Redwood Quotes

We've searched our database for all the quotes and captions related to Redwood. Here they are! All 100 of them:

β€œ
I didn't need to understand the hypostatic unity of the Trinity; I just needed to turn my life over to whoever came up with redwood trees.
”
”
Anne Lamott (Plan B: Further Thoughts on Faith)
β€œ
Walking, I can almost hear the redwoods beating. And the oceans are above me here, rolling clouds, heavy and dark. It is winter and there is smoke from the fires. It is a world of elemental attention, of all things working together, listening to what speaks in the blood. Whichever road I follow, I walk in the land of many gods, and they love and eat one another. Suddenly all my ancestors are behind me. Be still, they say. Watch and listen. You are the result of the love of thousands.
”
”
Linda Hogan (Dwellings: A Spiritual History of the Living World)
β€œ
The redwoods, once seen, leave a mark or create a vision that stays with you always. No one has ever successfully painted or photographed a redwood tree. The feeling they produce is not transferable. From them comes silence and awe. It's not only their unbelievable stature, nor the color which seems to shift and vary under your eyes, no, they are not like any trees we know, they are ambassadors from another time.
”
”
John Steinbeck (Travels with Charley: In Search of America)
β€œ
I know what every colored woman in this country is doing... Dying. Just like me. But the difference is they dying like a stump. Me, I’m going down like one of those redwoods. I sure did live in this world.
”
”
Toni Morrison
β€œ
A hypocrite is the kind of politician who would cut down a redwood tree, then mount the stump and make a speech for conservation.
”
”
Adlai E. Stevenson II
β€œ
As I went walking I saw a sign there And on the sign it said "No Trespassing." But on the other side it didn't say nothing, That side was made for you and me. This land is your land, this land is my land From California to the New York island From the Redwood forest to the Gulf Stream waters This land was made for you and me.
”
”
Woody Guthrie
β€œ
Tree It is foolish to let a young redwood grow next to a house. Even in this one lifetime, you will have to choose. That great calm being, this clutter of soup pots and books-- Already the first branch-tips brush at the window. Softly, calmly, immensity taps at your life.
”
”
Jane Hirshfield
β€œ
As I walk through the redwood trees, my sneakers sopping up days of rain, I wonder why bereaved people even bother with mourning clothes, when grief itself provides such an unmistakable wardrobe.
”
”
Jandy Nelson (The Sky Is Everywhere)
β€œ
God. He was an eye-gasm if she ever saw one.
”
”
Kelly Moran (Puppy Love (Redwood Ridge, #1))
β€œ
People tend to pay attention to the guy who shouts and ignore the one who whispers.
”
”
Kelly Moran (Tracking You (Redwood Ridge #2))
β€œ
How southern belle of her.
”
”
Kelly Moran (Puppy Love (Redwood Ridge, #1))
β€œ
Her mother and memory lapses were BFFs.
”
”
Kelly Moran (Puppy Love (Redwood Ridge, #1))
β€œ
Hazard of the job. That's Ode de Anal Gland you smell.
”
”
Kelly Moran (Puppy Love (Redwood Ridge, #1))
β€œ
Just about every available female--and some unavailable--seemed to think the way to his heart was through his blood sugar levels.
”
”
Kelly Moran (Puppy Love (Redwood Ridge, #1))
β€œ
Translation: She's too good for you.
”
”
Kelly Moran (Puppy Love (Redwood Ridge, #1))
β€œ
And they drank heavily, partied with great enthusiasm, and relished the drug culture; they moved in and out and slept around, and this was okay because they defined their own morality. They were fighting for the Mexicans and the redwoods, dammit! They had to be good people!
”
”
John Grisham (The Brethren)
β€œ
He used his soothing tone reserved for cray-cray animals.
”
”
Kelly Moran (Puppy Love (Redwood Ridge, #1))
β€œ
I'll never get to hear her say, 'I love you, Mommy,' like other parents take for granted.
”
”
Kelly Moran (Puppy Love (Redwood Ridge, #1))
β€œ
Popcorn, chocolate, coffee, ice cream, and pizza. The five food groups. Health nuts are going to feel stupid one day, dying of nothing.
”
”
Kelly Moran (Puppy Love (Redwood Ridge, #1))
β€œ
One would think he'd become a Master Jedi at it by now, but alas, "no" was not in his Webster.
”
”
Kelly Moran (Puppy Love (Redwood Ridge, #1))
β€œ
You are no star, Gabby. You're the sky. The rest of us are just circling your orbit.
