Real Gangster Quotes

Real gangster-ass Nerdfighters don’t run from nothing… ‘cause real gangster-ass Nerdfighters can’t run fast.

That guy back there had a gun,” Christopher went on. “Brandon Stark didn't even have a gun, and he managed to kidnap you just by threatening to do mean things to your friends. How do you think you're going to cope with his dad, who's a real gangster?” “Well,” I said. Suddenly, I didn't feel quite so encouraged. There were actual tears in my eyes. “That's why this time I'm asking you for help. I know I can't do it alone anymore. I need you, Christopher.” “You're damn right you do,” he said. “It's about time you realized it.

The people who control this country are the real gangsters. You know that, right? And if you play by their rules, you're nothing but their slave.

My work means that we have lived in different parts of the world and in each there has always been something to be afraid of. Gangsters, extremist political groups Right and Left tossing bombs into restaurants, hijacks, holdups, a city plumb on the line of an earthquake fault. We have long had a compact, with ourselves, with life; life is dangerous. We live with that; in the one certainty that fear is the real killer.

I spent 33 years and 4 months in active military service . . . And during that period I spent most of my time as a high-class muscle man for Big Business, for Wall Street and the bankers. In short, I was a racketeer, a gangster for capitalism. Thus, I helped make Mexico and especially Tampico safe for American oil interests in 1914. I helped make Haiti and Cuba a decent place for the National City Bank boys to collect revenues in. I helped in the raping of half a dozen Central American republics for the benefit of Wall Street. I helped purify Nicaragua for the international banking house of Brown Brothers in 1902–1912. I brought light to the Dominican Republic for American sugar interests in 1916. I helped make Honduras right for American fruit companies in 1903. In China in 1927, I helped see to it that Standard Oil went on its way unmolested. Our boys were sent off to die with beautiful ideals painted in front of them. No one told them that dollars and cents were the real reason they were marching off to kill and die.

The whole system of oppression ... was based on keeping malcontents apart, preventing them from reading each other's eyes and discovering how many of them there were; instilling it into all of them, even into the most dissatisfied, that no one was dissatisfied except for a few doomed individuals, blindly vicious and spiritually bankrupt. Well, politicals - real politicals for the first time -- had now become "gangsters." It was announced, not very confidently, that these gangsters would soon be discovered ...

Our guys were just playing at being gangsters—the Yugoslavs had been thieving and killing in Europe for real over decades. They were seriously tough, and to this day, if you want to kill somebody in Bulgaria and you want the job done reliably and cheaply, then you hire a Serb. They are the best assassins.

It's a lot to being a gangster, Harold,” Sam replied. “If it's not in you, it's not in you. Everybody can't be a gangster; but just because a person chooses not to be one, it doesn't mean that he, or she, doesn't have it in them. A family person will hurt or kill you just as quickly as a street gangster would. Remember, gangsters don't have nothin' to lose, so getting killed, or killing somebody would mean nothing. On the other hand, a family man has a lot to lose, his kids, his wife, his family, so he'd kill someone to protect his family—or he'll die trying. Two different men fighting for the same purpose—the survival of him and his family. Which one's the real gangster?

His eyes widened. “Pain? Darling, you haven’t yet experienced the pain I can inflict when I’ve been played for a fool. I’m in awe at your gall to try and fool me.” Bree went still as panic froze her. Oh, God. No. “Ah, the light bulb finally goes off,” he purred against her face; his voice low and cold. Even knowing who he was, and the family he came from, Bree could say that deep inside, she’d never felt any real fear of him. She did now. He knew. The look on his face told her he knew that she had lied about him being her baby’s father. Frantically, she grasped for any foothold she could find. “I don’t know what you’re talking-“ “DON’T!” he snapped, grabbing the sides of her face.

Madoff was the nightmare you try to forget. Eddie Antar was the fever dream you try to remember even though it was strange and scary and made no sense.

That became the signature Ice-T style - rhymes that were "topical" and "vividly optical." To me it was street-level journalism, real-life observations told in poetry. That's the vision I tried to bring to all my recordings.

When one looks back across a chasm of seventy years, through a prism of pulp fiction and bad gangster movies, there is a tendency to view the events of 1933-34 as mythic, as folkloric. To the generations of Americans raised since World War II, the identities of criminals such as Charles “Pretty Boy” Floyd, Baby Face Nelson, “Ma” Barker, John Dillinger, and Clyde Barrow are no more real than are Luke Skywalker or Indiana Jones. After decades spent in the washing machine of popular culture, their stories have been bled of all reality, to an extent that few Americans today know who these people actually were, much less that they all rose to national prominence at the same time.

