Reception Ceremony Quotes

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Where do we have it? Do we do the whole nine yards or shorten the ceremony? Do we try to make it religious or keep it nondenominational? Do you have a best man or do you ask Annie to stand with you? Do we involve our families, make one of them travel? Does Chester get to put a corsage on his shovel? If we have to go to Texas, can I put Barnum in a bow tie and have him be the bouncer for the reception?
Abigail Roux (Crash & Burn (Cut & Run, #9))
I know. But I hate weddings.” “Because of Darcy?” “Because a wedding is a ceremony where a symbolic virgin surrounded by women in ugly dresses marries a hungover groom accompanied by friends he hasn’t seen in years but made them show up anyway. After that, there’s a reception where the guests are held hostage for two hours with nothing to eat except lukewarm chicken winglets or those weird coated almonds, and the DJ tries to brainwash everyone into doing the electric slide and the Macarena, which some drunk idiots always go for. The only good part about a wedding is the free booze.” “Can you say that again?” Sam asked. “Because I might want to write it down and use it as part of my speech.
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
The marriage ceremony is sexist beyond parody. The bride appears in a fussy white dress that symbolizes her virtue and virginity, and everyone keeps on remarking on how thin and beautiful she looks. Her father walks her down the aisle to ‘give her away’, and she passes, like property, from one man to another. The minister, who is traditionally a man, gives the man permission to kiss the woman, as if that is in the minister’s authority and the woman has none. The man kisses, the woman is kissed. At the reception, only men are given to speak, while the bride remains seated and silent. Henceforth, the woman will adopt the man’s name, as will their eventual offspring. Despite all this, the wedding day is said to belong to the woman. This, would you believe, is ‘her day’.
Neel Burton (For Better For Worse: Should I Get Married?)
though. Our Azadian friends are always rather nonplussed by our lack of a flag or a symbol, and the Culture rep here—you’ll meet him tonight if he remembers to turn up—thought it was a pity there was no Culture anthem for bands to play when our people come here, so he whistled them the first song that came into his head, and they’ve been playing that at receptions and ceremonies for the last eight years.” “I thought I recognized one of the tunes they played,” Gurgeh admitted. The drone pushed his arms up and made some more adjustments. “Yes, but the first song that came into the guy’s head was ‘Lick Me Out’; have you heard the lyrics?” “Ah.” Gurgeh grinned. “That song. Yes, that could be awkward.” “Damn right. If they find out they’ll probably declare war. Usual Contact snafu.
Iain M. Banks (The Player of Games (Culture, #2))
Behind the veil of all the hieratic and mystical allegories of ancient doctrines, behind the darkness and strange ordeals of all initiations, under the seal of all sacred writings, in the ruins of Nineveh or Thebes, on the crumbling stones of old temples and on the blackened visage of the Assyrian or Egyptian sphinx, in the monstrous or marvelous paintings which interpret to the faithful of India the inspired pages of the Vedas, in the cryptic emblems of our old books on alchemy, in the ceremonies practiced at reception by all secret societies, there are found indications of a doctrine which is everywhere the same and everywhere carefully concealed.
Éliphas Lévi
Slim young women were swathed in chic black dresses, here to attend a ceremony in one of the hotel’s many reception rooms. They wore small but expensive accessories, like vampire finches in search of blood, longing for a hint of light they could reflect.
