Red Bikini Quotes

We've searched our database for all the quotes and captions related to Red Bikini. Here they are! All 26 of them:

His eyes dart from the horizon to my red bikini and back again. “I saw that,” I say. He sips his drink. “Saw what?” “You checked out my chest.” “Of course I did. It’s like having two other people up here with us. I don’t want to be rude.
Christina Lauren (The Unhoneymooners (Unhoneymooners, #1))
You caught me, I was definitely dreaming of you. If I remember correctly, you were frolicking on a beach, wearing a pretty skimpy red bikini and some kind of flower in your hair. Gotta say that was the best dream I’ve ever had.” ~Bryan
Annabell Cadiz (Lucifer (Sons of Old Trilogy, #1))
she wore a fitted red minidress with aspirations to be a bikini.
Ella Summers (Magic Nights (Dragon Born Serafina, #3))
Off To The Races" My old man is a bad man but I can't deny the way he holds my hand And he grabs me, he has me by my heart He doesn't mind I have a Las Vegas past He doesn't mind I have an LA crass way about me He loves me with every beat of his cocaine heart Swimming pool glimmering darling White bikini off with my red nail polish Watch me in the swimming pool bright blue ripples you Sitting sipping on your black Cristal Oh yeah Light of my life, fire of my loins Be a good baby, do what I want Light of my life, fire of my loins Give me them gold coins, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Ready for you My old man is a tough man but He's got a soul as sweet as blood red jam And he shows me, he knows me Every inch of my tar black soul He doesn't mind I have a flat broke down life In fact he says he thinks it's why he might like about me Admires me, the way I roll like a Rolling Stone Likes to watch me in the glass room bathroom, Chateau Marmont Slippin' on my red dress, puttin' on my makeup Glass film, perfume, cognac, lilac Fumes, says it feels like heaven to him Light of his life, fire of his loins Keep me forever, tell me you own me Light of your life, fire of your loins Tell me you own me, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Now I'm off to the races, laces Leather on my waist is tight and I am fallin' down I can see your face is shameless, Cipriani's basement Love you but I'm going down God I'm so crazy, baby, I'm sorry that I'm misbehaving I'm your little harlot, starlet, Queen of Coney Island Raising hell all over town Sorry 'bout it My old man is a thief and I'm gonna stay and pray with him 'til the end But I trust in the decision of the Lord to watch over us Take him when he may, if he may I'm not afraid to say that I'd die without him Who else is gonna put up with me this way? I need you, I breathe you, I never leave you They would rue the day I was alone without you You're lying with your gold chain on, cigar hanging from your lips I said "Hon' you never looked so beautiful as you do now, my man." And we're off to the races, places Ready, set the gate is down and now we're goin' in To Las Vegas chaos, Casino Oasis, honey it is time to spin Boy you're so crazy, baby, I love you forever not maybe You are my one true love, you are my one true love You are my one true love
Lana Del Rey
The only time I get to be alone is while traveling." "Except this week," Charlie said. He turned his head and she saw herself reflected in his shades. "True. And you're not at all what I expected." Not that Connor had had any idea what to expect. But he would've preferred if she hadn't been the beautiful blonde who wore skimpy red bikini tops and starred in his dreams last night.
Robin Bielman (His Million Dollar Risk (Take a Risk, #3))
Reader, I did the stupid thing. I looked her up on Facebook. It didn't take more than forty minutes to filter this Katie Ingram from the other hundred or so. Her profile was unlocked, and contained the logo for the NHS. Her job description said: "Paramedic: Love My Job!!!" She had hair that could have been red or strawberry blond, it was hard to tell from the photographs, and she was possibly in her late twenties, pretty, with a snub nose. In the first thirty photographs she had posted she was laughing with friends, frozen in the middle of Good Times. She looked annoyingly good in a bikini (Skiathos 2014!! What a laugh!!!!!), she had a small, hairy dog, a penchant for vertiginously high heels, and a best friend with long, dark hair who was fond of kissing her cheek in pictures (I briefly entertained the hope that she was gay but she belonged to a Facebook group called: Hands up if you're secretly delighted that Brad Pitt is single again!!).
Jojo Moyes (Still Me)
There was nothing I could do but squirm faster and try to trust Adrian, who was surely one of the most competent mere mortals I’d met in years. He had a (small, girlie) gun, he had his wits, and he had … I don’t know. Maybe a silver bikini under his commando-wear, for all I knew.
