Real Courtroom Quotes

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Oh, justice exists," Charlie said, looking up at the rain. "Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words – good and bad, right and wrong – they don’t really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No," he shook his head. "I think we all get to decide what good and bad and right and wrong mean to us, not what we’re told to accept. You did nothing wrong. Don’t beat yourself up for other people’s mistakes.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
Never discount woman’s intuition Zack. That is real.” “I never discount a woman’s anything, dear. The world would be a better place if woman were in charge.
Mark M. Bello (Betrayal In Blue (Zachary Blake Legal Thriller, #3))
Justice exists... Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong - they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong...? No... I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
Cases are won on closing arguments only on television, not in a real courtroom.
Walter Dean Myers (Monster)
These are not red or blue issues—they are the human rights issues of our generation. We are here begging for our lives. If today’s political officeholders cannot accomplish real change on guns and gun issues, we will vote together on these issues in the next election and elect their successors . . .
Mark M. Bello (Betrayal High (Zachary Blake Legal Thriller, #5))
Studying the rule of law won't make a great litigator. It is the act of trying cases in real courtrooms with real plaintiffs and defendants and judges and juries, week after week and year after year that develops lawyers into top trial attorneys.
Marian Deegan
I'm not the cool kids. Cool kids never speak up, they are too busy with being cool. Speaking up is for the real gangstas.
Niedria Kenny (Order in the Courtroom: The Tale of a Texas Poker Player)
Resistance is dreaming about the end of law enforcement, courts and prisons as we know them. Hope flows from knowing that we are not bound by the rigid and relative confines of legislatures, courtrooms, or oval offices—that outer limits exist only if we accept them as real. Love is our relentless pursuit of real-life dreams. Freedom first takes root in our visions for a radically just space-time continuum; and triumph is earned when others slip into our envisioned realm of justice and stay awhile—at least until time, space, or both catch up. Liberation is conceived by our imagination, carried in our hearts, and birthed through our revolutionary madness.
Alice Wong (Resistance and Hope: Essays by Disabled People)
When it's winter in one place it is summer in another. When I return to Palo Alto, to the pallid walls of courtrooms and legal documents and media headlines, hearing the echoes of heels on tiles, I would also hear the tink tink tink. I would remember that this world also exists, and that I can exist in it. This world is just as real as that one.
Chanel Miller (Know My Name)
The defendant. For three weeks, everyone in this courtroom had referred to her as “the defendant.” Not Casey. Not her given name, Katherine Carter. Certainly not Mrs. Hunter Raleigh III, the name she would have taken by now if everything had been different. In this room, she’d been treated as a legal term, not as a real person, a person who had loved Hunter more deeply than she’d ever thought possible.
Mary Higgins Clark (The Sleeping Beauty Killer (Under Suspicion, #4))
This isn't a courtroom, pal," I said to Nelson, "this is the gutter. No fancy robes, no platitudes engraved in marble, no brass railing dividing the sides. This is the streets and the alleys. this is the Chicago we really live in. Here justice isn't dispensed with a wooden gavel, it's taken with your bare hands. It may be Tubby's world, a part of it, but it's also August Jansen's world, and my world, and yours. Darrow's a great man but this work comes after the fact, after the real battles of life are fought. Lawyers and judges pick up the pieces after the dust settles. Their job is to make sense of what's happened, not make it happen. That occurs in the gutter where blood and bone and horse manure and coal dust and sweat and fear blend and roil. In the end you either have hope or sewage. It can go either way, but it goes on.
James Conroy (Literally Dead)
How do you build peaks? You create a positive moment with elements of elevation, insight, pride, and/ or connection. We’ll explore those final three elements later, but for now, let’s focus on elevation. To elevate a moment, do three things: First, boost sensory appeal. Second, raise the stakes. Third, break the script. (Breaking the script means to violate expectations about an experience—the next chapter is devoted to the concept.) Moments of elevation need not have all three elements but most have at least two. Boosting sensory appeal is about “turning up the volume” on reality. Things look better or taste better or sound better or feel better than they usually do. Weddings have flowers and food and music and dancing. (And they need not be superexpensive—see the footnote for more.IV) The Popsicle Hotline offers sweet treats delivered on silver trays by white-gloved waiters. The Trial of Human Nature is conducted in a real courtroom. It’s amazing how many times people actually wear different clothes to peak events: graduation robes and wedding dresses and home-team colors. At Hillsdale High, the lawyers wore suits and the witnesses came in costume. A peak means something special is happening; it should look different. To raise the stakes is to add an element of productive pressure: a competition, a game, a performance, a deadline, a public commitment. Consider the pregame jitters at a basketball game, or the sweaty-hands thrill of taking the stage at Signing Day, or the pressure of the oral defense at Hillsdale High’s Senior Exhibition. Remember how the teacher Susan Bedford said that, in designing the Trial, she and Greg Jouriles were deliberately trying to “up the ante” for their students. They made their students conduct the Trial in front of a jury that included the principal and varsity quarterback. That’s pressure. One simple diagnostic to gauge whether you’ve transcended the ordinary is if people feel the need to pull out their cameras. If they take pictures, it must be a special occasion. (Not counting the selfie addict, who thinks his face is a special occasion.) Our instinct to capture a moment says: I want to remember this. That’s a moment of elevation.
Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
Why were they ready to renounce their highest moments as a sin? Why were they willing to betray the best within them? What made them believe that this earth was a realm of evil where despair was their natural fate? He could not name the reason, but he knew that it had to be named. He felt it as a huge question mark within the courtroom, which it was now his duty to answer. This was the real sentence imposed upon him, he thought—to discover what idea, what simple idea available to the simplest man, had made mankind accept the doctrines that led it to self-destruction.
Ayn Rand (Atlas Shrugged)
My point is that bias is not advertised by a glowing sign worn around jurors’ necks; we are all guilty of it, because the brain is wired for us to see what we believe, and it usually happens outside of everyone’s awareness. Affective realism decimates the ideal of the impartial juror. Want to increase the likelihood of a conviction in a murder trial? Show the jury some gruesome photographic evidence. Tip their body budgets out of balance and chances are they’ll attribute their unpleasant affect to the defendant: “I feel bad, therefore you must have done something bad. You are a bad person.” Or permit family members of the deceased to describe how the crime has hurt them, a practice known as a victim impact statement, and the jury will tend to recommend more severe punishments. Crank up the emotional impact of a victim impact statement by recording it professionally on video and adding music and narration like a dramatic film, and you’ve got the makings of a jury-swaying masterpiece.45 Affective realism intertwines with the law outside the courtroom as well. Imagine that you are enjoying a quiet evening at home when suddenly you hear loud banging outside. You look out the window and see an African American man attempting to force open the door of a nearby house. Being a dutiful citizen, you call 911, and the police arrive and arrest the perpetrator. Congratulations, you have just brought about the arrest of Harvard professor Henry Louis Gates, Jr., as it happened on July 16, 2009. Gates was trying to force open the front door of his own home, which had become stuck while he was traveling. Affective realism strikes again. The real-life eyewitness in this incident had an affective feeling, presumably based on her concepts about crime and skin color, and made a mental inference that the man outside the window had intent to commit a crime.
Lisa Feldman Barrett (How Emotions Are Made: The Secret Life of the Brain)
A long time has passed since the last time i was in that courtroom, but I worry I will forever be stuck on the stand. My mind is one step behind where it used to be. I call it the lag. Before I was living in real time. Now I evaluate the moment before I can move into it. I am always asking permission, anticipating have to present myself to an invisible jury, answering questions before a defense. When I reach for a piece of clothing, the first thing I think is, What will they think if I wear this? When I go anywhere I think, Will I be able to explain why I am going? If I post a photo I think, If this were submitted as evidence, would I look too silly, my shoulders too bare? The time I spend questioning what I'm doing, turning things over and talking myself back to normalcy, has become the toll.
Chanel Miller (Know My Name)
No one embodied the spirit of the frontier more than Daniel Boone, who faced and defeated countless natural and man-made dangers to literally hand cut the trail west through the wilderness. He marched with then colonel George Washington in the French and Indian War, established one of the most important trading posts in the West, served three terms in the Virginia Assembly, and fought in the Revolution. His exploits made him world famous; he served as the model for James Fenimore Cooper’s Leatherstocking Tales and numerous other pioneer stories. He was so well known and respected that even Lord Byron, in his epic poem Don Juan, wrote, “Of the great names which in our faces stare, The General Boon, back-woodsman of Kentucky, Was happiest amongst mortals anywhere …” And yet he was accused of treason—betraying his country—the most foul of all crimes at the time. What really happened to bring him to that courtroom? And was the verdict reached there correct?
