Receiving Flowers At Work Quotes

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Love is a flower that grows in any soil, works its sweet miracles undaunted by autumn frost or winter snow, blooming fair and fragrant all the year, and blessing those who give and those who receive.
Louisa May Alcott (Little Men)
For love is a flower that grows in any soil, works its sweet miracles undaunted by autumn frost or winter snow, blooming fair and fragrant all the year, and blessing those who give and those who receive.
Louisa May Alcott (Little Men (Little Women, #2))
We live now in an information technology. Flowers have always lived in an information technology. Flowers gather information all day. At night, they process it. This is called photosynthesis. As our neocortex comes into full use, we, too will practice photosyntesis. As a matter of fact, we already do, but compared for flowers, our kind is primitive and limited. For one thing, information gathered from daily newspapers, soap operas, sales conferences and coffee klatches is inferior to information gathered from sunlight.... Either because our data is insufficient or because our processing equipment is not fully on line, our own noctural processing is part-time work. The information our conscious minds receive during waking hours is processed by our unconscious during so called "deep sleep". We are in deep sleep only two or three hours a night. For the rest of our sleeping session, the unconscious mind is off duty. It gets bored. It craves recreation. So it plays with the material at hand. In a sense, it palys with itself. It scrambles memories, juggles images, rearranges data, invents scary or titillating stories. This is what we call "dreaming".
Tom Robbins (Jitterbug Perfume)
She fiddled with the flower some more, then blurted out, “You shouldn’t have picked this.” “You should have a tulip,” he said matter-of-factly. “It isn’t right that Edwina receives all the flowers.” Kate’s stomach, already tense and prickly, did a little flip. “Nonetheless,” she managed to say, “your gardener will surely not appreciate the mutilation of his work.” He smiled devilishly. “He’ll blame one of my younger siblings.” She couldn’t help but smile. “I should think less of you for such a ploy,” she said. “But you don’t?” She shook her head. “But then again, it’s not as if my opinion of you could sink very much lower.” “Ouch.” He shook a finger at her. “I thought you were supposed to be on your best behavior.” Kate looked around. “It doesn’t count if there is no one nearby to hear me, right?” “I can hear you.” “You certainly don’t count.” His head dipped a little closer in her direction. “I should think I was the only one who did.” -Kate & Anthony
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Soul of Rumi: A New Collection of Ecstatic Poems)
The Wild Man can only come to full life inside when the man has gone through the serious disciplines suggested by taking the first wound, doing kitchen and ashes work, creating a garden, bringing wild flowers to the Holy Woman, experiencing the warrior, riding the red, the white, and the black horses, learning to create art, and receiving the second heart. The Wild Man doesn’t come to full life through being “natural,” going with the flow, smoking weed, reading nothing, and being generally groovy. Ecstasy amounts to living within reach of the high voltage of the golden gifts. The ecstasy comes after thought, after discipline imposed on ourselves, after grief.
Robert Bly (Iron John: A Book about Men)
That beauty may, for instance, be composed of lovely flowers, and glittering streams, and blue sky and white clouds; and yet the thing that impresses us most, and which we should be sorriest to lose, may be a thin grey film on the extreme horizon, not so large, in the space of the scene it occupies, as a piece of gossamer on a near-at-hand bush, nor in any wise prettier to the eye than the gossamer; but because the gossamer is known by us for a little bit of spider’s work, and the other grey film is known to mean a mountain ten thousand feet high, inhabited by a race of noble mountaineers we are solemnly impressed by the aspect of it, and yet all the while the thoughts and knowledge which cause us to receive this impression are so obscure that we are not conscious of them.
Gaston Bachelard
But often one hears nothing when one listens for the first time to a piece of music that is at all complicated. [...] And so it is not wrong to speak of hearing a thing for the first time. If one has indeed, as one supposes, received no impression from the first hearing, the second, the third would be equally "first hearings" and there would be no reason why one should understand it any better after the tenth. Probably what is wanting, the first time, is not comprehension but memory. For our memory, relatively to the complexity of the impressions which it has to face while we are listening, is infinitesimal, as brief as the memory of a man who in his sleep thinks of a thousand things and at once forgets them, or as that of a man in his second childhood who cannot recall a minute afterwards what one has just said to him. Of these multiple impressions our memory is not capable of furnishing us with an immediate picture. But that picture gradually takes shape in the memory, and, with regard to works we have heard more than once, we are like the schoolboy who has read several times over before going to sleep a lesson which he supposed himself not to know, and finds that he can repeat it by heart next morning.
Marcel Proust (In the Shadow of Young Girls in Flower)
That soul, that is accustomed to direct herself to God, upon every occasion, that, as a flower at sun-rising, conceives a sense of God, in a thankfulness, in every small blessing that he sheds upon her; that soul, that as a flower at the sun's declining, contracts and gathers in, and shuts up herself, as though she had received a blow, whensoever she hears her Saviour wounded by an oath, or blasphemy, or execration; that soul, who, whatsoever string be strucken in her, base or treble, her high or her low estate, is ever tuned toward God, that soul prays sometimes when it does not know that it prays. (323)
John Donne (The Major Works: Including Songs and Sonnets and Sermons)
The recollection that I was to be taken to hear Berma alone distracted me from my grief. But just as I did not wish to see any storms except on those coasts where they raged with most violence, so I should not have cared to hear the great actress except in one of those classic parts in which Swann had told me that she touched the sublime. For when it is in the hope of making a priceless discovery that we desire to receive certain impressions from nature or from works of art, we have certain scruples about allowing our soul to gather, instead of these, other, inferior, impressions, which are liable to make us form a false estimate of the value of Beauty.