Cherie Priest (Bloodshot (Cheshire Red Reports, #1))
Is she really old enough to have crushes on boys? I feel like she’s too young for all that.” “I had crushes on boys when I was nine,” I tell him. I’m still thinking about Kitty. I wonder how I can make it so she isn’t mad at me anymore. Somehow I don’t think snickerdoodles will cut it this time. “Who?” Josh asks me. “Who what?” Maybe if I can somehow convince Daddy to buy her a puppy… “Who was your first crush?” “Hmm. My first real crush?” I had kindergarten and first- and second-grade crushes aplenty, but they don’t really count. “Like the first one that really mattered?” “Sure.” “Well…I guess Peter Kavinsky.” Josh practically gags. “Kavinsky? Are you kidding me? He’s so obvious. I thought you’d be into someone more…I don’t know, subtle. Peter Kavinsky’s such a cliché. He’s like a cardboard cutout of a ‘cool guy’ in a movie about high school.” I shrug. “You asked.” “Wow,” he says, shaking his head. “Just…wow.” “He used to be different. I mean, he was still very Peter, but less so.” When Josh looks unconvinced, I say, “You’re a boy, so you can’t understand what I’m talking about.” “You’re right. I don’t understand!” “Hey, you’re the one who had a crush on Ms. Rothschild!” Josh turns red. “She was really pretty back then!” “Uh-huh.” I give him a knowing look. “She was really ‘pretty.’” Our across-the-street neighbor Ms. Rothschild used to mow her lawn in terry-cloth short shorts and a string bikini top. The neighborhood boys would conveniently come and play in Josh’s yard on those days. “Anyway, Ms. Rothschild wasn’t my first crush.” “She wasn’t?” “No. You were.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Look, now, in the distance, a person, closer, it's two people, hand in hand, ankle deep in the froth. Sunrise in hair, blonde, green bikini, tall, shining. They kiss. Handsy things happening underneath hist trunks, her tongue. Who wouldn't envy such youth, who wouldn't grieve what has been lost in watching. They come up the dune, she pushing him backward, up. Study them from the balcony, holding your breath while the couple stops in a smooth bowl of sand, protected by the dunes. She pushes down his trunks, he takes off her bathing suit, top and bottom. Oh yes, you would return to your wife on hands and knees, crawl the distance of the eastern seaboard to feel her fingers once more in your hair. You are unworthy of her. Yes. No. Even as you think of flight, you're transfixed by the lovers, wouldn't dare move for fear of making them flap like birds into the blistered sky. They step into each other, and it's hard to tell where one begins and one ends. Hands in hair and warmth on warmth, into the sand her red knees raised, his body moving. It is time. Something odd happening though you are not ready for it. There is an overlap. You have seen this before, felt her breath on your nape, the heat of her beneath, and the cold damp of day on your back, the helpless overwhelm, a sense of crossing. The sex reaching it's culmination. Come. Lip bitten to blood and finish with a roar and birds shoot up and crumbles in the pink folds of an ear. Serrated coin of sun on water. Face turns skyward. Is this drizzle? It is. Sound of small sheers closing. Barely time to register the staggering beauty and here it is, the separation.
Lauren Groff (Fates and Furies)
At a thirty-foot distance she was a very attractive, ripe-bodied young girl. At close range the coarseness, and the sleaziness of the materials used in construction were all too evident. Her tanned hide had a coarse and grainy look. Her crinkle of putty-colored hair looked lifeless as a Dynel wig. The strictures of the bottom half of the bikini cut into the belly-softness of too many beers and shakes, hamburger rolls and french fries. The meat of her thighs had a sedentary looseness. Her throat and her ankles and the underside of her wrists were faintly shadowed with grime. There was a coppery stubble in her armpits, and a bristle of unshaven hair on her legs, cracked red enamel on her toenails. The breast band of the bikini was just enough askew to reveal a brown new-moon segment of the nipple of her right breast.
