Recycling Sayings Quotes

Memory is a funny thing. It tricks you into believing that you've forgotten important moments, and then when you're raking your brain for a bit of information that might make sense of something else, it taps you on the head and says, "Remember when you told me to put that memory in the green rubbish bin? Well, I didn't, I put it in the black recycling tub, and it's coming your way again.

we can't afford to do anyone harm because we owe them our lives each breath is recycled from someone else's lungs our enemies are the very air in disguise you can talk a great philosophy but if you can't be kind to people every day it doesn't mean that much to me it's the little things you do the little things you say it's the love you give along the way

Before I got here, I thought for a long time that the way out of the labyrinth was to pretend that it did not exist, to build a small, self-sufficient world in a back corner of, the endless maze and to pretend that I was not lost, but home. But that only led to a lonely life accompanied only by the last words of the looking for a Great Perhaps, for real friends, and a more-than minor life. And then i screwed up and the Colonel screwed up and Takumi screwed up and she slipped through our fingers. And there's no sugar-coating it: She deserved better friends. When she fucked up, all those years ago, just a little girl terrified. into paralysis, she collapsed into the enigma of herself. And I could have done that, but I saw where it led for her. So I still believe in the Great Perhaps, and I can believe in it spite of having lost her. Beacause I will forget her, yes. That which came together will fall apart imperceptibly slowly, and I will forget, but she will forgive my forgetting, just as I forgive her for forgetting me and the Colonel and everyone but herself and her mom in those last moments she spent as a person. I know that she forgives me for being dumb and sacred and doing the dumb and scared thing. I know she forgives me, just as her mother forgives her. And here's how I know: I thought at first she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something's meal. What was her-green eyes, half a smirk, the soft curves of her legs-would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere. I still think that, sometimes. I still think that, sometimes, think that maybe "the afterlife" is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe she was just a matter, and matter gets recycled. But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska's genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirety. There is a part of her knowable parts. And that parts has to go somewhere, because it cannot be destroyed. Although no one will ever accuse me of being much of a science student, One thing I learned from science classes is that energy is never created and never destroyed. And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself -those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable because we are as indestructible as we believe ourselves to be. When adults say "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail. So I know she forgives me, just as I forgive her. Thomas Eidson's last words were: "It's very beautiful over there." I don't know where there is, but I believe it's somewhere, and I hope it's beautiful.

At the store, they have one-hundred-percent-recycled toilet paper," Marla says. "The worst job in the whole world must be recycling toilet paper.

You may not be the first to say it, write it, create it, or believe it—but you saying it may be the first time someone finally hears. Yes, someone else can say it better, but that doesn’t mean you can’t say it too. Throw out your inhibitions and spin around in this crazy world of recycled ideas. There is nothing new to say. Say it anyway.

So what did Conroy say to you this arvo, after I left?' He said, Rachel Watts is hot stuff, and I'd like to ask her out. Got any tips?' 'Mycroft, don't be juvenile.' 'I am a juvenile.' 'Then don't be grotesque. Are you going to tell me or not?' Mycroft fiddles with the cigarette pack, loose in his long fingers. 'Nothing to tell,' he says. 'Conroy uses the same material in every speech. The we can't put up with this behaviour forever line, and the one more stunt like this line. I can't figure out why he keeps recycling.' 'Maybe he thinks constant repetition will make it sink in.' 'See, that's Einstein's definition of insanity right there - doing the same thing over and over again, and expecting a different result.

We don’t burn our books, she says. We pulp them. Much more civilized, right? Mash them up, recycle them into toilet paper. Those books wiped someone’s rear end a long time ago.

But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool Girl – I couldn’t have been Cool Girl with anyone else. I wouldn’t have wanted to. I can’t say I didn’t enjoy some of it: I ate a MoonPie, I walked barefoot, I stopped worrying. I watched dumb movies and ate chemically laced foods. I didn’t think past the first step of anything, that was the key. I drank a Coke and didn’t worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn’t worry about the offensive sexism or the lack of minorities in meaningful roles. I didn’t even worry whether the movie made sense. I didn’t worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.

Tell the world what scares you the most” says Brandy. She gives us each an Aubergine Dreams eyebrow pencil and says “Save the world with some advice from the future” Seth writes on the back of a card and hands the card to Brandy for her to read. On game shows, Brandy reads, some people will take the trip to France, but most people will take the washer dryer pair.” Brandy puts a big Plumbago kiss in the little square for the stamp and lets the wind lift and card and sail it off toward the towers of downtown Seattle. Seth hands her another, and Brandy reads: Game shows are designed to make us feel better about the random useless facts that are all we have left from our education” A kiss and the card’s on it’s way toward Lake Washington. From Seth: When did the future switch from being a promise to being a threat?” A kiss and it’s off on the wind toward Ballard. Only when we eat up this planet will God give us another. We’ll be remembered more for what we destroy than what we create.” Interstate 5 snakes by in the distance. From high atop the Space Needle, the southbound lanes are red chase lights, and the northbound lanes are white chase lights. I take a card and write: I love Seth Thomas so much I have to destroy him. I overcompensate by worshipping the queen supreme. Seth will never love me. No one will ever love me ever again. Beandy is waiting to rake the card and read it out loud. Brandy’s waiting to read my worst fears to the world, but I don’t give her the card. I kiss it myself with the lips I don’t have and let the wind take it out of my hand. The card flies up, up, up to the stars and then falls down to land in the suicide net. While I watch my future trapped in the suicide net Brandy reads another card from Seth. We are all self-composting” I write another card from the future and Brandy reads it: When we don’t know who to hate, we hate ourselves” An updraft lifts up my worst fears from the suicide net and lifts them away. Seth writes and Brandy reads. You have to keep recycling yourself”. I write and Brandy reads. Nothing of me is original. I am the combined effort of everybody I’ve ever known.” I write and Brandy reads. The one you love and the one who loves you are never ever the same person.

The way we live our lives is not sustainable. I don’t just mean recycling and turning off the faucet while brushing your teeth. I mean the way we treat each other. The way we pick and choose whose lives are important – who we actually treat as human. There is nobody on this earth whose life is not of value. And that includes those of us who have been left behind. Maybe they did go to some Christian heaven. But what I’m saying is, we’re good people too. We’re worthwhile people. I’d vouch for every last one of you.

