β
Home isn't where you're from, it's where you find light when all grows dark.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
When the light turns green, you go. When the light turns red, you stop. But what do you do when the light turns blue with orange and lavender spots?
β
β
Shel Silverstein (A Light in the Attic)
β
You see, women are like fires, like flames. Some women are like candles, bright and friendly. Some are like single sparks, or embers, like fireflies for chasing on summer nights. Some are like campfires, all light and heat for a night and willing to be left after. Some women are like hearthfires, not much to look at but underneath they are all warm red coal that burns a long, long while.
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
Those who know what it's like in the dark will do anything to stay in the light.
β
β
Victoria Aveyard (King's Cage (Red Queen, #3))
β
Black for hunting through the night
For death and mourning the color's white
Gold for a bride in her wedding gown
And red to call the enchantment down
White silk when our bodies burn
Blue banners when the lost return
Flame for the birth of a Nephilim
And to wash away our sins.
Gray for the knowledge best untold
Bone for those who don't grow old
Saffron lights the victory march
Green to mend our broken hearts
Silver for the demon towers
And bronze to summon wicked powers
-Shadowhunter children's rhyme
β
β
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
β
The last I saw of Count Dracula was his kissing his hand to me, with a red light of triumph in his eyes, and with a smile that Judas in hell might be proud of.
β
β
Bram Stoker (Dracula)
β
If You Forget Me
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
β
β
Pablo Neruda
β
I have been feeling very clearheaded lately and what I want to write about today is the sea. It contains so many colors. Silver at dawn, green at noon, dark blue in the evening. Sometimes it looks almost red. Or it will turn the color of old coins. Right now the shadows of clouds are dragging across it, and patches of sunlight are touching down everywhere. White strings of gulls drag over it like beads.
It is my favorite thing, I think, that I have ever seen. Sometimes I catch myself staring at it and forget my duties. It seems big enough to contain everything anyone could ever feel.
β
β
Anthony Doerr (All the Light We Cannot See)
β
Far over the misty mountains cold
To dungeons deep and caverns old
We must away ere break of day
To seek the pale enchanted gold.
The dwarves of yore made mighty spells,
While hammers fell like ringing bells
In places deep, where dark things sleep,
In hollow halls beneath the fells.
For ancient king and elvish lord
There many a gleaming golden hoard
They shaped and wrought, and light they caught
To hide in gems on hilt of sword.
On silver necklaces they strung
The flowering stars, on crowns they hung
The dragon-fire, in twisted wire
They meshed the light of moon and sun.
Far over the misty mountains cold
To dungeons deep and caverns old
We must away, ere break of day,
To claim our long-forgotten gold.
Goblets they carved there for themselves
And harps of gold; where no man delves
There lay they long, and many a song
Was sung unheard by men or elves.
The pines were roaring on the height,
The wind was moaning in the night.
The fire was red, it flaming spread;
The trees like torches blazed with light.
The bells were ringing in the dale
And men looked up with faces pale;
The dragon's ire more fierce than fire
Laid low their towers and houses frail.
The mountain smoked beneath the moon;
The dwarves, they heard the tramp of doom.
They fled their hall to dying fall
Beneath his feet, beneath the moon.
Far over the misty mountains grim
To dungeons deep and caverns dim
We must away, ere break of day,
To win our harps and gold from him!
β
β
J.R.R. Tolkien (The Hobbit, or There and Back Again (The Lord of the Rings, #0))
β
He would have told her - he would have said, it matters not if you are here or there, for I see you before me every moment. I see you in the light of the water, in the swaying of the young trees in the spring wind. I see you in the shadows of the great oaks, I hear your voice in the cry of the owl at night. You are the blood in my veins, and the beating of my heart. You are my first waking thought, and my last sigh before sleeping. You are - you are bone of my bone, and breath of my breath.
β
β
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
β
Desire is no light thing.
β
β
Anne Carson (Autobiography of Red)
β
You and I keep looking for light in the darkness, expecting it to appear. But it already has.β I touch his shoulder. βWeβre it, boyo. Broken and cracked and stupid as we are, weβre the light, and weβre spreading.
β
β
Pierce Brown (Morning Star (Red Rising, #3))
β
Did you know that the average American spends six months of his or her life waiting for red lights to turn green? Six months wasted, waiting for permission to move on. Think of all the other stuff you could do with that time.β
I was totally confused. βIn the car?β
βIn your life,β he said.
β
β
Megan McCafferty (Sloppy Firsts (Jessica Darling, #1))
β
Yes,β I whisper. The red blinking light on one of the cameras catches my eye. I know Iβm being recorded. βYes,β I say more forcefully. Everyone is drawing away from meβGale, Cressida, the insectsβgiving me the stage. But I stay focused on the red light. βI want to tell the rebels that I am alive. That Iβm right here in District Eight, where the Capitol has just bombed a hospital full of unarmed men, women, and children. There will be no survivors.β The shock Iβve been feeling begins to give way to fury. βI want to tell people that if you think for one second the Capitol will treat us fairly if thereβs a cease-fire, youβre deluding yourself. Because you know who they are and what they do.β My hands go out automatically, as if to indicate the whole horror around me. βThis is what they do! And we must fight back!β
Iβm moving in toward the camera now, carried forward by my rage. βPresident Snow says heβs sending us a message? Well, I have one for him. You can torture us and bomb us and burn our districts to the ground, but do you see that?β One of the cameras follows as I point to the planes burning on the roof of the warehouse across from us. The Capitol seal on a wing glows clearly through the flames. βFire is catching!β I am shouting now, determined that he will not miss a word. βAnd if we burn, you burn with us!
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
I am Cassius Bellona, son of Tiberius, son of Julia, brother of Darrow, Morning Knight of the Solar Republic, and my honor remains.
β
β
Pierce Brown (Light Bringer (Red Rising Saga, #6))
β
Life always gives us
exactly the teacher we need
at every moment.
This includes every mosquito,
every misfortune,
every red light,
every traffic jam,
every obnoxious supervisor (or employee),
every illness, every loss,
every moment of joy or depression,
every addiction,
every piece of garbage,
every breath.
Every moment is the guru.
β
β
Charlotte Joko Beck
β
No Difference
Small as a peanut,
Big as a giant,
We're all the same size
When we turn off the light.
Rich as a sultan,
Poor as a mite,
We're all worth the same
When we turn off the light.
Red, black or orange,
Yellow or white,
We all look the same
When we turn off the light.
So maybe the way,
To make everything right
Is for god to just reach out
And turn off the light!
β
β
Shel Silverstein
β
With my name on her lips and with barely anything separating us, I felt the last of my control slipping. Whitish-red light radiated off of me, bathing Kat in the warm glow. There was nowhere that my hands didnβt explore, and the way her body arched into the slightest touch, I was awed and consumed. Kissing her and drawing her deep inside me, I never wanted this to end. She was perfect to me. She was mine, and I wanted her more than I wanted anything in my life.
β
β
Jennifer L. Armentrout (Onyx (Lux, #2))
β
And if these mountains had eyes, they would wake to find two strangers in their fences, standing in admiration as a breathing red pours its tinge upon earth's shore. These mountains, which have seen untold sunrises, long to thunder praise but stand reverent, silent so that man's weak praise should be given God's attention.
β
β
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
β
Nearing the Riefler's big red brick house he could see the yellow light spill out on the galerie Yvonne had insisted her German husband wrap around the house.Β There was a tightening in Victor's chest.Β It happened to him whenever he got close to the Riefler's house, or church on Sunday- anytime he thought he might catch a glimpse of Celena.
β
β
Barbara Sontheimer (Victor's Blessing)
β
We stop at a red light.Mom stares at me."You like him"
"OH GOD,MOM."
"You do.You like this boy."
"He's just a friend.He has a girlfriend."
"Anna has a boooy-friend," Seany chants.
"I do not!"
