Rd Quotes

We've searched our database for all the quotes and captions related to Rd. Here they are! All 100 of them:

It takes courage to let down your armor, to welcome people to see you as you are. Sometimes I feel the same as you: I can’t risk having people behold me as I truly am. But there’s also a small voice in the back of my mind, a voice that tells me, “You will miss so much by being so guarded.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
In the meantime, I hope you will find your place, wherever you are. Even in the silence, I hope you will find the words you need to share.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
A good book has no ending.
R.D. Cumming
Life is a sexually transmitted disease and the mortality rate is one hundred percent.
R.D. Laing
...because I rant not, neither rave of what I feel, can you be so shallow as to dream that I feel nothing?
R.D. Blackmore (Lorna Doone)
Whether life is worth living depends on whether there is love in life.
R.D. Laing
Sometimes truths are what we run from, and sometimes they are what we seek.
R.D. Ronald (The Elephant Tree)
I think we all wear armor. I think those who don’t are fools, risking the pain of being wounded by the sharp edges of the world, over and over again. But if I’ve learned anything from those fools, it is that to be vulnerable is a strength most of us fear. It takes courage to let down your armor, to welcome people to see you as you are.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
There is a great deal of pain in life and perhaps the only pain that can be avoided is the pain that comes from trying to avoid pain.
R.D. Laing
Three words. A promise of hope. The words tingled in Will’s ear. They ignited his heart. ‘I love you.
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
Happy couples make it a habbit to refocus. Because it's quite normal to be distracted. So they talk. They get away for a while. They pray. They go on a marriage retreat. They take a second honeymoon or a 3rd, or 4th, or a 5th..
Bo Sánchez (You Have The Power to Create Love: Take Another Step on the Simple Path to Happiness)
The condition of alienation, of being asleep, of being unconscious, of being out of one’s mind, is the condition of the normal man. Society highly values its normal man. It educates children to lose themselves and to become absurd, and thus to be normal. Normal men have killed perhaps 100,000,000 of their fellow normal men in the last fifty years.
R.D. Laing (The Politics of Experience/The Bird of Paradise)
Schizophrenia cannot be understood without understanding despair.
R.D. Laing
we are all murderers and prostitutes – no matter to what culture, society, class, nation one belongs, no matter how normal, moral, or mature, one takes oneself to be.
R.D. Laing
You cannot!' Tatiana said sharply. 'If you order a gun there is only a single shot, and once delivered the doors are locked and will not open until it has been fired.
R.D. Ronald (The Zombie Room)
I’m sorry. This is not what I intended to say. What I meant to say is this: You’ll write more poems. They are not lost. You are the poetry.
Alice Winn (In Memoriam)
Consider and then act, don't react. A worthy opponent will calculate his move to entice a response from you. Make your own play.
R.D. Ronald (The Elephant Tree)
But with Nico … It’s hard, Persephone. I want the best for him, and he seems to disappear into his darkness, like he’s hiding in a place where he doesn’t want my light.’ ‘Then why not offer him your darkness?
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
by
R.D. Ronald (The Elephant Tree)
Pain in this life is not avoidable, but the pain we create avoiding pain is avoidable.
R.D. Laing
They are playing a game. They are playing at not playing a game. If I show them I see they are, I shall break the rules and they will punish me. I must play their game, of not seeing I see the game
R.D. Laing
The blast of hot air lifted Tazeem from his feet and threw him onto his back in the road. He blinked up into the night sky; raindrops glowed orange as they fell towards the earth.
R.D. Ronald (The Zombie Room)
Anyone who says "Trust me" is the last motherfucker you should ever trust.
R.D. Ronald
I'm the biggest critic of my own work, but sometimes you nail a chapter so good that you have to take a step back and admire that bitch.
R.D. Ronald
We are effectively destroying ourselves by violence masquerading as love.
R.D. Laing
Scott glanced at his watch but didn't register what it said. The notion of time had become as absurd as the quietly glowing trees.