”
”
Kelly Moran (Tracking You (Redwood Ridge #2))
β€œ
Damn, her mouth was a weapon.
”
”
Kelly Moran (Tracking You (Redwood Ridge #2))
β€œ
He'd bet his right nut her skin would taste as good as it smelled.
”
”
Kelly Moran (Tracking You (Redwood Ridge #2))
β€œ
Parrots, tortoises and redwoods live a longer life than men do; Men a longer life than dogs do; Dogs a longer life than love does.
”
”
Edna St. Vincent Millay (Millay)
β€œ
As I explore the wilderness of my own body, I see that I am made of blood and bones, sunlight and water, pesticide residues and redwood humus, the fears and dreams of generations of ancestors, particles of exploded stars.
”
”
Anne Cushman
β€œ
There. Let the gods of friendship and common sense strike him dead.
”
”
Kelly Moran (Tracking You (Redwood Ridge #2))
β€œ
This whole conversation was turning into a twisted version of Abbot & Costello's Who's on First.
”
”
Kelly Moran (Tracking You (Redwood Ridge #2))
β€œ
First thought? Romance movies were bad for her psyche.
”
”
Kelly Moran (Tracking You (Redwood Ridge #2))
β€œ
I'm sorry on behalf of my species.
”
”
Kelly Moran (Tracking You (Redwood Ridge #2))
β€œ
Hunter versus prey, and the look in his eyes told her, in no uncertain terms, eating her alive was a distinct possibility.
”
”
Kelly Moran (Tracking You (Redwood Ridge #2))
β€œ
We all have our handicaps. You're not mine.
”
”
Kelly Moran (Tracking You (Redwood Ridge #2))
β€œ
Trolls have 5,400 words for rocks and one for vegetation. "Oograah" means everything from moss to giant redwoods. The way trolls see it, if you can't eat it, it's not worth naming it.
”
”
Terry Pratchett (Moving Pictures (Discworld, #10; Industrial Revolution, #1))
β€œ
He wasn't touching that one with an eight-inch…pole.
”
”
Kelly Moran (Tracking You (Redwood Ridge #2))
β€œ
She had platonic all but tattooed on her forehead.
”
”
Kelly Moran (Tracking You (Redwood Ridge #2))
β€œ
She was thinking of doing a little Cuervo therapy.
”
”
Kelly Moran (Tracking You (Redwood Ridge #2))
β€œ
No one has ever successfully painted or photographed a redwood tree. The feeling they produce is not transferable. From them comes silence and awe.
”
”
John Steinbeck (Travels with Charley: In Search of America)
β€œ
All forests have their own personality. I don't just mean the obvious differences, like how an English woodland is different from a Central American rain forest, or comparing tracts of West Coast redwoods to the saguaro forests of the American Southwest... they each have their own gossip, their own sound, their own rustling whispers and smells. A voice speaks up when you enter their acres that can't be mistaken for one you'd hear anyplace else, a voice true to those particular tress, individual rather than of their species.
”
”
Charles de Lint (The Onion Girl (Newford, #8))
β€œ
Bloodthirsty, thy name is Momma Wolf.
”
”
Carrie Ann Ryan (Trinity Bound (Redwood Pack, #2))
β€œ
From the green belt balcony, the wildfires look so pretty Ponderosa canopy, I’d never leave if it were up to me To the ruby redwood tree, and to the velvet climbing ivy painted all mahogany I’d never leave if it were up to me
”
”
Owl City
β€œ
Too much and too long, we seem to have surrendered community excellence and community values in the mere accumulation of material things. Our gross national product...if we should judge the United States of America by that - counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for those who break them. It counts the destruction of our redwoods and the loss of our natural wonder in chaotic sprawl. It counts napalm and the cost of a nuclear warhead, and armored cars for police who fight riots in our streets. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the gross national product does not allow for the health of our children, the quality of their education, or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages; the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage; neither our wisdom nor our learning; neither our compassion nor our devotion to our country; it measures everything, in short, except that which makes life worthwhile. And it tells us everything about America except why we are proud that we are Americans.
”
”
Robert F. Kennedy
β€œ
We stick to the magical places in the world,” Asahi clarified. β€œPlaces like the MBRC, the Redwood forest of California, the less populated parts of New Zealand and Japan, Disney World, and Atlantis,” Madeline listed, ticking the places off on her fingers. β€œWait, Disney World?” I interrupted. β€œThe most magical place on Earth.
