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Probably there is nothing in human nature more resonant with charges than the flow of energy between two biologically alike bodies, one of which has lain in amniotic bliss inside the other, one of which has labored to give birth to the other. The materials are here for the deepest mutuality and the most painful estrangement.
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Adrienne Rich (Of Woman Born: Motherhood as Experience and Institution)
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The thing about mothers, I want to say, is that once the containment ends and one becomes two, you don't always fit together so nicely... The living mother-daughter relationship, you learn over and over again, is a constant choice between adaptation and acceptance.
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Kelly Corrigan (Glitter and Glue)
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He didn't understand that a mother and daughter cannot be protected from one another, that the harms that pass between them cannot be mitigated because they are also expressions of love.
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Alexis Schaitkin (Elsewhere)
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We are all women you assure me? Then I may tell you that the very next words I read were these – ‘Chloe liked Olivia …’ Do not start. Do not blush. Let us admit in the privacy of our own society that these things sometimes happen. Sometimes women do like women. ‘Chloe liked Olivia,’ I read. And then it struck me how immense a change was there. Chloe liked Olivia perhaps for the first time in literature. Cleopatra did not like Octavia. And how completely Antony and Cleopatra would have been altered had she done so! As it is, I thought, letting my mind, I am afraid, wander a little from Life’s Adventure, the whole thing is simplified, conventionalized, if one dared say it, absurdly. Cleopatra’s only feeling about Octavia is one of jealousy. Is she taller than I am? How does she do her hair? The play, perhaps, required no more. But how interesting it would have been if the relationship between the two women had been more complicated. All these relationships between women, I thought, rapidly recalling the splendid gallery of fictitious women, are too simple. So much has been left out, unattempted. And I tried to remember any case in the course of my reading where two women are represented as friends. There is an attempt at it in Diana of the Crossways. They are confidantes, of course, in Racine and the Greek tragedies. They are now and then mothers and daughters. But almost without exception they are shown in their relation to men.
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Virginia Woolf (A Room of One’s Own)
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So often, we're told that women's stories are unimportant. After all, what does it matter what happens in the main room, in the kitchen, or in the bedroom? Who cares about the relationships between mother, daughter, and sister? A baby's illness, the sorrows and pains of childbirth, keeping the family together during war, poverty, or even in the best of days are considered small and insignificant compared with the stories of men, who fight against nature to grow their crops, who wage battles to secure their homelands, who struggle to look inward in search of the perfect man. We're told that men are strong and brave, but I think women know how to endure, accept defeat, and bear physical and mental agony much better than men. The men in my life—my father, Z.G., my husband, my father-in-law, my brother-in-law, and my son—faced, to one degree or another, those great male battles, but their hearts—so fragile—wilted, buckled, crippled, corrupted, broke, or shattered when confronted with the losses women face every day...Our men try to act strong, but it is May, Yen-yen, Joy, and I who must steady them and help them bear their pain, anguish, and shame.
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Lisa See (Shanghai Girls (Shanghai Girls, #1))
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The relationship between mother and son and mother and daughter is different, because the mother is a mirror in which the daughter sees her future self and the daughter is a mirror in which the mother sees her lost self.
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Vigdis Hjorth (Er mor død)
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But sibling relationships can also be shaped by the dynamic between the unloving mother and her daughter, most particularly when a mother differentiates between her children, being loving and attentive to one but not to another. In many families, the dynamic will weaken sibling bonds.
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Peg Streep (Mean Mothers: Overcoming the Legacy of Hurt)
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The weaving of life between mother and daughter is just like the making of a basket. As time goes by, the interlacing takes shape and becomes stronger.
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Haley Elizabeth Garwood (Ashes of Britannia (Warrior Queen, #3))
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The debt between a child and her mother could never be repaid, like running a foot race against someone fifteen miles ahead of you. What hope did you have of catching up?
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Stephanie Wrobel (Darling Rose Gold)
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We want desperately to believe that every mother falls in love with her baby at first sight and that the complexity of relationships, so evident elsewhere as part of the human condition, is totally absent from the connection between mother and child.
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Peg Streep (Mean Mothers: Overcoming the Legacy of Hurt)
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Mother, sister, wife, and daughter are the four natural elements in any relationship between men and women.
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Erich Neumann (The Origins and History of Consciousness (Maresfield Library))
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The roles available to women and men are clearly articulated in fairy tales. The characters of each are vividly described, and so are the modes of relationship possible between them. We see that powerful women are bad, and that good women are inert. We see that men are always good, no matter what they do, or do not do.
