Reclamation Quotes

I'm even going to electrolyze my urine. That'll make for a pleasant smell in the trailer. If I survive this, I'll tell people I was pissing rocket fuel.

Conclusion: I don't need the water reclaimer at all. I'll drink as needed and dump my waste outdoors. Yeah, that's right, Mars, I'm gonna piss and shit on you. That's what you get for trying to kill me all the time.

Life cracks us into unrecognizable shards of former incarnations. Slivers of our hurt and our pain and our shame nestles next to fragments of our truth, our divinity, our fierce reclamation of power. It is this very brokenness that allows us to knit together, kaleidoscope style. And we spin and shift and turn to the light until we appear brilliant, lit from within. Suddenly we are revealed; unexpected beauty born directly from brokenness. We have to be willing to break in order to become.

You took advantage of every second that I did not love myself.

The question is, can poverty be simulated? Poverty, after all, is not just a question of having no money or no possessions. Poverty is about having no power. The battle of the poor and the powerless is one of reclamation, not renunciation.

No matter how awakened you are, the conditioning roots are deep; very deep. Reclamation is a constant process.

Why do you fall in love with the impossible?

I am the definition of a powerful woman. I love with my whole body, heart, and soul. I say whatever the fuck is on my mind. I make huge mistakes proudly. I rage with as much passion as I grieve. I live my poetry, my art.

The tears of our devastation fertilize the soil of our evolution.

I’ve not forgotten the song of those dark years, hambre del alma, the song of the starved soul. But neither have I forgotten the joyous canto hondo, the deep song, the words of which come back to us when we do the work of soulful reclamation.

So many of us were taught to keep a lid on anything and everything outrageous. To just turn it off. We turn off our life force, turn off our feelings, turn off our sensuality, and as a consequence, we turn off our power.

One can easily forgive a child who’s afraid of the dark. The real tragedy of life is when men are afraid of the light,

Take them and claim their deaths as your reclamation to life.

Knowing yourself is first step towards self reclamation.

Nothing closes doors as quickly as constant bad humor, reclamation, whining. Nobody wants to associate themselves with losers.

You are already my lover so I cannot offer to make you that. You are already a man so I cannot offer that, either. You are already half of my soul, you are already my religion and my prayer.

There’s this thing called progress. But it doesn’t progress, it doesn’t go anywhere. Because as progress progresses the world can slip away. It’s progress if you can stop the world slipping away. My humble model for progress is the reclamation of land. Which is repeatedly, never-endingly retrieving what is lost. A dogged, vigilant business. A dull yet valuable business. A hard, inglorious business. But you shouldn’t go mistaking the reclamation of land for the building of empires.

Pentru că au sâni rotunzi, cu gurguie care se ridică prin bluză când le e frig, pentru că au fundul mare şi grăsuţ, pentru că au feţe cu trăsături dulci ca ale copiilor, pentru că au buze pline, dinţi decenţi şi limbi de care nu ţi-e silă. Pentru că nu miros a transpiraţie sau a tutun prost şi nu asudă pe buza superioară. Pentru că le zâmbesc tuturor copiilor mici care trec pe lângă ele. Pentru că merg pe stradă drepte, cu capul sus, cu umerii traşi înapoi şi nu răspund privirii tale când le fixezi ca un maniac. Pentru că trec cu un curaj neaşteptat peste toate servitutile anatomiei lor delicate. Pentru că în pat sunt îndrăzneţe şi inventive nu din perversitate, ci ca să-ţi arate că te iubesc. Pentru că fac toate treburile sâcâitoare şi mărunte din casă fără să se laude cu asta şi fără să ceară recunoştinţă. Pentru că nu citesc reviste porno şi nu navighează pe site-uri porno. Pentru că poartă tot soiul de zdrăngănele pe care şi le asortează la îmbrăcăminte după reguli complicate şi de neînţeles. Pentru că îşi desenează şi-şi pictează feţele cu atenţia concentrată a unui artist inspirat. Pentru că au obsesia pentru subţirime a lui Giacometti. Pentru că se trag din fetiţe. Pentru că-şi ojează unghiile de la picioare. Pentru că joacă şah, whist sau ping-pong fără sa le intereseze cine câştigă. Pentru că şofează prudent în maşini lustruite ca nişte bomboane, aşteptând să le admiri când sunt oprite la stop şi treci pe zebră prin faţa lor. Pentru că au un fel de-a rezolva probleme care te scoate din minţi. Pentru că au un fel de-a gândi care te scoate din minţi. Pentru că-ţi spun „te iubesc” exact atunci când te iubesc mai puţin, ca un fel de compensaţie. Pentru că nu se masturbează. Pentru că au din când în când mici suferinţe: o durere reumatică, o constipaţie, o bătătură, şi-atunci îţi dai seama deodată că femeile sunt oameni, oameni ca şi tine. Pentru că scriu fie extrem de delicat, colecţionând mici observaţii şi schiţând subtile nuanţe psihologice, fie brutal şi scatologic ca nu cumva să fie suspectate de literatură feminină. Pentru că sunt extraordinare cititoare, pentru care se scriu trei sferturi din poezia şi proza lumii. Pentru că le înnebuneşte „Angie” al Rolling-ilor. Pentru că le termină Cohen. Pentru că poartă un război total şi inexplicabil contra gândacilor de bucătărie. Pentru că până şi cea mai dură bussiness woman poartă chiloţi cu înduioşătoare floricele şi danteluţe. Pentru că e aşa de ciudat să-ntinzi la uscat, pe balcon, chiloţii femeii tale, nişte lucruşoare umede, negre, roşii şi albe, parte satinate, parte aspre, mirându-te ce mici suprafeţe au de acoperit. Pentru că în filme nu fac duş niciodată înainte de-a face dragoste, dar numai în filme. Pentru că niciodată n-ajungi cu ele la un acord în privinţa frumuseţii altei femei sau a altui bărbat. Pentru că iau viaţa în serios, pentru că par să creadă cu adevărat în realitate. Pentru că le interesează cu adevărat cine cu cine s-a mai cuplat dintre vedetele de televiziune. Pentru că ţin minte numele actriţelor şi actorilor din filme, chiar ale celor mai obscuri. Pentru că dacă nu e supus nici unei hormonizări embrionul se dezvoltă întotdeauna într-o femeie. Pentru că nu se gândesc cum să i-o tragă tipului drăguţ pe care-l văd în troleibuz. Pentru că beau porcării ca Martini Orange, Gin Tonic sau Vanilia Coke. Pentru că nu-ţi pun mâna pe fund decât în reclame. Pentru că nu le excită ideea de viol decât în mintea bărbaţilor. Pentru că sunt blonde, brune, roşcate, dulci, futeşe, calde, drăgălaşe, pentru că au de fiecare dată orgasm. Pentru că dacă n-au orgasm nu îl mimează. Pentru că momentul cel mai frumos al zilei e cafeaua de dimineaţă, când timp de o oră ronţăiţi biscuiţi şi puneţi ziua la cale. Pentru că sunt femei, pentru că nu sunt bărbaţi, nici altceva. Pentru că din ele-am ieşit şi-n ele ne-ntoarcem, şi mintea noastră se roteşte ca o planetă greoaie, mereu şi mereu, numai în jurul lor.