John D. MacDonald (The Deep Blue Good-By)
I hurt my hip, too.” “Let me see.” She made a face and yelped when her cheek protested even that slight movement. “You don’t need to see my hip. It’s fine.” “If the skin’s broken, it’ll need cleaning, too,” he said, unbuckling her belt. “Stop that.” “Think of me as your doctor,” he said, as he unsnapped and then unzipped her jeans. “My doctor doesn’t usually undress me,” she snapped. “And my patients already come undressed.” He laughed. “Life your hips,” he said. “Up!” he ordered, when she hesitated. She put her one good hand on his shoulder to brace herself and lifted her hips as he pulled her torn jeans down. To her surprise, her bikini underwear was shredded, and the skin underneath was bloody. “Uh-oh.” She was still staring at the injury on her hip when she felt him pulling off her boots. She started to protest, saw the warning look in his eyes, and shut her mouth. He pulled her jeans off, leaving her legs bare above her white boot socks. “Was that really necessary?” “You’re decent,” he said, straightening the tails of her Western shirt over her shredded bikini underwear. “I can put your boots back on if you like.” Bay shook her head and laughed. “Just get the first-aid kit, and let me take care of myself.” He grimaced. “If I’m not mistaken, you packed the first-aid kit in your saddlebags.” Bay winced. “You’re right.” She stared down the canyon as far as she could see. There was no sign of her horse. “How long do you think it’ll take him to stop running?” “He won’t have gone far. But I need to set up camp before it gets dark. And I’m not hunting for your horse in the dark, for the same reason I’m not hunting for your brother in the dark.” “Where am I supposed to sleep? My bedroll and tent are with my horse.” “You should have thought of that before you started that little striptease of yours.” “You’re the one who shouted and scared me half to death. I was only trying to cool off.” “And heating me up in the process!” “I can’t help it if you have a vivid imagination.” “It didn’t take much to imagine to see your breasts,” he shot back. “You opened your blouse right up and bent over and flapped your shirt like you were waving a red flag at a bull” “I was getting some air!” “You slid your butt around that saddle like you were sitting right on my lap.” “That’s ridiculous!” “Then you lifted your arms to hold your hair up and those perfect little breasts of yours—” “That’s enough,” she interrupted. “You’re crazy if you think—” “You mean you weren’t inviting me to kiss my way around those wispy curls at your nape?” “I most certainly was not!” “Could’ve fooled me.” She searched for the worst insult she could think of to sling at him. “You—you—Bullying Blackthorne!” “Damned contentious Creed!
Joan Johnston (The Texan (Bitter Creek, #2))
Visible over Madame’s shoulder was a clock, hanging on the wall between a flag and a poster. The poster was for a new brand of beer, featuring three bikini-clad young women sprouting breasts the size and shape of children’s balloons; the flag was of the defeated Republic of Vietnam, three bold red horizontal stripes on a vivid field of yellow. This was the flag, as the General had noted more than once to me, of the free Vietnamese people. I had seen the flag countless times before, and posters like that one often, but I had never seen this type of clock, carved from hardwood into the shape of our homeland. For this clock that was a country, and this country that was a clock, the minute and hour hands pivoted in the south, the numbers of the dial a halo around Saigon. Some craftsman in exile had understood that this was exactly the timepiece his refugee countrymen desired. We were displaced persons, but it was time more than space that defined us. While the distance to return to our lost country was far but finite, the number of years it would take to close that distance was potentially infinite. Thus, for displaced people, the first question was always about time: When can I return? Speaking of punctuality, I said to Madame, your clock is set to the wrong time. No, she said, rising to fetch the beer. It’s set to Saigon time. Of course it was. How could I not have seen it? Saigon time was fourteen hours off, although if one judged time by this clock, it was we who were fourteen hours off. Refugee, exile, immigrant—whatever species of displaced human we were, we did not simply live in two cultures, as celebrants of the great American melting pot imagined. Displaced people also lived in two time zones, the here and the there, the present and the past, being as we were reluctant time travelers. But while science fiction imagined time travelers as moving forward or backward in time, this timepiece demonstrated a different chronology. The open secret of the clock, naked for all to see, was that we were only going in circles.
Viet Thanh Nguyen (The Sympathizer)
Fin," she whispered. "What do you need?" He covered her hand, right there in her lap, then let go quickly and dipped his head to try to meet her downcast eyes. He smelled so good--like intrigue and dubious morality. It sent a delicious shiver down her arms.
