Red Tape Quotes

We've searched our database for all the quotes and captions related to Red Tape. Here they are! All 100 of them:

I seriously needed an extra-strength magic pillow, because my ba refused to stay put. [And no, Sadie, I don't think wrapping my head in duct tape would've worked either.]
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
No amount of me trying to explain myself was doing any good. I didn't even know what was going on inside of me, so how could I have explained it to them?
Sierra D. Waters (Debbie.)
Red tape has killed more people than bullets...
Ben Bova (Millennium)
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
The NSA?" "Yeah, they called and offered to help out. Same software they use for enhancing spy satellite imagery." Venkat shrugged. "It's amazing how much red tape gets cut when everyone's rooting for one man to survive.
Andy Weir (The Martian)
Today I wore a pair of faded old jeans and a plain grey baggy shirt. I hadn't even taken a shower, and I did not put on an ounce of makeup. I grabbed a worn out black oversized jacket to cover myself with even though it is warm outside. I have made conscious decisions lately to look like less of what I felt a male would want to see. I want to disappear.
Sierra D. Waters (Debbie.)
What you have to understand is that bureaucracy is an organism, and the prime goal of every organism is self-protection. Bureaucracy exists to protect itself.
Emily St. John Mandel (Sea of Tranquility)
The Iron Law of Liberalism states that any market reform, any government initiative intended to reduce red tape and promote market forces will have the ultimate effect of increasing the total number of regulations, the total amount of paperwork, and the total number of bureaucrats the government employs.
David Graeber (The Utopia of Rules)
Intimidated, old traumas triggered, and fearing for my safety, I did what I felt I needed to do.
Sierra D. Waters (Debbie.)
The first thing I noticed when I woke up was that I was covered in blood. The second thing I noticed was that this didn’t bother me the way it should have. I didn’t feel the urge to scream or speak, to beg for help, or even to wonder where I was. Those instincts were dead, and I was calm as my wet fingers slid up the tiled wall, groping for a light switch. I found one without even having to stand. Four lights slammed on above me, one after the other, illuminating the dead body on the floor just a few feet away. My mind processed the facts first. Male. Heavy. He was lying face down in a wide, red puddle that spread out from beneath him. The tips of his curly black hair were wet with it. There was something in his hand. The fluorescent lights in the white room flickered and buzzed and hummed. I moved to get a better view of the body. His eyes were closed. He could have been asleep, really, if it weren’t for the blood. There was so much of it. And by one of his hands it was smeared into a weird pattern. No. Not a pattern. Words. PLAY ME. My gaze flicked to his hand. His fist was curled around a small tape recorder. I moved his fingers—still warm—and pressed play. A male voice started to speak. "Do I have your attention?" the voice said. I knew that voice. But I couldn’t believe I was hearing it.
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
How many twenty-second-century bureaucrats did it take to change a light panel? We'll have a sub-committee meeting and get back to you with an estimate.
Peter F. Hamilton (Great North Road)
This is the second Simply Red song on this tape. One's unforgivable. Two's a war crime. Can I fast-forward?
Nick Hornby (High Fidelity)
Bake Off makes Chopped look like the fucking Manson tapes.
Casey McQuiston (Red, White & Royal Blue)
It is not a single crime when a child is photographed while sexually assaulted (raped.) It is a life time crime that should have life time punishments attached to it. If the surviving child is, more often than not, going to suffer for life for the crime(s) committed against them, shouldn't the pedophiles suffer just as long? If it often takes decades for survivors to come to terms with exactly how much damage was caused to them, why are there time limits for prosecution?
Sierra D. Waters (Debbie.)
When the Devil goeth about like a roaring lion, he goeth about in a shape by which few but savages and hunters are attracted. But, when he is trimmed, smoothed, and varnished, according to the mode: when he is aweary of vice, and aweary of virtue, used up as to brimstone, and used up as to bliss; then, whether he take to the serving out of red tape, or to the kindling of red fire, he is the very Devil.
Charles Dickens (Hard Times)
Hell was hot and full of unkind people in a hurry; there was far too much red tape; and the bureaucrats were all shockingly corrupt.
Zen Cho (The Terracotta Bride)
On occasions of this sort it was, I must admit, very pleasurable to be a monarch: to be able to get important things done by smothering stupid opposition with a single authoritative word.
Robert Graves (Claudius the God and His Wife Messalina (Claudius, #2))
The atmosphere of officialdom would kill anything that breathes the air of human endeavour, would extinguish hope and fear alike in the supremacy of paper and ink.
Joseph Conrad (The Shadow-Line)
If I'm dying from anything, it's from indifference and red tape.
Vito Russo
I cannot abide red tape. It never strangles bad ideas, only good ones.
Gillian Anderson (A Vision of Fire (The Earthend Saga, #1))
Life didn’t have to fit into a four-sided box that was neat and tidy. It was okay if the box had three sides or the fourth one was hanging on with duct tape. It was okay if the corners were dented and if there was a big red FRAGILE sticker on top. It was all okay.
Alex Light (The Upside of Falling)
He told me that if I hung up, he'd do it. He would commit suicide. He told me that if I called the cops he would kill every single one of them and I knew that he had the potential and the means to do it
Sierra D. Waters (Debbie.)
Further, in countries where wealth comes from rent-seeking, political patronage, or regulatory capture (which, I remind the reader, is how the powerful and the insiders use regulation to scam the public, or red tape to slow down competition), wealth is seen as zero-sum.*2
Nassim Nicholas Taleb (Skin in the Game: Hidden Asymmetries in Daily Life (Incerto))
[Adapted and condensed Valedictorian speech:] I'm going to ask that you seriously consider modeling your life, not in the manner of the Dalai Lama or Jesus - though I'm sure they're helpful - but something a bit more hands-on, Carassius auratus auratus, commonly known as the domestic goldfish. People make fun of the goldfish. People don't think twice about swallowing it. Jonas Ornata III, Princeton class of '42, appears in the Guinness Book of World Records for swallowing the greatest number of goldfish in a fifteen-minute interval, a cruel total of thirty-nine. In his defense, though, I don't think Jonas understood the glory of the goldfish, that they have magnificent lessons to teach us. If you live like a goldfish, you can survive the harshest, most thwarting of circumstances. You can live through hardships that make your cohorts - the guppy, the neon tetra - go belly-up at the first sign of trouble. There was an infamous incident described in a journal published by the Goldfish Society of America - a sadistic five-year-old girl threw hers to the carpet, stepped on it, not once but twice - luckily she'd done it on a shag carpet and thus her heel didn't quite come down fully on the fish. After thirty harrowing seconds she tossed it back into its tank. It went on to live another forty-seven years. They can live in ice-covered ponds in the dead of winter. Bowls that haven't seen soap in a year. And they don't die from neglect, not immediately. They hold on for three, sometimes four months if they're abandoned. If you live like a goldfish, you adapt, not across hundreds of thousands of years like most species, having to go through the red tape of natural selection, but within mere months, weeks even. You give them a little tank? They give you a little body. Big tank? Big body. Indoor. Outdoor. Fish tanks, bowls. Cloudy water, clear water. Social or alone. The most incredible thing about goldfish, however, is their memory. Everyone pities them for only remembering their last three seconds, but in fact, to be so forcibly tied to the present - it's a gift. They are free. No moping over missteps, slip-ups, faux pas or disturbing childhoods. No inner demons. Their closets are light filled and skeleton free. And what could be more exhilarating than seeing the world for the very first time, in all of its beauty, almost thirty thousand times a day? How glorious to know that your Golden Age wasn't forty years ago when you still had all you hair, but only three seconds ago, and thus, very possibly it's still going on, this very moment." I counted three Mississippis in my head, though I might have rushed it, being nervous. "And this moment, too." Another three seconds. "And this moment, too." Another. "And this moment, too.
