β
They're just words. And words alone don't really mean anything. It's what you feel and what you believe when you say them that matter.
β
β
Dana Reinhardt (How to Build a House)
β
Are you going to kiss me?" I blabbered stupidly.
"I'm working up the nerve," he said softly.
β
β
Liz Reinhardt (Double Clutch (Brenna Blixen, #1))
β
I have a theory that as long as you have one good friend, one real friend, you can get through anything.
β
β
Dana Reinhardt (How to Build a House)
β
There are days when I think I don't believe anymore. When I think I've grown too old for miracles. And that's right when another seems to happen.
β
β
Dana Reinhardt (The Summer I Learned to Fly)
β
We met in court. I don't think we qualify as good decision makers.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
Can I..." He stopped and his jaw flexed. "Can I kiss you?"
I didn't answer, and he didn't wait for me to. His hands caught me gently behind the neck and he pressed his mouth to mine, softly but firmly. Then he moved one arm around my waist and pulled me closer to him.
β
β
Liz Reinhardt (Double Clutch (Brenna Blixen, #1))
β
I will never break your heart. I will never hurt you. I might fuck up, I might not be perfect, but I'll never hurt you, Evan. You have my word.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
Some things you can fix, and some things you canβt. And I just think it is a shame to walk away from the things you can.
β
β
Dana Reinhardt (How to Build a House)
β
That I love her, that I want her, that I'm never going anywhere, that she and I are going to last. That this is real. That itβs forever.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
I did not ask you out. But I would seriously think about not shooting you down if you asked me. Nicely." I had to keep my pride.
He took both of my hands in his. "Brenna Blixen will you be my girlfriend, please." He held up one of my hands and kissed my knuckles smoothly. "Pretty please. With sugar on top.
β
β
Liz Reinhardt (Double Clutch (Brenna Blixen, #1))
β
There's no going back from what happened. You can go back and understand the past, but you can't go back and change it.
β
β
Dana Reinhardt (Harmless)
β
When there's something or someone, when there's anything that makes you happy, you don't let a continent or an ocean or an empty pocket keep you apart
β
β
Dana Reinhardt (The Summer I Learned to Fly)
β
My brother, he says. My brother is dead.
"And again he asks me to kill him. One more time before he falls to his knees and sobs. And i get it. I do. Because i have a brother too.
β
β
Dana Reinhardt (The Things a Brother Knows)
β
Darling, family can be the very devil in disguise. More powerful than any drug, more alluring than any sin. They can demand a loyalty that will rip your heart out and chew it up without the thought of an apology.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
What he doesn't realize is that I'm already standing at the bottom, waiting to catch him. And I never miss.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
I'm powerless against a bad boy and his hot kisses.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
I'm in love. Twice. It's not a love that divides fifty-fifty. It's not a love that's split between good and bad, safe and dangerous, real and imaginary. It's all mixed up, confused, good, bad and ugly love times two, and it's all mine.
β
β
Liz Reinhardt (Slow Twitch (Brenna Blixen, #3))
β
I'm winning a date with you. Granted, it's the frigging lamest date on earth, but I'm winning it anyway.
β
β
Liz Reinhardt (Double Clutch (Brenna Blixen, #1))
β
You're the fall guy, Winch. You're the guy they come to when no one else will stand up and take their medicine. And they come to you because you never make them stand up and take it.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
Dresses that are complicated," she says softly, the smile on her lips pure wicked fun, "are essential to teach girls that they shouldn't bother with guys who won't figure out how to take off a dress.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
I'll spend the rest of my life falling as far and deep and hard as my heart will let me go in love with this perfect, crazy girl who taught me to let go and hold on. I know in that minute I'll be Evan's fall guy until the day I die, and my future, for the first time in my life, is an always I can't wait to fall into.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
So I get ready to let go and free-fall in the scariest jump of my life. But she's with me. So I swallow my fear and do it.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
Sometimes is all we really have anyway, right? Nothing is always.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
Sometimes things happen. Things happen even when you don't intend them to happen. Maybe at the beginning you had good intentions, or intentions you thought were harmlessm but before you knew it things got out of your control.
β
β
Dana Reinhardt (Harmless)
β
I could never hurt you as bad as you try to hurt yourself,
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
I totally bought you as a girl," says Marisol. "I'll double check with Frances later, but by the sounds of things, you seem to have no balls.
β
β
Dana Reinhardt (How to Build a House)
β
I've learned enough this year to know that life may surprise you, but not usually in the ways you imagine.