"ANNA HAS A BOOOY-FRIEND!
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Be silent and listen: have you recognized your madness and do you admit it? Have you noticed that all your foundations are completely mired in madness? Do you not want to recognize your madness and welcome it in a friendly manner? You wanted to accept everything. So accept madness too. Let the light of your madness shine, and it will suddenly dawn on you. Madness is not to be despised and not to be feared, but instead you should give it life...If you want to find paths, you should also not spurn madness, since it makes up such a great part of your nature...Be glad that you can recognize it, for you will thus avoid becoming its victim. Madness is a special form of the spirit and clings to all teachings and philosophies, but even more to daily life, since life itself is full of craziness and at bottom utterly illogical. Man strives toward reason only so that he can make rules for himself. Life itself has no rules. That is its mystery and its unknown law. What you call knowledge is an attempt to impose something comprehensible on life.
β
β
C.G. Jung (The Red Book: A Reader's Edition)
β
Patch smiled. βYou come by your red hair naturally?β
I stared at him. βI donβt have red hair.β
βI hate to break it to you, but itβs red. I could light it
on fire and it wouldnβt turn any redder.
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
Lugh shines like the sun.
That must of made it easy fer them to find him.
All they had to do was follow his light.
β
β
Moira Young (Blood Red Road (Dust Lands, #1))
β
Tell me about the dream where we pull the bodies out of the lake
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββand dress them in warm clothes again.
ββββββββββHow it was late, and no one could sleep, the horses running
until they forget that they are horses.
ββββββββββββββββββββItβs not like a tree where the roots have to end somewhere,
ββββββββββitβs more like a song on a policemanβs radio,
ββββββββββββββββββββββββββββββhow we rolled up the carpet so we could dance, and the days
were bright red, and every time we kissed there was another apple
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββto slice into pieces.
Look at the light through the windowpane. That means itβs noon, that means
ββββββββββwe're inconsolable.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me weβll never get used to it.
β
β
Richard Siken (Crush)
β
Then came the march past the victims. The two men were no longer alive. Their tongues were hanging out, swollen and bluish. But the third rope was still moving: the child, too light, was still breathing...
And so he remained for more than half an hour, lingering between life and death, writhing before our eyes.
And we were forced to look at him at close range. He was still alive when I passed him. His tongue was still red, his eyes not yet extinguished.
Behind me, I heard the same man asking:
"For God's sake, where is God?"
And from within me, I heard a voice answer:
"Where He is? This is where--hanging here from this gallows..."
That night, the soup tasted of corpses.
β
β
Elie Wiesel (Night)
β
Only one pair was still battling, apparently unaware of the new arrival. Harry saw Sirius duck Bellatrix's jet of red light: he was laughing at her.
'Come on, you can do better than that!' he yelled, his voice echoing around the cavernous room.
The second jet of light hit him squarely in the chest.
The laughter had not quite died from his face, but his eyes widened in shock.
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
When you love a city and have explored it frequently on foot, your body, not to mention your soul, gets to know the streets so well after a number of years that in a fit of melancholy, perhaps stirred by a light snow falling ever so sorrowfully, you'll discover your legs carrying you of their own accord toward one of your favourite promontories
β
β
Orhan Pamuk (My Name Is Red)
β
Do you realize that all great literature β "Moby Dick," "Huckleberry Finn," "A Farewell to Arms," "The Scarlet Letter," "The Red Badge of Courage," "The Iliad and The Odyssey," "Crime and Punishment," the Bible, and "The Charge of the Light Brigade" β are all about what a bummer it is to be a ...human being?
β
β
Kurt Vonnegut Jr.
β
His feet are light and nimble. He never sleeps. He says that he will never die. He dances in light and in shadow and he is a great favorite. He never sleeps, the judge. He is dancing, dancing. He says that he will never die.
β
β
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
I look out into the water and up deep into the stars. I beg the sparkling lanterns of light to cure me of myself β my past and the kaleidoscope of mistakes, failures and wrong turns that have stacked unbearable regret upon my shoulders.
β
β
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
β
It is sometimes said that scientists are unromantic, that their passion to figure out robs the world of beauty and mystery. But is it not stirring to understand how the world actually works β that white light is made of colors, that color is the way we perceive the wavelengths of light, that transparent air reflects light, that in so doing it discriminates among the waves, and that the sky is blue for the same reason that the sunset is red? It does no harm to the romance of the sunset to know a little bit about it.
β
β
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
β
I don't mean you disregard every rule of your community. I don't go around naked, for example. I don't run through red lights. The little things, I can obey. But the big things- how we think, what we value- those you must choose yourself. You can't let anyone-or any society- determine those for you. ' -Morrie Schwartz
β
β
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
β
And with madness comes the light.
β
β
Karina Halle (Red Fox (Experiment in Terror, #2))
β
And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars donβt even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in you life it is nice to think that they are what is called negligible, which means they are so small you donβt have to take them into account when you are calculating something.
β
β
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
β
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
β
β
Pablo Neruda (The Captain's Verses)
β
Home isnβt where youβre from, itβs where you find light when all grows dark.
β
β
Pierce Brown (Golden Son (Red Rising Trilogy, #2))
β
I know it may be impossible to believe now, when everything is dark and broken, but you will survive this pain, little one. Pain is a memory. You will live and you will struggle and you will find joy. And you will remember your family from this breath to your dying days, because love does not fade. Love is the stars, and its light carries on long after death.
β
β
Pierce Brown (Iron Gold (Red Rising Saga, #4))
β
Catching greenlights is about skill: intent, context, consideration, endurance, anticipation, resilience, speed, and discipline. We can catch more greenlights by simply identifying where the red lights are in our life, and then change course to hit fewer of them.
β
β
Matthew McConaughey (Greenlights)
β
Love Sorrow
Love sorrow. She is yours now, and you must
take care of what has been
given. Brush her hair, help her
into her little coat, hold her hand,
especially when crossing a street. For, think,
what if you should lose her? Then you would be
sorrow yourself; her drawn face, her sleeplessness
would be yours. Take care, touch
her forehead that she feel herself not so
utterly alone. And smile, that she does not
altogether forget the world before the lesson.
Have patience in abundance. And do not
ever lie or ever leave her even for a moment
by herself, which is to say, possibly, again,
abandoned. She is strange, mute, difficult,
sometimes unmanageable but, remember, she is a child.
And amazing things can happen. And you may see,
as the two of you go
walking together in the morning light, how
little by little she relaxes; she looks about her;
she begins to grow.
β
β
Mary Oliver (Red Bird)
β
I come to a red light, tempted to go through it, then stop once I see a billboard sign that I donβt remember seeing and I look up at it. All it says is 'Disappear Here' and even though itβs probably an ad for some resort, it still freaks me out a little and I step on the gas really hard and the car screeches as I leave the light.
β
β
Bret Easton Ellis (Less Than Zero)
β
I made it," you said, gruffly, "for you."
You shoved it onto my finger. It was roughly carved, shaped from a lump of something colourful and cold...a ring made entirely from a gemstone. It was beautiful. It glinted emerald greens and blood reds over my skin, and had tiny flecks of gold catching the light. I couldn't stop staring at it.
"Why?" I asked.
You didn't answer that. Instead you touched the ring gently and looked piercingly at me, unsaid questions in your eyes.
β
β
Lucy Christopher (Stolen (Stolen, #1))
β
I watched the early morning light pass over and through the windows of colored glass, leaving streaks of red and green and yellow on the stone floor. When I was little, I used to try and capture the colored light. I thought I could hold it in my hand and carry it home. Now I know it is like happiness-- it is there or it is not, you cannot hold it or keep it.
β
β
Karen Cushman (Catherine, Called Birdy)
β
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
β
β
Pablo Neruda (If You Forget Me)
β
To free them, to protect them, we must be savages. So give me evil. Give me darkness. Make me the bloodydamn devil if we can bring even the faintest ray of light.
