Rebellion Story Quotes

Part of the hem floated loose. She spun around again—the fabric tightened like wool on a spindle. She breathed in fear. The boat was farther away. She swung her head around—so was the shore.

Temples are for the gods,” Thucydides said. “No city has the hubris to put her own citizens on a temple.” Phidias promised, “The Athenians will look like gods.

It is an inside joke of history that all its most exciting adventures inevitably end their careers as homework. Beheadings, rebellions, thousand-year wars, incest on the royal throne, electricity, art, opera, dogs in outer space.

I ignored him, concentrating on Lilith. "According to the stories, after you were expelled from Eden you went down into Hell, where you coupled with demons and gave birth to all the monsters that have plagued the world." "I was young," said Lilith. "You know how it is. We all do things we later regret, when we're being rebellious teenagers.

He thought about the story his daughter was living and the role she was playing inside that story. He realized he hadn't provided a better role for his daughter. He hadn't mapped out a story for his family. And so his daughter had chosen another story, a story in which she was wanted, even if she was only being used. In the absence of a family story, she'd chosen a story in which there was risk and adventure, rebellion and independence.

Nothing is more closed than a closed mind that thinks it’s open and nothing is more manipulated than a manipulated mind that thinks it’s free.

A life of feminine submission, of 'contemplative purity,' is a life of silence, a life that has no pen and no story, while a life of female rebellion, of 'significant action,' is a life that must be silenced, a life whose monstrous pen tells a terrible story.

What do you know? We don't all have the luxury of deciding when and where we want to care about something. Suddenly the Rebellion is real for you? Now that you've got a stake in it, and - and - now that you don't have another life to go back to? Some of us live this Rebellion. I've been in this fight since I was six years old. You're not the only one who lost everything. Some of us just decided to do something about it.

History is a raw onion sandwich, it just repeats, it burps. We've seen it again and again this year. Same old story, Same old oscillation between tyranny and rebellion, war and peace, prosperity and impoverishment

Disorder, disobedience & rule breaking are features of all my stories.

Unlike, say, witch-burning, slavery, and apartheid, which were once taken for granted and are now officially outlawed, war is still with us.

The Bible is one long story of God meeting our rebellion with His rescue, our sin with His salvation, our guilt with His grace, our badness with His goodness. The overwhelming focus of the Bible is not the work of the redeemed but the work of the Redeemer. Which means that the Bible is not first a recipe for Christian living but a revelation book of Jesus who is the answer to our un-Christian living.

My writing is soaked with the tears of my heart, An invisible rebellion that no man can see. Let our life stories become tragic art. Oh, Mama, oh, sisters, hear me, hear me.

Haven't you noticed, too, on the part of nearly everyone you know, a growing rebellion against the present? And an increasing longing for the past? I have. Never before in all my long life have I heard so many people wish that they lived 'at the turn of the century,' or 'when life was simpler,' or 'worth living,' or 'when you could bring children into the world and count on the future,' or simply 'in the good old days.' People didn't talk that way when I was young! The present was a glorious time! But they talk that way now. For the first time in man's history, man is desperate to escape the present. Our newsstands are jammed with escape literature, the very name of which is significant. Entire magazines are devoted to fantastic stories of escape - to other times, past and future, to other worlds and planets - escape to anywhere but here and now. Even our larger magazines, book publishers and Hollywood are beginning to meet the rising demand for this kind of escape. Yes, there is a craving in the world like a thirst, a terrible mass pressure that you can almost feel, of millions of minds struggling against the barriers of time. I am utterly convinced that this terrible mass pressure of millions of minds is already, slightly but definitely, affecting time itself. In the moments when this happens - when the almost universal longing to escape is greatest - my incidents occur. Man is disturbing the clock of time, and I am afraid it will break. When it does, I leave to your imagination the last few hours of madness that will be left to us; all the countless moments that now make up our lives suddenly ripped apart and chaotically tangled in time. Well, I have lived most of my life; I can be robbed of only a few more years. But it seems too bad - this universal craving to escape what could be a rich, productive, happy world. We live on a planet well able to provide a decent life for every soul on it, which is all ninety-nine of a hundred human beings ask. Why in the world can't we have it? ("I'm Scared")

Many strong girls have similar stories: They were socially isolated and lonely in adolescence. Smart girls are often the girls most rejected by peers. Their strength is a threat and they are punished for being different. Girls who are unattractive or who don't worry about their appearance are scorned. This isolation is often a blessing because it allows girls to develop a strong sense of self. Girls who are isolated emerge from adolescence more independent and self-sufficient than girls who have been accepted by others. Strong girls may protect themselves by being quiet and guarded so that their rebellion is known by only a few trusted others. They may be cranky and irascible and keep critics at a distance so that only people who love them know what they are up to. They may have the knack of shrugging off the opinions of others or they may use humor to deflect the hostility that comes their way.

From the cave to the skyscraper, from the club to weapons of mass destruction, from the tautological life of the tribe to the era of globalization, the fictions of literature have multiplied human experiences, preventing us from succumbing to lethargy, self-absorption, resignation. Nothing has sown so much disquiet, so disturbed our imagination and our desires as the life of lies we add, thanks to literature, to the one we have, so we can be protagonists in the great adventures, the great passions real life will never give us. The lies of literature become truths through us, the readers transformed, infected with longings and, through the fault of fiction, permanently questioning a mediocre reality. Sorcery, when literature offers us the hope of having what we do not have, being what we are not, acceding to that impossible existence where like pagan gods we feel mortal and eternal at the same time, that introduces into our spirits non-conformity and rebellion, which are behind all the heroic deeds that have contributed to the reduction of violence in human relationships. Reducing violence, not ending it. Because ours will always be, fortunately, an unfinished story. That is why we have to continue dreaming, reading, and writing, the most effective way we have found to alleviate our mortal condition, to defeat the corrosion of time, and to transform the impossible into possibility.

She'd done better than most; it would take the Empire a whole battle station to end her.

The regime had understood that one person leaving her house while asking herself: "Are my trousers long enough? Is my veil in place? Can my make-up be seen? Are they going to whip me?" - No longer asks herself: "Where is my freedom of thought? Where is my freedom of speech? My life, is it livable? What's going on in the political prisons?" It's only natural! When we're afraid, we lose all sense of analysis and reflection. Our fear paralyzes us. Besides, fear has always been the driving force behind all dictators' repression. Showing your hair or putting on makeup logically became acts of rebellion.