Marisha Pessl
The story of my birth that my mother told me went like this: "When you were coming out I wasn't ready yet and neither was the nurse. The nurse tried to push you back in, but I shit on the table and when you came out, you landed in my shit." If there ever was a way to sum things up, the story of my birth was it.
Sierra D. Waters (Debbie.)
Be careful what you say...you might end up in my next book!
Michele Lynn Seigfried (Red Tape (Jersey Shore Mystery Series #1))
John was still making comments regarding violent things that he shouldn't, but I hoped he was just being a big mouth. Nobody was going to listen to me anyway.
Sierra D. Waters (Debbie.)
Duct tape can't fix stupid," Bas growled. "Maybe not," Red replied, "but it can hold it down and muffled the screams.
T. Hammond (Color Blind (Team Red, #2))
Beautiful things demand touch. Hence the taped floors at art museums and the roped boundaries between paparazzi and celebrities on red carpets.
Jade Song (Chlorine)
It's all papers and forms, the entire Civil Service is like a fortress made of papers, forms, and red tape.
Aleksandr Ostrovsky
All this red tape and form-filling. That’s what comes of a bureaucratic state. Can’t go where you like and do as you please anymore! Somebody’s always asking questions.
Agatha Christie (4:50 from Paddington (Miss Marple, #8))
Usually, a country without a strong military would have had its politicians strung up by their entrails long before they managed to create quite this much red tape.
Evan Currie (The Heart of Matter (Odyssey One, #2))
intrusive government and layer upon layer of regulatory red tape. When
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
I had no red tape. I didn’t even have any clear tape or duct tape or electrical tape. Nope. I lived a tape-free life and liked it. Unless, you know, I needed to tape something.
Darynda Jones (The Dirt on Ninth Grave (Charley Davidson, #9))
Everything that was not so must go. All the beautiful literary lies and flights of fancy must be shot in mid-air! So they lined them up against a library wall one Sunday morning thirty years ago, in 2006; they lined them up, St. Nicholas and the Headless Horseman and Snow White and Rumpelstiltskin and Mother Goose--oh, what a wailing!--and shot them down, and burned the paper castles and the fairy frogs and old kings and the people who lived happily ever after (for of course it was a fact that nobody lived happily ever after!), and Once Upon A Time became No More! And they spread the ashes of the Phantom Rickshaw with the rubble of the Land of Oz; they filleted the bones of Glinda the Good and Ozma and the shattered Polychrome in a spectroscope and served Jack Pumpkinhead with meringue at the Biologists' Ball! The Beanstalk died in a bramble of red tape! Sleeping Beauty awoke at the kiss of a scientist and expired at a fatal puncture of his syringe. And they made Alice drink something from a bottle which reduced her to a size where she could no longer cry 'Curiouser and curioser,' and they gave the Looking Glass one hammer blow to smash it and every Red King and Oyster away!
Ray Bradbury (The Martian Chronicles)
While play-acting grim scenarios day in and day out may sound like a good recipe for clinical depression, it’s actually weirdly uplifting. Rehearsing for catastrophe has made me positive that I have the problem-solving skills to deal with tough situations and come out the other side smiling. For me, this has greatly reduced the mental and emotional clutter that unchecked worrying produces, those random thoughts that hijack your brain at three o’clock in the morning. While I very much hoped not to die in space, I didn’t live in fear of it, largely because I’d been made to think through the practicalities: how I’d want my family to get the news, for instance, and which astronaut I should recruit to help my wife cut through the red tape at NASA and the CSA. Before my last space flight (as with each of the earlier ones) I reviewed my will, made sure my financial affairs and taxes were in order, and did all the other things you’d do if you knew you were going to die. But that didn’t make me feel like I had one foot in the grave. It actually put my mind at ease and reduced my anxiety about what my family’s future would look like if something happened to me. Which meant that when the engines lit up at launch, I was able to focus entirely on the task at hand: arriving alive.
Chris Hadfield (An Astronaut's Guide to Life on Earth)
The task he has chosen for himself, of wooing my mother with a bright red pickup truck, a Patsy Cline tape, and a string of malapropisms, is ample justification to me for not taking the world too seriously, its relentless heartbreak notwithstanding.
Richard Russo (Straight Man)
Only a few months into our marriage, we started marking off areas in the apartment as "Nothing Places," in which one could be assured of complete privacy, we agreed that we never would look at the marked-off zones, that they would be nonexistent territories in the apartment in which one could temporarily cease to exist, the first was in the bedroom, by the foot of the bed, we marked it off with red tape on the carpet, and it was just large enough to stand in, it was a good place to disappear, we knew it was there but we never looked at it, it worked so well that we decided to create a Nothing Place in the living room, it seemed necessary, because there are times when one needs to disappear while in the living room, and sometimes one simply wants to disappear, we made this zone slightly larger so that one of us could lie down in it, it was a rule that you never would look at that rectangle of space, it didn't exist, and when you were in it, neither did you, for a while that was enough, but only for a while.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
[I] threw open the door to find Rob sit­ting on the low stool in front of my book­case, sur­round­ed by card­board box­es. He was seal­ing the last one up with tape and string. There were eight box­es - eight box­es of my books bound up and ready for the base­ment! "He looked up and said, 'Hel­lo, dar­ling. Don't mind the mess, the care­tak­er said he'd help me car­ry these down to the base­ment.' He nod­ded to­wards my book­shelves and said, 'Don't they look won­der­ful?' "Well, there were no words! I was too ap­palled to speak. Sid­ney, ev­ery sin­gle shelf - where my books had stood - was filled with ath­let­ic tro­phies: sil­ver cups, gold cups, blue rosettes, red rib­bons. There were awards for ev­ery game that could pos­si­bly be played with a wood­en ob­ject: crick­et bats, squash rac­quets, ten­nis rac­quets, oars, golf clubs, ping-​pong bats, bows and ar­rows, snook­er cues, lacrosse sticks, hock­ey sticks and po­lo mal­lets. There were stat­ues for ev­ery­thing a man could jump over, ei­ther by him­self or on a horse. Next came the framed cer­tificates - for shoot­ing the most birds on such and such a date, for First Place in run­ning races, for Last Man Stand­ing in some filthy tug of war against Scot­land. "All I could do was scream, 'How dare you! What have you DONE?! Put my books back!' "Well, that's how it start­ed. Even­tu­al­ly, I said some­thing to the ef­fect that I could nev­er mar­ry a man whose idea of bliss was to strike out at lit­tle balls and lit­tle birds. Rob coun­tered with re­marks about damned blue­stock­ings and shrews. And it all de­gen­er­at­ed from there - the on­ly thought we prob­ably had in com­mon was, What the hell have we talked about for the last four months? What, in­deed? He huffed and puffed and snort­ed and left. And I un­packed my books.
Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
Uniformity in the common law, consisting of broad principles like the "reasonable person" standard, generally permits adjustment for the circumstances. This type of uniform principle is almost synonymous with fairness. Uniform application of a detailed rule, on the other hand, will almost always favor one group over another. p. 34
Philip K. Howard (The Death of Common Sense: How Law Is Suffocating America)
the Law of Inevitable Occurrence. In layman’s terms, this law states that some things simply have to happen. If there’s a red button on a console with the words don’t push taped above it, someone will push it. If there’s a gun hanging conspicuously above Chekhov’s fireplace, someone is going to end up shooting it (probably at Nietzsche).
Brandon Sanderson (The Scrivener's Bones (Alcatraz, #2))
I chewed on my lower lip. There had to be a way around the red tape and this Irish lass was going to find it. ~ Perhaps the best way to slip through a system unnoticed is through confusion and disorganization. Where could I find both in one place? The Department of Motor Vehicles.
Caitlin McKenna (My Big Fake Irish Life)
Here, for the greater part, all logic was in abeyance and it was red tape which was victorious, it was red tape which throttled, it was red tape which caused lunacy, it was red tape which made a fuss, it was red tape which chuckled, it was red tape which threatened and never pardoned.
Jaroslav Hašek (The Good Soldier Schweik)
Britannia, that unfortunate female, is always before me, like a trussed fowl; skewered through and through with office-pens, and bound hand and foot with red tape. I am sufficiently behind the scenes to know the worth of political life. I am quite an Infidel about it, and shall never be converted.
Charles Dickens (David Copperfield)
Only a few months into our marriage, we started marking off areas in the apartment as "Nothing Places," in which one could be assured of complete privacy, we agreed that we never would look at the marked-off zones, that they would be nonexistent territories in the apartment in which one could temporarily cease to exist, the first was in the bedroom, by the foot of the bed, we marked it off with red tape on the carpet, and it was just large enough to stand in, it was a good place to disappear, we knew it was there but we never looked at it, it worked so well that we decided to create a Nothing Place in the living room, it seemed necessary,
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Turn up the radio. Turn up the tape machine. Look into the sunset up ahead. Roll the windows down for a better taste of the cool desert wind. Ah yes. This is what it’s all about. Total control now. Tooling along the main drag on a Saturday night in Las Vegas, two good old boys in a fireapple-red convertible … stoned, ripped, twisted … Good People.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Governments are too stupid to understand that too much red tape does not bind a nation together—it tears it apart.
Jarod Kintz (99 Cents For Some Nonsense)
Specially now,” she said. “Here in the Institute, we’re backing the crusade against Red Tape.
C.S. Lewis (That Hideous Strength (The Space Trilogy #3))
they can lead us on a certain path of policy and then pull us back again with the manipulation of office red tape;
Rabindranath Tagore (Nationalism: Rabindranath Tagore Reflects on Patriotism)
Conquering the universe one has to solve two problems: gravity and red tape. We could have mastered gravity.
Wernher von Braun
I cannot sufficiently celebrate the glorious liberty that reigns in the public libraries of the twentieth century as compared with the intolerable management of those of the nineteenth century, in which the books were jealously railed away from the people, and obtainable only at an expenditure of time and red tape calculated to discourage any ordinary taste for literature.
Edward Bellamy (Looking Backward: 2000-1887)
... Mr. Purty has cheered me up. The task he has chosen for himself, of wooing my mother with a bright red pickup truck, a Patsy Cline tape, and a string of malapropisms, is ample justification to me for not taking the world too seriously, its relentless heartbreak notwithstanding… (Richard Russo, Straight Man)
Richard Russo (Straight Man)
STEVE: No, we maintain the accounts offshore, just until we get approvals. BILL: To get around approvals? STEVE: To get around approvals until we get approvals. There’s a lot of red tape, a lot of bureaucracy. I
Tracy Letts (August: Osage County (TCG Edition))
But most days, if you’re aware enough to give yourself a choice, you can choose to look differently at this fat, dead-eyed, over-made-lady who just screamed at her little child in the checkout line — maybe she’s not usually like this; maybe she’s been up three straight nights holding the hand of her husband who’s dying of bone cancer, or maybe this very lady is the low-wage clerk at the Motor Vehicles Dept. who just yesterday helped your spouse resolve a nightmarish red-tape problem through some small act of bureaucratic kindness. Of course, none of this is likely, but it’s also not impossible — it just depends on what you want to consider. If you’re automatically sure that you know what reality is and who and what is really important — if you want to operate on your default-setting — then you, like me, will not consider possibilities that aren’t pointless and annoying. But if you’ve really learned how to think, how to pay attention, then you will know you have other options. It will actually be within your power to experience a crowded, loud, slow, consumer-hell-type situation as not only meaningful but sacred, on fire with the same force that lit the stars — compassion, love, the sub-surface unity of all things. Not that that mystical stuff’s necessarily true: The only thing that’s capital-T True is that you get to decide how you’re going to try to see it. You get to consciously decide what has meaning and what doesn’t. You get to decide what to worship…
David Foster Wallace
Detective Inspector Carver took a picture from the breast pocket of his suit. He handed it to me. ‘This is what you did, Michael. Take a good look. See if it jogs your memory.’ I gawped at the mutilated corpse of a naked young girl lying on a blood-soaked double bed. Her hands were bound to the brass headboard with duct tape. Blood covered her upper body, and her long blonde hair was streaked a murderous shade of red. One eye stared at the ceiling as if searching for salvation, the other, a bloody unrecognisable pulp, bore no relation to its sightless counterpart. ‘Carla Marie Coombs. Twenty-one years of age. Do you recognise her, Michael?
Mark Tilbury (The Abattoir of Dreams)
No fairyland is Capua—still, 'tis better Than other lands. St. Vincent licked the stamp and signed the letter, And bound the bands Of that foul, frail red tape which strangles ever The honest energetic fool's endeavour.
Rudyard Kipling (Departmental Ditties & Barrack Room Ballads)
There needs to be a nationwide awareness programme for all NHS staff, to educate them about dissociative disorders. Diagnoses need to be more obtainable within the NHS; people's lives should be placed ahead of funding restraints and bureaucratic red tape. We need minimum standards of care and treatment agreed and implemented within the NHS to end the current nightmare of the postcode lottery—not just guidelines that can be ignored but actual regulations.
