Recap Moments Quotes

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So to recap the formula: First, clarify a sincere and deeply felt desire. Second, enter a state of relaxed immobility, bordering on sleep. Third, enact a mental scene that contains the assumption and feeling of your wish fulfilled. Run the little drama over and over in your mind until you experience a sense of fulfillment. Then resume your life. Evidence of your achievement will unfold at the right moment in your outer experience.
Mitch Horowitz (The Miracle Club: How Thoughts Become Reality)
in each moment. It’s everything we need. Second Timothy 3:16–17 says, “All Scripture is breathed out by God and profitable for teaching, for reproof, for correction, and for training in righteousness, that the man of God may be complete, equipped for every good work.” We have everything we need—the bright light, the personal light—all lighting up the same truths that we need for life and godliness and for every good work. God has generously given it all to us. His Word is where the joy is, because He’s in it—and He’s where the joy is!
Tara-Leigh Cobble (The Bible Recap: A One-Year Guide to Reading and Understanding the Entire Bible)
Just beyond the pi-pi, and disposed in a triangle before the entrance of the house, were three magnificent bread-fruit trees. At this moment I can recap to my mind their slender shafts, and the graceful inequalities of their bark, on which my eye was accustomed to dwell day after day in the midst of my solitary musings. It is strange how inanimate objects will twine themselves into our affections, especially in the hour of affliction. Even now, amidst all the bustle and stir of the proud and busy city in which I am dwelling, the image of those three trees seems to come as vividly before my eyes as if they were actually present, and I still feel the soothing quiet pleasure which I then had in watching hour after hour their topmost boughs waving gracefully in the breeze.
Herman Melville (Typee: A Peep at Polynesian Life)
As many as three characters were murdered in a single quarter-hour ILAM episode. People were killed in ghoulish, imaginative, and sometimes mystifying ways. Throats were ripped out by wolves; there were garrotings and poisonings and mysterious slashings. In the story Monster in the Mansion, a headless black cat was found in a lady’s bed, and a man had his arm amputated while he slept; in The Thing That Cries in the Night, a slasher was at work in an old mansion, and murder was done to the cry of a baby, while everyone insisted that there had been no baby in the house for twenty years. Temple of Vampires was considered so vivid in its Hollywood heyday that the Nicaraguan government lodged a protest. The show was framed with unforgettable signatures: the wail of a train, the sting of an organ, and the haunting Valse Triste, a shimmering theme suggesting death. The chime of a clock brought listeners back to the hour when last they left their heroes. The theme played under the ominous recap: Twelve midnight, high on the ledge above the floor of the Temple of Vampires, somewhere in the jungles of Central America. Jack and Doc Long are facing one of the strangest, most hair-raising moments in their experience. They’re out in the center of the temple, each clinging to separate ropes 50 feet in the air. There is only one chance for Jack and Doc.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
What he knew, what he had discovered tonight, was that his recap tured love of existence had not been given back to him by the retun of his desire for her-_but that the desire had returned after he had regained his world, the love, the value and the sense of his woris and that the desire was not an answer to her body, but a celebralis of himself and of his will to live. & He did not know it, he did not think of it, he was past the ped if words, but in the moment when he tell' the response of her had 'called toe, tolt also the unadmitted* knowiedel that Prat which De » sachet bier depravity was her highest Virtuege,his capacity of Des feel the joy of being, as he felt it.
ayan rand
Six Simple Listening Tips Here are six simple tips for not only practicing good listening in your customer conversations but also for creating a high-impact customer experience by showing them that you’re engaged. 1. Don’t speak: This is easy to say but sometimes hard to do. You simply cannot listen if you’re speaking or poised on the edge of interrupting the other person. So what should you do? Just shut up and pay attention to what your customer is saying. 2. Make eye contact: Since a majority of our communication is non-verbal, looking at a person is one of the best ways to clearly demonstrate focus and attention. Even when you’re on a video call, customers can often tell (by the way your eyes dart around) if you’re looking at them on the screen or if you are distracted. Keep that gaze locked! (But a nice, friendly gaze… not a creepy one.) 3. Use visual/auditory cues: Smiling, nodding, and appearing pensive are all great ways to communicate understanding and acknowledgment. Even small auditory cues like the occasional “yes” or “uh-huh” can show your customer that you’re following along. 4. Write things down: Writing things down not only helps you remember key pieces of information later on, but it also demonstrates to the customer that you’re interested enough in their insights to memorialize them in writing. But what if they can’t see you taking notes, for example, on a phone or video call? No problem. Just tell them you are! After your customer finishes telling you something, simply pause for a moment and say “I’m just writing this down” to produce the same effect. 5. Recap: Nothing illustrates great attention to detail like repeating back or summarizing the insights the customer shared with you. This is especially powerful when the insights were shared earlier in the conversation. For extra impact, quote them directly using their exact words, prefaced by the phrase “What I heard you say was… ” Echoing someone’s exact words is a powerful and scientifically proven persuasive technique (we’ll be exploring this tactic in more detail as it relates to handling customer objections in chapter 7). 6. Ask good follow-up questions: When a customer answers your question, resist the temptation to say, “That’s great” or “Awesome!” and then move on to the next question. Asking killer follow-up questions like “Tell me more about that,” “Can you give me an example?” or “How long has that been going on?” is a great way to demonstrate your interest in the customer’s perspective and leave the call with high-impact insights. In fact, when it comes to addressing customer objections, a study by Gong.io found that top performers ask follow-up questions 54 percent of the time, versus 31 percent for average performers.6
David Priemer (Sell the Way You Buy: A Modern Approach To Sales That Actually Works (Even On You!))
Here’s a quick-reference recap: DAY-TO-DAY PRACTICE: LAP • Locate your cue • Activate your imagery • Persevere with the plan IN A MOMENT OF STRUGGLE: SLAPP • Stop (or slow down) • Locate cue • Activate imagery • Park the distracting thought • Persevere with the plan
Joanna Grover (The Choice Point: The Scientifically Proven Method to Push Past Mental Walls and Achieve Your Goals)
Hey shy readers. Here we go. Quick recap: really good oral sex, no actual boom-chicka-bow-wow, but a total black-out moment (literally).
Shannon Mayer (Midlife Magic Hunter (Forty Proof, #7))
In the last few years, Meg had been to hell and back- literally. She'd sold her soul to the god of the Underworld and spent her days and nights fulfilling Hades's every demand. While she still walked in the land of the living, her life was no longer her own. Meeting Hercules had awoken something in her. Honestly, she wasn't sure what that something was, but she knew it felt important. Why else would she have leaped in front of a falling pillar to save him, causing her own demise in the process? That moment, and Wonder Boy's rescue of her afterward, was a blur now, like so many nightmares she tried hard to forget. The next thing she remembered was air filling her lungs as if she'd held her breath underwater for too long. Then there had been a crack of lightning, a flurry of clouds, and she and Wonder Boy were being whisked into the heavens toward Mount Olympus.
Jen Calonita (Go the Distance)