Marcel Proust (In the Shadow of Young Girls in Flower)
Fair are the flowers and the children, but their subtle suggestion is fairer. Rare is the rose-burst of dawn, but the secret that clasps it is rarer; Sweet is the exultance of song, but the strain that precedes it is sweeter; And never was poem yet writ, but the meaning outmaster'd the metre. Never a daisy that grows, but a mystery guideth the growing; Never a river that flows, but a majesty sceptres the flowing; Never a Shakespeare that soar'd, but a stronger than he did enfold him, Nor ever a prophet foretells, but a mightier seer hath foretold him. Back of the canvas that throbs, the painter is hinted and hidden; Into the statue that breathes, the soul of the sculptor is bidden; Under the joy that is felt, lie the infinite issues of feeling; Crowning the glory reveal'd. is the glory that crowns the revealing. Great are the symbols of being, but that which is symboll'd is greater; Vast the create and beheld, but vaster the inward Creator; Back of the sound broods the silence, back of the gift stands the giving; Back of the hand that receives, thrill the sensitive nerves of receiving. Space is as nothing to Spirit, the deed is outdone by the doing; The heart of the wooer is warm, but warmer the heart of the wooing; And up from the pits where these shiver, and up from the heights where those shine, Twin voices and shadows swim starward, and the essence of life is Divine. RICHARD REALF
G. Campbell Morgan (The Works of G. Campbell Morgan (25-in-1). Discipleship, Hidden Years, Life Problems, Evangelism, Parables of the Kingdom, Crises of Christ and more!)
classic work like The Tale of Genji, as one recent translator has it, “The more intense the emotion, the more regular the meter.” As in the old-fashioned England in which I grew up—though more unforgivingly so—the individual’s job in public Japan is to keep his private concerns and feelings to himself and to present a surface that gives little away. That the relation of surface to depth is uncertain is part of the point; it offers a degree of protection and makes for absolute consistency. The fewer words spoken, the easier it is to believe you’re standing on common ground. One effect of this careful evenness—a maintenance of the larger harmony, whatever is happening within—is that to live in Japan, to walk through its complex nets of unstatedness, is to receive a rigorous training in attention. You learn to read the small print of life—to notice how the flowers placed in front of the tokonoma scroll have just been changed, in response to a shift in the season, or to register how your visitor is talking about everything except the husband who’s just run out on her. It’s what’s not expressed that sits at the heart of a haiku; a classic sumi-e brush-and-ink drawing leaves as much open space as possible at its center so that it becomes not a statement but a suggestion, an invitation to a collaboration. The reader or viewer is asked to complete a composition, and so the no-color surfaces make
Natsume Sōseki (The Gate)
{From Luther Burbank's funeral. He was loved until he revealed he was an atheist, then he began to receive death threats. He tried to amiably answer them all, leading to his death} It is impossible to estimate the wealth he has created. It has been generously given to the world. Unlike inventors, in other fields, no patent rights were given him, nor did he seek a monopoly in what he created. Had that been the case, Luther Burbank would have been perhaps the world's richest man. But the world is richer because of him. In this he found joy that no amount of money could give. And so we meet him here today, not in death, but in the only immortal life we positively know--his good deeds, his kindly, simple, life of constructive work and loving service to the whole wide world. These things cannot die. They are cumulative, and the work he has done shall be as nothing to its continuation in the only immortality this brave, unselfish man ever sought, or asked to know. As great as were his contributions to the material wealth of this planet, the ages yet to come, that shall better understand him, will give first place in judging the importance of his work to what he has done for the betterment of human plants and the strength they shall gain, through his courage, to conquer the tares, the thistles and the weeds. Then no more shall we have a mythical God that smells of brimstone and fire; that confuses hate with love; a God that binds up the minds of little children, as other heathen bind up their feet--little children equally helpless to defend their precious right to think and choose and not be chained from the dawn of childhood to the dogmas of the dead. Luther Burbank will rank with the great leaders who have driven heathenish gods back into darkness, forever from this earth. In the orthodox threat of eternal punishment for sin--which he knew was often synonymous with yielding up all liberty and freedom--and in its promise of an immortality, often held out for the sacrifice of all that was dear to life, the right to think, the right to one's mind, the right to choose, he saw nothing but cowardice. He shrank from such ways of thought as a flower from the icy blasts of death. As shown by his work in life, contributing billions of wealth to humanity, with no more return than the maintenance of his own breadline, he was too humble, too unselfish, to be cajoled with dogmatic promises of rewards as a sort of heavenly bribe for righteous conduct here. He knew that the man who fearlessly stands for the right, regardless of the threat of punishment or the promise of reward, was the real man. Rather was he willing to accept eternal sleep, in returning to the elements from whence he came, for in his lexicon change was life. Here he was content to mingle as a part of the whole, as the raindrop from the sea performs its sacred service in watering the land to which it is assigned, that two blades may grow instead of one, and then, its mission ended, goes back to the ocean from whence it came. With such service, with such a life as gardener to the lilies of the field, in his return to the bosoms of infinity, he has not lost himself. There he has found himself, is a part of the cosmic sea of eternal force, eternal energy. And thus he lived and always will live. Thomas Edison, who believes very much as Burbank, once discussed with me immortality. He pointed to the electric light, his invention, saying: 'There lives Tom Edison.' So Luther Burbank lives. He lives forever in the myriad fields of strengthened grain, in the new forms of fruits and flowers, plants, vines, and trees, and above all, the newly watered gardens of the human mind, from whence shall spring human freedom that shall drive out false and brutal gods. The gods are toppling from their thrones. They go before the laughter and the joy of the new childhood of the race, unshackled and unafraid.