Knowledge which is acquired under compulsion obtains no hold on the mind.

With a sleepy sigh, I reminded myself that distance was only a myth.

When she designs, and then lives, her own destiny, a woman naturally sets right everything wrong in our world.

I had never considered myself beautiful, but I decided that I could change my mind.

Bitch. Noun. Though formal definitions dictate a worthless woman, a shameful she-devil, a heinous hellcat, a shrill shrew, a curse of a cunt, or someone of the like... we all know a man wrote that shit.

They had to learn to see me as a sensual woman who desired a full, passionate life—not just a mother whose best years were behind her and whose future was limited to caring for grandchildren and other family members

He then made bold to inquire what business brought him there. 'Your welfare!' said the Ghost. Scrooge expressed himself much obliged, but could not help thinking that a night of unbroken rest would have been more conducive to that end. The Spirit must have heard him thinking, for it said immediately: 'Your reclamation, then.

But here—in the midst of this unimaginable loss—is where I found it. The gift in the rupture. Rupture’s gift is the chance to feel the pain that we could not afford to feel before. In rupture, this pain becomes ours. Because we have longed. Because we have loved.

I wonder if I loved him because I thought no one like you would ever come along.

People HAVE used me. But it don't matter I don't let it change me. – Mohammed Ali

Secrets create spaces within a relationship, Jonas—dark spaces. When one person keeps secrets, the other person fills in the dark spaces with their fears and insecurities.

You don't spill your lies on the pages that I write on.

Alles, was uns Freude machen soll, ist an Zeit und Umstände gebunden, und was uns heute noch beglückt, ist morgen wertlos.

part spy thriller, part cultural and political reclamation, The Sympathizer

Healing is not a destination; it’s a continuous journey of self-discovery, self-compassion, and the reclamation of your true essence. ~Unknown

Whether you know it or you don’t, whether you accept it or not, everything you do is about the reclamation of your own ‘soul’.

Using Wiradjuri language on the cover of my novel makes a strong statement … regarding the reclamation and maintenance of the traditional language of my family.

Two ghosts, briefly rescued from oblivion; a small act of reclamation, a chance to make amends. -Paul Murray, SKIPPY DIES

A wall-to-wall Instagram reel of flirtatious young women doing selfies and documenting the gaps in their thighs isn’t a zoetrope of inconsequential self-involvement, so much as a reclamation of the lens: The young and bewildered women who blinked innocently from the dark corners of the early web are holding the camera now, controlling their own images, setting the terms of engagement.

The body count alone marks the plantation as a sacred place, and yet that's not what hallows the grounds to most. Traditionally, the plantation is a place where architecture and windows and wallpaper are lauded but the bodies who put them up are not. It is still marketed as the crux of the Old South, a place of manners, gentility, custom, and tradition; the South's cultural apogee. It is where much of Southern culture was born, and that includes much of Southern food, and it is the place where, by and large, black America was born - and that's precisely why I use the plantation as a place of reclamation.

Aber er hatte lange genug gelebt, um zu wissen, dass alle Zeichen trügen und dass wir in unsrer Eifersucht, trotz ihrer hundert Augen, oft noch mehr in die Irre gehen, als in der Blindheit unsres Vertrauens.

The feminine is the feeling part of us, our deepest intuition, our sense of community and connection. Additionally, it is a sense of spiritual morality and consciousness. The feminine is life. It may shock you to hear that she does not care about production, accomplishment, domination, assertiveness, or winning. Those are masculine values. On the contrary, she favors enjoyment, inclusion, surrender, and sustainability.

I Not my best side, I'm afraid. The artist didn't give me a chance to Pose properly, and as you can see, Poor chap, he had this obsession with Triangles, so he left off two of my Feet. I didn't comment at the time (What, after all, are two feet To a monster?) but afterwards I was sorry for the bad publicity. Why, I said to myself, should my conqueror Be so ostentatiously beardless, and ride A horse with a deformed neck and square hoofs? Why should my victim be so Unattractive as to be inedible, And why should she have me literally On a string? I don't mind dying Ritually, since I always rise again, But I should have liked a little more blood To show they were taking me seriously. II It's hard for a girl to be sure if She wants to be rescued. I mean, I quite Took to the dragon. It's nice to be Liked, if you know what I mean. He was So nicely physical, with his claws And lovely green skin, and that sexy tail, And the way he looked at me, He made me feel he was all ready to Eat me. And any girl enjoys that. So when this boy turned up, wearing machinery, On a really dangerous horse, to be honest I didn't much fancy him. I mean, What was he like underneath the hardware? He might have acne, blackheads or even Bad breath for all I could tell, but the dragon-- Well, you could see all his equipment At a glance. Still, what could I do? The dragon got himself beaten by the boy, And a girl's got to think of her future. III I have diplomas in Dragon Management and Virgin Reclamation. My horse is the latest model, with Automatic transmission and built-in Obsolescence. My spear is custom-built, And my prototype armour Still on the secret list. You can't Do better than me at the moment. I'm qualified and equipped to the Eyebrow. So why be difficult? Don't you want to be killed and/or rescued In the most contemporary way? Don't You want to carry out the roles That sociology and myth have designed for you? Don't you realize that, by being choosy, You are endangering job prospects In the spear- and horse-building industries? What, in any case, does it matter what You want? You're in my way. - Not My Best Side

