β
Man is the most insane species. He worships an invisible God and destroys a visible Nature. Unaware that this Nature heβs destroying is this God heβs worshiping.
β
β
Hubert Reeves
β
She was like the moonβpart of her was always hidden away.
β
β
Dia Reeves (Bleeding Violet)
β
So many of our dreams at first seem impossible, then they seem improbable, and then, when we summon the will, they soon become inevitable.
β
β
Christopher Reeve
β
Sometimes, on our way through the world, we meet someone who touches our heart in a way others don't.
β
β
Philip Reeve
β
You aren't a hero and I'm not beautiful and we probably won't live happily ever after " she said. "But we're alive and together and we're going to be all right.
β
β
Philip Reeve (Mortal Engines (Mortal Engines, #1))
β
But what if the monsters come?"
"Fancy." Kit looked away from the drama to stare at her sister, surprised. "We are the monsters.
β
β
Dia Reeves (Slice of Cherry)
β
They can't even decide what flavor of crazy I am.
β
β
Dia Reeves (Bleeding Violet)
β
Once you choose hope, anything's possible.
β
β
Christopher Reeve
β
A Hero is an ordinary individual who finds the strength to persevere and endure in spite of overwhelming obstacles.
β
β
Christopher Reeve
β
If you have been brutally broken, but still have the courage to be gentle to other living beings, then youβre a badass with the heart of an angel.
β
β
Keanu Reeves
β
I'd rather be miserable and free than happy and caged.
β
β
Dia Reeves
β
The simple act of paying attention can take you a long way.
β
β
Keanu Reeves
β
Real monsters eat you from the inside out.
β
β
Dia Reeves (Slice of Cherry)
β
What the eyes don't see, the heart can't feel.
β
β
Dia Reeves (Bleeding Violet)
β
I wear my cool on the inside; that's why my hands are always so cold.
β
β
Dia Reeves
β
Before the man could answer V cursed "If I have to hear all that Keanu Reeves, Matrix, I am Neo' kind of shit my head's going to explode."
"Don't you mean Neon?" Butch shot back "Cause he reminds me of the Citgo sign."
Wraths head turned "Shut the fuck up. All of you.
β
β
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
β
Grief changes shape, but it never ends.
β
β
Keanu Reeves
β
People?" As though she'd never heard of such a thing. "They're like dolls. Plastic and shiny and fake.
β
β
Dia Reeves (Slice of Cherry)
β
Love is a trap. Don't ever get caught.
β
β
Dia Reeves (Bleeding Violet)
β
It was a dark, blustery afternoon in spring, and the city of London was chasing a small mining town across the dried-out bed of the old North Sea.
β
β
Philip Reeve (Mortal Engines (Mortal Engines, #1))
β
The rain echoed in the shadowy attic space and made me feel small and fragile, like a lace glove left behind on moving day - mateless and abandoned.
β
β
Dia Reeves (Bleeding Violet)
β
Colbert: What happens after we die?
Reeves: I know the ones who love us will miss us.
β
β
Keanu Reeves
β
Emotional abuse is just as bad as physical abuse. Worse! You can heal broken bones; you can't heal a broken mind.
β
β
Dia Reeves (Bleeding Violet)
β
If I can laugh, I can live.
β
β
Christopher Reeve
β
Chris[topher] Reeve wisely parsed the difference between optimism and hope. Unlike optimism, he said, 'Hope is the product of knowledge and the projection of where the knowledge can take us.
β
β
Michael J. Fox (Always Looking Up: The Adventures of an Incurable Optimist)
β
You're like a doll I had when I was a kid. She was all stiched together and her head kept falling off, but I loved that doll. That's what you look like. Like somebody just loved you to death.
β
β
Dia Reeves (Slice of Cherry)
β
But what was the point of love if it didn't keep people from leaving you?
β
β
Dia Reeves (Slice of Cherry)
β
It disturbed me that he saw things in such black-and-white tones. I sure didn't. For me, the world was a confusion of color.
β
β
Dia Reeves (Bleeding Violet)
β
Is it...dead?" asked Tom, his voice all quivery with fright.
"A town just ran over him," said Hester. "I shouldn't think he's very well...
β
β
Philip Reeve (Mortal Engines (Mortal Engines Quartet, #1))
β
I don't even register on the freakometer.