Bill O'Reilly (Bill O'Reilly's Legends and Lies: The Real West)
I am revoking the defendant’s bail and remanding him to the county prison, to remain there until and through the duration of his trial.” With that he nods to the two deputies, who walk to the front of the courtroom, cuff David, and lead him out the side door, their destination the holding cells in the subbasement. David will stay there until five o’clock, at which time he will be loaded into the sheriff’s bus and transported to the Curran-Fromhold Correctional Facility in Northeast Philadelphia. I watch David’s exit, watch him hold his head high, keep his back straight, trying to retain as much dignity as he can. Before the deputies close the door behind them, David glances back into the courtroom. I’ve seen the “last glance” from dozens of defendants, seen the guilt, sorrow, regret, fear, numbed disbelief plastered all over their faces as they take in a final look at the loved ones they’re leaving behind, sometimes for good. But David isn’t looking back in sadness or distress. And he isn’t looking at Marcie. His eyes hold only hatred for his real enemy. For Edwin. According to David, it was Edwin who placed the anonymous call to the DA’s office. Somehow,
William L. Myers Jr. (A Criminal Defense (Philadelphia Legal, #1))
You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that?? 'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back. 'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.' 'He only wins if you let him.' 'What can I do about it?' she asked. 'From listening to your podcast, sounds to me like there's not much you can't do.' 'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -' 'Do you care?' Charlie asked. 'Do you care what people think, if you know you're right?' She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true. And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life. 'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that." 'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that?? 'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back. 'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.' 'He only wins if you let him.' 'What can I do about it?' she asked. 'From listening to your podcast, sounds to me like there's not much you can't do.' 'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -' 'Do you care?' Charlie asked. 'Do you care what people think, if you know you're right?' She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true. And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life. 'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that." 'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might not believe in you but, for what it's worth, your neighbour from four doors down does.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
Studying the rule of law won't make a great litigator. It is the act of trying cases in real courtrooms with real plaintiffs and defendants and judges and juries, week after week and year after year that develops lawyers into top trial attorneys. ― Marian Deegan
Marian Deegan (Relevance: Matter More)
Colonel Nguyen Van Tan said, “Sauget et Sang, you shall start making amends by confessing your crimes in public here, in this courtroom when the reporters from news services around the world arrive!
Michael G Kramer Omieaust (A Gracious Enemy & After the War Volume Two)
But the ten years of his marriage had been real, he thought—and these were the men who assumed the power to dispose of it, to decide whether he would have a chance of contentment on earth or be condemned to torture for the rest of his lifetime. He remembered the austerely pitiless respect he had felt for his contract of marriage, for all his contracts and all his legal obligations—and he saw what sort of legality his scrupulous observance was expected to serve. He noticed that the puppets of the courtroom had started by glancing at him in the sly, wise manner of fellow conspirators sharing a common guilt, mutually safe from moral condemnation. Then, when they observed that he was the only man in the room who looked steadily straight at anyone’s face, he saw resentment growing in their eyes. Incredulously, he realized what it was that had been expected of him: he, the victim, chained, bound, gagged and left with no recourse save to bribery, had been expected to believe that the farce he had purchased was a process of law, that the edicts enslaving him had moral validity, that he was guilty of corrupting the integrity of the guardians of justice, and that the blame was his, not theirs. It was like blaming the victim of a holdup for corrupting the integrity of the thug. And yet—he thought—through all the generations of political extortion, it was not the looting bureaucrats who had taken the blame, but the chained industrialists, not the men who peddled legal favors, but the men who were forced to buy them; and through all those generations of crusades against corruption, the remedy had always been, not the liberating of the victims, but the granting of wider powers for extortion to the extortionists. The only guilt of the victims, he thought, had been that they accepted it as guilt.
