“
I am eternally grateful for my knack of finding in great books, some of them very funny books, reason enough to feel honored to be alive, no matter what else might be going on.
”
”
Kurt Vonnegut Jr. (Timequake)
“
The reason for the unreason with which you treat my reason , so weakens my reason that with reason I complain of your beauty.
”
”
Miguel de Cervantes Saavedra
“
The reason I want you to put a shirt on is, well, because, um..."
"You've never seen a guy with his shirt off?"
"Ha, ha. Very funny. Believe me, you don't have anything I haven't seen before."
"Wanna bet?" he says, then moves his hands to the button on his jeans and pops it open. Isabel walks in at that exact moment.
"Whoa, Alex. Please keep your pants on.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
If an apology is followed by an excuse or a reason, it means they are going to commit same mistake again they just apologized for.
”
”
Amit Kalantri
“
Ronan's bedroom door burst open. Hanging on the door frame, Ronan leaned out to peer past Gansey. He was doing that thing where he looked like both the dangerous Ronan he was now and the cheerier Ronan he had been when Gansey first met him.
"Hold on," Gansey told Adam. Then, to Ronan: "Why would he be?"
"No reason. Just no reason." Ronan slammed his door.
Gansey asked Adam, "Sorry. You still have that suit for the party?"
Adam's response was buried in the sound of the second-story door falling open. Noah slouched in. In a wounded tone, he said, "He threw me out the window!"
Ronan's voice sang out from behind his closed door: "You're already dead!
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.”
She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried.
And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.”
But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it.
I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away.
You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.
And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.
“Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.”
Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining.
Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
”
”
Sarah Kay
“
I had liked him for all the wrong reasons.
”
”
Wendelin Van Draanen (Flipped)
“
You're the reason for the word wonderful. It really shouldn't be used for anything else.
”
”
Emily Henry (Funny Story)
“
Just three words? Nothing about his physical health? His equipment? His supplies?'
'You got me,' she said. 'He left a detailed status report. I just decided to lie for no reason.'
'Funny,' Venkat said. 'Be a smart-ass to a guy seven levels above you at your company. See how that works out.'
'Oh no,' Mindy said. 'I might lose my job as an interplanetary voyeur? I guess I'd have to use my master's degree for something else.'
'I remember when you were shy.'
'I'm space paparazzi now. The attitude comes with the job.
”
”
Andy Weir (The Martian)
“
You look angry," he said.
"You put me on hold."
"For a very good reason."
"You put me," she said very, very slowly, "on hold.
”
”
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
“
One last thing," he said. "Stop looking for me."
"I'm not looking for you." I scoffed.
He touched his index finger to my forehead, my skin absurdly warming under his touch. It didn't escape me that he couldn't seem to stop finding reasons to touch me. Nor did I miss that I didn't want him to stop. "Under all the layers, a part of you remembers. It's the part that came looking for me tonight. It's that part that's going to get you killed, if you're not careful."
We stood face-to-face, both of us breathing hard. The sirens were so close now.
"What am I supposed to tell the police?" I said.
"You're not going to talk to the police."
"Oh, really? Funny, because I plan on telling them exactly how you rammed that tire iron into Gabe's back. Unless you answer my questions."
He gave an ironic snort. "Blackmail? You've changed, Angel.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
Pretty fucking tragic twist of fate, but you don’t seem to remember that we first met years ago. An issue, since I remember a little too well. I like no one, absolutely no one, but I liked you from the start. I liked you when I didn’t know you, and now that I do know you it’s only gotten worse. Sometimes, often, always, I think about you before falling asleep. Then I dream of you, and when I wake up my head’s still there, stuck on something funny, beautiful, filthy, intelligent that’s all about you. It’s been going on for a while, longer than you think, longer than you can imagine, and I should have told you, but I have this impression, this certainty that you’re half a second from running away, that I should give you enough reasons to stay. Is there anything I can do for you? I’ll take you grocery shopping and fill your fridge when we’re back home. Buy you a new bike and a case of decent reagent and that sludge you drink. Kill the people who made you cry. Is there something you need? Name it. It’s yours. If I have it, it’s yours.
”
”
Ali Hazelwood (The Love Hypothesis)
“
The only thing known to go faster than ordinary light is monarchy, according to the philosopher Ly Tin Wheedle. He reasoned like this: you can't have more than one king, and tradition demands that there is no gap between kings, so when a king dies the succession must therefore pass to the heir instantaneously. Presumably, he said, there must be some elementary particles -- kingons, or possibly queons -- that do this job, but of course succession sometimes fails if, in mid-flight, they strike an anti-particle, or republicon. His ambitious plans to use his discovery to send messages, involving the careful torturing of a small king in order to modulate the signal, were never fully expanded because, at that point, the bar closed.
”
”
Terry Pratchett (Mort (Discworld, #4; Death, #1))
“
Ford Prefect suppressed a little giggle of evil satisfaction, realized that he had no reason to suppress it, and laughed out loud, a wicked laugh.
”
”
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
“
The disc, being flat, has no real horizon. Any adventurous sailor who got funny ideas from staring at eggs and oranges for too long and set out for the antipodes soon learned that the reason why distant ships sometimes looked as though they were disappearing over the edge of the world was that they were disappearing over the edge of the world.
”
”
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
“
Grabbing a scarf off the chair, I threw it at him.
He caught it, clutching it to his chest as he flew into the air. "You gave Tink a scarf. Tink is free!" He flew out into the hallway like a little cracked-out fairy, screeching, "Tink is freeeeee!"
Ren looked at me. "What the actual f**k?"
I sighed. "He's obsessed with Harry Potter. I'm sorry."
Tink darted back into the room, holding the scarf to his bare chest. "There is no reason to apologize when it comes to Harry Potter."
"You do remember what happened to Dobby, right?" I said.
"S**t." Tink's eyes widened and he dropped the scarf.
”
”
Jennifer L. Armentrout (Wicked (A Wicked Trilogy #1))
“
Katsa turned to Po with tears in her eyes. 'He'll be so angry.'
'He won't stay angry forever.'
'Won't he?' she said. 'People do sometimes.'
'Do they?' he said. 'Reasonable people? I hope that's not true.'
Katsa gave him a funny look, but didn't answer. Resumed hugging herself and kicking things.
”
”
Kristin Cashore (Bitterblue (Graceling Realm, #3))
“
Reason fourteen.” I press my forehead against hers, locking her in my gaze. “You are so beautiful. Inside and out. I don’t just need you. I crave you. Everything about you. You are the only person I’ve felt this way about. You’re my best friend.
”
”
Becca Ann (Reasons I Fell for the Funny Fat Friend)
“
She was staring at you.'
'What can I say? Irresistible.'
'Shane, it’s not funny. I just—you should be careful.
'Always am.' Which was an absolute lie. Shane’s eyes fixed on hers, and she felt a burst of heat inside that crept up to burn in her cheeks. He smiled slowly. 'Jealous?'
'Maybe.'
'No reason. I like my ladies with a pulse.
”
”
Rachel Caine (Feast of Fools (The Morganville Vampires, #4))
“
If we had to earn our age by thinking for ourselves at least once a year, only a handful of people would reach adulthood.
”
”
Mokokoma Mokhonoana
“
I put my hand on the altar rail. 'What if ... what if Heaven is real, but only in moments? Like a glass of water on a hot day when you're dying of thirst, or when someone's nice to you for no reason, or ...' Mam's pancakes with Toblerone sauce; Dad dashing up from the bar just to tell me, 'Sleep tight, don't let the bedbugs bite'; or Jacko and Sharon singing 'For She's A Squishy Marshmallow' instead of 'For She's A Jolly Good Fellow' every single birthday and wetting themselves even though it's not at all funny; and Brendan giving his old record player to me instead of one of his mates. 'S'pose Heaven's not like a painting that's just hanging there for ever, but more like ... Like the best song anyone ever wrote, but a song you only catch in snatches, while you're alive, from passing cars, or ... upstairs windows when you're lost ...