The Oscar-nominated documentary The Act of Killing tells the story of the gangster leaders who carried out anti-communist purges in Indonesia in 1965 to usher in the regime of Suharto. The film’s hook, which makes it compelling and accessible, is that the filmmakers get Anwar —one of the death-squad leaders, who murdered around a thousand communists using a wire rope—and his acolytes to reenact the killings and events around them on film in a variety of genres of their choosing. In the film’s most memorable sequence, Anwar—who is old now and actually really likable, a bit like Nelson Mandela, all soft and wrinkly with nice, fuzzy gray hair—for the purposes of a scene plays the role of a victim in one of the murders that he in real life carried out. A little way into it, he gets a bit tearful and distressed and, when discussing it with the filmmaker on camera in the next scene, reveals that he found the scene upsetting. The offcamera director asks the poignant question, “What do you think your victims must’ve felt like?” and Anwar initially almost fails to see the connection. Eventually, when the bloody obvious correlation hits him, he thinks it unlikely that his victims were as upset as he was, because he was “really” upset. The director, pressing the film’s point home, says, “Yeah but it must’ve been worse for them, because we were just pretending; for them it was real.” Evidently at this point the reality of the cruelty he has inflicted hits Anwar, because when they return to the concrete garden where the executions had taken place years before, he, on camera, begins to violently gag. This makes incredible viewing, as this literally visceral ejection of his self and sickness at his previous actions is a vivid catharsis. He gagged at what he’d done. After watching the film, I thought—as did probably everyone who saw it—how can people carry out violent murders by the thousand without it ever occurring to them that it is causing suffering? Surely someone with piano wire round their neck, being asphyxiated, must give off some recognizable signs? Like going “ouch” or “stop” or having blood come out of their throats while twitching and spluttering into perpetual slumber? What it must be is that in order to carry out that kind of brutal murder, you have to disengage with the empathetic aspect of your nature and cultivate an idea of the victim as different, inferior, and subhuman. The only way to understand how such inhumane behavior could be unthinkingly conducted is to look for comparable examples from our own lives. Our attitude to homelessness is apposite here. It isn’t difficult to envisage a species like us, only slightly more evolved, being universally appalled by our acceptance of homelessness. “What? You had sufficient housing, it cost less money to house them, and you just ignored the problem?” They’d be as astonished by our indifference as we are by the disconnected cruelty of Anwar.

California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told. You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea. It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake. I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas. We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly

The groups in different areas that were affiliated with us knew one thing for sure, and that is that they could trust and respect the base. When you look at it, people want to know they have someone in their corner for the worst. Scrooge, former leader of the Rebellion Raiders street gang that once boasted of having some ten thousand members

We're still going to Loggerhead this afternoon, right?” Hi glanced around, then dropped his voice. “For that...home movie thing?” I nodded. “We might as well deal with what we can. Let's take the afternoon shuttle. I'll think of an excuse for Kit, thought I'm open to suggestions.” “Ben?” Shelton asked. “Not today. I think the two of us need a little distance.” The bell rang. We gathered our things and headed for the door. “Tell Kit we're cutting a music video,” Hi suggested as we walked. “Something real gangster, so we need to smash-cut our dance routines. Lay down some visuals. We could offer to let him rap over the second verse.” I gave him a thumbs-up. “Foolproof. Anyone need a locker stop?

I will gather up a lifetime of things unsaid, write them down, and then offer them all to be lit up for security and burned. All at once. And then I can watch the whole thing turn to ash. The whole damn thing. Light the match, and watch it burn. What a loaded bonfire that would be though, if this gets burned when I finish filling up the whole book. What a cleansing experience that will be! If flames could speak, what a story they would tell. They say that the original bonfires were the burning up of bones. Bad bones. Bad people. Enemies. Turning bones to ash. And it was the burning up of curses and all things bad as well. God knows we have had and still have enemies, and even curses. Real ones.

For those of you that truly believe there's no such thing as the mafiya, I would be more than happy to sell you your own fast lane on the Belt Parkway, you know, so you can avoid the rush hour commute. The mafiya is real as a heart attack and, contrary to popular consensus, has been steadily growing in power since its inception in the 1920s. Italian organized crime just doesn't operate out in the open anymore, former mayor Rudy made sure of that.