”
”
K.M. Shea (My Life at the MBRC (The Magical Beings' Rehabilitation Center, #1))
β€œ
All three of them looked at each other then burst out laughing, the tension from the unknown dissolving away. Tears leaked from their eyes as their laughter grew.
”
”
Carrie Ann Ryan (Trinity Bound (Redwood Pack, #2))
β€œ
People here had redwood trees in their backyards. You were never far from the infinite.
”
”
Amy Stewart (The Last Bookstore in America)
β€œ
Seated here in contemplations lost, my thought discovers vaster space beyond, supernal silence and unfathomed peace
”
”
Giacomo Leopardi
β€œ
I can feel you,” Willows whispered. Tears fell to down her cheeks, and he kissed her softly on the lips, pouring all his love into that one kiss.
”
”
Carrie Ann Ryan (A Taste for a Mate (Redwood Pack, #1))
β€œ
I’m glad that you decided against the walk.” His voice had deepened and taken a rougher edge to it – almost a growl.
”
”
Carrie Ann Ryan (An Alpha's Path (Redwood Pack, #0.5))
β€œ
Catelyn had never liked this godswood. She had been born a Tully, at Riverrun far to the south, on the Red Fork of the Trident. The godswood there was a garden, bright and airy, where tall redwoods spread dappled shadows across tinkling streams, birds sang from hidden nests, and the air was spicy with the scent of flowers.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β€œ
Just remember to keep an open mind. He really is quite sweet and won't bite. Well only occasionally. And only if you want him to.
”
”
Carrie Ann Ryan (An Alpha's Path (Redwood Pack, #0.5))
β€œ
Reed kissed her softly. β€œLive for now. Find your way. We can still be together. Forever. Don’t think about the unknown and what could happen when we don’t even know what is happening.
”
”
Carrie Ann Ryan (Trinity Bound (Redwood Pack, #2))
β€œ
when you see someone in a tree trying to protect it , you know that every level of our society have failed , the consumers have failed , the companies have failed , the government has failed .
”
”
Julia Butterfly Hill (The Legacy of Luna: The Story of a Tree, a Woman, and the Struggle to Save the Redwoods)
β€œ
Char me the trunk of a redwood tree. Give me pages of white chalk cliffs to write upon. Magnify me thousands of times, and replace my trifling immodesties with a titanic megalomania β€” then might I write largely enough for our subjects.
”
”
Charles Fort (New Lands)
β€œ
It's okay, Jasper. I, above all, know what you are feeling now. But this will be different. We’re stronger now. We will find her.” Adam gave him a rough hug before he left the shop. The sound of a car outside signaled the arrival of his brothers. Time to kick ass and find his mate.
”
”
Carrie Ann Ryan (A Taste for a Mate (Redwood Pack, #1))
β€œ
ANDRΓ‰: . . . And when I was at Findhorn I met this extraordinary English tree expert who had devoted himself to saving trees, and he’d just got back from Washington lobbying to save the Redwoods. And he was eighty-four years old, and he always travels with a backpack because he never knows where he’s going to be tomorrow. And when I met him at Findhorn he said to me, β€œWhere are you from?” And I said, β€œNew York.” And he said, β€œAh, New York, yes, that’s a very interesting place. Do you know a lot of New Yorkers who keep talking about the fact that they want to leave, but never do?” And I said, β€œOh, yes.” And he said, β€œWhy do you think they don’t leave?” And I gave him different banal theories. And he said, β€œOh, I don’t think it’s that way at all.” He said, β€œI think that New York is the new model for the new concentration camp, where the camp has been built by the inmates themselves, and the inmates are the guards, and they have this pride in this thing that they’ve builtβ€”they’ve built their own prisonβ€”and so they exist in a state of schizophrenia where they are both guards and prisoners. And as a result they no longer haveβ€”having been lobotomizedβ€”the capacity to leave the prison they’ve made or even to see it as a prison.” And then he went into his pocket, and he took out a seed for a tree, and he said, β€œThis is a pine tree.” And he put it in my hand. And he said, β€œEscape before it’s too late.
”
”
Wallace Shawn (My Dinner With AndrΓ©)
β€œ
Reed couldn’t have agreed more with his wolf. Tonight the three of them would spend the night in the same house. He just hoped they were together in the same bed when they did it. Preferably naked and sweaty with lots of intimate touching.
