Red Lip Gloss Quotes

We've searched our database for all the quotes and captions related to Red Lip Gloss. Here they are! All 16 of them:

And her lips: so inviting, bathed in shimmering wet, dark red gloss. They were meant for only two things, kissing and making love to your cock.
A.V. Roe (The ABC Room)
I’m mesmerized by lipstick prints on coffee cups. By the lines of lips against white pottery. By the color chosen by the woman who sat and sipped and lived life. By the mark she leaves behind. Some people read tea leaves and others can tell your future through the lines on your palm. I think I’d like to read lipstick marks on coffee mugs. To learn how to differentiate yearning from satiation. To know the curve of a deep-rooted joy or the line of bottomless grief. To be able to say, this deep blue red you chose and how firmly you planted your lips, this speaks of love on the horizon. But, darling, you must be sure to stand in your own truth. That barely-there nude that circles the entire rim? You are exploding into lightness and possibilities beyond what you currently know. The way the gloss only shows when the light hits it and the coffee has sloshed all over the saucer? people need to take the time to see you whole but my god, you’re glorious and messy and wonderful and free. The deep purple bruise almost etched in a single spot and most of the cup left unconsumed? Oh love. Let me hold the depth of your ache. It is true. He’s not coming back. I know you already know this, but do you also know this is not the end? Love. This is not the end. I imagine that I can know entire stories by these marks on discarded mugs. Imagine that I know something intimate and true of the woman who left them. That I could take those mugs home one day and an entire novel worth of characters would pour out, just like that.
Jeanette LeBlanc
That night Serena dressed to meet Zahi. She used a metallic green eye shadow on the top lids and the outer half of the bottom lids so that her eyes looked like a jungle cat's. Two coats of black mascara completed them, and then she smudged a light gold gloss on her lips. She took a red skirt from the closet. The material was snakelike, shimmering black, then red. She slipped it on and tied the black strings of a matching bib halter around her neck and waist. She painted red-and-black glittering flames on her legs and rubbed glossy shine on her arms and chest. Finally, she took the necklace she had bought at the garage sale and fixed it in her hairline like the headache bands worn by flappers back in the 1920's. The jewels hung on her forehead, making her look like an exotic maharani. She sat at her dressing table and painted her toenails and fingernails gold, then looked in the mirror. A thrill jolted through her as it always did. No matter how many times she saw her reflection after the transformation, her image always astonished her. She looked supernatural, a spectral creature, green eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more forceful and elegant- an enchantress goddess. She couldn't pull away from her reflection. It was as if the warrior in her had claimed the night.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
In the back of my closet, I saw a pink wrap dress that was hopelessly Southern. Pale pink, with little flutter sleeves all in a Swiss-dot fabric that you could see through if you held it up to the light. I would need nude undergarments, which I was sure I had. My mom always told me never to wear wild undies, you never knew who'd see them! What if I got in a car wreck? I pulled my hair up and allowed a few red curls to fall out of a messy bun at the nape of my neck. I slipped the dress on and gave my lips a quick swipe of gloss. I chose small gold hoop earrings that had belonged to Gran at one time and stepped into a pair of gold flip-flops. I looked at myself in the mirror and reminded myself I was going to a farm. Jim walked in. "Ready for the big... Oh, my God, Magnolia!" "What? Too much?" I said, grimacing. "Good God, no! You look absolutely perfect! You look like a mouthwatering pink confection! A true Southern Magnolia!
Victoria Benton Frank (My Magnolia Summer)
Mauve cream Kabuki actors use conceal dark circles under my eyes. I brush soothing sable bristles of coral blush across high cheekbones, smudge taupe color on eye lids, darken thick lashes, dot ash rose gloss across my lips. Heavy red frame glasses and rose lenses cover grey eyes. I rip the telephone from the wall and stumble, drunk and crying, to the door, batter the facing with the phone handle, counting arrhythmic phlegmatic beats. Splinters and fragments of wood fall to the floor, a lingering catarrh lying among pale turquoise and gold threads. The scent of roses and jasmine lingers. The sky and dot and window refracture. I look into the gold leaf mirror, pleased with the effect: A perfect face reflects no inner turmoil.