β
β
Dia Reeves (Bleeding Violet)
β
The words come out of my mouth, but they donβt sound like me. I donβt sound like me. Probably because I know itβs all lies. But I can see that theyβre lies that Reeve believes. He swallows them whole. His eyes go blank. Empty. He completely shuts down.
β
β
Jenny Han (Fire with Fire (Burn for Burn, #2))
β
I'm not living the life I thought I would lead, but it does have meaning, purpose. There is love... there is joy... there is laughter.
β
β
Christopher Reeve
β
How did you get out of the suicide door?" Her disbelief was a living, pettable thing.
"Magic."
Her eyes narrowed. "There is no magic."
"Maybe not for you. But I'm from out of town.
β
β
Dia Reeves (Bleeding Violet)
β
Fever jumped aside just in time to dodge the shower of urine, and stumbled into the path of a religious procession - celebrants in robes and pointed hats whirling and clapping and chanting the name of some old-world prophet, 'Hari, Hari! Hari Potter!'
β
β
Philip Reeve (Fever Crumb (Fever Crumb, #1))
β
If you walk out on me, i'm not walking out after you.
β
β
David Reeves (In My Opinion)
β
The one thing worse than an enemy is a friend turned false.
β
β
Philip Reeve (Here Lies Arthur)
β
The worst thing you can do is rest all your hopes on a wish. A granted wish doesn't equal a perfect life.
β
β
Dia Reeves (Slice of Cherry)
β
Humans are predators, not prey. Always remember that.
β
β
Dia Reeves (Slice of Cherry)
β
he cut through the 21st Century Gallery, past the big plastic statues of Pluto and Mickey, animal headed gods of lost America
β
β
Philip Reeve (Mortal Engines (The Hungry City Chronicles, #1))
β
Keanu Reeves?" she asks in amazement. I nod. "What did he wish for?"
"Isn't it obvious?" I say, waving a hand at the screen. "Fame."
"That's why he's famous? Because of a wish?"
"Have you seen his movies? Surely you didn't think he made it on his acting skills?" I grant wishes; I don't work miracles.
Viola looks back at the screen, eyes screwed up in awe. "I guess that makes sense," she says faintly as my former master delivers a line poorly. "Wow.
β
β
Jackson Pearce (As You Wish (Genies #1))
β
I hate that I'm so numb and empty and disconnected from most of these people but even I can see worth in stupid little moments like these. These people aren't even my family, but I can see their value and if I can see it in something this small, when I feel this bad, then---
Then why didn't he?
β
β
Courtney Summers (Fall for Anything)
β
You look beautiful in this dress."
"And yet you're trying to take it off."
"You know that look that Jessica gets when she unwraps one of her truffles?" he asked.
"Like she fell into a pool of chocolate with Keanu Reeves and Hugh Jackman swimming toward her?"
He looked at me, his lips quirking. "Have that fantasy often?"
Heh. Who, me?
"Nope. Why would I, when I have you?"
"Nice recovery.
β
β
Michele Bardsley (Over My Dead Body (Broken Heart, #5))
β
Indecisiveness is a very unattractive trait in a man, especially when he's just a boy.
β
β
Dia Reeves (Bleeding Violet)
β
If I can't, then I'll paint the walls of her house red with my blood.
β
β
Dia Reeves (Bleeding Violet)
β
I DRAW A HOT SORROW BATH IN MY DESPAIR ROOM WITH A MISERY CANDLE BURNING I WASH MY HAIR WITH REGRET SHAMPOO AFTER CLEANING MYSELF WITH PAIN SOAP I DRY MYSELF WITH MY GORGEOUS WHITE ONE HUNDRED PERCENT AND IT WILL NEVER CHANGE TOWEL THEN SMOOTH ON MY I DONβT DESERVE LOTION AND I HATE MYSELF FACE CREAM THEN I PUT ON MY ALONE AGAIN SILK PYJAMAS AND GO TO SLEEP WHEN THE HUE HAS GONE BLUE AND YOU CANβT QUITE GRIN AND BEAR IT LET THIS WORD PICTURE REMIND YOU IT CAN ALWAYS BE WORSE
β
β
Keanu Reeves (Ode to Happiness)
β
Naive people always trying to blame others for their constant heartbreak & failed relationships instead of looking in the mirror & re-evaluating themselves. It's YOU that needs to change.