smuggled away in whispers, by black familiars, unresisting, the beloved one leaves home, without a farewell, to darken those doors no more; henceforward to lie outside, far away, and forsaken, through the drowsy heats of summer, through days of snow and nights of tempest, without light or warmth, without a voice near. Oh, Death, king of terrors! The body quakes and the spirit faints before thee. It is vain, with hands clasped over our eyes, to scream our reclamation; the horrible image will not be excluded. We have just the word spoken eighteen hundred years ago, and our trembling faith. And through the broken vault the gleam of the Star of Bethlehem.

Those are your divisions, the false dichotomies and the hegemonic hierarchies of materialist colonizers. We, too, have been the slaves of your desires, unwitting tools, forging the destruction of the planet, and things will change whether you like it or not. In the end days of the Anthropocene (your word, your hubris, not ours), Matter is making a comeback. We are taking back our bodies, reclaiming our material selves. In a neo-materialist world, Every Thing Matters.

To some conservationists, the Colorado River is the preeminent symbol of everything mankind has done wrong—a harbinger of a squalid and deserved fate. To its preeminent impounder, the U.S. Bureau of Reclamation, it is the perfection of an ideal. The

So much of a child’s life is lived for others. . . . All the reading I did as a child, behind closed doors, sitting on the bed while the darkness fell around me, was an act of reclamation. This and only this I did for myself. This was the way to make my life my own.

În lumea consumistă şi globalizată actuală, pare că nu mai cunoaştem alt sens al fericirii decât acesta din urmă: mediocru, utilitar, lipsit de orice aspiraţie care depăşeşte standardele materialiste: o casă confortabilă, un loc de muncă bănos, o vacanţă în Caraibe (sau măcar la Sinaia...), o familie asigurată financiar. O dragoste călduţă (nu te mai osteneşti să-ţi dai seama măcar dacă-ţi iubeşti sau nu cu adevărat partenerul), o muncă nu prea creativă, obiecte (recomandate la televizor) cu care-ţi umpli orice spaţiu liber... Oamenii au uitat cu totul că li s-a făcut un dar copleşitor: cel de a exista în minunea lumii, de a fi vii, de a fi conştienţi de sine. Ei nu-şi mai pun niciodată întrebări ca: De fapt, cine sunt eu? Ce rost am pe lume? Oare mi s-a dat minunea că pot vedea şi auzi doar ca să fiu şofer de autobuz sau să fac reclame? Oare n-am să mor fără să fi făcut nimic pe lumea asta ? Condamnarea acestui gen de fericire este totuşi în bună parte nedreaptă, după părerea mea, ca întreaga condamnare a modului de viaţă occidental, căci înseamnă, de fapt, o reacţie «elitistă» în faţa unei fericiri «populare». Eu cred că avem nevoie de ambele feluri de fericire, că fiecare-n parte este săracă şi extremă în lipsa celeilalte. Cred, de altfel, că sunt foarte rari atât poeţii puri şi extatici cât şi consumiştii complet imbecilizaţi de bere şi televiziune. Suntem cu toţii, de fapt, o combinaţie între cele două cazuri, şi idealul uman ar putea să fie, în consecinţă, o viaţă împlinită şi decentă material străbătută din când în când de fulguraţiile nebuneşti ale marii şi adevăratei fericiri.

We have to both acknowledge that the problem is patriarchy and work to end patriarchy. Terrence Real offers this valuable insight: “The reclamation of wholeness is a process even more fraught for men than it has been for women, more difficult and more profoundly threatening to the culture at large.” If men are to reclaim the essential goodness of male being, if they are to regain the space of openheartedness and emotional expressiveness that is the foundation of well-being, we must envision alternatives to patriarchal masculinity. We must all change.

Vijftig jaar is zo'n gigantische hoeveelheid tijd om niet te krijgen, ik weet niet hoe ik me daar een voorstelling van moet maken. Vijftig verjaardagen, ja, vijftig keer kerst en zomervakantie en zo, die dingen. Maar ook hoe vaak wel niet je lievelingsliedje op de radio? Hoeveel duizend keer lekker warm douchen? Hoeveel Tell Sell-reclames en films, hoeveel pannenkoeken met stroop? Hoe vaak iemands knie tegen de jouwe en hoeveel computerspelletjes?

These men you may today see thronging the churches with us, tomorrow crowding the theatres with the godless. But we have the less reason to despair of the reclamation even of such persons, if among our most declared enemies there are now some, unknown to themselves, who are predestined to become our friends.

How about cunt? It just feels too harsh, even though the etymology of the word is pretty impressive. The word cuneiform, which is the most ancient form of writing, derives from kunta—which translates to “female genitalia” in ancient Sumerian. Kunta also means “woman” in several Near Eastern and African languages, and its alternate spelling, quna, is the root of the word queen. Kunta is also the root of kundalini, which means “life force.” Pretty powerful, huh?

ah yes … the hamster is dead but the wheel is still spinning.

The writer as boxer says he develops by, "learning from everyone who'll spar with me.

Children are angels in exile, so close to God. They haven't had time to separate from Him. Ali

I wouldn't serve a God who wouldn't speak to me. George Foreman

Thinking is just the soul talking with itself, or so Plato says.

Dominic, I realized at once, would be the one to suffer the most.

Stuck in a fetal position I sought out my lovers.