Haruki Murakami (1Q84 (Vintage International))
Just as Luther proclaimed the centrality and sufficiency of faith for justification, so he accentuated with new power the role of faith in the reception of the sacraments. He declared that a sacrament apart from faith is empty; in reference to baptism he said: “Unless faith is present, or comes to life in baptism, the ceremony is of no avail.”7
Shawn D. Wright (Believer's Baptism: Sign of the New Covenant in Christ (New American Commentary Studies in Bible and Theology Book 2))
What if Mike pitches a fit at the reception? What if he causes a scene? Did I pack enough shoes for the honeymoon? What if I don’t like living in the country? Am I supposed to plant a garden? I don’t know how to saddle a horse. What if I feel out of place? I never learned how to square dance. Is it do-si-do or allemande left? Wait…is it square dancing? Or two-stepping? I don’t even know the dances. I don’t belong out there. What if I want to get a job? There IS no job. Does J know I’m getting married today? Does Collin? Does Kev? What if I pass out during the ceremony? I’ve seen it on America’s Funniest Home Videos dozens of times. Someone always passes out. What if the food’s cold when we get to the reception? Wait…it’s supposed to be cold. Wait…some of it is, some of it isn’t. What if I’m not what Marlboro Man’s looking for? What if my face flakes off as I’m saying “I do”? What if my dress gets caught inside my panty hose? I’m so shaky all of a sudden. My hands feel so wet and clammy… I’ve never had a panic attack before. But as I would soon find out, there’s a first time for everything. Oh, Ree…don’t do this now.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I remember standing at the front of the church auditorium when Missy came out in her white wedding dress. Before that moment I was really nervous and was thinking about whether I was actually ready to get married. But then I melted when I saw her. She looked more gorgeous than ever, and I felt a sense of calm come over me. The ceremony was great, and as it went along I think we both became even more anxious about our first night together. After we left our wedding reception, I asked Missy what she wanted to do. I was pretty much ready to see what I had been missing. “Well, I’m hungry,” she said. We went to a burger joint, and as we ate I could tell she was nervous about what was going to transpire. We’d planned to stay in a hotel the night of our wedding and fly to Hawaii the next day of our honeymoon. I’ll be perfectly honest: our first night together was more of an exploratory expedition into the human anatomy than a blissful adventure. It felt like a biology experiment. Missy doesn’t care for the way I describe it, but that’s what happens when neither one of you has had sex before. You find your way through it and figure out what’s going on. Then you go from there, and it becomes much more enjoyable.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
But the crown jewel was the columned Greek Revival mansion, which dated from the mid-1800s, along with the manicured boxwood gardens that would serve as the backdrop for the couple's ceremony. Of course, everything was not only very traditional but also a standard to what one might imagine an over-the-top Southern wedding to be. As I said, "Steel Magnolias on steroids." The ceremony would take place outdoors in the garden, but large custom peach-and-white scalloped umbrellas were placed throughout the rows of bamboo folding chairs to shade the guests. Magnolia blossoms and vintage lace adorned the ends of the aisles. White, trellis-covered bars flanked the entrance to the gardens where guests could select from a cucumber cooler or spiked sweet tea to keep cool during the thirty-minute nuptials. It was still considered spring, but like Dallas, Nashville could heat up early in the year, and we were glad to be prepared. By the time we arrived the tent was well on its way to completion, and rental deliveries were rolling in. The reception structure was located past the gardens near the enormous whitewashed former stable, and inside the ceiling was draped in countless yards of peach fabric with crystal chandeliers hanging above every dining table. Custom napkins with embroidered magnolias on them complemented the centerpieces' peach garden roses, lush greenery, and dried cotton stems. Cedric's carpentry department created floor-to-ceiling lattice walls covered in faux greenery and white wisteria blooms, a dreamy backdrop for the band.
Mary Hollis Huddleston (Without a Hitch)
When we arrived at the wedding at Marlboro Man’s grandparents’ house, I gasped. People were absolutely everywhere: scurrying and mingling and sipping champagne and laughing on the lawn. Marlboro Man’s mother was the first person I saw. She was an elegant, statuesque vision in her brown linen dress, and she immediately greeted and welcomed me. “What a pretty suit,” she said as she gave me a warm hug. Score. Success. I felt better about life. After the ceremony, I’d meet Cousin T., Cousin H., Cousin K., Cousin D., and more aunts, uncles, and acquaintances than I ever could have counted. Each family member was more gracious and welcoming than the one before, and it didn’t take long before I felt right at home. This was going well. This was going really, really well. It was hot, though, and humid, and suddenly my lightweight wool suit didn’t feel so lightweight anymore. I was deep in conversation with a group of ladies--smiling and laughing and making small talk--when a trickle of perspiration made its way slowly down my back. I tried to ignore it, tried to will the tiny stream of perspiration away, but one trickle soon turned into two, and two turned into four. Concerned, I casually excused myself from the conversation and disappeared into the air-conditioned house. I needed to cool