”
”
Carrie Ann Ryan (Trinity Bound (Redwood Pack, #2))
β€œ
Live or die, but don't poison everything... Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle. The chief ingredient is mutilation. And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn bitch! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk. This became perjury of the soul. It became an outright lie and even though I dressed the body it was still naked, still killed. It was caught in the first place at birth, like a fish. But I play it, dressed it up, dressed it up like somebody's doll. Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up. And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer. Today life opened inside me like an egg and there inside after considerable digging I found the answer. What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer. God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles. If I'm on fire they dance around it and cook marshmallows. And if I'm ice they simply skate on me in little ballet costumes. Here, all along, thinking I was a killer, anointing myself daily with my little poisons. But no. I'm an empress. I wear an apron. My typewriter writes. It didn't break the way it warned. Even crazy, I'm as nice as a chocolate bar. Even with the witches' gymnastics they trust my incalculable city, my corruptible bed. O dearest three, I make a soft reply. The witch comes on and you paint her pink. I come with kisses in my hood and the sun, the smart one, rolling in my arms. So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny tits. Just last week, eight Dalmatians, 3/4 of a lb., lined up like cord wood each like a birch tree. I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected. Not an Eichmann. The poison just didn't take. So I won't hang around in my hospital shift, repeating The Black Mass and all of it. I say Live, Live because of the sun, the dream, the excitable gift.
”
”
Anne Sexton (The Complete Poems)
β€œ
Men live their lives trapped in an eternal present, between the mists of memory and the sea of shadow that is all we know of the days to come. Certain moths live their whole lives in a day, yet to them that little span of time must seem as long as years and decades do to us. An oak may live three hundred years, a redwood tree three thousand. A weirwood will live forever if left undisturbed. To them seasons pass in the flutter of a moth's wing, and past, present, and future are one.
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
β€œ
Power is living while others inevitably perish. Power is cool indifference to their suffering. Power is taking nourishment from the deaths of others, just as the mighty redwoods draw sustenance from the perpetual decomposition of what once lived, but lived only briefly, around them. This is also part of the philosophy of Edgler Foreman Vess.
”
”
Dean Koontz (Intensity)
β€œ
Pandas and rain forests are never mentioned when it comes to the millions of people taking joyrides in their Range Rovers. Rather, it's the little things we're strong-armed into conserving. At a chain coffee bar in San Francisco, I saw a sign near the cream counter that read NAPKINS COME FROM TREES - CONSERVE! In case you missed the first sign, there was a second one two feet away, reading YOU WASTE NAPKINS - YOU WASTE TREES!!! The cups, of course, are also made of paper, yet there's no mention of the mighty redwood when you order your four-dollar coffee. The guilt applies only to those things that are being given away for free.
”
”
David Sedaris (Me Talk Pretty One Day)
β€œ
No one should let yesterday use up too much of today. Easy to say, hard to live.
”
”
Andrea Hairston (Redwood and Wildfire)
β€œ
If people in general could be got into the woods, even for once, to hear the trees speak for themselves, all difficulties in the way of forest preservation would vanish.
”
”
John Muir (John Muir Ultimate Collection: Travel Memoirs, Wilderness Essays, Environmental Studies & Letters (Illustrated): Picturesque California, The Treasures ... Redwoods, The Cruise of the Corwin and more)
β€œ
You look like a Photoshopped version of Thor with Iron Man’s flirtation skills and Captain America’s values.
”
”
Kelly Moran (Residual Burn (Redwood Ridge, #4))
β€œ
Surely our people do not understand even yet the rich heritage that is theirs. There can be nothing in the world more beautiful than the Yosemite, the groves of giant sequoias and redwoods, the Canyon of the Colorado, the Canyon of the Yellowstone, the Three Tetons; and our people should see to it that they are preserved for their children and their children’s children forever, with their majesty all unmarred.
”
”
Theodore Roosevelt (Outdoor Pastimes of an American Hunter (Classics of American Sport))
β€œ
Amory Lovins says the primary design criteria he uses is the question β€œHow do we love all the children?” Not just our children, not just the ones who look like us or who have resources, not just the human children but the young of birds and salmon and redwood trees. When we love all the children, when that love is truly sacred to us in the sense of being most important, then we have to take action in the world to enact that love. We are called to make the earth a place where all the children can thrive.
”
”
Starhawk (The Spiral Dance: A Rebirth of the Ancient Religions of the Great Goddess)
β€œ
The thought of seeing him had left her a tangled jumble of basket case, complete with a straight jacket for accessory.