What is deemed as “his-story” is often determined by those who survived to write it. In other words, history is written by the victors...Now, with the help of the Roman historian Tacitus, I shall tell you Queen Boudicca’s story, her-story……

And something inside the young man cracked. The small compartment in the back of his mind, where man closets his fears, ties them up, controls and commands them, broke open and they surged across brain and nerves and muscles—a nightmare flood in open rebellion.

Coming-of-age tales and villain origins have a lot in common. Teens are fighting for their independence and against familial pressures. Villains are frequently fighting against societal and moral expectations in their origins.

A quote is the essence of a story. We all need stories to convey ideas, justice, anger, humanity, hope, laughter, learning, and whatever makes us understand or feel understood

Albert Boot 1747 – 1752 Likeable, but inept. Resigned after a mismanaged goblin rebellion. Basil Flack 1752 – 1752 Shortest serving Minister. Lasted two months; resigned after the goblins joined forces with werewolves.

Of every 20 British men between 18 and 32 when the war broke out, three were dead and six wounded when it ended.

It is my streak of craziness that has saved me from extinction

Three rebellions ago, the air was fresher. The soft pasting noises of the rebel billposters remind us of Oklahoma, where everything is still the same.

Hope?" She eyed Cassian dubiously. "Is that the best the Rebel Intelligence can do?" Cassian might as well have shrugged. "Rebellions are built on hope," he said

Jyn shrugged, unable to feign a senator’s diction any longer. “Rebellions are built on hope.” “There

Sex as rebellion against the way things should be. [Sounds familiar? It is. No story on earth more common.]

If we tell you even a fraction of our stories, will you still be able to look at us? Or will you only see the scars?

In August 1914, the name of St Petersburg itself is changed to the more Slavonic Petrograd: in semiotic rebellion against this idiocy, the local Bolsheviks continue to style themselves the 'Petersburg Committee'.

A life of feminine submission, of 'contemplative purity,' a life of silence, a life that has no pen and no story, while a life of female rebellion, of 'significant action,' is a life that must be silenced, a life whose monstrous pen tells a terrible story.

By the time she was standing up and in her bathrobe the day had fallen into its routine; after the first involuntary rebellion against every day’s alarm she subsided regularly into the shower, make-up, dress, breakfast schedule which would take her through the beginning of the day and out into the morning where she could forget the green grass and the hot sun and begin to look forward to dinner and the evening.

There is no neutral (or secular) area of life. When we set up an area or institution not acknowledging God's sovereignty we become an enemy of God and are in rebellion. The public school system in America is a good example. It is not neutral religiously. It has simply exchanged the Christian religion for that of humanism.

For several years now, Kipling had been sprinkling his prose and poetry with anti-German barbs. He believed this war would do “untold good” for his beloved British tommies, preparing them for the inevitable clash with Germany. The Boer War, said a character in a story he wrote at the time, was “a first-class dress-parade for Armageddon.

Punk has been portrayed as music by and for angry white males, but in its inception, it was a rebellion against all rock cliches. Gender, ethnic, sexual and class taboos were all challenged by our early punk community and that is a story which is not very often told. People of color, queer folk, women—all were present from the very beginning of Punk.

If your life is a blank page, that only means you have room to write your story. You have the power to tell that story the way you want to.

Midlife crises are the best-funded stage of rebellion, because, finally, the rebel himself can lavish the amount of money he feels befits the depth of his self-pity.

People before paper; stories before statistics.

On Adventure - Adventure stories usually start by someone breaking the rules.

Of all men who graduated from Oxford in 1913, 31 percent were killed.

It is not always the event itself that is wrong, but the hidden agenda behind it.

When you are here for the good of the planet and humanity, the other levels are always trying to protect you in times of danger.

Everything is an energy, numbers and symbols included.

Success should be judged on how few people are homeless, not by how much more it costs every year to buy a house.

because that’s what the Bible is about: God’s radical, pursuing grace in the midst of rebellion

God, if they’d only break out and rebel properly for once!’ he said to Ellis before starting. ‘But it’ll be a bloody washout as usual. Always the same story with these rebellions—peter out almost before they’ve begun. Would you believe it, I’ve never fired my gun at a fellow yet, not even a dacoit. Eleven years of it, not counting the War, and never killed a man. Depressing.’ ‘Oh,

Even after God’s astonishing “Five point plan” to quell the rebellion: (1) Appear as a cloud and cause old men to speak gibberish; (2) Blow bad birdmeat into camp to poison people; (3) Use the Amalekites to kick his people’s asses; (4) Open the earth to swallow rebel leaders and their families; (5) Fireblast two hundred others—the griping continued. The people still complained about Moses’ leadership,

Programming was very different from mathematics, as it was far more creative. In math, there was one right answer, and you worked at a problem until you got to that answer. In programming, there were an infinite number of answers that could be considered correct, just as there might be when writing a book. But the results of programming, unlike a written story, were tangible. Your program had to actually do something.

There is a story, perhaps apocryphal, that a Biafran plane landed in another African country, and the pilot and all of the crew came out, and there was not a white man among them. The people of this other country—which is a stooge of France—couldn’t comprehend a plane being landed without any white people. They said, “Where is the pilot? Where are the white people?” They arrested the crew, presuming there had been a rebellion in the air!

What I know is that the young women I met across northeastern Syria, from all its communities—Arab, Kurd, Christian—want the same things from their lives as thousands of girls I have met every other place in the world, including the United States: a chance to go to school and an opportunity to forge their own future. The world has a way of telling girls and young women what they should want from their lives, and of telling them not to ask for too much.

Burned?" said Elspeth. "By who?" "Whom," came a deep voice from above. Elspeth glanced up to see, sitting on a branch of a maple tree, a large gray owl. "An owl who says whom? Seriously?" "Only when it's appropriate," said the owl.

At the outset Jason had wondered how he would establish battlefield rapport with women, including those who commanded the western and eastern front lines. He didn’t know whether it would be different from working with men. What he understood quickly was that their mentality as leaders was the same as his. They had faced years of uninterrupted war without complaint and were willing to fight alongside anyone who shared their enemy. They were all grounded in the same warrior ethos.

What the gospel does is confront our version of our story with God’s version of our story. It is a brutally honest, exuberantly liberating story, and it is good news. It begins with the sure and certain truth that we are loved. That in spite of whatever has gone horribly wrong deep in our hearts and has spread to every corner of the world, in spite of our sins, failures, rebellion, and hard hearts, in spite of what’s been done to us or what we’ve done, God has made peace with us.

History is a raw onion sandwich, sir.” “For what reason?” “It just repeats, sir. It burps. We’ve seen it again and again this year. Same old story, same old oscillation between tyranny and rebellion, war and peace, prosperity and impoverishment.