I’m insatiable? I am?” Alessandro asked cocking an eyebrow as he ran his warm hands along the satin material covering her body. “Alessandro. You’re alive. I can touch you, look into your eyes and hear your arrogant English voice. We’re gonna spend the rest of our lives together, that’s plenty romantic for me.” Bree pressed her mouth against him. He tasted of coffee and peppermint. He nibbled slightly on her lower lip before pulling away. “Darling, that sounds lovely, but my wedding night fantasy was more along the lines of fucking you into the mattress.” Bree smacked his shoulder. “Patience, Dardano. Tonight we take things slow, the mattress fucking will come in time. Now, get on your back and let me put my hands on you and assure myself that you’re real.” Alessandro sighed but did as she ordered. “Now if you feel anything-” “I certainly hope so or we have a very big problem,” Alessandro joked. She smacked his chest. “If you feel any pain you let me know and we’ll stop.” “Says the woman who’s smacked me twice in the past five minutes,” Alessandro said, but his eyes were shining with amusement.

As a society we are only now getting close to where Dogen was eight hundred years ago. We are watching all our most basic assumptions about life, the universe, and everything come undone, just like Dogen saw his world fall apart when his parents died. Religions don’t seem to mean much anymore, except maybe to small groups of fanatics. You can hardly get a full-time job, and even if you do, there’s no stability. A college degree means very little. The Internet has leveled things so much that the opinions of the greatest scientists in the world about global climate change are presented as being equal to those of some dude who read part of the Bible and took it literally. The news industry has collapsed so that it’s hard to tell a fake headline from a real one. Money isn’t money anymore; it’s numbers stored in computers. Everything is changing so rapidly that none of us can hope to keep up. All this uncertainty has a lot of us scrambling for something certain to hang on to. But if you think I’m gonna tell you that Dogen provides us with that certainty, think again. He actually gives us something far more useful. Dogen gives us a way to be okay with uncertainty. This isn’t just something Buddhists need; it’s something we all need. We humans can be certainty junkies. We’ll believe in the most ridiculous nonsense to avoid the suffering that comes from not knowing something. It’s like part of our brain is dedicated to compulsive dot-connecting. I think we’re wired to want to be certain. You have to know if that’s a rope or a snake, if the guy with the chains all over his chest is a gangster or a fan of bad seventies movies. Being certain means being safe. The downfall is that we humans think about a lot of stuff that’s not actually real. We crave certainty in areas where there can never be any. That’s when we start in with believing the crazy stuff. Dogen is interesting because he tries to cut right to the heart of this. He gets into what is real and what is not. Probably the main reason he’s so difficult to read is that Dogen is trying to say things that can’t actually be said. So he has to bend language to the point where it almost breaks. He’s often using language itself to show the limitations of language. Even the very first readers of his writings must have found them difficult. Dogen understood both that words always ultimately fail to describe reality and that we human beings must rely on words anyway. So he tried to use words to write about that which is beyond words. This isn’t really a discrepancy. You use words, but you remain aware of their limitations. My teacher used to say, “People like explanations.” We do. They’re comforting. When the explanation is reasonably correct, it’s useful.

There is a moment in The Great Gatsby when Jay Gatsby introduces Nick Carraway to Meyer Wolfsheim, mentioning offhandedly that he is the man who fixed the 1919 World Series. The idea staggers Gatsby’s idealistic young friend. Of course, Carraway knew the series had been thrown. But “if I had thought of it at all,” he says, “I would have thought of it as a thing that merely happened, the end of some inevitable chain.” It was unbelievable to him then, as it is to us now, that a single person could have been responsible for changing the outcome of an event watched by some fifty million people. In real life, the 1919 World Series was fixed not by Wolfsheim, but with great skill and audacity by Arnold Rothstein, a Jewish gangster. A young lieutenant colonel in the U.S. Army named Dwight Eisenhower eagerly followed the game as the scores came in via telegram, and like everyone else, never suspected a thing. He would remark years later that the revelation of the conspiracy that had thrown the series produced a profound change in his perspective about the world; it taught him never to trust in first appearances.

This book consists not only of my stories of mistakes, rather it’s all our stories of mistakes and heart aches. It’s the plight of all of us who were rebelling, and kicking against the social messes we found ourselves in. Yet there are so many others who are not alive today, and I feel obligated in not allowing the lessons of their mistakes to lie in the grave with them. It was the United States Senator, Al Franken, who stated, “Mistakes are a part of being human. Precious life lessons that can only be learned the hard way unless it's a fatal mistake, which, at least, others can learn from.” I’m revealing all of those mistakes and more, sadly a lot of them are fatal. In an attempt to have these real life lessons obtained in blood, prevent the blood-shedding of so many others. These stories are ones that young people can understand and identify with. While at the same time empowering them, to make better decisions about their choice of friends, the proper use of their time and how one wrong move can be fatal. I guess the major question that we all have to ask ourselves at the end of the day would be: how could I and so many others have been prevented from becoming monsters? You be the judge. I now extend my hand to you, and personally invite you to take a journey with me into the heartlands of innocence to menacing, from a youngster to a monster, and the making of a predator. I will safely walk you down the deserted and darkened street corners which were once my world of crime, gang violence and senseless murders. It’s a different world unto itself, one which could only be observed up close by invitation only. Together we will learn the motivation behind hard-core gangsters, and explore the minds of cold-blooded murderers. You will discover the way they think about their own lives, and why they are so remorseless about the taking of another’s life. So, if you will, please journey with me as we discover together how the fight of our lives were wrapped up in our fathers.