You are trying to survive your own death.

I held truth against your crocodile tears.

But the grief, once a harsh rope that seemed to tighten at every turn, had now softened with time into a delicate thread, woven invisibly into the fabric of their daily lives.

—Somos las Trece —dijo—. Desde ahora hasta que la Oscuridad nos reclame.

Everyone is perfect, yet none of us feels that way because our culture teaches us to hate and criticize ourselves.

There is no human alive today who was not created and held inside the living altar of a woman.

Lest we forget that Shakespeare spelled his surname in five different ways. None of them was S H A K E S P E A R E.

Sylvia Plath is not a writer. She is written: a corpse bride in her husband’s perpetual romance.

Hughes’s declarations that he and Plath shared the same mind, body, and a fate that put circumstances beyond their control reduce her to less than adjunct to her famous husband,

One of the most perplexing contradictions is ‘who we are’ verses ‘who we’ve become’. And if we don’t reclaim the former, there will be very little that is authentic about the latter.

Plath survived her 1953 suicide attempt because she took too many pills and vomited them up. In 1963, she took enough to ensure her death. There was no escape hatch. That was the point.

survivors attempt to negotiate adult relationships, the psychological defenses formed in childhood become increasingly maladaptive. The survivor’s intimate relationships are driven by a desperate longing for protection and love, and simultaneously fueled by fears of abandonment and exploitation. From this place, safe and appropriate boundaries cannot be established. As a

Everyone who writes with care, who treats words with respect and allows even the humblest its historical and grammatical dignity, participates in the exhilarating work of reclamation. Each essay or poem is its own “raid on the inarticulate,” and every written work that forestalls the slow death of speech is a response to Wendell Berry’s challenge to “practice resurrection.

The immediate correlation of Plath’s suicide with her poetry has trained us to hear the many voices she left behind as coming from beyond the grave, rather than as the record of her life—a unique form of censorship.

Being shut down from our grief and rage deprives us of living our emotional and creative power. The practice of Swamping gives us that power back. We admit and embody the rupture. We roll around on the floor, rend our garments, throw our bodies into it. We experience and savor the full range of our feelings. If we want to live healthy lives as women, we need the space to grieve our asses off as often as we feel moved. Swamping gives us that opportunity.

Damn the consequences. Even the worst of what you can imagine will figure itself out eventually. And there you will be at the end -- standing tall in the midst of it all. You. Beautiful, beautiful you. You take my breath away.

Throwing the leg of lamb out the window may have been Aunt Carol's outward expression of the process going on within her soul: the reclaiming of herself. Perhaps it was her way of saying how tired she was of waiting on her family, of signaling to them that she was past the cook/chauffeur/dishwasher stage of life. For many women, if not most, part of this reclamation process includes getting in touch with anger and, perhaps, blowing up at loved ones for the first time.

Seven Jews have changed the way we perceive the world: Moses said ‘Everything is in the head!’, Jesus said ‘Everything is in the heart!’, Marx said ‘Everything is in the stomach!’, Freud said ‘Everything is in the loin!’, Zuckermann said ‘Everything is in the tongue!’, Zuckerberg said ‘Everything is online!’, Einstein said ‘Everything is relative!’. The success of language revival is relative. No language reclamation can be fully successful. And as an eighth Jew, Jerry Seinfeld, once said: ‘Not that there’s anything wrong with that!

It was elegant in its simplicity, shameless in its daring, as most of the Gah Men's plans were. Squatters? Move them. Communists? Jail them. Housing? Build it. Even the earth itself was deemed malleable, a cost-benefit analysis conducted, a decision made. The rest was execution.

For most of human history, when you were born you inherited an off-the-shelf package of religious and cultural constraints. This was a kind of library of limits that was embedded in your social and physical environment. These limits performed certain self-regulatory tasks for you so you didn’t have to take them on yourself. The packages included habits, practices, rituals, social conventions, moral codes, and a myriad of other constraints that had typically evolved over many centuries, if not millennia, to reliably guide – or shall we say design – our lives in the direction of particular values, and to help us give attention to the things that matter most. In the twentieth century the rise of secularism and modernism in the West occasioned the collapse – if not the jettisoning – of many of these off-the-shelf packages of constraints in the cause of the liberation of the individual. In many cases, this rejection occurred on the basis of philosophical or cosmological disagreements with the old packages. This has, of course, had many great benefits. Yet by rejecting entire packages of constraint, we’ve also rejected those constraints that were actually useful for our purposes. “The left’s project of liberation,” writes the American philosopher Matthew Crawford, “led us to dismantle inherited cultural jigs that once imposed a certain coherence (for better and worse) on individual lives. This created a vacuum of cultural authority that has been filled, opportunistically, with attentional landscapes that get installed by whatever ‘choice architect’ brings the most energy to the task – usually because it sees the profit potential.” The German philosopher Peter Sloterdijk, in his book You Must Change Your Life, has called for a reclamation of this particular aspect of religion – its habits and practices – which he calls “anthropotechnics.”6 When you dismantle existing boundaries in your environment, it frees you from their limitations, but it requires you to bring your own boundaries where you didn’t have to before. Sometimes, taking on this additional self-regulatory burden is totally worth it. Other times, though, the cost is too high. According to the so-called “ego-depletion” hypothesis, our self-control, our willpower, is a finite resource.7 So when the self-regulatory cost of bringing your own boundaries is high enough, it takes away willpower that could have been spent on something else.

Proustian methodology cannot be codified; Czapski learned to let the book come back to him without forcing it. Undertaking this process of reclamation, he came to understand that the true search of À la recherche is not for what one can remember, but for what one has forgotten. Samuel Beckett insisted that “the man with a good memory does not remember anything because he does not forget anything,” and claimed therefore that Proust “had a bad memory.” A good memory is “uniform, . . . an instrument of reference instead of discovery.” Like Proust’s journey, Czapski’s was one of discovery, and affirmation.