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
What the fuck were you supposed to think about to take your mind off what was happening? Maybe stop signs. No, everybody knew stop signs were erotic. Red lights. But werenβt those supposed to represent hookers? Green lights. Green for goβ¦ wrong thing. The problem was, when you were nineteen, blessed to be healthy, a seriously good looking athlete, and had the hottest chick in the school working her magic, everything was a turn-on.
β
β
William Kely McClung (LOOP)
β
Helen slowly became aware of an unnerving red light. She lifted her head and looked around. The glow bounced off the cold stone walls and intensified quickly. It filled her with thoughts of despair and hopelessness. She tried to shake them off.
You have whatβs mine! Where is it? I want it!
Helen shuddered violently. She recalled the inner voice that urged
her to use the stone to keep Prince Harnak from dying. That voice was
comforting and encouraging. This voice was oppressive and angry and
beat on her relentlessly.
βNo!β she muttered. βGo away. I have nothing for you or anyone
else, not even me.β
The red light flickered out. Only the numbing cold and her utter
isolation, cheerless companions, remained.
β
β
Candace L. Talmadge (Stoneslayer: Book One Scandal)
β
It brings joy in sorrow, victory in battle, light to darkness, life to the dead. That is the power of the blood-red jewel which men honor with the name "The Philosopher's Stone.
β
β
Hiromu Arakawa (Fullmetal Alchemist, Vol. 3 (Fullmetal Alchemist, #3))
β
Something, somewhere, knows whatβs best for me and promises to keep sending me people and experiences to light my way as long as I live in gratitude and keep paying attention to the signs.
β
β
Jennifer Elisabeth
β
A red-gold glow burst suddenly across the enchanted sky above them as an edge of dazzling sun appeared over the sill of the nearest window. The light hit both of their faces at the same time, so that Voldemort's was suddenly a flaming blur. Harry heard the high voice shriek as he too yelled his best hope to the heavens, pointing Draco's wand:
"Avada Kedavra!"
"Expelliarmus!"
The bang was like a cannon blast, and the golden flames that erupted between them, at the dead center of the circle they had been treading, marked the point where the spells collided. Harry saw Voldemort's green jet meet his own spell, saw the Elder Wand fly high, dark against the sunrise, spinning across the enchanted ceiling, spinning through the air toward the master it would not kill, who had come to take full possession of it at last.
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
I indignantly answered, βDo you call light what we men call the worst darkness? Do you call day night?β
To this my soul spoke a word that roused my anger, βMy light is not of this world.β
I cried, βI know of no other world!β
The soul answered, βShould it not exist because you know nothing of it?
β
β
C.G. Jung (The Red Book: Liber Novus)
β
Maybe nothingness is to be without your presence,
without you moving, slicing the noon
like a blue flower, without you walking
later through the fog and the cobbles,
without the light you carry in your hand,
golden, which maybe others will not see,
which maybe no one knew was growing
like the red beginnings of a rose.
In short, without your presence: without your coming
suddenly, incitingly, to know my life,
gust of a rosebush, wheat of wind:
since then I am because you are,
since then you are, I am, we are,
and through love I will be, you will be, we will be.
β
β
Pablo Neruda
β
A thin, flexible, layer of ice had already formed on the water, and the undulating movement caught the light of the setting sun, like a sparkling curtain of light billowing across the bay. Connie tried to capture the moment in her mind as the thin ice shimmered in oranges and reds as it moved between already forming pieces of thicker ice.
β
β
Sheena Billett (From Manchester to the Arctic: Nurse Sanders embarks on an adventure that will change her life)
β
A light which lives on what the flames devour,
a grey landscape surrounding me with scorch,
a crucifixion by a single wound,
a sky and earth that darken by each hour,
a sob of blood whose red ribbon adorns
a lyre without a pulse, and oils the torch,
a tide which stuns and strands me on the reef,
a scorpion scrambling, stinging in my chest--
this is the wreath of love, this bed of thorns
is where I dream of you stealing my rest,
haunting these sunken ribs cargoed with grief.
I sought the peak of prudence, but I found
the hemlock-brimming valley of your heart,
and my own thirst for bitter truth and art.
- Stigmata of Love
β
β
Federico GarcΓa Lorca
β
Party lights hang over the street, yellow and red and green. Sadie stumbles over someoneβs chair, but Iβm ready for this and I catch her easily by the arm.
βSorry, clumsy,β she says.
βYou always were, Sadie. One of your more endearing traits.β
Before she can ask about that I slip my arm around her waist. She slips hers around mine, still looking up at me. The lights skate across her cheeks and shine in her eyes. We clasp hands, fingers folding together naturally, and for me the years fall away like a coat thatβs too heavy and too tight. In that moment, I hope on thing above all others: that she was not too busy to find at least one good man β¦
She speaks in a voice almost too low to be heard over the music. But I hear her β I always did. βWho are you, George?β
βSomeone you knew in another life, honey.
β
β
Stephen King (11/22/63)
β
Nope.' He sat back. 'Just been there, done that. Done that getting hauled to the police station thing because of it, too.I appreciate your quest and everything, but I have to draw the line somewhere.'
'Wait,' I said, holding up my hand. 'My quest?'
He turned to look at me. We were at a red light, no other cars were anywhere in sight. 'Yeah,' he said. 'You know, like in Lord of the Rings, or Star Wars. You're searching for something you lost or need. It's a quest.'
I just looked at him.
'Maybe it's a guy thing,' he said. 'Fine, don't call it a quest. Call it chicken salad, I don't care. My point is, I'm in, but within reason. That's all I'm saying.
β
β
Sarah Dessen (Along for the Ride)
β
There was a strange but universal understanding among women. On some level all women knew, they all understood, the fear of being outnumbered, of being helpless. It throbbed in their chests when they thought about the times they left stores and were followed. The knocks on their car windows as they were sitting alone at red lights, and strangers asking for rides. Having too much to drink and losing their ability to be forceful enough to just say no. Smiling at strange men coming on to them, not wanting to hurt their feelings, not wanting to make a scene. All women remembered these things, even if they had never happened to them personally. It was a part of their collective unconscious.
β
β
Sarah Addison Allen (The Peach Keeper)
β
They rode on and the sun in the east flushed pale streaks of light and then a deeper run of color like blood seeping up in sudden reaches flaring planewise and where the earth drained up into the sky at the edge of creation the top of the sun rose out of nothing like the head of a great red phallus until it cleared the unseen rim and sat squat and pulsing and malevolent behind them.
β
β
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
I didn't mind that it was always about you, Darrow. That was what burned Tactus, but not me. I'm not in love with you like Mustang. I don't worship you like Sevro or the Howlers. I was a true friend. I was someone who saw your light and your dark and accepted both without judgement, without agenda...
β
β
Pierce Brown (Golden Son (Red Rising Saga, #2))
β
Peeta,β I say lightly. βYou said at the interview youβd had a crush on me forever. When did forever start?β
βOh, letβs see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,β Peeta says.
βYour father? Why?β I ask.
βHe said, βSee that little girl? I wanted to marry her mother, but she ran off with a coal miner,ββ Peeta says.
βWhat? Youβre making that up!β I exclaim.
βNo, true story,β Peeta says. βAnd I said, βA coal miner? Why did she want a coal miner if she couldβve had you?β And he said, βBecause when he sings... even the birds stop to listen.ββ
βThatβs true. They do. I mean, they did,β I say. Iβm stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think itβs a waste of time. It might be because it reminds me too much of my father.
βSo that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,β Peeta says.
βOh, please,β I say, laughing.
βNo, it happened. And right when your song ended, I knewβjust like your motherβI was a goner,β Peeta says. βThen for the next eleven years, I tried to work up the nerve to talk to you.β
βWithout success,β I add.