Carol Broad (Living with the Reality of Dissociative Identity Disorder: Campaigning Voices)
But most days, if you're aware enough to give yourself a choice, you can choose to look differently at this fat, dead-eyed, over-made-up lady who just screamed at her kid in the checkout line. Maybe she's not usually like this. Maybe she's been up three straight nights holding the hand of a husband who is dying of bone cancer. Or maybe this very lady is the low-wage clerk at the motor vehicle department, who just yesterday helped your spouse resolve a horrific, infuriating, red-tape problem through some small act of bureaucratic kindness. Of course, none of this is likely, but it's also not impossible. It just depends what you want to consider. If you're automatically sure that you know what reality is, and you are operating on your default setting, then you, like me, probably won't consider possibilities that aren't annoying and miserable. But if you really learn how to pay attention, then you will know there are other options. It will actually be within your power to experience a crowded, hot, slow, consumer-hell type situation as not only meaningful, but sacred, on fire with the same force that made the stars: love, fellowship, the mystical oneness of all things deep down. Not that that mystical stuff is necessarily true. The only thing that's capital-T True is that you get to decide how you're gonna try to see it. This, I submit, is the freedom of a real education, of learning how to be well-adjusted. You get to consciously decide what has meaning and what doesn't. You get to decide what to worship.
David Foster Wallace (This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life)
They both had short gray hair and black military-style uniforms with red trim. The woman had a wispy mustache, and the guy was clean-shaven, which seemed kind of backward to me. They both walked stiffly, like they had broomsticks taped to their spines.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
You're like an antidepressant in human form," I tell her. "I guess it's just the librarian in my taking over. When I'm not at the reference desk answering the same questions over and over again, I'm dreaming up the cheapest programs I can come up with for my kiddos." "Do you miss them?" I ask. "I do," she says slowly. "But I don't miss all the bullshit red tape I have to deal with. I just wish I had enough resources to do good by them, but I feel like I'm just writing grants to keep my head above water." "Have you thought what you'd do with the prize money?" I ask. She peers at me. "Pay off my student loans. Buy my library kids some great stuff we could use like iPads and design programs and as many new books as their hearts desire. What about you?
Julie Murphy (If the Shoe Fits (Meant to Be, #1))
And suddenly the idea comes into your head that perhaps now, at this very moment while you are passing by, in one of the rooms behind those drab shutters, at a worm-eaten desk, among bundles of papers tied up with red or green tape, with scratchy old-fashioned penstrokes, your fate is being inscribed
Anna Kavan (Sleep Has His House)
Our chambers were always full of chemicals and of criminal relics which had a way of wandering into unlikely positions, and of turning up in the butter-dish or in even less desirable places. But his papers were my great crux. He had a horror of destroying documents, especially those which were connected with his past cases, and yet it was only once in every year or two that he would muster energy to docket and arrange them; for, as I have mentioned somewhere in these incoherent memoirs, the outbursts of passionate energy when he performed the remarkable feats with which his name is associated were followed by reactions of lethargy during which he would lie about with his violin and his books, hardly moving save from the sofa to the table. Thus month after month his papers accumulated, until every corner of the room was stacked with bundles of manuscript which were on no account to be burned, and which could not be put away save by their owner. One winter's night, as we sat together by the fire, I ventured to suggest to him that, as he had finished pasting extracts into his common-place book, he might employ the next two hours in making our room a little more habitable. He could not deny the justice of my request, so with a rather rueful face he went off to his bedroom, from which he returned presently pulling a large tin box behind him. This he placed in the middle of the floor and, squatting down upon a stool in front of it, he threw back the lid. I could see that it was already a third full of bundles of paper tied up with red tape into separate packages.
Arthur Conan Doyle (The Complete Adventures and Memoirs of Sherlock Holmes)
The fire department is like a security blanket that helps citizens sleep at night; they know if the unthinkable ever happens there is someone to call for help. If and when that call is made, we respond to it like no other government agency. No red tape, nothing to be taken under advisement, just a simple call brings immediate action.
D.E. McCourt (Notes from the Firehouse: Seventeen Firefighting Stories from a Retired Firefighter)
Red tape must not be used to trip up little children on their way to safety.” Since visitor visas were not subject to numerical limitations, the change Eleanor advocated promised to open America’s doors to tens of thousands of refugees, and simultaneously to provide an invaluable precedent for saving countless lives in the years ahead.
Doris Kearns Goodwin (No ordinary time : Franklin and Eleanor Roosevelt : the home front in World War II)
I just mean, like, who is leaking fucking elevator tapes? Who’s checking for that? It’s not like Solange was in there—
Casey McQuiston (Red, White & Royal Blue)
Brian’s Law. The longer you wait to write a thank-you note, the longer it must be.
Paul Dickson (The Official Rules: 5,427 Laws, Principles, and Axioms to Help You Cope with Crises, Deadlines, Bad Luck, Rude Behavior, Red Tape, and Attacks by Inanimate Objects)
The second building was enormous. Its central corridor looked long enough to stage a hundred-yard-dash in. I contemplated making one. Ever since the Army, big institutions depressed me: channels, red tape, protocol, buck-passing, hurry up and wait. Only now and then you met a man with enough gumption to keep the big machine from bogging down of its own weight.
Ross Macdonald (The Doomsters (Lew Archer, #7))
Content is specific; process is generic. Using intuition and judgment is fun; following process is not. Conventional wisdom holds that good decisions—especially the very best ones—emerge from the insight and creativity of great leaders. (We especially like to believe this when we are the leader in question.) And to many, the word process evokes bureaucracy, red tape, and delays.
Daniel Kahneman (Noise)
I still have my little red hardcover notebook—spine now held in place by packing tape, pages dotted with cooking stains—filled with her loving instructions for mandelbrot, nut cake, and strudel.
Lori Pollan (The Pollan Family Table: The Best Recipes and Kitchen Wisdom for Delicious, Healthy Family Meals)
When the Devil goeth about like a roaring lion, he goeth about in a shape by which few but savages and hunters are attracted. But, when he is trimmed, smoothed, and varnished, according to the mode; when he is aweary of vice, and aweary of virtue, used up as to brimstone, and used up as to bliss; then, whether he take to the serving out of red tape, or to the kindling of red fire, he is the very Devil.
Charles Dickens (Hard Times)
The next day, when I came home from the library, there was a small, used red record player in my room. I found my mother in the kitchen and spotted a bandage taped to her arm. “Ma,” I asked. “Where did you get the money for the record player?” “I had it saved,” she lied. My father lived well, had a large house and an expensive imported car, wanted for little, and gave nothing. My mother lived on welfare in a slum and sold her blood to the Red Cross to get me a record player. “Education is everything, Johnny,” she said, as she headed for the refrigerator to get me food. “You get smart like regular people and you don’t have to live like this no more.” She and I were not hugging types, but I put my hand on her shoulder as she washed the dishes with her back to me and she said, in best Brooklynese, “So go and enjoy, already.” My father always said I was my mother’s son and I was proud of that. On her good days, she was a good and noble thing to be a part of. That evening, I plugged in the red record player and placed it by the window. My mother and I took the kitchen chairs out to the porch and listened to Beethoven’s Sixth Symphony from beginning to end, as we watched the oil-stained waters of the Mad River roll by. It was a good night, another good night, one of many that have blessed my life.