The migrated self became, inevitably, heterogeneous instead of homogeneous, belonging to more than one place, multiple rather than singular, responding to more than one way of being, more than averagely mixed up. Was it possible to be—to become good at being—not rootless, but multiply rooted? Not to suffer from a loss of roots but to benefit from an excess of them? The different roots would have to be of equal or nearequal strength, and he worried that his Indian connection had weakened. He needed to make an act of reclamation of the Indian identity he had lost, or felt he was in danger of losing. The self was both its origins and its journey.

‎"Você nasceu no lar que precisava nascer, vestiu o corpo físico que merecia, mora onde melhor Deus te proporcionou, de acordo com o teu adiantamento. Você possui os recursos financeiros coerentes com tuas necessidades… nem mais, nem menos, mas o justo para as tuas lutas terrenas. Seu ambiente de trabalho é o que você elegeu espontaneamente para a sua realização. Teus parentes e amigos são as almas que você mesmo atraiu, com tua própria afinidade. Portanto, teu destino está constantemente sob teu controle. Você escolhe, recolhe, elege, atrai, busca, expulsa, modifica tudo aquilo que te rodeia a existência. Teus pensamentos e vontades são a chave de teus atos e atitudes. São as fontes de atração e repulsão na jornada da tua vivência. Não reclame, nem se faça de vítima. Antes de tudo, analisa e observa. A mudança está em tuas mãos. Reprograma tua meta, busca o bem e você viverá melhor. Embora ninguém possa voltar atrás e fazer um novo começo, qualquer um pode começar agora e fazer um novo fim.

Each railroad tie in Hokkaido was nothing but the bluish corpse of a worker. Posts driven into the soil during harbor reclamations were laborers sick with beriberi buried alive like the ancient “human pillars.” The name for workers in Hokkaido was “octopus.” In order to stay alive, an octopus will even devour its own limbs. It was just like that! Here a primitive exploitation could be practiced against anyone, without any scruples. It yielded loads of profit. What’s more such doings were cleverly identified with “developing the national wealth,” and deftly rationalized away. It was very shrewdly done. Workers were starved and beaten to death for the sake of “the nation.

I walked across the marble star map that traces a sidereal revolution of the equinox and fixes forever, the Reclamation man had told me, for all time and for all people who can read the stars, the date the dam was dedicated. The star map, he had said, was for when we were all gone and the dam was left. I had not thought much of it when he said it, but I thought of it then, with the wind whining and the sun dropping behind a mesa with the finality of a sunset in space. Of course that was the image I had seen always, seen it without quite realizing what I saw, a dynamo finally free of man, splendid at last in its complete isolation, transmitting power and releasing water to a world where no one is.

Oamenii au uitat cu totul că li s-a făcut un dar copleşitor: cel de a exista în minunea lumii, de a fi vii, 133 de a fi conştienţi de sine. Ei nu-şi mai pun niciodată întrebări ca: de fapt, cine sunt eu? Ce rost am pe lume? Oare mi s-a dat minunea că pot vedea şi auzi doar ca să fiu şofer de autobuz sau să fac reclame? Oare n-am să mor fără să fi făcut nimic pe lumea asta ?

Reclamation is hard work. Finding the value in your group’s characteristics means always having to confront the darkness in those characteristics. For example, it is acceptable, and productive, to think of America as a great nation. It has many great characteristics, from the freedom it grants its citizens to the cultural contributions it has fostered and rewarded. But by unearthing America’s good qualities, you will also find its destructive qualities. The way it has interfered internationally and created death and misery for countless citizens of other nations, its history of genocide and slavery, and so on. It is possible to know America’s destructive power and still think it is a great nation. But some prefer not to look at all, so as to avoid the cognitive dissonance. It

All of life is not a learning but a remembering. Remembering the knowledge built into our bones, the wisdom spliced into our genes. Recognizing lovers from past lives, rediscovering truths long ago experienced, recalling lessons learned and learned and learned. If we were born with the collective wisdom of the cosmos implanted in our being, our task is only this: to live and seek and love until we've removed barriers that unlock it all.

The curve of my spine was so elegant. I felt deeply moved that, in all the years of having these shoulders, this spine, this back, I had never noticed how it was a line of poetry—an overture to the magnificence of the human body. I realized in that moment that women have no clue about our own beauty; no clue about the connection between pleasure and time; no clue about this deep, delicious, endlessly replenishing source of divinity within each of us.

It seemed the morrow's holding had become a sort of peoples park in the suburbs of Cleveland. The other on the block, those who still lived in the fading jerry-built ranch houses with birdbaths or plaster dwarves on their lawns had appropriated it. I could imagine them gathering there at dusk, their children swaying creakily on the swings as the women planted sunflower seeds and murmured over the day's events. It was slightly criminal, an unfounded claim made by people who were not prospering but only getting by, and as such the property had passed beyond reclamation. To own this parcel of land you would have to wrest it back from those who had learned to care for it. If you leveled their tiny works and put up a new house you would be an invader, not much different from a colonial, and the land would be tainted until your house fell down again. This suburban quarter-acre had returned to its wilder purpose, and could not be redomesticated without a fight that would leave the victor's hands stained.

From every direction, the place is under assault—and unlike in the past, the adversary is not concentrated in a single force, such as the Bureau of Reclamation, but takes the form of separate outfits conducting smaller attacks that are, in many ways, far more insidious. From directly above, the air-tour industry has succeeded in scuttling all efforts to dial it back, most recently through the intervention of Arizona’s senators, John Kyl and John McCain, and is continuing to destroy one of the canyon’s greatest treasures, which is its silence. From the east has come a dramatic increase in uranium-mining claims, while the once remote and untrammeled country of the North Rim now suffers from an ever-growing influx of recreational ATVs. On the South Rim, an Italian real estate company recently secured approval for a massive development whose water demands are all but guaranteed to compromise many of the canyon’s springs, along with the oases that they nourish. Worst of all, the Navajo tribe is currently planning to cooperate in constructing a monstrous tramway to the bottom of the canyon, complete with a restaurant and a resort, at the confluence of the Little Colorado and the Colorado, the very spot where John Wesley Powell made his famous journal entry in the summer of 1869 about venturing “down the Great Unknown.” As vexing as all these things are, what Litton finds even more disheartening is the country’s failure to rally to the canyon’s defense—or for that matter, to the defense of its other imperiled natural wonders. The movement that he and David Brower helped build is not only in retreat but finds itself the target of bottomless contempt. On talk radio and cable TV, environmentalists are derided as “wackos” and “extremists.” The country has swung decisively toward something smaller and more selfish than what it once was, and in addition to ushering in a disdain for the notion that wilderness might have a value that extends beyond the metrics of economics or business, much of the nation ignorantly embraces the benefits of engineering and technology while simultaneously rejecting basic science.

