Rejected Marriage Proposal Quotes

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You are mistaken, Mr. Darcy, if you suppose that the mode of your declaration affected me in any other way, than as it spared the concern which I might have felt in refusing you, had you behaved in a more gentlemanlike manner." (Elizabeth Bennett)
Jane Austen (Pride and Prejudice)
Really, Mr. Collins,' cried Elizabeth with some warmth, 'you puzzle me exceedingly. If what I have hitherto said can appear to you in the form of encouragement, I know not how to express my refusal in such a way as to convince you of its being one.
Jane Austen (Pride and Prejudice)
You must give me leave to flatter myself, my dear cousin, that your refusal of my addresses is merely words of course. My reasons for believing it are briefly these: -- It does not appear to me that my hand is unworthy your acceptance, or that the establishment I can offer would be any other than highly desirable. My situation in life, my connections with the family of De Bourgh, and my relationship to your own, are circumstances highly in its favor; and you should take it into farther consideration that in spite of your manifold attractions, it is by no means certain that another offer of marriage may ever be made you. Your portion is unhappily so small that it will in all likelihood undo the effects of your loveliness and amiable qualifications. As I must therefore conclude that you are not serious in your rejection of me, I shall chuse to attribute it to your wish of increasing my love by suspense, according to the usual practice of elegant females. (Mr. Collins, after proposing to Elizabeth Bennet and being refused, in Pride and Prejudice.)
Jane Austen
possible topics around which the currents of speech may flow: Death and the danger of death: violence, fighting, sickness, fear, dreams, premonitions and communication with the dead. Sex and relations between the sexes: dating, courtship, proposals, marriage, breaking off relationships, affairs, intermarriage. Moral indignation: assignment and rejection of blame, unfairness, injustice, gossip, violations of social norms.
William Labov (The Language of Life and Death: The Transformation of Experience in Oral Narrative)
Stigma takes many forms, comes from all directions, is sometimes blatantly overt, but can also be remarkably subtle. It is the cruel comment, the unkind smirk, the extrusion from the group, the lost job opportunity, the rejected marriage proposal, the ineligibility for life insurance, the inability to adopt a child or pilot a plane. But it is also the reduced expectation, the helping hand when none is needed or wanted, the solicitous sympathy that one cannot really be expected to measure up. And the secondary psychological and practical harms of having a mental disorder come only partly from how others see you. A great deal of the trouble comes from the change in how you see yourself: the sense of being damaged goods, feeling not normal or worthy, not a full fledged member of the group. It is bad enough that stigma is so often associated with having a mental disorder, but the stigma that comes from being mislabeled with a fake diagnosis is a dead loss with absolutely no redeeming features.
Allen Frances (Saving Normal: An Insider's Revolt Against Out-Of-Control Psychiatric Diagnosis, DSM-5, Big Pharma, and the Medicalization of Ordinary Life)
I care with the brightened curiosity of one who loves a subject for no rational reason, but who loves it nonetheless and prodigally. This is the ardor of the academic Austenologist who believes that if she looks beneath the floorboards of the right dusty attic, she will find the diary entry explaining why Jane Austen rejected her one marriage proposal the day after she'd accepted it; of the birder in Costa Rica tiptoeing through tails of biting ants and fer-de-lance serpents in hopes of glimpsing a rare hummingbird that no one has seen for fifteen years. I could list such loves forever, the sort that visit our imaginations on the cusp of the impossible but that we cannot erase from our minds. We follow the trail with whatever breadcrumbs we can gather, with hope, with love, with an almost magical combination of urgency and patience...
Lyanda Lynn Haupt (Mozart's Starling)
- But they were corrupt, Father! - They were human, my child. And if we were to reject all worldly authority for that reason, we would have to reject everything: marriage and government and society; the family, the state, and the church. We would have to abolish the world. Is that what you propose to do?
