Recall A Hollow Heart Quotes

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When does she stop speaking? When are you ever done with the story of someone you love? You turn the most precious of your memories over and over, wearing their edges smooth, warming them again with your heat. You touch the curves and hollows of every detail you have, memorizing them, reciting them once more though you already know them in your bones. Who ever thinks, recalling the face of the one they loved who is gone: yes, I looked at you enough, I loved you enough, we had enough time, any of this was enough?
Celeste Ng (Our Missing Hearts)
Why, I . . . I still like you.” Nerves fluttered in her chest, but she kept her tone light. “Do you like me?” A few moments passed in silence. She would have counted them in heartbeats, but her foolish heart had become a most unreliable timepiece. It gave three pounding beats in a flurry, then none at all. Just when she’d begun to despair, he turned his head, catching her in a passionate, openmouthed kiss. He put both arms around her, fisting his hands in the fabric of her dress, lifting her up and against his chest. So that her body recalled every inch of his, every second of their blissful lovemaking. The now-familiar ache returned—that sweet, hollow pang of desire that only deepened as his tongue flickered over hers. In a matter of seconds, he had her gasping. Needing. Damp. Then he set her back on her toes. Pressed his brow to hers and released a deep, resonant sigh. And just before turning to leave, he spoke a single word. He said, “No.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
When are you ever done with the story of someone you love? You turn the most precious of your memories over and over, wearing their edges smooth, warming them again with your heat. You touch the curves and hollows of every detail you have, memorizing them, reciting them once more though you already know them in your bones. Who ever thinks, recalling the face of the one they loved who is gone: yes, I looked at you enough, I loved you enough, we had enough time, any of this was enough?
Celeste Ng (Our Missing Hearts)
I lingered at the gates; I lingered on the lawn; I paced backwards and forwards on the pavement; the shutters of the glass door were closed; I could not see into the interior; and both my eyes and spirit seemed drawn from the gloomy house—from the grey hollow filled with rayless cells, as it appeared to me—to that sky expanded before me,—a blue sea absolved from taint of cloud; the moon ascending it in solemn march; her orb seeming to look up as she left the hill-tops, from behind which she had come, far and farther below her, and aspired to the zenith, midnight dark in its fathomless depth and measureless distance; and for those trembling stars that followed her course; they made my heart tremble, my veins glow when I viewed them. Little things recall us to earth; the clock struck in the hall; that sufficed; I turned from moon and stars, opened a side-door, and went in.
Charlotte Brontë (Jane Eyre)
I lingered at the gates; I lingered on the lawn; I paced backwards and forwards on the pavement: the shutters of the glass door were closed; I could not see into the interior; and both my eyes and spirit seemed drawn from the gloomy house—from the grey hollow filled with rayless cells, as it appeared to me—to that sky expanded before me,—a blue sea absolved from taint of cloud; the moon ascending it in solemn march; her orb seeming to look up as she left the hill tops, from behind which she had come, far and farther below her, and aspired to the zenith, midnight-dark in its fathomless depth and measureless distance: and for those trembling stars that followed her course; they made my heart tremble, my veins glow when I viewed them. Little things recall us to earth: the clock struck in the hall; that sufficed; I turned from moon and stars, opened a side-door, and went in.