β
β
David Reeves (In My Opinion)
β
At first, dreams seem impossible, then improbable, and eventually inevitable.
β
β
Christopher Reeve (Nothing is Impossible: Reflections on a New Life)
β
That's what History teaches us, I think, that life goes on, even though individuals die and whole civilizations crumble away: The simple things last; they are repeated over and over by each generation.
β
β
Philip Reeve (A Darkling Plain (The Hungry City Chronicles, #4))
β
I'm the Bonesaw Killer's daughter," she whispered, almost to herself. "Why would you ever think I was good?
β
β
Dia Reeves (Slice of Cherry)
β
Every struggle in your life has shaped you into the person you are today. Be thankful for the hard times, they can only make you stronger.
β
β
Keanu Reeves
β
You need air. You need food. You don't need some beastly boy.
β
β
Dia Reeves (Bleeding Violet)
β
You ain't scared I'll kill you?
You already did. At the dark park. The suspense is gone.
β
β
Dia Reeves (Bleeding Violet)
β
You're like rottweilers - they protect you from burglars, but nothing protects you from them.
β
β
Dia Reeves (Slice of Cherry)
β
Even though I don't personally believe in the Lord, I try to behave as though He was watching.
β
β
Christopher Reeve
β
Mother is the name for God on the lips and hearts of children.
β
β
Dia Reeves (Bleeding Violet)
β
It's easier to be careful in dresses. You have to be or you end up flashing your underclothes or destroying beautiful fabric. Dresses force you to be on guard.
β
β
Dia Reeves (Bleeding Violet)
β
Someone told me the other day that he felt bad for single people because they are lonely all the time. I told him thatβs not true Iβm single and I donβt feel lonely. I take myself out to eat, I buy myself clothes. I have great times by myself. Once you know how to take care of yourself company becomes an option and not a necessity.
β
β
Keanu Reeves
β
I figured she wanted to get into it with me, some he's-my-man-so-step-off song and dance. If so, she would have to dance solo.
I don't do drama.
β
β
Dia Reeves (Bleeding Violet)
β
Wanting to connect doesn't make you needy--it makes you human.
β
β
Dia Reeves (Bleeding Violet)
β
I was also raised to treat people exactly how I would like to be treated by others. Itβs called respect.
β
β
Keanu Reeves
β
The old curator of ceramics lay near the door, looking indignant, as if death was a silly modern fad that he rather disapproved of.
β
β
Philip Reeve (Mortal Engines (Mortal Engines, #1))
β
Was this what falling in love was like? Not something big and amazing that you knew about straight away, like in a story, but a slow thing that crept over you in waves until you woke up one day and found that you were head-over-heels with someone quite unexpected
β
β
Philip Reeve (Mortal Engines (The Hungry City Chronicles, #1))
β
If I had the power to resurrect, I'd use it on you." Now he was the one whispering. "There's an important part of you that's dead: the part that cares.
β
β
Dia Reeves (Slice of Cherry)
β
Either you choose to stay in the shallow end of the pool or you go out into the ocean.
β
β
Christopher Reeve
β
A hero is an ordinary person doing things in an extra ordinary way.
β
β
Christopher Reeve
β
She decided not to look him in the eyes ever again. It was too much like being shoved over the edge of a ravine.
β
β
Dia Reeves (Slice of Cherry)
β
Multi-culture is the real culture of the world β a pure race doesnβt exist.
β
β
Keanu Reeves
β
A good date is when you are intoxicated with each otherβs company and everything becomes good in the world.
β
β
Keanu Reeves
β
We're at war with nature. If we win, we're lost.
β
β
Hubert Reeves
β
You need to be happy to live, i don't.
β
β
Keanu Reeves
β
You canβt stop the waves but you can learn to surf.
β
β
Keanu Reeves
β
No, thanks. If I start wearing heels, boys will whistle at me when I walk by.
β
β
Dia Reeves (Slice of Cherry)
β
Collaboration, it turns out, is not a gift from the gods but a skill that requires effort and practice.