We also have an explicit rendering of the nuclear family. In that family, a mother’s love is destructive, murderous. In that family, daughters are objects, expendable. The nuclear family, as we find it delineated in fairy tales, is a paradigm of male being-in-the-world, female evil, and female victimization. It is a crystallization of sexist culture —the nuclear structure of that culture.
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Andrea Dworkin (Woman Hating)
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The entire affective world, constructed over the years with utmost difficulty, collapses with a kick in the father's genitals, a smack on the mother's face, an obscene insult to the sister, or the sexual violation of a daughter. Suddenly an entire culture based on familial love, devotion, the capacity for mutual sacrifice collapses. Nothing is possible in such a universe, and that is precisely what the torturers know… From my cell, I'd hear the whispered voices of children trying to learn what was happening to their parents, and I'd witness the efforts of daughters to win over a guard, to arouse a feeling of tenderness in him, to incite the hope of some lovely future relationship between them in order to learn what was happening to her mother, to get an orange sent to her, to get permission for her to go to the bathroom.
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Jacobo Timerman (Prisoner without a Name, Cell without a Number)
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But for now, I would be the happiest of men if I could just swallow the overflow of saliva that endlessly floods my mouth. Even before first light, I am already practicing sliding my tongue toward the rear of my palate in order to provoke a swallowing reaction. What is more, I have dedicated to my larynx the little packets of incense hanging on the wall, amulets brought back from Japan by pious globe-trotting friends. Just one of the stones in the thanksgiving monument erected by my circle of friends during their wanderings. In every corner of the world, the most diverse deities have been solicited in my name. I try to organize all this spiritual energy. If they tell me that candles have been burned for my sake in a Breton chapel, or that a mantra has been chanted in a Nepalese temple, I at once give each of the spirits invoked a precise task. A woman I know enlisted a Cameroon holy man to procure me the goodwill of Africa's gods: I have assigned him my right eye. For my hearing problems I rely on the relationship between my devout mother-in-law and the monks of a Bordeaux brotherhood. They regularly dedicate their prayers to me, and I occasionally steal into their abbey to hear their chants fly heavenward. So far the results have been unremarkable. But when seven brothers of the same order had their throats cut by Islamic fanatics, my ears hurt for several days. Yet all these lofty protections are merely clay ramparts, walls of sand, Maginot lines, compared to the small prayer my daughter, Céleste, sends up to her Lord every evening before she closes her eyes. Since we fall asleep at roughly the same hour, I set out for the kingdom of slumber with this wonderful talisman, which shields me from all harm.
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Jean-Dominique Bauby (The Diving Bell and the Butterfly: A Memoir of Life in Death)
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My relationship with God has evolved as well. I no longer rail or beg or sass back. I was standing on a bluff over the ocean the other day and suddenly laughed out loud as I realized what an illusion that was, what an impossibility. That would assume a relationship between a “me” and “Other,” a separation. There is no otherness; to be separate from God is to be separate from myself, from life itself. What I’ve been looking for, I’m looking with.
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Claire Fontaine (Comeback: A Mother and Daughter's Journey Through Hell and Back)
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In the silence that followed, I was aware of just how much I wished things were different. I wanted to be able to talk to her, and tell her how afraid I was of what was going to happen, and have her tell me everything was going to be all right. But the way we'd always behaved stopped me, and all I could see were the barriers and walls I'd put up between me and my mother- casually, unthinkingly, not realizing that at some point I might want to take them down.
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Morgan Matson (Second Chance Summer)
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At times I think of human relationships as something soft like sand or water, and by pouring them into particular vessels we give them shape. So a mother’s relationship with her daughter is poured into a vessel marked ‘mother and child’, and the relationship takes the contours of its container and is held inside there, for better or worse. Maybe some unhappy friends would have been perfectly contented as sisters, or married couples as parents and children, who knows. But what would it be like to form a relationship with no preordained shape of any kind? Just to pour the water out and let it fall. I suppose it would take no shape, and run off in all directions. That’s a little like myself and Felix, I think. There is no obvious path forward by which any relation between us can proceed. I don’t believe he would describe me as a friend, because he has friends, and the way he relates to them is different from the way he relates to me.