β
β
Dana Reinhardt (A Brief Chapter in My Impossible Life)
β
Friends, I was pretty sure, lift their friends up; they don't weigh them down like a sack full of stones
β
β
Dana Reinhardt (The Summer I Learned to Fly)
β
The Little Drummer Boy" was playing in the background for what seemed like the third time in a row. I fought off an urge to beat that Little Drummer Boy seneless with his own drumsticks.
β
β
Dana Reinhardt (How to Build a House)
β
Guys donβt go for me. Period. I donβt distract them. They donβt sneak glances in my direction. They donβt think of me when Iβm not standing right in front of them. Iβm scenery. Iβm background.
β
β
Dana Reinhardt (How to Build a House)
β
Just you and me. That's all, Jake. I know it might not be perfect. I don't want or expect perfect. I just want you.
β
β
Liz Reinhardt (Slow Twitch (Brenna Blixen, #3))
β
Itβs about how love can be so complicated and huge and beautiful, and how thereβs enough of it for everyone we ever meet.
β
β
Liz Reinhardt (Slow Twitch (Brenna Blixen, #3))
β
Now my heart is desperate in my chest, like a bird crashing into a window over and over again, confused that it can't get to what it sees and wants, and willing to kill itself in the attempt to remedy that.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
I believe in the immortality of the Theatre, it is a most joyous place to hide, for all those who have secretly put their childhood in their pockets and run off and away with it, to play on to the end of their days.
β
β
Max Reinhardt
β
Don't worry about the finish line. Don't question what you're doing. Just quiet your mind and keep up the pace.
β
β
Dana Reinhardt (The Things a Brother Knows)
β
You make me believe in a lot of things I never thought I would
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
Iβm looking to make a miracle
β
β
Dana Reinhardt
β
Youβre deceptively good, Blix. Just the perfect amount of bitch to be sexy.
β
β
Liz Reinhardt (Double Clutch (Brenna Blixen, #1))
β
I fell again, head over heels, uncontrollably and without a chance to grab hold before it swallowed me hard and whole.
β
β
Liz Reinhardt (Slow Twitch (Brenna Blixen, #3))
β
I think about how we canβt always live in the moment because moments pass, and when weβre lucky, we have the kind of moments that we canβt help wanting to go back to. We think about them, remember how they felt, and when more time passes we tell stories of these moments that are worth reliving.
β
β
Dana Reinhardt (How to Build a House)
β
The thrust or stab is risky because it can kill and yet not stop. In most street encounters, killing is not desired, but stopping is. The cut will stop but not kill.
β
β
Hank Reinhardt (Hank Reinhardt's Book of Knives: A Practical and Illustrated Guide to Knife Fighting)
β
I've loved one girl. That's you, Evan Lennox
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
I love you. I love you. And I know you didn't ask yet and don't have a ring and don't know when this will all happen, but my answer is definitely 'yes.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
You don't have to lie to me to be nice, Jake. You can just say, 'Wow, your nails look crappy.'" I did my best boy voice.
"Well, I will tell you that's a crappy imitation of my voice." He smiled so wide I could see his eyetooth from across the table. "But you've got to know you're totally hot, chipped nails and all." He burned beet red all the way to the roots of his hair. "Man, you get me to say some embarrassing stuff, Brenna." He rubbed his hand on the back of his neck.
"Hey, don't blame me when you feel moved to make strange declarations.
β
β
Liz Reinhardt (Double Clutch (Brenna Blixen, #1))
β
Whit looks like an angel when she sleeps. She's all sweet, full lips, long, curly eyelashes, and a tumble of sleek, dark hair against the pillow.
She also kicks like a mule, snores like a bear, sweats like a hog, and steals the covers like a fat, menacing caterpillar about to cocoon herself before her metamorphosis. - Deo
β
β
Liz Reinhardt (Lengths (Silver Strand, #1))
β
Sometimes things happen. Things happen even when you don't intend them to happen. Maybe at the beginning you had good intentions, or no intentions, or intentions you thought were harmless, but before you knew it things got out of control.
...Sometimes things take on a life of their own. You become powerless. There is nothing you can do to stop certain things from happening.
β
β
Dana Reinhardt (Harmless)
β
But here's something that I know about friendship: Sometimes the right thing to do is to not point out that your friend hasn't touched her chicken fingers or French fries and not point that maybe she's just overreacting. Instead, you just smile and sit with her and say, "I understand" when really, you don't understand her at all.
β
β
Dana Reinhardt (Harmless)
β
Was she someone special?β I hoped it might be for a lot of reasons.
βYeah, Bren. I proposed to her right after she let me feel her up in someoneβs parentβs bathroom at a house party. It was magical.