Jimena sensed their fear. That brought a smile to her face. Her reputation was still so big that even tough enimigas wouldn't face her down. She strutted past them, her heels snapping loudly on the sidewalk. She enjoyed the feel of their admiring eyes, their sideways glances and the wonder she saw on their faces. Jimena wasn't choloed out in khakis, a tight T, and long, boyfriend-borrowed Pendletons. She wore a slinky dress and ankle-breaking high-heels. The rain made the dress cling to her body, so they knew she wasn't strapping. No gun. Still, they were afraid to confront her. This time she stopped for the red light, pausing to let the chicas know she didn't fear them. It felt good to be the toughest chola en el condado de Los Angeles. She was still down for Ninth Street, her old gang, but at age fifteen, already a veterana. A leyenda, her homegirls told her with pride. Jimena had been a real badass before she understood her destiny. She glanced at the scars and tattoos on her hand. What would the klika-girls do if they knew her true identity?

Whenever sophistry and rhetoric fail they send in their poor White goons. They don't have the guts of real gangsters. The letters after their names are their tommy guns and those universities where they pour over syllables in the many cubicles, their Big House.

Cash is great for survival purposes, but the real gangster move is to be capital light, that is, to have a variable cost structure. Uber is the paradigm of this new model. The

These young people didn’t live in a world of ladies and gentlemen. They were allowed to dress like slobs and curse like gangsters. To drink like tosspots. To tattoo and pierce their bodies like primitives. To listen to songs with animal rhythms and vulgar lyrics. They had no curfews, no chaperones, no guidance that applied to real-life male and female behavior. Indeed, they were told that gender was mutable and sex an irrelevance. And then the young men—only the men—were held to rules of behavior that would have been restrictive when Victoria was queen.

The street kid in Eddie had kicked in. Punks weren’t invading his store. If there was going to be crime at a Crazy Eddie, he was going to be the one committing it.

She was always in charge of the situation. She had a cool about her reserved for movie stars that played gangsters. I never doubted for a second that she would ever get into real trouble. So of course she got rid of the cops. I was as certain about her as she was about herself.

In the way people like my father (businessmen, lawyers) dream of being gangsters, of meeting each setback, each humiliation, with a sneer and a shove, a threat of violence; gangsters like Reles dreamed of being businessmen, lawyers, whipping every enemy with words, and not caring a stitch about the getaway. It is a kind of transitive property, a formula that connects the lower and higher orders: George Raft dreaming he is a real gangster as Ben Siegel dreams he is a real movie star.

The gangster is the man of the city, with the city's language and knowledge, with its queer and dishonest skills and its terrible daring, carrying his life in his hands like a placard, like a club... for the gangster there is only the city, he must inhabit it in order to personify it: not the real city, but that dangerous and sad city of the imagination which is so much more important, which is the modern world.

Yeah, says the Newsday reporter, he's a real pacifist. He's the Gandhi of Gangsters.

BY 1928, WALTER BRENNAN HAD APPEARED IN DOZENS OF UNCREDited roles as a customer in a store, a lunch counterman, a lumberjack, a yacht crewman, a cashier, a gangster, a pool hall shark, a ranch foreman, a train conductor, a clown, and a musician. If you watch any of these films, don’t blink—you may miss him. At this point, we are talking about a career that can be telescoped into a few minutes or so of film.