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Sally Rooney (Beautiful World, Where Are You)
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In my land, in the event of a divorce, the mother has the right to retain her children if they are still suckling. But in most cases, a mother maintains custody of daughters until a girl child reaches puberty. In the case of male children, the boy should be allowed to remain with his mother until he is seven. When he reaches his seventh birthday, he is supposed to have the option to choose between his mother or father. Generally it is accepted that the father have his sons at age seven. A son must go with his father at the age of puberty, regardless of the child's wishes. Often, in the case of male children, many fathers will not allow the mother to retain custody of a son, no matter what the age of the child.
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Jean Sasson (Princess Sultana's Daughters)
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But how interesting it would have been if the relationship between the two women had been more complicated. All these relationships between women, I thought, rapidly recalling the splendid gallery of fictitious women, are too simple. So much has been left out, unattempted. And I tried to remember any case in the course of my reading where two women are represented as friends. There is an attempt at it in Diana of the Crossways. They are confidantes, of course, in Racine and the Greek tragedies. They are now and then mothers and daughters. But almost without exception they are shown in their relation to men. It was strange to think that all the great women of fiction were, until Jane Austen’s day, not only seen by the other sex, but seen only in relation to the other sex.
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Virginia Woolf (A Room of One’s Own)
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I’d always known I would be a parent someday, I’d never for one second imagined having a girl. By no means am I a cigar-chomping, NASCAR-watching, Sunday-afternoon-armchair-quarterback kind of guy, but what could I ever offer a daughter? How to tune a kick drum and catalog her Slayer bootlegs? I was at a loss. And then, as she had always done, my mother imparted a little bit of her well-earned wisdom that has since proven to be one of my life’s most indisputable truths: “The relationship between a father and daughter can be one of the most special relationships in any girl’s life.
”
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Dave Grohl (The Storyteller: Tales of Life and Music)
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Here was what I wanted to happen when I walked through the door after my first real date and my first ever kiss. I wanted my mom to say, “Dear God, Meg, you’re glowing. Sit and tell me about this boy. He let you borrow his jacket? That’s so adorable.” Instead, I came off the high of that day by writing a letter to my dead brother and doing yoga between my twin beds, trying to forget my absent mother.
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Laura Anderson Kurk (Glass Girl (Glass Girl, #1))
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[Adrienne Rich] was one of the only major intellectuals since Freud to assert that homosexuality was anything other than a problem. She is also notable for describing a continuum, like Kinesey's, of lesbian love - a continuum that begins with the intimacy of a mother nursing her daughter and ends with a nurturing, egalitarian love relationship between two women. While this theory eventually contributed to the stifling stereotype that lesbians only cuddle and nuzzle in bed, supporting each other and drinking chamomile tea, Rich was savvy to link same-sex love - so taboo, so unnatural - with a role for women seen as unassailable: being a mother.
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Jennifer Baumgardner (Look Both Ways: Bisexual Politics)
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I was certainly not the best mother. That goes without saying. I didn’t set out to be a bad mother, however. It just happened. As it was, being a bad mother was child’s play compared to being a good mother, which was an incessant struggle, a lose-lose situation 24 hours a day; long after the kids were in bed the torment of what I did or didn’t do during those hours we were trapped together would scourge my soul. Why did I allow Grace to make Mia cry? Why did I snap at Mia to stop just to silence the noise? Why did I sneak to a quiet place, whenever I could? Why did I rush the days—will them to hurry by—so I could be alone? Other mothers took their children to museums, the gardens, the beach. I kept mine indoors, as much as I could, so we wouldn’t cause a scene. I lie awake at night wondering: what if I never have a chance to make it up to Mia? What if I’m never able to show her the kind of mother I always longed to be? The kind who played endless hours of hide-and-seek, who gossiped side by side on their daughters’ beds about which boys in the junior high were cute. I always envisioned a friendship between my daughters and me. I imagined shopping together and sharing secrets, rather than the formal, obligatory relationship that now exists between myself and Grace and Mia. I list in my head all the things that I would tell Mia if I could. That I chose the name Mia for my great-grandmother, Amelia, vetoing James’s alternative: Abigail. That the Christmas she turned four, James stayed up until 3:00 a.m. assembling the dollhouse of her dreams. That even though her memories of her father are filled with nothing but malaise, there were split seconds of goodness: James teaching her how to swim, James helping her prepare for a fourth-grade spelling test. That I mourn each and every time I turned down an extra book before bed, desperate now for just five more minutes of laughing at Harry the Dirty Dog. That I go to the bookstore and purchase a copy after unsuccessfully ransacking the basement for the one that used to be hers. That I sit on the floor of her old bedroom and read it again and again and again. That I love her. That I’m sorry. Colin
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Mary Kubica (The Good Girl)
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So often we're told that women's stories are unimportant. After all, what does it matter what happens in the main room, in the kitchen, or in the bedroom? Who cares about relationships between mother, daughter, and sister? A baby's illness, the sorrows and pains of childbirth, keeping the family together during war, poverty, or even in the best of days are considered small and insignificant compared with the stories of men, who fight against nature to grow their crops, who wage battles to secure their homelands, who struggle to look inward in search of the perfect man. We're told that men are strong and brave, but I think women know how to endure, accept defeat, and bear physical and mental agony much better than men.
