Razor Escape Quotes

We've searched our database for all the quotes and captions related to Razor Escape. Here they are! All 35 of them:

I had always turned to books, to knowledge, to help me get through everything in my life—and, sometimes, to escape it. But grief was a journey through a forest of razor blades. I walked through every painful inch of it—no shortcuts and no anesthesia.
Michele Bardsley (Don't Talk Back To Your Vampire (Broken Heart, #2))
For us, eating and being eaten belong to the terrible secret of love. We love only the person we can eat. The person we hate we ‘can’t swallow.’ That one makes us vomit. Even our friends are inedible. If we were asked to dig into our friend’s flesh we would be disgusted. The person we love we dream only of eating. That is, we slide down that razor’s edge of ambivalence. The story of torment itself is a very beautiful one. Because loving is wanting and being able to eat up and yet to stop at the boundary. And there, at the tiniest beat between springing and stopping, in rushes fear. The spring is already in mid-air. The heart stops. The heart takes off again. Everything in love is oriented towards this absorption. At the same time real love is a don’t-touch, yet still an almost-touching. Tact itself: a phantom touching. Eat me up, my love, or else I’m going to eat you up. Fear of eating, fear of the edible, fear on the part of the one of them who feels loved, desired, who wants to be loved, desired, who desires to be desired, who knows there is no greater proof of love than the other’s appetite, who is dying to be eaten up, who says or doesn’t say, but who signifies: I beg you, eat me up. Want me down to the marrow. And yet manage it so as to keep me alive. But I often turn about or compromise, because I know that you won’t eat me up, in the end, and I urge you: bite me. Sign my death with your teeth
Hélène Cixous (Stigmata: Escaping Texts)
Another vital skill is managing pain. All the craziness in the world comes from people trying to escape suffering. All mixed up behaviour comes from unprocessed pain. People drink, hit their mates and children, gamble, cut themselves with razors and even kill themselves in an attempt to escape pain. I teach girls to sit with their pain, to listen to it for messages about their lives, to acknowledge and describe it rather than to run from it. They learn to write about pain, to talk about it, to express it through exercise, art, dance or music.
Mary Pipher (Reviving Ophelia: Saving the Selves of Adolescent Girls (Ballantine Reader's Circle))
She wasn’t soft or pretty; she was hard-edged and cold, like one of those cold bronze statues surrounded by high fences and crowned in razor wire. Don’t touch me, such defenses said, but it wasn’t enough to halt a breach, no. She had thought people only picked the soft-petaled, sweet-smelling flowers, but some people took thorns as a challenge.
Nenia Campbell (Escape (Horrorscape, #4))
The tides here are too rough. I sink here, happy only when I hoard my little blue sleeping pills, stash the blades of my razor. I accumulate a drawer of drop-out devices, so by December I can escape to a Merry Christmas.
Stephanie Hemphill (Your Own, Sylvia: A Verse Portrait of Sylvia Plath)
I’m Razor. You are seriously hot. I bet you’ve got a sweet tasting pussy. You owned?” He said this so quickly and seriously that she couldn’t help the small laugh that escaped her, she was so startled by what he’d said. He hit her with a panty dropping smile. Was he serious? “Fuck, that’s a great laugh. What other noises do you make?