”
”
David Mitchell (The Bone Clocks)
“
Daddy is trying really fugging hard to think of a not-terrifying reason why you'd wake Daddy up in the middle of the night to ask that fugging question. But no. No. Daddy does not have a match or a lighter.
”
”
John Green (An Abundance of Katherines)
“
Yeah, I got her,” Will confirms.
“Who you got?” I ask.
“You, drunk girl. Come on.” He turns to lead me toward the exit, and I start to follow him, but for some reason my feet don’t work very well.
“Um, Will?”
“Yeah?”
“I lost my feet.”
“What?” he laughs and pinches the bridge of his nose.
“I can’t find my feet.”
Why is everyone laughing at me? This is serious!
”
”
Kristen Proby (Play with Me (With Me in Seattle, #3))
“
I clear my throat. "You deserve to be taken out for your birthday. And...I want to be the guy who takes you on your first date.
”
”
Becca Ann (Reasons I Fell for the Funny Fat Friend)
“
Hugs usually mean more than just a hug.
”
”
Becca Ann (Reasons I Fell for the Funny Fat Friend)
Becca Ann (Reasons I Fell for the Funny Fat Friend)
“
Kate stood by the door with her arms crossed.
That was an anti-Curran pose. What the hell was the Beast Lord doing here?
I padded to the door.
“First, you didn’t come home.” Curran’s voice held zero humor. “Second, I’m told that my mate is lingering in Raphael’s house. There can’t be any good reason for you to be here.”
“Are you spying on me, Your Furriness?” Kate asked.
”
”
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
“
You know how I think they choose people for Gryffindor team?" said Malfoy loudly a few minutes later, as Snape awarded Hufflepuff another penalty for now reason at all. "It's people they feel sorry for. See, there's Potter, who's got no parents, then there's the Weasleys, who've got no money - you should be on the team, Longbottom, you've got no brains.
”
”
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
“
One day. One damn day since I talked with Hayles. I've never been more happy for a Monday.
”
”
Becca Ann (Reasons I Fell for the Funny Fat Friend)
“
You are so wonderfully bizarre.
”
”
Becca Ann (Reasons I Fell for the Funny Fat Friend)
“
Legend did not believe in endings.
For most of his immortal life, he believed his world would come crashing down if he fell in love and became human. Instead, his world had become more precious, particularly the pieces involving her.
He stifled a laugh as he read her letter again. Tella wouldn’t like it if she knew he was laughing, but she was one of the rare things he found funny.
It was one of the many reasons he loved her.
”
”
Stephanie Garber (Finale (Caraval, #3))
“
You try to be a nice guy, but girls just have to be stubborn about it. Then they complain chivalry is dead. Screw that.
”
”
Becca Ann (Reasons I Fell for the Funny Fat Friend)
“
Two hugs. Both I can’t get out of my mind. One was so quick I’m not even sure it happened, and the other was… Amazing. Incredible. Confusing. How can someone get so much from a hug?
”
”
Becca Ann (Reasons I Fell for the Funny Fat Friend)
“
He chuckles. “I won’t pry, but I should probably get some discipline in here somewhere. Or some fatherly advice. What’s your poison?”
See? Cool Dad. I stand up, shakin’ my head. “Just tell me how one girl can make me act like a psycho, then I’ll be on my way.”
“You know, I’m still tryin’ to figure that out.
”
”
Becca Ann (Reasons I Fell for the Funny Fat Friend)
“
Behind me, Marc made a soft whistling sound, clearly impressed. “That’s not standard procedure,” he said, his tone entirely too reasonable as he leaned over the stray’s body to open the back passenger-side door.
“Yeah, well, I’m not your standard enforcer.
”
”
Rachel Vincent (Rogue (Shifters, #2))
“
=> When life gives you a hundred reasons to cry, show life that you have a thousand reasons to smile.
=> Never tell your problems to anyone...20% don't care and the other 80% are glad you have them.
=> It's true that we don't know what we've got until we lose
it, but it's also true that we don't know what we've been
missing until it arrives.
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
You are not showing her my baby pictures!” He sounded horrified, which made me laugh.
“Come on, Evan,” I teased with a laughing smile, “you were adorable.
”
”
Rebecca Donovan (Reason to Breathe (Breathing, #1))
“
The mind wants to live forever, or to learn a very good reason why not. The mind wants the world to return its love, or its awareness... The mind's sidekick, however, will settle for two eggs over easy. The dear, stupid body is easily satisfied as a spaniel. And, incredibly, the simple spaniel can lure the brawling mind to its dish. It is everlastingly funny that the proud, metaphysically ambitious mind will hush if you give it an egg.
”
”
Annie Dillard
“
Of course I wasn't abused. If I were; things would be so simple. I'd have a reason to for being in a shrinks office. I'd have a justification and something to work on. The world wasn't going to give me something that tidy.
”
”
Ned Vizzini (It's Kind of a Funny Story)
“
I told Quynn that I'm in love with you."
Her face gets real red. That damn cute red that drives me crazy. "Um, why would you do that?"
I shake my head, smiling at her. "Cause its the truth, you dork.
”
”
Becca Ann (Reasons I Fell for the Funny Fat Friend)
“
Women need a reason to have sex, while men just need an angle
”
”
Josh Stern (And That’s Why I’m Single)
“
The first time I heard you laugh,
I only wanted to say funny things
so you would always be laughing.
You know what happens to chocolate
when you leave it out in the sun?
I’m that unfortunate chocolate
and you, you are the laughing sun.
For this reason, I am offering myself to you
not as a martyr or some selfless fool,
but as a self-indulgent moth
who actively pursues the light
without much fear for the flame.
The moth who revels in the heat
and declares:
Burn me.
”
”
Kamand Kojouri
“
Dedicated to everyone who knows the importance of laughter, and counts it as their workout for the day.
”
”
Cassie Mae (Reasons I Fell for the Funny Fat Friend)
“
And you don't ever have to worry about what I feel. The way I feel about you won't change. You can do whatever you like to me. You could turn this town to dust, burn the woods until they were cinders, you could cut out my heart. It wouldn't matter. It would not change a thing."
"What if I ate a baby?"
Jared's mouth curved up at the corners, slow and not cruel at all. "I'm sure you'd have a good reason," he said.
”
”
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
“
I think sometimes the stars align whether we want them to or not. And we're drawn to certain people and places for no other reason than...Destiny.
”
”
Morgan Parker (Non Friction)
“
The amount of educational programming on television today is simply desensitizing. The only reason left to go to school is to see gun violence.
”
”
Bauvard (Some Inspiration for the Overenthusiastic)
“
He gives me a look that says, “Dude, if I knew that do you think I’d have enlisted your puny help?”
I snicker.
“Something funny here.”
“You. All prickly and pissed ’cause there’s something you don’t know. Got to call on the megaservices of the Mega.”
“Ever occur to you I’m using you for reasons your inferior human brain can’t begin to understand.
”
”
Karen Marie Moning (Iced (Fever, #6))
“
Honestly, half the reason I like you is because you’re so...I don’t know. You like life.” He looked away from my eyes, amused as his thoughts spun, considering. “You’re fearless. Bold. Not afraid to enjoy yourself. You just go out there and do what you want. I like the whirlwind you exist in. I envy it. It’s funny, really.” He smiled. “I used to think I wanted someone exactly like me, but now I think I’d be bored to death with another version of myself. I’m surprised I don’t bore you sometimes.”
I gaped. “Are you kidding? You’re the most interesting person I know. Aside from Hugh maybe. But then, he installs breast implants and buys souls. That’s a hard combination to beat. But he’s not nearly as cute.
”
”
Richelle Mead (Succubus on Top (Georgina Kincaid, #2))
“
I like you a lot. Because you’re funny and smart and because you seem to like me. I know that’s not a good reason, but I can’t help it; if a girl likes me I tend to like her back [...] I like you for all this stuff but I also kind of like you for the cuts on your face—
”
”
Ned Vizzini (It's Kind of a Funny Story)
“
You are very clever," said the old man shyly. "I would like to eat your brains, one day."