Benjamin Barr Lindsey
Jesus Christ did not set a limit for Himself, neither did He follow all His own maxims to the letter. The Holy Spirit ever inspired His holy soul and, being entirely abandoned to its every breath, it had no need to consult the moment that had passed, to know how to act in that which was coming. The breath of grace shaped every moment according to the eternal truths subsisting in the invisible and unfathomable wisdom of the Blessed Trinity. The soul of Jesus Christ received these directions at every moment, and acted upon them externally. The Gospel shows in the life of Jesus Christ a succession of these truths; and this same Jesus who lives and works always, continues to live and work in the souls of His saints. If you would live according to the Gospel, abandon yourself simply and entirely to the action of God. Jesus Christ is its supreme mouthpiece. “He was yesterday, is to-day, and will be for ever.” (Hebr. xiii, 8); continuing, not recommencing His life. What He has done is finished; what remains to be done is being carried on at every moment. Each saint receives a share in this divine life, and in each, Jesus Christ is different, although the same in Himself. The life of each saint is the life of Jesus Christ; it is a new gospel. The cheeks of the spouse are compared to beds of flowers, to gardens filled with fragrant blossoms. The divine action is the gardener, admirably arranging the flower beds. This garden resembles no other, for among all the flowers there are no two alike, or that can be described as being of the same species, except in the fidelity with which they respond to the action of the Creator, in leaving Him free to do as He pleases, and, on their side, obeying the laws imposed on them by their nature. Let God act, and let us do what He requires of us; this is the Gospel; this is the general Scripture, and the common law.
Jean-Pierre de Caussade (Abandonment to Divine Providence)
Fifty Ways to Love Your Partner 1. Love yourself first. 2. Start each day with a hug. 3. Serve breakfast in bed. 4. Say “I love you” every time you part ways. 5. Compliment freely and often. 6. Appreciate—and celebrate—your differences. 7. Live each day as if it’s your last. 8. Write unexpected love letters. 9. Plant a seed together and nurture it to maturity. 10. Go on a date once every week. 11. Send flowers for no reason. 12. Accept and love each others’ family and friends. 13. Make little signs that say “I love you” and post them all over the house. 14. Stop and smell the roses. 15. Kiss unexpectedly. 16. Seek out beautiful sunsets together. 17. Apologize sincerely. 18. Be forgiving. 19. Remember the day you fell in love—and recreate it. 20. Hold hands. 21. Say “I love you” with your eyes. 22. Let her cry in your arms. 23. Tell him you understand. 24. Drink toasts of love and commitment. 25. Do something arousing. 26. Let her give you directions when you’re lost. 27. Laugh at his jokes. 28. Appreciate her inner beauty. 29. Do the other person’s chores for a day. 30. Encourage wonderful dreams. 31. Commit a public display of affection. 32. Give loving massages with no strings attached. 33. Start a love journal and record your special moments. 34. Calm each others’ fears. 35. Walk barefoot on the beach together. 36. Ask her to marry you again. 37. Say yes. 38. Respect each other. 39. Be your partner’s biggest fan. 40. Give the love your partner wants to receive. 41. Give the love you want to receive. 42. Show interest in the other’s work. 43. Work on a project together. 44. Build a fort with blankets. 45. Swing as high as you can on a swing set by moonlight. 46. Have a picnic indoors on a rainy day. 47. Never go to bed mad. 48. Put your partner first in your prayers. 49. Kiss each other goodnight. 50. Sleep like spoons. Mark and Chrissy Donnelly
Jack Canfield (A Taste of Chicken Soup for the Couple's Soul (Chicken Soup for the Soul))
The Best for His Father The man went to the mortuary to make arrangements for the funeral of his father who had just died.  The man explained that he wanted the very best for this father and not to spare any expense. After the funeral he was sent a bill for $20,000.   He knew his father had received the best the mortuary had to offer, so he gladly paid the bill. The next month he received a bill for $125.  The following month he received another bill for $125.  The third month he received a bill for $125 again.  He thought he had better figure out what these monthly charges were for, so he called the mortuary. The person he had worked with at the mortuary reminded the man that he had asked for the very best for his departed father.  In addition to the best coffin, the best flowers, and the best ceremony, they also rented for his father a tux.