Ayn Rand (Atlas Shrugged)
I kiss Orion deeply, one last time. “Are you sure you don’t want to come in with me?” I ask.               “I don’t think it’s going to help your case,” the raptor replies. “I mean, some people just don’t understand that love is real. You’ve gotta put yourself in there position. They’re so used to everything working a certain way, women kissing men, men kissing men… not men kissing dinosaurs.”               I want to protest but I know that he’s right. Even the most liberal of juries is going to have a hard time with this muscular dinosaur sitting there in the courtroom while I argue my case. It’s better if we part ways here.               “I’ll see you soon.” I tell him, my voice quaking. We both know that’s not going to happen, but we’re trying our best to pretend.               “I love you,” Orion says to me one last time.               “I love you, too” I assure him.               We kiss again and then I finally muster up the discipline to pull away and push out through the car’s door. I stand up on the sidewalk before the courthouse as flash bulbs burst with blinding luminescence. I shield my eyes, stunned for a moment as I struggle to collect my bearings.               “Mr. Tanner!” someone interjects, shoving a microphone in my face. “Is it true you hate unicorns?”               “What?” I stammer.               “We understand that your mission was funded off the profits of illegally traded unicorn tears, do you have anything to say to that?”               “I mean…” I’m still trying to collect my bearings, struggling to sort through her words. “No, wait, yeah I do. That’s really bad, I didn’t know anything about it.”               The reporter nods and repeats my words back to me. “Really bad… so you’re saying it’s not awful? Is that what you’re saying?”               “No, I just…” I start.               “Because it sounds like you’re not really coming out against the illegal trade of unicorn tears,” the reporter continues.               “I literally heard about it five seconds ago,” I counter. “That sounds terrible, I don’t really know anything about it but it sounds really bad and I don’t support that.”               The reporter nods. “Okay it’s really hard to understand you when you speak in code like this. Can you just answer the question? Do you or don’t you support bad guys doing bad things? Because you haven’t really come out against them.”               “I don’t support bad guys,” I try to say as clearly as I possibly can.               The reporter just stares at me blankly. “So you’re not going to come out against them?”               Suddenly, someone from the mob pushes me from behind and I stumble forward. The entire gang of hungry journalists and newscasters has reached a tipping point and I realize now that if I don’t continue onward there is going to be a problem.               I
Chuck Tingle (Space Raptor Butt Trilogy)
I swam deeper. If a stressful thought emerged, I let it out with a long exhale, letting the fish gobble it up, released and dissolved. I was seventy feet down, the depth of six pools, one hour gliding by, then two. I left the pain, the kind that blinded me, that had me dreaming of sinking into nothingness, the kind that made me want to disappear. How could you want to leave the world if this is the world. All this beauty and strangeness. I felt it had been holding a secret, that just below the surface there were neon mountains, clams the size of bathtubs. All I had to do was equip myself to go deeper, to push past the initial pains, to teach myself to breathe. When it’s winter in one place it is summer in another. When I return to Palo Alto, to the pallid walls of courtrooms and legal documents and media headlines, hearing the echoes of heels on tiles, I would also hear the tink tink tink. I would remember that this world also exists, and that I can exist in it. This world is just as real as that one.
Chanel Miller (Know My Name: A Memoir)
Her “bailiff” was named Waco. He was a retired stand-up comic. Yes, for real. This was a TV set, not a courtroom, though it looked like one. While not exactly a trial, Hester did preside over a legal proceeding of a certain kind. The two parties sign a contract for arbitration. The producers pay the settlement, and both the plaintiff and the defendant are paid a hundred dollars a day. It’s win-win
Harlan Coben (Caught)
Another situation in which we attend to base rates occurs if people ascribe some causal significance to discrepant rates. When they can see the causal relevance of the base rates, they often incorporate them into their reasoning. For example, the belief that one bus company has more accidents than another because its drivers are more poorly selected and trained will influence mock jurors to take this difference in accident rates into account in evaluating eyewitness testimony; but belief that a bus company has more accidents simply because it is larger will not. Study after study has shown that when these rates are merely statistical as opposed to causal, they tend to be ignored. Exactly the same effect seems to occur in real courtrooms; naked statistical evidence is notoriously unpersuasive.
Reid Hastie (Rational Choice in an Uncertain World: The Psychology of Judgement and Decision Making)
Look, I’m no longer your client, so put the past behind us and get to know a real nigga beyond that courtroom and those fuckin’ concrete walls. Respectfully, I didn’t come up here for nothing, Ms. Washington. I want you bad. I want that number bad and I ain’t leaving until you come off of it.
Talena Tillman (Flaws And All: Elijah & Kehlani)
A mix of local news, world news, and shocking headlines coupled with experience and real life scenarios coated with imagination and intimate thoughts... the ones you can't say aloud = BOOKS
Niedria Kenny (Order in the Courtroom: The Tale of a Texas Poker Player)
. . . throw the fucking thing as far as you can and get the hell out of there!” Stu yelled, animated for the first time. Now, there’s a real technical solution! Why didn’t I think of that?
Mark M. Bello (Betrayal of Justice (Zachary Blake Betrayal, #2))
The actors in the courtroom often assume, for instance, that the enforcement system is able to do things that it patently cannot do, like provide real protection to citizens in danger of being murdered.