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Lisa See (Shanghai Girls (Shanghai Girls, #1))
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In the months since leaving my husband’s home, I asked this question of myself almost every day. So many of the labels that I had accepted over the years described relationships: daughter, sister, wife, daughter-in-law, mother. In the in-between phase of separation, was I still a wife? Could I check the box for “married” even though I didn’t (and did not want to) share a house with my estranged spouse? If I stripped off the labels that did not fit, who or what would I be? I was still a daughter, a sister, and a mother. Why then did I feel so bereft?
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Ranjani Rao (Rewriting My Happily Ever After - A Memoir of Divorce and Discovery)
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The other factor that may contribute to such a situation is a father who is unable to interpose himself between mother and child. He is therefore unable to introduce an awareness of external reality, which would enable both mother and daughter to recognise that there is a world outside their relationship and that the state of primary maternal preoccupation (Winnicott, 1956) cannot continue forever.
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Tom Wooldridge (Psychoanalytic Treatment of Eating Disorders: When Words Fail and Bodies Speak (ISSN))
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The relationship between mother and daughter stands in the center of what I fear most in our culture. Heal that wound and we change the world. A revolution capable of healing our wounds. If we're the ones who can imagine it, if we're the ones who dream about it, if we're the ones who need it most, then no one else can do it.
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Aurora Levins Morales (This Bridge Called My Back: Writings by Radical Women of Color)
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As my mother regained a bit of composure after hearing the news that she would have a granddaughter, I explained to her that, although I’d always known I would be a parent someday, I’d never for one second imagined having a girl. By no means am I a cigar-chomping, NASCAR-watching, Sunday-afternoon-armchair-quarterback kind of guy, but what could I ever offer a daughter? How to tune a kick drum and catalog her Slayer bootlegs? I was at a loss. And then, as she had always done, my mother imparted a little bit of her well-earned wisdom that has since proven to be one of my life’s most indisputable truths: “The relationship between a father and daughter can be one of the most special relationships in any girl’s life.” She knew this because of the relationship she had with her father, a military man of charm and wit who everyone loved dearly before his early passing when she was in her twenties. I never had the pleasure of meeting him, but from all that I’ve heard, he was a good man and indeed had that special connection to my mother. Though still terrified, I was slightly reassured. Maybe cataloging Slayer bootlegs together could be fun. Courtesy of Danny Clinch As the months flew by, Jordyn and I began to prepare for the new baby, readying her room, shopping for all the necessary gear, and eventually settling on the name Violet (after my mother’s mother, Violet Hanlon). I was given a library of books to study with subjects ranging from sleep training (which is a farce because ultimately they sleep-train you, making it impossible to sleep past six A.M. for the rest of your life) to swaddling (I’m bad enough at rolling joints; how could I successfully roll a child?) to how to change a diaper (something I may hold a land speed record in by this point). I was taking a crash course in fatherhood, or at least the logistical side of it.
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Dave Grohl (The Storyteller: Tales of Life and Music)
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discuss him. I tried as the years went by to encourage her to give her father another chance but she remained firm on this. She was only twelve when he left but I let her watch as I shed frustrated, angry tears. She had gone from being Daddy’s girl to being ignored by her father. She saw the abuse but I believe, at the time, that she found a way to separate her and Joel’s relationship from that. He adored her and she him. Her animosity towards him came after he left, when she struggled with being dismissed along with the rest of us. It was only then that she began going over the incidents of abuse – perhaps as a way of saving herself from missing him, loving him, being rejected by him. I know how difficult that juxtaposition between the man who hurt her mother and her adoring father was for her.