C.J. Washington (Duke (Fallen MC, #1))
That's the myth of it, the required lie that allows us to render our judgments. Parasites, criminals, dope fiends, dope peddlers, whores--when we can ride past them at Fayette and Monroe, car doors locked, our field of vision cautiously restricted to the road ahead, then the long journey into darkness is underway. Pale-skinned hillbillies and hard-faced yos, toothless white trash and gold-front gangsters--when we can glide on and feel only fear, we're well on the way. And if, after a time, we can glimpse the spectacle of the corner and manage nothing beyond loathing and contempt, then we've arrived at last at that naked place where a man finally sees the sense in stretching razor wire and building barracks and directing cattle cars into the compound. It's a reckoning of another kind, perhaps, and one that becomes a possibility only through the arrogance and certainty that so easily accompanies a well-planned and well-tended life. We know ourselves, we believe in ourselves; from what we value most, we grant ourselves the illusion that it's not chance in circumstance, that opportunity itself isn't the defining issue. We want the high ground; we want our own worth to be acknowledged. Morality, intelligence, values--we want those things measured and counted. We want it to be about Us. Yes, if we were down there, if we were the damned of the American cities, we would not fail. We would rise above the corner. And when we tell ourselves such things, we unthinkably assume that we would be consigned to places like Fayette Street fully equipped, with all the graces and disciplines, talents and training that we now posses. Our parents would still be our parents, our teachers still our teachers, our broker still our broker. Amid the stench of so much defeat and despair, we would kick fate in the teeth and claim our deserved victory. We would escape to live the life we were supposed to live, the life we are living now. We would be saved, and as it always is in matters of salvation, we know this as a matter of perfect, pristine faith. Why? The truth is plain: We were not born to be niggers.
David Simon (The Corner: A Year in the Life of an Inner-City Neighborhood)
Leroy's reasoning is dry as a razor, and Chantal agrees: love as an exaltation of two individuals, love as fidelity, passionate attachment to a single person - no, that doesn't exist. And if it does exist, it is only as self-punishment, willful blindness, escape into a monastery. She tells herself that even if it does exist, love ought not to exist, and the idea does not maker her bitter, on the contrary, it produces a bliss that spreads throughout her body. She thinks of the metaphor of the rose that moves through all men and tells herself that she has been living locked away by love and now she is ready to obey the myth of the rose and merge with its giddy fragrance.
Milan Kundera
I took another road, past the old sugar works and the water wheel that had not turned for years. I went to parts of Coulibri that I had not seen, where there was no road, no path, no track. And if the razor grass cut my legs and arms I would think 'It's better than people.' Black ants or red ones, tall nests swarming with white ants, rain that soaked me to the skin - once I saw a snake. All better than people. Better, better, better than people.
Jean Rhys (Wide Sargasso Sea)
The irony that we might have escaped the psychopaths on the road only to freeze to death in the canyon felt razor sharp. I couldn’t let the story end this way.
Noelle W. Ihli (Run on Red)
Kolya rose to a crouch and crept to the front door, keeping his head below the window line. I followed. We kneeled with our backs against the door. Kolya checked his pistol one last time. I pulled the German knife from my ankle sheath. I knew I looked silly holding it, the way a young boy looks holding his father’s shaving razor. Kolya grinned at me as though he was about to start laughing. This is all very strange, I thought. I am in the middle of a battle and I am aware of my own thoughts, I am worried about how stupid I look with a knife in my hand while everyone else came to fight with rifles and machine guns. I am aware that I am aware. Even now, with bullets buzzing through the air like angry hornets, I cannot escape the chatter of my brain.
David Benioff (City of Thieves)
After that, Lily was recuperating and then dealing with significant financial hardships. The birth was described to me by Lily and also by her obstetrician, who I spoke to myself yesterday. The doctor, in his own words, remembers what he describes as that ‘hideous day’ like it was yesterday. The labour, intense and excruciating, lasted for days. In the end, in extreme distress at the length of the labour, the baby nearly died. Lily did die. She was flatline for two minutes and thirty-eight –” Alistair didn’t get the opportunity to finish his grand statement because Nate surged out of his chair so fast, it flew on its wheels and shot across the room, slamming into the wall. “Mr. McAllister…” Alistair said warningly but Nate was coming swiftly around the table, coming at her. At this sight, Lily, too, jumped out of her chair in a panic, her numbness not that complete, and backed away in self-defence as Nate came at her, came at her with purposeful, long strides. She backed up jerkily, one hand behind her, one hand in front, retreating until she hit the wall. Before she knew what he was about, his hard chest came up against her hand, pushing it back and his body pressed against hers. Terrified and confused at this sudden change, she looked to the right and to the left, anywhere for escape, anywhere but at Nate. And to her shock, his hands caught her face, resting one on either side, gently trying to force her to look into his impossibly dark eyes. “I didn’t know,” he whispered and the absolute ache dripping from his first words said to her since she found out he was alive cut through her thin shield of numbness like a razor. She attempted to pull her face free but his hands tightened. “Lily, I didn’t know,” he repeated, and she caught his eyes and they were glittering dark with something that she couldn’t read, something hideously painful and she had to get away from it. Was desperate to get away from it. She needed to flee. She tried to look over his shoulder but he was too tall, too close. Things were happening in the room, there was urgent talk, maybe even a tussle. But all she could see was Nate.