ALONE One of my new housemates, Stacy, wants to write a story about an astronaut. In his story the astronaut is wearing a suit that keeps him alive by recycling his fluids. In the story the astronaut is working on a space station when an accident takes place, and he is cast into space to orbit the earth, to spend the rest of his life circling the globe. Stacy says this story is how he imagines hell, a place where a person is completely alone, without others and without God. After Stacy told me about his story, I kept seeing it in my mind. I thought about it before I went to sleep at night. I imagined myself looking out my little bubble helmet at blue earth, reaching toward it, closing it between my puffy white space-suit fingers, wondering if my friends were still there. In my imagination I would call to them, yell for them, but the sound would only come back loud within my helmet. Through the years my hair would grow long in my helmet and gather around my forehead and fall across my eyes. Because of my helmet I would not be able to touch my face with my hands to move my hair out of my eyes, so my view of earth, slowly, over the first two years, would dim to only a thin light through a curtain of thatch and beard. I would lay there in bed thinking about Stacy's story, putting myself out there in the black. And there came a time, in space, when I could not tell whether I was awake or asleep. All my thoughts mingled together because I had no people to remind me what was real and what was not real. I would punch myself in the side to feel pain, and this way I could be relatively sure I was not dreaming. Within ten years I was beginning to breathe heavy through my hair and my beard as they were pressing tough against my face and had begun to curl into my mouth and up my nose. In space, I forgot that I was human. I did not know whether I was a ghost or an apparition or a demon thing. After I thought about Stacy's story, I lay there in bed and wanted to be touched, wanted to be talked to. I had the terrifying thought that something like that might happen to me. I thought it was just a terrible story, a painful and ugly story. Stacy had delivered as accurate a description of a hell as could be calculated. And what is sad, what is very sad, is that we are proud people, and because we have sensitive egos and so many of us live our lives in front of our televisions, not having to deal with real people who might hurt us or offend us, we float along on our couches like astronauts moving aimlessly through the Milky Way, hardly interacting with other human beings at all.

A maid’s yard, house, wardrobe, fridge, etc. sometimes also serve as her master’s dustbin or dumpsite.

I focus on the bright light, without seeing, wondering if it is just a weird coincidence that when people die they always say go towards the light, and if you are born you have to travel through a tunnel towards a light. Would this mean that moving towards the light is in actual fact being reborn, like being reincarnated? Would this possibly then mean that our souls really are recycled, and that we do come back repeatedly, until we get it right and I keep getting it wrong?

God is the ultimate recycler. We have a good planet here. It has its troubles, yes. We have overpopulation, we have pollution, we have global warming, we have the Thursday night television lineup,” more laughter, “and, of course, we have the infected. We have a lot of problems on Earth, and it might seem like a great idea to hold the Rapture now—why wait? Let’s move on to Heaven, and leave the trials and tribulations of our earthly existence behind us. Let’s get while the getting’s good, and beat the rush. “It might seem like a great idea, but I don’t think it is, for the same reason I don’t think it’s a great idea for a first grader to stand up and say that he’s learned enough, he’s done with school, thanks a lot but he’s got it from here. Compared to God, we’re barely out of kindergarten, and like any good teacher, I don’t believe He intends to let us out of class just because we’re finding the lessons a little difficult. I don’t know whether I believe in the Rapture or not. I believe that if God wants to do it, He will… but I don’t believe that it’s coming in our lifetime. We have too much work left to do right here.

Have you ever tried to find the words to say something, but no matter what you think of saying, you know it might come out wrong?

At the store, they have one-hundred-percent-recycled toilet paper,” Marla says. "The worst job in the whole world must be recycling toilet paper.” I

At the store, they have one-hundred-percent-recycled toilet paper,” Marla says. "The worst job in the whole world must be recycling toilet paper.

What you can do now Spend a couple of minutes going through your supermarket shop. Look at the packaging. If it says ‘cannot currently be recycled’, don’t buy it again.

What? Master Luke downloaded the data files from that probe into your memory banks? Why didn’t you say so, you overstuffed recycle cylinder?

For the week after the man's visit to my work, campus security will assign an officer to stand outside the door of my classroom while I teach, in case he returns. On one of these days, I teach Alice Notley's grouchy epic poem Disobedience. A student complaints, Notley says she wants a dailiness that is free and beautiful, but she's fixated on all the things she hates and fears the most, and then smashes her face and ours in them for four hundred pages. Why bother? Empirically speaking, we are made of star stuff. Why aren't we talking more about that? Materials never leave this world. They just keep recycling, recombining. That's what you kept telling me when we first met—that in a real, material sense, what is made from where. I didn't have a clue what you were talking about, but I could see you burned for it. I wanted to be near that burning. I still don't understand, but at least now my fingers ride the lip. Notley knows all this; it's what tears her up. It's why she's a mystic, why she locks herself in a dark closet, why she knocks herself out to have visions. Can she help it if the unconscious is a sewer? At least my student had unwittingly backed us into a crucial paradox, which helps to explain the work of any number of artists: it is sometimes the most paranoid-tending people who are able to, and need to, develop and disseminate the richest reparative practices.

There are all the other times when I take a rosary, or misbaha, with thirty-three beads. God has nine-nine names, and if I go around the misbaha three times, God recycles Himself three times. It’s a reminder that He shows up in our lives over and over again. He is One with many names, just as we are all One on earth. The difference is God accepts difference and diversity, while we’re here trying to walk around like a fluffy holy cloud, each one claiming to know what God knows is best for us. I ask you again, in a different way, wouldn’t life be boring if we all walk around like a holy fluffy cloud, saying we are God’s mouth? Or perhaps we don’t believe in a God, in which case, we simply call ourselves Taylor Swift?

We don’t burn our books, she says. We pulp them. Much more civilized, right? Mash them up, recycle them into toilet paper. Those books wiped someone’s rear end a long time ago. Oh, says Bird. So that’s what happened to his mother’s books. All those words

I thought at first that she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something’s meal. What was her—green eyes, half a smirk, the soft curves of her legs—would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would heat their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere. I still think that, sometimes, think that maybe ‘the afterlife’ is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe she was just matter, and matter gets recycled. But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska’s genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirely. There is a part of her greater than the sum of her knowable parts. And that part has to go somewhere, because it cannot be destroyed. Although no one will ever accuse me of being much of a science student, one thing I learned from science classes is that energy is never created and never destroyed. And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself—those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable, because we are as indestructible as we believe ourselves to be. When adults say, ‘Teenagers think they are invincible’ with that sly, stupid smile on their faces, they don’t know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes and manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.

The young activist who recycles Robert F. Kennedy’s line “There are those who look at things the way they are, and ask why . . . I dream of things that never were, and ask why not?” has no idea he’s a walking, talking cliché, a non-conformist in theory while a predictable conformist in fact. But he also has no idea he’s tapping into his inner utopian.... RFK didn’t coin the phrase (JFK didn’t either, but he did use it first). The line actually comes from one of the worst people of the 20th century, George Bernard Shaw (admittedly he’s on the B-list of worst people since he never killed anybody; he just celebrated people who did). That much a lot of people know. But the funny part is the line comes from Shaw’s play Back to Methuselah. Specifically, it’s what the Serpent says to Eve in order to sell her on eating the apple and gaining a kind of immortality through sex (or something like that). Of course, Shaw’s Serpent differs from the biblical serpent, because Shaw — a great rationalizer of evil — is naturally sympathetic to the serpent. Still, it’s kind of hilarious that legions of Kennedy worshippers invoke this line as a pithy summation of the idealistic impulse, putting it nearly on par with Kennedy’s nationalistic “Ask Not” riff, without realizing they’re stealing lines from . . . the Devil. ​I don’t think this means you can march into the local high school, kick open the door to the student government offices with a crucifix extended, shouting “the power of Christ compels you!” while splashing holy water on every kid who uses that “RFK” quote on his Facebook page. But it is interesting.