Nick Joaquín (The Woman Who Had Two Navels)
About two years ago," Cymbra went on, "Wolf conceived the idea of an alliance between Norse and Saxon to stand against the Danes.He thought such an alliance would be best confirmed by a marriage between himself and me.This did he propose in a letter to my brother. With the help of a traitorous house priest, Father Elbert, Daria intercepted that letter and stole Hawk's seal as well. She sent back to Wolf a refusal in Hawk's name and mine that not merely rejected the alliance but also insulted him deeply. His repsonse was all too predictable, although it is certain Daria herself never thought of it." "What did he do?" Rycca asked,trying very hard not to sound breathless. Cymbra smiled in fond memory. "Wolf came to Essex and took me by stealth. We were married as I told you and only then did he send word to Hawk as to where I could be found. Naturally, my brother was very angry and concerned. He came to Sciringesheal, where I did my utmost to convince him that I was happily wed,which certainly was true but unfortunately he did not believe. So are men ever stubborn. One thing led to another and Hawk spirited me back to Essex. Winter set in and it was months before Wolf could follow.During that time, Hawk realized his mistake. Once Wolf arrived, all was settled amicably, which was a good thing because this little one"-she smiled at her drowsy son-"had just been norn and I was in no mood to put up with any more foolishness on the part of bull-headed men. It was while we were at Hawkforte, waiting as I regained strength to return home, that Wolf suggested Hawk and Dragon should also make marriages for the alliance." "Such suggestion I am sure they both heartily welcomed," Rycca said sardonically. Cymbra laughed. "About as much as they would being boiled in oil.Hawk was especially bad. He had been married years ago when he was very young and had no good memories of the experience. But I must say, Krysta brought him round in far shorter time than I would have thought possible." "Do you have any idea how she did it?" Rycca ventured,hoping not to sound too desperately curious. "Oh,I know exactly how." Cymbra looked at her new sister-in-law and smiled. "She loved him." "Loved him? That was all it took?" "Well,to be fair,I think she also maddened, irked, frustrated, and bewildered him. All that certainly helped.But I will leave Krysta to tell her own story,as I am sure she will when opportunity arises.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
If it helps you, I would like to be a partner to you, Daedalus said. I know I am an imperfect substitute for whoever you have lost, but we are both alone and I think we could help each other. Sorrows can be shared as easily as games of Go. She reached for Emily’s hand and she got down on one knee. I would like to propose to you, leave the Fog Lands, come to Verdant Valley. Do you mean marriage? It doesn’t have to have a name Daedalus said it can have a name if you want it to have a name. What would it mean then? It means a very long game of Go played without stops. In the past, Emily had many reasons for not wishing to marry. Among them her belief that marriage was conventional and a trap for women. She had rejected 2 engagements in her previous life. But at this juncture she could see the facility of embarking on a different course.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Writers take and remake everything we see around us: we metabolize the details of our loved ones, alter time and memory, shapeshift our personal and physical differences into transformative images that, when done with care, can create a world that feels more than accurate, but real. Doing this requires that we watch and listen to one another with great attention, something we’re generally discouraged from doing lest we come off as stalkers. From the time we’re children, we’re taught it’s rude to stare, nosy to eavesdrop; you can’t just root around in other people’s journals and closets and minds. I can’t ask my colleagues what they really think and feel about their marriages or children, because that’s private, and privacy requires that I pretend to believe what both strangers and loved ones tell me. Being polite means, ironically, paying less attention to the people I want to be close to, bypassing their foibles and idiosyncrasies and quiet outrages in the name of communal goodwill. But writing requires we pay attention to others at a level that can only be classified as rude. The writer sees the button trailing by its single thread on the pastor’s shirt; she tastes the acid sting behind a mother’s compliment. To observe closely leads the writer to the radical recognition of what both binds her to and separates her from others. It will push her to hear voices she’s been taught should remain silent. Oftentimes, these voices, and these truths, reveal something equally powerful, and profoundly unsettling, about ourselves. I want to end this letter to you by proposing something that some critics and sociologists might reject out of hand, which is the possibility that White people, too, might, by paying close attention to the voices around them and inside themselves, be able to experience double consciousness. If double consciousness is in part based on the understanding of the systemic power of Whiteness, and if it is also the realization that one’s self-regard can never be divorced from the gaze of others, then the practice of double consciousness might be available to everyone, including those who constitute the majority.