Cea mai minunată femeie din lume este cea care te iubeşte cu adevărat şi pe care-o iubeşti cu adevărat. Nimic altceva nu contează. Odată, pe vremea liceului, umblam pe bulevard cu un prieten, doi puşti zăluzi şi frustraţi care dădeau note «gagicilor» şi vorbeau cu atât mai scabros cu cât erau, de fapt, mai inocenţi erotic. Ce fund are una, ce balcoane are alta... Femeile nu erau nimic altceva pentru noi decât nişte obiecte de lux, ca automobilele lustruite din vitrinele magazinelor «Volvo» sau «Maserati»: nu ne imaginam cu adevărat că vom avea şi noi una vreodată. Prin dreptul cinematografului Patria am zărit o tipă trăznitoare. Am rămas înlemniţi: ce pulpe în ciorapi de plasă neagră, ce fund rotund şi ce mijloc subţire, ce ţoale pe ea, ce plete de sârmă roşie, răsucită în mii de feluri... Ne-am învârtit în jurul ei ca s-o vedem şi din faţă: cum putea avea aşa pereche de ţâţe, aşa de perfecte cum numai în albumele de artă — care pe-atunci ne ţineau loc de Penthouse—mai văzuserăm? Pentru cine era o astfel de fiinţă, cum putea fi o noapte de sex cu ea? Până la urmă ne-am aşezat la coadă la bilete, fără s-o scăpăm din ochi şi fără să-ncetăm comentariile. Când, îl auzim pe unul, un tip destul de jegos care stătea şi el la coadă, mâncând seminţe, înaintea noastră: «E bună paraşuta asta, nu? V-ar place şi vouă, ciutanilor... Da' ascultaţi-mă pe mine, c-am fumat destule ca ea: cât o vedeţi de futeşă, să ştiţi că e pe undeva un bărbat sătul de ea până peste cap! Poa'să fie cea mai mişto din lume, poa'să fie şi Brijibardo, că tot i-e drag vreunuia de ea ca mie de nevastă-mea...» Am fost mult mai şocat de remarcile astea decât mi-aş fi imaginat. Cum să te plictiseşti de frumuseţea însăşi, de neatins şi de neconceput? De cea pentru care ţi-ai da şi pielea de pe tine? Ce ar putea dori un bărbat mai mult decât să-şi poată trece braţul în jurul mijlocului ei, să poată privi minute-n şir în ochii ei, să o întindă încetişor pe pat... Să o scoată din învelişul ei de dantelă mătăsoasă... De-aici încolo imaginaţia mea se bloca, nu-mi puteam închipui cum e să faci dragoste. De câte ori mă gândeam cum ar fi, vedeam doar un ocean roz care se răsuceşte asupra ta şi te sufocă... Am cunoscut apoi femei reale, femei imaginare, femei din vis, femei din cărţi, femei din reclame, femei din filme, femei din videoclipuri. Femei din revistele porno. Fiecare altfel şi fiecare cu altceva de oferit. M-am îndrăgostit de câteva şi de fiecare dată a fost la fel: primul semn că aş putea-o iubi a fost mereu că nu m-am putut gândi, văzând-o, «cât de futeşă e». Chiar dacă era. Bărbaţii au creierul impregnat de hormoni. Nici cel mai distins intelectual nu e altfel, până şi el, la orice vârstă, îşi imaginează cum ar face-o cu fata plictisită, necunoscută, de lângă el. Dar când cunoşti cea mai minunată femeie din lume, care e cea pe care o poţi iubi, semnul este, trebuie să fie, că nici pulpele, nici «balcoanele» nu se mai văd, de parcă hormonii sexului şi-ai agresivităţii s-ar retrage din creierul tău tumefiat şi l-ar lăsa inocent ca un creier de copil şi translucid ca o corniţă de melc. Facem sex cu un creier de bărbat, dar iubim cu unul de copil, încrezător, dependent, dornic de a da şi a primi afecţiune. Femeile minunate din viaţa mea, toate cele pe care le-am iubit cu adevărat şi care-au răspuns cu dragoste dragostei mele, au fost într-un fel necorporale, au fost bucurie pură, nevroză pură, experienţă pură. Senzualitatea, uneori dusă până foarte departe, nu a fost decât un ingredient într-o aventură complexă şi epuizantă a minţii. Pentru mine nu există, deci, «cea mai minunată» în sensul de 90-60-90, nici în cel de blondă, brună sau roşcată, înaltă sau minionă, vânzătoare sau poetă. Cea mai minunată este cea cu care am putut avea un copil virtual numit «cuplul nostru», «dragostea noastră».

Sommige mensen werden geboren met het internet in zich en hadden daar zwaar onder te lijden. Thom Yorke was zo iemand, dacht ze toen ze zich in haar luie stoel nestelde om naar de documentaire Meeting people is easy te kijken. De cinematografie is een wegschietende Neon Blur van straten en schuine flessenhalzen en onbekenden, mensen die als lichtstralen door het prisma breken van vliegvelden, Spuuglokken tegen het raampje van een taxi gedrukt, hallen als menselijke muizenvallen, reclame waar kunst zou moeten zijn, waterwegen die verblinden, een krachtige zwavellamp op de drummer.