Charlotte Brontë (Jane Eyre)
And then she caught the song. She fell upon it and music poured from the fiddle’s hollow, bright and liquid like fire out of the heart of the earth. Pierre-Jean drew back and stood mesmerized. The room around Fin stirred as every ear bent to the ring of heartsong. It rushed through Fin and spread to the outermost and tiniest capillary reaches of her body. Her flesh sang. The hairs of her arms and neck roused and stood. She sped the bow across the strings. Her fingers danced on the fingerboard quick as fat raindrops. Every man in the room that night would later swear that there was a wind within it. They would tell their children and lovers that a hurricane had filled the room, toppled chairs, driven papers and sheets before it and blew not merely around them but through them, taking fears, grudges, malice, and contempt with it, sending them spiraling out into the night where they vanished among the stars like embers rising from a bonfire. And though the spirited cry of the fiddle’s song blew through others and around the room and everything in it, Fin sat at the heart of it. It poured into her. It found room in the closets and hollow places of her soul to settle and root. It planted seeds: courage, resolve, steadfastness. Fin gulped it in, seized it, held it fast. She needed it, had thirsted for it all her days. She saw the road ahead of her, and though she didn’t understand it or comprehend her part in it, she knew that she needed the ancient and reckless power of a holy song to endure it. She didn’t let the music loose. It buckled and swept and still she clung to it, defined it in notes and rhythm, channeled it like a river bound between mountain steeps. And a thing happened then so precious and strange that Fin would ever after remember it only in the formless manner of dreams. The song turned and spoke her name—her true name, intoned in a language of mysteries. Not her earthly name, but a secret word, defining her alone among all created things. The writhing song spoke it, and for the first time, she knew herself. She knew what it was to be separated out, held apart from every other breathing creature, and known. Though she’d never heard it before and wouldn’t recall it after, every stitch of her soul shook in the passage of the word, shuddered in the wake of it, and mourned as the sound sped away. In an instant, it was over. The song ended with the dissonant pluck of a broken string.
A.S. Peterson (Fiddler's Green (Fin's Revolution, #2))
It’s okay if you can’t. No worries. Just an idea,” I say quickly, looking away so she won’t see how disappointed I am. “No—I mean, I want to, but—” Hana sucks in a breath. I hate this, hate how awkward we both are. “I kind of have this party”—she corrects herself quickly— “this thing I’m supposed to go to with Angelica Marston.” My stomach gets that hollowed-out feeling. It’s amazing how words can do that, just shred your insides apart. [...] A rush of hatred overwhelms me. Hatred for my life, for its narrowness and cramped spaces; hatred for Angelica Marston, with her secretive smile and rich parents; hatred for Hana, for being so stupid and careless and stubborn, first and foremost, and for leaving me behind before I was ready to be left; and underneath all those layers something else, too, some white-hot blade of unhappiness flashing in the very deepest part of me. I can’t name it, or even focus on it clearly, but somehow I understand that this—this other thing—makes me the angriest of all. [...] Despite everything, this gives me pause. In the days after the party at Roaring Brook Farms, snatches of music seemed to follow me everywhere: I heard it winging in and out of the wind, I heard it singing off the ocean and moaning through the walls of the house. Sometimes I woke up in the middle of the night, drenched in sweat, my heart pounding, with the notes sounding in my ears. But every time I was awake and trying to remember the melodies consciously, hum a few notes or recall any of the chords, I couldn’t. Hana’s staring at me hopefully, waiting for my response. For a second I actually feel bad for her. I want to make her happy, like I always did, want to see her give a whoop and put her fist in the air and flash me one of her famous smiles. But then I remember she has Angelica Marston now, and something hardens in my throat, and knowing that I’m going to disappoint her gives me a kind of dull satisfaction.
Lauren Oliver (Delirium (Delirium, #1))
warming them again with your heat. You touch the curves and hollows of every detail you have, memorizing them, reciting them once more though you already know them in your bones. Who ever thinks, recalling the face of the one they loved who is gone: yes, I looked at you enough, I loved you enough, we had enough time, any of this was enough?
Celeste Ng (Our Missing Hearts)
When are you ever done with the story of someone you love? You turn the most precious of your memories over and over, wearing their edges smooth, warming them again with your heat. You touch the curves and hollows of every detail you have, memorizing them, reciting them once more though you already know them in your bones. Who ever thinks, recalling the face of the one they loved who is gone: yes, I looked at you enough, I loved you enough, we had enough time, any of this was enough?
Celeste Ng (Our Missing Hearts)