Paisley Rekdal (Appropriate: A Provocation)
[F]ollowers of Christ think differently than others. . . . Where do we look for the premises with which we begin our reasoning on the truth or acceptability of various proposals? We anchor ourselves to the word of God, as contained in the scriptures and in the teachings of modern prophets. Unless we are anchored to these truths as our major premises and assumptions, we cannot be sure that our conclusions are true. Being anchored to eternal truth will not protect us from the tribulation and persecution Jesus predicted (Matthew 13:21), but it will give us the peace that comes from faith in Jesus Christ and the knowledge that we are on the pathway to eternal life. . . . We oppose moral relativism, and we must help our youth avoid being deceived and persuaded by reasoning and conclusions based on its false premises. . . . We reject the modern idea that marriage is a relationship that exists primarily for the fulfillment of the individuals who enter into it, with either one of them being able to terminate it at will. We focus on the well-being of children, not just ourselves. . . . “God has commanded that the sacred powers of procreation are to be employed only between man and woman, lawfully wedded as husband and wife.” That declaration is not politically correct but it is true, and we are responsible to teach and practice its truth. That obviously sets us against many assumptions and practices in today’s world--the birth of millions of innocent children to unwed mothers being only one illustration. . . . Of course, we see the need to correct some long-standing deficiencies in legal protections and opportunities for women. But in our private behavior, as President Gordon B. Hinckley taught many years ago about the public sector, we believe that any effort “to create neuter gender of that which God created male and female will bring more problems than benefits.” . . . When we begin by measuring modern practices and proposals against what we know of God’s Plan and the premises given in the word of God and the teachings of His living prophets, we must anticipate that our conclusions will differ from persons who do not think in that way. But we are firm in this because we know that this puts us on safe ground, eternally. . . . [Some] persons . . . mistakenly believe that God’s love is so great and so unconditional that it will mercifully excuse them from obeying His laws or the conditions of His Plan. They reason backward from their desired conclusion, and assume that the fundamentals of God’s eternal law must adhere to their concepts. But this thinking is confused. The love of God does not supersede His commandments or His Plan. . . . The kingdom of glory to which we are assigned in the final judgment is not determined by love but by the law that God has given us--because of His love--to qualify us for eternal life, “the greatest of all the gifts of God” (D&C 14:7). Those who know that truth will surely think differently about many things than those who do not. . . . We cannot escape the conclusions, teachings, and advocacy of modern Pharisees. We must live in the world. But the teaching that we not be “of the world” (John 15:19; 17:14, 16) requires us to identify error and exclude it from our thinking, our desires, and our actions. [CES Evening with a General Authority, Feb. 8, 2013]
Dallin H. Oaks
Very well. Since you won’t divulge her location, answer me this. Why would Miss Plum turn down a respectable offer of marriage from a gentleman such as my Bram?” “Why is it that ladies seem to believe I enjoy discussing these types of personal matters?” Mr. Skukman countered. Iris continued as if Mr. Skukman had not spoken. “Bram is a wealthy, eligible, and influential gentleman who owns his own castle—not to mention his stellar good looks.” “You’re his mother. Of course you’re going to believe he has stellar good looks.” “You don’t believe my Bram is handsome?” “Yet another topic I’m not comfortable discussing, but . . . I suppose if I really consider the matter, yes . . . Mr. Haverstein’s features are adequately arranged, but Miss Plum is not a lady who is impressed by a handsome face.” “She’s an actress.” Mr. Skukman let out a bit of a growl, which had Lucetta immediately stepping from behind the curtain. “Thank you, Mr. Skukman, but I think it might be for the best if I take it from here.” “Were you hiding behind the curtains?” Iris demanded. “Obviously,” Lucetta said as she headed across the room, stepping in between Iris, who was looking indignant, and Mr. Skukman, who’d adopted his most