For some reason the books of etiquette that Daphne's grandmother had forced on her didn't quite deal with this. Of course, silly people would say to babies, "You're so sweet I could gobble you all up!" but that sort of nonsense seemed less funny when it was said by a man in war paint who owned more than one skull. Daphne, cursed with good manners, settled for "It's very kind of you to say so.
”
”
Terry Pratchett (Nation)
“
Mel exhaled. "Why are you forcing me into the voice-of-reason role? You know that never works out for us.
”
”
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
“
To evade insanity and depression, we unconsciously limit the number of people toward whom we are sincerely sympathetic.
”
”
Mokokoma Mokhonoana
“
Not everything happens for a reason; we claim that it does for a reason: to console ourselves.
”
”
Mokokoma Mokhonoana
“
Really, Sunborn? No, really. All right then. Tell me about computers.” “Well . . .” Luke said, and looked shifty about the eyes. “They’re boxes . . . but you can write things in them. And read things in them. And there are cats in them who are funny for some reason. They’re like—boxes of infinity. And! You keep the wikipedia in them!
”
”
Sarah Rees Brennan (In Other Lands)
“
Minutes passed by. A little blue butterfly landed on my nose. I blinked at it and it fluttered to my ear. A big yellow butterfly gently floated over and landed on my paw. Soon a whole swarm of them floated up and down around me, like a swirl of multicolored petals. It happened in my backyard, too, if the magic was strong enough. Butterflies were small and light, and very magic sensitive. For some reason I made them feel safe and they gravitated to me like iron shavings to a magnet. They ruined my ferocious badass image, but you’d have to be a complete beast to swat butterflies.
If a baby deer frolicked out from between the buildings trying to cuddle up, I would roar. I wouldn’t bite it, but I would roar. I had my limits.
”
”
Ilona Andrews (Hexed (World of Kate Daniels, #4.5; Otherworld, #9.5; Stormwalker, #2.5; Anna Strong Chronicles, #6.5))
“
Jehovah’s Witness? Don’t sweat it. I’m going to hell, already booked my ticket. Bright side? I’m pagan. Your hell is my heaven... if for no other reason than you won’t be there.
”
”
Dennis Sharpe (Wednesday)
“
We wish you a merry Christmas” is the most demanding song ever. It starts off all nice and a second later you have an angry mob at your door scream-singing, “Now bring us some figgy pudding and bring it RIGHT HERE. WE WON’T GO UNTIL WE GET SOME SO BRING IT RIGHT HERE.” Also, they’re rhyming “here” with “here.” That’s just sloppy. I’m not rewarding unrequested, lazy singers with their aggressive pudding demands. There should be a remix of that song that homeowners can sing that’s all “I didn’t even ask for your shitty song, you filthy beggars. I’ve called the cops. Who is this even working on? Has anyone you’ve tried this on actually given you pudding? Fig-flavored pudding? Is that even a thing?” It doesn’t rhyme but it’s not like they’re trying either. And then the carolers would be like, “SO BRING US SOME GIN AND TONIC AND LET’S HAVE A BEER,” and then I’d be like, “Well, I guess that’s more reasonable. Fine. You can come in for one drink.” Technically that would be a good way to get free booze. Like trick-or-treat but for singy alcoholics. Oh my God, I finally understand caroling.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Let me tell you something, Jesse Blackthorn. Your mother may have reason to be resentful of Shadowhunters, but if her ridiculous demons hurt my brother, I will have no pity. I shall beat her to death with her own stupid hat.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
Pay closer attention to it's ears, the reason it's named the Rabbit. Is it just me, or do those ears also look like someone making a rude V-Sign hand gesture?
Oh, I get it now. Yes, very funny! Those bunny ears are meant to stimulate the clitoris, right? And of course, statistics and studies in bullshit magazines claim that 1 in every 2 men can't find the clitoris, right? Meaning what I think it means and that the sexist female who obviously designed this device is basically sticking two fingers up at crappy men, because her world famous toy can find the users clitoris quicker
”
”
Jimmy Tudeski (Comedian Gone Wrong)
“
I could’ve knocked the shit out of her .She’d have good reason to roll her eyes then. But knocking the shit out of rude people wasn’t my style. Heckling them every chance I got was.
Hopefully she’d screw up soon. I didn’t have all day.
”
”
Darynda Jones (Fourth Grave Beneath My Feet (Charley Davidson, #4))
“
This is precisely why I loathed being a teacher! Young people are so infernally convinced that they are absolutely right about everything. Has it not occurred to you, my poor puffed-up poppinjay, that there might be an excellent reason why the Headmaster of Hogwarts is not confiding every tiny detail of his plans to you? Have you never paused, while feeling hard-done-by, to note that following Dumbledore's orders has never yet led you into harm? No. No, like all young people, you are quite sure that you alone feel and think, you alone recognise danger, you alone are the only one clever enough to realise what the Dark Lord may be planning.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
For instance, dragons are deeply revered by the Chinese. According to legend they have megapowers that include weather control and life creation. And they’re seen as kind, benevolent creatures. Funny. Every fairy tale I’d ever heard involving dragons starred daring knights trotting off to kill said dragons. Probably the real reason every time East meets West they get pissed off and throw tea in our faces.
”
”
Jennifer Rardin
“
I like no one, absolutely no one, but I liked you from the start. I liked you when I didn’t know you, and now that I do know you it’s only gotten worse. Sometimes, often, always, I think about you before falling asleep. Then I dream of you, and when I wake up my head’s still there, stuck on something funny, beautiful, filthy, intelligent that’s all about you. It’s been going on for a while, longer than you think, longer than you can imagine, and I should have told you, but I have this impression, this certainty that you’re half a second from running away, that I should give you enough reasons to stay. Is there anything I can do for you? I’ll take you grocery shopping and fill your fridge when we’re back home. Buy you a new bike and a case of decent reagent and that sludge you drink. Kill the people who made you cry. Is there something you need? Name it. It’s yours. If I have it, it’s yours.
”
”
Ali Hazelwood (The Love Hypothesis)
“
Love begins with the experience of being understood in highly supportive and uncommon ways. They grasp the lonely parts of us; we don’t have to explain why we find a particular joke so funny; we have the same people; we both want to try that rather specialised sexual scenario.
It cannot continue. When we run up against the reasonable limits of our lovers’ capacities for understanding, we mustn’t blame them for dereliction. They were not tragically inept. They couldn’t fully fathom who we were – and we could do no better. Which is normal. No one properly gets, or can fully sympathize with, anyone else.
”
”
Alain de Botton (The Course of Love)
“
It’s funny how we always search for reasons not to love—fear of suffering, fear of abandonment—but the love of life, oh, how much you can take for granted until you realize that, one day, you’re going to lose all of it.
”
”
Marc Levy (All Those Things We Never Said)
“
Where's my cell phone?" I ask. "And please put a shirt on."
He reaches down and grabs my phone off the floor. "Why?"
"The reason I need my cell," I say as I take it from him, "is to call a cab and the reason I want you to put a shirt on is, well, because, urn . . ."
"You've never seen a guy with his shirt off?"
"Ha, ha. Very funny. Believe me, you don't have anything I haven't seen before."
"Wanna bet?" he says, then moves his hands to the button on his jeans and pops it open.
Isabel walks in at that exact moment. "Whoa, Alex. Please keep your pants on.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
[Or perhaps my friends should have realized that they shouldn't have left behind the FRICKING REASON FOR THEIR PROTEST!
And that thought just cracked me up.]
It was like my friends had walked over the backs of baby seals in order to get to the beach where they could protest against the slaughter of baby seals.
”
”
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
“
While I was backstage before presenting the Best New Artist award, I talked to George Strait for a while. He's so incredibly cool. So down-to-earth and funny. I think it should be known that George Strait has an awesome, dry, subtle sense of humor. Then I went back out into the crowd and watched the rest of the show. Keith Urban's new song KILLS ME, it's so good. And when Brad Paisley ran down into the front row and kissed Kimberley's stomach (she's pregnant) before accepting his award, Kellie, my mom, and I all started crying. That's probably the sweetest thing I've ever seen.