Peter Jenkins (Funny Jokes for Adults: All Clean Jokes, Funny Jokes that are Perfect to Share with Family and Friends, Great for Any Occasion)
It was her concern and commitment to a friend which last year involved her in perhaps the most emotional period of her life. For five months she secretly helped to care for Adrian Ward-Jackson who had discovered that he was suffering from AIDS. It was a time of laughter, joy and much sorrow as Adrian, a prominent figure in the world of art, ballet and opera, gradually succumbed to his illness. A man of great charisma and energy, Adrian initially found it difficult to come to terms with his fate when in the mid-1980s he was diagnosed as HIV positive. His word as deputy chairman of the Aids Crisis Trust, where he first met the Princess, had made him fully aware of the reality of the disease. Finally he broke the news in 1987 to his great friend Angela Serota, a dancer with the Royal Ballet until a leg injury cut short her career and now prominent in promoting dance and ballet. For much of the time, Angela, a woman of serenity and calm practicality, nursed Adrian, always with the support of her two teenage daughters. He was well enough to receive a CBE at Buckingham Palace in March 1991 for his work in the arts--he was a governor of the Royal Ballet, chairman of the Contemporary Arts Society and a director of the Theatre Museum Association--and it was at a celebratory lunch held at the Tate Gallery that Angela first met the Princess. In April 1991 Adrian’s condition deteriorated and he was confined to his Mayfair apartment where Angela was in almost constant attendance. It was from that time that Diana made regular visits, once even brining her children Princes Willian and Harry. From that time Angela and the Princess began to forge a supportive bond as they cared for their friend. Angela recalls: “I thought she was utterly beautiful in a very profound way. She has an inner spirit which shines forth though there was also a sense of pervasive unhappiness about her. I remember loving the way she never wanted me to be formal.” When Diana brought the boys to see her friends, a reflection of her firmly held belief that her role as mother is to bring them up in a way that equips them for every aspect of life and death, Angela saw in William a boy much older and more sensitive than his years. She recalls: “He had a mature view of illness, a perspective which showed awareness of love and commitment.” At first Angela kept in the background, leaving Diana alone in Adrian’s room where they chatted about mutual friends and other aspects of life. Often she brought Angela, whom she calls “Dame A”, a gift of flowers or similar token. She recalls: “Adrian loved to hear about her day-to-day work and he loved too the social side of life. She made him laugh but there was always the perfect degree of understanding, care and solicitude. This is the point about her, she is not just a decorative figurehead who floats around on a cloud of perfume.” The mood in Mount Street was invariably joyous, that sense of happiness that understands about pain. As Angela says: “I don’t see death as sad or depressing. It was a great journey he was going on. The Princess was very much in tune with that spirit. She also loved coming for herself, it was an intense experience. At the same time Adrian was revitalized by the healing quality of her presence.” Angela read from a number of works by St. Francis of Assisi, Kahil Gibran and the Bible as well as giving Adrian frequent aromatherapy treatments. A high spot was a telephone call from Mother Teresa of Calcutta who also sent a medallion via Indian friends. At his funeral they passed Diana a letter from Mother Teresa saying how much she was looking forward to meeting her when she visited India. Unfortunately Mother Teresa was ill at that time so the Princess made a special journey to Rome where she was recuperating. Nonetheless that affectionate note meant a great deal to the Princess.
Andrew Morton (Diana: Her True Story in Her Own Words)
Oh, no,” Kirihime whispered in horror. A naked Camellia running around the base was not something she wanted to deal with. This is not good! Kirihime burst out the door. She didn’t even bother locking up and just ran down the hall, using the enhancement technique to run faster. “Lady Camellia!” She turned a corner and was just in time to see Camellia standing inside of an elevator, the doors slowly sliding shut. “Bye, bye, Kiri-Kiri!” Camellia waved at Kirihime, who rushed for the door. However, not even the enhancement technique gave her enough speed to reach her mistress before the doors shut. Kirihime slammed into the door, then fell onto her back, staring up at the ceiling. “This… this is really not good. Not good at all.” *** Kevin, dressed in jeans and a white T-shirt that conformed to his torso, exited the locker room and began the long walk back to his apartment. His muscles ached from his most recent exercises. He and Kiara had been trying to discover more about his power. They had learned a lot through experimentation. It seemed his strange ability only worked on barriers, but they didn’t work on anything else, which he’d learned the hard way after suffering several full-on youki attacks from the powerful inu. Still, this power is pretty useful, even if it’s just the ability to break barriers. Kevin looked at his left hand. This hand seemed to be where this strange power was contained. He’d tried breaking through Kiara’s barrier with his right hand but had only received severe burns for his troubles. I wonder if it only works on barriers? Can I use it for anything else? Kiara had described his unique skill as the “ability to unlock barriers,” and indeed, when watching his power at work, it did look more like unlocking than destroying. When he touched Kiara’s aura, the red energy would peel apart like a blooming flower. The energy didn’t dissipate either. It still existed, but it moved around his hand, meaning that he wasn’t destroying it, just moving it out of the way. Kiara’s aura isn’t a barrier either, not really. It stands to reason this power can work on more than just barriers. “Kkkkkeeeeeevvvvviiiinnnnnn…………….” Kevin stopped walking, his head tilting in idle curiosity as he heard someone calling his name. “Kkkkkkyyyyyuuuuuunnnnnnnn!!!!” His eyes widening, Kevin swiftly spun around as the source of the voice got louder. He promptly found two large, round, soft things being shoved into his face. “Uwa!!” He tumbled to the floor, taking the other person with him. Delightful, childish laughter told him exactly who had crashed into him tits first. Kevin felt almost resigned. Why do these things keep happening to me?