intimidating pose—a pose that didn’t appear to intimidate Iris in the least. “Now then,” Lucetta began, sending Mr. Skukman a frown when he cracked his knuckles, “from what I overheard, you’re here, Mrs. Haverstein, to learn why I rejected Bram’s offer.” Iris lifted her chin. “That’s one of the reasons I’ve sought you out.” “Lovely, and before we address those other reasons, allow me to say that the reason I refused Bram’s proposal was because your son was offering to marry a woman who doesn’t exist. He simply has yet to realize that.” Iris narrowed her eyes. “Bram could provide you with everything.” “I’m fairly good at providing for myself, Mrs. Haverstein.” Iris’s eyes narrowed to mere slits. “What are you really playing at? Are you, by chance, hoping that because you turned him down, he’ll make you a better offer?” Lucetta’s brows drew together. “What else could he possibly offer me that would be more appealing than his name?” For a second, Iris looked a little taken aback, but she rallied quickly. “You may be the type of woman who prefers the freedom spinsterhood provides, so I would imagine you’re holding out for a nice place in the city, replete with all the fashionable amenities.” Even though Lucetta was well aware of the reputation most actresses were assumed to enjoy, and even though such insinuations normally never bothered her, a sliver of hurt wormed its way into her heart. Before she could summon up a suitable response, though, Abigail suddenly breezed into the room. “Lucetta is like a granddaughter to me, Iris, and as such, you will treat her accordingly, as well as apologize for your serious lack of manners,” Abigail said as she plunked her hands on her hips and scowled at her daughter. At first, it seemed that Iris wanted to argue the point, but then she blew out a breath and nodded Lucetta’s way. “My mother is quite right. That was unkind of me, and unfair. Forgive me.” Lucetta
Jen Turano (Playing the Part (A Class of Their Own, #3))
Maturity sees that the past is not to be rejected, destroyed, or replaced, but rather that it is to be judged and corrected, that the work of judgment and correction is endless, and that it necessarily involves one's own past. The industrial economy has made a general principle of the youthful antipathy to the past, and the modern world abounds with heralds of "a better future" and with debunkers happy to point out that Yeast was "silly like us" or that Thomas Jefferson may have had a Negro slave as a mistress - and so we are disencumbered of the burden of great lives, set free to be as cynical or desperate as we please. Cultural forms, it is held, should change apace to keep up with technology. Sexual discipline should be replaced by the chemicals, devices, and procedures of "birth control," and poetry must hasten to accept the influence of typewriter or computer. It can be better argued that cultural forms ought to change by analogy with biological forms. I assume that they do change in that way, and by the same necessity to respond to changes of circumstance. It is necessary, nevertheless, to recognize a difference in kinds of cultural change: there is change by necessity, or adaptation; and there is contrived change, or novelty. The first is the work of species or communities or lineages of descent, occurring usually by slow increments over a long time. The second is the work of individual minds, and it happens, or is intended to happen, by fiat. Individual attempts to change cultural form - as to make a new kind of marriage or family or community - are nearly always shallow or foolish and are frequently totalitarian. The assumption that it can easily be otherwise comes from the faith in genius. To adopt a communal form with the idea of chain or discarding it according to individual judgment is hopeless, the despair and death of meaning. To keep the form is an act of faith in possibility, not of the form, but of the life that is given to it; the form is a question addressed to life and time, which only life and time can answer. Individual genius, then, goes astray when it proposes to do the work of community. We rightly follow its promptings, on the other hand, when it can point out correctly that we have gone astray - when forms have become rigid or empty, when we have forgot their use or their meaning. We then follow our genius or our geniuses back to reverence, to truth, or to nature. This alternation is one of the long rhythms. But the faith in genius and the rebellions of genius, at the times when thee are necessary, should lead to the renewal of forms, not to their destruction.