I’m Captain Florida, the state history pimp Gatherin’ more data than a DEA blimp West Palm, Tampa Bay, Miami-Dade Cruisin’ the coasts till Johnny Vegas gets laid Developer ho’s, and the politician bitches Smackin’ ’em down, while I’m takin’ lots of pictures Hurricanes, sinkholes, natural disaster ’Scuse me while I kick back, with my View-Master (S:) I’m Captain Florida, obscure facts are all legit (C:) I’m Coleman, the sidekick, with a big bong hit (S:) I’m Captain Florida, staying literate (C:) Coleman sees a book and says, “Fuck that shit” Ain’t never been caught, slippin’ nooses down the Keys Got more buoyancy than Elián González Knockin’ off the parasites, and takin’ all their moola Recruiting my apostles for the Church of Don Shula I’m an old-school gangster with a psycho ex-wife Molly Packin’ Glocks, a shotgun and my 7-Eleven coffee Trippin’ the theme parks, the malls, the time-shares Bustin’ my rhymes through all the red-tide scares (S:) I’m the surge in the storms, don’t believe the hype (C:) I’m his stoned number two, where’d I put my hash pipe? (S:) Florida, no appointments and a tank of gas (C:) Tequila, no employment and a bag of grass Think you’ve seen it all? I beg to differ Mosquitoes like bats and a peg-leg stripper The scammers, the schemers, the real estate liars Birthday-party clowns in a meth-lab fire But dig us, don’t diss us, pay a visit, don’t be late And statistics always lie, so ignore the murder rate Beaches, palm trees and golfing is our curse Our residents won’t bite, but a few will shoot first Everglades, orange groves, alligators, Buffett Scarface, Hemingway, an Andrew Jackson to suck it Solarcaine, Rogaine, eight balls of cocaine See the hall of fame for the criminally insane Artifacts, folklore, roadside attractions Crackers, Haitians, Cuban-exile factions The early-bird specials, drivin’ like molasses Condo-meeting fistfights in cataract glasses (S:) I’m the native tourist, with the rants that can’t be beat (C:) Serge, I think I put my shoes on the wrong feet (S:) A stack of old postcards in another dingy room (C:) A cold Bud forty and a magic mushroom Can’t stop, turnpike, keep ridin’ like the wind Gotta make a detour for a souvenir pin But if you like to litter, you’re just liable to get hurt Do ya like the MAC-10 under my tropical shirt? I just keep meeting jerks, I’m a human land-filler But it’s totally unfair, this term “serial killer” The police never rest, always breakin’ in my pad But sunshine is my bling, and I’m hangin’ like a chad (S:) Serge has got to roll and drop the mike on this rap . . . (C:) Coleman’s climbin’ in the tub, to take a little nap . . . (S:) . . . Disappearin’ in the swamp—and goin’ tangent, tangent, tangent . . . (C:) He’s goin’ tangent, tangent . . . (Fade-out) (S:) I’m goin’ tangent, tangent . . . (C:) Fuck goin’ platinum, he’s goin’ tangent, tangent . . . (S:) . . . Wikipedia all up and down your ass . . . (C:) Wikity-Wikity-Wikity . . .

The American real-estate industry believed segregation to be a moral principle. As late as 1950, the National Association of Real Estate Boards' code of ethics warned that "a Realtor should never be instrumental in introducing into a neighborhood ... any race or nationality, or any individuals whose presence will clearly be detrimental to property values." A 1943 brochure specified that such potential undesireables might include madams, bootleggers, gangsters - and "a colored man of means who was giving his children a college education and thought they were entitled to live among whites." The federal government concurred. It was the How Owners' Loan Corporation, not a private trade association, that pioneered the practice of redlining, selectively granting loans and insisting that any property it insured be covered by a restrictive covenant - a clause in the deed forbidding the sale of the property to anyone other than whites. Millions of dollars flowed from tax coffers into segregated white neighborhoods. "For perhaps the first time, the federal government embraced the discriminatory attitudes of the marketplace," the historian Kenneth R. Jackson wrote in his 1985 book, Crabgrass Frontier, a history of suburbanization. "Previously, prejudices were personalized and individualized; FHA exhorted segregation and enshrined it as public policy. Whole areas of cities were declared ineligible for loan guarantees." Redlining was not officially outlawed until 1968, by the Fair Housing Act. By then the damage was done - and reports of redlining by banks have continued.

For Hillary, gangsterism is not merely a matter of means; it is also her end. Hillary wants to be the crime boss of America. That is the only way to satisfy her unquenchable desire for money, power, and social control. As we will see in this book, Hillary is a criminal who found the criminal practices of Saul Alinsky to be too weak-kneed for her taste, and Alinsky was a gangster who found the criminal practices of the Al Capone gang to be a tad sentimental. In short, Hillary is the true Democrat, the gangster par excellence. I suspect this is why the Democratic establishment lined up so quickly behind her. While the Republicans had a real primary, hotly contested, the Democrats had a primary in which Bernie seemed to win again and again but never seemed to make a dent in Hillary’s lead. That’s because the Democratic super-delegates were uniformly in her camp, even though there was throughout the campaign the risk that she would be indicted.