βWithout success. So, in a way, my name being drawn in the reaping was a real piece of luck,β says Peeta. For a moment, Iβm almost foolishly happy and then confusion sweeps over me. Because weβre supposed to be making up this stuff, playing at being in love not actually being in love. But Peetaβs story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I donβt remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my fatherβs death.
It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true?
βYou have a... remarkable memory,β I say haltingly. βI remember everything about you,β says Peeta, tucking a loose strand of hair behind my ear. βYouβre the one who wasnβt paying attention.β
βI am now,β I say.
βWell, I donβt have much competition here,β he says. I want to draw away, to close those shutters again, but I know I canβt. Itβs as if I can hear Haymitch whispering in my ear, βSay it! Say it!β
I swallow hard and get the words out. βYou donβt have much competition anywhere.β And this time, itβs me who leans in.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Now youβre going to get it,β I said, guessing Al was coming when the ones in the back scattered. βYou should have been nice.β
With a weird cry, the closest surface demon fell back, but it was too late. A flash of red light exploded overhead, smashing the buildings away as if I were at the center of an atomic explosion. The surface demons scattered like brown leaves, the remnants of their clothes and auras fluttering. It was Al, and he burst into existence in a grand mood, an old-fashioned lantern in his hand and a walking cane at his side.
βRachel Mariana Morgan!β he shouted enthusiastically, raising the lantern high, and I painfully rose from my crouch, breaking my bubble with a small thought. βIβve come to save you, love!
β
β
Kim Harrison (Pale Demon (The Hollows, #9))
β
I wanted to walk straight on through the red grass and over the edge of the world, which could not be very far away. The light and air abot me told me that the world ended here: only the ground and sun and sky were left, and if one went a little farther there would only be sun and sky, and one would float off into them, like the tawny hawks which sailed over our heads making slow shadows on the grass.
β
β
Willa Cather (My Γntonia)
β
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.Β
The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the parkβs wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read βKinship of the Serpentβ. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?Β Worse, would they expect me to redon the life Iβve shed? Staring at that sign, I pissed in the street like the Mearan savage Iβve become.
As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsaβs lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.Β The woman wasnβt a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.Β
She refused, βI take naught for naught,β and began to remove trinkets from a cloth bag, displaying them for sale.
Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. βWhat do you desire, O Noble Born?β
I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
Β βNay, Noble One. You must choose.β She lifted a strand of red beads. βThese to adorn your ladyβs bosom?β
Β Β Β Β Β Β Β Β Β Β Β I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldnβt ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. βBe this worthy of desire, Noble Born?β
Β I stood stunned a moment, then touched the crescent stamped into the leather and asked if sheβd stolen the book. She denied it. Iβve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
βTake it,β she urged. βRecord your deeds for study. Lo, the steps of your life mark the journey of your soul.β
Β I told her I couldnβt afford the book, but she smiled as if poverty were a blessing and said, βThe price be one copper. Tis a wee price for salvation, Noble One.β
Β So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didnβt. I promised to record my deeds. But I canβt. The price is too high.
β
β
K. Ritz (Sheever's Journal, Diary of a Poison Master)
β
It was a lone tree burning on the desert. A heraldic tree that the passing storm had left afire. The solitary pilgrim drawn up before it had traveled far to be here and he knelt in the hot sand and held his numbed hands out while all about in that circle attended companies of lesser auxiliaries routed forth into the inordinate day, small owls that crouched silently and stood from foot to foot and tarantulas and solpugas and vinegarroons and the vicious mygale spiders and beaded lizards with mouths black as a chowdog's, deadly to man, and the little desert basilisks that jet blood from their eyes and the small sandvipers like seemly gods, silent and the same, in Jeda, in Babylon. A constellation of ignited eyes that edged the ring of light all bound in a precarious truce before this torch whose brightness had set back the stars in their sockets.
β
β
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
Sought we the Scrivani word-work of Surthur
Long-lost in ledger all hope forgotten.
Yet fast-found for friendship fair the book-bringer
Hot comes the huntress Fela, flushed with finding
Breathless her breast her high blood rising
To ripen the red-cheek rouge-bloom of beauty.
βThat sort of thing,β Simmon said absently, his eyes still scanning the pages in front of him.
I saw Fela turn her head to look at Simmon, almost as if she were surprised to see him sitting there.
No, it was almost as if up until that point, heβd just been occupying space around her, like a piece of furniture. But this time when she looked at him, she took all of him in. His sandy hair, the line of his jaw, the span of his shoulders beneath his shirt. This time when she looked, she actually saw him.
Let me say this. It was worth the whole awful, irritating time spent searching the Archives just to watch that moment happen. It was worth blood and the fear of death to see her fall in love with him. Just a little. Just the first faint breath of love, so light she probably didnβt notice it herself. It wasnβt dramatic, like some bolt of lightning with a crack of thunder following. It was more like when flint strikes steel and the spark fades almost too fast for you to see. But still, you know itβs there, down where you canβt see, kindling.
β
β
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
β
[The Old Astronomer to His Pupil]
Reach me down my Tycho Brahe, I would know him when we meet,
When I share my later science, sitting humbly at his feet;
He may know the law of all things, yet be ignorant of how
We are working to completion, working on from then to now.
Pray remember that I leave you all my theory complete,
Lacking only certain data for your adding, as is meet,
And remember men will scorn it, 'tis original and true,
And the obloquy of newness may fall bitterly on you.
But, my pupil, as my pupil you have learned the worth of scorn,
You have laughed with me at pity, we have joyed to be forlorn,
What for us are all distractions of men's fellowship and smiles;
What for us the Goddess Pleasure with her meretricious smiles.
You may tell that German College that their honor comes too late,
But they must not waste repentance on the grizzly savant's fate.
Though my soul may set in darkness, it will rise in perfect light;
I have loved the stars too fondly to be fearful of the night.
What, my boy, you are not weeping? You should save your eyes for sight;
You will need them, mine observer, yet for many another night.
I leave none but you, my pupil, unto whom my plans are known.
You 'have none but me,' you murmur, and I 'leave you quite alone'?
Well then, kiss me, -- since my mother left her blessing on my brow,
There has been a something wanting in my nature until now;
I can dimly comprehend it, -- that I might have been more kind,
Might have cherished you more wisely, as the one I leave behind.
I 'have never failed in kindness'? No, we lived too high for strife,--
Calmest coldness was the error which has crept into our life;
But your spirit is untainted, I can dedicate you still
To the service of our science: you will further it? you will!
There are certain calculations I should like to make with you,
To be sure that your deductions will be logical and true;
And remember, 'Patience, Patience,' is the watchword of a sage,
Not to-day nor yet to-morrow can complete a perfect age.
I have sown, like Tycho Brahe, that a greater man may reap;
But if none should do my reaping, 'twill disturb me in my sleep
So be careful and be faithful, though, like me, you leave no name;
See, my boy, that nothing turn you to the mere pursuit of fame.
I must say Good-bye, my pupil, for I cannot longer speak;
Draw the curtain back for Venus, ere my vision grows too weak:
It is strange the pearly planet should look red as fiery Mars,--
God will mercifully guide me on my way amongst the stars.
β
β
Sarah Williams (Twilight Hours: A Legacy of Verse)
β
Dear Child,
Sometimes on your travel through hell, you meet people that think they are in heaven because of their cleverness and ability to get away with things. Travel past them because they don't understand who they have become and never will. These type of people feel justified in revenge and will never learn mercy or forgiveness because they live by comparison. They are the people that don't care about anyone, other than who is making them feel confident. They donβt understand that their deity is not rejoicing with them because of their actions, rather he is trying to free them from their insecurities, by softening their heart. They rather put out your light than find their own. They don't have the ability to see beyond the false sense of happiness they get from destroying others. You know what happiness is and it isnβt this. Donβt see their success as their deliverance. It is a mask of vindication which has no audience, other than their own kind. They have joined countless others that call themselves βsurvivorsβ. They believe that they are entitled to win because life didnβt go as planned for them. You are not like them. You were not meant to stay in hell and follow their belief system. You were bound for greatness. You were born to help them by leading. Rise up and be the light home. You were given the gift to see the truth. They will have an army of people that are like them and you are going to feel alone. However, your family in heaven stands beside you now. They are your strength and as countless as the stars. It is time to let go!