Kay Merkel Boruff (Z.O.S.: A Memoir)
Shoes that tied were the first thing to go. Lucy needed shoes she could put on without using her hands, with a writhing, screaming, occasionally biting child in her arms, shoes she could tip up with her toes and slide her feet into without so much as bending a knee. Flip-flops when at all possible, clogs or Merrells the rest of the time. Then it was earrings. Earrings were so long gone, the holes in her ears had closed up. Next it was eyeliner, then mascara, then returning phone calls, then going to the dentist, then looking in a full-length mirror before she left the house, then lip gloss, unless she found some in the bottom of her purse while she was stopped at a red light. There was more, of course. Pedicures, thank-you notes, RSVPs, Christmas cards, flossing, stretching, remembering birthdays, exfoliation. Basically, Lucy was down to nothing but deodorant, toothpaste, and a ponytail five days out of seven. She
Sarah Dunn (The Arrangement)
H, you’re a workaholic. Are you going to be at it all night?” He grinned though his eyes never left the screen. “Oh, precious, work is not what I’ll be at all night. But I need a few minutes to send this new proposal to the board before I can devote my attention to you. Do you mind?” “Take your time. I’ll get ready for bed.” I lowered the lights as he had the night before, then took advantage of his distraction and retrieved the sexy nightie I’d brought with me before slipping into the bathroom. I didn’t hurry as I undressed, taking the opportunity to shave and apply lotion before slipping on the red lace halter baby-doll I’d purchased on Friday afternoon. The halter-top accentuated my breasts, an area of my body that Hudson appreciated. I removed the ponytail holder from my hair and let it spill around my shoulders in a seductive mess. I brushed my teeth and applied a thin layer of strawberry lip gloss. When I was satisfied with my appearance, I opened the door to the bedroom and posed in the doorway, waiting for Hudson’s reaction. I was met with quiet snoring. With his hands still propped on his open laptop, Hudson had fallen asleep, fully dressed. I sighed, debating how to address the situation. Of course I wanted him awake, but he wouldn’t have fallen asleep like that if he wasn’t truly worn out. Plus, I had to remind myself, night was my time of day—not his. Gently, I slipped the computer from his grasp and placed it on the nightstand. The movement didn’t disturb him in the least—he was out. I decided to let him sleep, but as for myself, I wasn’t in the least bit tired. I wondered if Jack was still awake—maybe we could play another round of poker, though being alone with the man wasn’t entirely a great idea. I peered out the window and saw the guesthouse was dark. Probably for the best.
Laurelin Paige (Fixed on You (Fixed, #1))
I’m mesmerized by lipstick prints on coffee cups. By the lines of lips against white pottery. By the color chosen by the woman who sat and sipped and lived life. By the mark she leaves behind. Some people read tea leaves, and others can tell your future through the lines on your palm. I think I’d like to read lipstick marks on coffee mugs. To learn how to differentiate yearning from satiation. To know the curve of deep-rooted joy or the line of bottomless grief. To be able to say this deep blue-red you chose and how firmly you planted your lips, speaks of love on the horizon. But, darling, you must be sure to stand in your own truth. That barely-there nude that circles the entire rim? You are exploding into lightness and possibilities beyond what you currently know. The way the gloss only shows when the light hits it, and the coffee has sloshed all over the saucer? People need to take the time to see you whole but my god, you’re glorious and messy and wonderful and free. The deep purple bruise was almost etched in a single spot, and most of the cup left unconsumed. Oh, love. Let me hold the depth of your ache. It is true. He’s not coming back. I know you already know this, but do you also know this is not the end? Love. This is not the end. I imagine that I can know entire stories by these marks on discarded mugs. I imagine that I know something intimate and true about the woman who left them. I imagine that I could take those mugs home one day, and an entire novel worth of characters would pour out, just like that.