Kristen Ashley (Three Wishes)
Thus, if you teach a poor young man to shave himself, and keep his razor in order, you may contribute more to the happiness of his life than in giving him a thousand guineas. The money may be soon spent, the regret only remaining of having foolishly consumed it; but in the other case, he escapes the frequent vexation of waiting for barbers, and of their sometimes dirty fingers, offensive breaths, and dull razors; he shaves when most convenient to him, and enjoys daily the pleasure of its being done with a good instrument.
Benjamin Franklin (Autobiography of Benjamin Franklin (Illustrated))
Thus, if you teach a poor young man to shave himself, and keep his razor in order, you may contribute more to the happiness of his life than in giving him a thousand guineas. The money may be soon spent, the regret only remaining of having foolishly consumed it; but in the other case, he escapes the frequent vexation of waiting for barbers, and of their sometimes dirty fingers, offensive breaths, and dull razors; he shaves when most convenient to him, and enjoys daily the pleasure of its being done with a good instrument. With
Benjamin Franklin (The Autobiography of Benjamin Franklin)
They were like capitalist soldiers in their two-thousand-dollar suits, pressed razor-sharp. Impeccably groomed. You’d think they’d never been touched by perspiration, dirt, or excrement. But no one gets to make the kind of money those four did without tarnishing their soul. Their hands were soft, and clean, and free of calluses. But only because they never touched the blood they spilt.
Megan Goldin (The Escape Room)
The Winding Stair My Soul. I summon to the winding ancient stair; Set all your mind upon the steep ascent, Upon the broken, crumbling battlement, Upon the breathless starlit air, 'Upon the star that marks the hidden pole; Fix every wandering thought upon That quarter where all thought is done: Who can distinguish darkness from the soul My Self. The consecretes blade upon my knees Is Sato's ancient blade, still as it was, Still razor-keen, still like a looking-glass Unspotted by the centuries; That flowering, silken, old embroidery, torn From some court-lady's dress and round The wodden scabbard bound and wound Can, tattered, still protect, faded adorn My Soul. Why should the imagination of a man Long past his prime remember things that are Emblematical of love and war? Think of ancestral night that can, If but imagination scorn the earth And intellect is wandering To this and that and t'other thing, Deliver from the crime of death and birth. My Self. Montashigi, third of his family, fashioned it Five hundred years ago, about it lie Flowers from I know not what embroidery - Heart's purple - and all these I set For emblems of the day against the tower Emblematical of the night, And claim as by a soldier's right A charter to commit the crime once more. My Soul. Such fullness in that quarter overflows And falls into the basin of the mind That man is stricken deaf and dumb and blind, For intellect no longer knows Is from the Ought, or knower from the Known - That is to say, ascends to Heaven; Only the dead can be forgiven; But when I think of that my tongue's a stone. II My Self. A living man is blind and drinks his drop. What matter if the ditches are impure? What matter if I live it all once more? Endure that toil of growing up; The ignominy of boyhood; the distress Of boyhood changing into man; The unfinished man and his pain Brought face to face with his own clumsiness; The finished man among his enemies? - How in the name of Heaven can he escape That defiling and disfigured shape The mirror of malicious eyes Casts upon his eyes until at last He thinks that shape must be his shape? And what's the good of an escape If honour find him in the wintry blast? I am content to live it all again And yet again, if it be life to pitch Into the frog-spawn of a blind man's ditch, A blind man battering blind men; Or into that most fecund ditch of all, The folly that man does Or must suffer, if he woos A proud woman not kindred of his soul. I am content to follow to its source Every event in action or in thought; Measure the lot; forgive myself the lot! When such as I cast out remorse So great a sweetness flows into the breast We must laugh and we must sing, We are blest by everything, Everything we look upon is blest
W.B. Yeats
Men we have never met took our son. They took him without our express permission. They tortured him then they … killed him. And there is no understanding it. There is no meaning. No coming to terms with it. Not now. Not tomorrow. Not ever. We will wake up every day for the rest of our lives and we will breathe razor blades and we will swim through bleach. And there is no escape from this. There is no comfort. There is just … blades and bleach. Until we die.