Love,
Your Guardian Angel
β
β
Shannon L. Alder
β
The Audi tires squealed as the vehicle tracked the same path. Jake hammered down the avenue, hunting for a getaway. Traffic thickened at the juncture ahead. A green light flickered into amber. He ramped up over the limit, punching over the white lines on a red signal.
Tires screeched and a horn beeped. The needle sat on one hundred kilometers per hour. He fishtailed at a laneway. The GPS showed a right angle, car slid into a slot in an overhang. Jake got out and crept toward the opening, hugged the brick wall. He pulled the SIG and flicked off the safety.
The Audi braked at the mouth. Door slammed. A shadow fell over the concrete. The swish of clothing indicated a possible weapon draw.
β
β
Simon W. Clark
β
Start by pulling him out of the fire and
hoping that he will forget the smell.
He was supposed to be an angel but they took him
from that light and turned him into something hungry,
something that forgets what his hands are for when they
arenβt shaking.
He will lose so much, and you will watch it all happen
because you had him first, and you would let the world
break its own neck if it means keeping him.
Start by wiping the blood off of his chin and
pretending to understand.
Repeat to yourself
βI wonβt leave you, I wonβt leave youβ
until you fall asleep and dream of the place
where nothing is red.
When is a monster not a monster?
Oh, when you love it.
Oh, when you used to sing it to sleep.
Here are your upturned hands.
Give them to him and watch how he prays
like he is learning his first words.
Start by pulling him out of another fire,
and putting him back together with the pieces
you find on the floor.
There is so much to forgive, but you do not
know how to forget.
When is a monster not a monster?
Oh, when you are the reason it has become so mangled.
Here is your humble offering,
obliterated and broken in the mouth
of this abandoned church.
He has come back to stop the world
from turning itself inside out, and you love him, you do,
so you wonβt let him.
Tell him that you will never know any better.
β
β
Caitlyn Siehl
β
We grow great by dreams. All big men are dreamers. They see things in the soft haze of a spring day or in the red fire of a long winter's evening. Some of us let these dreams die, but others nourish and protect them; nurse them through bad days till they bring them to the sunshine and light which comes always to those who sincerely hope that their dreams will come true.
β
β
Woodrow Wilson
β
I know I want you," he heard himself say, all his vows and his honor all forgotten. She stood before him naked as her name day, and he was as hard as the rock around them. He had been in her half a hundred times by now, but always beneath furs, with others all around them. He had never seeen how beautiful she was. Her legs were skinny and well muscled, the hair at the juncture of her thighs a brighter red than that on her head. Does that make it even luckier? He pulled her close.
"I love the smell of you," he said. "I love your red hair. I love your mouth, and the way you kiss me. I love your smile. I love your teats." He kissed them, one and then the other. "I love your skinny legs, and what's between them." He knelt to kiss her there, lightly on her mound at first, but Ygritte moved her legs apart a little, and he saw the pink inside and kissed that as well, and tasted her.
She gave a little gasp. "If you love me all so much, why are you still dressed?" she whispered. "You know nothing, Jon Snow. Noth---oh. Oh. OHHH."
Afterward, she was almost shy, or as shy as Ygritte ever got. "The thing you did," she said, when they lay together on their piled clothes. "With your...mouth." She hesistated. "Is that...is it what lordss do to their ladies, down in the south?"
"I don't think so." No one had ever told Jon just what lords did with their ladies. "I only...wanted to kiss you there, that's all. You seemed to like it."
"Aye. I...I liked it some. No one taught you such?"
"There's been no one," he confessed. "Only you.
β
β
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
β
Graham had a lot of trouble with taste. Often his thoughts were not tasty. There were no effective partitions in his mind. What he saw and learned touched everything else he knew. Some of the combinations were hard to live with. But he could not anticipate them, could not block and repress. His learned values of decency and propriety tagged along, shocked at his associations, appalled at his dreams; sorry that in the bone arena of his skull there were no forts for what he loved. His associations came at the speed of light. His value judgments were at the pace of a responsive reading. They could never keep up and direct his thinking. He viewed his own mentality as grotesque but useful, like a chair made of antlers. There was nothing he could do about it.
β
β
Thomas Harris (Red Dragon (Hannibal Lecter, #1))
β
Watching my parents I've learnt a lesson many do not recognize. True love is not signaled by romantic, candle light dinners, red roses glistening with dew, or even Valentine's day celebrations. While these things may accompany our feelings, love is truly more than all those! Love is being with your spouse even when its not pleasing. Sometimes, love is walking down the hall, with your spouse hanging onto your shoulders and walking at a turtle's pace down the hall, just because surgery made life a burden. Love is patient, love is kind, love is Jesus! May we always remember love is not always tied in bows!ο»Ώ
β
β
NOT A BOOK
β
Far over the Misty Mountains cold,
To dungeons deep and caverns old,
We must away, ere break of day,
To seek our pale enchanted gold.
The dwarves of yore made mighty spells,
While hammers fell like ringing bells,
In places deep, where dark things sleep,
In hollow halls beneath the fells.
The pines were roaring on the heights,
The wind was moaning in the night,
The fire was red, it flaming spread,
The trees like torches blazed with light.
β
β
J.R.R. Tolkien (The Hobbit, or There and Back Again (The Lord of the Rings, #0))
β
Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by ten food steel-and-wire fence like a penitentiary or a zoo, where in random erratic surges, with sparrowlike childtrebling, orphans in identical and uniform blue denim in and out of remembering but in knowing constant in the bleak walls, the bleak windows where in rain soot from the yearly adjacenting chimneys streaked like black tears.
β
β
William Faulkner (Light in August)
β
The Sword of Elendil was forged anew by Elvish smiths, and on its blade was traced a device of seven stars set between the crescent Moon and rayed Sun, and about them was written many runes; for Aragorn son of Arathorn was going to war upon the marches of Mordor. Very bright was that sword when it was made whole again; the light of the sun shone redly in it, and the light of the moon shone cold, its edge was hard and keen. And Aragorn gave it a new name and called it AndΓΊril, Flame of the West.
β
β
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
β
November--with uncanny witchery in its changed trees. With murky red sunsets flaming in smoky crimson behind the westering hills. With dear days when the austere woods were beautiful and gracious in a dignified serenity of folded hands and closed eyes--days full of a fine, pale sunshine that sifted through the late, leafless gold of the juniper-trees and glimmered among the grey beeches, lighting up evergreen banks of moss and washing the colonnades of the pines. Days with a high-sprung sky of flawless turquoise. Days when an exquisite melancholy seemed to hang over the landscape and dream about the lake. But days, too, of the wild blackness of great autumn storms, followed by dank, wet, streaming nights when there was witch-laughter in the pines and fitful moans among the mainland trees. What cared they? Old Tom had built his roof well, and his chimney drew.
β
β
L.M. Montgomery
β
[The modern age] knows nothing about isolation and nothing about silence. In our quietest and loneliest hour the automatic ice-maker in the refrigerator will cluck and drop an ice cube, the automatic dishwasher will sigh through its changes, a plane will drone over, the nearest freeway will vibrate the air. Red and white lights will pass in the sky, lights will shine along highways and glance off windows. There is always a radio that can be turned to some all-night station, or a television set to turn artificial moonlight into the flickering images of the late show. We can put on a turntable whatever consolation we most respond to, Mozart or Copland or the Grateful Dead.