Wendell Berry (Standing by Words)
The ride into the City gave Deene an opportunity to consider yesterday’s developments with Lady Eve Windham—to further consider them, just as he’d been awake considering them for half the night. She was attracted to him; of that there could be no doubt. Nonetheless, she’d also unhesitatingly rejected a proposal from a very eligible catch, when her own tenure on the marriage market was growing woefully long. Her rejection stung more than it should have, but it also puzzled, which was annoying as hell. Solicitors
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
How might a rejection of his marriage proposal have triggered that temper? How might he have responded?
Lisa Jewell (The Night She Disappeared)
Cynthia, can I court you?” Ryan asked via Mental-message transmission. He was smiling but his words almost made Cynthia’s mind go blank. “He is quite fast and direct,” Selina said as she giggled. Cynthia didn’t know how to react to the situation. She didn’t wish to reject Ryan’s advances but at the same time wanted to keep him at a distance. “I am serious about you and will always keep you happy,” Ryan said via another Mental-message transmission, while still smiling. Raymond, Emerson and Arlo, who were just standing beside them, didn’t know about Ryan making a move on Cynthia. “He is even faster than I thought. He has already proposed marriage to you,” Selina said in disbelief, but her running commentary made Cynthia blush and she was unable to maintain her usual demeanor – which was noticed by Arlo.
K.S.Y. (God Slayer: Vol. 1)
the two men had not been close, Muhammad would never have asked what he did. He’d never have felt he had the right to even broach the idea. So when he requested the hand of abu-Talib’s daughter Fakhita in marriage, he certainly cannot have expected to be refused. Yet he was. This was no tale of young star-crossed lovers, however. Marriage in the sixth century was a far more pragmatic arrangement. We know nothing of Fakhita aside from her name. Muhammad’s proposal was made to the father, not the daughter. In effect, he was asking abu-Talib to publicly acknowledge their closeness by declaring him not just “like a son” but a full member of the family. He would no longer be merely a poor relation who had risen in the world, but a son-in-law. Abu-Talib’s decision had nothing to do with the fact that Muhammad and Fakhita were first cousins. Gregor Mendel and the science of genetics were still eleven hundred years in the future, and marriage between cousins was as common in the sixth century, both in Arabia and elsewhere, as it had been in biblical times. It was considered a means of strengthening the internal bonds of a clan, and indeed would remain so in the marriage patterns of European royalty well into the twentieth century. So there is only one possible reason for abu-Talib’s denial of his nephew’s request: he did not consider this an advantageous marriage for his daughter. No matter how much he trusted and relied on Muhammad, the father was not about to marry his daughter to an orphan with no independent means. He intended for her to marry into the Meccan elite, and quickly made a more suitably aristocratic match for her. If Bahira had indeed foreseen a great future for Muhammad, abu-Talib had clearly not taken him seriously. And if Muhammad had imagined that he had overcome the limitations of his childhood, he was now harshly reminded that they still applied. Abu-Talib’s denial of his request carried a clear message. “This far and no further,” he was saying in effect. “Good but not good enough.” In his uncle’s mind, Muhammad was still “one of us, yet not one of us.” In time, abu-Talib would come to regret this rejection of Muhammad. The two men would eventually overcome the rift it caused between them and become closer than ever. But in a pattern that was to recur throughout Muhammad’s life, rejection would work to his long-term advantage. Abu-Talib’s denial of him as a son-in-law would turn out to be one of those ironic twists that determine history—or, if you wish to see things that way, fate. If Muhammad had married his cousin, nobody today might even know his name. Without the woman he did go on to marry, he might never have found the courage and determination to undertake the major role that waited for him.