Brandon Varnell (A Fox's Hostility (American Kitsune, #9))
I read Apollinaris, or other writers whose books in some things the Church does not receive. I by no means say that everything contained in such books is to be condemned, but I admit that there are things in them deserving of censure. Still, as it is my task and study by reading many authors to cull different flowers from as large a number as possible, not so much making it an object to prove all things as to choose what are good. I take up many writers that from the many I may learn many things; according to that which is written " reading all things, holding fast those that are good.
Jerome (The Complete Works of Saint Jerome (13 Books): Cross-Linked to the Bible)
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Suzanne Fensin
Will you allow me to call on you?” “Yes,” she whispered without hesitation. “Good.” He lifted her hand and kissed it. They stood facing one another, hearts beating as one, attempting to catch their breath. “This room”—she indicated the parlor—“the glitter, the flowers. You planned this.” “I prayed for this, Rowena. And you came to me. Do you like it?” “I love it.” She smiled shyly. “But you did not need the mistletoe. I wanted to kiss you.” “And I you, but I am confused. I did not give you the mistletoe or plan for you to receive it.” “But Philbert—” “Ah.” He nodded. “It seems we are the fortunate couple this season. Once again, this ball has worked its magic.
Anna Campbell (A Grosvenor Square Christmas)
Place Message Here" I knew that somewhere Jesus wept. --Larry Brown, Dirty Work That was when our love began for me, though late, the way a flock of darkness settles over your shoulders. I remember the muted reflections that smudged the water prowling among the lingering rocks, a snail crawling out of its shell, the drizzle of light, the blackened windows. It was when that the sun peeled away the dark from the air, the surface of the water, then the soul. It was only then that I could read the shadows that followed our words. It seemed that the whole planet was taking aim at our future. I thought, then, that I could see your own soul in the constant waves tearing unconcerned at the impenetrable dunes. I wanted, then, to believe the moon is a flower, fragrant, its stem tossed across the water. It was then that I entered some other world, the way your life wakes suddenly in the middle of the night to find your own worn-out dreams lying in sheets around you, an empty bottle on the table, and yet some voice stumbling down the hallway of the wind trying the locked doors of the heart, calling out your name. It was then on that shore after I heard the news of my friend's heart tearing open like a wet paper bag. I was standing where Marconi sent his messages which seemed to fill the air, still, like swallows. There is always another life in the corner of our eyes, one that begins because our poor words have never said what we meant at the time. Today, here, ladybugs fill my porch screen trying to reach the early sun that radiates through the fine mesh. They halt there like messages never received, empty husks of some abandoned future we can never know. Why is it we love so fully what has washed up on the beaches of our hearts, those lost messages, lost friends, the daylight stars we never get to see? Bad luck never takes a vacation, my friend once wrote. It lies there among the broken shells and stones we collect, a story he would say begins with you, with me, a story that is forever lost among the backwaters of our lives, our endless fear of ourselves, and our endless need for hope, a story, perhaps an answer, a word suddenly on wing, the simple sound of a torn heart, or the unmistakable scent of the morning's fading moon. Richard Jackson, The Cortland Review. Spring 2005.
Richard Jackson
Don't give me anything Even if it's your attention Even if it's your love Even if it's your tears Don't give me your sadness Don't give me your anger Don't give me your thirst Don't give me anything Because I still scramble the sky to find all traces of you, Mother." But son, how can you say something like that? Have I not given you flowers? I have given you the sun. I have given you grass and leaves. I have given you the sea and the sand of the beach. Why still? Isn't it enough for you to drink milk from my loneliness? You taste the pain from my wound, as you used to feel the happiness under my stomach like the scratch of a knife that welcomes your presence. How everything is still, I give you a warm fire, I give you a touch of the morning, I give you a gentle song from my heart that you know holds a million worries. How do you still say things like that? I still give you a light until half of my age. I give you laughter from half of my death. I give you eternal memories and eternal dreams at the same time. I give it all, even if it's just a simple box of lunch that you may receive to sate your hunger. How I always wanted to be there for you, son. Because my only request is nothing more. Let me be your traveling companion, a friend in your troubled times. As I used to rock you and put you in my lap. Let me be the bread that fills your hunger, the consolation of your heart when you are tight, the heat when you are sick. Wasn't I there when you were learning to stand and I was there when you fell? I faithfully wait for you while you run after the moon and sun. And even though time creeps up on me with the strains of age that I may no longer be able to stand up straight as I used to. I will never give up on you son. No, mother will never give up. Because for me, you are enough just yourself. However, can you fill yourself with all the pride? Be content with what you have. Suffice yourself with all the prayers I never stop saying from the corner of my heart which may be the most heavenly hope. Your heaven, son. Even though I know it will disturb your restful sleep. Although it will add to your restless working time. Because I know how hard you struggle. For every drop of sweat that you shed when you have to run to catch the bus that comes to pick you up. When your mind can't escape from your laptop screen that keeps flashing. When morning comes and busy work comes like rain that never ends whacking. Suffice yourself with Mother's love. Even though later, there will be no more cynical words rolling from Mother's lips which are starting to wrinkle. Rest assured, the door to the house of Mother's heart will always be open for you, whenever you want to go home.
Titon Rahmawan
As Sandra now knows, her husband, Jim, received the heart of a young woman from New York. Her family said she was prone to depression throughout her life, was shy and soft-spoken, had worked part-time in a flower shop, and had taken her own life in despair over a lost love.