I've met people who say they don't want relationships; but it's not the relationships that they don't want: it is the mundane dynamic that is named the "relationship", which they despise. The struggle for control; the humdrum motions recycled by a billion other couples; the low rhythm that seems to cycle, repeating its monotonous hymn through the myriad crowds. They want to find someone and feel every vein in their body connect to that person, they want to fly with someone, they want what's natural; they want a partner. It's a partner they want. Not a "relationship"; but a partner. A whole other person who wants to stay with their own whole person. They want something meant for them, or nothing at all.

Outer space is fucking terrifying. I’m thankful for the ozone layer and the gravitational pull of the moon and whatnot, but they’d have to tie me like a spit-roasted pig to send me out there. The universe keeps expanding and getting colder, chunks of our galaxy are sucked away, black holes hurl through space at millions of miles per hour, and solar superstorms flare up at the drop of a hat. Meanwhile NASA astronauts are out there in their frankly inadequate suits, drinking liters of their own recycled urine, getting alligator skin on the top of their feet, and shitting rubber balls that float around at eye level. Their cerebrospinal fluid expands and presses on their eyeballs to the point that their eyesight deteriorates, their gut bacteria are a shitshow—no pun intended—and gamma rays that could literally pulverize them in less than a second wander around. But you know what’s even worse? The smell. Space smells like a toilet full of rotten eggs, and there’s no escape. You’re just stuck there until Houston allows you to come back home. So believe me when I say: I’m grateful every damn day for those two extra inches.

They say that it’s down to individual choice and responsibility, but reality is that you can’t personally shop your way out of climate change. If your town reuses glass bottles, that does one thing. If it recycles them, it does something else. If it landfills them, that’s something else, too. Nothing you do, personally, will affect that, unless it’s you, personally, getting together with a lot of other people and making a difference.

I’m drunk,” she mutters. “I can already feel the hangover.” “Thraxa’s good at making it feel like a moral obligation to keep pace.” “Ten credits says we have to scrape Sevro off the patio tomorrow.” “Poor Goblin. All spirit, no body mass.” She laughs. “I put him and Victra in the west wing so we can actually get some sleep. Last time, I woke up in the middle of the night thinking a coyote was caught in the air recycler. I swear, at the pace they’re going they’ll be able to single-handedly populate Pluto in a few years.

I can’t say I didn’t enjoy some of it: I ate a MoonPie, I walked barefoot, I stopped worrying. I watched dumb movies and ate chemically laced foods. I didn’t think past the first step of anything, that was the key. I drank a Coke and didn’t worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn’t worry about the offensive sexism or the lack of minorities in meaningful roles. I didn’t even worry whether the movie made sense. I didn’t worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.

A stack of Hawlatis on a ring-stained coffee table conjured the ardent recycler I’d broken up with two months before. Also on this table were an open can of Wild Tiger and a porcelain ashtray made to look like a crumpled Camels pack, completing a sort of Kurdish bachelor-pad tableau that inevitably led to comparisons with my own hermitic home life. But for a few moments there, distracted by the ashtray’s uncanny verisimilitude, I did succeed in not thinking about my singleness, nor about my dissertation, nor about when I was going to learn the results of my latest grant application and not about the long drive to Baghdad my parents and I were intending to make the following day—I was not even thinking about the drift and worthiness of my thinking—and I suppose another way of saying all this is I was happy.

Consider the following two scenarios involving a policy aimed at encouraging people to recycle soda cans. Scenario 1: Let’s say you live in a place where people aren’t paid to recycle soda cans. On a freezing morning you see a neighbor carrying a large bag, full of cans, on her way to the recycling center. Scenario 2: Your town has changed its policy. Now people can receive a five-cent reward for each recycled soda can. You see your neighbor carrying a large bag of soda cans to the recycling center. What do you think of your neighbor in Scenario 1? In Scenario 2? In the first scenario, you probably think that your neighbor is an environmental steward—a citizen of high character, doing her part for the environment. But once the small, five-cent-per-can reward is in place, you might think that she is either cheap or really down on her luck. “Why,” you might ask yourself, “is she going through so much effort for such a small compensation? Is she a miser?

If I’d had a good week—a real “Christian” week”—I felt close to God. When Sunday came around, I would feel like lifting my head and hands in worship, almost as if to say, “God, here I am . . . I know You’re excited about seeing me this week.” If I’d had a stellar week, I loved being in God’s presence and was sure God was pretty stoked about having me there too. But the opposite was also true. If I hadn’t done a good job at being a real Christian, I felt pretty distant from God. If I’d fallen to some temptations, been a jerk to my wife, dodged some easy opportunities to share Christ, was stingy with my money, forgotten to recycle, kicked the dog, etc. . . . well, on those weeks I felt like God wanted nothing to do with me. When I came to church, I had no desire to lift my soul up to God. I was pretty sure He didn’t want to see me either. I could feel His displeasure—His lack of approval. That’s because I didn’t really understand the gospel. Or, at least I had forgotten it.

[D]uring all my university years in the U.S. (doing a master’s and a doctorate degrees), I often noticed that young people were totally quiet when issues like wars and crimes against humanity in the Middle East came up, but they were very active and vocal when issues like recycling, environment, or global warming came up. While all these issues are important, the silences and complicity displayed on some issues rather than others; the selectivity of expressing resistance and rage are hypocritical, to say the least. I found that many choose to be active in what one could consider safe and convenient causes. How can I take seriously enraged rich and privileged students who want us to protect the environment by recycling a plastic bottle, yet it never occurs to them that all the bombs and weapons used in the Middle East are doing a serious damage to their beloved planet? Last time I checked we all live on one planet, unless these privileged students truly live on a different planet.

I thought at first that she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something’s meal. What was her—green eyes, half a smirk, the soft curves of her legs—would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would heat their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere. I still think that, sometimes, think that maybe “the afterlife” is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe she was just matter, and matter gets recycled. But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska’s genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirely. There is a part of her greater than the sum of her knowable parts. And that part has to go somewhere, because it cannot be destroyed. Although no one will ever accuse me of being much of a science student, one thing I learned from science classes is that energy is never created and never destroyed. And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself—those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable, because we are as indestructible as we believe ourselves to be. When adults say, “Teenagers think they are invincible” with that sly, stupid smile on their faces, they don’t know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes and manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail. So I know she forgives me, just as I forgive her. Thomas Edison’s last words were: “It’s very beautiful over there.” I don’t know where there is, but I believe it’s somewhere, and I hope it’s beautiful.

Ah, the problem is that you didn’t DTR,” said Holly wisely. Kami stared. “What?” “D. T. R.,” Holly spelled out, slowly and helpfully. “Do try rollerblading?” Kami guessed. “Dump the recycling. Don’t taste reptiles. No, that doesn’t make any sense at all.” Holly wrinkled her nose. “Because the others made perfect sense?” Kami shrugged, and Holly grinned. “Determine the Relationship,” Holly said. “That’s when the two of you have been kissing a bunch and then you find yourself on a sofa or somewhere and someone’s like, ‘Oh, do you want to be my girlfriend?’ or ‘Is this an exclusive thing, then?’ And then you say ‘Yes’ or ‘No’ and then you’ve either determined the relationship or determined that there isn’t a relationship. You guys needed to DTR.” “Well, we have,” Kami said. “We D’d the R, or rather he D’d that there wasn’t an R, and now we’re done.” Holly put out the hand that wasn’t holding the book, and wiggled it noncommittally. “I don’t know,” she said. “He—we talked about you, once.” “That one time you two made out?’ Kami asked with a sinking feeling. “Uh, I don’t remember exactly when.” Holly looked shifty. “It was totally that time you made out, wasn’t it?” “Oh, come on,” said Holly. “What’s that thing you say? The past is another country. You make out with different people there.” “That’s not how it goes but I admire your creative weaseling,” said Kami. “You are the most promising reporter on my newspaper staff.

