of it. I hate business, having to deal with money. Money is one of the most hateful inventions of the human race. I hate the commodity culture, in which everything is bought and sold. No stone is left unturned. I hate the mass media, and how passively people suck up to it.
I hate having to get up in the morning and face another day of this insanity. I hate having to eat, shit, maintain the body – I hate my body. The thought of my internal functions, the organs, digestion, the brain, the nervous system, horrify me.
Nature is horrible. It’s not cute and loveable. It’s kill or be killed. It’s very dangerous out there. The natural world is filled with scary, murderous creatures and forces. I hate the whole way that nature functions. Sex is especially hateful and horrifying, the male penetrating the female, his dick goes into her hole, she’s impregnated, another being grows inside her, and then she must go through a painful ordeal as the new being pushes out of her, only to repeat the whole process in time.
Reproduction – what could be more existentially repulsive?
How I hate the courting ritual. I was always repelled by my own sex drive, which in my youth never left me alone. I was constantly driven by frustrated desires to do bizarre and unacceptable things with and to women. My soul was in constant conflict about it. I never was able to resolve it.
Old age is the only relief.
I hate the way the human psyche works, the way we are traumatized and stupidly imprinted in early childhood and have to spend the rest of our lives trying to overcome these infantile mental fixations. And we never ever fully succeed in this endeavor.
I hate organized religions. I hate governments. It’s all a lot of power games played out by ambition-driven people, and foisted on the weak, the poor, and on children.
Most humans are bullies. Adults pick on children. Older children pick on younger children. Men bully women. The rich bully the poor. People love to dominate.
I hate the way humans worship power – one of the most disgusting of all human traits.
I hate the human tendency towards revenge and vindictiveness. I hate the way humans are constantly trying to trick and deceive one another, to swindle, to cheat, and take unfair advantage of the innocent, the naïve and the ignorant.
I hate the vacuous, false, banal conversation that goes on among people.
Sometimes I feel suffocated; I want to flee from it.
For me, to be human is, for the most part, to hate what I am. When I suddenly realize that I am one of them, I want to scream in horror.
”
”
Robert Crumb
“
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing.
“Mom.”
“Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?”
“Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?”
“I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.”
“Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.”
“The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.”
“Our car doesn’t have air bags,” Blue pointed out.
Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.”
Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?”
“You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?”
“I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.”
Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.”
“If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested.
“This is what you get, Maura, for using your DNA to make a baby,” Calla said.
Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.”
Calla growled, “Don’t be one of them.”
“Persephone?” asked Maura.
In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.”
“Okay,” Blue said hurriedly. “I’m out.”
“You could at least say sorry,” Maura said. “Pretend like I have some power over you.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Is that … chocolate cake?”
“I thought you might need some.”
“Need, not want?”
A ghost of a smile was on her lips, and he almost sagged in relief as he said, “For you, I’d say that chocolate cake is most definitely a need.”
She crossed from the fireplace to where he stood, stopping a hand’s breadth away and staring up at him. Some of the color had returned to her face.
He should step back, put more distance between them. But instead, he found himself reaching for her, a hand slipping around her waist and the other twining itself through her hair as he held her tightly to him. His heart thundered through him so hard he knew she could feel it. After a second, her arms came up around him, her fingers digging into his back in a way that made him realize how close they stood.
He shoved that feeling down, even as the silken texture of her hair against his fingers made him want to bury his face in it, and the smell of her, laced with mist and night, had him grazing his nose against her neck. There were other kinds of comfort that he could give her than mere words, and if she needed that kind of distraction … He shoved down that thought, too, swallowing it until he nearly choked on it.
Her fingers were moving down his back, still digging into his muscles with a fierce kind of possession. If she kept touching him like that, his control was going to slip completely.
And then she pulled back, just far enough to look up at him again, still so close their breath mingled. He found himself gauging the distance between their lips, his eyes flicking between her mouth and her eyes, the hand he had entwined in her hair stilling.
Desire roared through him, burning down every defense he’d put up, erasing every line he’d convinced himself he had to maintain.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
Arthur Less is the first homosexual ever to grow old. That is, at least, how he feels at times like these. Here, in this tub, he should be twenty-five or thirty, a beautiful young man naked in a bathtub. Enjoying the pleasures of life. How dreadful if someone came upon naked Less today: pink to his middle, gray to his scalp, like those old double erasers for pencil and ink. He has never seen another gay man age past fifty, none except Robert. He met them all at forty or so but never saw them make it much beyond; they died of AIDS, that generation. Less’s generation often feels like the first to explore the land beyond fifty. How are they meant to do it? Do you stay a boy forever, and dye your hair and diet to stay lean and wear tight shirts and jeans and go out dancing until you drop dead at eighty? Or do you do the opposite—do you forswear all that, and let your hair go gray, and wear elegant sweaters that cover your belly, and smile on past pleasures that will never come again? Do you marry and adopt a child? In a couple, do you each take a lover, like matching nightstands by the bed, so that sex will not vanish entirely? Or do you let sex vanish entirely, as heterosexuals do? Do you experience the relief of letting go of all that vanity, anxiety, desire, and pain?