By time-honored esthetic and moral standards the knowing modern man, and woman, is a barely polite gangster; his machine-gun is his mind, ideas his bullets, power and possession his goals. The reduction of the real to the usable has been whittled into a necessity by the impossible number of potential choices within himself: he knows, after juggling more thoughts than he can reach conclusions about, that he must snap down the lid of fruitless speculation and use the precious energy for making warheads on the spears of practicality. Victims of their own subjective desperation, pigmies under the heavens of thought that dot the roof of their minds with a million perverse stars, converge upon the external prizes of life like hordes released from prison: eager to bury the intolerable freedom of the mind’s insanity in the beautiful sanity of – making it!

I'd like you to see that we are interfering too drastically. WE can't just assume so completely that Azerbaijan is in the hands of dangerous men and vicious Bolsheviks. I suppose it's all in the way you see Iran. I'd like you to see that Iranians are just as serious about their politics as we are: perhaps more so. The Iranian is a vigorous individual with definite ideas about the right and wrong done to him. It's easy for these journalists to laugh at the idea of political spontaneity among the Iranians because they look on these people as dirty, stupid, childlike natives who stare open-mouthed while the wonders of the west are offered to them. …... They are not like that at all. They want proper government, the same as anybody else. They have certainly tried hard enough to get it, but they haven't had a chance. We have done a great deal to prevent them getting real government. It may shock you, but we have always wanted corrupt administrations. Since the Reuter concessions sixty years ago we have begaved like American gangsters using threats, money, and even war to extort privileges and concessions which amounted to owning the country. At one time we had complete control over the administration, over the entire wealth of the land, the banks, and the army. It's rather silly to say the Iranians are un-political when you realize how quickly we had to hand back those concessions. This country rose to a man against us. We gave in hastily, but we managed to cling desperately to our oil concessions. [MacGregor] I think you are worrying yourself unduly [Essex]. We can't be too bad an influence. We may not be reformers ourselves... but we do not fight people who are really trying to improve the country. You must admit that we did not resist the last Shah, and he certainly reformed the place as best as it could be reformed. [MacGregor] It has become a habit to pass all compliments to Reza Shah,...even though we dethroned him. All reforms and modernizations are supposed to be his idea. Yet he simply took over the power of a popular revolution which we resisted at the time. He took power as a despot and he was little better than his predecessors. These people are getting fed up with despots. They obviously want to achieve some kind of better government, particularly in Azerbaijan.… That revolt in Azerbaijan doesn't have to be a Russian idea. It is really the continuation of five or six revolutions, all of them trying to get rid of corrupt governments. This time they seen to be succeeding. Our idea is to stop it.... Every level of government in Iran is corrupt from top to bottom, including the court, the police, and the parliament. Government is organized corruption. The ministers prey on the population like buzzards; they arragne taxes, laws, finances, famines; everything to the purpose of making money. The last Shah might have wiped out some of it; but that meant he became the biggest grafter of them all. He controlled the little fellows, and took the best of everything for himself. By the end of his rule he owned about a fifth of this entire country. He is not the hero we think he is, and his police regime was as brutal as anything the Germans had. Though we co-operated with him, he was a little tougher than the others and he always held out for more. Once, he threatened to wipe out our oil concession but we brought him off. He could always be bought off, like all the other grafters.

Lloyd could see the loyalty that she had for him and he knew she was down for him for real. “Listen,

Most members of the political elites of north-east Africa have come to resemble gangsters rather than civic political leaders.

As late as 1950, the National Association of Real Estate Boards’ code of ethics warned that “a Realtor should never be instrumental in introducing into a neighborhood… any race or nationality, or any individuals whose presence will clearly be detrimental to property values.” A 1943 brochure specified that such potential undesirables might include madams, bootleggers, gangsters—and “a colored man of means who was giving his children a college education and thought they were entitled to live among whites.

I gotta say, boss,” he told me, “that was some real gangster shit back there.

Because Jail number 4 had people like Jaswinder Singh alias Jassa, who considered himself to be the real boss of Tihar. He would flaunt the numerous murder cases against him and took pride in his gangster cred. Originally from Delhi, he had committed so many murders that punishment for another was not a deterrent for him and so everyone, including me, was fearful of him. Actually fearful was an understatement. The judge in Jassa’s case was so terrified about his safety, he refused to give any order in the case. He simply recused himself. And he wasn’t the only judge to do so. Jassa would openly threaten us all – I had two clear choices, either be scared of him or to make him toe the line.