”
”
Kelly Moran (Mistletoe Magic (Redwood Ridge, #6))
β€œ
The man was so sexy she understood why every member of the double X-carrying chromosome imitated saran wrap in his presence.
”
”
Kelly Moran (Residual Burn (Redwood Ridge, #4))
β€œ
I don’t care if it’s been five minutes or five months or five years. You’re it for me and there’s no sense in waiting.
”
”
Kelly Moran (Residual Burn (Redwood Ridge, #4))
β€œ
If the gods of Gorgeousness and Charm and Sexiness had a threesome, Jason Burkwell would’ve been the resulting love child.
”
”
Kelly Moran (Residual Burn (Redwood Ridge, #4))
β€œ
Dear Hunger Games : Screw you for helping cowards pretend you have to be great with a bow to fight evil. You don't need to be drafted into a monkey-infested jungle to fight evil. You don't need your father's light sabre, or to be bitten by a radioactive spider. You don't need to be stalked by a creepy ancient vampire who is basically a pedophile if you're younger than a redwood. Screw you mainstream media for making it look like moral courage requires hair gel, thousands of sit ups and millions of dollars of fake ass CGI. Moral courage is the gritty, scary and mostly anonymous process of challenging friends, co-workers and family on issues like spanking, taxation, debt, circumcision and war. Moral courage is standing up to bullies when the audience is not cheering, but jeering. It is helping broken people out of abusive relationships, and promoting the inner peace of self knowledge in a shallow and empty pseudo-culture. Moral courage does not ask for - or receive - permission or the praise of the masses. If the masses praise you, it is because you are helping distract them from their own moral cowardice and conformity. Those who provoke discomfort create change - no one else. So forget your politics and vampires and magic wands and photon torpedoes. Forget passively waiting for the world to provoke and corner you into being virtuous. It never will. Stop watching fictional courage and go live some; it is harder and better than anything you will ever see on a screen. Let's make the world change the classification of courage from 'fantasy' to 'documentary.' You know there are people in your life who are doing wrong. Go talk to them, and encourage them to pursue philosophy, self-knowledge and virtue. Be your own hero; you are the One that your world has been waiting for.
”
”
Stefan Molyneux
β€œ
Bay stood there, red hair curling around her face and the mass tumbling down her back and over her shoulders. Her green eyes were bright with the fear she probably thought she’d hidden so well.” ENFORCER’S REDEMPTION
”
”
Carrie Ann Ryan (Enforcer's Redemption (Redwood Pack, #3))
β€œ
John Hay, in The Immortal Wilderness, has written: 'There are occasions when you can hear the mysterious language of the Earth, in water, or coming through the trees, emanating from the mosses, seeping through the undercurrents of the soil, but you have to be willing to wait and receive.' Sometimes I hear it talking. The light of the sunflower was one language, but there are others more audible. Once, in the redwood forest, I heard a beat, something like a drum or a heart coming from the ground and trees and wind. That underground current stirred a kind of knowing inside me, a kinship and longing, a dream barely remembered that disappeared back to the body.... Tonight, I walk. I am watching the sky. I think of the people who came before me and how they knew the placement of the stars in the sky, watching the moving sun long and hard enough to witness how a certain angle of light touched a stone only once a year. Without written records, they knew the gods of every night, the small, fine details of the world around them and the immensity above them. Walking, I can almost hear the redwoods beating....It is a world of elemental attention, of all things working together, listening to what speaks in the blood. Whichever road I follow, I walk in the land of many gods, and they love and eat one another. Walking, I am listening to a deeper way. Suddenly all my ancestors are behind me. Be still, they say. Watch and listen. You are the result of the love of thousands.
”
”
Linda Hogan (Dwellings: A Spiritual History of the Living World)
β€œ
Do you really think the munificence of the multiverse comes translatable for your little mind? Have you ever thought to consider all that you miss whenever you're shown what is suited to your seeing?
”
”
Mark Z. Danielewski (Redwood (The Familiar, #5))
β€œ
Mass beliefs in the power of outside authorities are firmly entrenched in your psyche; they are strong and old, and somewhat like a redwood forest they too can be felled very, very quickly, raising many questions about the truth of who you are and why you place your trust outside yourself.