Thought is measured by a different rule, and puts us in mind, rather, of those souls whose number, according to certain ancient myths, is limited. There was in that time a limited contingent of souls or spiritual substance, redistributed from one living creature to the next as successive deaths occurred. With the result that some bodies were sometimes waiting for a soul (like present-day heart patients waiting for an organ donor). On this hypothesis, it is clear that the more human beings there are, the rarer will be those who have a soul. Not a very democratic situation and one which might be translated today into: the more intelligent beings there are (and, by the grace of information technology, they are virtually all intelligent), the rarer thought will be. Christianity was first to institute a kind of democracy and generalized right to a personal soul (it wavered for a long time where women were concerned). The production of souls increased substantially as a result, like the production of banknotes in an inflationary period, and the concept of soul was greatly devalued. It no longer really has any currency today and it has ceased to be traded on the exchanges. There are too many souls on the market today. That is to say, recycling the metaphor, there is too much information, too much meaning, too much immaterial data for the bodies that are left, too much grey matter for the living substance that remains. To the point where the situation is no longer that of bodies in search of a soul, as in the archaic liturgies, but of innumerable souls in search of a body. Or an incalculable knowledge in search of a knowing subject.

Hey, you’re the one who came here talking about ‘I’m sorry’ and ‘let’s be friends.’ You don’t get to force me into accepting your half-assed apology.” “Well, I wish you a happy new year anyway.” Now I’m the one being sarcastic, and it sure is satisfying. “Have a nice life. Auld lang syne and all that.” “Fine. Bye.” I turn to go. I was so hopeful this morning. I had such stars in my eyes imagining how this was all going to go. God, what a jerk Peter is. Good riddance to him! “Wait a minute.” Hope leaps into my heart like Jamie Fox-Pickle leaps into my bed--swift and unbidden. But I turn back around, like Ugh, what do you want now, so he doesn’t see it. “What’s that you’ve got crumpled up in your pocket?” My hand flies down to my pocket. “That? Oh, it’s nothing. It’s junk mail. It was on the ground by your mailbox. No worries, I’ll recycle it for you.” “Give it to me and I’ll recycle it right now,” he says, holding out his hand. “No, I said I’ll do it.” I reach down to stuff the letter deeper into my coat pocket, and Peter tries to snatch it out of my hand. I twist away from him wildly and hold on tight. He shrugs, and I relax and let out a small sigh of relief, and then he lunges forward and plucks it away from me. I pant, “Give it back, Peter!” Blithely he says, “Tampering with US mail is a federal offense.” Then he looks down at the envelope. “This is to me. From you.” I make a desperate grab for the envelope, and it takes him by surprise. We wrestle for it; I’ve got the corner of it in my grip, but he’s not letting go. “Stop, you’re going to rip it!” he yells, prying it out of my grasp. I try to grab harder, but it’s too late. He has it.

QUESTION: Are you suggesting that history is irrelevant, then, and the temporal span of humankind merely the recycling of tropes? ANSWER: Well, I think it’s two things. It’s always two things, unless it’s three. The first thing is moms and martyrs are the way we will think, just as when we dance we tend to tango. Jung suspected as much, you know, and every story could, I suppose, be seen as such a spyglass. Second, either there is or there isn’t, point-blank, and if there is not, and something besides lead backs our philosophies, then previously Truth flashed its temper like a fictitious schoolgirl showing her panties, then went all cowboy cool in the neonew, barely speaking, keeping mum, despite the fact we’s done forgot dear mammy, savoring the slow satisfying burn of a cigarette before the bonfire of a billion bodies, and still millions more wait their turn, we’re better at keeping our appointments, at any rate, skinny corpses stripped of teeth and hair and skin, difference plucked like daisies, for there is no difference; in ether words, to hear the Great Apes tell it, every plague is one for the pointless and every poppy’s got jack to do with Us. Hoohah! A particularly ballsy bit of business given the most recent nearing too close, we’re singing our rondel with a bellyful of gravy and sourmash, we’re at the highpocked end, and there’s no more to come, come the dawn. Though bear in mind we’ve no pret-a-porter poodle sniffing around here, nossir, we’re not afraid to say stay, still, we’ll stay right here, eating off the apple of your eye, carving the plump of your cheek caught in the family photo, the flash in the pan goes off and so does your head, or so Buttercup says, we’re stuck, that is to say, in the over-brought dawn of this new clearer Age, in which we play patsy to witness just this: everything is beauty-full, in its own way. . . .

What’s that you’ve got crumpled up in your pocket?” My hand flies down to my pocket. “That? Oh, it’s nothing. It’s junk mail. It was on the ground by your mailbox. No worries, I’ll recycle it for you.” “Give it to me and I’ll recycle it right now,” he says, holding out his hand. “No, I said I’ll do it.” I reach down to stuff the letter deeper into my coat pocket, and Peter tries to snatch it out of my hand. I twist away from him wildly and hold on tight. He shrugs, and I relax and let out a small sigh of relief, and then he lunges forward and plucks it away from me. I pant, “Give it back, Peter!” Blithely he says, “Tampering with US mail is a federal offense.” Then he looks down at the envelope. “This is to me. From you.” I make a desperate grab for the envelope, and it takes him by surprise. We wrestle for it; I’ve got the corner of it in my grip, but he’s not letting go. “Stop, you’re going to rip it!” he yells, prying it out of my grasp. I try to grab harder, but it’s too late. He has it. Peter holds the envelope above my head and tears it open and begins to read. It’s torturous standing there in front of him, waiting--for what, I don’t know. More humiliation? I should probably just go. He’s such a slow reader. When he’s finally done, he asks, “Why weren’t you going to give me this? Why were you just going to leave?” “Because, I don’t know, you didn’t seem so glad to see me…” My voice trails off lamely. “It’s called playing hard to get! I’ve been waiting for you to call me, you dummy. It’s been six days.” I suck in my breath. “Oh!” “Oh.” He pulls me by the lapels of my coat, closer to him, close enough to kiss. He’s so close I can see the puffs his breath makes. So close I could count his eyelashes if I wanted. In a low voice he says, “So then…you still like me?” “Yeah,” I whisper. “I mean, sort of.” My heartbeat is going quick-quick-quick. I’m giddy. Is this a dream? If so, let me never wake up. Peter gives me a look like Get real, you know you like me. I do, I do.