Lauren Christopher (The Red Bikini (Sandy Cove, #1))
While the secret identity was a precious commodity for most male heroes, some were confident enough to share theirs with a special someone. Heroes like Dr. Fate, The Flash, and Sandman revealed their heroic identities to their girlfriends, who then became their assistants, or “helpmates.” Hawkman and his girlfriend Shiera were the reincarnations of an ancient Egyptian prince and princess. Shiera’s eagerness to help her winged boyfriend often got her into trouble. “I hope this will teach you to stay out of affairs that aren’t your concern,” Hawkman snaps after he has rescued his sweetheart from yet another scrape. But by 1941, Hawkman needs help, and Shiera is a prime candidate. Hawkman’s costume consisted of tights, mask, and wings that were attached to his bare chest by crisscrossing straps. After quickly making some modifications that would not violate any obscenity laws, Hawkman presents Shiera with a feminized version of his costume, now complete with discreet bikini top. “. . . you mean I’m going to pose as you . . . oboy! This is going to be fun . . .” gushes Shiera, as she slips on the green and red costume. Thus was Hawkgirl born, joining another club for 1940s heroines: the Partners.
Mike Madrid (The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines)
He opened the next door in line, raised the VPX 4000 and fired off a shot. A woman yelled at the same instant the flash exploded. Not Lillian, he realized. Someone else. This room was inhabited. Not frozen aliens. Warm bodies. Two figures were illuminated in the intense light. A man with a serious erection dressed in a pair of red bikini briefs and a woman in a black leather bustier and high-heeled black boots. J. Anderson Flint and Marilyn Thornley. “Holy cow,” Gabe said. “A.Z. was right. But it’s worse than she thought. Wait’ll she hears that they’ve thawed out two of the frozen alien life-forms.
Jayne Ann Krentz (Dawn in Eclipse Bay (Eclipse Bay Trilogy, #2))
She’s been involved in politics for the last few years, though,” A.Z. mused. “Makes for strange bedfellows.” A vision of Anderson in his red bikini briefs flared briefly in Lillian’s mind. “You can say that again.” “We’ll replace the camera, A.Z,” Gabe said. “In the meantime, you have our full report. The bottom line is that there was no sign of heavy-duty lab equipment in the new wing and we found no evidence of frozen extra-terrestrials. If those alien bodies were moved into the institute, they’ve got them well-hidden.” “Figures,” Arizona nodded sagely. “Should’ve known it wouldn’t be this easy. We’ll just have to keep digging. Maybe literally, if they’ve hidden the lab underground.” “A scary thought,” Lillian murmured. “My work will continue,” Arizona assured them. “Meanwhile, thanks for the undercover job. Couldn’t have done it without you. Unfortunately, you’ll never get the public recognition you deserve because we have to maintain secrecy.” “We understand,” Gabe said. Arizona nodded. “But I want you to understand your names will be legend among the ranks of those of us who seek the truth about this vast conspiracy.” “That’s certainly good enough for me,” Lillian said quickly. “How about you, Gabe?” “Always wanted to be a legend in my own time,” Gabe said. “We don’t want any public recognition,” Lillian added, eager to emphasize the point. “Just knowing that we did our patriotic duty is all the reward we need. Isn’t that right, Gabe?” “Right,” Gabe got to his feet. “Publicity would be a disaster. If our identities as secret agents were exposed, it would ruin any chance of us helping you out with future undercover work.” Lillian was almost to the door. “Wouldn’t want that.” “True,” Arizona said. “Never known when we might have to call on you two again.
Jayne Ann Krentz (Dawn in Eclipse Bay (Eclipse Bay Trilogy, #2))
Honey’s long red dress was gone now. The classy lounge singer part of her act was over. She had stripped down to a bikini top and g-string and she was doing a dance that almost made me forget who I was and why I was there.
Jamie Sedgwick (A Fool There Was (Hank Mossberg, Private Ogre #4))
sending long, glassy tubes
Lauren Christopher (The Red Bikini (Sandy Cove, #1))
I watched you too, Lane.” “What?” She tenses. “For years. I watched you too. Out of the corner of my eye when Liam wasn’t looking. You’ve never been much of a tanner, but I remember one summer you decided to try. Do you remember that red bikini you bought?” “That bikini was so not me, but yes.” “Well, it almost put me into an early grave.” “Ha. Twenty-three-year-old me would have been very happy to know I was making your life hard.” “Hard is most definitely the right word.” I grimace, and she laughs softly. “Now, I just wish I’d tempted you sooner.” She sighs. “I had no idea. You were so circumspect. You hid it well.” “I had to. Liam could never know.” She tenses. “And now? What would he say if we told him, do you think?