In Berlin, after she took part in a failed general strike and uprising, her petite figure with its large hat and parasol still considered a threat by right-wingers, Rosa Luxemburg was beaten and shot by army officers and her body dumped in a canal.

This was not just any urn. It was a cremation urn, housing the powdered remains of Mrs. Pule's mother Wanda, a woman so mean and nasty that she had it put in writing that upon her death she wished to be cremated and have her ashes scattered over people who had annoyed her.

I remember a scared, young girl hiding in the guise of arrogance and rebellion. I remember feeling lost in a world where everyone else seemed to have it all figured out. I remember the tears of pain, the rants of anger and the hell that seemed to have swallowed me whole. Although I remember these things, it is now, over a decade later, more like a story that I find hard to believe. Did it all really happen? Even as I write this, my eyes begin to swell. It really did happen. I was that girl. And I’m sorry she had to suffer so. But, that is over now...

Soon you shall be landing In the battleground, ensure you have the right weapons to fight the enemy; ensure you know your enemy and what he is capable of; take them unprepared to gain the victory and stand with your head held high; show it to the world the cause you have been fighting for, deception is the key, challenge your enemy when it is least expected; break them mentally before breaking them physically. You are a soldier; your enemy is a soldier and you are facing the best, both sides have a lot of similarities only variation lies in the cause. Cause is driver for the battle; cause is binding comrades together and even if the victory is gained the cause stays undefeated. You stand defeated for your strategy, tactics and leaders but never for the cause, it’s still alive, it shall always be alive with the men who have sacrificed their lives, with the men who are still alive. They stand defeated with the physical strength but not for the cause they have believed in and you can never take it away from them. Fight for a cause and you shall stay invincible. A war story is always biased towards one side and it’s hard to narrate a true war story. We choose and make our heroes from what we have read, heard and believed in. If we know the cause both sides are standing for, it will become difficult to take sides. Always respect your enemy, respect for the fact they are standing neck to neck with you, respect them for the courage they have shown to defend the other side, their land, respect them for whatever you have earned the respect for from your men, from your country and from your people. Powerful strategies, tactics, weapons, leaders are allies to the war, they support but never claims victory all my themselves Greatest wars won always had the greater cause. Rebel without a cause is never a rebel just an aimless person whose fate lies in the defeat.

The Bible is the saga of Yahweh and Adam, the prodigal son and his ever gracious heavenly father; humanity in their rebellion and God in his grace. This narrative begins with Eden and does not conclude until the New Jerusalem is firmly in place. It is all one story. And if you are a believer, it is all your story.

The story of the "bondage" in Egypt, of the use of the Jews as slaves in great construction enterprises, their rebellion and escape - or emigration - to Asia, has many internal signs of essential truth, mingled, of course, with supernatural interpolations customary in all the historical writings of the ancient East.

The Bible tells the great, true story of redemption, of a God who created a good world, watched as that world was corrupted by sin and rebellion, and is at work redeeming it on the trajectory to a new heaven and a new earth. The Bible is not a set of rules, a love letter, a book of magic words, or a science or history textbook.

The LORD, the LORD, the compassionate and gracious God, slow to anger, abounding in love and faithfulness, maintaining love to thousands, and forgiving wickedness, rebellion and sin. Yet he does not leave the guilty unpunished; he punishes the children and their children for the sin of the parents to the third and fourth generation.

Here is a lesson for us. No decision can be considered good if eternity proves it to be bad. To put it another way, no decision in this life can ever be good unless it is good for eternity. Only a being who knows the future and the past can prescribe what is best for us. We make judgments in time; only God can reveal the judgments of eternity.

Debatable how long the seduction took. The smarter the girl, the swifter these things go. Physical forwardness as intellectual highwire act: the pleasure not of pleasure but of performance and revenge against the retainer, the flute, the stack of expectations. Sex as rebellion against the way things should be. [Sounds familiar? It is. No story on earth more common.] For

I was mesmerized by Minnie’s story of the Italian cashiers, their intimate but fierce rebellion. The quietest, most docile worker could, behind her apron or her uniform, be sharpening a blade. I began to imagine all the soft, subtle weapons a worker might employ. Avoiding all eye contact, perhaps, even while saying yes to an order; completing one’s duties very slowly, as if moving underwater.

Keep these things in mind: history and family. They are inseparable. In the 20th century you feel all those things that went before have very little to do with you, that you are immuned to the past by the present day. All those dead people and conflicts and ideas-why, they are only stories we tell another. History and politics and conflicts and rebellion and family and betrayal. Think about it.

I really can't say which of the American classics you should read. In fact, I think about as much of the notion of "classic" as you do, but at least the literary critics who compile those lists have a good sense of humor. How else can you explain them adding Mark Twain's wonderful books to their lists, given his view that "a classic is something everybody wants to have read, but no one wants to read"? Unless it's some kind of disguised jibe, but they surely can't be that petty. Though I don't think that justice is the main argument against classics list. Or rather, in a way it's clearly a question of justice, but not against those who don't make it. No, the books I feel sorry for are the ones they add to these lists. Take Mark Twain again. Once, when Tom was young, he came to me complaining that he had to read Huckleberry Finn for junior high. Huckleberry Finn! Our critics and educators have got a lot to answer for when they manage to make young boys see stories about rebellion and adventure and ballsiness as a chore. Do you understand what I mean? The real crime of these lists isn't that they leave deserving books off them, but that they make people see fantastic literary adventures as obligations.

I'm sure I'll like studying history after this," said Emily; "except Canadian History. I'll never like it--it's so dull. Not just at the first, when we belonged to France and there was plenty of fighting, but after that it's nothing but politics." "The happiest countries, like the happiest women, have no history," said Dean. "I hope I'll have a history," cried Emily. "I want a thrilling career." "We all do, foolish one. Do you know what makes history? Pain--and shame--and rebellion--and bloodshed and heartache. Star, ask yourself how many hearts ached--and broke--to make those crimson and purple pages in history that you find so enthralling. I told you the story of Leonidas and his Spartans the other day. They had mothers, sisters and sweethearts. If they could have fought a bloodless battle at the polls wouldn't it have been better--if not so dramatic.

In the decade following Nat Turner’s rebellion, as rural areas struggled to suppress the enslaved population, Southern cities concluded that the only way to protect their residents from uprisings in surrounding areas was to invest in armed patrols.60 In most urban areas, after establishing a city patrol, officials would also build a town jail and a punishment site, often referred to as “the cage,” where suspicious enslaved people could be incarcerated and tortured.