I thought Kellie NAILED her performance of the song we wrote together "The Best Days of Your Life". I was so proud of her. I thought Darius Rucker's performance RULED, and his vocals were incredible. I'm a huge fan. I love it when I find out that the people who make the music I love are wonderful people. I love Faith Hill and how she always makes everyone in the room feel special. I love Keith Urban, and how he told me he knows every word to "Love Story" (That made my night). I love Nicole Kidman, and her sweet, warm personality. I love how Kenny Chesney always has something hilarious or thoughtful to say. But the real moment that brought on this wave of gratitude was when Shania Twain HERSELF walked up and introduced herself to me. Shania Twain, as in.. The reason I wanted to do this in the first place. Shania Twain, as in.. the most impressive and independent and confident and successful female artist to ever hit country music. She walked up to me and said she wanted to meet me and tell me I was doing a great job. She was so beautiful, guys. She really IS that beautiful. All the while, I was completely star struck. After she walked away, I realized I didn't have my camera. Then I cried.
You know, last night made me feel really great about being a country music fan in general. Country music is the place to find reality in music, and reality in the stars who make that music. There's kindness and goodness and....honesty in the people I look up to, and knowing that makes me smile. I'm proud to sing country music, and that has never wavered. The reason for the being.. nights like last night.
”
”
Taylor Swift
“
Max's scarred brow crinkled. He reached for the coffee mug on his desk. “Motive is tricky. See, what might be a good reason for me to kill someone might not be a good enough reason for you to kill someone."
Swift stared at his hands loosely clasped around his ankle. “I wouldn't. Deliberately hurt anyone."
"And my impulse is to hurt anyone who hurts you.” When Swift's gaze lifted to his, Max said, “See how that works?"
He did, and while it wasn't intended as a compliment, it did warm his heart in a funny way. He managed to joke, “Why, I think that's the most romantic thing anyone's ever said to me.
”
”
Josh Lanyon (Come Unto These Yellow Sands)
“
Dan's skin was beginning to lose color. "Oh, har-har. A library, right? Just to make me crazy. 'Cause there's no reason we would go to a library. Right? I mean, we don't need to research Peoria, do we?"
Amy began heading for the building. "Not Peoria. Something else."
"Not funny, Amy!" Dan called as she pushed open the heavy brass doors. "Amy...Amy?
”
”
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
“
The look in his eyes turned a little wild. "That's the only reason I'm letting you go. If I had any choice--"
"You do," she said "Wed can all sit here and let him die. Or you can let Eve go on her wild-ass rescue mission and get herself killed. Or you can let sweet, calm, reasonable Claire go do some talking."
He shook his head. His long, elegant hands, which looked so at home wrapped around a guitar, closed into fists. "Guess that means there's no choice."
"Not really," Claire agreed. "I was kind of lying about that choice thing.
”
”
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
“
Is this some kind of joke?"
"That's for me to know and you to find out."
"Maybe you think it's funny to put up signs about people who want to commit suicide."
"Are you about to?"
"And what if I was?"
"I wouldn't tell you the gorgeous reasons I have discovered for going on living."
"What would you do?"
"I'd ask you to name the rock-bottom price you'd charge to go on living for just one more week.
”
”
Kurt Vonnegut Jr. (God Bless You, Mr. Rosewater)
“
We've turned off all the lights
in the living room
to make hand shadows.
We've got this
big flashlight
aimed at the wall.
I make the silhouette of my hand
into a duck.
Robin makes his into a rabbit.
Now my duck kisses his rabbit
And-POOF!- it turns into
a turkey.
And for some reason
this strikes us
as hysterically funny.
But you probably had to be there.
”
”
Sonya Sones (What My Mother Doesn't Know (What My Mother Doesn't Know #1))
“
Her hands shot up. “See that’s exactly what I’m saying. You’re seeing what you want, and what you see you explain away and excuse things like you’re fixing me. I’m not perfect, Ephraim and I really wish you would see that.”
“You drool.”
“What?” That caught her off guard.
“When you’re asleep you drool. I’ve woken up more than a few times with a little puddle forming on my chest.” After a thought he added. “And you snore. Not a delicate snore either mind you.”
“I do not!” Her face colored with indignation.
He sighed heavily as if the knowledge pained him. “Oh, but you do. I’ve even heard Jill talk about it. Did you know that’s the main reason she was happy about her room. Actually, she and Joshua thanked your Grandmother for putting you at the other end of the house, something about finally getting a decent night’s sleep. They compared your snore to a chainsaw. I can see why they’d say that.
”
”
R.L. Mathewson (Tall, Dark & Lonely (Pyte/Sentinel, #1))
“
Graham Chapman, co-author of the "Parrot Sketch", is no more. He has ceased to be. Bereft of life, he rests in peace. He's kicked the bucket, hopped the twig, bit the dust, snuffed it, breathed his last, and gone to meet the great Head of Light Entertainment in the sky. And I guess that we're all thinking how sad it is that a man of such talent, of such capability for kindness, of such unusual intelligence, should now so suddenly be spirited away at the age of only forty-eight, before he'd achieved many of the things of which he was capable, and before he'd had enough fun. Well, I feel that I should say: nonsense. Good riddance to him, the freeloading bastard, I hope he fries. And the reason I feel I should say this is he would never forgive me if I didn't, if I threw away this glorious opportunity to shock you all on his behalf. Anything for him but mindless good taste.
(He paused, then claimed that Chapman had whipered in his ear while he was writing the speech):
All right, Cleese. You say you're very proud of being the very first person ever to say 'shit' on British television. If this service is really for me, just for starters, I want you to become the first person ever at a British memorial service to say 'fuck'.
”
”
John Cleese
“
They are funny little representatives of simplicity, of awareness. No one is more aware of themselves as these children are. They have nothing, have no one but us, have seemingly no reason to be hopeful...yet they are. They choose to be happy even though the obviously easier choice would be to be frightened or sad and they have real reason to be those things as well. But they have life and faith and hope and love and they choose those things. Their innocence is addicting, their hope is catching and I'm happy to be surrounded by them.
”
”
Fisher Amelie (Vain (The Seven Deadly, #1))
“
Are you Darah, Renee or Taylor? You look like a Taylor to me," he said, looking me up and down.
I wasn't at my best, considering I was dressed for moving heavy objects in a blue UMaine t-shirt and black soccer shorts, and I had my light brown hair in a haphazard bun against the back of my neck. His eyes raked up and down twice, and for some reason the way he assessed me made me blush and want to kick him in the balls at the same time.
"There must be a mistake," I said.
He adjusted his bag on his shoulder. "That's a creative name. What do you shorten it to? Missy?
”
”
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
“
Do you see that man in the black Porsche?" I asked the women.
They squinted out at Ranger. "Yes," they said."Your partner."
"He's homeless. He's looking for a place to stay and he might be interested in renting Singh's room."
Mrs.Apusenja's eyes widened. "We could use the income."She looked at Nonnie and then back at Ranger. "Is he married?"
"Nope. He's single. He's a real catch."
Connie did something between a gasp and a snort and buried her head back behind the computer. "Thank you for everything." Mrs.Apusenja said. "I suppose you are not such a bad slut. I will go talk to your partner.:
"Omigod," Connie said, when the door closed behind the Apusenja's. "Ranger's going to kill you." The Apusenjas stood beside the Porsche, talkig to Ranger for a few long minutes, giving him the big sales pitch. The pitch wound down, Ranger responded, and Mrs. Apusenja looked disappointed. The two women crossed the road and got into the burgundy Escort and quickly drove away. Ranger turned his head in my direction and our eyes met. His expression was still bemused, but this time it was the sort of bemused expression a kid has when he's pulling the wings off a fly.