R.D. Ronald (The Elephant Tree)
After a week he was moved to a different wing and into a shared six-by-eight with a grizzled old con called Alf. He had faded tattoos that stained most of the visible skin on his hands, arms and neck a dull blue, sharp eyes and a thick beard that made his mouth look like an axe wound on a bear.
R.D. Ronald (The Zombie Room)
Remove the comma, replace the comma, remove the comma, replace the comma...
R.D. Ronald
There cannot be light without darkness, nor darkness without light. You must have the contrast for both to exist.
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
Why did the Articles [of Confederation] fail so completely? Most historians believe the founding fathers spent a great deal of their first constitutional convention drafting the delaration of independence and only realized on July 3rd the Articles were also due.
Jon Stewart (America (The Book): A Citizen's Guide to Democracy Inaction)
Strange how things turn out. Two birds, one stone and all that.' McBlane chuckled at his own impromptu joke. 'But things have worked out for the best and now we all get to work together,' he said, and a smile spread across his face as easy as a politician's lie.
R.D. Ronald (The Elephant Tree)
And this, I think, is my ultimate fatal flaw. Missing people who don’t miss me back. Clinging on to strands of string that shouldn’t mean half as much as they do. It takes so little for me to love someone, yet so long for me to move on.
Ann Liang (This Time It's Real)
Solitude led to retrospective thinking, and if the past is what you are trying to get away from, then constant distractions in the present are needed.
R.D. Ronald (The Elephant Tree)
The best writers tend to look the roughest in photos. At least that's the excuse I use for why I look so bad in mine.
R.D. Ronald
We live in a moment of history where change is so speeded up that we begin to see the present only when it is already disappearing.
R.D. Laing
We hear a lot about identity theft when someone takes your wallet and pretends to be you and uses your credit cards. But the more serious identity theft is to get swallowed up in other people's definition of you.
Stephen R. Covey (The 3rd Alternative: Solving Life's Most Difficult Problems)
I'm not into this whole "move with the times" thing. I reckon we should just decide on a year and stick with it.
R.D. Ronald
He had an intrusive gaze and quietly confident manner, that seemed to strip away the layers of protective deception Scott would usually adopt around strangers.
R.D. Ronald (The Elephant Tree)
When you care about someone, you want to be inconvenienced—you wouldn’t mind being inconvenienced by them every day for the rest of your life. That’s what love is. That’s all love really is.
Ann Liang (This Time It's Real)
Sometimes mortals are not aware of the threads that bind them. You could both be wrong about the first time you met, and yet the two of you have orbited each other for so long, like heavenly bodies in the sky.
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
Well, that’s what this quest is all about, isn’t it?’ said Nico, facing forward. ‘We have to fix what’s been broken.’ ‘I love that about you, Nico di Angelo.
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
My dearest, darling Sidney,' There was nothing else. Only dead white paper, blank and meaningless. A comma, followed by nothing. Death summed up by grammar.
Alice Winn (In Memoriam)
Decker smiled and shrugged off their laughter. The humour was only barbed if you sat on the outside, and now he was one of them.
R.D. Ronald (The Zombie Room)
The guard looked down at the scarlet bloodstains blooming on his chest. He appeared to think of something that he needed to say, but as his lips began to form the words, his knees gave up the strain of supporting his ruined bulk. He collapsed to the floor, his throat issuing a final sound like a bubbling casserole.
R.D. Ronald (The Zombie Room)
Blood began to flow, at first cautiously, as if embarrassed by its appearance; a few thin red lines exploring the gravitational trajectory of its new terrain. Now it flowed faster, steadily staining her pale flesh a horrific red.
R.D. Ronald (The Zombie Room)
April 43rd 2000 Today is the day of great triumph. There is a king of Spain. He has been found at last. That king is me. I only discovered this today. Frankly, it all came to me in a flash.
Nikolai Gogol (Diary of a Madman and Other Stories)
Scott's mind was racing, struggling to comprehend the events unfolding around him. They were talking about disposing of Twinkle like he was a rusty old bike that no-one rode anymore.