”
”
Barbara Marciniak (Path of Empowerment: New Pleiadian Wisdom for a World in Chaos)
β€œ
Fog spilled from the heights of San Francisco like the liquid it almost was. On better days it spread across the bay and took over Oakland street by street, a thing you saw coming, a change you watched happening to you, a season on the move. Where it encountered redwoods, the most local of rains fell. Where it found open space, its weightless pale passage seemed both endless and like the end of all things. It was a temporary sadness, the more beautiful for being sad, the more precious for being temporary. It was the slow song in minor that the rock-and-roll sun then chased away.
”
”
Jonathan Franzen (Purity)
β€œ
Twenty-five years, and it still felt like yesterday he’d ripped her heart out of her chest. While it had still been beating.
”
”
Kelly Moran (Mistletoe Magic (Redwood Ridge, #6))
β€œ
Ever make toast? The act of browning bread. Apply butter or maybe jam afterward. Once finished, you can’t unmake it. You can’t change it back to bread. That’s what love is. Toast.
”
”
Kelly Moran (Mistletoe Magic (Redwood Ridge, #6))
β€œ
That. That right there was exactly how the slippery slope into Humiliation-ville began.
”
”
Kelly Moran (Residual Burn (Redwood Ridge, #4))
β€œ
Lifetime called. They want their movie of the week back.
”
”
Kelly Moran (Residual Burn (Redwood Ridge, #4))
β€œ
Death carves holes in your soul, and love fills them.
”
”
Kelly Moran (Residual Burn (Redwood Ridge, #4))
β€œ
Son of a nutcracker.
”
”
Kelly Moran (Residual Burn (Redwood Ridge, #4))
β€œ
You smell.” β€œExcuse me?” Well, just when she thought the guy was cute. She was gonna kick his ass.
”
”
Carrie Ann Ryan (An Alpha's Path (Redwood Pack, #0.5))
β€œ
When a person sees someone attractive to them, their eyes dilate twenty percent. Their brain floods with dopamine, which makes them happy. Thus, they believe it’s love. That’s a medical fact. Love doesn’t exist.
”
”
Kelly Moran (Residual Burn (Redwood Ridge, #4))
β€œ
A sharp and familiar pang pierced his heart, rattled around his ribs, and then settled in his stomach like a rotting, dead weight. He took a swig of his Jack on the rocks, the burn not quite dulling the ache that had haunted him for two decades. God, he missed Anna. Enforcer's Redemption
”
”
Carrie Ann Ryan (Enforcer's Redemption (Redwood Pack, #3))
β€œ
But there is one tree that for the footer of the mountain trails is voiceless; it speaks, no doubt, but it speaks only to the austere mountain heads, to the mindful wind and the watching stars. It speaks as men speak to one another and are not heard by the little ants crawling over their boots. This is the Big Tree, the Sequoia.
”
”
Mary Hunter Austin (California, the Land of the Sun)
β€œ
They were always nice to Jess when he went over, but then they would suddenly begin talking about French politics or string quartets (which he at first thought was a square box made out of string), or how to save the timber wolves or redwoods or singing whales, and he was scared to open his mouth and show once and for all how dumb he was.
”
”
Katherine Paterson (Bridge to Terabithia)
β€œ
I’m passing the bar Where you first got in my car I’m not ashamed to admit That it’s you I won’t forget I saved your cigarettes and Bad habits I regret But the hours flew by like clouds Whenever I had you around Parachute lover Take me away From the plane that went crashing And the earth that’s in flames Saving you is saving me High above the redwood trees But down below I see shadows And parachute debris We're drifting like children Along for the ride Each time we find love Another parachute arrives Our madness will burn As bright as the sun And I’ll keep finding lovers But you were the one
”
”
Crystal Woods (Write like no one is reading 3)
β€œ
If we forget our story we were doomed to repeat it
”
”
Heather Nelson (The Albino Redwoods (Book 1))
β€œ
She cast her gaze over him, pausing on the pink, sparkly backpack slung over his shoulder. The sexy, adorable man. β€œI don’t think you bat for my team, sheriff.
”
”
Kelly Moran (Under Pressure (Redwood Ridge, #5))
β€œ
People of Redwood Ridge always referred to themselves as victims when they were found in the path of Cupid’s arrow, wielded by the sisters. They ran. They hid. They resisted. In the end, they succumbed. He was the sheriff. He got around. He saw and heard things most didn’t. And the truth was, not a solitary β€œvictim” was unhappy after The Battleaxes were through with them.