β
β
Douglas B. Reeves (Transforming Professional Development into Student Results)
β
We all have many more abilities and internal resources than we know. My advice is that you don't need to break your neck to find out about them.
β
β
Christopher Reeve
β
Hey!β he said. βThatβs one of my best shirts!β βSo?β she replied without looking up. βItβs one of my best legs.
β
β
Philip Reeve (Mortal Engines (The Hungry City Chronicles, #1))
β
There was something else that [Christopher] Reeve told me privately, off camera, and it made me grin. While he was lying in the hospital, just becoming conscious with tubes connected to all parts of his body, a doctor in a white coat came in and with a Russian accent, commanded: "Turn over!"
Are you nuts? Reeve thought.
I said: 'Turn over!'" the doctor repeated.
As Reeve was about to answer "the imbecile", he realized there was something familiar about the man in the white coat. He wasn't a doctor at all. He was Reeve's old buddy from acting school at Julliard, Robin Williams. Reeve waited for a breath, and almost choked with laughter. He realized, he told me, "If I can laugh, I can live.
β
β
Barbara Walters
β
Fancy clipped a scrap of newsprint to her canvas and wrote, I don't have friends.
Ilan's hand covered hers briefly as he plucked the charcoal from her hand and wrote beneath her words, you have me.
β
β
Dia Reeves (Slice of Cherry)
β
I kissed him, and even though it hurt my mouth, I didn't mind; Wyatt's kisses were worth suffering over.
β
β
Dia Reeves (Bleeding Violet)
β
He looked as shocked as if I'd asked him to masturbate in front of me.
β
β
Dia Reeves (Bleeding Violet)
β
there is a relationship between the mind and the body that can both create a physical condition and enable us to recover from it
β
β
Christopher Reeve (Nothing is Impossible: Reflections on a New Life)
β
An Engineer is no match for a Historian with his dander up!
β
β
Philip Reeve (Mortal Engines (Mortal Engines, #1))
β
Iβd give just about anything if I could make you care,β he said. βEspecially about me.
β
β
Dia Reeves (Slice of Cherry)
β
Until we're rotten, we cannot be ripe.
β
β
Geoffrey Chaucer (The Canterbury tales of Geoffrey Chaucer Volume 2)
β
Your emotional state has a tremendous amount to do with sickness, health and well-being. For years, my husband and I lived on -- and because of -- hope. Hope continues to give me the mental strength to carry on.
β
β
Dana Reeve
β
I caught her red-handed with her hands down his pants."
"You did not," Fancy told Madda sternly, with as much dignity as she was able. "It was just one hand.
β
β
Dia Reeves (Slice of Cherry)
β
We were beyond needing other people. Anyone else who happens on the both of us, they're just temps.
β
β
Courtney Summers (Fall for Anything)
β
He smiled faintly, like somebody who had never seen a smile, but had read a book on how to do it.
β
β
Philip Reeve (Mortal Engines (The Hungry City Chronicles, #1))
β
Grief Changes shape but it never dies
β
β
Keanu Reeves
β
Once you choose hope, anythingβs possible.
β
β
Christopher Reeve
β
It's more than words & somehow more than actions could ever show. It's hard to explicate this feeling I have for you, but it's one I could live out the rest of my days trying to make you understand.
β
β
David Reeves (In My Opinion)
β
That's the trouble with a story spinner. You never know what's real and what's made up. Even when they are telling the truth, they can't stop themselves from spinning it into something better; something prettier, with more of a pattern to it.
β
β
Philip Reeve (Here Lies Arthur)
β
You know, sometimes a thing, a system, a creation grows so old, and corrupt, and weighed down by its own baggage, that all you can do is change it. Move on. Start afresh. It's frightening, but it has to be done.
β
β
Philip Reeve (Railhead)
β
Sometimes we get so caught up in our daily lives that we forget to take the time out to enjoy the beauty in life. Itβs like weβre zombies. Look up and take your headphones out. Say βHiβ to someone you see and maybe give a hug to someone who looks like theyβre hurting.
β
β
Keanu Reeves
β
Some people view love and romance as a sacred bond between two individuals. Other people see love as a game, where the goal is to manipulate another individual and gain emotional power over a partner. People who view love as a game are much more likely to have multiple love interest; cheating is just another way to gain control over one's partner.