R.D. Ronald (The Elephant Tree)
Human beings seem to have an almost unlimited capacity to deceive themselves, and to deceive themselves into taking their own lies for truth.
R.D. Laing (The Politics of Experience/The Bird of Paradise)
He had done nothing on Christmas day, just wandered around outside in the frozen woods. Hard ground, chill winds and bare branches that looked like they'd been dipped in sugar. None of it seemed real, like walking around in a desolate dream, but one he didn't want to wake up from.
R.D. Ronald (The Elephant Tree)
In a world full of danger, to be a potentially seeable object is to be constantly exposed to danger. Self-consciousness, then, may be the apprehensive awareness of oneself as potentially exposed to danger by the simple fact of being visible to others. The obvious defence against such a danger is to make oneself invisible in one way or another.
R.D. Laing (The Divided Self: An Existential Study in Sanity and Madness)
I don't "lol". I tried it once but it just didn't agree with me.
R.D. Ronald
Today I plan to smile a lot, only so people who know me will be freaked the fuck out.
R.D. Ronald
That's why Twinkle likes the place so much, Scott thought, looking around at the faded wood veneer tables, and the faded souls drinking at them. Misery was soaked through the place like the old beer soaked through its carpets.
R.D. Ronald (The Elephant Tree)
This faulty light fitting at the front door with the dangerously flickering bulb looks rather festive. Who says I don't do Christmas?
R.D. Ronald
Ellwood smiled, and a sudden, dry bleakness spread over Gaunt’s heart as he thought of Hercules, and Hector, and all the heroes in myth who found happiness briefly, only for it not to be the end of the story.
Alice Winn (In Memoriam)
Jack laughed behind him, a mirthless sound from a man who had been on the wrong end of life's ironies too many times.
R.D. Ronald (The Elephant Tree)
But when people talk about it they call it The Zombie Room.
R.D. Ronald (The Zombie Room)
We were left with nothing because of a love like acid that ate its way through our entire family.
R.D. Ronald (The Elephant Tree)
There are good reasons for being obedient, but being unable to be disobedient is not one of the best reasons.
R.D. Laing (The Divided Self: An Existential Study in Sanity and Madness)
He summoned you into the circle, Scott. For whatever reason, I don't know. But now you've left, you've become a loose thread. He won't sit back with the possibility you might cause his whole world to unravel around him.
R.D. Ronald (The Elephant Tree)
Sometimes he missed the numbed, walking-underwater feeling feel that the cocktail of narcotics used to give him. But if a situation went down in here, he was going to need all of his wits to get out of it.
R.D. Ronald (The Zombie Room)
To whomever swapped my tattoo cream for toothpaste........ well played.
R.D. Ronald
A shaft of moonlight illuminated a row of sentinel silver birch in a phosphorescent glow, appearing almost ethereal in the relative surrounding gloom. Boris had stopped again, his silhouette a stark black juxtaposition against the background of illuminated branches.
R.D. Ronald (The Elephant Tree)
We all live under the constant threat of our own annihilation. Only by the most outrageous violation of ourselves have we achieved our capacity to live in relative adjustment to a civilization apparently driven to its own destruction.
R.D. Laing (The Politics of Experience/The Bird of Paradise)
If your world is out there and you are in here then the only things that will gather within these walls are time and bitterness. Eventually, that bitterness will eat away at you and leave nothing behind but resentment and hate.
R.D. Ronald (The Zombie Room)
Attempts to wake before our time are often punished, especially by those who love us most. Because they, bless them, are asleep. They think anyone who wakes up, or who, still asleep, realizes that what is taken to be real is a ‘dream’ is going crazy.
R.D. Laing
Let us make our names exactly what we want them to be.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
Will had kissed Nico for the first time in a moment of impulsiveness, something Nico didn’t know Will had in him. The kiss had been just like this one, short and sweet. Then Will had pulled away, worry on his face, an apology tumbling from his lips. Nico had stopped him. Then kissed him back. In a moment so full of grief and rage and sadness, Will had given him … Light.