”
”
Andrew Sean Greer (Less)
“
I missed you, Kitten,” he growled. Then his mouth crushed over mine, his kiss more filled with raw need than romantic welcome. That was fine; I felt the same way. Aside from my compulsive urge to run my hands over him to assure myself that he was really here, relief, happiness, and the most profound feeling of rightness zoomed through me, settling all the way to my core. I hadn’t realized how deeply I’d missed Bones until that very moment, hadn’t let myself acknowledge how everything felt off when I was apart from him. On some levels, it was frightening how much a part of me he’d become. It let me know just how much I’d crumble if anything happened to him. “Why didn’t you answer your mobile earlier?” Bones murmured once he lifted his head. “I tried you several times. Tried Mencheres, too. Even Tepesh. None of you answered. Scared the wits out of me, so I stowed away on a FedEx plane to make sure you were all right.” “You came all the way from Ohio because I didn’t answer the phone?” I was torn between laughter and disbelief. “God, Bones, that’s a little crazy.” And it was, except the part of me that had had images of his tombstone dancing in my head because he hadn’t answered his phone earlier was nodding in complete understanding. Despite all our protestations, we were so alike when it came to fear over the other’s safety, and I doubted we’d ever change. “Crazy,” I repeated, my voice roughening with the surge of emotion in me. “And have I told you lately. that your crazy side . . . is your sexiest side?” He chuckled before his mouth swooped back over mine in another dizzying kiss. Then he picked me up, brushing past Vlad and Mencheres without even a hello, though I doubted either of them was surprised.
”
”
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
“
II
A grief without a pang, void, dark, and drear,
A stifled, drowsy, unimpassioned grief,
Which finds no natural outlet, no relief,
In word, or sigh, or tear —
O Lady! in this wan and heartless mood,
To other thoughts by yonder throstle woo'd,
All this long eve, so balmy and serene,
Have I been gazing on the western sky,
And its peculiar tint of yellow green:
And still I gaze — and with how blank an eye!
And those thin clouds above, in flakes and bars,
That give away their motion to the stars;
Those stars, that glide behind them or between,
Now sparkling, now bedimmed, but always seen:
Yon crescent Moon as fixed as if it grew
In its own cloudless, starless lake of blue;
I see them all so excellently fair,
I see, not feel how beautiful they are!
III
My genial spirits fail;
And what can these avail
To lift the smothering weight from off my breast?
It were a vain endeavour,
Though I should gaze for ever
On that green light that lingers in the west:
I may not hope from outward forms to win
The passion and the life, whose fountains are within.
”
”
Samuel Taylor Coleridge (The Complete Poems)
“
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
”
”
Nick Flynn (Another Bullshit Night in Suck City)
“
She wanted to touch him, to throw her arms around him — but something held her back. Maybe it was the fear that her arms would pass right through him, that she would have come all this way only to find a ghost after all.
As though he’d been able to read her thoughts, he slowly angled toward her. He raised his hands and held his palms out to her. Isobel lifted her own hands to mirror his. He pressed their palms together, his fingers folding down to lace through hers. She felt a rush of warmth course through her, a relief as pure and sweet as spring rain.
He was real. This was real. She had found him. She could touch him. She could feel him. Finally they were together. Finally, finally, they could forget this wasted world and go home.
"I knew it wasn’t true," she whispered. "I knew you wouldn’t stop believing." He drew her close.
Leaning into him, she felt him press his lips to her forehead in a kiss. As he spoke, the cool metal of his lip ring grazed her skin, causing a shudder to ripple through her.
"You..." His voice, low and breathy, reverberated through her, down to the thin soles of her slippers. "You think you’re different," he said. She felt his hands tighten around hers, gripping hard, too hard.
A streak of violet lightning split the sky, striking close behind them.
The house, Isobel thought. It had been struck. She could hear it cracking apart. She looked for only a brief moment, long enough to watch it split open.
"But you’re not," Varen said, calling her attention back to him. Isobel winced, her own hands surrendering under the suddenly crushing pressure of his hold. A face she did not recognize stared down at her, one twisted with anger — with hate.