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Nicole Trope (My Daughter's Secret)
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Though wildly different in both character and tastes, Jane and Mary shared a common bond aside from the royal blood which flowed in their veins: their religious devotion was unswerving, and the dominant factor in both of their lives. For Mary, the situation was heartbreaking. Jane's mother, Frances, had been a close childhood companion. Frances, like her husband and her daughter, was a Protestant, though perhaps not as fervent in her faith as her husband and eldest daughter. Despite the fact that she and Mary were on opposing sides of the religious fence, to all appearances their differing beliefs had never driven a wedge between the cousins. Frances was a seasoned courtier, and as such she was well skilled in the art of diplomacy. It seems likely, therefore, that when she was in the company of her childhood friend, the two women tactfully avoided conversing on the subject of religion. After all, there were many at court who managed to maintain friendships with people who held differing religious beliefs, and Mary had also been friendly with Jane's step-grandmother, Katherine Willoughby. But it was quite different with jane, for though Mary had tried her best with the teenager, and had done her utmost to be affectionate, the relationship was not a harmonious one. The age gap between them meant that to Jane, Mary was probably more like an aunt than a cousin. Mary may have been twenty years Jane's senior, but it was not age that lay at the heart of the matter; the reason for the distance between the two cousins was perfectly simple: religion.
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Nicola Tallis (Crown of Blood: The Deadly Inheritance of Lady Jane Grey)
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These things occur between mothers and daughters. Their relationships are more fragile than fathers and sons.
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Tess Uriza Holthe (When the Elephants Dance)
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Women are interesting characters. Their very nature breeds mystery.
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Susan Wingate (Drowning)
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To my dear daughters, granddaughters, and all future brides,
I thought it would be a wonderful tradition for each bride to write a little note and leave a legacy for those who come after her. How I wish my own mother had lived to see my wedding day and been present to share her wisdom!
I make no pretense at being wise, but God is. The bible says we can ask for wisdom, and God will honor our request. As you consider marriage, first seek God's will and ask Him to direct your heart. Do not hasten to take your vows. Pause and reflect before you take such a momentous step, and be sure your mate honors God. A marriage is not just between a man and a woman--it is a holy union which must include the Lord to flourish.
Ethan was God's gift to me. His patience, strength, and companionship were like a balm to my grief. We learned to work together and rely on one another until respect and affection sparked. Love came softly and grew in our hearts. How I thank God for bringing us together and blessing our union!
Though hardships test us and extraordinary things thrill us, life is made up of mundane days. Love each other in the little, commonplace matters of life to strengthen your marriage, or it will wither from neglect. Appreciate what you have, and forgive as freely as you laugh.
My darlings, my prayer is for you to make wise decisions of the heart--first in devoting your spirit to the Lord, then in giving your hand to a man. May each of you be blessed with a godly mate and know the joy of growing close together and growing old with him.
”
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Cathy Marie Hake (The Bartered Bride Collection)
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These days her family, particularly her sisters, Jane and Sarah and brother Charles, are aware of the appalling problems she has endured. Jane has always given sensible advice and Sarah, from being dubious of her kid sister’s success, is now very protective. “You never criticize Diana in front of her,” notes a friend. Her relations with her mother and her father, when he was alive, are patchier. While Diana enjoys a sporadic but affectionate relationship with her mother, she was robust in her reaction to news that her second husband, Peter Shand Kydd had left her for another woman. Last summer her bond with her father went through a difficult period following publicity surrounding the secret sale of treasures from Althorp House. The children, including the Princess, had written to their father objecting to the trade in family heirlooms. There were bitter exchanges, subsequently regretted, which deeply hurt the Princess of Wales. Even the Prince of Wales intervened, voicing his concern to Raine Spencer who was typically robust in her response. Last autumn a reconciliation between father and daughter was effected. During a leisurely tour around the world the late Earl Spencer was deeply touched by the affection shown towards his youngest daughter by so many strangers. He telephoned from America to tell her just how proud of her that made him feel.
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Andrew Morton (Diana: Her True Story in Her Own Words)
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But he was an only child and an only son, and for a mother in such a position it is not always easy to accept that another woman will eventually enter her son’s life and, if all goes according to plan—the plan being that of the other woman—take him away. This common conflict, so understandable and so poignant, is played out time and time again, and almost always with the same painful result: Mother loses. It is so, of course, if Mother is overt in her attempt to put off the almost inevitable; if she is covert, then she stands a chance, admittedly a remote one, of introducing into her son’s mind a germ of doubt that the woman he has chosen might not be the right one for him. That takes skill, and boundless patience, but it is a course fraught with dangers for the relationship between mother and future daughter-in-law, let alone for that between mother and son.