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
But aren’t small things exactly what friendships are made up of? Frayed string bracelets and late-night texts and compilations of your favorite songs? When you take those things away, what do you have left?
Ann Liang (This Time It's Real)
Our 'normal' 'adjusted' state is too often the abdication of ecstasy, the betrayal of our true potentialities.
R.D. Laing
It was a constant pattern for Nico: find some sort of solace and comfort, only to have it ripped away. Now here was Solace in his lap, sleeping like a baby. What would come and tear him away?
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
He dropped the phone back onto its cradle, began to turn around and felt a sudden ice-cold furrow open up in his side. Strength drained from his legs, and a moment later he sank to his knees. There was warmth now that ran over the initial and persistent cold. Mohammed was confused, and barely noticed the briefcase being removed from his grip. He heard the click of a cell phone opening, and a soft beeping as a number was dialed. 'The package is in my possession,' a female voice said, and the phone clicked shut.
R.D. Ronald (The Zombie Room)
He turned and saw Becky, crying in the doorway of her house. What was he doing here? Turning back he saw flashing blue lights at the end of the road, and realised the ringing in his ears was the sound of approaching sirens.
R.D. Ronald (The Zombie Room)
May be we are not such fools as we look. But though we be, we are well content, so long as we may be two fools together.
R.D. Blackmore (Lorna Doone)
A story about what?’ he asked. ‘Tell me about the two of you,’ she said.
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
Maybe I’ll always be scared. Maybe the fear of getting hurt, of being left alone, will never truly go away. But even if it’s my default setting, I can fight it. So many beautiful things lie on the other side of fear. Like love. Like this.
Ann Liang (This Time It's Real)
It's like staring into a dark and treacherous expanse, unsure of what awaits you but finding comfort in the fact that you won't have to face it alone. It was a son of Apollo falling for a son of Hades. It was this.
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
Perfection is something we should all strive for. It's a duty and a joy to perfect one's nature... The most difficult thing is love. A loveless, driving person that just competes in the rat race is far from perfection in my book.
R.D. Laing
What we call ‘normal’ is a product of repression, denial, splitting, projection, introjection and other forms of destructive action on experience. It is radically estranged from the structure of being. The more one sees this, the more senseless it is to continue with generalized descriptions of supposedly specifically schizoid, schizophrenic, hysterical ‘mechanisms.’ There are forms of alienation that are relatively strange to statistically ‘normal’ forms of alienation. The ‘normally’ alienated person, by reason of the fact that he acts more or less like everyone else, is taken to be sane. Other forms of alienation that are out of step with the prevailing state of alienation are those that are labeled by the ‘formal’ majority as bad or mad.
R.D. Laing (The Politics of Experience/The Bird of Paradise)
If the onset of wrinkles in middle age were referred to as laughter lines, then to look at him, Scott thought, Twinkle's life must have been hilarious. He had sharp eyes that often seemed to visually contradict the lack of intelligence that could be derived from listening to him talk. There might not be a lot to respect in Twinkle, but Scott liked him. He just didn't want to end up like him.
R.D. Ronald (The Elephant Tree)
Deciding to wait, Scott sat down with a pint away from the bar at a corner table and lit a cigarette. The clientele in there on Sunday afternoon were the same as most other afternoons. From middle-aged to old men, drinking and cursing at the world like it was the last bus which had just left the stop without them.
R.D. Ronald (The Elephant Tree)
Hey, don’t do that.’ Will touched Nico’s face, stared into his dark eyes. ‘You survived. You continue to survive. You’ve been through more in your fifteen years than most people will endure in an entire lifetime.’ Nico looked away, but Will knew this grumpy ball of darkness – his grumpy ball of darkness – and he refused to let Nico off the hook. ‘I don’t always understand you, Nico,’ he said, ‘but I do know that you’re resilient. And in that sense you are just like this garden.