β
β
Liz Reinhardt (Double Clutch (Brenna Blixen, #1))
β
What man doesn't have dress socks and shoes?" he asks pointedly. "You wanna grow up to be a hobo?
β
β
Liz Reinhardt (Lengths (Silver Strand, #1))
β
Everyday is filled with opportunities to take a quiet moment
β
β
Dana Reinhardt (How to Build a House)
β
I donβt want to be your God damn friend
β
β
Liz Reinhardt (Double Clutch (Brenna Blixen, #1))
β
How can I miss someone so badly when we're in the same room?
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
The roof was torn off the gym. God's way of telling the jocks that they'd better remember who's really charge.
β
β
Dana Reinhardt (How to Build a House)
β
I'm curious how someone...finds God, or solace, or peace or whatever it is he finds out here alone...while he's reciting words. Is it just a matter of believing what you say?
β
β
Dana Reinhardt (How to Build a House)
β
One day things can be going along like they always were and then, suddenly, in a simple rotation of an overheated planet, everything can change.
β
β
Dana Reinhardt (How to Build a House)
β
Precision about language can be really, really annoying. It can make you miss the point of what the other person is saying altogether.
β
β
Dana Reinhardt (How to Build a House)
β
Itβs not just a damn game. Whatever it is that I feel for you is more real than anything Iβve ever felt before.
β
β
Liz Reinhardt (Double Clutch (Brenna Blixen, #1))
β
We were gunpowder and one hell of a spark, and I wasn't about to test our combustibility. ~ Junk Miles
β
β
Liz Reinhardt
β
Forget all of our past bullshit, okay? Iβve got less than a handful of days to convince you that Iβm not a complete douche bag, and I want a fair shot. Give it to me.
β
β
Liz Reinhardt (Junk Miles (Brenna Blixen, #2))
β
I wanted to call you. See you. You have no idea how bad I wanted to
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
Tell me. Tell me why you think you're leaving me again. Because you're not, you know. You're not leaving without me
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
Love is hard. It's forgiving your best friend when you want to shove her away.
β
β
Liz Reinhardt (Perfectly Unmatched (Youngblood, #2))
β
I should havenβt gotten all self-righteous on you. If you want to strip on a poleβ¦ well, Iβll stand guard with a gun, but Iβll support you.
β
β
Liz Reinhardt (Double Clutch (Brenna Blixen, #1))
β
And then I save up for a ring and ask you to marry me. And then, if everything goes the way I want, you agree. And then whatever you want. As long as you're with me, I know things will be alright
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
So I knew this wasn't going to be one of those things where I liked a guy and then this awful girl liked him, and I got the guy because I was so wholesome and right and good. This was real life. In real life, I had to get a serious grip.
β
β
Liz Reinhardt (Double Clutch (Brenna Blixen, #1))
β
He's holding an armful of pink tulips and wearing a hungry, focused expression. His blue eyes
travel up and down over my body, and I feel almost shy under his gaze.
"You're a goddess."
He says it like a normal person would say, "Your dress is white.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
Not exactly what I wanted, but you know what they say about getting what you want."
"That you should want what you have instead?" I guessed.
"No! That's ridiculous advice. Jesus, who told you that? Never mind, don't even answer that. Just forget you ever heard it. They, and by 'they' I am referring to those who know what the hell they're talking about, say that you can't always get what you want. But if you try sometimes..." He held out his hand for me to finish.
"You just might get what you need?"
He shucked me under the chin and gave me his best cocky smile. "There's hope for you yet."
He walked away from me with a determined swagger and didn't look back.
β
β
Liz Reinhardt (Junk Miles (Brenna Blixen, #2))
β
I know certain truths about life.
β
β
Dana Reinhardt (How to Build a House)
β
Lies destroy you,
β
β
Dana Reinhardt (Harmless)
β
He's the path lined with wildflowers, And I'm Red Riding Hood. I've been warned, but I just can't resist the blossom and perfume that calls me over.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
I swear to you, I will rip this world and every other one apart to get to you if you need me.
β
β
Liz Reinhardt (Inherit)
β
I hand over some files to and her eyes meet mine, all cool and sweet like a snow-cone in July.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
So you like me because I can think like a rebel, but I act like a good girl?
β
β
Liz Reinhardt (Junk Miles (Brenna Blixen, #2))
β
... Living with a conscience constitutes a merciless barrier to happiness...