John William Tuohy
By December 1975, a year had passed since Mr. Harvey had packed his bags, but there was still no sign of him. For a while, until the tape dirtied or the paper tore, store owners kept a scratchy sketch of him taped to their windows. Lindsey and Samuel walked in the neighboorhood or hung out at Hal's bike shop. She wouldn't go to the diner where the other kids went. The owner of the diner was a law and order man. He had blown up the sketch of George Harvey to twice its size and taped it to the front door. He willingly gave the grisly details to any customer who asked- young girl, cornfield, found only an elbow. Finallly Lindsey asked Hal to give her a ride to the police station. She wanted to know what exactly they were doing. They bid farewell to Samuel at the bike shop and Hal gave Lindsey a ride through a wet December snow. From the start, Lindsey's youth and purpose had caught the police off guard. As more and more of them realized who she was, they gave her a wider and wider berth. Here was this girl, focused, mad, fifteen... When Lindsey and Hal waited outside the captain's office on a wooden bench, she thought she saw something across the room that she recognized. It was on Detective Fenerman's desk and it stood out in the room because of its color. What her mother had always distinguished as Chinese red, a harsher red than rose red, it was the red of classic red lipsticks, rarely found in nature. Our mother was proud of her ability fo wear Chinese red, noting each time she tied a particular scarf around her neck that it was a color even Grandma Lynn dared not wear. Hal,' she said, every muscle tense as she stared at the increasingly familiar object on Fenerman's desk. Yes.' Do you see that red cloth?' Yes.' Can you go and get it for me?' When Hal looked at her, she said: 'I think it's my mother's.' As Hal stood to retrieve it, Len entered the squad room from behind where Lindsey sat. He tapped her on the shoulder just as he realized what Hal was doing. Lindsey and Detective Ferman stared at each other. Why do you have my mother's scarf?' He stumbled. 'She might have left it in my car one day.' Lindsey stood and faced him. She was clear-eyed and driving fast towards the worst news yet. 'What was she doing in your car?' Hello, Hal,' Len said. Hal held the scarf in his head. Lindsey grabbed it away, her voice growing angry. 'Why do you have m mother's scarf?' And though Len was the detective, Hal saw it first- it arched over her like a rainbow- Prismacolor understanding. The way it happened in algebra class or English when my sister was the first person to figure out the sum of x or point out the double entendres to her peers. Hal put his hand on Lindsey's shoulder to guide her. 'We should go,' he said. And later she cried out her disbelief to Samuel in the backroom of the bike shop.
Alice Sebold
And then there was the sad sign that a young woman working at a Tim Hortons in Lethbridge, Alberta, taped to the drive-through window in 2007. It read, “No Drunk Natives.” Accusations of racism erupted, Tim Hortons assured everyone that their coffee shops were not centres for bigotry, but what was most interesting was the public response. For as many people who called in to radio shows or wrote letters to the Lethbridge Herald to voice their outrage over the sign, there were almost as many who expressed their support for the sentiment. The young woman who posted the sign said it had just been a joke. Now, I’ll be the first to say that drunks are a problem. But I lived in Lethbridge for ten years, and I can tell you with as much neutrality as I can muster that there were many more White drunks stumbling out of the bars on Friday and Saturday nights than there were Native drunks. It’s just that in North America, White drunks tend to be invisible, whereas people of colour who drink to excess are not. Actually, White drunks are not just invisible, they can also be amusing. Remember how much fun it was to watch Dean Martin, Red Skelton, W. C. Fields, John Wayne, John Barrymore, Ernie Kovacs, James Stewart, and Marilyn Monroe play drunks on the screen and sometimes in real life? Or Jodie Marsh, Paris Hilton, Cheryl Tweedy, Britney Spears, and the late Anna Nicole Smith, just to mention a few from my daughter’s generation. And let’s not forget some of our politicians and persons of power who control the fates of nations: Winston Churchill, John A. Macdonald, Boris Yeltsin, George Bush, Daniel Patrick Moynihan. Hard drinkers, every one. The somewhat uncomfortable point I’m making is that we don’t seem to mind our White drunks. They’re no big deal so long as they’re not driving. But if they are driving drunk, as have Canada’s coffee king Tim Horton, the ex-premier of Alberta Ralph Klein, actors Kiefer Sutherland and Mel Gibson, Super Bowl star Lawyer Milloy, or the Toronto Maple Leafs’ Mark Bell, we just hope that they don’t hurt themselves. Or others. More to the point, they get to make their mistakes as individuals and not as representatives of an entire race.
Thomas King (The Inconvenient Indian: A Curious Account of Native People in North America)
Life didn’t have to fit into a four-sided box that was neat and tidy. It was okay if the box had three sides or the fourth one was hanging on with duct tape. It was okay if the corners were dented and if there was a big red FRAGILE sticker on top.
Alex Light (The Upside of Falling)
Sometimes sexy women like to act stupid because it helps them get exactly what they want. Theresa Boudreaux was one of those types: a bodacious waffle-house waitress with a devilish streak. Unfortunately for a certain high-ranking elected leader, she had the wits to go to RadioShack and buy herself a nine-dollar phone-recording device. She then used it to tape her dirty phone calls with US Congressman Huey Hartley, a powerful, sanctimonious, married-for-thirty-years politician from the solidly red state of Mississippi.
Holly Peterson
I have a complicated relationship with airports. A space that once held promise, the gateway to summer vacations and adventure, now makes my heart race a little faster, beat a little harder. A seemingly random red strip of tape on the ground, a dated stamp and ink pad, a place of birth forever etched on a passport, and a somber uniformed officer determine our future, our lives.... I wonder what new family is anxiously pacing back there, sleep-deprived and confused, hoping for that stamp to hit the ink, hoping to step into a new life.
Naz Deravian (Bottom of the Pot: Persian Recipes and Stories)
After receiving such a warm welcome, it sounded to me like the Directorate of Intelligence had placed me on the CIA’s “don’t screw with this guy list”. This list was something of an urban legend throughout The Company. Once on it, you had it made. Everyone at the CIA would go out of his or her way to be helpful and red tape would magically vanish for you. It meant that you had a very powerful patron at the top levels of the Agency. I may have been hustled out of Headquarters but I apparently still had a very powerful friend in high places.
Michael Connick (Trapped in a Hall of Mirrors: How the Luckiest Man in the World Became a Spy (Stephen Connor, #1))
He would expose, remorselessly, those hypocrites and cynics who publicly denied the catastrophe of climate change while secretly short-selling that very same position and hedging all their bets; the millionaires and billionaires who preached self-reliance while accepting vast handouts in the form of subsidies and easy credit, and who bemoaned red tape while building contractual fortresses to shield their capital from their ex-wives; the tax-dodging economic parasites who treated state treasuries like casinos and dismantled welfare programmes out of spite, who secured immensely lucrative state contracts through illegitimate back channels and grubby, endlessly revolving doors, who eroded civil standards, who demolished social norms, and whose obscene fortunes had been made, in every case, on the back of institutions built with public funding, enriched by public patronage, and rightfully belonging to the public, most notably, the fucking Internet; the confirmed sociopaths who were literally vampiric with their regular transfusions of younger, healthier blood; the cancerous polluters who consumed more, and burned more, and wasted more than half the world’s population put together; the crypto-fascist dirty tricksters who pretended to be populists while defrauding and despising the people, who lied with impunity, who stole with impunity, who murdered with impunity, who invented scapegoats, who incited suicides, who encouraged violence and provoked unrest, and who then retreated into a private sphere of luxury so well insulated from the lives of ordinary people, and so well defended against them, that it basically amounted to a form of secession.