β
β
Wallace Stegner (Angle of Repose)
β
Ruby, what does the future look like?β Nico asked. βI canβt picture it. I try all the time, but I canβt imagine it. Jude said it looked like an open road just after a rainstorm.β
I turned back toward the board, eyes tracing those eight letters, trying to take their power away; change them from a place, a name, to just another word. Certain memories trap you; you relive their thousand tiny details. The damp, cool spring air, swinging between snow flurries and light rain. The hum of the electric fence. The way Sam used to let out a small sigh each morning we left the cabin. I remembered the path to the Factory the way you never forgot the story behind a scar. The black mud would splatter over my shoes, momentarily hiding the numbers written there. 3285. Not a name.
You learned to look up, craning your neck back to gaze over the razor wire curled around the top of the fence. Otherwise, it was too easy to forget that there was a world beyond the rusting metal pen theyβd thrown all of us animals into.
βI see it in colors,β I said. βA deep blue, fading into golds and redsβlike fire on a horizon. Afterlight. Itβs a sky that wants you to guess if the sun is about to rise or set.β
Nico shook his head. βI think I like Judeβs better.β
βMe too,β I said softly. βMe too.
β
β
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
β
The first thing I noticed when I woke up was that I was covered in blood.
The second thing I noticed was that this didnβt bother me the way it should have.
I didnβt feel the urge to scream or speak, to beg for help, or even to wonder where I was. Those instincts were dead, and I was calm as my wet fingers slid up the tiled wall, groping for a light switch. I found one without even having to stand. Four lights slammed on above me, one after the other, illuminating the dead body on the floor just a few feet away.
My mind processed the facts first. Male. Heavy. He was lying face down in a wide, red puddle that spread out from beneath him. The tips of his curly black hair were wet with it. There was something in his hand.
The fluorescent lights in the white room flickered and buzzed and hummed. I moved to get a better view of the body. His eyes were closed. He could have been asleep, really, if it werenβt for the blood. There was so much of it. And by one of his hands it was smeared into a weird pattern.
No. Not a pattern. Words.
PLAY ME.
My gaze flicked to his hand. His fist was curled around a small tape recorder. I moved his fingersβstill warmβand pressed play. A male voice started to speak.
"Do I have your attention?" the voice said.
I knew that voice. But I couldnβt believe I was hearing it.
β
β
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
β
When Josey woke up and saw the feathery frost on her windowpane, she smiled. Finally, it was cold enough to wear long coats and tights. It was cold enough for scarves and shirts worn in layers, like camouflage. It was cold enough for her lucky red cardigan, which she swore had a power of its own. She loved this time of year. Summer was tedious with the light dresses she pretended to be comfortable in while secretly sure she looked like a loaf of white bread wearing a belt. The cold was such a relief.
β
β
Sarah Addison Allen (The Sugar Queen)
β
Harry Potter," he said very softly. His voice might have been part of the spitting fire. "The Boy Who Lived."
None of the Death Eaters moved. They were waiting. Everything was waiting. Hagrid was struggling, and Bellatrix was panting, and Harry thought inexplicably of Ginny, and her blazing look, and the feel of her lips on his--
Voldemort had raised his wand. His head was still tilted to one side, like a curious child, wondering what would happen if he proceeded. Harry looked back into the red eyes, and wanted it to happen now, quickly, while he could still stand, before he lost control, before he betrayed fear--
He saw the mouth move and a flash of green light, and everything was gone.
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
Beware, Underlanders, time hangs by a thread.
The hunters are hunted, white water runs red.
The Gnawers will strike to extinguish the rest.
The hope of the hopeless resides in a quest.
An Overland warrior, a son of the sun,
May bring us back light, he may bring us back none.
But gather your neighbors and follow his call
Or rats will most surely devour us all.
Two over, two under, of royal descent,
Two flyers, two crawlers, two spinners assent.
One gnawer beside and one lost up ahead.
And eight will be left when we count up the dead.
The last who will die must decide where he stands.
The fate of the eight is contained in his hands.
So bid him take care, bid him look where he leaps,
As life may be death and death life again reaps.
β
β
Suzanne Collins (Gregor the Overlander (Underland Chronicles, #1))
β
Typical!β he said to Sophie. β I break my neck to get here, and I find you peacefully tidying up!β
Sophie looked up at him. As she had feared, the hard black-and white light coming through the broken wall showed her that Howl had not bothered to shave or tidy his hair. His eyes were still red-rimmed and his black sleeves were torn in several place. There was not much to choose between Howl and the scarecrow. Oh, dear! Sophie thought. He must love Miss Angorian very much. βI came for Miss Angorian,β she explained.
βAnd I thought if I arranged for your family to visit you, it would keep you quiet for once!β Howl said disgustedly. βBut no---β.
β
β
Diana Wynne Jones (Howlβs Moving Castle (Howlβs Moving Castle, #1))
β
Her body faded away so far, she almost lost her connection to it. Utter
blackness enveloped her, shutting off all warmth. All light. All love. All
support. All hope. She was pinned, alone, naked, and freezing before a
beast so terrifying she struggled to avert her gaze but could not.
Horns arose from the top of what had to be a head. Fangs protruded
obscenely from a frowning hole that must have been a mouth.
Unsheathed claws threatened instant evisceration. Horrifying eyes.
Two cesspits of black fury in which red flames churned like burning
blood. They bore down on Helen, intensifying the pressure on her to
the point of agony.
Inside her head a message played over and over. You are helpless.
Helenβs fragmented thoughts spun wildly. What to do? How to stop
this nightmare?
The wretched voice roared again, like nails clashing against slate.
βGive me the stone! Now!
β
β
Candace L. Talmadge (Stoneslayer: Book One Scandal)
β
Belize: Hell or heaven?
[Roy indicates "Heaven" through a glance]
Belize: Like San Francisco.
Roy Cohn: A city. Good. I was worried... it'd be a garden. I hate that shit.
Belize: Mmmm. Big city. Overgrown with weeds, but flowering weeds. On every corner a wrecking crew and something new and crooked going up catty corner to that. Windows missing in every edifice like broken teeth, fierce gusts of gritty wind, and a gray high sky full of ravens.
Roy Cohn: Isaiah.
Belize: Prophet birds, Roy. Piles of trash, but lapidary like rubies and obsidian, and diamond-colored cowspit streamers in the wind. And voting booths.
Roy Cohn: And a dragon atop a golden horde.
Belize: And everyone in Balencia gowns with red corsages, and big dance palaces full of music and lights and racial impurity and gender confusion. And all the deities are creole, mulatto, brown as the mouths of rivers. Race, taste and history finally overcome. And you ain't there.
Roy Cohn: And Heaven?
Belize: That was Heaven, Roy.
β
β
Tony Kushner (Angels in America)
β
Her eyes were dark. Dark as chocolate, dark as coffee, dark as the polished wood of my fatherβs lute. They were set in a fair face, oval. Like a teardrop. Her easy smile could stop a manβs heart. Her lips were red. Not the garish painted red so many women believe makes them desirable. Her lips were always red, morning and night. As if minutes before you saw her, she had been eating sweet berries, or drinking heartβs blood. No matter where she stood, she was in the center of the room. Do not misunderstand. She was not loud, or vain. We stare at a fire because it flickers, because it glows. The light is what catches our eyes, but what makes a man lean close to a fire has nothing to do with its bright shape. What draws you to a fire is the warmth you feel when you come near. The same was true of Denna.
β
β
Patrick Rothfuss
β
I see them standing at the formal gates of their colleges,
I see my father strolling out
under the ochre sandstone arch, the
red tiles glinting like bent
plates of blood behind his head, I
see my mother with a few light books at her hip
standing at the pillar made of tiny bricks with the
wrought-iron gate still open behind her, its
sword-tips black in the May air,
they are about to graduate, they are about to get married,
they are kids, they are dumb, all they know is they are
innocent, they would never hurt anybody.