The real connection between drugs and violent crime lies in the profits to be made in the drug trade. The stereotype is that crack typically causes crime by turning people into violent predators. But evidence from research shattered this misconception. A key study examined all the homicides in New York City in 1988, a year when 76 percent of arrestees tested positive for cocaine. Nearly two thousand killings were studied.4 Nearly half of these homicides were not related to drugs at all. Of the rest, only 2 percent involved addicts killing people while seeking to buy crack cocaine and just 1 percent of murders involved people who had recently used the drug. Keep in mind that this study was conducted in a year when the media was filled with stories warning about “crack-crazed” addicts. Thirty-nine percent of New York City’s murders that year did involve the drug trade, however, and most of these were related to crack selling. But these killings were primarily disputes over sales territories or robberies of dealers by other dealers. In other words, they were as “crack-related” as the shoot-outs between gangsters during Prohibition were “alcohol-related.” The idea that crack cocaine turns previously nonviolent users into maniacal murderers is simply not supported by the data. When it comes to drugs, most people have beliefs that have no foundation in evidence.

When I finally get called, I give my name as Bryan Jackson—Bryan after the Purple People Eater who is married to our old water polo coach, and Jackson after Jackson Hole, Wyoming, where Tamara Dunleavy lives. I’m trying to give my story to a desk sergeant who is about as interested as a hibernating bear. The only time his ears perk up is when I drop the name Gus Alabaster. “You mean the gangster?” “He’s my father,” I resume the telling, “even though we’ve never met. He doesn’t even know I exist. Mom only told me I was his son when she read that he hasn’t got long to live.” The desk sergeant stops making notes and looks up at me. “What exactly is the nature of your complaint?” “I’m not complaining about anything. I just need Gus Alabaster’s address so I can go over there and meet him before he dies.” “So no actual crime has been committed,” he concludes. I shake my head. “No crime. I just need the address.” “We don’t do that here. Sorry, kid. Next!” Diaper Man gets up and heads for the desk. What can I do? I turn to walk away, utterly defeated. But before I can take a step, Laska rushes over and pushes me back into the chair. “Aren’t you going to help him?” she shrills at the desk sergeant, her face flaming bright red. “Don’t you even care?” The cop leans back in his chair. “And you are?” “All he wants to do is have a moment with his dying father!” Tears—real tears—are streaming down her cheeks. “And there’s a time limit for that, you know!” The desk sergeant’s half-closed eyes pop wide open. He’s probably seen it all working this job, but a crying girl turns out to be the one thing he doesn’t know what to do with. And I’ve got to hand it to Laska. As soon as she sees she’s spooking the guy, she switches on the full waterworks. He hustles to his feet. “Uh—follow me.

The award-winning American TV series Breaking Bad has a scene in its second season set in the murder capital of Ciudad Juárez. In this episode, American and Mexican agents are lured to a patch of desert just south of the border looking for an informant. They discover the informant’s head has been cut off and stuck on the body of a giant turtle. But as they approach, the severed cranium, turned into an IED, explodes, killing agents. The episode was released in 2009. I thought it was unrealistic, a bit fantastic. Until July 15, 2010. In the real Ciudad Juárez on that day, gangsters kidnapped a man, dressed him in a police uniform, shot him, and dumped him bleeding on a downtown street. A cameraman filmed what happened after federal police and paramedics got close. The video shows medics bent over the dumped man, checking for vital signs. Suddenly a bang rings out, and the image shakes vigorously as the cameraman runs for his life. Gangsters had used a cell phone to detonate twenty-two pounds of explosives packed into a nearby car. A minute later, the camera turns back around to reveal the burning car pouring smoke over screaming victims. A medic lies on the ground, covered in blood but still moving, a stunned look on his face. Panicked officers are scared to go near him. The medic dies minutes later along with a federal agent and a civilian. I’m not suggesting that Breaking Bad inspired the murders. TV shows don’t kill people. Car bombs kill people. The point of the story is that the Mexican Drug War is saturated with stranger-than-fiction violence. Mexican writer Alejandro Almazán suffered from a similar dilemma. As he was writing his novel Among Dogs, he envisioned a scene in which thugs decapitate a man and stick a hound’s head on his corpse. It seemed pretty out there. But then in real life some gangsters did exactly that, only with a pig’s head. It is just hard to compete with the sanguine criminal imagination. Cartel thugs have put a severed head in a cooler and delivered it to a newspaper; they have dressed up a murdered policeman in a comedy sombrero and carved a smile on his cheeks; and they have even sewn a human face onto a soccer ball.

