Reboot My Life Quotes

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I’m going to tell you something, there’s country poor, and there’s city poor. As much of my life as I’d spent in front of a TV thinking Oh, man, city’s where the money trees grow, I was seeing more to the picture now. I mean yes, that is where they all grow, but plenty of people are sitting in that shade with nothing falling on them. Chartrain was always discussing “hustle,” and it took me awhile to understand he grew up hungry for money like it was food. Because for him, they’re one and the same. Not to run the man down, but he wouldn’t know a cow from a steer, or which of them gave milk. No desperate men Chartrain ever knew went out and shot venison if they were hungry. They shot liquor store cashiers. Living in the big woods made of steel and cement, without cash, is a hungrier life than I knew how to think about. I made my peace with the place, but never went a day without feeling around for things that weren’t there, the way your tongue pushes into the holes where you’ve lost teeth. I don’t just mean cows, or apple trees, it runs deeper. Weather, for instance. Air, the way it smells from having live things breathing into it, grass and trees and I don’t know what, creatures of the soil. Sounds, I missed most of all. There was noise, but nothing behind it. I couldn’t get used to the blankness where there should have been bird gossip morning and evening, crickets at night, the buzz saw of cicadas in August. A rooster always sounding off somewhere, even dead in the middle of Jonesville. It’s like the movie background music. Notice it or don’t, but if the volume goes out, the movie has no heart. I’d oftentimes have to stop and ask myself what season it was. I never realized what was holding me to my place on the planet of earth: that soundtrack. That, and leaf colors and what’s blooming in the roadside ditches this week, wild sweet peas or purple ironweed or goldenrod. And stars. A sky as dark as sleep, not this hazy pinkish business, I’m saying blind man’s black. For a lot of us, that’s medicine. Required for the daily reboot.
Barbara Kingsolver (Demon Copperhead)
Aton poured a glass of amber liquid from a crystal decanter. “Do you know how I was able to grow my empire so quickly, so efficiently?” The General rolled the khaki sleeve up his right arm and punched a series of alphanumeric symbols into the keypad embedded in his powerful forearm. “Service, alpha, nine, kilo, four, five, delta, security protocol, voice print, command, shut down all non-essential systems, routine maintenance. Reboot and activate all systems upon further command.” The General’s ocular implants powered down, and his sullen, muddy-brown eyes twitched to life, fixing upon Aton. “The carrot and the stick, sir.
Mike Jones (Chris Thurgood Saves the Future (New Kent Chronicles, #1))
LEADING LESSONS Rejection is an illusion. It’s all in your head. It was never about Rachael; it was always about me. So maybe I didn’t fit her picture of the perfect dance partner. We were no longer a match--so what? At the time, the rejection hurt like hell and I threw myself a big ol’ pity party. But here’s the thing: No one can reject you. No one can dump you. It’s just a decision, and maybe you don’t like it. I was the one believing I was a victim instead of realizing how blessed my life was. If you’re feeling rejected, you’re looking at things all wrong. Just because someone says no, just because someone chooses another person over you, doesn’t mean you’re not good enough. There isn’t one successful person out there who hasn’t racked up his or her share of rejection. That said, no one likes hearing no. But what are you going to do with that no? Are you going to let it destroy your self-esteem? Or are you going to keep pushing forward, following your passion? Dancers deal with a lot of rejection--I know this now, and I see the rejections as part of my journey. Keep doing what you’re doing and do it well--don’t worry about pleasing anyone but yourself. Sometimes that no can be a wake-up call, a chance for you to reassess, refocus, reboot. I’m grateful Rachael and her family gave me my walking papers. That rejection opened me up to so much more.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Being jobless is not a reason to end a life. In my opinion, no reason is worth to end your life.
HBR Patel (VIKAS 2.7: Rebooting Development)
And I don't feel things. Not the same way. I'm One-seventy-eight. It's true I don't have any emotions.' 'That's a lie,' he said, amusement in his voice. 'No, it's not.' Callum leaned in closer, until I could smell the fresh scent of his skin...'Yes, it is. You beat the guts out of me the other day. That was anger. And that look in your eyes, when you talked about your human life, that's sadness.' I could sense the heat of his breath against my face as he tilted his head closer to mine. A smile crossed his lips as I sucked in a tiny gasp of air in surprise. 'You feel plenty.
Amy Tintera (Reboot (Reboot, #1))
Israel rebooted my brain, and made me interested in my life again.
Kristin Newman (What I Was Doing While You Were Breeding)
A vision inspires, aligns, and directs. it says to other people, "here is what I am up to, come and play in my sandbox!
Paul Gibbons (Reboot Your Life: A 12-day Program for Ending Stress, Realizing Your Goals, and Being More Productive)
I had won an Emmy Award back in 2006 for my portrayal of Beverley Leslie. When the show was rebooted for three brand-new seasons, I was so excited to be playing Beverley again.
Leslie Jordan (How Y'all Doing?: Misadventures and Mischief from a Life Well Lived)
My friend Brad Feld and I sat on his back porch while his golden retrievers vied for our affection. We spoke of big and small things. We reminisced. We recalled stories from two decades of friendship. We caught up on recent stories, present-day stories, of lives unfolding, hearts breaking, and the gravity that comes from becoming more and more ourselves. “I’m working harder than I’d like,” he tells me as we both nod, recognizing the tendency in each of us to do that. We know that neither of us will ever really stop working; for us, working means thinking, talking, connecting, and creating. “The difference now,” he says, referring to his fifty-something self, “the difference from earlier in my life is simple: I’m no longer striving.” Seat taken, he no longer needs to define himself by what he’s doing. Seat taken, he can allow the sadness of everyday heartbreak—his and that of those he loves—to wash over and through him. Seat taken, the gentle, openhearted warrior emerges, and we laugh and speak of our approaching elder-hood. Taking your seat leads to equanimity. Taking your seat means defining your life.
Jerry Colonna (Reboot: Leadership and the Art of Growing Up)
I slumped down against the wall and pulled my knees up beneath my chin. “Sometimes it just feels as though we’re fighting for nothing; as though all of this is nothing more than a never ending cycle of pain.” “But isn’t that all life is?’ Grant countered. “A never ending cycle of pain that we learn to maneuver? Isn’t it all about finding the tiniest bits of happiness, and making something out of them? I mean, life will never be perfect. It’s meant to have its ups and downs. You just have to learn to make it worthwhile, even when it feels as though the world itself is collapsing around you.
Nicole Sobon (Rebooted (The Emile Reed Chronicles, #3))