We could start, perhaps, with the seemingly simple question, What is History? Any thoughts, Webster?’ ‘History is the lies of the victors,’ I replied, a little too quickly. ‘Yes, I was rather afraid you’d say that. Well, as long as you remember that it is also the self-delusions of the defeated. Simpson?’ Colin was more prepared than me. ‘History is a raw onion sandwich, sir.’ ‘For what reason?’ ‘It just repeats, sir. It burps. We’ve seen it again and again this year. Same old story, same old oscillation between tyranny and rebellion, war and peace, prosperity and impoverishment.’ ‘Rather a lot for a sandwich to contain, wouldn’t you say?’ We laughed far more than was required, with an end-of-term hysteria. ‘Finn?’ ‘“History is that certainty produced at the point where the imperfections of memory meet the inadequacies of documentation.” ’ ‘Is it, indeed? Where did you find that?’ ‘Lagrange, sir. Patrick Lagrange. He’s French.

The United States had been created through an act of disloyalty. No matter how eloquently the Declaration of Independence had attempted to justify the American rebellion, a residual guilt hovered over the circumstances of the country's founding. Arnold changed all that. By threatening to destroy the newly created republic through, ironically, his own betrayal, Arnold gave this nation of traitors the greatest of gifts; a myth of creation. The American people had come to revere George Washington, but a hero alone was not sufficient to bring them together. Now they had the despised villain Benedict Arnold. They knew both what they were fighting for - and against. The story of American's genesis could finally move beyond the break with the mother country and start to focus on the process by which thirteen former colonies could become a nation. As Arnold had demonstrated, the real enemy was not Great Britain, but those Americans who sought to undercut their fellow citizens commitment to one another. Whether it was Joseph Reed's willingness to promote his state's interests at the expenses of what was best for the country as a whole or Arnold's decision to sell his loyalty to the highest bidder, the greatest danger to America's future cam from self-serving opportunism masquerading as patriotism. At this fragile state in the country's development, a way had to be found to strengthen rather than destroy the existing framework of government. The Continental Congress was far from perfect, but it offered a start to what could one day be a great nation. By turning traitor, Arnold had alerted the American people to how close they had all come to betraying the Revolution by putting their own interests ahead of their newborn country's. Already the name Benedict Arnold was becoming a byword for that most hateful of crimes: treason against the people of the United States.

Otis, at last, removed his eyes from Jane. "All very well, my friend, but I must side with Miss Clarke here. The soldiers in this town have been treated abominably." The table went still. Otis went on. "Admit it, Freeman. Mud throwing and name-calling are one thing, but the courts - any flimsy charge against a soldier upheld, outrageous fines put down - criminal! The law must not be conscripted to serve one particular cause. To lost the law is to lose the fight." "With respect, sir," Nate said, "I say when a people are under an illegal occupation they must fight with what they've got to hand." Aunt Gill said, "And what have we got to hand but a few stories in the paper?" Jane looked at her aunt in surprise. Another we. "We have the people, Aunt," Nate answered her. "Thirty thousand from all the outlying towns, ready to march at a minute's notice, and all it takes to call them is a flaming barrel of pitch on the beacon hill.

Then the LORD came down in the cloud and stood there with him and proclaimed his name, the LORD. And he passed in front of Moses, proclaiming, “The LORD, the LORD, the compassionate and gracious God, slow to anger, abounding in love and faithfulness, maintaining love to thousands, and forgiving wickedness, rebellion and sin. Yet he does not leave the guilty unpunished; he punishes the children and their children for the sin of the parents to the third and fourth generation

Soweto was designed to be bombed—that’s how forward-thinking the architects of apartheid were. The township was a city unto itself, with a population of nearly one million. There were only two roads in and out. That was so the military could lock us in, quell any rebellion. And if the monkeys ever went crazy and tried to break out of their cage, the air force could fly over and bomb the shit out of everyone. Growing up, I never knew that my grandmother lived in the center of a bull’s-eye. In

The initial months of the war had left Barcelona plunged in a strange somnolence of fear and internal skirmishes. The fascist Rebellion had failed in Barcelona in the first few days after the coup, and there were those who wanted to believe that the war was now a distant event, that in the end it would be seen as just one more piece of bravado from generals with little stature and even less shame. In a matter of weeks, they said, everything would return to the feverish abnormality that characterize the countries public life . . . He knew that a civil war is never just one fight, but a tangle of large or small fights bound to one another. It's official memory is always established by chroniclers and trench on the winning or the losing side, but it is never the story of those who are trapped between the two, those who seldom set the bonfire alight...[He] used to say that in Spain and opponent may be scorned, but anyone who does things his own way and refuses to swallow what he doesn't agree with is hated.

In 2003, Meryl Streep won a career achievement César Award, the French equivalent of an Oscar. Streep’s words (my translation) acknowledged the enduring interest of French audiences in women’s lives and women’s stories: "I have always wanted to present stories of women who are rather difficult. Difficult to love, difficult to understand, difficult to look at sometimes. I am very cognizant that the French public is receptive to these complex and contradictory women. As an actress I have understood for a long time that lies are simple, seductive and often easy to pass off. But the truth—the truth is always very very very complicated, often unpleasant, nuanced or difficult to accept." In France, an actress can work steadily from her teens through old age—she can start out in stories of youthful rebellion and end up, fifty years later, a screen matriarch. And in the process, her career will end up telling the story of a life—her own life, in a sense, with the films serving, as Valeria Bruni Tedeschi puts it, as a “journal intime,” or diary, of one woman’s emotions and growth. No wonder so many French actresses are beautiful. They’re radiant with living in a cinematic culture that values them, and values them as women. And they are radiant with living in a culture—albeit one with flaws of its own—in which women are half of who decides what gets valued in the first place. Their films transcend national and language barriers and are the best vehicles for conveying the depth and range of women’s experience in our era. The gift they give us, so absent in our own movies, is a vision of life that values emotional truth, personal freedom and dignity above all and that favors complexity over simplicity, the human over the machine, maturity over callowness, true mysteries over false explanations and an awareness of mortality over a life lived in denial. In the luminous humanity of their faces and in the illuminated humanity of their characters, we discover in these actresses something much more inspiring than the blank perfection and perfect blankness of the Hollywood starlet. We discover the beauty of the real.

Eleanor had heard talk of the rebellion that existed inside the city of Constance before. Most of the information she gathered was considered an old fairy tale by the general public. There were a few stories here and there about people angered by their present living conditions, who had demanded that the center of Constance be held responsible for it. However, information was never passed between the five different sectors. Over the years the tales of the rebellion had become children’s bedtime stories, and people did not take them seriously.