"Uh-Oh,"Connie said. I whipped around and faced Connie. "Quick, give me an FTA. You're backed up, right? For God's sake, give me something fast. I need a reason to stand here until he calms down!" Connie shoved a pile of folders at me. "Pick one. Any one! Oh shit, he's getting out of his car."....
He leaned into me and his lips brushed the shell of my ear. "Feeling playful?"
"I don't know what you're talking about."
"Watch your back babe. I will get even."
-Ranger and Stephanie
”
”
Janet Evanovich (To the Nines (Stephanie Plum, #9))
“
Understanding America for the Non-American Black: Thoughts on the Special White Friend
One great gift for the Zipped-Up Negro is The White Friend Who Gets It. Sadly, this is not as common as one would wish, but some are lucky to have that white friend who you don’t need to explain shit to. By all means, put this friend to work. Such friends not only get it, but also have great bullshit-detectors and so they totally understand that they can say stuff that you can’t. So there is, in much of America, a stealthy little notion lying in the hearts of many: that white people earned their place at jobs and schools while black people got in because they were black. But in fact, since the beginning of America, white people have been getting jobs because they were white. Many whites with the same qualifications but Negro skin would not have the jobs they have. But don’t ever say this publicly. Let your white friend say it. If you make the mistake of saying this, you will be accused of a curiosity called “playing the race card.” Nobody quite knows what this means.
When my father was in school in my NAB (Non American Black) country, many American Blacks could not vote or go to good schools. The reason? Their skin color. Skin color alone was the problem. Today, many Americans say that skin color cannot be part of the solution. Otherwise it is referred to as a curiosity called “reverse racism.” Have your white friend point out how the American Black deal is kind of like you’ve been unjustly imprisoned for many years, then all of a sudden you’re set free, but you get no bus fare. And, by the way, you and the guy who imprisoned you are now automatically equal. If the “slavery was so long ago” thing comes up, have your white friend say that lots of white folks are still inheriting money that their families made a hundred years ago. So if that legacy lives, why not the legacy of slavery? And have your white friend say how funny it is, that American pollsters ask white and black people if racism is over. White people in general say it is over and black people in general say it is not. Funny indeed. More suggestions for what you should have your white friend say? Please post away. And here’s to all the white friends who get it.
”
”
Chimamanda Ngozi Adichie (Americanah)
“
Have you never outright sinned, then?”
“I disobeyed Patti when she told me to stay away from you.”
“Right. I remember that one. So just once, then?”
“There was this other time...” I thought about the two girls in the bathroom and stopped myself, blanching.
“Yes? Go on,” he urged.
He watched the road, but excitement underscored his tone. I rubbed my dampening palms down my shorts.
“The night we met, I sort of...well, I flat-out told a lie. On purpose.”
I thought he was trying not to smile.
“To me?” he asked.
“No. About you.”
Now he unleashed that devastating smile of his, crinkling the corners of his eyes. My face was aflame.
“Continue. Please.”
“There were these girls in the bathroom talking about you, and for some reason, I don't know why, it upset me, and I told them...thatyouhadanSTD.”
I covered my face in shame and he burst into laughter. I thought he might drive off the road.
Well, it was kind of funny in an ironic way, because he couldn't keep a disease anyhow, even if he had gotten one. I found myself beginning to giggle, too, mostly out of relief that he wasn't offended.
“I wondered if you were ever going to tell me!” he said through spurts of hilarity.
Duh! Of course he'd been listening! My giggles increased, and it felt so nice that we kept going until we were cracking up. It was the good kind of laughter: the soul-cleansing, ab-crunching, lose-control-of-yourself kind.
We started catching our breath again a few minutes later, only to break into another round of merriment.
“Do you forgive me, then?” I asked when we finally settled down and I wiped my eyes.
“Yes, yes. I've had worse said about me.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Remember your math: an anecdote is not a trend. Remember your history: the fact that something is bad today doesn't mean it was better in the past. Remember your philosophy: one cannot reason that there's no such thing as reason, or that something is true or good because God said it is. And remember your psychology: much of what we know isn't so, especially when our comrades know it too.
Keep some perspective. Not every problem is a Crisis, Plague, Epidemic, or Existential Threat, and not every change is the End of This, the Death of That, or the Dawn of a Post-Something Era. Don't confuse pessimism with profundity: problems are inevitable, but problems are solvable, and diagnosing every setback as a symptom of a sick society is a cheap grab for gravitas. Finally, drop the Nietzsche. His ideas may seem edgy, authentic, baad,while humanism seems sappy, unhip, uncool But what's so funny about peace, love, and understanding?
”
”
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
“
A TV show comprises many departments—Costumes, Props, Talent, Graphics, Set Dressing, Transportation. Everyone in every department wants to show off their skills and contribute creatively to the show, which is a blessing. You’re grateful to work with people who are talented and enthusiastic about their jobs. You would think that as a producer, your job would be to churn up creativity, but mostly your job is to police enthusiasm. You may have an occasion where the script calls for a bran muffin on a white plate and the Props Department shows up with a bran cake in the shape of Santa Claus sitting on a silver platter that says “Welcome to Denmark.” “We just thought it would be funny.” And you have to find a polite way to explain that the character is Jewish, so her eating Santa’s face might have negative connotations, and the silver tray, while beautiful, is giving a weird glare on camera and maybe let’s go with the bran muffin on the white plate. And then sometimes Actors have what they call “ideas.” Usually it involves them talking more, or, in the case of more experienced actors, sitting more. When Actors have ideas it’s very important to get to the core reason behind their idea.
”
”
Tina Fey (Bossypants)
“
But at times words can be a dangerous addition to music — they can pin it down. Words imply that the music is about what the words say, literally, and nothing more. If done poorly, they can destroy the pleasant ambiguity that constitutes much of the reason we love music. That ambiguity allows listeners to psychologically tailor a song to suit their needs, sensibilities, and situations, but words can limit that, too. There are plenty of beautiful tracks that I can’t listen to because they’ve been “ruined” by bad words — my own and others. In Beyonce's song "Irreplaceable," she rhymes "minute" with "minute," and I cringe every time I hear it (partly because by that point I'm singing along). On my own song "Astronaut," I wrap up with the line "feel like I'm an astronaut," which seems like the dumbest metaphor for alienation ever. Ugh.
”
”
David Byrne (How Music Works)
“
Isn’t it funny how we make rational excuses for being out of alignment?
We say, “Well, this ____ and that ____ happened, so it makes perfect sense for me to be feeling like this ____ and wanting to do this ____.”
Yet, to this day, I have never met a happy person who adheres to those excuses. In fact, each time I – or anyone else – decide to give in to “rational excuses” that justify feeling bad – it’s interesting that only further suffering is the result.
There is never a good enough reason for us to be out of alignment with peace. Sure, we can go there and make choices that dim our lights… and that is fine; there certainly is purpose for it and the contrast gives us lessons to learn… yet if we’re aware of what we are doing and we’re ready to let go of the suffering – then why go there at all? It’s like beating a dead horse. Been there, done that… so why do we keep repeating it?
Pain is going to happen; it’s inevitable in this human experience, yet it is often so brief. When we make those excuses, what happens is: we pick up that pain and begin to carry it with us into the next day… and the next day… into next week… maybe next month… and some of us even carry it for years or to our graves!
Forgive, let it go! It is NOT worth it! It is NEVER worth it. There is never a good enough reason for us to pick up that pain and carry it with us. There is never a good enough reason for us to be out of alignment with peace. Unforgiveness hurts you; it hurts others, so why even go there? Why even promote pain? Why say painful things to yourself or others? Why think pain? Just let it go!
Whenever I look back on painful things or feel pain today, I know it is my EGO that drives me to “go there.” The EGO likes to have the last word, it likes to feel superior, it likes to make others feel less than in hopes that it will make itself (me) feel better about my insecurities. Maybe if I hurt them enough, they will feel the pain I felt over what they did to me. It’s only fair! It’s never my fault; it’s always someone else’s. There is a twisted sense of pleasure I get from feeling this way, and my EGO eats it right up. YET! With awareness that continues to grow and expand each day, I choose to not feed my pain (EGO) or even go there. I still feel it at times, of course, so I simply acknowledge it and then release it.