”
”
Kelly Moran (Under Pressure (Redwood Ridge, #5))
β€œ
Under the redwood tree my grave was laid, and I beguiled my true love to lie down. The stream of our kiss put a waterway around the world, where love like a refugee sailed in the last ship. My hair made a shroud, and kept the coyotes at bay while we wrote our cyphers with anatomy. The winds boomed triumph, our spines seemed overburdened, and our bones groaned like old trees, but a smile like a cobweb was fastened across the mouth of the cave of fate. Fear will be a terrible fox at my vitals under my tunic of behaviour. Oh, canary, sing out in the thunderstorm, prove your yellow pride. Give me a reason for courage or a way to be brave. But nothing tangible comes to rescue my besieged sanity, and I cannot decipher the code of the eucalyptus thumping on my roof. I am unnerved by the opponents of God, and God is out of earshot. I must spin good ghosts out of my hope to oppose the hordes at my window. If those who look in see me condescend to barricade the door, they will know too much and crowd in to overcome me. The parchment philosopher has no traffic with the night, and no conception of the price of love. With smoky circles of thought he tries to combat the fog, and with anagrams to defeat anatomy. I posture in vain with his weapons, even though I am balmed with his nicotine herbs. Moon, moon, rise in the sky to be a reminder of comfort and the hour when I was brave.
”
”
Elizabeth Smart (By Grand Central Station I Sat Down and Wept)
β€œ
But for most trees, height is all about getting more sun. A forest is an intensely competitive place, and sunlight is a scarce but critical resource. And even when you’re a redwood, the tallest of all tree species, you still have to worry about getting enough sun because you’re in a forest of other redwoods. Often a species’ most important competitor is itself. Thus the redwood is locked in an evolutionary arms raceβ€”or in this case, a β€œheight race”—with itself. It grows tall because other redwoods are tall, and if it doesn’t throw most of its effort into growing upward as fast as possible, it will literally wither and die in the shadows of its rivals.
”
”
Kevin Simler (The Elephant in the Brain: Hidden Motives in Everyday Life)
β€œ
He was always leaning on something, like he couldn’t bear to hold all his own weight upright for more than a second or two. He lounged, he sprawled, he hunched and reclined. He never simply stood or sat. In college, I’d thought he was lazy about everything except writing. Now I wondered if he was simply tired, if life had beaten him into a permanent slouch, folded him over himself so no one could get at the soft center, the kid who dreamed of running away on trains and living in the branches of a redwood.
”
”
Emily Henry (Beach Read)
β€œ
It was a memory so embedded, it was a part of her DNA. This was the exact reason why she’d never married or found a long-term partner after him. Because no one else could reach her where it hurt in order to heal what he’d done. And here he was, back again, making an old wound bleed.
”
”
Kelly Moran (Mistletoe Magic (Redwood Ridge, #6))
β€œ
Whenever you see redwoods in the National Geographic, or fog, or watch Shamu on TV, you'll be seeing me. Whenever you smell pine and spruce and day-old socks, that's me. Whenever you hear wind in the tops of trees, that's me, and whenever you taste crab and wine and Brie, that's me, and whenever the wind blows your hat off or you get under a cold shower, that's me. Whenever you read about an earthquake, that's me, sure as gun's iron. Whenever you smell wet dog, that's Curtis and me, and whenever you see a Rattus rattus, that's Forrest, and I'm right behind him. Never see me again? You'll never not see me. And I'll never not see you . . .Didn't I say I'd always be your same stars? If you get to missing me, just look up.
”
”
Anne Rivers Siddons (Fault Lines)
β€œ
You can never stay angry too long in the bush though. At least, that's what I think. It's not that it's soothing or restful, because it's not. What it does for me is get inside my body, inside my blood, and take me over. I don't know that I can describe it any better than that. It takes me over and I become part of it and it becomes part of me and I'm not very important, or at least no more important than a tree or a rock or a spider abseiling down a long thread of cobweb. As I wandered around, on that hot afternoon, I didn't notice anything too amazing or beautiful or mindbogglingly spectacular. I can't actually remember noticing anything out of the ordinary: just the grey-green rocks and the olive-green leaves and the reddish soil with its teeming ants. The tattered ribbons of paperbark, the crackly dry cicada shell, the smooth furrow left in the dust by a passing snake. That's all there ever is really, most of the time. No rainforest with tropical butterflies, no palm trees or Californian redwoods, no leopards or iguanas or panda bears. Just the bush.