In March 1970, Lee again turned to the Soapbox to lay out Marvel’s policy on “moralizing.” Some readers simply wanted escapist reading, but Lee countered: “I can’t see it that way.” He compared a story without a message to a person without a soul. Giving the reader insight into his world, Lee explained that his visits to college campuses led to “as much discussion of war and peace, civil rights, and the so-called youth rebellion as . . . of our Marvel mags.” All these ideas, Lee said, shape our lives. No one should run from them or think that reading comic books might insulate someone from important societal topics.8

We could start, perhaps, with the seemingly simple question, What is History? Any thoughts, Webster?” “History is the lies of the victors,” I replied, a little too quickly. “Yes, I was rather afraid you’d say that. Well, as long as you remember that it is also the self-delusions of the defeated. Simpson?” Colin was more prepared than me. “History is a raw onion sandwich, sir.” “For what reason?” “It just repeats, sir. It burps. We’ve seen it again and again this year. Same old story, same old oscillation between tyranny and rebellion, war and peace, prosperity and impoverishment.” “Rather a lot for a sandwich to contain, wouldn’t you say?

There was much more she would have liked to tell her brother. But within a few months, she would be able to tell him in person. When he learned of the attack on the airship, nothing would stop Archimedes and his wife from coming. But at least they would fly to the Red City instead of Krakentown, where he might be recognized as the smuggler Wolfram Gunther-Baptiste. One day, she might write a story inspired by that part of his career. She would call it The Idiot Smuggler Who Destroyed the Horde Rebellion’s War Machines and Changed His Name to Avoid the Rebel Assassins. Zenobia would take pity on the idiot’s sister and leave her out of the tale. She

It is of the prophetic ministry of the church to teach people that we are sinners. Think of church as lifelong learning in how to be a sinner. We may be conceived in sin, but we fail to be cognizant of sin without the grace of God. The "sins" of non- Christians tend to be rather puny. For Christians, sin is not so much inherent in the human condition, though it is that; rather, sin is the problem we have between us and God. It is rebellion against our true Sovereign, an offense against the way the Creator has created us to be. The gospel story that we are forgiven-being-redeemed sinners is the means whereby we are able to be honest about the reality, complexity, and perversity of our sin.  

So in the end, perhaps the tale of the foreign intervention and the fall of the Taiping (Rebellion) is a tale of trust misplaced. It is a tale of how sometimes the connections we perceive across cultures and distances—our hopes for an underlying unity of human virtue, our belief that underneath it all we are somehow the same—can turn out to be nothing more than the fictions of our own imagination. And when we congratulate ourselves on seeing through the darkened window that separates us from another civilization, heartened to discover the familiar forms that lie hidden among the shadows on the other side, sometimes we do so without ever realizing that we are only gazing at our own reflection.

On her first day of school a small group of children, led by the always-catty Sofia Jean Fleener, began needling her about her pudgy arms and her overly round face. When she replied with a lispy, "Thticks and thtones may break my boneth," Sofia Jean pounced upon that as well, and Elspeth did what many children might do in that situation. She cried. The next day, the teasing began anew, but this time Elspeth did not cry. Instead, she made a split-second decision to punch Sofia Jean firmly in the solar plexus, while the other children looked on in horror. This time Sofia Jean was the one doing all the crying, and Elspeth decided right then and there that she much preferred this result to the previous day's outcome.

They're not seething with discontent and rebellion, not incessantly wrangling over what should be allowed and what forbidden, not forever accusing each other of not living the right way, not living in terror of each other, not going crazy because their lives seem empty and pointless, not having to stupefy themselves with drugs to get through the days, not inventing a new religion every week to give them something to hold on to, not forever searching for something to do or something to believe in that will make their lives worth living. And—I repeat—this is not because they live close to nature or have no formal government or because they're innately noble. This is simply because they are enacting a story that worked well for three million years and that still works well where the Takers haven't managed to stamp it out.

If Laura was so prolific with poems, and in truth she was, then what was the problem with Megan’s request? Couldn’t Laura, with a little doing, keep stringing together line after line of words and construct, in time, a novel? It seemed logical, but there was the matter of finding an idea and sustaining it. Only fire could do that. The fire of rebellion. Mario Vargas Llosa had not used the term “fire” exactly, but rather had discussed the presence of “seditious roots” that could “dynamite the world” the writer inhabited. He claimed that writing stories was an exercise in freedom and quarreling—out-and-out rebellion, whether or not the writer was conscious of it. And this rebellion, Vargas Llosa reminded his readers, was why the Spanish Inquisition had strictly censored works of fiction, prohibiting them for three hundred years in the American colonies.

Though it was a relief to no longer experience a rebellion at the sight of my own face, moving through the world in my Before body had grooved my brain, and operating as if that weren't so--as if those grooves had instead been worn by thousands of wet towel snaps and gay jokes--felt as dissonant as looking in the mirror had once been. There was no language to describe my whole self that didn't put me in danger. I passed in that I allowed others to believe I had sprung, fully formed, into the man that stood before them. Passing is, after all, a social phenomenon. I did not 'pass' when I looked at myself, but I passed when others prescribed to me a boyhood I'd never had. I passed as the man others saw, and I did not dissuade them of their vision of me. I was, like everyone, passing as my most coherent translation. It was a blanket of familiarity that I put over myself, and it kept me safe.

All forms of government destroy themselves by carrying their basic principle to excess. The first form is monarchy, whose principe is unity of rule. Carried to excess, the rule is too unified. A monarch takes too much power. The aristocracy whose main principle is that selected families rule. Carried to excess, somewhat large numbers of able men are left out, the middle classes join them in rebellion, and they establish a democracy whose principle is liberty' Then says Plato, that 'principle, too, is carried to excess in the course of time. The democracies become too free, in politics and economics, in morals, even in literature and art, until at last even the puppy dogs in our homes rise on their hind legs and demand their rights.' Then 'Disorder grows to such a point' — and here is the history of the last 25 years — 'that a society will abandon all its liberty to anyone who can restore order.' And then monarchy may be restored, and the process begins all over again. Plato concluded that until philosophers become kings, or until kings become philosophers, States will not cease to suffer from the ills.

All forms of government destroy themselves by carrying their basic principle to excess. The first form is monarchy, whose principe is unity of rule. Carried to excess, the rule is too unified. A monarch takes too much power. The aristocracy whose main principle is that selected families rule. Carried to excess, somewhat large numbers of able men are left out, the middle classes join them in rebellion, and they establish a democracy whose principle is liberty.' Then says Plato, that 'principle, too, is carried to excess in the course of time. The democracies become too free, in politics and economics, in morals, even in literature and art, until at last even the puppy dogs in our homes rise on their hind legs and demand their rights.' Then 'Disorder grows to such a point' — and here is the history of the last 25 years — 'that a society will abandon all its liberty to anyone who can restore order.' And then monarchy may be restored, and the process begins all over again. Plato concluded that until philosophers become kings, or until kings become philosophers, States will not cease to suffer from the ills.