Philip Ridley (Shivered)
Human felicity is produced not so much by great pieces of good fortune that seldom happen, as by little advantages that occur every day. Thus, if you teach a poor young man to shave himself and keep his razor in order, you may contribute more to the happiness of his life than in giving him a thousand guineas. The money may be soon spent, the regret only remaining of having foolishly consumed it; but in the other case, he escapes the frequent vexation of waiting for barbers,
Benjamin Franklin (Franklin's Autobiography)
Human felicity is produc'd not so much by great pieces of good fortune that seldom happen, as by little advantages that occur every day. Thus, if you teach a poor young man to shave himself, and keep his razor in order, you may contribute more to the happiness of his life than in giving him a thousand guineas. The money may be soon spent, the regret only remaining of having foolishly consumed it; but in the other case, he escapes the frequent vexation of waiting for barbers, and of their sometimes dirty fingers, offensive breaths, and dull razors; he shaves when most convenient to him, and enjoys daily the pleasure of its being done with a good instrument. With these sentiments I have hazarded the few preceding pages, hoping they may afford hints which some time or other may be useful to a city I love, having lived many years in it very happily, and perhaps to some of our towns in America.
Benjamin Franklin (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
Only then did Shukhov catch on to what was up. He glanced at Kilgas. He'd understood, too. The roofing felt. Der had spotted it on the windows. Shukhov feared nothing for himself. His squad leader would never give him away. He was afraid for Tiurin. To the squad Tiurin was a father, for them he was a pawn. Up in the North they readily gave squad, leaders a second term for a thing like this. Ugh, what a face Tiurin made. He threw down his trowel and took a step toward Der. Der looked around. Pavlo lifted his spade. He hadn't grabbed it for nothing. And Senka, for all his deafness, had understood. He came up, hands on hips. And Senka was built solid. Der blinked, gave a sort of twitch, and looked around for a way of escape. Tiurin leaned up against him and said quite softly, though distinctly enough for everyone to hear: "Your time for giving terms has passed, you bastard. If you say one word, you blood-sucker, it'll be your last day on earth. Remember that." Tiurin shook, shook uncontrollably. Hatchet-faced Pavlo looked Der straight in the eyes. A look as sharp as a razor. "Now, men, take it easy." Der turned pale and edged away from the ramp. Without another word Tiurin straightened his hat, picked up his trowel, and walked back to his wall. Pavlo, very slowly, went down the ramp with his spade. Slo-o-owly. Der was as scared to stay as to leave. He took shelter behind Kilgas and stood there. Kilgas went on laying blocks, the way they count out pills at a drugstore--like a doctor, measuring everything so carefully--his back to Der, as if he didn't even know he was there. Der stole up to Tiurin. Where was all his arrogance? "But what shall I tell the superintendent, Tiurin?". Tiurin went on working. He said, without turning his head: "You will tell him it was like that when we arnved. We came and that's how it was." Der waited a little longer. They weren't going to bump him off now, he saw. He took a few steps and puthis hands in his pockets. "Hey, S 854," he muttered. "Why are you using such a thin layer of mortar?" He had to get back at someone. He couldn't find fault with Shukhov for his joints or for the straightness of his line, so he decided he was laying the mortar too thin.