off. I found an upstairs bathroom away from the party, and under normal circumstances I would have taken time to admire its charming vintage pedestal sinks and pink hexagonal tile. But the sweat profusely dripping from all pores of my body was too distracting. Soon, I feared, my jacket would be drenched. Seeing no other option, I unbuttoned my jacket and removed it, hanging it on the hook on the back of the bathroom door as I frantically looked around the bathroom for an absorbent towel. None existed. I found the air vent on the ceiling, and stood on the toilet to allow the air-conditioning to blast cool air on my face. Come on, Ree, get a grip, I told myself. Something was going on…this was more than simply a reaction to the August humidity. I was having some kind of nervous psycho sweat attack--think Albert Brooks in Broadcast News--and I was being held captive by my perspiration in the upstairs bathroom of Marlboro Man’s grandmother’s house in the middle of his cousin’s wedding reception. I felt the waistband of my skirt stick to my skin. Oh, God…I was in trouble. Desperate, I stripped off my skirt and the stifling control-top panty hose I’d made the mistake of wearing; they peeled off my legs like a soggy banana skin. And there I stood, naked and clammy, my auburn bangs becoming more waterlogged by the minute. So this is it, I thought. This is hell. I was in the throes of a case of diaphoresis the likes of which I’d never known. And it had to be on the night of my grand entrance into Marlboro Man’s family. Of course, it just had to be. I looked in the mirror, shaking my head as anxiety continued to seep from my pores, taking my makeup and perfumed body cream along with it. Suddenly, I heard the knock at the bathroom door. “Yes? Just a minute…yes?” I scrambled and grabbed my wet control tops. “Hey, you…are you all right in there?” God help me. It was Marlboro Man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Then, as they crossed over one of the largest bridges, Emperor Moctezuma appeared with his personal retinue. Cortés described the meeting in a letter to King Charles: We were received by Moctezuma with about two hundred chiefs, all barefooted and dressed in a kind of very rich livery. They approached in two processions along the walls of the street, which is very broad and straight and very beautiful. Montezuma came in the middle of the street with two lords, one on each side of him. . . . All were dressed in the same manner except that Montezuma was shod and the other lords were barefooted. As we approached each other I descended from my horse and was about to embrace him, but the two lords in attendance intervened so that I should not touch him, and then they, and he also, made the ceremony of kissing the ground. Having done this, he ordered his brother to take me by the arm, and the other attendant walked a little ahead of us. After he spoke to me, all the other lords who formed the two processions saluted me one after the other and then returned to the procession. As I approached to speak to Montezuma, I took off a collar of pearls and glass diamonds that I wore and put it on his neck. After we had gone through some of the streets, one of his servants came with two collars which were made of colored shells. From each of the collars hung eight golden shrimps executed with great perfection and a span long. He took the collars from the servant and put them on my neck, and we continued on through the streets until we came to a large and handsome house, which he had prepared for our reception.
Irwin R. Blacker (Cortés and the Aztec Conquest)
Now, life, ordinary, jolly, heathen, human life, is simply chockful of these dead words and meaningless ceremonies. You will not escape from them by escaping from the Church into the world. When the critic in question, or a thousand other critics like him, say that we are only required to make a material or mechanical attendance at Mass, he says something which is not true about the ordinary Catholic in his feelings about the Catholic Sacraments. But he says something which is true about the ordinary official attending official functions, about the ordinary Court levee or Ministerial reception, and about three-quarters of the ordinary society calls and polite visits in the town. This deadening of repeated social action may be a harmless thing; it may be a melancholy thing; it may be a mark of the Fall of Man; it may be anything the critic chooses to think. But those who have made it, hundreds and hundreds of times, a special and concentrated charge against the Church, are men blind to the whole human world they live in and unable to see anything but the thing they traduce. There
G.K. Chesterton (The Blatchford Controversies and Other Essays on Religion)
Hey, Lottie?" asked Claire. "Who are those girls?" She gawked at the entrance to the reception tent. I followed her gaze and we both laid eyes on two extremely tall and gorgeous women who had just strolled in. Who came to a wedding after the ceremony? (Tacky people, that's who.) The glamazons were dressed from head to toe in Valentino and looked like they came straight off the runway. I approached one of the young women, hoping to sniff out whether she was a wedding crasher or not. "Are you a friend of the bride or the groom?" "Neither!" she said with a toss of her thick, dark-brown hair. "We're Alfie's daughters. We weren't going to come, but we decided it would be more fun to actually show up and ruin the wedding." Talk about literal. Subtext and these girls were not friends. "Oh, hi," I replied. "Well, you missed the ceremony, but cocktail hour has begun. The first dance will be starting soon." "Perfect." She walked between Claire and me like we were a pair of black curtains. "Why is it that hot, mean girls are still intimidating, even a decade after high school?" I winced.