It is not the nobility of rebellion that illuminates the world today, but nihilism. And it is the consequences of nihilism that we must retrace, without losing sight of the truth innate in its origins. Even if God existed, Ivan would never surrender to Him in the face of the injustice done to man. But a longer contemplation of this injustice, a more bitter approach, transformed the "even if you exist" into "you do not deserve to exist," therefore "you do not exist." The victims have found in their own innocence the justification for the final crime. Convinced of their condemnation and without hope of immortality, they decided to murder God. If it is false to say that from that day began the tragedy of contemporary man, neither is it true to say that there was where it ended. On the contrary, this attempt indicates the highest point in a drama that began with the end of the ancient world and of which the final words have not yet been spoken. From this moment, man decides to exclude himself from grace and to live by his own means. Progress, from the time of Sade up to the present day, has consisted in gradually enlarging the stronghold where, according to his own rules, man without God brutally wields power. In defiance of the divinity, the frontiers of this stronghold have been gradually extended, to the point of making the entire universe into a fortress erected against the fallen and exiled deity. Man, at the culmination of his rebellion, incarcerated himself; from Sade's lurid castle to the concentration camps, man's greatest liberty consisted only in building the prison of his crimes. But the state of siege gradually spreads, the demand for freedom wants to embrace all mankind. Then the only kingdom that is opposed to the kingdom of grace must be founded —namely, the kingdom of justice—and the human community must be reunited among the debris of the fallen City of God. To kill God and to build a Church are the constant and contradictory purpose of rebellion. Absolute freedom finally becomes a prison of absolute duties, a collective asceticism, a story to be brought to an end. The nineteenth century, which is the century of rebellion, thus merges into the twentieth, the century of justice and ethics, in which everyone indulges in self-recrimination.

I want to tell you a story about bravery. I want you to forget every over-romanticized notion you’ve ever heard about fearlessness; replace it with the idea that bravery is not an absence of fear but a rebellion against it. that it’s taking the risk. reaching for the person you want. chasing your dream. fighting for it all (despite despite despite). Bravery is hoping it’s worth it. Stop holding your humanity like a failure and wondering why you can’t succeed. Fear is an instinct to keep us safe and alive— it’s healthy to carry it as long as you don’t allow it to control you. Perpetuating the idea that we can scrape it from us completely only serves to breed more fear, make us feel alone, and create shame for something that exists (and should exist) in every breathing thing. Make no mistake: everyone is afraid of something. Everyone is taking a risk, in their own way. Every day, people are finding their dreams. surviving. falling in love. letting go. moving forward. stepping back. staying. healing. Every single one of them is doing so despite the fear, not without it. Set your sights on what you genuinely want and not just what is easy. Hold hope with both hands. be afraid. jump anyway. What I’m trying to tell you is: don’t aspire to be fearless. aspire to be brave.

If you had to summarize the Christmas story with one word, what word would you choose? Now, your word would have to capture what this story points to as the core of human need and the way God would meet that need. Do you have a word in mind? Maybe you’re thinking that it’s just not possible to summarize the greatest story ever with one word. But I think you can. Let’s consider one lovely, amazing, history-changing, and eternally significant word. It doesn’t take paragraph after paragraph, written on page after page, filling volume after volume to communicate how God chose to respond to the outrageous rebellion of Adam and Eve and the subtle and not-so-subtle rebellion of everyone since. God’s response to the sin of people against his rightful and holy rule can be captured in a single word. I wonder if you thought, “I know the word: grace.” But the single word that captures God’s response to sin even better than the word grace is not a theological word; it is a name. That name is Jesus. God’s response wasn’t a thing. It wasn’t the establishment of an institution. It wasn’t a process of intervention. It wasn’t some new divine program. In his infinite wisdom God knew that the only thing that could rescue us from ourselves and repair the horrendous damage that sin had done to the world was not a thing at all. It was a person, his Son, the Lord Jesus.

November 22   |   Matthew 21:33–44 In a parable, Jesus tells the story of a landowner who plants a vineyard, leases it to tenants, and then goes to another country. After a time, he sends servants to the vineyard to collect the fruit. Rather than give the master his profit, the tenants beat one servant, stone another, and kill a third. In response, the landowner sends more servants, only to see the same thing happen to them. Finally, thinking surely they will respect his son, the landowner sends his heir to the vineyard. Believing they will be able to keep the vineyard for themselves, the tenants kill the son. At that point, Jesus asks the Pharisees what the landowner will do in this situation. The Pharisees say what we would all say; they suggest doing what we would all want to do: “He will put those wretches to a miserable death” (v. 41 ESV). In other words, he’s going to turn that place into an Arnold Schwarzenegger movie: no survivors. You see, the Pharisees, like us, are tuned in to the law. They’re thinking in terms of an eye for an eye and a tooth for a tooth. They can’t see Jesus’s underlying point: they’re the tenants. Jesus quotes them Psalm 118, saying that the stone the builders rejected has become the chief cornerstone. The son sent to the vineyard was rejected by the tenants … but that’s not the end of our story. Jesus says that anyone who comes into contact with this stone will be broken. All of our efforts, whether aimed at rebellion or at righteousness, will cease. The chief cornerstone will break us. There’s one important difference between the heir in the parable and Jesus. Jesus didn’t stay dead! And because Jesus was raised to new life and has given that new life to us, we can leave all our striving behind.

It used to be that you could get a lot of recognition by writing about Canada, as long as it was about small towns and nature.' 'Really?' 'Yeah. You could have canoes and the prairies or, also, sad women, very sad women who were fat or whose husbands had left them or something. There was a lady who wrote about fucking a bear, which was like a union with the land. There was a lady who wrote about mystical experiences she had at a cottage in northern Ontario. I was never sure what that was about. They were very important at one time, very stern and important. I had to study them in school. Anyway, he was one of them. He concentrated on the prairies, with a lot of native names, and wise native people, like there's a young boy with an Ojibway grandmother who will teach him the ways of the forest, sort of thing, and there's a lot of history, like a lot of the Riel rebellion for example.' 'The what?' 'History. And there's a lot of disaster, on the prairies, like people having to rebuild their sod houses after floods and so on.' They drove on the humming highway for a while. Then Nicola said, 'So you haven't answered my question.' 'What question?' 'Do you think he's any good?' 'Oh. The thing is... it's not, it doesn't matter. It's important. So it doesn't matter if I think it's good or not.' 'Okay. So it doesn't matter. So I'm asking you. What you think. Do. You. Think. It's. Good.' She slapped her bare thigh. James paused for a long moment... He said, 'There's one Boben book, I think it's Cold Season, or maybe it's Comfort of Winter, which ends with the line, "a story which Canadians must never tire of telling." What do you think of that line? A story which Canadians must never tire of telling.' She shrugged. 'I have no idea.' 'I'll tell you what you think of it. You don't give a shit. I'll tell you what I think of it. I don't give a shit either. But I also think it's the worst bullshit I've ever heard. I think,' he said, accelerating, 'that Ludwig Boben is a fucking asshole.