To try to make sure gunmen do hit their targets, cartels have developed training camps. The first such camps were discovered in northeast Mexico and linked to the Zetas, but they have since been found all across the country and even over the border in Guatemala. Most are built on ranches and farmlands, such as one discovered in the community of Camargo just south of the Texas border. They are equipped with shooting ranges and makeshift assault courses and have been found storing arsenals of heavy weaponry, including boxes of grenades. Arrested gangsters have described courses as lasting two months and involving the use of grenade launchers and .50-caliber machine guns. A training video captured by police in 2011 shows recruits running across a field, taking cover on the grass, and firing assault rifles. Sometimes training can be deadly. One recruit drowned during an exercise that required him to swim carrying his backpack and rifle. The discovery of these camps has sparked the obvious comparison to Al Qaeda training grounds in Afghanistan. But however much schooling they give, cartels still love gunslingers with real military experience. In the first decade of democracy, up until 2010, one hundred thousand soldiers had deserted from the Mexican military. There is a startling implication: country and ghetto boys sign up for the army, get the government to pay for their training, then make real money with the mob.

The frauds of early 1986 were a triumph. But the Antars could not rest. Even after a feeding, the fraud rattlesnake did not feel sated. It only grew hungrier.

We were all playing a game, only nobody knew we were playing it. When I walked in that first night, everyone was giving me this look: “I’m dangerous. Don’t fuck with me.” So I went, “Shit, these people are hardened criminals. I shouldn’t be here, because I am not a criminal.” Then the next day everything turned over quickly. One by one, guys left to go to their hearings, I stayed to wait for my lawyer, and new people started to pitch up. Now I was the veteran, doing my colored-gangster routine, giving the new guys the same look: “I’m dangerous. Don’t fuck with me.” And they looked at me and went, “Shit, he’s a hardened criminal. I shouldn’t be here, because I am not like him.” And round and round we went. At a certain point it occurred to me that every single person in that cell might be faking it. We were all decent guys from nice neighborhoods and good families, picked up for unpaid parking tickets and other infractions. We could have been having a great time sharing meals, playing cards, and talking about women and soccer. But that didn’t happen, because everyone had adopted this dangerous pose and nobody talked because everyone was afraid of who the other guys were pretending to be. Now those guys were going to get out and go home to their families and say, “Oh, honey, that was rough. Those were some real criminals in there. There was this one colored guy. Man, he was a killer.

My Chicago friends were amazed at my admiration. They seemed to take a real pride in their gangsters and in the wickedness of their city. I have now been there three times, and, while my view remains the same, it may reveal the danger of superficial impressions. Just as English visitors who, seeing no blood running in the gutters of Moscow streets, return full of praise for the Soviet paradise, so I, feeling no sawn-off gun against my ribs and hearing no shots, see in Chicago only the most beautiful and the best of cities.

You cannot defeat us. You do not even know who we are. You cannot even see us. Your country lives inside a dream and tries to kill anything outside of the dream, but we live in the real world, so you cannot kill us. We have fought for twenty years and we will fight on until weare victorious, until we have freedom. Just as your forefathers did two hundred years ago. Uncle Ho began the Vietnamese Declaration of Independence by quoting the American Declaration of Independence: 'All men are created equal, that they are endowed by their Creator with certain unalienable rights, and that among these are life, liberty and the pursuit of happiness.' American armymen no longer fight to protect their liberty but to steal ours. Chien Si My, how did your great and heroic country lose its greatness and allow itself to be taken over by gangsters?

The printer continues: "You cannot defeat us. You do not even know who we are. You cannot even see us. Your country lives inside a dream and tries to kill anything outside of the dream, but we live in the real world, so you cannot kill us. We have fought for twenty years and we will fight on until weare victorious, until we have freedom. Just as your forefathers did two hundred years ago. Uncle Ho began the Vietnamese Declaration of Independence by quoting the American Declaration of Independence: 'All men are created equal, that they are endowed by their Creator with certain unalienable rights, and that among these are life, liberty and the pursuit of happiness.' American armymen no longer fight to protect their liberty but to steal ours. Chien Si My, how did your great and heroic country lose its greatness and allow itself to be taken over by gangsters?

Cuthbert the Spider had recovered his poise somewhat but was overawed in the presence of the real law. He fixed his eyes on a glass case filled with a collection of out-of-date gyves collected by the Chief Constable and presented to the Force, which didn’t in the least appreciate the gift on account of the cleaning involved by it. “Are them ’andcuffs…bracelets…?” he whispered. “Yes,” replied the Superintendent and seizing the awed gangster under the armpits, he lifted him high enough for inspection. In the twinkling of an eye, Cuthbert (Spider) Silversides was converted into a G-Man.

But the problem with reality was that it couldn’t be controlled. It just happened.