Mary Hollis Huddleston (Without a Hitch)
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My father was buried a lieutenant colonel in the United States Air Force, and my uncle Chuck let me know that when they folded the flag, they usually give it to the oldest living female of the family. He asked if I wanted to receive it. I refused it. I didn’t want a flag, and I didn’t want a ceremony, and I didn’t want guns going off, and I didn’t want a reception. I wanted my parents back.
Alexandra Billings (This Time for Me)
Gautama Buddha incarnated in India when the message of mercy was sorely needed. It has been said of him that he restored the heart to the religion of India, which had degraded into priestly practices of rituals and mechanical ceremonies. He emphasized the law of righteous action as the way to escape the ever-rotating karmic wheel of birth and death, as also the necessity of developing compassion for all creatures by feeling the presence of Divinity in all life. Through Buddha's influence many animal sacrificial rites were stopped. Five centuries after Buddha, Jesus Christ appeared to bring the message of faith and devotion for attaining the kingdom of heaven. By his performance of miraculous healings of the bodies, minds, and souls of so many, he demonstrated the ever-present divine love and forgiveness of God to be had by all who make themselves receptive.
Paramahansa Yogananda (The Second Coming of Christ: The Resurrection of the Christ Within You)
Luca is going to faint when he sees you in this dress. Poor thing will spend the entire ceremony and reception counting the minutes until Siena strips you out of it for him.” Cass flinched as the bell above the shop door jangled, announcing the arrival of another patron. Balmy street air rushed into the fitting area as a masculine voice called out, “Bongiorno. Anyone here?” It was Marco, Mada’s fiancé. “We’re in here,” Madalena called. “You can come in. She’s decent.” Cass touched a hand to her face. Her skin felt warm. Suddenly, the pinned fabric felt heavy and confining. She didn’t want anyone else to see her like this. Too late. Marco slipped into the fitting room and whistled long and low as he let the door close behind him. “Signorina Cassandra, you look stunning,” he said, shaking his wavy brown hair back from his face. “I swear if I weren’t already betrothed, I might ask for your hand right this second.” Madalena gave him a dark look, and he pretended to see her for the first time. “Only joking, my goddess,” he said, moving to stand behind her. He swept her dark braids to one side and pressed his lips to her exposed neck. Signor Sesti coughed as he returned from the back room, and Marco pulled his mouth away from Mada’s skin. “Mi dispiace, Signore.” Marco straightened the golden medallion that hung around his neck. He gestured to his wife-to-be. “But can you blame me?” “Marco.” Madalena swatted at him, pretending to be angry. But it was as though his presence had made a flame come to life inside of her; she was glowing, radiating happiness and desire. For the first time, Cass understood what it was like to burn in such a manner. But all of her burning was for Falco, the boy she’d never be allowed to marry, not for Luca, her fiancé. Cass closed her eyes momentarily, remembering the surge of emotion that had coursed through her when Falco had first touched his lips to hers. She remembered the way her body had trembled, the way she felt as if she were emerging from a cold, dark tunnel into the light of day for the first time. Luca would never make her feel that way. Ever.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
at the wedding the ceremony and the reception is for the bride, the honeymoon is for the groom, the food is for the guest, the money is for the vendors, and the empty bank account is for the parents
Manuel Corazzari
Our Azadian friends are always rather nonplussed by our lack of a flag or a symbol, and the Culture rep here—you’ll meet him tonight if he remembers to turn up—thought it was a pity there was no Culture anthem for bands to play when our people come here, so he whistled them the first song that came into his head, and they’ve been playing that at receptions and ceremonies for the last eight years.” “I thought I recognized one of the tunes they played,” Gurgeh admitted. The drone pushed his arms up and made some more adjustments. “Yes, but the first song that came into the guy’s head was ‘Lick Me Out’; have you heard the lyrics?” “Ah.” Gurgeh grinned. “That song. Yes, that could be awkward.” “Damn right. If they find out they’ll probably declare war. Usual Contact snafu.
Iain M. Banks (The Player of Games (Culture, #2))
In Leo’s experience, the ceremony was the part of the wedding that you sat through politely before the reception, at which point the day became worthwhile
Lucy Parker (Making Up (London Celebrities, #3))