Paul Pearsall (The Heart's Code: Tapping the Wisdom and Power of Our Heart Energy)
The holy pair were not only children under the fatherly care of God but students receiving instruction from the all-wise Creator. They were visited by angels, and were granted communion with their Maker, with no obscuring veil between. They were full of the vigor imparted by the tree of life, and their intellectual power was but little less than that of the angels. The mysteries of the visible universe—“the wondrous works of him which is [51] perfect in knowledge” (Job 37:16)—afforded them an exhaustless source of instruction and delight. The laws and operations of nature, which have engaged men’s study for six thousand years, were opened to their minds by the infinite Framer and Upholder of all. They held converse with leaf and flower and tree, gathering from each the secrets of its life. With every living creature, from the mighty leviathan that playeth among the waters to the insect mote that floats in the sunbeam, Adam was familiar. He had given to each its name, and he was acquainted with the nature and habits of all. God’s glory in the heavens, the innumerable worlds in their orderly revolutions, “the balancings of the clouds,” the mysteries of light and sound, of day and night—all were open to the study of our first parents. On every leaf of the forest or stone of the mountains, in every shining star, in earth and air and sky, God’s name was written. The order and harmony of creation spoke to them of infinite wisdom and power. They were ever discovering some attraction that filled their hearts with deeper love and called forth fresh expressions of gratitude.
Ellen Gould White (Patriarchs and Prophets (Conflict of the Ages Book 1))
Ode 11 My heart was pruned and its flower appeared, then grace sprang up in it, and my heart produced fruits for the Lord. For the Most High circumcised me by His Holy Spirit, then He uncovered my inward being towards Him, and filled me with His love. And His circumcising became my salvation, and I ran in the Way, in His peace, in the way of truth. From the beginning until the end I received His knowledge. And I was established upon the rock of truth, where He had set me. And speaking waters touched my lips from the fountain of the Lord generously. And so I drank and became intoxicated, from the living water that does not die. And my intoxication did not cause ignorance, but I abandoned vanity, And turned toward the Most High, my God, and was enriched by His favors. And I rejected the folly cast upon the earth, and stripped it off and cast it from me. And the Lord renewed me with His garment, and possessed me by His light. And from above He gave me immortal rest, and I became like the land that blossoms and rejoices in its fruits. And the Lord is like the sun upon the face of the land. My eyes were enlightened, and my face received the dew; And my breath was refreshed by the pleasant fragrance of the Lord. And He took me to His Paradise, wherein is the wealth of the Lord's pleasure. I beheld blooming and fruit-bearing trees, And self-grown was their crown. Their branches were sprouting and their fruits were shining. From an immortal land were their roots. And a river of gladness was irrigating them, And round about them in the land of eternal life. Then I worshipped the Lord because of His magnificence. And I said, Blessed, O Lord, are they who are planted in Your land, and who have a place in Your Paradise; And who grow in the growth of Your trees, and have passed from darkness into light. Behold, all Your laborers are fair, they who work good works, and turn from wickedness to your pleasantness. For the pungent odor of the trees is changed in Your land, And everything becomes a remnant of Yourself. Blessed are the workers of Your waters, and eternal memorials of Your faithful servants. Indeed, there is much room in Your Paradise. And there is nothing in it which is barren, but everything is filled with fruit. Glory be to You, O God, the delight of Paradise for ever. Hallelujah.
Solomon
From The Bridge” by Captain Hank Bracker Mundane Happenings Life is just packed with “Mundane Happenings!” It’s the mundane happenings that usually take the most time and they always seem to interfere, just about when you want to do something really important. Let’s start with mundane things that are routine, like doing the dishes and taking out the garbage. The list for a single person might be a little less involved or complicated but it would be every bit as important as that of a married couple or people with lots of children or even pets. Oh yes, for some the list of mundane responsibilities would include washing clothes and taking the children to their activities. You know what I mean… school, sports, hobbies, their intellectual endeavors and the like. For most of us beds have to be made, the house has to be kept clean, grass has to be cut and the flowers have to be pruned. Then there are the seasonal things, such as going trick or treating, buying the children everything they need before school starts or before going to summer camp. Let’s not forget Christmas shopping as well as birthdays and anniversaries. This list is just an outline of mundane happenings! I’m certain that you can fill in any of these broad topics with a detailed account of just how time consuming these little things can be. Of course we could continue to fill in our calendar with how our jobs consume our precious time. For some of us our jobs are plural, meaning we have more than one job or sometimes even more than that. I guess you get the point… it’s the mundane happenings that eat up our precious time ferociously. Blink once and the week is gone, blink twice and it’s the month and then the year and all you have to show for it, is a long list of the mundane things you have accomplished. Would you believe me, if I said that it doesn’t have to be this way? Really, it doesn’t have to, and here is what you can do about it. First ask yourself if you deserve to recapture any of the time you are so freely using for mundane things. Of course the answer should be a resounding yes! The next question you might want to ask yourself is what would you do with the time you are carving out for yourself? This is where we could part company, however, whatever it is it should be something personal and something that is fulfilling to you! For me, it became a passion to write about things that are important to me! I came to realize that there were stories that needed to be told! You may not agree, however I love sharing my time with others. I’m interested in hearing their stories, which I sometimes even incorporate into my writings. I also love to tell my stories because I led an exciting life and love to share my adventures with my friends and family, as well as you and future generations. I do this by establishing, specifically set, quiet time, and have a cave, where I can work; and to me work is fun! This is how and where I wrote The Exciting Story of Cuba, Suppressed I Rise, now soon to be published as a “Revised Edition” and Seawater One…. Going to Sea! Yes, it takes discipline but to me it’s worth the time and effort! I love doing this and I love meeting new friends in the process. Of course I still have mundane things to do…. I believe it was the astronaut Allen Shepard, who upon returning to Earth from the Moon, was taking out the garbage and looking up saw a beautifully clear full Moon and thought to himself, “Damn, I was up there!” It’s the accomplishment that makes the difference. The mundane will always be with us, however you can make a difference with the precious moments you set aside for yourself. I feel proud about the awards I have received and most of all I’m happy to have recorded history as I witnessed it. My life is, gratefully, not mundane, and yours doesn’t have to be either.” Captain Hank Bracker, author of the award winning book “The Exciting Story of Cuba.