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
There’s something strangely intimate about calling someone in the dark. It’s like listening to your favorite song in the middle of a crowded subway; the world narrows down to just you and this voice in your ear, while everyone else around you goes about their lives, completely oblivious. It feels sacred. Like a secret.
Ann Liang (This Time It's Real)
The owner of the Post Office was called Maurice. A sixtyish-year-old with a large red nose that was pebble-dashed with broken capillaries, and a smooth bald head with a fuzz of grey hair around the side like the tide mark on a dirty bath. He had a gruff manner, distrusting eyes and a cough like kicked gravel.
R.D. Ronald
Scott could feel the contents of his stomach flip over and over on themselves. He turned to the side and retched, frothy yellow bile spilled out onto the newspaper covered floor, filling the room with the putrid stench of previously ingested alcohol. 'Look's like someone can't hold their drink,' McBlane said, and Dominic and Shugg laughed. Scott was still staring at the steam rising from his evacuated stomach contents as he heard the hammer fall. The dull crack of bone splintering under its weight.
R.D. Ronald (The Elephant Tree)
In response to be asked about Boris Johnson becoming UK Prime Minister... "I'm delighted. As the UK continues to plunge ever faster into a future akin to a dystopian novel I'll never run out of material to write more books. Although now that reality is more bizarre than fiction maybe plot-lines will need to be more ambitious. Perhaps a book where Boris Johnson is really an accidental sentient snafu of Trump's scrotum lint. Kind of a sequel to the Bush-Blair story. I see musical rights being drawn up as we speak.
R.D. Ronald
Fair enough, that's what most people look for to begin with, but money can be a sliding scale, the more you have, the more you want, the more you need,' McBlane said as he sharpened the ash on the tip of his cigar into a point against the rim of the ashtray. It gave him the appearance of wielding a dagger as he gestured with his cigar holding hand.
R.D. Ronald (The Elephant Tree)
You are the ghost king, a voice said. I am, Nico thought. This is where you belong. But then Nico raised his head. Looked at the other two passengers. Will, whose face was strained as he reached down with a shaking hand to grab at him. Nico took it, gripped his boyfriend’s hand tight, and thought, No. This is where I belong.
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
The Lotus opens. Movement from earth, through water, from fire to air. Out and in beyond life and death now, beyond inner and outer, sense and non-sense, meaning and futility, male and female, being and non-being, Light and darkness, void and full. Beyond all duality, or non-duality, beyond and beyond. Disincarnation. I breathe again.
R.D. Laing (Politics Of Experience)
Call me Sidney,” said Ellwood. “Sidney,” said Gaunt, so quickly, as if he had been waiting years to say it ... He pressed their foreheads together. “This means I’m keeping you,” he added, his voice fierce with warning. As if it wasn’t exactly what Ellwood wanted to hear. “You can have me,” he told Gaunt, and suddenly he couldn’t breathe.
Alice Winn (In Memoriam)
Then he gave Nico one of his soul-warming smiles. ‘I can heal people. I can glow in the dark. And … well, I met you.’ ‘Oh, gods, groaned Nico. ‘No cheesiness! It’s too early in the day, Will!’ Will snuggled up to him. ‘But it’s true. I’m very thankful we’re in each other’s lives.’ ‘You cheated with that answer,’ said Nico, ‘but I’ll allow it.’ Will planted a kiss on Nico’s temple. ‘My grumpy ball of darkness.
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
Ferret took out a folded scrap of paper and passed it to him. 'My guy Ben doesn't know where the other club is, but the girls are being shipped in from here, a rehab centre in Newtonville.' 'What's this other place called?' Tazeem asked as he slipped the scrap of paper into his pocket. 'The place is just known as The Club. But the behind-the-scenes bit that only the real big spenders get to see, there's no official name, 'cause officially it doesn't exist, that's know as The Zombie Room.