Alexander Solzhenitsyn (One Day in the Life of Ivan Denisovich)
I was getting my knife sharpened at the cutlery shop in the mall,” he said. It was where he originally bought the knife. The store had a policy of keeping your purchase razor sharp, so he occasionally brought it back in for a free sharpening. “Anyway, it was that day that I met this Asian male. He was alone and really nice looking, so I struck up a conversation with him. Well, I offered him fifty bucks to come home with me and let me take some photos. I told him that there was liquor at my place and indicated that I was sexually attracted to him. He was eager and cooperative so we took the bus to my apartment. Once there, I gave him some money and he posed for several photos. I offered him the rum and Coke Halcion-laced solution and he drank it down quickly. We continued to drink until he passed out, and then I made love to him for the rest of the afternoon and early evening. I must have fallen asleep, because when I woke up it was late. I checked on the guy. He was out cold, still breathing heavily from the Halcion. I was out of beer and walked around the corner for another six-pack but after I got to the tavern, I started drinking and before I knew it, it was closing time. I grabbed my six-pack and began walking home. As I neared my apartment, I noted a lot of commotion, people milling about, police officers, and a fire engine. I decided to see what was going on, so I came closer. I was surprised to see they were all standing around the Asian guy from my apartment. He was standing there naked, speaking in some kind of Asian dialect. At first, I panicked and kept walking, but I could see that he was so messed up on the Halcion and booze that he didn’t know who or where he was. “I don’t really know why, Pat, but I strode into the middle of everyone and announced he was my lover. I said that we lived together at Oxford and had been drinking heavily all day, and added that this was not the first time he left the apartment naked while intoxicated. I explained that I had gone out to buy some more beer and showed them the six-pack. I asked them to give him a break and let me take him back home. The firemen seemed to buy the story and drove off, but the police began to ask more questions and insisted that I take them to my apartment to discuss the matter further. I was nervous but felt confident; besides, I had no other choice. One cop took him by the arm and he followed, almost zombie-like. “I led them to my apartment and once inside, I showed them the photos I had taken, and his clothes neatly folded on the arm of my couch. The cops kept trying to question the guy but he was still talking gibberish and could not answer any of their questions, so I told them his name was Chuck Moung and gave them a phony date of birth. I handed them my identification and they wrote everything down in their little notebooks. They seemed perturbed and talked about writing us some tickets for disorderly conduct or something. One of them said they should take us both in for all the trouble we had given them. “As they were discussing what to do, another call came over their radio. It must have been important because they decided to give us a warning and advised me to keep my drunken partner inside. I was relieved. I had fooled the authorities and it gave me a tremendous feeling. I felt powerful, in control, almost invincible. After the officers left, I gave the guy another Halcion-filled drink and he soon passed out. I was still nervous about the narrow escape with the cops, so I strangled him and disposed of his body.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
I noticed some scratch marks and faded blood stains high up on a wall. “What happened there?” “An inmate must have tried to escape. I saw a guy use two suction devices like the ones used to carry glass sheets to help lever himself up. He reached half way before being spotted by a blue shirt.” “What happened to him?” “The blue shirt called a guard. He was ordered to come down, but didn’t. They shot him in the leg, he fell and later in the cell, he removed a blade from a disposable razor, slashed his left wrist then wrote a suicide note on the wall with his right hand – in his own blood. Suicide is really common in here and nobody bats an eyelid.
Simon Palmer
The Altamont Correctional Facility had originally been built as a hospital for the criminally insane, a hundred and fifty years ago. The Altamont Lunatic Asylum, as it was then called, was a grand Victorian Gothic complex of spires and crenellated towers. Its forbidding red-brick walls were stained dark with soot from a century of internal-combustion engines. Some forty years ago the mental hospital was shut down and converted into a medium-security prison, but it still looked like the sort of place a homicidal maniac escapes from, then terrorizes the nearby summer camp. It also reminded me a little of the high school I’d gone to in Malden. They’d done some renovation since the days of straitjackets and lobotomies. There was a concrete perimeter wall thirty feet high, topped with coils of razor wire, watchtowers, and banks of high-mast lights. Inside the walls, the old Gothic prison complex was surrounded by a luxuriant green lawn that wouldn’t have been out of place at Pebble Beach.