Silver Donald Cameron (Blood in the Water: A True Story of Revenge in the Maritimes)
what gets defined as crime, and who gets surveilled and punished, generally has more to do with the politics of race and class than the harm that any particular behavior or activity causes. As Alec Karakatsanis observes in Usual Cruelty: The Complicity of Lawyers in the Criminal Injustice System, people with race and class privilege are generally shielded from criminal prosecution, even though their crimes often cause far greater harm than the crimes of the poor. The most obvious example is the prosecutorial response to the financial crisis of 2008 and the related scandals: “Employees at banks committed crimes including lying to investigators and regulators, fraudulently portraying junk assets as valuable assets, rate-rigging, bribing foreign officials, submitting false documents, mortgage fraud, fraudulent home foreclosures, financing drug cartels, orchestrating and enabling widespread tax evasion, and violating international sanctions.” The massive criminality caused enormous harm. African Americans lost over half their wealth due to the collapse of real estate markets and the financial crisis. By the end of the crisis, in 2009, median household wealth for all Americans had declined by $27,000, leaving almost 44 million people in poverty. While some banks were eventually prosecuted (and agreed to pay fines that were a small fraction of their profits), the individuals who committed these crimes were typically spared. Despite engaging in forms of criminality that destroyed the lives and wealth of millions, they were not rounded up, dragged away in handcuffs, placed in cages, and then stripped of their basic civil and human rights or shipped to another country. Their mug shots never appeared on the evening news and they never had to wave goodbye to their children in a courtroom, unable to give them a final embrace.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
I was fascinated to learn that the real-life Stephen Lavender, on whom my fictional hero is based, was involved in the aftermath of the shocking murder. He, along with fellow Principal Officers John Vickery and Harry Adkins, gathered the evidence required to convict Bellingham. The connection Vickery made between the pistol ball used to kill Bellingham and the small machine used to make it which he found in Bellingham’s lodgings, is often cited as the first example in a UK courtroom of ballistic forensic analysis
Karen Charlton (Plague Pits & River Bones (Detective Lavender Mysteries #4))
People in general, and the intelligentsia in particular, are extremely arrogant, egotistic animals, considering themselves smarter than anyone else in the world, and certainly smarter than their governments. I can think of no occasion on which the intelligentsia admitted that it had been wrong, especially when it came to disputes with the lawful authority. The reason for this is probably the intelligentsia’s belief that its real abilities remain unwanted. Terrible. After all, they are the elite, and that means that they should rule the world or, at least, rule people’s minds. But life, that unfair judge, has condemned them to more humble pursuits: teaching children the alphabet, curing our aches and pains, studying bacteria through a microscope, being bored in provincial courtrooms, or giving communion to parishioners and listening to their endless complaints about the injustice of life. And all around, out in the big world, completely different people make important decisions that determine the fate of mankind. Moreover, those people are not brighter, better educated, or morally worthy. How can one accept that? So a member of the intelligentsia cannot simply force himself to do his job without contrivances and pretensions. He cannot just teach children to read and write—no, he has to “raise future generations”; he cannot just prescribe pills for a patient and ease his suffering—no, he needs to concern himself with the health of all mankind. A priest, meanwhile, is convinced that God Himself has put him in the pulpit for the salvation of one and all.
Vladimir Bukovsky (Judgment in Moscow: Soviet Crimes and Western Complicity)
As Alec Karakatsanis observes in Usual Cruelty: The Complicity of Lawyers in the Criminal Injustice System, people with race and class privilege are generally shielded from criminal prosecution, even though their crimes often cause far greater harm than the crimes of the poor. The most obvious example is the prosecutorial response to the financial crisis of 2008 and the related scandals: “Employees at banks committed crimes including lying to investigators and regulators, fraudulently portraying junk assets as valuable assets, rate-rigging, bribing foreign officials, submitting false documents, mortgage fraud, fraudulent home foreclosures, financing drug cartels, orchestrating and enabling widespread tax evasion, and violating international sanctions.” The massive criminality caused enormous harm. African Americans lost over half their wealth due to the collapse of real estate markets and the financial crisis. By the end of the crisis, in 2009, median household wealth for all Americans had declined by $27,000, leaving almost 44 million people in poverty. While some banks were eventually prosecuted (and agreed to pay fines that were a small fraction of their profits), the individuals who committed these crimes were typically spared. Despite engaging in forms of criminality that destroyed the lives and wealth of millions, they were not rounded up, dragged away in handcuffs, placed in cages, and then stripped of their basic civil and human rights or shipped to another country. Their mug shots never appeared on the evening news and they never had to wave goodbye to their children in a courtroom, unable to give them a final embrace.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)