I HAVE power and choice over my speech and actions. I do not need to ever “go there” again. It’s my choice; it’s your choice. So it’s about damn time we start realizing this. We are not victims of our impulses or emotions; we have the power to control them, and so it’s time to stop acting like we don’t. It’s time to relinquish the excuses.
”
”
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
“
I bumped into something and was knocked to the ground. It took me several breaths to gather myself together, at first I thought I’d walked into a tree, but then that tree became a person, who was also recovering on the ground, and then I saw that it was her, and she saw that it was me, ‘Hello,’ I said, brushing myself off, ‘Hello,’ she said. ‘This is so funny.’ ‘Yes.’ How could it be explained? ‘Where are you going?’ I asked. ‘Just for a walk,’ she said, ‘and you?’ ‘Just for a walk.’ We helped each other up, she brushed leaves from my hair, I wanted to touch her hair, ‘That’s not true,’ I said, not knowing what the next words out of my mouth would be, but wanting them to be mine, wanting, more than I’d ever wanted anything, to express the center of me and be understood. ‘I was walking to see you.’ I told her, ‘I’ve come to your house each of the last six days. For some reason I needed to see you again.’ She was silent, I had made a fool of myself, there’s nothing wrong with not understanding yourself and she started laughing, laughing harder than I’d ever felt anyone laugh, the laughter brought on tears, and the tears brought on more tears, and then I started laughing, out of the most deep and complete shame, ‘I was walking to you,’ I said again, as if to push my nose into my own shit, ‘because I wanted to see you again,’ she laughed and laughed, ‘That explains it,’ she said when she was able to speak. ‘It?’ ‘That explains why, each of the last six days, you weren’t at your house.’ We stopped laughing, I took the world into me, rearranged it, and sent it back out as a question: ‘Do you like me?
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
I've never been this naked with a girl before. I'm not self-conscious or anything, but its different. Not weird. I'm definitely all right with Hayles seeing this much of me. "Wowza."
Okay, now I'm a little embarrassed. "Is that a good thing?"
She puts her hands on my chest and her face goes from pink to red. (...) "Seriously? Brody, this is totally another reason why you're just super fabulous."
Huh?
"You don't even know how freaking hot you are. That's uber sexy." Her eyes go to my bare torso. "Count with me." One finger strokes part of my stomach. "One..." She moves an inch or two over. "Two..." She slides down. "Three..." Back over. "Four..." Down. "Five..." Over. "Six."
She flicks her gaze back up to me. "That's what people call a six-pack."
I roll my eyes, but she keeps moving her fingers up to my chest. I want to stop her, but I don't at the same time. It feels too good.
"And these..." She flattens her hands on me, and I tug her closer. "Are called pecs. Its like you stepped out of a fantasy.
”
”
Becca Ann (Reasons I Fell for the Funny Fat Friend)
“
When animals make a stupid mistake, you laugh at them. A cat misjudges a leap. A dog looks overly quizzical about a simple object. These are funny things. But when a person doesn’t understand something, if they miscalculate and hit the brakes too late, blame is assigned. They are stupid. They are wrong. Teachers and cops are there to sort it out, with a trail of paperwork to illustrate the stupidity. The faults. The evidence and incidents of these things. We have entire systems in place to help decide who is what. Sometimes the systems don’t work. Families spend their weekend afternoons at animal shelters, even when they’re not looking for a pet. They come to see the unwanted and unloved. The cats and dogs who don’t understand why they are these things. They are petted and combed, walked and fed, cooed over and kissed. Then they go back in their cages and sometimes tears are shed. Fuzzy faces peering through bars can be unbearable for many. Change the face to a human one and the reaction changes. The reason why is because people should know better. But our logic is skewed in this respect. A dog that bites is a dead dog. First day at the shelter and I already saw one put to sleep, which in itself is a misleading phrase. Sleep implies that you have the option of waking up. Once their bodies pass unconsciousness to something deeper where systems start to fail, they revolt a little bit, put up a fight on a molecular level. They kick. They cry. They don’t want to go. And this happens because their jaws closed over a human hand, ever so briefly. Maybe even just the once. But people, they get chances. They get the benefit of the doubt. Even though they have the higher logic functioning and they knew when they did it THEY KNEW it was a bad thing.
”
”
Mindy McGinnis (The Female of the Species)
“
I've come to read and hear many unlikely things about the times when people lived in freedom, i.e., the unorganized savage state. But the most unlikely thing, it seems to me, is this: how could the olden day governmental power - primitive though it was - have allowed people to live without anything like our Table, without the scheduled walks, without the precise regulation of mealtimes, getting up and going to bed whenever it occurred to them? Various historians even say that, apparently, in those times, light burned in the streets all night long, and all night long, people rode and walked the streets. This I just cannot comprehend in any way. Their faculties of reason may not have been developed, but they must have understood more broadly that living like that amounted to mass murder - literally - only it was committed slowly, day after day. The State (humaneness) forbade killing to death any one person but didn't forbid the half-killing of millions. To kill a man, that is, to decrease the sum of a human life span by fifty years - this was criminal. But decreasing the sum of many humans' lives by fifty million years - this was not criminal. Isn't that funny?
”
”
Yevgeny Zamyatin (We)
“
Did you ever get fed up?" I said. "I mean did you ever get scared that everything was going to go lousy unless you did something? I mean do you like school and all that stuff?"
"It's a terrific bore."
"I mean do you hate it? I know it's a terrific bore, but do you hate it, is what I mean."
"Well, I don't exactly hate it. You always have to--"
"Well, I hate it. Boy, do I hate it," I said. "But it isn't just that. It's everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always--"
"Don't shout, please," old Sally said. Which was very funny, because I wasn't even shouting.
"Take cars," I said. I said it in this very quiet voice. "Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake. A horse you can at least--"
"I don't know what you're even talking about," old Sally said. "You jump from one--"
"You know something?" I said. You're probably the only reason I'm in New York right now, or anywhere. If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddam place. You're the only reason I'm around, practically."
"You're sweet," she said. But you could tell she wanted me to change the damn subject.
"You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stuck together, the Catholics stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent--"
"Now, listen," old Sally said. "Lots of boys get more out of school that that."
"I agree! I agree they do, some of them! But that's all I get out of it. See? That's my point. That's exactly my goddamn point," I said. "I don't get hardly anything out of anything. I'm in bad shape. I'm in lousy shape."
"You certainly are.
”
”
J.D. Salinger (The Catcher in the Rye)
“
But that’s not what I’m trying to tell you,” Violet said, her eyes taking on a slightly determined expression. “What I’m trying to say is that when you were born, and they put you into my arms—it’s strange, because for some reason I was so convinced you would look just like your father. I thought for certain I would look down and see his face, and it would be some sort of sign from heaven.”
Hyacinth’s breath caught as she watched her, and she wondered why her mother had never told her this story. And why she’d never asked.
“But you didn’t,” Violet continued. “You looked rather like me. And then—oh my, I remember this as if it were yesterday—you looked into my eyes, and you blinked. Twice.”
“Twice?” Hyacinth echoed, wondering why this was important.
“Twice.” Violet looked at her, her lips curving into a funny little smile. “I only remember it because you looked so deliberate. It was the strangest thing. You gave me a look as if to say, ‘I know exactly what I’m doing.’ ”
A little burst of air rushed past Hyacinth’s lips, and she realized it was a laugh. A small one, the kind that takes a body by surprise.
“And then you let out a wail,” Violet said, shaking her head. “My heavens, I thought you were going to shake the paint right off the walls. And I smiled. It was the first time since your father died that I smiled.”
Violet took a breath, then reached for her tea. Hyacinth watched as her mother composed herself, wanting desperately to ask her to continue, but somehow knowing the moment called for silence.