I thought at first that she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something's meal. What was her -- green eyes, half a smirk, the soft curves of her legs -- would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would heat their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere. I still think that, sometimes, think that maybe "the afterlife" is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe she was just matter, and matter gets recycled. But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska's genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirely. There is a part of her greater than the sum of her knowable parts. And that part has to go somewhere, because it cannot be destroyed. Although no one will ever accuse me of being much of a science student, one thing I learned from science classes is that energy is never created and never destroyed. And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself -- those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable, because we are as indestructible as we believe ourselves to be. When adults say, "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes and manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail.

Oh, you think it's both? Not just the power?” “That's my best guess. I can say for a certainty that two decks won't be able to activate waste recycling as well. That's eleven toilets slowly filling up.” “Not a pretty picture.

Understanding, I believe, is a unifying force and unity is just what is unlikely to happen in a culture where people can live next to someone who fundamentally disagrees with them about life’s most important questions. Empathy says, “Okay, I don’t get understand you, but I don’t have to and I don’t have to win the argument. And don’t worry about the recycling bins while you’re out of town; I’ll take care of them.

Sorry, Jericho. I almost didn’t recognize you with your dick in your pants. If you’ll excuse me, I have to get home.” I tried to flounce off, but walking in short steps with a paper sack around my hips wasn’t a graceful way to make an exit. He rolled the truck beside me and the engine rumbled, but he didn’t say a word. So I walked a little faster. He drove a little faster. Finally, I broke into a run. Jericho hit the gas and kept up with me. “Get in the goddamn truck, Isabelle.” “No.”“You’re a female wolf running naked in the street. Get in.” “I’m not naked,” I panted. “I’m wearing recyclables.” Dark, Dannika (2014-07-27). Five Weeks (Seven Series #3) (pp. 49-50). . Kindle Edition.

Rapamycin works at a fundamental level of cell biology. In the early 1990s, scientists at Novartis’s predecessor, Sandoz, discovered that a rapamycin molecule inhibits a key cellular pathway regulating growth and metabolism. This pathway was eventually dubbed “target of rapamycin,” or TOR, and it’s found in everything from yeast to humans (it’s known as mTOR in mammals). MTOR is like the circuit breaker in a factory: When it’s activated, the cell grows and divides, consuming nutrients and producing proteins. When mTOR is turned down, the “factory” switches into more of a conservation mode, as the cell cleans house and recycles old proteins via a process called autophagy. One reason caloric restriction extends life span in animals, researchers believe, is because it slows down this mTOR pathway and cranks up autophagy. Rapamycin does the same thing, only without the gnawing hunger. “Really what rapamycin is doing is tapping into the body’s systems for dealing with reduced nutrition,” says Brian Kennedy, chief executive officer of the Buck Institute for Research on Aging in Novato, Calif. “We’ve evolved over billions of years to be really good at that. When things are good, we’re going to grow and make babies. And when things are not so good, we go into a more stress-resistant mode, so we survive until the next hunt. And it just so happens that stress resistance is good for aging.

Are you a drinker?' the doctor asked. I heard the clunk clunk clunk clunk clunk of empty wine bottles hitting the bottom of my recycling bin. 'Um, I suppose I would say that.

They say that the cells of your body are replaced every seven years, such that you continue to be the same person but, at a cellular level, you have become another, if you compute both extremes. The idea sounds strange, because the cells aren’t all replaced at once, so after seven years you won’t have a fully-recycled body. But at the same time you will.

Listen to your heart.. you are becoming more fully and completely who you were created to be. It is a whisper that says you are being called to something new. It is a gentle voice that seems to say, ‘Ah, now I have your attention.’ It is a voice that has been patiently waiting to speak truth you would be able to hear. We are no longer in that part of life when we simply respond to parents, children, husbands, jobs, the PTA, and recycling schedules. We are not spending every single minute trying to keep everyone else happy.

The Old Testament is a classic example of the religious recycling which has spawned all the religions. So when you are looking for the original meaning of Genesis and the story of Adam you have to go back to the Sumerian accounts to see how the story has been doctored. Genesis says that ‘God’ (the gods) created the first man, Adam, out of ‘dust from the ground’ and then used a rib of Adam to create Eve, the first woman.

Ethnic racism, like racism itself, points to group behavior, instead of policies, as the cause of disparities between groups. When Ghanaian immigrants to the United States join with White Americans and say African Americans are lazy, they are recycling the racist ideas of White Americans about African Americans. This is ethnic racism.

U.S academia has long operated under the mediocre slogan of “publish or perish”, not taking into account that very often writers may perish the minute they publish, if they do not have something meaningful to say. As though adding to human knowledge can occur simply by killing some trees and publishing (mostly recycling) a couple of articles a year or one book every few years. Many academics that operate according to this slogan do not seem to remember Dostoyevsky’s words that the most difficult thing in life is to actually say something new, or George Orwell who once stated: “Until one has some kind of professional relationship with books, one does not discover how bad the majority of them are.

When Ghanaian immigrants to the United States join with White Americans and say African Americans are lazy, they are recycling the racist ideas of White Americans about African Americans. This is ethnic racism

One of the more interesting work-alignment tactics I came across while writing this book was that of Sheryl Woodhouse-Keese, who owns an earth-friendly stationery outfit called Twisted Limb Paperworks in Bloomington, Indiana. Woodhouse-Keese put her headquarters on a ten-acre farm (her house is at the other end), and started growing tomatoes, cucumbers, peppers, herbs, melons, and so forth. But, of course, there turned out to be a huge overlap between people who wanted to work at a recycled paper stationery company, and people who are interested in small scale, sustainable agriculture. So, quickly, the farm “turned from my personal garden into an employee garden,” Woodhouse-Keese says. Now, many Twisted Limb Paperworks employees take their breaks in the garden while pulling weeds, and load up bags of produce into their trunks rather than stopping by the grocery store on the way home. While the employees don’t necessarily use the garden as a social outlet or place for meetings (as Woodhouse-Keese points out, it gets hot in the summer), its existence lets everyone fit gardening into their lives in a way that might not otherwise be possible given how busy employees at small businesses tend to be.

Small Town Rule #8: Your recycling says a lot about your personal habits, so it’s important to be discreet. “Do

You been Earthside recently? Where you from, anyway?” “Houston metroplex. I went home on leave three months ago. It’s a fucking war zone now. You?” “PRC Boston-Seven,” I say. “It was a war zone already when I left.” “Kind of wrong, isn’t it? We bust our asses to keep Earth safe, and they shoot at us when we show up down there in uniform. Makes you wonder what we’re fighting for.” I don’t have to wonder. I fight because the only alternative is to suck down recycled shit for food in a welfare city on Earth somewhere, and wait for the inevitable day when the Lankies conclude their interstellar pest control campaign against us by hopping into Earth’s orbit and nerve-gassing our filthy little ant hive of a planet. I fight because it’s the only way I have to control my destiny at least a little bit.