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Alexander McCall Smith (The Dog who Came in from the Cold (Corduroy Mansions, #2))
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There is an exquisite irony - a perfect relationship storm, you might say - between daughters and mothers. Because girls and women are judged by appearance, mothers want their daughters to look as attractive as possible. But any suggestion for improvement implies criticism. And therein lies the irony: for mothers, the person to whom you most want to offer helpful suggestions is the one most likely to resist and resent them; for daughters, the person you most want to think you're perfect is the one most likely to see your flaws - and tell you about them.
-Deborah Tannen
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Elizabeth Benedict (Me, My Hair, and I: Twenty-seven Women Untangle an Obsession)
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The problem for these men is that it’s easy for them to attract other narcissists, sociopaths, psychopaths, and borderline women who end up destroying them. Adult children of enmeshed narcissistic mothers, both sons and daughters, feel hurt deep inside because they are like, “I’m doing everything I can, I’m the best version of myself, my mom raised me with the right values, and yet I keep getting my ass kicked. Why?” Now you know why. So, the enmeshing mother may think in her mind that she’s doing the right thing, but she’s not; she is suffocating her children. A healthy relationship between a parent and a child has to come from respect and the giving of space. Children need to develop their own separate identity, and succeed in society. Healthy parents support that independence and separation.
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Caroline Foster (Narcissistic Mothers: How to Handle a Narcissistic Parent and Recover from CPTSD (Adult Children of Narcissists Recovery Book 1))
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The lack of boundaries leads to an enmeshed relationship between mother and daughter where their roles are often blurred.
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Brenda Stephens (Recovering from Narcissistic Mothers: A Daughter's Guide)
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BOOK CLUB QUESTIONS Throughout the story, there is significant friction between Rory and Camilla, much of which stems from Camilla’s need to manage her daughter’s life. In what ways, if any, do you feel Rory contributes to the chronic tension between them? Soline’s mother, Esmée, believes that each of us creates a unique echo in the world and that those echoes are constantly seeking their match—in order to become complete. Do you believe such a thing is possible? One of the threads running through the book touches on the tendency of daughters to repeat their mothers’ mistakes, especially in relationship matters. Have you or someone you know experienced this in real life? If so, was the pattern eventually recognized and broken? The theme of chasing one’s dreams figures prominently in the journeys of both Rory and Soline. From an early age, Soline was taught that the work they did was a sacred vocation for which the Roussels had been especially chosen, and Hux once told Rory that the dream of opening an art gallery had her name all over it. Do you believe we are each given a calling in life, a talent or gift that feeds our soul and benefits others? “Everything happens for a reason” is a commonly used axiom, particularly when events suddenly turn our lives upside down. Throughout the book, Rory’s and Soline’s lives are upended by a series of seeming coincidences, causing them to wonder if some unseen hand might be at work. Do you believe that certain things are meant to be? That some benevolent force is trying to guide us to our highest good? Or is everything random? Rory tells Soline that she and Camilla push each other’s buttons. Soline understands, but at times she seems to side with Camilla, perhaps because she had a similar relationship with her own mother. What parallels did you note in the relationships between Soline and Esmée and Rory and Camilla? By the end of the book, it seems obvious that Soline has come into Rory’s life for a reason and that the reverse is also true. In the end, each has irrevocably altered the other’s life. Have you ever had someone come into your life, even briefly, who you feel came to teach you a lesson or help you find your path? On her deathbed, Esmée tells Soline about the father she never knew, a man Esmée loved dearly but sent away out of obedience to her mother. She speaks to her daughter about a grief worse than death—the grief of a life half-lived. How do you think these revelations affect Soline’s choices when Anson suddenly reappears in her life? One of Esmée’s quotes is about forgiveness. She says forgiveness is the greatest magick of all and that it makes all things new. Do you believe in the power of forgiveness? If so, is it true in all things, or are there certain things that can never be made new?
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Barbara Davis (The Keeper of Happy Endings)
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I ride with my tattoo of three red hearts, intertwined with barbed wire, emblazoned across my lower back, two birthdates delicately etched above each heart. The dates remind me of the day my life changed for the better with each child's birth. The larger heart anchors the two smaller ones, albeit with barbed wire, but anchors them securely to each other - a reminder that a mother's relationship with her daughters is sometimes thorny and sometimes smooth. Regardless of the heartache, she stands securely in between as the anchor, her daughters' her most treasured glory.