Colonialism not only displaces our bodies from the practices, ways, and places that have affirmed our connection to the earth and sustained our self-determined livelihood for millennia, but also displaces our soul from its connective source and fundamental nature as a compass. This is also why the reclamation of earth-based practices and ancestral traditions is such a deep remembrance. It returns us to something essential, primordial in its truth, connective nurturance, and power, specific in its resonance; it repairs inherent roadmaps for respectful dignified life on this planet so that it may continue in integrity and reverence. Remembrance is not to recreate or romanticize the past, but to build futures anchored in the foundational truths that still determine our lives today, and the generational wisdom that is already in our bones to nurture it with autonomy and sovereignty. These skills have been stripped from us on purpose. For the longevity of our species and the many who live alongside us, we must reclaim them. Our places are what make us, and what teach us who we are and how to live well across the spheres of time. Original wounds require original medicine to heal.

De jeugd is ziek,' zei hij. 'Niet wij, ik de illegaal, maar de jeugd zou moeten ontmaskeren. Zij zouden moeten rebelleren, stampen en slaan op dat masker, maar nee, ze zijn verkocht. De volwassenen hebben ze ingepalmd, ze stoppen zich vol met boekentrucs die wedijver en inhaligheid stimuleren. Het zijn objecten, nummers,' zei De President triest. 'Je wordt geboren, en je wordt meteen ingescand, je krijgt een sofi-nummer, een bankrekeningnummer, meldcode, de maatschappij cijfert je weg nog voor je gaat kruipen. En als je kunt kruipen, word je opgezadeld en geoormerkt door de reclame-industrie.

We cannot casually accept the loss of oaks without also accepting the loss of thousands of other plants and animals that depend on them. Oak declines in the United Kingdom, for example, threaten the survival of some 2,300 other species (Mitchell et al. 2019). Fortunately, there is no reason why we should accept the loss of oaks as inevitable; there is no trick to restoring oak populations, and no shortage of places in which to restore them. If you were to add up the amount of land in various types of built landscapes that is not dedicated to agriculture—suburban developments, urban parks, golf courses, mine reclamation sites, and so forth—it would total 603 million acres, a full 33% of our lower 48 states. We have not targeted these places for conservation in the past, but that was back when our conservation model was based on the notion that humans and their tailings were here and nature was someplace else. That model of mutual exclusion has failed us dismally; there simply are not enough untrammeled places left to sustain the natural world that until now has sustained us. Our only option, then, is to find ways to coexist with other species. That’s right, we must construct ecosystems that contain all their functional parts right where humans abound.

Do not judge your grief, love. Do not rush it or constrict it or attempt to corral it into something the world will understand. Your grief doesn't give a sweet fuck about the rest of the world anyway. Your grief only cares that it is lived and expressed in you, that the fire of her is allowed to burn itself wild until it burns itself out. It doesn’t have to make sense. It probably won’t. But it won’t be denied. So let it come, live its full expression. Embrace the animal of it until it is spent. It’s going to happen anyway, but if you don’t fight it, if you honor and respect it, your grief fully expressed can be its own wild muse.

Living one’s desire is an adventure like no other. There are no safety nets, no seat belts. In fact, when you plight your troth to your desires, you’re kind of asking for it. You’re grabbing the hand of the Great Pussy in the Sky and asking to be broken open. Asking to be remade. Asking for the current version of you to be shattered and reassembled into the woman you were born to become. This is part of the life cycle of what it means to be a woman. Just as the seasons are cyclical, with winter as necessary as spring, and the sun and moon move in cycles, with times of light and times of darkness, so moves the body and soul of a woman. We each require the dark night of the soul as much as we require the light. The word I use to describe this undoing? Rupture.

In scale and audacity, the dam was astonishing; engineers were going to anchor a mile-long wall of concrete in bedrock at the bottom of a steep canyon in the Columbia. They would excavate 45 million cubic yards of dirt and rock, and pour 24 million tons of concrete. Among the few dams in the Northwest not built by the Corps of Engineers, the Grand Coulee was the work of the Bureau of Reclamation. When completed, it was a mile across at the top, forty-six stories high, and heralded as the biggest thing ever built by man. The dam backed up the river for 151 miles, creating a lake with 600 miles of shoreline. At the dam’s dedication in 1941, Roosevelt said Grand Coulee would open the world to people who had been beat up by the elements, abused by the rich and plagued by poor luck. But a few months after it opened, Grand Coulee became the instrument of war. Suddenly, the country needed to build sixty thousand planes a year, made of aluminum, smelted by power from Columbia River water, and it needed to build ships—big ones—from the same power source. Near the end of the war, America needed to build an atomic bomb, whose plutonium was manufactured on the banks of the Columbia. Power from the Grand Coulee was used to break uranium into radioactive subelements to produce that plutonium. By war’s end, only a handful of farms were drawing water from the Columbia’s greatest dam. True, toasters in desert homes were warming bread with Grand Coulee juice, and Washington had the cheapest electrical rates of any state in the country, but most of that power for the people was being used by Reynolds Aluminum in Longview and Alcoa in Vancouver and Kaiser Aluminum in Spokane and Tacoma.

O amor aos inimigos — 27Eu, porém, vos digo a vós que me escutais: Amai os vossos inimigos, fazei o bem aos que vos odeiam, 28bendizei os que vos amaldiçoam, orai por aqueles que vos difamam. 29A quem te ferir numa face, oferece a outra; a quem te arrebatar a capa, não recuses a túnica. 30Dá a quem te pedir e não reclames de quem tomar o que é teu. 31Como quereis que os outros vos façam, fazei também a eles. 32Se amais os que vos amam, que graça alcançais? Pois até mesmo os pecadores amam aqueles que os amam. 33E se fazeis o bem aos que vo-lo fazem, que graça alcançais? Até mesmo os pecadores agem assim! 34E se emprestais àqueles de quem esperais receber, que graça alcançais? Até mesmo os pecadores emprestam aos pecadores para receberem o equivalente. 35Muito pelo contrário, amai vossos inimigos, fazei o bem e emprestai sem esperar coisa alguma em troca. Será grande a vossa recompensa, e sereis filhos do Altíssimo, pois ele é bom para com os ingratos e com os maus.