…the shutting up of houses was a subject of great discontent, and I may say indeed the only subject of discontent among the people at that time; for the confining the sound in the same house with the sick was counted very terrible, and the complaints of the people so confined were very grievous. They were heard into the very streets, and they were sometimes such that called for resentment, though oftener for compassion. They had no way to converse with any of their friends but out at their windows, where they would makes such piteous lamentations as often moved the hearts of those they talked with, and of others who, passing by, heard their story; and as those complaints oftentimes reproached the severity, and sometimes the insolence, of the watchmen placed at their doors, those watchmen would answer saucily enough, and perhaps be apt to affront the people who were in the street talking to the said families, I think seven or eight of them in several places were killed; I know not whether I should say murthered or not, because I cannot enter into the particular cases. It is true the watchmen were on their duty, and acting in the post where they were placed by a lawful authority; and killing any publick legal officer in the execution of his office is always, in the language of the law, called murther. But they were not authorized by the magistrates’ instructions, or by the power they acted under to be injurious or abusive, either to the people who were under their observation, or to any that concerned themselves for them, so when they did so, they might be said to act as private persons, not as persons employed; and consequently, if they brought mischief upon themselves by such an undue behaviour, that mischief was upon their own heads; and indeed they had so much the hearty curses of the people, nobody pitied them, and everybody was apt to say they deserved it, whatever it was. Nor do I remember that anybody was ever punished, at least to any considerable degree, for whatever was done to the watchmen that guarded their houses.

In Ahab and in his beatnik, quasi-criminal prototype, Jackson (in 'Redburn'), Melville gave expression both to the megatechnic 'Khans' of the global Pentagon and to the counter-forces they had brought into being. And the fact that Ahab's torment and hatred had gone so far that he had lost control of himself and, through his own mad reliance upon power, had become dominated completely by the creature that had disabled him, only makes Melville's story a central parable in the interpretation of modern man's destiny. In Ahab's throwing away compass and sextant at the height of the chase, Melville even anticipated the casting out of the orderly instruments of intelligence, so characteristic of the counter-culture and anti-life happenings of today. Similarly, by his maniacal concentration, Ahab rejects the inner change that might have saved the ship and the crew, when he turns a deaf ear to the pleas of love uttered by sober Starbuck in words and by Pip, a fright-shocked child and an African primitive, in dumb gesture. Outwardly mankind is still committed tot he grim chase Melville described, lured by the adventure, the prospect of oil and whalebone, the promptings of pride, an above all by a love-rejecting pursuit of power. But it has also begun consciously to face the prospect of total annihilation, which may be brought about by the captains who now have command of the ship. Against that senseless fate every act of rebellion, every exhibition of group defiance, every assertion of the will-to-live, every display of autonomy and self-direction, at however primitive a level, diminishes the headway of the doom-threatened ship and delays the fatal moment when the White Whale will shatter its planks and drown the crew. All the infantile, criminal, and imbecile manifestations in the arts today, everything that now expresses only murderous hatred and alienation, might still find justification if they performed their only conceivable rational function-that of awakening modern man sufficiently to his actual plight, so that he seizes the wheel and, guided by the stars, heads the ship to a friendlier shore.

Now this might sound strange to you, Serafina Pekkala, but I know the man better than any wife could know him, better than a mother. He’s been my master and my study for nigh on forty years. I can’t follow him to the height of his thought any more than I can fly, but I can see where he’s a-heading even if I can’t go after him. No, it’s my belief he turned away from a rebellion against the Church not because the Church was too strong, but because it was too weak to be worth the fighting.” “So…what is he doing?” “I think he’s a-waging a higher war than that. I think he’s aiming a rebellion against the highest power of all. He’s gone a-searching for the dwelling place of the Authority Himself, and he’s a-going to destroy Him. That’s what I think. It shakes my heart to voice it, ma’am. I hardly dare think of it. But I can’t put together any other story that makes sense of what he’s doing.” Serafina sat quiet for a few moments, absorbing what Thorold had said. Before she could speak, he went on: “ ’Course, anyone setting out to do a grand thing like that would be the target of the Church’s anger. Goes without saying. It’d be the most gigantic blasphemy, that’s what they’d say. They’d have him before the Consistorial Court and sentenced to death before you could blink. I’ve never spoke of it before and I shan’t again; I’d be afraid to speak it aloud to you if you weren’t a witch and beyond the power of the Church; but that makes sense, and nothing else does. He’s a-going to find the Authority and kill Him.” “Is that possible?” said Serafina. “Lord Asriel’s life has been filled with things that were impossible. I wouldn’t like to say there was anything he couldn’t do. But on the face of it, Serafina Pekkala, yes, he’s stark mad. If angels couldn’t do it, how can a man dare to think about it?” “Angels? What are angels?” “Beings of pure spirit, the Church says. The Church teaches that some of the angels rebelled before the world was created, and got flung out of heaven and into hell. They failed, you see, that’s the point. They couldn’t do it. And they had the power of angels. Lord Asriel is just a man, with human power, no more than that. But his ambition is limitless. He dares to do what men and women don’t even dare to think. And look what he’s done already: he’s torn open the sky, he’s opened the way to another world.