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Debi Tolbert Duggar (Riding Soul-O)
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I was intrigued. Young people like Amanda are not often best friends with their mothers. And yet the affection between them was clear. Sensing also, however, her mother’s disapproval of Amanda’s lifestyle, I asked what was the bond that had allowed her to remain close to her mother. Amanda replied, “For as long as I can remember, every night of my life I end the day by getting in bed with my mother and snuggling.” Amanda’s relationship with her mother is quite remarkable, and is in large part responsible for the fact that she has now left behind what she describes as her “black period” and is finding her way through adolescence in a relatively healthy manner. Amanda knew that she was deeply loved just exactly as she was. Her mother disapproved of her use of drugs, her promiscuous sex, her astoundingly profane language, her Satanic practices and most other aspects of her lifestyle. But with a wisdom that I have rarely seen in parents, she recognized that what her daughter needed was not lectures but love. Fortunately, she had been giving this in large doses for all of Amanda’s life. Equally fortunately, she did not now allow her disapproval of her daughter’s behavior to interrupt this pattern in the slightest. Amanda’s mother offered a truly transforming love—transforming because while it could be resisted, it could not be received without profound psychospiritual impact.
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David G. Benner (Surrender to Love: Discovering the Heart of Christian Spirituality (The Spiritual Journey, #1))
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He knew that there should be a balance between the taking and the giving a person does in one lifetime. That a good relationship, between bees and humans, or two middle school classmates, or between a mother and daughter, all needs to start from a mutual understanding that the other is precious.
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Meredith May (The Honey Bus: A Memoir of Loss, Courage and a Girl Saved by Bees)
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A relationship between a mother and a daughter shouldn't be built on the shoulders of a man.
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Emily A. Myers (The Truth About Unspeakable Things)
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Mother-daughter relationships are tenuous beasts; always ebbing and flowing between exhilaration and disaster.
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Shelbi Wescott (After Life)
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All six children disappointed their father [Edward White Benson]. Martin, the eldest, was a paragon: brilliant at school, quiet, pious - his father's dream, He stuttered, which may reflect the strain of such perfection under such parents. His death at age seventeen tore a hole in his father that never healed. Nellie tried to be the perfect daughter - working with the poor, caring for her parents, gentle, but always willing to go for a hard gallop with her father for morning exercise. Her death at a young age, unmarried, was for the whole family an afterthought to the awfulness of Martin's loss. Arthur, Fred, and Hugh all found the Anglican religion of their father impossible. Arthur went to church, appreciated the music, the ceremony and its role in social order, but struggled with belief, even when he called out to God in the despair of his blackest depression. Fred was flippant and disengaged, and his first novel, Dodo, the hit of the season in 1893, outraged his father's sense of seriousness. Fred represented Britain at figure skating - a hobby that was as far as he could get from his father's ideals of social and religious commitment, the epitome of a 'waste of time.' Hugh's turn to the Roman Catholic Church was after his father's death - but like all the children, the fight with paternal authority never ceased. While his father was alive, Hugh muffed exams, wanted to go into the Indian Civil Service against his father's wished - he failed those exams too 0 and argued with everyone in the family petulantly. Maggie, too, was 'difficult': 'her friendships were seldom leisurely or refreshing things,' commented Arthur; Nellie more acerbic, added, 'If Maggie would only have an intimate relationship even with a cat, it would be a relief.' Her Oxford tutors found her 'remorseless.' At age twenty-five, still single, she did not know the facts of life. Over the years, her jealousy of her mother's companion Lucy Tait became more and more pronounced, as did her adoption of her father's expressions of strict disapproval. Her depressions turned to madness and violence, leading to her eventual hospitalization.
There is another dramatic narrative, then, of the six children, all differently and profoundly scarred by their home life, which they wrote about and thought about repeatedly. Cross-currents of competition between the children, marked by a desperate need for intimacy, in tension with a restraint born of fear of violent emotion and profound distrust (at best) of sexual feeling, produced a fervid and damaging family dynamic. There is a story her of what it is like to grow up with a hugely successful, domineering, morally certain father, a mother who embodied the joys of intimacy but with other women - and of what the costs of public success from such a complex background are.
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Goldhill, Simon