I want to go up to them and say Stop,
don't do it--she's the wrong woman,
he's the wrong man, you are going to do things
you cannot imagine you would ever do,
you are going to do bad things to children,
you are going to suffer in ways you never heard of,
you are going to want to die. I want to go
up to them there in the late May sunlight and say it,
her hungry pretty blank face turning to me,
her pitiful beautiful untouched body,
his arrogant handsome blind face turning to me,
his pitiful beautiful untouched body,
but I don't do it. I want to live. I
take them up like the male and female
paper dolls and bang them together
at the hips like chips of flint as if to
strike sparks from them, I say
Do what you are going to do, and I will tell about it
β
β
Sharon Olds
β
Its hard to stay up. Its been a long long day
And you've got the sandman at your door.
But hang on, leave the TV on and lets do it anyway.
Its ok.
You can always sleep through work tomorrow. Ok?
Hey, Hey, Tomorrow's just your future yesterday.
Tell the clock on the wall, "Forget the wake up call."
Cause the night's not nearly through.
Wipe the sleep from your eyes. Give yourself a surprise.
Let your worries wait another day.
And if you stay too late at the bar,
At least you made it out this far.
So make up your mind and say, "Let's do it anyway!"
Its Ok
You can always sleep through work tomorrow, ok?
Hey, Hey, Tomorrow's just your future yesterday.
Life's too short to worry about
the things that you can live without
And I regret to say,
the morning light is hours away.
The world can be such a fright,
But it belongs to us tonight.
What's the point of going to bed?
You look so lovely when your eyes are red.
Tomorrow's just your future yesterday.
β
β
Craig Ferguson
β
In spring it is the dawn that is most beautiful. As the light creeps over the hills, their outlines are dyed a faint red and wisps of purplish cloud trail over them.
In summer the nights. Not only when the moon shines, but on dark nights too, as the fireflies flit to and fro, and even when it rains, how beautiful it is!
In autumn, the evenings, when the glittering sun sinks close to the edge of the hills and the crows fly back to their nests in threes and fours and twos; more charming still is a file of wild geese, like specks in the distant sky. When the sun has set, one's heart is moved by the sound of the wind and the hum of the insects.
In winter the early mornings. It is beautiful indeed when snow has fallen during the night, but splendid too when the ground is white with frost; or even when there is no snow or frost, but it is simply very cold and the attendants hurry from room to room stirring up the fires and bringing charcoal, how well this fits the season's mood! But as noon approaches and the cold wears off, no one bothers to keep the braziers alight, and soon nothing remains but piles of white ashes.
β
β
Sei ShΕnagon
β
Patch's eyes grazed me with silent heat. My reflection swirled in them, red hair and lips aflame. I was connected to him by a force I couldn't control, a tiny thread that tethered my soul to his. With the moon at his back, shadows painted the faint hollows beneath his eyes and cheekbones, making him look breathtakingly handsome and equally diabolical. His hands steadied my face, holding me still before him. The wind tangled my hair around his wrists, twining us together. His thumbs moved across my cheekbones in a slow, intimate caress. Despite the cold, a steady burn coiled up inside me, vulnerable to his touch. His fingers traced lower, lower, leaving behind a hot, delicious ache. I closed my eyes, my joints melting. He lit me up like a flame, light and heat burning at a depth I'd never fathomed. His thumb stroked my lip, a soft, seductive tease. I gave a sharp sigh of pleasure.
"Kiss you now?" he asked.
I couldn't speak; a wilted no was my reply.
His mouth, hot and daring, met mine. All play had left him, and he kissed me with his own black fire, deep and possessive, consuming my body, my soul, and laying waste to all past notions of what it meant to be kissed.
β
β
Becca Fitzpatrick (Finale (Hush, Hush, #4))
β
I look down at myself, but I don't need to. I can feel it. My hot blood is pounding through my body, flooding capillaries and lighting up cells like Fourth of July fireworks. I can feel the elation of every atom in my flesh, brimming with gratitude for the second chance they never expected to get. The chance to start over, to live right, to love right, to burn up in a fiery cloud and never again be buried in the mud. I kiss Julie to hide the fact that I'm blushing. My face is bright red and hot enough to melt steel.
Okay, corpse, a voice in my head says, and I feel a twitch in my belly, more like a gentle nudge than a kick. I'm going now. I'm sorry I couldn't be here for your battle; I was fighting my own. But we won, right? I can feel it. There's a shiver in our legs, a tremor like the Earth speeding up, spinning off into uncharted orbits. Scary, isn't it? But what wonderful thing didn't start out scary? I don't know what the next page is for you, but whatever it is for me I swear I'm not going to fuck it up. I'm not going to yawn off in the middle of a sentence and hide it in a drawer. Not this time. Peel off these dusty wool blankets of apathy and antipathy and cynical desiccation. I want life in all its stupid sticky rawness.
Okay.
Okay, R.
Here it comes.
β
β
Isaac Marion (Warm Bodies (Warm Bodies, #1))
β
When he turned to her, the moonlight shone upon him in a way that reminded Signa of a painting, wisps of shadows like brushstrokes upon a canvas. βBecause I have waited an eternity to meet you, Signa Farrow.β The words were a balm she clung to, relished. βTo me, you are a song to a soul that has never known music. Light to someone who has only seen the darkness. You bring out the absolute worst in me, and I become vindictive toward those who treat you in ways I donβt care for. Yet you also bring out the best in meβI want to be better because of you. Better for you.
βIn all my existence, Iβve asked only for one thingβfor one person who might understand me, and whom I could let myself touch. When I touch someone, I see the life theyβve lived in flashes of memories as they die. But the first time I touched you, it was your future I saw. A glimpse of you in my arms, dancing in a beautiful red dress beneath the moonlight.β He tilted her chin up and Signa shivered, savoring the touch.
βYou are what I want.β He drew his hand away. βI know I cannot force you to want me in return, but say that you do, and I promise that I am wholly and unequivocally yours. Say that you do, and I will make this world everything for you, Signa.
β
β
Adalyn Grace (Belladonna (Belladonna, #1))
β
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible.
When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth.
"Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger."
Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud?
"Grilled cheese?" I said hesitantly.
"Okay, good. What else?"
I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
β
β
Stephanie Klein (Straight Up and Dirty)
β
Black Beauty"
I paint my nails black,
I dye my hair a darker shade of brown
'Cause you like your women Spanish, dark, strong and proud
I paint the sky black
You said if you could have your way
You'd make a night time of today
So it'd suit the mood of your soul
Oh, what can I do?
Nothing, my sparrow blue
Oh, what can I do?
Life is beautiful but you don't have a clue
Sun and ocean blue
Their magnificence, it don't make sense to you
Black beauty, oh oh oh
Black beauty, oh oh oh
I paint the house black
My wedding dress black leather too
You have no room for light
Love is lost on you
I keep my lips red
The same like cherries in the spring
Darling, you can't let everything
Seem so dark blue
Oh, what can I do?
To turn you on or get through to you
Oh, what can I do?
Life is beautiful but you don't have a clue
Sun and ocean blue
Their magnificence, it don't make sense to you
Black beauty, oh oh oh
Black beauty, oh oh oh
Black beauty, ah ah
Black beauty, ah ah
Black beauty, ah ah ah ah
Black beauty, baby
Black beauty, baby
Oh, what can I do?