Christianity agrees with Dualism that this universe is at war. But it does not think this is a war between independent powers. It thinks it is a civil war, a rebellion, and that we are living in a part of the universe occupied by the rebel. Enemy-occupied territory — that is what this world is. Christianity is the story of how the rightful king has landed, you might say landed in disguise, and is calling us all to take part in a great campaign of sabotage. When you go to church you are really listening-in to the secret wireless from our friends: that is why the enemy is so anxious to prevent us from going... Why is God landing in this enemy-occupied world in disguise and starting a sort of secret society to undermine the devil? Why is He not landing in force, invading it? Is it that He is not strong enough? Well, Christians think He is going to land in force; we do not know when. But we can guess why He is delaying. He wants to give us the chance of joining His side freely. I do not suppose you and I would have thought much of a Frenchman who waited till the Allies were marching into Germany and then announced he was on our side. God will invade. But I wonder whether people who ask God to interfere openly and directly in our world quite realize what it will be like when He does. When that happens, it is the end of the world. When the author walks on to the stage the play is over. God is going to invade, all right: but what is the good of saying you are on His side then, when you see the whole natural universe melting away like a dream and something else — something it never entered your head to conceive — comes crashing in; something so beautiful to some of us and so terrible to others that none of us will have any choice left? For this time it will be God without disguise; something so overwhelming that it will strike either irresistible love or irresistible horror into every creature. It will be too late then to choose your side. There is no use saying you choose to lie down when it has become impossible to stand up. That will not be the time for choosing: it will be the time when we discover which side we really have chosen, whether we realized it or not. Now, today, this moment, is our chance to choose the right side. God is holding back to give us that chance. It will not last forever. We must take it or leave it.

Here before you lies the memorial to St. Cefnogwr, though he is not buried here, of course.” At her words, an uncanny knowing flushed through Katy and, crazy-of-crazy, transfixed her. “Why? Where is he?” Traci stepped forward, hand on her hip. A you’re-right-on-cue look crossed the guide’s face. She pointed to the ceiling. Traci scoffed. “I meant, where’s the body?” Her American southern accent lent a strange contrast to her skepticism. Again, the tour guide’s arthritic finger pointed upward, and a smile tugged at her lips, the smokers’ wrinkles on her upper lip smoothing out. “That’s the miracle that made him a saint, you see. Throughout the twelve hundreds, the Welsh struggled to maintain our independence from the English. During Madog’s Rebellion in 1294, St. Cefnogwr, a noble Norman-English knight, turned against his liege lord and sided with the Welsh—” “Norman-English?” Katy frowned, her voice raspy in her dry throat. “Why would a Norman have a Welsh name and side with the Welsh?” She might be an American, but her years living in England had taught her that was unusual. “The English nicknamed him. It means ‘sympathizer’ in Welsh. The knight was captured and, for his crime, sentenced to hang. As he swung, the rope creaking in the crowd’s silence, an angel of mercy swooped down and—” She clapped her hands in one decisive smack, and everyone jumped. “The rope dangled empty, free of its burden. Proof, we say, of his noble cause. He’s been venerated ever since as a Welsh hero.” Another chill danced over Katy’s skin. A chill that flashed warm as the story seeped into her. Familiar. Achingly familiar. Unease followed—this existential stuff was so not her. “His rescue by an angel was enough to make him a saint?” ever-practical Traci asked. “Unofficially. The Welsh named him one, and eventually it became a fait accompli. Now, please follow me.” The tour guide stepped toward a side door. Katy let the others pass and approached the knight covered in chainmail and other medieval-looking doodads. Only his face peeked out from a tight-fitting, chainmail hoodie-thing. One hand gripped a shield, the other, a sword. She touched his straight nose, the marble a cool kiss against her finger. So. This person had lived about seven hundred years ago. His angular features were starkly masculine. Probably had women admiring them in the flesh. Had he loved? An odd…void bloomed within, tugging at her, as if it were the absence of a feeling seeking wholeness. Evidence of past lives frozen in time always made her feel…disconnected. Disconnected and disturbed. Unable to grasp some larger meaning. Especially since Isabelle was in the past now too, instead of here as her maid of honor. She traced along the knight’s torso, the bumps from the carved chainmail teasing her fingers. “The tour group is getting on the bus. Hurry.” Traci’s voice came from the door. “Coming.” One last glance at her knight. Katy ran a finger down his strong nose again. “Bye,” she whispered.

Jesus, then, went to Jerusalem not just to preach, but to die. Schweitzer was right: Jesus believed that the messianic woes were about to burst upon Israel, and that he had to take them upon himself, solo. In the Temple and the upper room, Jesus deliberately enacted two symbols, which encapsulated his whole work and agenda. The first symbol said: the present system is corrupt and recalcitrant. It is ripe for judgment. But Jesus is the Messiah, the one through whom YHWH, the God of all the world, will save Israel and thereby the world. And the second symbol said: this is how the true exodus will come about. This is how evil will be defeated. This is how sins will be forgiven. Jesus knew—he must have known—that these actions, and the words which accompanied and explained them, were very likely to get him put on trial as a false prophet leading Israel astray, and as a would-be Messiah; and that such a trial, unless he convinced the court otherwise, would inevitably result in his being handed over to the Romans and executed as a (failed) revolutionary king. This did not, actually, take a great deal of “supernatural” insight, any more than it took much more than ordinary common sense to predict that, if Israel continued to attempt rebellion against Rome, Rome would eventually do to her as a nation what she was now going to do to this strange would-be Messiah. But at the heart of Jesus’ symbolic actions, and his retelling of Israel’s story, there was a great deal more than political pragmatism, revolutionary daring, or the desire for a martyr’s glory. There was a deeply theological analysis of Israel, the world, and his own role in relation to both. There was a deep sense of vocation and trust in Israel’s god, whom he believed of course to be God. There was the unshakable belief—Gethsemane seems nearly to have shaken it, but Jesus seems to have construed that, too, as part of the point, part of the battle—that if he went this route, if he fought this battle, the long night of Israel’s exile would be over at last, and the new day for Israel and the world really would dawn once and for all. He himself would be vindicated (of course; all martyrs believed that); and Israel’s destiny, to save the world, would thereby be accomplished. Not only would he create a breathing space for his followers and any who would join them, by drawing on to himself for a moment the wrath of Rome and letting them escape; if he was defeating the real enemy, he was doing so on behalf of the whole world. The servant-vocation, to be the light of the world, would come true in him, and thence in the followers who would regroup after his vindication. The death of the shepherd would result in YHWH becoming king of all the earth. The vindication of the “son of man” would see the once-for-all defeat of evil, the rescue of the true Israel, and the establishment of a worldwide kingdom. Jesus therefore took up his own cross. He had come to see it, too, in deeply symbolic terms: symbolic, now, not merely of Roman oppression, but of the way of love and peace which he had commended so vigorously, the way of defeat which he had announced as the way of victory. Unlike his actions in the Temple and the upper room, the cross was a symbol not of praxis but of passivity, not of action but of passion. It was to become the symbol of victory, but not of the victory of Caesar, nor of those who would oppose Caesar with Caesar’s methods. It was to become the symbol, because it would be the means, of the victory of God.14