R.D. Ronald (The Zombie Room)
Pain is a part of all lives, mortal and immortal,’ said the nymph. ‘It is inescapable. We all must navigate this river to get where we want to be.’ ‘Shouldn’t we aim to avoid pain?’ Will asked. ‘Or at least mitigate it?’ Nico shook his head. ‘You know it’s not that simple.’ ‘Pain helps us learn,’ said Gorgyra. ‘It is unfortunate, but we rarely forget the lessons taught to us in moments of pain.
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
The city centre was still crawling with Christmas shoppers looking to add to their already burgeoning piles of gifts. To Scott they were like ants at a picnic, teeming from store to store, trailing oversized carrier bags and infants behind them as they went. Scott felt alien in this environment; pulling up his hood he hurried through the crowds, dodging pushchairs, lit cigarettes and charity collection tins.
R.D. Ronald (The Elephant Tree)
I saw a meme the other day with a picture of Marilyn Manson and Robin Williams. It said about the former, this isn’t the face of depression, and about the latter, this is. This really struck a chord and it’s been on my mind since then. As someone who has continuously dipped in and out of chronic depression and anxiety for close to three decades now, and I’ve never previously spoken about the subject, I finally thought it was time I did. These days it’s trendy for people to think they’re cool and understanding about mental illness, posting memes and such to indicate so. But the reality is far different to that. It seems most people think if they publicly display such understanding then perhaps a friend will come to them, open up, and calmly discuss their problems. This will not happen. For someone in that seemingly hopeless void of depression and anxiety the last thing they are likely to do is acknowledge it, let alone talk about it. Even if broached by a friend they will probably deny there is a problem and feel even more distanced from the rest of the world. So nobody can do anything to help, right? No. If right now you suspect one of your friends is suffering like this then you’re probably right. If right now you think that none of your friends are suffering like this then you’re probably wrong. By all means make your public affirmations of understanding, but at least take on board that an attempt to connect on this subject by someone you care about could well be cryptic and indirect. When we hear of celebrities who suffered and finally took their own lives the message tends to be that so many close friends had no idea. This is woeful, but it’s also great, right? Because by not knowing there was a problem there is no burden of responsibility on anyone else. This is another huge misconception, that by acknowledging an indirect attempt to connect on such a complex issue that somehow you are accepting responsibility to fix it. This is not the case. You don’t have to find a solution. Maybe just listen. Many times over the years I’ve seen people recoil when they suspect that perhaps that is the direct a conversation is about to turn, and they desperately scramble for anything that can immediately change the subject. By acknowledging you’ve heard and understood doesn’t mean you are picking up their burden and carrying it for them. Anyway, I’ve said my piece. And please don’t think this is me reaching out for help. If this was my current mindset the last thing I’d ever do is write something like this, let alone share it.
R.D. Ronald
You did,’ confirmed Nico. ‘But it was the way you did it. You made it clear that you wanted me around. You said you wanted me to come to the infirmary and help, because … because you could use a “friendly face”.’ ‘It was true. And you did help.’ ‘You brought me closer instead of rejecting me,’ Nico said, his voice cracking. ‘I’d never been called a friendly face. Ever. You made me rethink everything – my place in camp, my crush on Percy, my future. It took you scolding me like you were the camp director to make me realize that I was … wanted.
Rick Riordan (The Sun and the Star: A Nico di Angelo Adventure (Camp Half-Blood Chronicles, #17))
Because there aren’t thousands of books and poems and movies out there to describe exactly what I’m feeling, or lyrically beautiful songs for me to cry to and sing along with in the car. There’s no guidebook on how to survive this kind of fallout, no prescribed remedy to soothe this particular kind of pain. Romantic breakups are romanticized constantly, talked about everywhere by everyone, but platonic breakups are swept to the side, suffered in secret, as if they’re somehow less important.
Ann Liang (This Time It's Real)
The bar staff and croupiers all wore black with the same green triangle logo emblazoned on their shirts, and contact lenses which made their eyes shine an eerie, vibrant green. The bar optics glowed with the same green light, the intensity of which was linked to the music. As the bartender walked away to fetch the drinks, a breakdown in the techno track commenced and the bottles began to palpitate. The bartender's eyes glowed with a hallucinatory felinity that made Mangle feel nervous.