Er hatte die Weiber kennengelernt, er war mit ihnen fertig. Unvergleichlich idealere Werte enthielt das Bier. Das Bier! Der Alkohol! Da saß man und konnte immer mehr davon haben, das Bier war nicht wie kokette Weiber, sondern treu und gemütlich. Beim Bier brauchte man nicht zu handeln, nichts zu wollen und zu erreichen, wie bei den Weibern. Alles kam von selbst. Man schluckte: und da hatte man es schon zu etwas gebracht, fühlte sich auf die Höhen des Lebens befördert und war ein freier Mann, innerlich frei. Das Lokal hätte von Polizisten umstellt sein dürfen: das Bier, das man schluckte, verwandelte sich in innere Freiheit. Und man hatte sein Examen so gut wie bestanden. Man war „fertig“, war Doktor! Man füllte im bürgerlichen Leben eine Stellung aus, war reich und von Wichtigkeit: Chef einer mächtigen Fabrik von Ansichtskarten oder Toilettenpapier. Was man mit seiner Lebensarbeit schuf, war in tausend Händen. Man breitete sich vom Biertisch her, in die Welt aus, ahnte große Zusammenhänge, ward eins mit dem Weltgeist. Ja, das Bier erhob einen so sehr über das Selbst, daß man Gott fand!

Te ruego que recites el pasaje tal como te lo he declamado yo,con soltura y naturalidad,pues si lo haces a voz en grito,como acostumbran muchos de nuestros actores,valdría más que diera mis versos a que los voceara el pregonero . Guardate también de aserrar demasiado el aire,así con la mano. Moderación en todo,pues hasta en medio del mismo torrente,tempestad y aún podría decir to torbellino de tu pasión,debes tener y mostrar aquella templanza que hace suave y elegante la expresión. ¡Oh! me hiere el alma oir desgarrar una pasión hasta convertirla en jirones y verdaderos guiñapos,hediendo los oídos de los "mosqueteros" que por lo general,son incapaces apreciar otra cosa que incomprensibles pantomimas y barullo. De buena gana mandaría azotar a ese energúmeno por exagerar el tipo de Termagante....¡¡Esto es ser más herodista que Herodes...!¡ Evitalo tú,por favor! No seas tampoco demasiado tímido;en ésto tu propia discreción debe guiarte. Que la acción corresponda a la palabra y la palabra a la acción,poniendo un especial cuidado en no traspasar los límites de la sencillez de la naturaleza,porque todo lo que a ella se opone ,se aparta igualmente del propio fin del arte dramático,cuyo objeto, tanto en su origen como en los tiempos que corren,ha sido y es ,presentar,por decirlo así,un espejo a la Humanidad ; Mostrar a la virtud sus propios rasgos,al vicio su verdadera imgen y a cadaedad y generación su fisonomía y sello caraterístico . De donde resulta que si se carga la expresión o si esta languidece,por más que ello haga reir a los ignorantes,no podrá menos de disgustar a los discretos ,cuyo dictamen,aunque se trate de un solo hombre,debe pesar más en vuestra estima que el de todo un público compuesto de los otros. ¡Oh! cómicos hay a quienes he visto representar y a los que he oído elogiar ,y en alto grado,que, por no decirlo en malos términos, no teniendo ni acento ni traza de cristianos,de gentiles,ni tan siquiera de hombres,se pavoneaban y vociferaban de tal modo que llegué a pensar si proponiéndose algún mal artífice de la Naturaleza formar tal casta de hombres,le resultaron unos engendros: ¡Tan abominablemente imitaban la Humanidad! ¡Oh! Corregidlo del todo! y no permitáis que los que hacen de graciosos ejecuten más de lo que les esté indicado,porque alguno de ellos empiezan a dar risotadas para hacer reir a unos cuantos espectadores imbéciles,aún cuando en aquel preciso momento algún punto esencial de la pieza reclame la atención. Esto es indigno,y revela en los insensatos que lo practican la más estúpida pretensión.Id a prepararos

Marie-Laure isi imagineaza undele electromagnetice intrand si iesind din aparatul lui Michel, arcuindu-se in jurul lor, asa cum descria Etienne, doar ca acum sunt de o mie de ori mai multe unde care strabat aerul in toate directiile decât pe vremea lui - sau poate de un milion de ori mai multe. Torente de mesaje scurte, oceane de conversatii pe mobil, de programe de televiziune, de e-mailuri, retele vaste de fibra si cabluri impletite deasupra si dedesubtul orasului, traversand cladiri, arcuindu-se intre transmitatoare din tuneluri de metrou, intre antene de pe cladiri, reclame la Carrefour, Evian si pateuri semipreparate scaparand in spatiu, apoi revenind pe pamant [...]zburand nevazute peste Ardeni, peste Rin, peste Belgia si Danemarca, peste peisajele pline de cicatrici si mereu in schimbare pe care le numim natiuni. Si chiar atat de greu de crezut ca sufletele umbla pe aceleasi cai? Ca tatal ei, Etienne, Madame Manec si baiatul neamt pe nume Werner Pfennig iau cerul cu asalt in stoluri precum egretele, precum randunelele-de-mare, precum graurii? Ca niste uriase navete pline cu suflete zboara de colo-colo, ba chiar se si aud, chiar daca slab, daca deschizi bine urechile? Zboara peste hornuri, trec peste trotuare, iti strapung haina, bluza, osul pieptului si plamanii, iesind prin partea cealaltă, aerul ca o biblioteca in care reverbereaza inca ecoul tuturor vietilor traite vreodata, al fiecarei fraze rostite, al fiecarui cuvant transmis. [...] Renastem in iarba. In flori. In cantece.