"You," he scarcely more than breathed, "are just like every. Body. Else."
He moved so fast. Before she could register his words or the fact that she had once spoken them to him herself, he jerked her to one side. Isobel felt her feet part from the rocks. Weightlessness took hold of her as she swung out and over the ledge of the cliff.
As he let her go.
The wind whistled its high and lonely song in her ears. She fell away into the oblivion of the storm until she could no longer see the cliff — could no longer see him.
Only the slip of the pink ribbon as it unraveled from her wrist, floating up and away from her and out of sight forever.
”
”
Kelly Creagh (Enshadowed (Nevermore, #2))
“
My head ached. I was thinking of the pain, and wondering how it was possible for physical agony to be so intense. I had never imagined that such a torture could be endured. Yet here was I, both conscious and able to think clearly. And not only to think, but to observe the process and make calculations about it. The steel circle round my skull was closing in with faint cracking noises. How much farther could it shrink? I counted the cracking sounds. Since I took the triple dose of pain-killer, there had been two more. …I took out my watch and laid it on the table.
“Give me morphia,” I said in a calm, hostile, icy tone.
“You mustn’t take morphia! You know perfectly well. The very idea! And what are you doing with that watch?”
“You will give me morphia within three minutes.”
They looked me uneasily up and down. No one moved. Three minutes went by. Then ten more. I slipped the watch calmly into my pocket and rose unsteadily to my feet.
“Then take me to the Fiakker Bar. They say it’s a good show, and to-night I want to enjoy myself.”
The others jumped up with a feeling of relief.
I never confessed the secret to anyone, either then or afterwards. I had made up my mind at the end of those three minutes — for the first and last time in my life — that if my headache had not stopped within the next ten I should throw myself under the nearest tram.
It never came out whether I should have kept to my resolve, for the pain left with the suddenness of lighting.
”
”
Frigyes Karinthy (A Journey Round My Skull)
“
I have never been one of those people—I know you aren’t, either—who feels that the love one has for a child is somehow a superior love, one more meaningful, more significant, and grander than any other. I didn’t feel that before Jacob, and I didn’t feel that after. But it is a singular love, because it is a love whose foundation is not physical attraction, or pleasure, or intellect, but fear. You have never known fear until you have a child, and maybe that is what tricks us into thinking that it is more magnificent, because the fear itself is more magnificent. Every day, your first thought is not “I love him” but “How is he?” The world, overnight, rearranges itself into an obstacle course of terrors. I would hold him in my arms and wait to cross the street and would think how absurd it was that my child, that any child, could expect to survive this life. It seemed as improbable as the survival of one of those late-spring butterflies—you know, those little white ones—I sometimes saw wobbling through the air, always just millimeters away from smacking itself against a windshield. And let me tell you two other things I learned. The first is that it doesn’t matter how old that child is, or when or how he became yours. Once you decide to think of someone as your child, something changes, and everything you have previously enjoyed about them, everything you have previously felt for them, is preceded first by that fear. It’s not biological; it’s something extra-biological, less a determination to ensure the survival of one’s genetic code, and more a desire to prove oneself inviolable to the universe’s feints and challenges, to triumph over the things that want to destroy what’s yours. The second thing is this: when your child dies, you feel everything you’d expect to feel, feelings so well-documented by so many others that I won’t even bother to list them here, except to say that everything that’s written about mourning is all the same, and it’s all the same for a reason—because there is no real deviation from the text. Sometimes you feel more of one thing and less of another, and sometimes you feel them out of order, and sometimes you feel them for a longer time or a shorter time. But the sensations are always the same. But here’s what no one says—when it’s your child, a part of you, a very tiny but nonetheless unignorable part of you, also feels relief. Because finally, the moment you have been expecting, been dreading, been preparing yourself for since the day you became a parent, has come. Ah, you tell yourself, it’s arrived. Here it is. And after that, you have nothing to fear again.
”
”
Hanya Yanagihara (A Little Life)
“
At this point, a faerie woman came twirling through. She had leaves in her updo and was swathed in ribbons and ivy and not much else. She tripped on a trailing line of ivy and Alec caught her.
“Good reflexes!” she said brightly. “Also great arms. Would you be interested in a night of tumultuous forbidden passion, with an option to extend to seven years?”
“Um, I am gay,” Alec said.
He was not used to saying that casually, to any random person. It was strange to say it, and feel both relief and a shadow of his old fear, twined together.
Of course, the declaration might not mean much to faeries. The faerie woman accepted it with a shrug, then looked over at Raphael and lit up.
Something about the leather jacket or the scowl seemed to appeal to her strongly.