Sophia Travers (One Billion Reasons (Kings Lane Billionaires, #1))
table.
Lauren Christopher (The Red Bikini (Sandy Cove, #1))
Images of white, semi clad women in colour would be very conspicuous in an otherwise unintelligible newspaper to Nanaki. It was somewhat incongruous to see little pictures, sourced from foreign news agencies, of white women in bikinis, sun tanning on a beach in Zakynthos or a procession of revellers in Sao Paulo complete with exotic costume regalia: trailing pheasant feathers for tails, operatic masks tantalisingly revealing pouty red lips, breasts protruding out of sequinned two pieces, women’s toned derrieres jutting out of glitzy g-strings vibrating animalistically to the samba, shapely legs fitting snugly into gold stilettos. Others showed women walking down the ramp in skimpy lingerie at a Missoni fashion show in Milan. At times these sights would intrigue Nanaki. For her, Urdu was unintelligible, just black marks on paper. Who reads this newspaper? And who are these pictures for? Whose reality is this?
Sakoon Singh (In The Land of The Lovers)
Soon we were at Camp Eagle, a U.S. military base near Tuzla in Bosnia. The Tuzla airstrip was in constant use, sending planes to bomb the Taliban. As I talked to the service members there, I learned that before Camp Eagle had mostly been a peacekeeping mission to keep the Bosnian War from being reignited. They talked about having to be careful of landmines left behind. “I’m staying put with you guys then,” I said. I was mortified that before I came there, I had never even heard of Bosnia, and certainly didn’t know that American troops were there. When I’d reached out to the USO to volunteer to perform for service members, I’d had a vision of these sorts of big brothers and sisters in the military coming in to save the day. I was gonna put on this big show for them, high-octane with lots of red, white, and blue peekaboo clothes that I felt I had to wear for them. I even had a bikini top made from parachute material to go with army pants. But when I met actual service members, I wasn’t prepared for them to be so young. They were all my age or even younger. I did “God Bless America” as my last song at each stop, a capella, and Bosnia is where things changed. It was right at that first “stand beside her and guide her.” These men and women started to sing along with me, and I noticed they were just bawling their eyes out, so of course I did, too, and I knew that this was more than a song. It was a prayer. They just wanted to be with the people they loved, in the prairies, the mountains, and, yes, the rivers. I was so privileged to share in that moment. I have done a lot of singing at bases and aircraft carriers since, and every time I do “God Bless America,” I ask everyone to sing along. “I don’t care if you think you can’t sing,” I say. “I want to hear you.
Jessica Simpson (Open Book)
Here a young girl in high heels wears a bikini, a blue bikini, with blonde hair. Standing next to her is a girl as young as Rosalie, in a mini-skirt and a strap over her little red nipples
Oscar Zeta Acosta (The Revolt of the Cockroach People)
See! Told you!” Paige sings out, pointing up at a wooden tower, on top of which a lifeguard is lounging, smoking a cigarette, talking on his mobile phone, his skin tanned so dark he might be Indian, wearing nothing but a tiny, shiny pair of red Speedos. “But Paige, his swimsuit!” I object. Paige tosses her head. “Actually, Violet,” she says, “I think you’re being really sexist. Why should girls be able to wear bikinis if boys can’t wear Speedos? Boys like to tan too!” “My dad calls them budgie smugglers,” Kelly volunteers, and I snigger at this. So does Paige, when she figures it out.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
Her body exuded an enviable harmony with her surroundings. Her head was turned to one side, her eyes were closed, and the red strip of her bikini top was untied. I lacked her serenity, but her presence afforded me some relief, and feeling slightly guilty, I dozed off in her shadow.
Jhumpa Lahiri (Whereabouts)
Her honey-blonde hair is strewn across her face as she sways her head. She’s working a red sequined bikini separated by a tan, flat stomach, and a butterfly tattoo resting on her left hip. Her legs are clad in black fishnets that run into a pair of white-heeled boots—still a knockout.
Kevin James Moore (The Go-Go Girl)