Life is beautiful but you don't have a clue
Sun and ocean blue
Their magnificence, it don't make sense to you
Black beauty, oh oh oh
Black beauty, oh oh oh
Black beauty, oh oh oh
Black beauty, oh oh oh
β
β
Lana Del Rey
β
It felt like being shot with an arrow, and Will jerked back. His wineglass crashed to the floor and shattered. He lurched to his feet, leaning both hands on the table. He was vaguely aware of stares, and the landlords anxious voice in his ear, but the pain was too great to think through, almost too great to breathe through. The tightness in his chest, the one he had thought of as one end of a cord tying him to Jem, had pulled so taut that it was strangling his heart. He stumbled away from his table, pushing through a knot of customers near the bar, and passed to the front door of the inn. All he could think of was air, getting air into his lungs to breathe. He pushed the doors open and half-tumbled out into the night. For a moment the pain in his chest eased, and he fell back against the wall of the inn. Rain was sheeting down, soaking his hair and clothes. He gasped, his heart stuttering with a misture of terror and desperation. Was this just the distance from Jem affecting him? He had never felt anything like this, even when Jem was at his worst, even when he'd been injured and Will had ached with sympathetic pain.
The cord snapped.
For a moment everything went white, the courtyard bleeching through as if with acid. Will jackknifed to his knees, vomiting up his supper into the mud. When the spasms had passed , he staggard to his feet and blindly away from the inn, as if trying to outpace his own pain. He fetched up against the wall of the stables, beside the horse trough. He dropped to his knees to plunge his hands into the icy water-and saw his own reflection. There was his face, as white as death, and his shirt, and a spreading stain of red across the front. With wet hands he siezed at his lapels and jerked the shirt open. In the dim light that spilled from the inn, he could see that his parabati rune, just over his heart, was bleeding. His hands were covered in blood, blood mixed with rain, the same ran that was washing the blood away from his chest, showing the rune as it began to fade from black to silver, changing all that had been sense in Will's life into nonsense.
Jem was dead.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Two kisses in one kiss was all it took, a comfort, a warmth, perhaps temporary, perhaps false, but reassuring nonetheless, and mine, and theirs, ours, all three of us giggling, insane giggles and laughter with still more kisses on the way, and I remember a brief instant then, out of the blue, when I suddenly glimpsed my own father, a rare but oddly peaceful recollection, as if he actually approved of my play in the way he himself had always laughed and played, great updrafts of light, burning off distant plateaus of bistre & sage, throwing him up like an angel, high above the red earth, deep into the sparkling blank, the tender sky that never once let him down, preserving his attachment to youth, propriety and kindness, his plane almost, but never quite, outracing his whoops of joy, trailing him in his sudden turn to the wind, followed then by a near vertical climb up to the angles of the sun, and I was barely eight and still with him and yes, that was the thought that flickered madly through me, a brief instant of communion, possessing me with warmth and ageless ease, causing me to smile again and relax as if memory alone could lift the heart like the wind lifts a wing, and so I renewed my kisses with even greater enthusiasm, caressing and in turn devouring their dark lips, dark with wine and fleeting love, an ancient memory love had promised but finally never gave, until there were too many kisses to count or remember, and the memory of love proved not love at all and needed a replacement, which our bodies found, and then the giggles subsided, and the laughter dimmed, and darkness enfolded all of us and we gave away our childhood for nothing and we died and condoms littered the floor and Christina threw up in the sink and Amber chuckled a little and kissed me a little more, but in a way that told me it was time to leave.
β
β
Mark Z. Danielewski (House of Leaves)
β
We live in a modern society. Husbands and wives don't
grow on trees, like in the old days. So where
does one find love? When you're sixteen it's easy,
like being unleashed with a credit card
in a department store of kisses. There's the first kiss.
The sloppy kiss. The peck.
The sympathy kiss. The backseat smooch. The we
shouldn't be doing this kiss. The but your lips
taste so good kiss. The bury me in an avalanche of tingles kiss.
The I wish you'd quit smoking kiss.
The I accept your apology, but you make me really mad
sometimes kiss. The I know
your tongue like the back of my hand kiss. As you get
older, kisses become scarce. You'll be driving
home and see a damaged kiss on the side of the road,
with its purple thumb out. If you
were younger, you'd pull over, slide open the mouth's
red door just to see how it fits. Oh where
does one find love? If you rub two glances, you get a smile.
Rub two smiles, you get a warm feeling.
Rub two warm feelings and presto-you have a kiss.
Now what? Don't invite the kiss over
and answer the door in your underwear. It'll get suspicious
and stare at your toes. Don't water the kiss with whiskey.
It'll turn bright pink and explode into a thousand luscious splinters,
but in the morning it'll be ashamed and sneak out of
your body without saying good-bye,
and you'll remember that kiss forever by all the little cuts it left
on the inside of your mouth. You must
nurture the kiss. Turn out the lights. Notice how it
illuminates the room. Hold it to your chest
and wonder if the sand inside hourglasses comes from a
special beach. Place it on the tongue's pillow,
then look up the first recorded kiss in an encyclopedia: beneath
a Babylonian olive tree in 1200 B.C.
But one kiss levitates above all the others. The
intersection of function and desire. The I do kiss.
The I'll love you through a brick wall kiss.
Even when I'm dead, I'll swim through the Earth,
like a mermaid of the soil, just to be next to your bones.
β
β
Jeffrey McDaniel
β
Off To The Races"
My old man is a bad man but
I can't deny the way he holds my hand
And he grabs me, he has me by my heart
He doesn't mind I have a Las Vegas past
He doesn't mind I have an LA crass way about me
He loves me with every beat of his cocaine heart
Swimming pool glimmering darling
White bikini off with my red nail polish
Watch me in the swimming pool bright blue ripples you
Sitting sipping on your black Cristal
Oh yeah
Light of my life, fire of my loins
Be a good baby, do what I want
Light of my life, fire of my loins
Give me them gold coins, gimme them coins
And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth
Ready for you
My old man is a tough man but
He's got a soul as sweet as blood red jam
And he shows me, he knows me
Every inch of my tar black soul
He doesn't mind I have a flat broke down life
In fact he says he thinks it's why he might like about me
Admires me, the way I roll like a Rolling Stone
Likes to watch me in the glass room bathroom, Chateau Marmont
Slippin' on my red dress, puttin' on my makeup
Glass film, perfume, cognac, lilac
Fumes, says it feels like heaven to him
Light of his life, fire of his loins
Keep me forever, tell me you own me
Light of your life, fire of your loins
Tell me you own me, gimme them coins
And I'm off to the races, cases of Bacardi chasers
Chasing me all over town
Cause he knows I'm wasted, facing
Time again at Riker's Island and I won't get out
Because I'm crazy, baby I need you to come here and save me
I'm your little scarlet, starlet singing in the garden
Kiss me on my open mouth
Now I'm off to the races, laces
Leather on my waist is tight and I am fallin' down
I can see your face is shameless, Cipriani's basement
Love you but I'm going down
God I'm so crazy, baby, I'm sorry that I'm misbehaving
I'm your little harlot, starlet, Queen of Coney Island
Raising hell all over town
Sorry 'bout it
My old man is a thief and I'm gonna stay and pray with him 'til the end
But I trust in the decision of the Lord to watch over us
Take him when he may, if he may
I'm not afraid to say that I'd die without him
Who else is gonna put up with me this way?
I need you, I breathe you, I never leave you
They would rue the day I was alone without you
You're lying with your gold chain on, cigar hanging from your lips
I said "Hon' you never looked so beautiful as you do now, my man."
And we're off to the races, places
Ready, set the gate is down and now we're goin' in
To Las Vegas chaos, Casino Oasis, honey it is time to spin
Boy you're so crazy, baby, I love you forever not maybe
You are my one true love, you are my one true love
You are my one true love
β
β
Lana Del Rey
β
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set βem up. Whatβll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Motherβs milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now youβre talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of lifeβs problems. I say god only knows what Iβd be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesnβt drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep βem cominβ. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. Thatβs better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dtβs. Bβjesus & pink elephants. A mindbender. Hittinβ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldnβt say no I say. I say whatever heβs having. I say next oneβs on me. I say bottoms up. Put it on my tab. I say one more. I say same again
β
β
Nick Flynn (Another Bullshit Night in Suck City)