For a full minute Hyacinth waited, and then finally her mother said, softly, “And from that moment on, you were so dear to me. I love all my children, but you…” She looked up, her eyes catching Hyacinth’s. “You saved me.”
Something squeezed in Hyacinth’s chest. She couldn’t quite move, couldn’t quite breathe. She could only watch her mother’s face, listen to her words, and be so very, very grateful that she’d been lucky enough to be her child.
“In some ways I was a little too protective of you,” Violet said, her lips forming the tiniest of smiles, “and at the same time too lenient. You were so exuberant, so completely sure of who you were and how you fit into the world around you. You were a force of nature, and I didn’t want to clip your wings.”
“Thank you,” Hyacinth whispered, but the words were so soft, she wasn’t even sure she’d said them aloud.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
No need to be embarassed. After seeing you in my cousin's nightgown, you've got nothing to hide. But why were you crying in the shower?" he murmured into her hair. She could feel his lips moving against her scalp, and feel the press of his hips through the covers, but his arms were an unyielding cage. She tried to turn over to face him, to welcome him under the covers with her, but he wouldn't let her.
"I was crying because I'm frustrated! Why are you doing this?" she whispered into her pillow.
"We can't, Helen," was all he said. He kissed her neck and said he was sorry over and over, but try as she might, he wouldn't let her face him. She began to feel like she was being used.
"Please be patient," he begged as he stopped her hand from reaching back to touch him. She tried to sit up, to push him out of her bed, anything but suffer lying next to someone who would play with her so terribly. They wrestled a bit, but he was much better at it than she was and felt even heavier than he looked. He easily blocked every attempt she made to wrap her arms or legs or lips around him.
"Do you want me at all, or do you just think it's fun to tease me like this?" she asked, feeling rejected and humiliated. "Won't you even kiss me?" She finally struggled onto her back where she could at least see his face.
"If I kiss you, I won't stop," he said in a desperate whisper as he propped himself up on his elbows to look her in the eye.
She looked back at him, really seeing him for the first time that night. His expression was vulnerable and uncertain. His mouth was swollen with want. His body was shaking and there was a fine layer of anxious sweat wilting his clothes. Helen relaxed back into the bed with a sigh. For some reason that obviously had nothing to do with desire, he wouldn't allow himself to be with her.
"You're not laughing at me, are you?" she asked warily, just as a precaution.
"No. There's nothing funny about this," he answered. He shifted himself off her and lay back down alongside her, still breathing hard.
"But for some reason, you and I will never happen," she said, feeling calm.
"Never say never," he said urgently, rolling back on top of her and using all of his unusually heavy mass to press her deep into the cocoon of her little-girl bed. "The gods love to toy with people who use absolutes."
Lucas ran his lips around her throat and let her put her arms around him, but that was all.
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
He made a noise that sounded like a strangled laugh, and then said: Ah, I like your style. I’ll give you that. You’re not easy to get the upper hand on, are you? Obviously I’m not going to manage it. It’s funny, because you carry on like you’d let me walk all over you, answering my texts at two in the morning, and then telling me you’re in love with me, blah blah blah. But that’s all your way of saying, just try and catch me, because you won’t. And I can see I won’t. You’re not going to let me have it for a minute. Nine times out of ten you’d have someone fooled with the way you go on. They’d be delighted with themselves, thinking they were really the boss of you. Yeah, yeah, but I’m not an idiot. You’re only letting me act badly because it puts you above me, and that’s where you like to be. Above, above. And I don’t take it personally, by the way, I don’t think you’d let anyone near you. Actually, I respect it. You’re looking out for yourself, and I’m sure you have your reasons. I’m sorry I was so harsh on you with what I said, because you were right, I was just trying to hurt you. And I probably did hurt you, big deal. Anyone can hurt anyone if they go out of their way. But then instead of getting mad with me, you go saying I’m welcome to stay over and you still love me and all this. Because you have to be perfect, don’t you? No, you really have a way about you, I must say. And I’m sorry, alright? I won’t be trying to take a jab at you again. Lesson learned. But from now on you don’t need to act like you’re under my thumb, when we both know I’m nowhere near you. Alright? Another long silence fell. Their faces were invisible in darkness. Eventually, in a high and strained voice, straining perhaps for an evenness or lightness it did not attain, she replied: Alright. If I ever do get a hold of you, you won’t need to tell me, he said. I’ll know. But I’m not going to chase too much. I’ll just stay where I am and see if you come to me. Yes, that’s what hunters do with deer, she said. Before they kill them.
”
”
Sally Rooney (Beautiful World, Where Are You)
“
One Sufi mystic who had remained happy his whole life—no one had ever seen him unhappy—he was always laughing. He was laughter, his whole being was a perfume of celebration. In his old age, when he was dying—he was on his deathbed, and still enjoying death, laughing hilariously—a disciple asked, “You puzzle us. Now you are dying. Why are you laughing? What is there funny about it? We are feeling so sad. We wanted to ask you many times in your life why you are never sad. But now, confronting death, at least one should be sad. You are still laughing! How are you managing it?” And the old man said, “It is a simple clue. I had asked my master. I had gone to my master as a young man; I was only seventeen, and already miserable. And my master was old, seventy, and he was sitting under a tree, laughing for no reason at all. There was nobody else, nothing had happened, nobody had cracked a joke or anything. And he was simply laughing, holding his belly. And I asked him, ‘What is the matter with you? Are you mad or something?’ “He said, ‘One day I was also as sad as you are. Then it dawned on me that it is my choice, it is my life. Since that day, every morning when I get up, the first thing I decide is, before I open my eyes, I say to myself, “Abdullah”—that was his name—‘what do you want? Misery? Blissfulness? What are you going to choose today? And it happens that I always choose blissfulness.’” It is a choice. Try it. The first moment in the morning when you become aware that sleep has left, ask yourself, “Abdullah, another day! What is your idea? Do you choose misery or blissfulness?” And who would choose misery? And why? It is so unnatural—unless one feels blissful in misery, but then too you are choosing bliss, not misery.
”
”
Osho (Meditation: The First and Last Freedom)
“
It seems like I've only shut my eyes for a few minutes, but when I open them, I flinch at the sight of Haymitch sitting a couple of feet from my bed. Waiting. Possibly for several hours if the clck is right. I think about hollering for a witness, but I'm going to have to face him sooner or later.
Haymitch leans forward and dangles something on a thin white wire in front of my nose. It's hard to focus on, but I'm pretty sur what it is. He drops it in to the sheets. "That is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I'll have you fitted with this." He holds up some sort of metal headgear that I instantly name the head shackle. "It's alternative audio unit that locks around your skull and under your chin until it's opened with a key. And I'll have the only key. If for some reason you're clever enough to disable it" ---- Haymitch dumps the head shackle on the bed and whips out a tiny silver chip--- "I'll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day."
Haymitch in my head full-time. Horrifying. "I'll keep the earpiece in," I mutter
"Excuse me?" He says
"I'll keep the earpiece in!" I say loud enough to wake half the hospital.
"You sure? Because I'm equally happy with any of the three options," he tells me
"I'm sure," I say. I scrunch up the earpiece protectivley in my fist and fling the head shakle back in his face with my free hand, but he catches it easily. Probably was expecting me to throw it. "Anything else?"
Haymitch rises to go. "While I was waiting. . . I ate your lunch."
My eyes take in the empty stew bowl and tray on my bed table. "I'm going to report you," I mumble into my pillow.
"You do that sweetheart." He goes out, safe in the knowledge that I'm not the reporting kind.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Reasons Why I Loved Being With Jen
I love what a good friend you are. You’re really engaged with the lives of the people you love. You organize lovely experiences for them. You make an effort with them, you’re patient with them, even when they’re sidetracked by their children and can’t prioritize you in the way you prioritize them.
You’ve got a generous heart and it extends to people you’ve never even met, whereas I think that everyone is out to get me. I used to say you were naive, but really I was jealous that you always thought the best of people.