β
β
Mark Haber (Reinhardt's Garden)
β
But no matter what happens, the earth keeps turning. Monday always comes and eventually, sometimes excruciatingly slowly, that Monday is followed by a Friday. You take tests, hand in papers you wrote at two in the morning the day they were due, and your shoes get worn out, and the pollen in the air increases so that you go through an entire package of tissues during the SATs, and you wander through the crowds at parties looking for Natalie Banks because you came with her, and you watch her take off for the backyard with a senior who seems to be in the backyard with a different girl at every party, and you learn to play chess with your dad, and you eat too much ice cream, and your favorite television drama has its two-hour season finale, and then suddenly the school year ends and you pack your bags for Tennessee.
β
β
Dana Reinhardt (How to Build a House)
β
You talk to me of choices?β said Reinhardt. βI only know that the choices life makes you take strip away the person we wanted to be. Builds us up into something we never wanted. Until you look back on life, and you see that the track of your life is a scar that hides what might have been.
β
β
Luke McCallin (The Man from Berlin (Gregor Reinhardt #1))
β
There are things I want, too. Things I want to change. Iβm tired of only being there for a good time, Brenna. Iβm tired of being a corrupter of the people I love. I no one wants to be the perpetual fuck up.
β
β
Liz Reinhardt (Junk Miles (Brenna Blixen, #2))
β
Why don't you wear those tiny shorts when you run, like they do in the movies?" His voice was low and sexy, and he knew it.
"Because I'm not in a movie. I know it's confusing, since you obviously live 'The Saxon Show' day and night, but some of us want to live a boring, old, normal high school life, you know?
β
β
Liz Reinhardt (Double Clutch (Brenna Blixen, #1))
β
Since the fall of the Berlin Wall in 1989, historians have become both more accurate and more honestβfractionally more brave, one might sayβabout that 'other' cleansing of the regions and peoples that were ground to atoms between the upper and nether millstones of Hitlerism and Stalinism. One of the most objective chroniclers is Professor Timothy Snyder of Yale University. In his view, it is still 'Operation Reinhardt,' or the planned destruction of Polish Jewry, that is to be considered as the centerpiece of what we commonly call the Holocaust, in which of the estimated 5.7 million Jewish dead, 'roughly three million were prewar Polish citizens.' We should not at all allow ourselves to forget the millions of non-Jewish citizens of Belarus, Russia, Ukraine, and other Slav territories who were also massacred. But for me the salient fact remains that anti-Semitism was the regnant, essential, organizing principle of all the other National Socialist race theories. It is thus not to be thought of as just one prejudice among many.
β
β
Christopher Hitchens (Hitch 22: A Memoir)
β
You run away for freedom. You run away because you canβt be trapped by the people who love you but donβt understand you. You run away because you want to be missed, you want them to start a worried search party combing far and wide for any scrap of evidence that youβre going to be back, safe and sound. Running away is a way to play a dirty trick on the perfect fate that will suffocate you if youβre not careful.
β
β
Liz Reinhardt (Perfectly Unmatched (Youngblood, #2))
β
It takes every fucking ounce of my self-control to say the next three words. 'Lead the way.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
But then I think about where knowing somebody has gotten me: nowhere. No. someplace worse than nowhere, because when youβre nowhere Iβm pretty sure you feel nothing.
β
β
Dana Reinhardt (How to Build a House)
β
Itβs important to hold the knife with the edge down. How important? Well, it depends. How important is your life?
β
β
Hank Reinhardt (Hank Reinhardt's Book of Knives: A Practical and Illustrated Guide to Knife Fighting)
β
Youβve fought for me. Youβve challenged me. Youβve begged me and left me and come back to me
β
β
Liz Reinhardt (Perfectly Unmatched (Youngblood, #2))
β
Iβm fucked up,β he admitted. βBut I could be better than I am. With you, I know I could be. Give me half a chance,β he pleaded.
β
β
Liz Reinhardt (Junk Miles (Brenna Blixen, #2))
β
I donβt think you realise how much you like him Brenna. I think itβs ridiculous and irritating, especially considering what you could have right here, but Iβm not judging.
β
β
Liz Reinhardt (Junk Miles (Brenna Blixen, #2))
β
It would be a bad thing because I'm afraid to gamble with your heart, Evan. I'm afraid to hurt you.
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
I don't deserve you
β
β
Liz Reinhardt (Fall Guy (Youngblood, #1))
β
Sweet on the street, alpha in the sheets.
β
β
Liz Reinhardt
β
sometimes something makes perfect sense, and then it's a complete mystery when you look at it the next day,
β
β
Dana Reinhardt (Harmless)
β
It was then, there in the darkness, with only those little pin-points of light to see by, light from a world away where other people with their own problems and their own secrets lived their own lives, that everything in our world changed for good.