R.D. Ronald (The Zombie Room)
YOU You are that song that plays rarely on the radio, But when it does I have to sing it out loud… You are the water that formed a puddle on a rainy day,that I played in, When I was only eight years old. You are the first snowfall of the season, And the reason I like the morning... You’re a single seashell that washed up onto the shore. You are my set of old medals Hidden deep in a drawer… You are the sun, the moon, the stars, and all the planets. You are the first breath of a baby just born. Eres una dandelion que encuentro, I pull, make a wish, then blow. You are the sunrise that I tried to paint after I woke up in Eilat. You give the nights its meaning… to dream, while others just sleep. You are my 3rd grade valentine, Read, frayed and loved a thousand times. Eres perfección envuelto en humildad… Eres oro, plata, y diamantes… Eres mi querido viejito Pooh, que nunca lo abandonare. You are my first time driving my brother’s Impala, When I was just fourteen. You are the name hidden deep inside my name… And I’m the fingers interlaced with yours. Eres el PS: I love you at the end la carta, Y yo soy el PS: I love you too. Somos el principio, el medio y la ultima palabra De mi libro final. Eternamente nosotros, nosotros, nosotros… Porque nosotros siempre es mejor Que solamente… yo… YOU
José N. Harris
The cases described in this section (The Fear of Being) may seem extreme, but I have become convinced that they are not as uncommon as one would think. Beneath the seemingly rational exterior of our lives is a fear of insanity. We dare not question the values by which we live or rebel against the roles we play for fear of putting our sanity into doubt. We are like the inmates of a mental institution who must accept its inhumanity and insensitivity as caring and knowledgeableness if they hope to be regarded as sane enough to leave. The question who is sane and who is crazy was the theme of the novel One Flew Over The Cuckoo's Nest. The question, what is sanity? was clearly asked in the play Equus. The idea that much of what we do is insane and that if we want to be sane, we must let ourselves go crazy has been strongly advanced by R.D. Laing. In the preface to the Pelican edition of his book The Divided Self, Laing writes: "In the context of our present pervasive madness that we call normality, sanity, freedom, all of our frames of reference are ambiguous and equivocal." And in the same preface: "Thus I would wish to emphasize that our 'normal' 'adjusted' state is too often the abdication of ecstasy, the betrayal of our true potentialities; that many of us are only too successful in acquiring a false self to adapt to false realities." Wilhelm Reich had a somewhat similar view of present-day human behavior. Thus Reich says, "Homo normalis blocks off entirely the perception of basic orgonotic functioning by means of rigid armoring; in the schizophrenic, on the other hand, the armoring practically breaks down and thus the biosystem is flooded with deep experiences from the biophysical core with which it cannot cope." The "deep experiences" to which Reich refers are the pleasurable streaming sensations associated with intense excitation that is mainly sexual in nature. The schizophrenic cannot cope with these sensations because his body is too contracted to tolerate the charge. Unable to "block" the excitation or reduce it as a neurotic can, and unable to "stand" the charge, the schizophrenic is literally "driven crazy." But the neurotic does not escape so easily either. He avoids insanity by blocking the excitation, that is, by reducing it to a point where there is no danger of explosion, or bursting. In effect the neurotic undergoes a psychological castration. However, the potential for explosive release is still present in his body, although it is rigidly guarded as if it were a bomb. The neurotic is on guard against himself, terrified to let go of his defenses and allow his feelings free expression. Having become, as Reich calls him, "homo normalis," having bartered his freedom and ecstasy for the security of being "well adjusted," he sees the alternative as "crazy." And in a sense he is right. Without going "crazy," without becoming "mad," so mad that he could kill, it is impossible to give up the defenses that protect him in the same way that a mental institution protects its inmates from self-destruction and the destruction of others.
Alexander Lowen (Fear Of Life)