Hank Bracker (The Exciting Story of Cuba: Understanding Cuba's Present by Knowing Its Past)
Young girls finding themselves vested with new powers, and a set of new inclinations, turn their staring eyes out of themselves; and the first man they see, they imagine, if he be a single man, and but simpers at them, they must receive him as a Lover: Then they return downcast for ogle, that he may ogle on without interruption. They are soon brought to write answers to Letters which confess flames the writer’s heart never felt. The girl doubts not her own gifts, her own  consequence; she wonders that her father, mother, and other friends, never told her of these new-found excellencies: She is more and more beautiful in her own eyes, as he more and more flatters her. If her parents are a -verse, the girl is per -verse; and the more, the less discretion there is in her passion. She adopts the word constancy; she declaims against persecution; she calls her idle flame, LOVE; which only was a Something she knew not what to make of — and, like a wandering bee, had it not settled on this flower, would on the next, were it either bitter or sweet.
Samuel Richardson (Complete Works of Samuel Richardson)
Oh, Matthew," she whispered, moved to tears. "I called it Grace. I hope you don't mind." For the first time, his manner held a hint of shyness, disconcerting in a man who had just made love to her without hesitation or reticence. Gently, she curled her hand around what was inside the box and lifted it to the light. "It's your rose." "No, it's your rose." A heady fragrance filled the air. With one shaking finger, Grace touched a flawless pink petal. The color was unforgettable. It was the most beautiful rose she'd ever seen. Impossible to credit that those unpromising stalks in his courtyard had produced this exquisite bloom. "It's perfect," she whispered. "It's a miracle." He was a miracle. How could she not love the man who conjured this beauty with hands and imagination? The faint smile broadened. Had he worried that she'd reject his gift? Foolish, darling Matthew. The question was whether the rose was a promise of a future or a token of parting. "I worked on it whenever I could. This last year has been busy." An understatement, she knew. The Marquess of Sheene had been a ubiquitous presence in London since his release. Everywhere he went, society feted him as a hero. She'd read of the string of honors he'd received, the friendship with the king, the invitations to join scientific boards and societies. Echoing her gesture, he reached out to touch the petals. The sensitivity of his fingers on the flower reminded her of his hands on her skin. "I did most of the basic experiments when I was a prisoner, but I couldn't get it right." He glanced up with an expression that combined pride and diffidence in a breathtakingly attractive mixture. "This is the first bud, Grace. It appeared almost a year to the day after I promised to wait. It seemed a sign." "And you brought it to me," she said softly, staring at the flower. The anniversary of his release didn't occur for two more days. That date was etched on her longing heart. Then she noticed something else. "My glove," she said blankly. With unsteady hands, she reached in and withdrew a light green kidskin glove from a recess carved away from the damp. The buttery leather was crushed and worn from incessant handling. "Have you kept it all this time?" "Of course." He wasn't smiling anymore and his eyes deepened to a rich, rare gold. Beautiful, unwavering, somber. "You make me want to cry." Her voice emerged so thickly, she didn't sound like herself. She laid the box on the bench and tightened her grip on the soft leather until her knuckles whitened. What was he trying to tell her? What did the rose mean? The glove? Had he carried her glove into his new life like a knight wore his lady's favor into battle? The thought sent choking emotion to her throat.