β
β
Dana Reinhardt (Harmless)
β
Harper, I..."
You don't have to say it."
I don't?"
I know."
You know what?"
I lean against him, nestling in the crook of his arm. I talk into his neck. I don't need to be able to see to find the parts of him I know.
That morning in the trailer, when we had it to ourselves, and you made me breakfast, I wondered whether you would tell me you loved me, if you'd ever tell me, and I looked at you, and I thought you were going to say it, but instead you went off on a tangent about boysenberry jam."
And?"
And it was funny. And it was close enough to the real thing for me. Just sitting there with you like that."
Boysenberry jam?"
Boysenberry jam."
Harper," he whispers into my hair.
Yeah?"
I boysenberry jam you.
β
β
Dana Reinhardt (How to Build a House)
β
To hold you. To smell your hair and hope you donβt notice and think Iβm some sort of psychotic. To watch the way the light moves over your skin. I want you to get chilly and sleepy and need to press your body tight to mine, and I want to wrap my arms around you. I want whatever you write in that secret book of yours about me to be worth all the other rotten shit youβre going to wind up accepting down the line.
β
β
Liz Reinhardt (Perfectly Unmatched (Youngblood, #2))
β
I wanted this to be easy. I wanted to know for sure who I loved and why. I wanted to be in love without a hint of doubt.
But I realised that I could want as hard as I liked; the reality was already messier than I liked. I was in over my head β¦ and I had a panicked feeling that I wasnβt going to be able to manoeuvre this without screwing up big time.
β
β
Liz Reinhardt (Junk Miles (Brenna Blixen, #2))
β
But I do remember this thing that this famous rabbi wrote once about how Christians build cathedrals, these gorgeous impressive structures, but Jews, with a long history of watching their buildings get destroyed, build their cathedrals in time. The High Holidays. Shabbat. Cathedrals carved out of time that can never be worn down. I know you're no Jew but I kind of think that's what you did with your summer down here.
β
β
Dana Reinhardt (How to Build a House)
β
HE WAS KNOWN As DJANGO, a Gypsy name meaning "I awake." His legal name-the name the gendarmes and border officials entered into their journals as his family crisscrossed Europe in their horsedrawn caravan-was jean Reinhardt. But when the family brought their travels to a halt alongside a hidden stream or within a safe wood to light their cookfire, they called him only by his Romany name. Even among his fellow Gypsies, "Django" was a strange name, a strong, telegraphic sentence due to its first-person verb construction. It was a name of which Django was exceedingly proud. It bore an immediacy, a sense of life, and a vision of destiny.
β
β
Michael Dregni (Django: The Life and Music of a Gypsy Legend)
β
Linus closes his eyes and puts his arms out at his sides. "Look to this day. For it is life. The very life of life." I stand beside him. Quiet. He continues. "It its brief course lie all the verities and realities of your existence. The splendor of beauty, the bliss of growth, the glory of action. Today well lived makes every yesterday a dream of happiness, and every tomorrow a vision of hope." He opens his eyes and looks at me. "It's an ancient Sufi text." He smiles. "My mantra." He folds his paper, bats me over the head with it and walks away.
β
β
Dana Reinhardt (How to Build a House)
β
The walls were coming down around me, but still, I couldn't imagine telling the truth. Not now. It was too late. How can I tell Mom and Dad what we'd done? It would ruin everything. It would ruin their image of me; it would ruin every thought they'd ever had about who I was. It would be another death.Another loss. Another miscarriage.
β
β
Dana Reinhardt (Harmless)
β
We sat looking out at the ocean. There was just so much of it, and it never failed to take my breath away. Looking at the ocean gave me the same sensation Iβd get staring at a sky full of stars- that I was small. Like the way a math problem reveals its undeniable truth, I knew when I stared into this sort of endlessness that my life didnβt count for much of anything. And knowing that, that I was nothing but a speck, I felt pretty lucky for all that I had.
β
β
Dana Reinhardt (The Summer I Learned to Fly)
β
Any serious social encounter with knives has one main goal: to stop the action. Beyond that, you have a little flexibility: to kill, or merely get away, or what have you. But first comes the cessation of hostilities.
There are many ways to handle this. You can run, shoot, call the cops, or even try to organize a discussion group to talk the problem out. But Iβm talking knives, so Iβll limit myself to that.
All wounds are painful and pain is a great tool for stopping fights. So is the loss of use of various parts of the body. Therefore, it follows that although we wish to inflict any wound we can, the more painful it is, the better.
β
β
Hank Reinhardt (Hank Reinhardt's Book of Knives: A Practical and Illustrated Guide to Knife Fighting)