Eleanor Catton (Birnam Wood)
The United Nations will soon come out with a plan known as Agenda 21, in which they will push everyone into cities so we can keep better track of them, and the common, everyday people will no longer be able to access the great outdoors without having to go through a lot of red tape. The governments of the world will start declaring vast stretches of land in their own countries as national monuments or just buy up the land to prevent the freedom to create more energy reserves so that only a few will be in control over all of the resources of the world.
Cliff Ball (Times of Turmoil)
Roller Boogie is a relic from - when else? - the '70s. This is a tape I made for the eight-grade dance. The tape still plays, even if the cogs are a little creaky and the sound quality is dismal. It's a ninety-minute TDK Compact Cassette, and like everything else made in the '70s, it's beige. It takes me back to the fall of 1979, when I was a shy, spastic, corduroy-clad Catholic kid from the suburbs of Boston, grief-stricken over the '78 Red Sox. The words "douche" and "bag" have never coupled as passionately as they did in the person of my thirteen-yer-old self. My body, my brain, my elbows that stuck out like switchblades, my feet that got tangled in my bike spokes, but most of all my soul - these formed the waterbed where douchitude and bagness made love sweet love with all the feral intensity of Burt Reynolds and Rachel Ward in Sharkey's Machine.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
Toraf runs to his mate. “My poor princess, who did this to you?” he says, tugging gently at a corner of the tape. She snatches her face away from him and chastises him in muffled outrage. Galen strides to them and promptly rips the tape from Rayna’s mouth. She yelps, raking him over with a scalding look. “You did that on purpose!” Galen wads the tape into a sticky ball then drops it to the floor. “What happened?” Rayna squares her shoulders. “I’m going to kill Nalia for good this time.” “Okay. But what happened?” “She poisoned me. Or something. “Triton’s trident, Rayna. Just tell me what hap-“ “Nalia kept saying she needed to go to the restroom, so I let her use the downstairs bathroom. I figured it would be okay because she seemed to have calmed down since you left, so I united her. Anyway, she was taking a long time in there.” Rayna points to the bathroom below the stairwell. “So I checked on her. I knocked and knocked but she didn’t answer. I opened the door-I should’ve known something was off since it wasn’t locked-and the bathroom was dark. Then she grabs me from behind and puts something over my face. The last thing I remember is Emma standing in the doorway screaming at Nalia. Next thing I know, I wake up in this chair, tied up like some common human.” Toraf finally frees her. She examines the red lines embedded into her wrists. Rubbing them, she winces. “I’m going to do something bad to her. I can be creative, you know.
Anna Banks (Of Triton (The Syrena Legacy, #2))
A man’s voice filled up my head from my jawbone up to the plates of my skull. The most beautiful and saddest voice that ever was... A voice like the whole old world calling up from the bottom of the sea. The man on Madeline Brix’s tape was saying he was happy, and he hoped I was happy, too.
Catherynne M. Valente
This is the heart of it, the scared woman who does not want to go alone to the man any longer, because when she does, when she takes of her baggy dress, displaying to him rancid breasts each almost as big as his own head, or no breasts, or mammectomized scar tissues taped over with old tennis balls to give her the right curves; when, vending her flesh, she stands or squats waiting, congealing the air firstly with her greasy cheesey stench of unwashed feet confined in week-old socks, secondly with her perfume of leotards and panties also a week old, crusted with semen and urine, brown-greased with the filth of alleys; thirdly with the odor of her dress also worn for a week, emblazoned with beer-spills and cigarette-ash and salted with the smelly sweat of sex, dread, fever, addiction—when she goes to the man, and is accepted by him, when all these stinking skins of hers have come off (either quickly, to get it over with, or slowly like a big truck pulling into a weigh station because she is tired), when she nakedly presents her soul’s ageing soul, exhaling from every pore physical and ectoplasmic her fourth and supreme smell which makes eyes water more than any queen of red onions—rotten waxy smell from between her breasts, I said, bloody pissy shitty smell from between her legs, sweat-smell and underarm-smell, all blended into her halo, generalized sweetish smell of unwashed flesh; when she hunkers painfully down with her customer on bed or a floor or in an alley, then she expects her own death. Her smell is enough to keep him from knowing the heart of her, and the heart of her is not the heart of it. The heart of it is that she is scared.
William T. Vollmann (The Royal Family)
On the cutting board there are two peanut butter and red currant jam sandwiches for Emerson and two Serrano ham, shaved cheddar, and apricot chutney sandwiches for Felice. Nieves wraps them smartly in waxed paper, tapes them, and puts them back in the fridge. There's also a cooler Nieves opens: packed with trail mix, sliced pears and apples, and the lemon bars.
Diana Abu-Jaber (Birds of Paradise)
It was just an old clock, your honor,” he told Smith, looking at once relieved and disappointed. “In the desk of a Mister … Clay. Taped to a couple of dowels painted red.” “I knew it,” said Joe softly, starting in on the second little box. “Dynamite isn’t even red,” the old fireman said, walking off. “Not really.” “The guy reads too much comic books,” Joe said.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
He slipped his arms into the scarlet woollen cassock and fastened the thirty-three buttons that ran from his neck to his ankles—one button for each year of Christ’s life. Around his waist he tied the red watered-silk sash of the cincture, or fascia, designed to remind him of his vow of chastity, and checked to make sure its tasselled end hung to a point midway up his left calf. Then he pulled over his head the thin white linen rochet—the symbol, along with the mozzetta, of his judicial authority. The bottom two-thirds and the cuffs were of white lace with a floral pattern. He tied the tapes in a bow at his neck and tugged the rochet down so that it extended to just below his knees. Finally he put on his mozzetta, an elbow-length nine-buttoned scarlet cape.
Robert Harris (Conclave)
Tell you what: Ask a Baptist wife why her husband treats her like a personal slave. Ask a homosexual couple why their love for one another is treated as a sick joke in some parts of the world and as a crime punishable by death in others. Ask a starving African mother with ten starving children why she doesn't practice birth control. Ask a young Muslim girl why her parents sliced off her clitoris. Ask millions of Muslim women why they cannot attend schools or show themselves in public except through the eye slits of a full-body burqa. Ask the Pakistani woman who's gang-raped why she is sentenced to death while her rapists go free, and why it’s her own family leading the murderous chorus. Ask the American woman who’s raped why her local congressman would question the “legitimacy” of that rape and would force her to bring her rapist’s child to term. Ask the dead Christian children why their fundamentalist parents wouldn’t give them an antibiotic to stave off their infection or an insulin injection to control their diabetes. Ask the Parkinson’s or paralysis victims why their cures have been mired in religious and political red tape for decades now because an increasingly hysterical and radical segment of American society believes that a clump of cells with no identity and no consciousness has more rights than they do. Ask them all to point to the source of their misery, and then ask yourself why it doesn't bother you that they are pointing to the same goddamned book you're using in your religious services and in the celebration of your “harmless” and “quaint” traditions.