”
”
John Marsden (Darkness, Be My Friend (Tomorrow, #4))
β€œ
The redwoods, once seen, leave a mark or create a vision that stays with you always. No one has ever successfully painted or photographed a redwood tree. The feeling they produce is not transferable. From them comes silence and awe. It's not only their unbelievable stature, nor the color which seems to shift and vary under your eyes, no, they are not like any trees we know, they are ambassadors from another time. They have the mystery of ferns that disappeared a million years ago into the coal of the carboniferous era. They carry their own light and shade. The vainest, most slap-happy and irreverent of men, in the presence of redwoods, goes under a spell of wonder and respect. Respect--that's the word. One feels the need to bow to unquestioned sovereigns. I have known these great ones since my earliest childhood, have lived among them, camped and slept against their warm monster bodies, and no amount of association has bred contempt in me.
”
”
John Steinbeck
β€œ
Give him Bigfoot with an AK-47, a room full of sugar-induced five-year-olds, or any supermodel on the circuit in a little black dress playing a private game of cops and robbers with his fly, and he’d be fine. Wouldn’t break a sweat. But, put him within fifty feet of Maddie Freemont? He turned into a tongue-tied, forgot-his-own-name, card-carrying member of the idiot brigade.
”
”
Kelly Moran (Under Pressure (Redwood Ridge, #5))
β€œ
Peachy. Alrighty, then. She’d just get in her car, run home to check her clothes, hair, and makeup, walk across the street to Jason’s apartment, knock on his door, stare at his masculine hotness in stupid adoration, probably insert her foot into her mouth fifty-five times in under five minutes, then go back to her place and relive the embarrassment all night long while replaying what she should’ve done or said had she been a sophisticated woman, instead of a blundering moron. Done and done. Piece of cake.
”
”
Kelly Moran (Residual Burn (Redwood Ridge, #4))
β€œ
I have had a lifelong association with these things. (Odd that the word 'trees' does not apply.) I can accept them and their power and their age because I was early exposed to them. ON the other hand, people lacking such experience begin to have a feeling of uneasiness here, of danger, of being shut in, enclosed and overwhelmed. It is not only the size of these redwoods but their strangeness that frightens them. And why not? For these are the last remaining members of a race that flourished over four continents as far back in geologic time as the upper Jurassic period. Fossils of these ancients have been found dating from the Cretaceous era while in the Eocene and Miocene they were spread over England and Europe and America. And then the glaciers moved down and wiped the Titans out beyond recovery. And only these few are left--a stunning memory of what the world was like once long ago. Can it be that we do not love to be reminded that we are very young and callow in a world that was old when we came into it? And could there be a strong resistance to the certainty that a living world will continue its stately way when we no longer inhabit it?
”
”
John Steinbeck (Travels with Charley: In Search of America)
β€œ
Even if we act to erase material poverty, there is another greater task, it is to confront the poverty of satisfaction - purpose and dignity - that afflicts us all. Too much and for too long, we seemed to have surrendered personal excellence and community values in the mere accumulation of material things. Our Gross National Product, now, is over $800 billion dollars a year, but that Gross National Product - if we judge the United States of America by that - that Gross National Product counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for the people who break them. It counts the destruction of the redwood and the loss of our natural wonder in chaotic sprawl. It counts napalm and counts nuclear warheads and armored cars for the police to fight the riots in our cities. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the gross national product does not allow for the health of our children, the quality of their education or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country, it measures everything in short, except that which makes life worthwhile. And it can tell us everything about America except why we are proud that we are Americans. If this is true here at home, so it is true elsewhere in world.
”
”
Robert F. Kennedy
β€œ
The old woman sits on a bench before the door and quarrels With her meagre pale demoralized daughter. Once when I passed I found her alone, laughing in the sun And saying that when she was first married She lived in the old farmhouse up Garapatas Canyon. (It is empty now, the roof has fallen But the log walls hang on the stone foundation; the redwoods Have all been cut down, the oaks are standing; The place is now more solitary than ever before.) "When I was nursing my second baby My husband found a day-old fawn hid in a fern-brake And brought it; I put its mouth to the breast Rather than let it starve, I had milk enough for three babies. Hey how it sucked, the little nuzzler, Digging its little hoofs like quills into my stomach. I had more joy from that than from the others." Her face is deformed with age, furrowed like a bad road With market-wagons, mean cares and decay. She is thrown up to the surface of things, a cell of dry skin Soon to be shed from the earth's old eye-brows, I see that once in her spring she lived in the streaming arteries, The stir of the world, the music of the mountain.
”
”
Robinson Jeffers (The Selected Poetry)