“How about you, Vampire Without a Cause?”
“I’m not gay,” said Raphael. “I’m not straight. I’m not interested.”
“Your sexuality is ‘not interested’?” Alec asked curiously.
Raphael said, “That’s right.”
The faerie thought for a moment, then ventured, “I can also assume the appearance of a tree!”
“I didn’t say, ‘not interested unless you’re a tree.’ ”
“Wait,” said the faerie suddenly. “I recognize you. You’re Raphael Santiago! I’ve heard of you.”
Raphael made a gesture of dismissal. “Have you heard I like it when people go away?”
“You were one of the heroes in the Downworlder victory over Valentine.”
“He was one of the heroes of the Downworlder and Shadowhunter alliance, which led to the victory,” Alec said.
Raphael stopped looking annoyed and began to look nastily amused.
“Oh, did the Shadowhunters help a little?” he asked.
“You were there!” said Alec.
“Can I have your autograph, Raphael?” asked the faerie lady.
She produced a large, shiny green leaf and a quill. Raphael wrote LEAVE ME ALONE on the leaf.
“I’ll cherish it,” said the faerie. She ran away, clutching the leaf to her bosom.
“Don’t,” Raphael yelled after her.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
I came to another passageway and paused to examine the scene. I saw myself dead and lying on the ground with Ren kneeling beside me. He leaned over my inert body investigating. I heard him whisper, “Kelsey? Is it you? Kelsey, please. Talk to me. I need to know if it’s really you.”
He picked my body up and cradled it lovingly in his arms. I checked to make sure he had the gada and the backpack, which he did, but I’d been fooled before. Then he said, “Don’t leave me, Kells.”
I closed my eyes and listened to his voice begging me to live. My heart started thumping wildly, a different reaction than I’d had in the past visions. I took a step closer and hit a barrier again.
I spoke to him softly, “Ren? I’m here. Don’t give up.”
He raised his head as if he’d heard me.
“Kelsey? I can hear you, but I can’t see you. Where are you?” He lowered me, or the body that looked like me, to the ground, and it disappeared.
I told him, “Close your eyes and feel your way to me.” He stood slowly and closed his eyes.
I closed my eyes too, and tried to focus not on his voice but on his heart. I imagined my hand on his chest, feeling the strong thump of his heart beneath my fingers. My body seemed to move of its own volition, and I took several steps forward. I concentrated on Ren, his laugh, his smile, how I felt being near him, then, suddenly, my hand touched his chest, and I could feel his heart beating. He was there. I opened my eyes slowly and looked at him.
He reached out a hand to touch my hair, but then he pulled it back. “Is it really you this time, Kells?”
“Well, I’m no maggoty corpse, if that’s what you mean.”
He grinned. “That’s a relief. No maggoty corpse would be that sarcastic.”
I countered, “Well, how do I know it’s really you?”
He considered my question for a moment and then ducked his head to kiss me. He tugged me flush up against his chest, pulling me closer than I even thought possible, and then his lips touched mine. His kiss started out warm and soft, but quickly turned hungry and demanding. His hands ran up my arms, to my shoulders, and then cupped my neck. I wrapped my arms around his waist and luxuriated in the kiss. When he finally pulled back, my heart was pounding in response.
When the power of speech returned, I quipped, “Well, even if it isn’t really you, I’ll take this version.”
He laughed and relief flooded both of us. “Kells, I think you’d better hold my hand the rest of the way.”