D. Cameron Webb (Despicable Meme: The Absurdity and Immorality of Modern Religion)
Even many of those with academic credentials, but no economically meaningful skills, who are in fact employed are often employed in government bureaucracies, since they are unlikely to be much in demand in competitive markets, where employers are spending their own money, rather than spending the taxpayers’ money. Sometimes jobs in government bureaucracies may be created in order to absorb large numbers of young people who could otherwise be frustrated and embittered enough to be politically troublesome for government officials, or even dangers to the society at large. In poor countries especially, swollen bureaucracies and the red tape they generate are often an impediment to economic activity by other people who in fact do have the human capital to advance the economy and create much needed rises in living standards for the society at large.
Thomas Sowell (Wealth, Poverty and Politics)
And, leaning over sideways to look, Comrade Snarky says, “My eyes are green, not brown, and my hair is naturally this color auburn.” She watches as he writes green, then says, “And I have a little red rose tattooed on my butt cheek.” Her eyes settle on the silver tape recorder peeking out of his shirt pocket, the little-mesh microphone of it, and she says, “Don't write dyed hair. Women either lift or tint the color of their hair.
Chuck Palahniuk (Haunted)
I am overwhelmed by the rigmarole of bureaucratic paperwork. I can't keep it all straight — the unemployment forms, the food-stamp applications, the drastically increasing number of ID cards that I am being forced to carry around with me. Being poor is a full-time job. Every minute, the government demands that you prove your current economic status, leaving absolutely no time to improve it. I have to schedule job interviews between all my other red-tape appointments.
Cassie Peterson (Without a Net: The Female Experience of Growing Up Working Class)
The impulse here is to add “again,” but making New York “work” had not always, and maybe not ever, been a goal for those who welcomed disorder as the way to overtime or a palmed twenty. City government had never been run for maximum efficiency; the point of patronage was jobs, with results a distant second. Management was the province of reformers and the public agencies, foundations, and advocacy groups who’d erected a virtuous scaffolding around City politics, assuring things actually got done while City Hall focused on giving special interests their taste. Everyone else got pinched, especially the middle class and small businessmen who paid for their independence by having to slash through thickets of red tape, following absurd union rules and paying inflated prices. Koch liked to tell about the time an old woman tugged his sleeve and said, “Mr. Koch, Mr. Koch, make the city what it once was.” To which he said, “Lady, it was never that good.
Thomas Dyja (New York, New York, New York: Four Decades of Success, Excess, and Transformation (Must-Read American History))
It’s just so soothing,” Henry says. “Everything’s all pastel-colored and the music is so relaxing and everyone’s so lovely to one another. And you learn so much about different types of biscuits, Alex. So much. When the world seems awful, such as when you’re trapped in a Great Turkey Calamity, you can put it on and vanish into biscuit land.” “American cooking competition shows are nothing like that. They’re all sweaty and, like, dramatic death music and intense camera cuts,” Alex says. “Bake Off makes Chopped look like the fucking Manson tapes.” “I feel like this explains loads about our differences,” Henry says, and Alex gives a small laugh.
Casey McQuiston (Red, White & Royal Blue)
Old Dudley would get out his gun and take it apart and, as Rabie cleaned the pieces, would explain the mechanism to him. Then he’d put it together again. Rabie always marveled at the way he could put it together again. Old Dudley would have liked to have explained New York to Rabie. If he could have showed it to Rabie, it wouldn’t have been so big—he wouldn’t have felt pressed down every time he went out in it. “It ain’t so big,” he would have said. “Don’t let it get you down, Rabie. It’s just like any other city and cities ain’t all that complicated.” But they were. New York was swishing and jamming one minute and dirty and dead the next. His daughter didn’t even live in a house. She lived in a building—the middle in a row of buildings all alike, all blackened-red and gray with rasp-mouthed people hanging out their windows looking at other windows and other people just like them looking back. Inside you could go up and you could go down and there were just halls that reminded you of tape measures strung out with a door every inch. He remembered he’d been dazed by the building the first week. He’d wake up expecting the halls to have changed in the night and he’d look out the door and there they stretched like dog runs. The streets were the same way. He wondered where he’d be if he walked to the end of one of them. One night he dreamed he did and ended at the end of the building—nowhere.
Flannery O'Connor (The Complete Stories)
(6) Doubt about new schools. Is this not all a pipe dream? Private schools now are almost all either parochial schools or elite academies. Will the effect of the voucher plan simply be to subsidize these, while leaving the bulk of the slum dwellers in inferior public schools? What reason is there to suppose that alternatives will really arise? The reason is that a market would develop where it does not exist today. Cities, states, and the federal government today spend close to $100 billion a year on elementary and secondary schools. That sum is a third larger than the total amount spent annually in restaurants and bars for food and liquor. The smaller sum surely provides an ample variety of restaurants and bars for people in every class and place. The larger sum, or even a fraction of it, would provide an ample variety of schools. It would open a vast market that could attract many entrants, both from public schools and from other occupations. In the course of talking to various groups about vouchers, we have been impressed by the number of persons who said something like, "I have always wanted to teach [or run a school] but I couldn't stand the educational bureaucracy, red tape, and general ossification of the public schools. Under your plan, I'd like to try my hand at starting a school." Many of the new schools would be established by nonprofit groups. Others would be established for profit. There is no way of predicting the ultimate composition of the school industry. That would be determined by competition. The one prediction that can be made is that only those schools that satisfy their customers will survive—just as only those restaurants and bars that satisfy their customers survive. Competition would see to that.
Milton Friedman (Free to Choose: A Personal Statement)
Necessities 1 A map of the world. Not the one in the atlas, but the one in our heads, the one we keep coloring in. With the blue thread of the river by which we grew up. The green smear of the woods we first made love in. The yellow city we thought was our future. The red highways not traveled, the green ones with their missed exits, the black side roads which took us where we had not meant to go. The high peaks, recorded by relatives, though we prefer certain unmarked elevations, the private alps no one knows we have climbed. The careful boundaries we draw and erase. And always, around the edges, the opaque wash of blue, concealing the drop-off they have stepped into before us, singly, mapless, not looking back. 2 The illusion of progress. Imagine our lives without it: tape measures rolled back, yardsticks chopped off. Wheels turning but going nowhere. Paintings flat, with no vanishing point. The plots of all novels circular; page numbers reversing themselves past the middle. The mountaintop no longer a goal, merely the point between ascent and descent. All streets looping back on themselves; life as a beckoning road an absurd idea. Our children refusing to grow out of their childhoods; the years refusing to drag themselves toward the new century. And hope, the puppy that bounds ahead, no longer a household animal. 3 Answers to questions, an endless supply. New ones that startle, old ones that reassure us. All of them wrong perhaps, but for the moment solutions, like kisses or surgery. Rising inflections countered by level voices, words beginning with w hushed by declarative sentences. The small, bold sphere of the period chasing after the hook, the doubter that walks on water and treads air and refuses to go away. 4 Evidence that we matter. The crash of the plane which, at the last moment, we did not take. The involuntary turn of the head, which caused the bullet to miss us. The obscene caller who wakes us at midnight to the smell of gas. The moon's full blessing when we fell in love, its black mood when it was all over. Confirm us, we say to the world, with your weather, your gifts, your warnings, your ringing telephones, your long, bleak silences. 5 Even now, the old things first things, which taught us language. Things of day and of night. Irrational lightning, fickle clouds, the incorruptible moon. Fire as revolution, grass as the heir to all revolutions. Snow as the alphabet of the dead, subtle, undeciphered. The river as what we wish it to be. Trees in their humanness, animals in their otherness. Summits. Chasms. Clearings. And stars, which gave us the word distance, so we could name our deepest sadness.