Lesley Hazleton (The First Muslim: The Story of Muhammad)
If the two men had not been close, Muhammad would never have asked what he did. He’d never have felt he had the right to even broach the idea. So when he requested the hand of abu-Talib’s daughter Fakhita in marriage, he certainly cannot have expected to be refused. Yet he was. This was no tale of young star-crossed lovers, however. Marriage in the sixth century was a far more pragmatic arrangement. We know nothing of Fakhita aside from her name. Muhammad’s proposal was made to the father, not the daughter. In effect, he was asking abu-Talib to publicly acknowledge their closeness by declaring him not just “like a son” but a full member of the family. He would no longer be merely a poor relation who had risen in the world, but a son-in-law. Abu-Talib’s decision had nothing to do with the fact that Muhammad and Fakhita were first cousins. Gregor Mendel and the science of genetics were still eleven hundred years in the future, and marriage between cousins was as common in the sixth century, both in Arabia and elsewhere, as it had been in biblical times. It was considered a means of strengthening the internal bonds of a clan, and indeed would remain so in the marriage patterns of European royalty well into the twentieth century. So there is only one possible reason for abu-Talib’s denial of his nephew’s request: he did not consider this an advantageous marriage for his daughter. No matter how much he trusted and relied on Muhammad, the father was not about to marry his daughter to an orphan with no independent means. He intended for her to marry into the Meccan elite, and quickly made a more suitably aristocratic match for her. If Bahira had indeed foreseen a great future for Muhammad, abu-Talib had clearly not taken him seriously. And if Muhammad had imagined that he had overcome the limitations of his childhood, he was now harshly reminded that they still applied. Abu-Talib’s denial of his request carried a clear message. “This far and no further,” he was saying in effect. “Good but not good enough.” In his uncle’s mind, Muhammad was still “one of us, yet not one of us.” In time, abu-Talib would come to regret this rejection of Muhammad. The two men would eventually overcome the rift it caused between them and become closer than ever. But in a pattern that was to recur throughout Muhammad’s life, rejection would work to his long-term advantage. Abu-Talib’s denial of him as a son-in-law would turn out to be one of those ironic twists that determine history—or, if you wish to see things that way, fate. If Muhammad had married his cousin, nobody today might even know his name. Without the woman he did go on to marry, he might never have found the courage and determination to undertake the major role that waited for him.
Lesley Hazleton (The First Muslim: The Story of Muhammad)
I can only thank the good Lord above,” she began after she turned back to him and Mr. Hodges assumed his usual stoic demeanor, “that your father and brother are away on business at the moment, because, well, I’m sure they’d have quite a bit to say regarding your current circumstance.” She released the tiniest of sighs. “Honestly, Edgar, one would have thought, considering you failed so spectacularly to win Wilhelmina’s hand the first time you proposed to her, that you would have tried a little more diligently to pull off a romantic moment the second time around.” “And one would have thought, considering how put out you’ve been at Wilhelmina over her rejecting my proposal all those years ago, that you would be trying to figure out a way to get me out of marrying her rather than marrying her.” “I’ve always adored Wilhelmina,” Nora said with a rattle of the paper she was still holding. “And while I’m sure I did lend the impression of being put out with her, that was mostly for your benefit, dear.” Edgar’s mouth dropped open. “Do not tell me that you’ve been holding out hope all these years for something like this to happen.” “I must admit that I have, and . . . now it would seem as if that hope was not misplaced if a wedding does indeed occur between the two of you in the foreseeable future.” Reaching for his tea again, Edgar drained the cup and set it aside. “I’m hesitantly optimistic that a wedding may soon take place, especially since I have come to realize that I still love Wilhelmina. I find her to be a most enchanting creature, and I would be a lucky gentleman indeed if she would truly agree to become my wife.” Nora frowned. “I’m afraid I don’t understand why you’re only hesitantly optimistic about marrying Wilhelmina. You’ve mentioned a time or two now that you told Mrs. Travers you were to be married, and while I know you’ve been away from society for quite some time, surely you haven’t forgotten that, as a gentleman, you have no choice but to go through with the wedding. And, as a lady, Wilhelmina can’t refute your declaration, not if she wants to keep her reputation, and . . . she can forget about continuing on as a social secretary if she doesn’t go through with the marriage because she’ll be looked at forevermore as a woman of loose moral values.” She rattled the paper again. “Add in the article Miss Quill published, and I can say with all certainty that there will be a wedding to plan, whether Wilhelmina has doubts or not.” Turning
Jen Turano (At Your Request (Apart from the Crowd, #0.5))