You are a bit too anxious about being seen to be a good person and you definitely go a bit overboard with your left-wing politics to prove a point to everyone. But I know you really do care. I know you’d sign petitions and help people in need and volunteer at the homeless shelter at Christmas even if no one knew about it. And that’s more than can be said for a lot of us.
I love how quickly you read books and how absorbed you get in a good story. I love watching you lie on the sofa reading one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other galaxy.
I love that you’re always trying to improve yourself. Whether it’s running marathons or setting yourself challenges on an app to learn French or the fact you go to therapy every week. You work hard to become a better version of yourself. I think I probably didn’t make my admiration for this known and instead it came off as irritation, which I don’t really feel at all.
I love how dedicated you are to your family, even when they’re annoying you. Your loyalty to them wound me up sometimes, but it’s only because I wish I came from a big family.
I love that you always know what to say in conversation. You ask the right questions and you know exactly when to talk and when to listen. Everyone loves talking to you because you make everyone feel important.
I love your style. I know you think I probably never noticed what you were wearing or how you did your hair, but I loved seeing how you get ready, sitting in front of the full-length mirror in our bedroom while you did your make-up, even though there was a mirror on the dressing table.
I love that you’re mad enough to swim in the English sea in November and that you’d pick up spiders in the bath with your bare hands. You’re brave in a way that I’m not.
I love how free you are. You’re a very free person, and I never gave you the satisfaction of saying it, which I should have done. No one knows it about you because of your boring, high-pressure job and your stuffy upbringing, but I know what an adventurer you are underneath all that.
I love that you got drunk at Jackson’s christening and you always wanted to have one more drink at the pub and you never complained about getting up early to go to work with a hangover. Other than Avi, you are the person I’ve had the most fun with in my life.
And even though I gave you a hard time for always trying to for always trying to impress your dad, I actually found it very adorable because it made me see the child in you and the teenager in you, and if I could time-travel to anywhere in history, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beautiful and clever and funny you are. That you are spectacular even without all your sports trophies and music certificates and incredible grades and Oxford acceptance.
I’m sorry that I loved you so much more than I liked myself, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of myself, either. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental.
I love you. I always will. I'm glad we met.
”
”
Dolly Alderton (Good Material)
“
New Rule: Not everything in America has to make a profit. If conservatives get to call universal health care "socialized medicine," I get to call private, for-profit health care "soulless vampire bastards making money off human pain." Now, I know what you're thinking: "But, Bill, the profit motive is what sustains capitalism." Yes, and our sex drive is what sustains the human species, but we don't try to fuck everything.
It wasn't that long ago when a kid in America broke his leg, his parents took him to the local Catholic hospital, the nun stuck a thermometer in his ass, the doctor slapped some plaster on his ankle, and you were done. The bill was $1.50; plus, you got to keep the thermometer.
But like everything else that's good and noble in life, some bean counter decided that hospitals could be big business, so now they're not hospitals anymore; they're Jiffy Lubes with bedpans. The more people who get sick, and stay sick, the higher their profit margins, which is why they're always pushing the Jell-O.
Did you know that the United States is ranked fiftieth in the world in life expectancy? And the forty-nine loser countries were they live longer than us? Oh, it's hardly worth it, they may live longer, but they live shackled to the tyranny of nonprofit health care. Here in America, you're not coughing up blood, little Bobby, you're coughing up freedom. The problem with President Obama's health-care plan isn't socialism. It's capitalism. When did the profit motive become the only reason to do anything? When did that become the new patriotism? Ask not what you could do for your country, ask what's in it for Blue Cross Blue Shield.
And it's not just medicine--prisons also used to be a nonprofit business, and for good reason--who the hell wants to own a prison? By definition, you're going to have trouble with the tenants. It's not a coincidence that we outsourced running prisons to private corporations and then the number of prisoners in America skyrocketed.
There used to be some things we just didn't do for money. Did you know, for example, there was a time when being called a "war profiteer" was a bad thing? FDR said he didn't want World War II to create one millionaire, but I'm guessing Iraq has made more than a few executives at Halliburton into millionaires. Halliburton sold soldiers soda for $7.50 a can. They were honoring 9/11 by charging like 7-Eleven. Which is wrong. We're Americans; we don't fight wars for money. We fight them for oil.
And my final example of the profit motive screwing something up that used to be good when it was nonprofit: TV news. I heard all the news anchors this week talk about how much better the news coverage was back in Cronkite's day. And I thought, "Gee, if only you were in a position to do something about it.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could.
'I love you,' I say, the words coming out in an unintelligible rush.
Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.'
My cheeks heat at the memory of those lies.
'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his.
When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.'
He doesn't try to interrupt, so I have to choice but to barrel on.
'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.'
'But now you've explained it,' he says. 'And you do love me.'
'I love you,' I confirm.
'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.'
'Or your deliciousness,' I say. 'Although those are both good qualities.'
He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.'
He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.'
I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.'
And when he kisses me, I feel as though I can finally breathe again.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow.
Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
”
”
Bob Thurber (Paperboy: A Dysfunctional Novel)
“
FatherMichael has entered the room
Wildflower: Ah don’t tell me you’re through a divorce yourself Father?
SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony.
Wildflower: I know that. I was just trying to lighten the atmosphere.
FatherMichael: So have the loving couple arrived yet?
SureOne: No but it’s customary for the bride to be late.
FatherMichael: Well is the groom here?
SingleSam has entered the room
Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names.
SingleSam: Hello all.
Buttercup: Where’s the bride?
LonelyLady: Probably fixing her makeup.
Wildflower: Oh don’t be silly. No one can even see her.
LonelyLady: SingleSam can see her.
SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting.
SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in.
SureOne: Doomed from the start.
Divorced_1 has entered the room
Wildflower: Wahoo! Here comes the bride, all dressed in . . .
SingleSam: Black.
Wildflower: How charming.
Buttercup: She’s right to wear black.
Divorced_1: What’s wrong with misery guts today?
LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do.
Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change.
SoOverHim has entered the room
FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”).
SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE?
THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM??
Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please?
Divorced_1: Ha ha.
SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO
UPSET OTHERS WHO ARE GENUINELY TROUBLED.
Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING.
LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time.
SoOverHim: OH I HAVE SEEN IT ALL NOW!
Buttercup: Sshh!
SoOverHim: Sorry. Mind if I stick around?
Divorced_1: Sure grab a pew; just don’t trip over my train.
Wildflower: Ha ha.
FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married?
LonelyLady: Yes.
SureOne: I could give more than one reason.
Buttercup: Hell yes.
SoOverHim: DON’T DO IT!
FatherMichael: Well I’m afraid this has put me in a very tricky predicament.
Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it?
FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife?
SingleSam: I do.
FatherMichael: Do you Penelope take Sam to be your lawful wedded husband?
Divorced_1: I do (yeah, yeah my name is Penelope).
FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again.
FatherMichael has left the room
Wildflower: Congrats Sam and Penelope!
Divorced_1: Thanks girls for being here.
SoOverHim: Freaks.
SoOverHim has left the room
”
”
Cecelia Ahern (Love, Rosie)
“
You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out."
You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft.
I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it."
That so?"
Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact."
They'll remember this," Gerry said. "Believe me."
Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke.
I depressed the trigger on the one-shot and nothing happened.
Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times.
And Gerry's hand exploded.
And so did mine.
The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair.
Gerry threw his head back and opened his mouth wide and bellowed in ecstasy.
I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working.
I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand.
My broken finger came back out of the shotgun and Gerry swung the barrels toward my head.
The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck.
Good-bye, I thought. Everyone. It's been nice.
Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back.
The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell.
He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil.
Patrick, the eye said through the gathering smoke, you still know nothing.
Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh.
Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire.
Burn, I thought. Burn. God help me, but burn.
Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed.
I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar.
His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment.
How you doing, Patrick?" he said and smiled broadly.
And, behind him, Gerry burned on the ice.
And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.
”
”
Dennis Lehane