I was inspired to write The Scavenger’s Daughters after reading online articles about scavengers in China who have opened their modest homes to children from the street, raising them as their own. Lou Xiaoying, an amazing woman who has raised over thirty children she has found on the street, had this to say in the July 31, 2012, edition of What’s on Shenzhen magazine: “I realized if we had strength enough to collect garbage, how could we not recycle something as important as human lives?” This

The dying mall has attracted some odd tenants, such as a satellite branch of the public library and an office of the State Attorney General's Child Predator Unit. As malls die across the country, we'll see many kinds of creative repurposing. Already, there are churches and casinos inside half-dead malls, so why not massage parlors, detox centers, transient hotels, haunted houses, prisons, petting zoos or putt-putt golf courses (covering the entire mall)? Leaving Santee, Chuck and I wandered into the food court, where only three of twelve restaurant slots were still occupied. On the back wall of this forlorn and silent space was a mural put up by Boscov, the mall's main tenant. Titled "B part of your community", it reads: KINDNESS COUNTS / PLANT A TREE / MAKE A DONATION / HELP A NEIGHBOR / VISIT THE ELDERLY / HOPE / ADOPT A PET / DRIVE A HYBRID / PICK UP THE TRASH / VOLUNTEER / CONSERVE ENERGY / RECYCLE / JOIN SOMETHING / PAINT A MURAL / HUG SOMEONE / SMILE / DRINK FILTERED WATER / GIVE YOUR TIME / USE SOLAR ENERGY / FEED THE HUNGRY / ORGANIZE A FUNDRAISER / CREATE AWARENESS / FIX A PLAYGROUND/ START A CLUB / BABYSIT These empty recommendations are about as effective as "Just Say No", I'm afraid. As the CIA pushed drugs, the first lady chirped, "Just say no!". And since everything in the culture, car, iPad, iPhone, television, internet, Facebook, Twitter and shopping mall, etc., is designed to remove you from your immediate surroundings, it will take more than cutesy suggestions on walls to rebuild communities. Also, the worse the neighborhoods or contexts, the more hopeful and positive the slogans. Starved of solutions, we shall eat slogans.

If you are easily upset, don’t continue year after year that way. If you allow little things like long lines, the weather, a grumpy salesman, or an inconsiderate receptionist to steal your joy, draw a line in the sand. Say, “You know what? That’s it. I’m not giving away my power anymore. I’m staying calm, cool, and collected. David J. Pollay, author of The Law of the Garbage Truck, was in a New York City taxicab when a car jumped out from a parking place right in front of it. His cabbie had to slam on the brakes, the car skidded, and the tires squealed, but the taxi stopped an inch from the other car. The driver of the other car whipped his head around, and honked and screamed in anger. But David was surprised when his cabbie just smiled real big, and waved at him. David said, “That man almost totaled your cab and sent us to the hospital. I can’t believe you didn’t yell back at him. How were you able to keep your cool?” The cab driver’s response, which David calls, “The Law of the Garbage Truck,” was this: “Many people are like garbage trucks. They run around full of garbage, full of frustration, full of anger, and full of disappointment. As their garbage piles up, they look for a place to dump it. And if you let them, they’ll dump it on you. So when someone wants to dump on you, don’t take it personally. It doesn’t have anything to do with you. Just smile, wave, wish them well, and move on. Believe me, you’ll be happier.” Successful people don’t allow garbage trucks to unload on them. If somebody dumps a load on you, don’t be upset. Don’t be angry. Don’t be offended. If you make that mistake, you’ll end up carrying their loads around and eventually you’ll dump them on somebody else. Keep your lid on. Sometimes you may need to have a steel lid. These days, though, so many people are dumping out poison through criticism, bad news, and anger, you’ll need to keep that lid on tight. We can’t stop people from dumping their garbage, but by keeping our lids on, we can tell them to recycle instead!

Tieken has suggested, on the basis of the problems we have outlined, that all the Sangam poems in the major anthologies were composed to order by poets who were perfectly aware of the fictive nature of their subject (tuṟai) and its context. Thus eighth- or ninth-century poets at the Pandya court, in Tieken’s reconstruction, deliberately composed poems with an internal speaker addressing a far more ancient hero or patron—as if a poet today were to adopt the persona of, say, Christopher Marlowe writing verses for Queen Elizabeth. But there is no need to conjure up such a scenario, with early-medieval court poets busy composing thousands of poems deliberately retrojected into the distant past, using conventional themes as well as invented materials meant to bring these ancient kings and bards to life. Is it not far more economical to imagine a process whereby the poems, many of them very old, all of them self-conscious literary efforts to begin with, survived through a slow process of recording, editorial accretion, and explication? Moreover, the relation of poem to colophon must have been, in many cases, far more intimate than any linear development could account for. There may well have been cases where the text and the colophon are, in a special sense, mutually determining—that is, cases where the poetic situation at work in the poem fits and informs the colophon long before the latter was recorded. Again, there is no need to assume that the “fictive” nature of the colophon means it is false. Quite the contrary may be the case: poem and colophon, though certainly distinct, usually share a single mental template. Fiction often offers a much closer approximation to truth than what passes for fact can give us. It’s also possible that some of the colophons are arbitrary editorial interventions long after the period of composition—that is, that well-known, ancient names were recycled by creative editors. We need to keep an open, critical mind as we investigate these materials.

Ipv6 enables the Internet of things,” he says, “which in turn holds the promise for reinventing almost every industry. How we manufacture, how we control our environment, and how we distribute, use, and recycle resources. When the world around us becomes plugged in and effectively self-aware, it will drive efficiencies like never before.

But Anita Roddick had a different take on that. In 1976, before the words to say it had been found, she set out to create a business that was socially and environmentally regenerative by design. Opening The Body Shop in the British seaside town of Brighton, she sold natural plant-based cosmetics (never tested on animals) in refillable bottles and recycled boxes (why throw away when you can use again?) while paying a fair price to the communities worldwide that supplied cocoa butter, brazil nut oil and dried herbs. As production expanded, the business began to recycle its wastewater for using in its products and was an early investor in wind power. Meanwhile, company profits went to The Body Shop Foundation, which gave them to social and environmental causes. In all, a pretty generous enterprise. Roddick’s motivation? ‘I want to work for a company that contributes to and is part of the community,’ she later explained. ‘If I can’t do something for the public good, what the hell am I doing?’47 Such a values-driven mission is what the analyst Marjorie Kelly calls a company’s ‘living purpose’—turning on its head the neoliberal script that the business of business is simply business. Roddick proved that business can be far more than that, by embedding benevolent values and a regenerative intent at the company’s birth. ‘We dedicated the Articles of Association and Memoranda—which in England is the legal definition of the purpose of your company—to human rights advocacy and social and environmental change,’ she explained in 2005, ‘so everything the company did had that as its canopy.’48 Today’s most innovative enterprises are inspired by the same idea: that the business of business is to contribute to a thriving world. And the growing family of enterprise structures that are intentionally distributive by design—including cooperatives, not-for-profits, community interest companies, and benefit corporations—can be regenerative by design too.49 By explicitly making a regenerative commitment in their corporate by-laws and enshrining it in their governance, they can safeguard a ‘living purpose’ through times of leadership change and protect it from mission creep. Indeed the most profound act of corporate responsibility for any company today is to rewrite its corporate by-laws, or articles of association, in order to redefine itself with a living purpose, rooted in regenerative and distributive design, and then to live and work by it.

Meanwhile we’re encouraging women to freeze their eggs,” Dr. Molson says. “Why? Seven billion people on the planet, each new baby a tiny climate disaster unto himself.” She tells them about a Swedish study that found that each American child brought into the world means another fifty-eight metric tons of carbon dioxide. To offset the carbon footprint of one more American baby, 684 teenagers would have to become impeccable recyclers who gave up air travel for the rest of their lives.