β
β
David Reeves (In My Opinion)
β
What helped me go through it was reminding myself of famous people who went through bad shit and were still alive. It was kind of creepy, but it helped. Like, Joaquin Phoenix had watched his brother die, and had to call 911. Keanu Reeves had lost his stillborn baby and the love of his life eighteen months apart. Oprah Winfrey had been a fourteen-year-old runaway after being sexually abused. Charlize Theron watched her mother shoot her father to death in self-defense. These people still lived. Laughed. Breathed. Got married. Had babies. Moved on.
β
β
L.J. Shen (Broken Knight (All Saints High, #2))
β
Calo bit the inside of his cheek, retuned his harp, and then began again:
"Said the reeve to the maid who was fresh to the farm
'Let me show you the beasts of the yard!β
Hereβs a cow that gives milk, and a pig thatβs for ham
Hereβs a cur and a goat and a lamb;
Hereβs a horse tall and proud, and a well-trained old hawk,
But the thing you should see is this excellent cock!"
βWhere could you possibly have learned that?β shouted Chains. Calo broke up in a fit of giggles, but Galdo picked up the song with a deadpan expression on his face:
"Oh, some cocks rise early and some cocks stand tall,
But the cock now in question works hardest of all!
And they say hardβs a virtue, in a cockβs line of work
So what say you, lovely, will you give it aβ
β
β
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
β
I need you, Jess, with everything in me I need you, not just now or tonight, but forever. You're my North Star and Safe Harbor and all those other sappy clichés, but above all else, you are my dragon slayer. I need you tonight. I need you in my arms where I can feel your heart beating in time with mine. Just hold me and⦠and let me hold you in return.
β
β
Julieanne Reeves (Razing Kayne (Walking a Thin Blue Line, #1))
β
River was a beautiful man, inside and outβtoo beautiful for this world, it turned out. It always seems to be the really talented guys who go down. Why is it that the original thinkers like River Phoenix and Heath Ledger die, but Keanu Reeves still walks among us? River was a better actor than me; I was funnier. But I certainly held my own in our scenesβno small feat, when I look back decades later. But more important, River just looked at the world in a different way than we all did, and that made him fascinating, and charismatic, and, yes, beautiful, but not in a Gap ad kinda way (though he was that, too)βin a there-is-no-one-else-in-the-world-like-him kind of way. Not to mention he was rocketing to stardom, yet you would never know it.
β
β
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
β
Creation is built upon the promise of hope, that things will get better, that tomorrow will be better than the day before.
But it's not true. Cities collapse. Populations expand. Environments decay. People get ruder. You can't go to a movie without getting in a fight with the guy in the third row who won't shut up.
Filthy streets. Drive-by shootings. Irradiated corn. Permissible amounts of rat-droppings per hot dog. Bomb blasts, and body counts. Terror in the streets, on camera, in your living room. Aids and Ebola and Hepatitis B and you can't touch anyone because you're afraid you'll catch something besides love and nothing tastes as good anymore and Christopher Reeve is [dead] and love is statistically false.
Pocket nukes and subway anthrax. You grow up frustrated, you live confused, you age frightened, you die alone. Safe terrain moves from your city to your block to your yard to your home to your living room to the bedroom and all you want is to be allowed to live without somebody breaking in to steal your tv and shove an ice-pick in your ear.
That sound like a better world to you? That sound to you like a promise kept?
β
β
J. Michael Straczynski (Midnight Nation)
β
It is June 27, 1912. You are lying in your bed in the Grand Hotel and it is 6 p.m. on the evening of June 27, 1912. Your mind accepts this absolutely. 6 p.m. on June 27, 1912. Elise McKenna is in this hotel at this very moment. Her manager, William Fawcett Robinson, is in this hotel at this very moment. Now, this moment, here. Both in the Grand Hotel on this evening of June 27, 1912. 6 p.m. on June 27, 1912. Elise McKenna, now, in this hotel. She and her company are in this hotel at this very moment. Now on June 27, 1912, 6 p.m. Your mind accepts this, absolutely. You have traveled back in time, soon you will open your eyes. You will walk into the corridor, and you will go downstairs and you will find Elise McKenna, who is in this hotel at this very moment.
β
β
Richard Matheson