Jeanette LeBlanc
You call that a kiss?” “Yep.” Okay, so I’m in shock the girl put my hand on her creamy cheek. Damn, you’d think I was on drugs by the way my body reacted. She had me totally under her spell a minute ago. Then the pretty witch turned my game around so she was the one with the upper hand. She surprised me, that’s for sure. I laugh, deliberately calling attention to us because I know it’s exactly what she doesn’t want. “Shh,” Brittany says, hitting me on the shoulder to shut me up. When I laugh louder, she whacks my arm with the heavy chem book. My bad arm. I wince. “Ow!” The cut on my biceps feels like a million little bees are stinging it. ¡Cabrón me dolioǃ She bites her Bobbi Brown Sandwash Petal’d frosted bottom lip, which in my opinion looks fine on her. Though I wouldn’t mind seeing her in the Pink Blossom color, too. “Did I hurt you?” she asks. “Yes,” I say through gritted teeth as I concentrate on her lip gloss instead of the pain. “Good.” I lift my sleeve to examine my wound, which now (thanks to my chem partner) has blood trickling from one of the staples the doc at the free clinic put in it after the fight at the park with the Satin Hoods. Brittany’s got a pretty good whack for someone who probably weighs a buck ten soaking wet. She sucks in her breath and scoots away. “Oh my God! I didn’t mean to hurt you, Alex. Really, I didn’t. When you threatened to show me the scar, you lifted your left sleeve.” “I wasn’t really gonna show you,” I say. “I was fuckin’ with you. It’s okay,” I tell her. Geez, you’d think the girl never saw red blood before. Then again, her blood probably runs blue. “No, it’s not okay,” she insists while shaking her head. “Your stitches are bleeding.” “They’re staples,” I correct her, trying to lighten the mood. The girl is even whiter than she usually is. And she’s breathing heavy, almost panting. If she passes out, I swear I’m losing the bet with Lucky. If she can’t handle a little streak of my blood, how’s she gonna handle having sex with me? Unless we’re not naked, so she doesn’t have to see my various scars. Or if it’s dark, then she can pretend I’m someone white and rich. Fuck that, I want the lights on…I want to feel all of her against me and want her to know it’s me she’s with and not some other culero. “Alex, are you okay?” Brittany asks, looking totally concerned. Should I tell her I was spacing out while thinking about us having sex?
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
I didn’t brush my teeth today and I can smell my own breath. Acrid. Stale. My hair is still wet from the shower. I couldn’t be bothered to dry it, and I know when I wake up, it’ll be a tangled nightmare. I’m also 99 percent sure I forgot to put on deodorant. I should just live like this. Abandon my ablutions. Let my teeth go yellow with rot, gums red and receding. Allow my skin to break out, forget exfoliation. Let the dead flakes congregate, create societies of zits on my face. Evil empires. I should let my hair gnarl together. Form a giant nestlike mass on top of my head. I could keep things in there. Credit cards. Snacks. I should develop a smell so terrible that no one will ever come near me. Create a force field of stink. Wouldn’t that be easier? To be left alone in my misery. To lean into what I feel, match my exterior to my interior. I won’t do it, though. I’ll wake up in the morning and floss and brush my teeth and my hair. I’ll put on deodorant and perfume. A little mascara. Apply some tinted lip gloss. I’m not brave enough to be who I am.
Rachel Harrison (Cackle)
After perfuming my neck with lychee and fig oil, I touch up my barrel curls and apply a fresh coat of lip gloss. As I stare at my reflection, I almost believe I'm the angel I masquerade as. My skin shines like opals, the iridescence catching the fullness of my lips and the high points of my cheeks. Coalescing down to my waist are ribbons of black hair, perhaps my favorite feature about myself. Though my mother has always loved my eyes the most--- upturned and narrow, blooming with feathered lashes. I, for one, have always been frightened by them. Some would mistake their red-honey color for brown. But in the light, they glint with a tint of ruby. Like devil eyes. I shut them. No more ocean of a girl. At least not tonight.
Kiana Krystle (Dance of the Starlit Sea)
I smooth the Berry Blush gloss over my lips and make a popping sound as I rub them together. The livid red smears and I scowl at my reflection. Vanessa Vamp, the cartoon bombshell who is sitting on my shoulder, legs crossed seductively and unforgivably shiny crimson hair cascading deliciously over one shoulder, giggles at my ineptitude. I stick my tongue out at her and wipe away the greasy makeup, ready for attempt number two.
Claire Gallagher (The Strange Imagination of Pippa Clayton)
My makeup is perfection—deep-blue eyeshadow and the pinkest, poutiest lip gloss. My little black dress fits like a second skin, with the V down the front squishing my tits together playfully. I’m wearing a black studded choker to add to the playfulness and red spike-heeled shorty boots. It’s a shame it’s so cold I have to cover up all this hotness with an overcoat, but at least I can keep it unbuttoned to frame the legs and the cleavage. We’ll see how quick Ted dumps David after he sees this look.