The theory is that senile cells hang around in bodies, increasing in numbers and effects as we age, and cause a whole lot of destruction. (They actually are formed even when we are infants but are recycled by our bodies and do not start accumulating until we are near age 30.) They contribute to inflammation, and, in what is even more destructive, they secrete substances that turn neighboring healthy cells senescent.4 You know the saying that you’re only as good as the friends you hang around with? These senescent cells are the bad influences.

The economic historian from Northwestern University Joel Mokyr has this to say: The main logical issue here is that economic growth can be resource saving as much as resource-using, and that the very negative effects that congestion and pollution engender will set into motion searches for techniques that will abate them. Such responses may be more effective in democratic than in autocratic regimes because concerned public opinion can map better into public policy, but in the end the need for humans to breathe clean air is about as universal a value as one can find. Investment in soil reclamation, desalination, recycling, and renewable energy count just as much as economic growth as economic activities that use up resources. Whether or not wise policies will help steer technological progress in that direction, the basic notion that per capita income growth has to stop because the planet is finite is palpable nonsense.55

And this is a question no one had asked – why had He not painted again? Out of fear that He’d have to recycle this canvas? Though it seems an odd accusation to the all powerful that He would, of all things, run out of space. But no, I would say He never painted again because He ran out of ideas. Perhaps, like the best of us, He knew He had only one story in Him. One story. And He had written it all in every aspect of the world, from each pillar-like mountain to vaulting sky.

Based on the parts of this... this scene that are not covered in refuse, and the drawings you have done for me, I know you are an artist with talent. Maybe I have old-fashioned views, but I simply don't understand why you would spend your time creating something like this." He shrugged his shoulders. "The sort of art I am used to seeing is more..." I raised an eyebrow. "More what?" He bit his lip, as though searching for the right words. "Pleasant to look at, I suppose." He shrugged again. "Scenes from nature. Little girls wearing filly white dresses and playing beside riverbanks. Bowls of fruit." "This piece shows a beach and a lake," I pointed out. "It's a scene from nature." "But it's covered in refuse." I nodded. "My art combines objects I find with images I paint. Sometimes what I find and incorporate is literal trash. But I also feel that my art is more than just trash. It's meaningful. These pieces aren't just flat, lifeless images on canvas. They say something." "Oh." He came even closer to the landscapes, kneeling so he could peer at them up close. "And what does your art... say?" His nose was just a few inches from an old McDonald's Quarter Pounder wrapper I'd laminated to the canvas so it looked like it was rising out of Lake Michigan. I'd meant for it to represent capitalism's crushing stranglehold on the natural world. Also, it just sort of looked cool. But I decided to give him a broader explanation. "I want to create something memorable with my art. Something lasting. I want to give people who see my works an experience that won't fade away. Something that will stay with them long after they see it." He frowned skeptically. "And you accomplish that by displaying ephemera others throw away?" I was about to counter by telling him that even the prettiest painting in the fanciest museum faded from memory once the patrons went home. That by using things other people throw away, I took the ephemeral and make it permanent in a way no pretty watercolor ever could.

The commercial genre which has developed from Tolkien is probably the most dismaying effect of all. I grew up in a world where Joyce was considered to be the best Anglophone writer of the 20th century. I happen to believe that Faulkner is better, while others would pick Conrad, say. Thomas Mann is an exemplary giant of moral, mythic fiction. But to introduce Tolkien's fantasy into such a debate is a sad comment on our standards and our ambitions. Is it a sign of our dumber times that Lord of the Rings can replace Ulysses as the exemplary book of its century? Some of the writers who most slavishly imitate him seem to be using English as a rather inexpertly-learned second language. So many of them are unbelievably bad that they defy description and are scarcely worth listing individually. Terry Pratchett once remarked that all his readers were called Kevin. He is lucky in that he appears to be the only Terry in fantasy land who is able to write a decent complex sentence. That such writers also depend upon recycling the plots of their literary superiors and are rewarded for this bland repetition isn't surprising in a world of sensation movies and manufactured pop bands. That they are rewarded with the lavish lifestyles of the most successful whores is also unsurprising. To pretend that this addictive cabbage is anything more than the worst sort of pulp historical romance or western is, however, a depressing sign of our intellectual decline and our free-falling academic standards.

Teach skills of healthy interdependence. Instead of raising kids who think they must do it all on their own, teach them how to ask for help when they need it and model these skills yourself. Make chores mandatory. To encourage a “we’re all in this together” mindset, you might save your own household chores—paying the bills, recycling newspapers, straightening up the house—for when your kids are scheduled to do theirs. Avoid linking chores to allowances or excessive praise. Chores are what you do when you are part of a family, a contribution to the greater whole. Widen their circle of concern and caring. Point out how other people add value to your kids’ lives every day, like janitors at school who work hard to keep the school clean of germs, or teachers who sacrifice their own time to meet outside class. Broaden their circle of caring. Say thank you to the waitress and the bus driver. Children learn kindness and empathy not just by how we treat those closest to us, but also by how we treat strangers, notes Rick Weissbourd.

It’s interesting to watch an event being recycled as culture in real time, she says. You know, you’re watching the process of cultural production while it takes place, rather than in retrospect. I don’t know if that’s unique.

Of course, I’d known before then. But that night, clutching yet another beer bottle, watching Christian move on the dance floor, I verbalized the subtle knowledge in my mind. I loved him. Shamefully and hopelessly. I tried to talk myself out of it. It’s not like there is a definition. They can’t take your blood sample, run a test and give you the results. It’s all vague, subjective, prone to manipulation, hypochondria. You wake up one day thinking you’re in love with someone and the following week, you’re not. All that drama, the cultural pressure. The epitome of so-called happiness sold to us by the media. They say it can last a year, the honeymoon phase. Two at best. In love… It was just a chemical process, imagination, internalization of recycled clichés, and a hefty dose of delusion. But it didn’t hurt any less. I wanted him, craved him, couldn’t bear anyone else to touch him just as I needed him to be content and sheltered—yes, even if it meant he’d be with someone else. Happy and safe. He was the single, most important being in the whole universe. If Christian was hopeful and joyous as ever, my life had a purpose, the world had a meaning.

The artisanal firearm right now being used as punctuation is called a Donnerbüchse, which is to say a thunder gun, and it is basically a weaponized recycler. It is a cone with bang bang at the back and an open mouth at the front and you put any old crap you happen to have in and then pull the trigger and all your chicken bones or nails fly out and rip pieces off whoever is in your way. Many people who are shot with one of these things who do not sustain fatal initial damage are killed by the very many fucked-up infections they contract in unexpected body parts because that is what happens when you get shot with a chicken carcass and a bag of nails. Another way of thinking about a Donnerbüchse is that it is a handheld unidirectional pipe bomb.