Anna Campbell (Untouched)
The history of the land is a history of blood. In this history, someone wins and someone loses. There are patriots and enemies. Folk heroes who save the day. Vanquished foes who had it coming. It’s all in the telling. The conquered have no voice. Ask the thirty-eight Santee Sioux singing the death song with the nooses around their necks, the treaty signed fair and square, then nullified with a snap of the rope. Ask the slave women forced to bear their masters’ children, to raise and love them and see them sold. Ask the miners slaughtered by the militia in Ludlow. Names are erased. The conqueror tells the story. The colonizer writes the history, winning twice: A theft of land. A theft of witness. Oh, but let’s not speak of such things! Look: Here is an eagle whipping above the vast grasslands where the buffalo once thundered bold as gods. (The buffalo are here among the dead. So many buffalo.) There is the Declaration in sepia. (Signed by slave owners. Shhh, hush up about that, now!) See how the sun shines down upon the homesteaders’ wagons racing toward a precious claim in the nation’s future, the pursuit of happiness pursued without rest, destiny made manifest? (Never mind about those same homesteaders eating the flesh of neighbors. Winters are harsh in this country. Pack a snack.) The history is a hungry history. Its mouth opens wide to consume. It must be fed. Bring me what you would forget, it cries, and I will swallow it whole and pull out the bones bleached of truth upon which you will hang the myths of yourselves. Feed me your pain and I will give you dreams and denial, a balm in Gilead. The land remembers everything, though. It knows the steps of this nation’s ballet of violence and forgetting. The land receives our dead, and the dead sing softly the song of us: blood. Blood on the plains. In the rivers. On the trees where the ropes swing. Blood on the leaves. Blood under the flowers of Gettysburg, of Antioch. Blood on the auction blocks. Blood of the Lenape, the Cherokee, the Cheyenne. Blood of the Alamo. Blood of the Chinese railroad workers. Blood of the midwives hung for witchcraft, for the crime of being women who bleed. Blood of the immigrants fleeing the hopeless, running toward the open arms of the nation’s seductive hope, its greatest export. Blood of the first removed to make way for the cities, the factories, the people and their unbridled dreams: The chugging of the railways. The tapping of the telegram. The humming of industry. Sound burbling along telephone wires. Printing presses whirring with the day’s news. And the next day’s. And the day after that’s. Endless cycles of information. Cities brimming with ambitions used and discarded. The dead hold what the people throw away. The stories sink the tendrils of their hope and sorrow down into the graves and coil around the dead buried there, deep in its womb. All passes away, the dead whisper. Except for us. We, the eternal. Always here. Always listening. Always seeing. One nation, under the earth. E Pluribus unum mortuis. Oh, how we wish we could reach you! You dreamers and schemers! Oh, you children of optimism! You pioneers! You stars and stripes, forever! Sometimes, the dreamers wake as if they have heard. They take to the streets. They pick up the plow, the pen, the banner, the promise. They reach out to neighbors. They reach out to strangers. Backs stooped from a hard day’s labor, two men, one black, one white, share water from a well. They are thirsty and, in this one moment, thirst and work make them brothers. They drink of shared trust, that all men are created equal. They wipe their brows and smile up at a faithful sun.
Libba Bray
her wrist, warm and fragile, tugging it away from the other man. Instantly she drew a sharp, hissing breath. Her head swung round, eyes widening and pupils dilating as she saw him. Those soft brown eyes had once, too long ago, looked adoringly at him. And he, like a fool, had thought they always would. Matteo had learned his lesson. He took nothing for granted anymore. ‘Hello, Angela.’ His face felt tight as he smiled. Was he smiling or grimacing? He didn’t give a damn. He turned to the lanky crew member who, up till this point, he’d been so pleased to have work on this project. Now Matteo wished him to the devil, despite his cinematic skill. All trace of a smile disintegrated as he stared at the other man. ‘I see you already know my wife.’ CHAPTER TWO His wife! Angela flung open the lid of her suitcase and grabbed a pile of neatly folded clothes. She stalked across the vast, opulent room and pulled open an antique door, looking for the wardrobe. Instead she found a palatial dressing room, with sleek modern shelves and endless hanging spaces. She shoved her clothes onto a random shelf and pivoted on her heel. Matteo had referred to her as his wife, just as if he hadn’t received her request for a divorce. The paparazzi who’d snooped around for a story behind their separation would have a field day if they heard that. But more, Matteo had her checked into this extraordinary private hotel that was more like a palace than a place for a cash-strapped screenwriter. The walls were hung in exquisite eau de nil silk. The wide tester bed was topped with a gilt crown from which hung matching silk. Antiques, elegant and perfectly positioned, turned the room into a suite fit for royalty. Even the fresh flowers in their crystal vases were so gorgeous it was a shame she’d be the only one to see them.   When she was met at the vaporetto stop on the Grand Canal, fresh off the plane, she’d been only too grateful to relinquish her luggage, not knowing it would be taken somewhere like this. Having it taken on ahead had been a luxury, for dragging a heavy case over the quaint cobbled streets wasn’t fun. Besides, despite herself, she’d been eager to detour and catch a glimpse of the filming. Angela’s step faltered in the doorway of the dressing room and she sagged against the door frame. Face the truth. You wanted to see Matteo. Even now, even after his betrayal. Even knowing the pair of you were never meant to be together. Her heart crashed against her ribs and her knees turned
Annie West (The Italian's Bold Reckoning (Hot Italian Nights, #4))
Q45Why do you enjoy going out for walks so much? My guess is that lots of people with autism like walking, and I wonder if you can work out why. “Because walking makes you feel good?” “Because it’s great being out in the open air?” Both these replies are true, of course, but for me the number one reason is that us people with autism love the greenness of nature. Now you might be thinking, “Oh, is that all?” However, our fondness for nature is, I think, a little bit different from everyone else’s. I’m guessing that what touches you in nature is the beauty of the trees and the flowers and things. But to us people with special needs, nature is as important as our own lives. The reason is that when we look at nature, we receive a sort of permission to be alive in this world, and our entire bodies get recharged. However often we’re ignored and pushed away by other people, nature will always give us a good big hug, here inside our hearts. The greenness of nature is the lives of plants and trees. Green is life. And that’s the reason we love to go out for walks.
Naoki Higashida (The Reason I Jump: The Inner Voice of a Thirteen-Year-Old Boy with Autism)