J.D. Robertson (May and Ted: A story of love and perspective)
She took down the framed manuscript from the kitchen wall. It was Kendra's prized possession, and part of her felt guilty for what she planned, but it had to be done. She carefully removed the parchment from its frame, then searched through the piles of translations and notes on the kitchen table. Finally she found the Secret Scroll on the chair where Kendra had been the night before. She carried both manuscripts upstairs and set them on her desk. Next she gathered paints and brushes and sat down. She studied the artwork on the Secret Scroll, then slowly began copying its rich patterns of gold, red, and blue onto Kendra's old manuscript. It was late afternoon when she finished. She studied her work. She had managed to copy the exotic birds and animals hidden in the foliage on the borders, and even the detailed picture of the goddess locking the jaws of hell. Her work was rough, but at a distance it would fool Toby or any of the Regulators, especially since they were afraid to touch it. Satisfied, she went to her closet. She searched through her clothes until she found the strapless top with the slit in the front. She slipped it over her head, then grabbed a silky black skirt and stepped into it. She carried her stiletto boots to the bed and tugged them on. At last she drew black liquid eyeliner over her top lid, added green glitter shadow, rolled thick mascara on her lashes, and brushed her hair. She added gloss to her lips and rubbed sparkle lotion over her arms and chest. Then she remembered the dragon stencils. Soon, she had a sinuous dragon adorning her thigh between the bottom of her skirt and the top of her boots. She liked the look. She turned in front of the full-length mirror behind the bathroom door. "Dynamite," she whispered. Her reflection thrilled her. She looked vamped-out and mystical. At once, she sensed the fierce power of the dragon rising in her. She felt like an invincible goddess-warrior.
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
If you hadn’t been there, I’m not entirely sure I would’ve been able to stop myself from hurting the guy worse. That’s why I need to get to the lake house and be alone.” She sniffed. There was so much in that one little derisive sound that he had to look her way. “What?” Her expression went deadpan. “You realize that is a completely ridiculous plan, right?” He frowned. “Come on, Finn.” She pursed those red-glossed lips like she could barely tolerate his foolishness. “That is such a man plan.” “A man plan.” “Yes. You don’t know how to be among the living anymore so you’re going to…go live alone in a cave. Right. Good thinking. That will pop your how-to-be-human skills right back into place.” He made a frustrated sound and pulled into the lot of the hotel to park so he could face her, make her understand. “You saw what happened today. I’m not fit to be around other people right now. I beat a guy down for taking a picture. And I was…aggressive with you last night.” “Aggressive?” Her mouth flattened, and she put a finger to her chest. “I kissed you. I was the aggressor. You were just…complicit in the aggressiveness. And you’re lucky I haven’t gone two years’ celibate, because had I been in your shoes, I would’ve convinced you to go up to my room and used you eight ways to Sunday and back again by now. You’d be limping.” His libido gave a hard kick and knocked the logical thoughts out of his head for a moment. “I—” “You need to be around people.” That snapped his attention back to where it needed to be—mostly. “No.” “You promised your boss you’d be around friends. You made me promise your boss that I’d make sure you did that. You made me lie to the FBI. That’s got to be a federal offense or something.” “Made is a strong word.” “Finn.” He groaned. “What would you have me do? You want to babysit me, Livvy? Come stay at my lake house and make sure I don’t turn into a deviant?” She stared at him, her gaze way too sharp, and then tipped her chin up in challenge. “Is that an invitation? Because you know you shouldn’t test me. I could babysit the hell out of you, Finn Dorsey. I know who you used to be. You don’t get to become a bad guy. I will make you do slumber-party things like play charades or watch crappy nineties movies or incessant reruns of Friends. You won’t be able to fight your old goofy side. It will emerge like a freaking butterfly and smother scary Finn.” He blinked and stared, and then he couldn’t help it—he laughed. “A freaking butterfly?” She smiled triumphantly. “A goofy freaking butterfly.” He let out a long breath, some of the tension from the morning draining out of him. “You’re weird.” “So are you.
Roni Loren (The Ones Who Got Away (The Ones Who Got Away, #1))
I’d like to sit there,” I said softly to the girl sitting in front of the other mirror. She scampered. I took over her abandoned make-up and painted my face. Red cheeks, to attract hungry vampyre glances. Black liquid eyeliner and mascara, to draw attention away from my bitter eyes. My silky-thin, raven hair, undone in waves over my bare shoulders. The magenta shade of apple gloss on my lips, to make them plump and inviting. Finally, a strapless golden dress that hugged my hips and not much lower. I stood up, feeling the cold air slide down the bare skin of my back like fingers, and panicked. I couldn’t wear something like this! Not without a cardigan! A light dress jacket, at least! I took a gulp of Amrit’s wine and detached myself from the fretting child in my head. Then I strode from the sleeping chambers.
Heather Heffner (Year of the Tiger (Changeling Sisters, #2))