I smiled gaily back at him. “No problem.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Freud was fascinated with depression and focused on the issue that we began with—why is it that most of us can have occasional terrible experiences, feel depressed, and then recover, while a few of us collapse into major depression (melancholia)? In his classic essay “Mourning and Melancholia” (1917), Freud began with what the two have in common. In both cases, he felt, there is the loss of a love object. (In Freudian terms, such an “object” is usually a person, but can also be a goal or an ideal.) In Freud’s formulation, in every loving relationship there is ambivalence, mixed feelings—elements of hatred as well as love. In the case of a small, reactive depression—mourning—you are able to deal with those mixed feelings in a healthy manner: you lose, you grieve, and then you recover. In the case of a major melancholic depression, you have become obsessed with the ambivalence—the simultaneity, the irreconcilable nature of the intense love alongside the intense hatred. Melancholia—a major depression—Freud theorized, is the internal conflict generated by this ambivalence. This can begin to explain the intensity of grief experienced in a major depression. If you are obsessed with the intensely mixed feelings, you grieve doubly after a loss—for your loss of the loved individual and for the loss of any chance now to ever resolve the difficulties. “If only I had said the things I needed to, if only we could have worked things out”—for all of time, you have lost the chance to purge yourself of the ambivalence. For the rest of your life, you will be reaching for the door to let you into a place of pure, unsullied love, and you can never reach that door. It also explains the intensity of the guilt often experienced in major depression. If you truly harbored intense anger toward the person along with love, in the aftermath of your loss there must be some facet of you that is celebrating, alongside the grieving. “He’s gone; that’s terrible but…thank god, I can finally live, I can finally grow up, no more of this or that.” Inevitably, a metaphorical instant later, there must come a paralyzing belief that you have become a horrible monster to feel any sense of relief or pleasure at a time like this. Incapacitating guilt. This theory also explains the tendency of major depressives in such circumstances to, oddly, begin to take on some of the traits of the lost loved/hated one—and not just any traits, but invariably the ones that the survivor found most irritating. Psychodynamically, this is wonderfully logical. By taking on a trait, you are being loyal to your lost, beloved opponent. By picking an irritating trait, you are still trying to convince the world you were right to be irritated—you see how you hate it when I do it; can you imagine what it was like to have to put up with that for years? And by picking a trait that, most of all, you find irritating, you are not only still trying to score points in your argument with the departed, but you are punishing yourself for arguing as well. Out of the Freudian school of thought has come one of the more apt descriptions of depression—“aggression turned inward.” Suddenly the loss of pleasure, the psychomotor retardation, the impulse to suicide all make sense. As do the elevated glucocorticoid levels. This does not describe someone too lethargic to function; it is more like the actual state of a patient in depression, exhausted from the most draining emotional conflict of his or her life—one going on entirely within. If that doesn’t count as psychologically stressful, I don’t know what does.
”
”
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
“
Come, Paul!" she reiterated, her eye grazing me with its hard ray like a steel stylet. She pushed against her kinsman. I thought he receded; I thought he would go. Pierced deeper than I could endure, made now to feel what defied suppression, I cried -
"My heart will break!"
What I felt seemed literal heart-break; but the seal of another fountain yielded under the strain: one breath from M. Paul, the whisper, "Trust me!" lifted a load, opened an outlet. With many a deep sob, with thrilling, with icy shiver, with strong trembling, and yet with relief - I wept.
"Leave her to me; it is a crisis: I will give her a cordial, and it will pass," said the calm Madame Beck.
To be left to her and her cordial seemed to me something like being left to the poisoner and her bowl. When M. Paul answered deeply, harshly, and briefly - "Laissez-moi!" in the grim sound I felt a music strange, strong, but life-giving.
"Laissez-moi!" he repeated, his nostrils opening, and his facial muscles all quivering as he spoke.
"But this will never do," said Madame, with sternness. More sternly rejoined her kinsman -
"Sortez d'ici!"
"I will send for Père Silas: on the spot I will send for him," she threatened pertinaciously.
"Femme!" cried the Professor, not now in his deep tones, but in his highest and most excited key, "Femme! sortez à l'instant!"
He was roused, and I loved him in his wrath with a passion beyond what I had yet felt.
"What you do is wrong," pursued Madame; "it is an act characteristic of men of your unreliable, imaginative temperament; a step impulsive, injudicious, inconsistent - a proceeding vexatious, and not estimable in the view of persons of steadier and more resolute character."
"You know not what I have of steady and resolute in me," said he, "but you shall see; the event shall teach you. Modeste," he continued less fiercely, "be gentle, be pitying, be a woman; look at this poor face, and relent. You know I am your friend, and the friend of your friends; in spite of your taunts, you well and deeply know I may be trusted. Of sacrificing myself I made no difficulty but my heart is pained by what I see; it must have and give solace. Leave me!"
This time, in the "leave me" there was an intonation so bitter and so imperative, I wondered that even Madame Beck herself could for one moment delay obedience; but she stood firm; she gazed upon him dauntless; she met his eye, forbidding and fixed as stone. She was opening her lips to retort; I saw over all M. Paul's face a quick rising light and fire; I can hardly tell how he managed the movement; it did not seem violent; it kept the form of courtesy; he gave his hand; it scarce touched her I thought; she ran, she whirled from the room; she was gone, and the door shut, in one second.
The flash of passion was all over very soon. He smiled as he told me to wipe my eyes; he waited quietly till I was calm, dropping from time to time a stilling, solacing word. Ere long I sat beside him once more myself - re-assured, not desperate, nor yet desolate; not friendless, not hopeless, not sick of life, and seeking death.
"It made you very sad then to lose your friend?" said he.
"It kills me to be forgotten, Monsieur," I said.
”
”
Charlotte Brontë (Villette)