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Externally Hitler sill appears a drifting character: he has failed at school, has no employment, has been rejected by the Academy, is in Vienna for no clearly stated purpose, lives on a pittance eked out by painting postcards. But behind this shiftless exterior Kubizek constructs what must have been there, although it was not apparent to casual acquaintances: the character of the man who, from these beginnings, without any other natural advantages besides his own personality, became the most powerful and terrible tyrant and conqueror of modern history. Here we see - along with the incipient monomania, the repetitive cliches, and the Wagnerian romanticism of his later years - the early evidence of that unbreakable will power, that extraordinary self-confidence. We see the penniless, unemployed, unemployable young Hitler, at sixteen, confidently rebuilding in his imagination the city of Linz, as he was afterwards to rebuild it in fact, and never for a moment doubting that he would one day carry out these improbable plans; we see him exercising over an elderly Austrian upholsterer that irresistible hypnotic power with which he was afterwards to seduce a whole nation; we see him, in Vienna, fortifying himself against a corrupt and purposeless society by adopting an iron asceticism, like some ancient crusader guarding himself against corruption in a pagan world. And then turning to detail, we see in Vienna, when Kubizek was closest to him, the working of Hitler's mind as it feels its way towards the beginnings of national socialism: his crude, voracious but systematic reading; his sudden discovery of politics; his hatred of the social injustice of urban life represented to him, the architect, by squalid slum buildings; his fear -- the fear which he was afterwards to exploit among millions of lower-middle-class Germans - of sinking into proletarian status. Behind the outward meaninglessness of his hand-to-mouth existence we see the inner
purposefulness of his studies, his experiences, his reasoning.
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