With superior sentience, come superior screw-ups. And this holds particularly true for industrialization. Even if we put aside carbon emission, in the year 2020 alone humankind has produced over 2 billion tonnes of trash, which is expected to rise over 70% by the year 2050. Thus, in the name of progress we the gadget-mad gargoyles keep acting as the true eco-terrorists of the glorious dumping ground, called the planet earth. 2% of all our waste is e-waste. And the alarming bit here is that, that 2% e-waste comprises over 70% of our overall toxic waste. So, what can you do, you ask? Simple - reject less, repair more. Try to make things last as long as possible, or pass them on to those who have need for them. Don't let things go to waste, just because you can afford new ones. For example, my kid cousin's laptop has been acting up for some time now. But instead of buying them a new pc, I ordered the replacement for the faulty part and repaired the laptop myself. This way, we not only reduce our e-waste footprint on the planet, but in the process, we teach kids to value things. The point is, whether you do it yourself or get it done by a professional, by practicing repair, you are actively participating in the making of a greener, cleaner and healthier world. It's not enough to be just a consumer, you gotta be a conscious consumer, otherwise there is no difference between a consumer and a slave. That is why, right-to-repair is not only a human rights issue, it is also an environmental issue. Repairing and recycling are the bedrock of sustainability. So I say again - reject less, repair more.

Thus begins my only sustained conversation in the Grand Canyon, as the man and I walk the second half of South Kaibab Trail together. I learn he’s on his way to a water treatment plant at the Colorado River. “I treat sewage water and recycle it to use at Phantom Ranch,” he explains. A self-described “Steward of the Grand Canyon,” he’s been doing this work all his life – a job he took over from his uncle and grandfather before him. “No matter the weather I hike to the plant every other week,” he says. “I stay for about a week at a time.” This week he’s on a special mission to train some new “young bucks” in the art of water treatment. “They never last,” he shakes his head. “They think they know what they’re getting into, and then reality hits when it gets cold.” He pauses, staring down the emerald Colorado River snaking below us. Then he swings around, looking me straight in the eyes, “I have given up everything I love for this canyon.” He resumes his speed walk as I trail clumsily behind him, trying to keep up. My bike bounces on my back.

FORTY-EIGHT She is almost fifteen when her father shows his true colors. It is the garage again. This time she is looking for empty plastic soda bottles for a school project. The recycling bin will have plenty. It is mid-afternoon on a weekday. Her school dismissed early due to a bomb threat that turned out to be nothing more than rumors. All of her friends went out to lunch, but Pea is home. She hasn’t felt like doing much of anything since The Day Her World Shattered. Her father is up her ass about school on a daily basis though, so she decides to get an early start on her project. This time, it’s not a gaggle of men that she sees. Instead it is only her father. He stands over his handiwork, chest heaving, a look of bloodlust and absolute satiation on his face that sends Pea’s stomach plummeting. Before she can turn away, he sees her. He smiles. A voice in her mind tells her to run but where would she go? This is it. This is what she has in life. This is her life. She can run, but this man will always be her father. She hears something dripping, sees her father turn toward her, hands at his sides. He says, “I had to, Pea.

Um, so you're in love with Frankie, right?" "Yes." "How do you know?" She thought about it for a minute, then said, "I'm happier when I'm with him. I'm stronger, more daring, more open. You know how when you're ten, you are so much who you are? When I was ten I was like the senior of being a kid. I was into sports, of course, but I was also into politics, I read the paper, I organized a recycling drive, I did cartwheels just because I felt happy. Didn't you?" "Well," I said, "I have never done a cartwheel. Maybe I've never been that happy." "No, you know what I mean. I was strong." ... "When I'm not with him," she went on, the words rushing out of her, "I think about him all the time- what he would think, or say, how he would calm me down and help me roll with it, whatever. And when I'm with him, it's just- easy. This might sound weird, but I'm more like I was when I was ten. Minus the cartwheels, plus a little, you know, different kind of physical stuff. I guess I know I'm in love with Frankie because I'm more like myself when I'm with him.

sneaking into our room when we were out, to go through our bins before we emptied them. She’d leave the evidence next to my pillow, with little Post-it notes saying, “Hi! Just popped in to check on something, and found these in your bin. Don’t forget to recycle!” It wasn’t a horse’s head, but it was pretty fucking close.

If you are trying to recover from something or replenish yourself, place a hand on your heart and say to yourself, “I give myself my own love.” It is a powerful statement. I give myself my own love. Some of you will feel it going through the hand back into the heart recycling what it is you send out. A lot of love escapes your body from this point, so send it back in. The heart is a magnet when it is full. Think about that for a second. Think about the times in your life when you are greatly in love with a person, a project, or your own experience of life. Everything flows. The colors are more vivid. The light is brighter. You are your own master of your heart, and the fastest way to feed it is through yourself. Very quickly you will find you will be able to connect with others to have the experiences you want, the relationships you want, the work you want, or the creations you want to birth.

When approximately 80% of the environmental impact is predetermined at the concept and design stage there is clearly action to take. As Kate Krebbs, executive director of the National Recycling Coalition (NRC) in the USA says, “Waste is a design flaw.

I like to think of this as ecological journalism: I recycle.

Someone’s gotta do it. No one’s gonna do it. So I’ll do it. Your honor, I rise in defense of drunken astronauts. You’ve all heard the reports, delivered in scandalized tones on the evening news or as guaranteed punch lines for the late-night comics, that at least two astronauts had alcohol in their systems before flights. A stern and sober NASA has assured an anxious nation that this matter, uncovered by a NASA-commissioned study, will be thoroughly looked into and appropriately dealt with. To which I say: Come off it. I know NASA has to get grim and do the responsible thing, but as counsel for the defense—the only counsel for the defense, as far as I can tell—I place before the jury the following considerations: Have you ever been to the shuttle launchpad? Have you ever seen that beautiful and preposterous thing the astronauts ride? Imagine it’s you sitting on top of a 12-story winged tube bolted to a gigantic canister filled with 2 million liters of liquid oxygen and liquid hydrogen. Then picture your own buddies—the “closeout crew”—who met you at the pad, fastened your emergency chute, strapped you into your launch seat, sealed the hatch and waved smiling to you through the window. Having left you lashed to what is the largest bomb on planet Earth, they then proceed 200 feet down the elevator and drive not one, not two, but three miles away to watch as the button is pressed that lights the candle that ignites the fuel that blows you into space. Three miles! That’s how far they calculate they must go to be beyond the radius of incineration should anything go awry on the launchpad on which, I remind you, these insanely brave people are sitting. Would you not want to be a bit soused? Would you be all aflutter if you discovered that a couple of astronauts—out of dozens—were mildly so? I dare say that if the standards of today’s fussy flight surgeons had been applied to pilots showing up for morning duty in the Battle of Britain, the signs in Piccadilly would today be in German. Cut these cowboys some slack. These are not wobbly Northwest Airlines pilots trying to get off the runway and steer through clouds and densely occupied airspace. An ascending space shuttle, I assure you, encounters very little traffic. And for much of liftoff, the astronaut is little more than spam in a can—not pilot but guinea pig. With opposable thumbs, to be sure, yet with only one specific task: to come out alive. And by the time the astronauts get to the part of the journey that requires delicate and skillful maneuvering—docking with the international space station, outdoor plumbing repairs in zero-G—they will long ago have peed the demon rum into their recycling units.