Lisel Mueller (Alive Together)
You whom I could not save, Listen to me. Can we agree Kevlar backpacks shouldn’t be needed for children walking to school? Those same children also shouldn’t require a suit of armor when standing on their front lawns, or snipers to watch their backs as they eat at McDonalds. They shouldn’t have to stop to consider the speed of a bullet or how it might reshape their bodies. But one winter, back in Detroit, I had one student who opened a door and died. It was the front door to his house, but it could have been any door, and the bullet could have written any name. The shooter was thirteen years old and was aiming at someone else. But a bullet doesn’t care about “aim,” it doesn’t distinguish between the innocent and the innocent, and how was the bullet supposed to know this child would open the door at the exact wrong moment because his friend was outside and screaming for help. Did I say I had “one” student who opened a door and died? That’s wrong. There were many. The classroom of grief had far more seats than the classroom for math though every student in the classroom for math could count the names of the dead. A kid opens a door. The bullet couldn’t possibly know, nor could the gun, because “guns don’t kill people,” they don’t have minds to decide such things, they don’t choose or have a conscience, and when a man doesn’t have a conscience, we call him a psychopath. This is how we know what type of assault rifle a man can be, and how we discover the hell that thrums inside each of them. Today, there’s another shooting with dead kids everywhere. It was a school, a movie theater, a parking lot. The world is full of doors. And you, whom I cannot save, you may open a door and enter a meadow, or a eulogy. And if the latter, you will be mourned, then buried in rhetoric. There will be monuments of legislation, little flowers made from red tape. What should we do? we’ll ask again. The earth will close like a door above you. What should we do? And that click you hear? That’s just our voices, the deadbolt of discourse sliding into place.
Matthew Olzmann
He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year. The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home. He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street. They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then. The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips. Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites. The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra. “Who is The Mandarin? His name? Who is The Mandarin?” He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him. By the time they freed him, he was a different man.  
Gary Haynes (State of Honour)
A display cake read JUNETEENTH! in red frosting, surrounded by red, white, and blue stars and fireworks. A flyer taped to the counter above it encouraged patrons to consider ordering a Juneteenth cake early: We all know about the Fourth of July! the flyer said. But why not start celebrating freedom a few weeks early and observe the anniversary of the Emancipation Proclamation! Say it with cake! One of the two young women behind the bakery counter was Black, but I could guess the bakery's owner wasn't. The neighborhood, the prices, the twee acoustic music drifting out of sleek speakers: I knew all of the song's words, but everything about the space said who it was for. My memories of celebrating Juneteenth in DC were my parents taking me to someone's backyard BBQ, eating banana pudding and peach cobbler and strawberry cake made with Jell-O mix; at not one of them had I seen a seventy-five-dollar bakery cake that could be carved into the shape of a designer handbag for an additional fee. The flyer's sales pitch--so much hanging on that We all know--was targeted not to the people who'd celebrated Juneteenth all along but to office managers who'd feel hectored into not missing a Black holiday or who just wanted an excuse for miscellaneous dessert.
Danielle Evans (The Office of Historical Corrections)
I started blasting my gun. Letting loose a stream of words like I'd never used before. True to form, Misty didn't stay put and stood at my side. Tears stained her cheeks. Her gun firing wildly. It was a blur. The next thing I knew, no zombies were left standing and we knelt at Kali's side. I took out a rag and wiped the feathers from his face. We could tell he was still alive. His chest rising and falling in jerks. "Kali, how bad are you hurt?" I asked with an unsteady voice. "I'm okay, guys. Did we get all of them?" he whispered. "Nate, he's been bit all over!" I looked down at his body, covered in white feathers, speckled with splotches of deep red. "Yep. You got 'em, even those freak chickens." "Nate, I'm thirsty," his voice shaky and cracking. "Okay, buddy. We've got water in the truck." "No, not water. How about a glass of lemonade?" "Kali, what are you saying?" Misty's voice was tense as a piano string. "Hurry, Nate. I'm getting weak—the lemonade." I think running into the crowd of zombies would have been easier than this. Maybe that's why Kali chucked a rock at my head—he knew he could count on me for this. I ripped off a small water gun I had taped on my suit and tore off the cap. "Oh, Nate, don't. Maybe there's something we can do. Maybe—" she stopped. I put my hand behind Kali's neck and felt a slight burn, probably zombie snot. Misty took one of his hands and held it to her chest. "You were so brave, Kali, so brave." My hands didn't shake anymore; they were numb, as if they didn't belong to me. I manipulated them the best I could—like using chopsticks. Lifting Kali's head, I poured the juice into his mouth until it was gone. He was burning up; his skin felt like it was on fire. "I never thought I'd have friends, real friends—thank you, guys." He closed his eyes and I felt the muscles in his neck go limp. Gently, I put his head down and cleaned my blistering hand with the rag. Misty wiped her tears as I put the rag over Kali's face. "No, thank you, kid." We sat there still, silent except for the small cries that we both let slip out. Misty, still holding his hand. Me, staring down at my hands, soaked in tears. I don't know how much time passed. It could have been five minutes; it might have been an hour. Suddenly, the feathers moved, flying in every direction. Looking up, I saw a helicopter coming down in front of us—one of those big black military ones. It landed and three men stepped out. They wore protective gear like you see in those alien movies. I worried a little about what they might have planned for us. I've seen enough movies to know those government types can't be trusted—especially when they're in those protective suits. "What happened here? How did you manage to negate the virus?" one of the hooded figures asked. "Zombie juice," I replied. "Zombie juice?" "Actually it was the Super Zombie Juice Mega Bomb," Misty added as she stood and took my hand.
M.J.A. Ware (Super Zombie Juice Mega Bomb (A Zombie Apocalypse Novel Book 1))
They looked at the world around them and saw that the government was a ball of wasteful red tape; that the taxi industry treated customers like shit; hotels overcharged and overtaxed; health care was a sham, driven by the needs of the insurance agencies, not the sick; oil-dependent cars had helped to justify an eternal war in the Middle East; and illegal drugs were only illegal because the government wanted to control the people.
Nick Bilton (American Kingpin: The Epic Hunt for the Criminal Mastermind Behind the Silk Road)