Joseph Finder (Vanished (Nick Heller, #1))
If he also left at the usual time, she would have approximately seven hours to get her shit together and get out. Turning over in the bed, Zoe yanked the covers over her head, trying not to vomit as her nerves played Ping-Pong with last night’s meal. Mac and cheese, straight from the box. Only a few bites, because how could you eat surrounded by your own blood? As she lay there contemplating her escape, every sound was amplified to Zoe’s ears. The water running interminably in the sink. The scratch of a razor against his whiskered jaw. Scratch. Scratch. Scratch. Scratch. The scar on Zoe’s forehead ached,
Tanya Anne Crosby (The Things We Leave Behind)
Get me in here. Get me in here now!" I order. I have to get out of the swamp before it happens again. But it does. I feel it before I see it. Dozens of thick, razor-sharp needles pierce my right leg, sinking into my skin. It hurts like nothing I've felt before, and a strangled scream of pain escapes me. Babette whips her head around, the motor forgotten. "Rylan! What is it!" "Get me out! GET ME OUT!" I scream. Fearfully, I look over my shoulder, but seconds later I wish I hadn't as the attacker comes to the surface. It has a scaly body, sharp claws, feral eyes, and a long, ugly, sneering snout that's clamped around my leg. Melanie identifies it with a shriek. "GATOR!
Colleen Boyd (Swamp Angel)
I had chosen a blind spot at the end of the plumbers’ shop to make my escape bid. Under my overalls I wore extra jeans, vest, t-shirt and I had a donkey jacket on that I intended to throw over the razor wire. Hopefully the extra clothes would stop the razor wire from cutting me.
Stephen Richards (Psycho Steve)
Occam's Razor. I'm tempted to add another principle, but it's really more of a wish than a rule. I'm referring to Occam's razor, which states in essence, "All things being equal, the simplest explanation is best." Einstein put it somewhat differently: "A physical theory should be as simple as possible, but no simpler." The last phrase is important because, as Schwinger said, "nature does not always select what we, in our ignorance, would judge to be the most symmetrical and harmonious possibility". If the theory were as simple as possible, there would be just one field (or perhaps none!), and the world would be very uninteresting-not to mention uninhabitable. I think it can be said that the equations of QFT are indeed about as simple as possible, but no simpler.
Rodney A. Brooks (Fields of Color: The theory that escaped Einstein)
As she lay there contemplating her escape, every sound was amplified to Zoe’s ears. The water running interminably in the sink. The scratch of a razor against his whiskered jaw. Scratch. Scratch. Scratch. Scratch. The scar on Zoe’s forehead ached, but she pressed her face into the pillow to wait . . . and wait . . . until she heard the front door open and close. Moving to the bedroom window to watch Chris leave, Zoe carefully parted the blinds, peering out. He didn’t suspect a thing. His briefcase went into the back seat first—a burnished leather saddlebag from The Frye Company, cognac,
Tanya Anne Crosby (The Things We Leave Behind)
When we are man and wife you will do as I say. You will never speak of this again!” Samuel came forward and loomed over her, his thick breath clouding the air in front of her face. “When you are mine, you will obey me.” “I will not be your wife. I refuse to marry a man who is dishonest.” “I have never been dishonest with you.” Fresh malice boiled in Eliza’s belly. “You said you would not harm Thomas if I promised to return here and marry you, did you not?” “I did.” “So why did you tell Donaldson to burn Thomas’s property after we were married? I refuse to be your wife, since you have rescinded on our agreement.” A monster unleashed before her. Samuel shoved Eliza against Father’s rows of books, their hard covers stabbing into her back just as Samuel’s eyes stabbed into her chest. “If you do not marry me, not only will his house burn, but Thomas will as well.” Eliza’s blood escaped her face and she braced herself as the room twisted around her. “You wouldn’t.” Samuel’s eyes narrowed into small black slits. “I would.” Her bones wanted to crack under the weight of his words and her voice refused to work, but somehow she found her ability to speak. “If I find that you have done anything to him after we are married I will do everything in my power to leave you, make no mistake.” Samuel relaxed his numbing grip, a wicked laugh rumbling in his chest. “You can’t leave me, Eliza. Not after everything I’ve done for you.” “I can, and I will!” Samuel roared and without warning slapped her across the face, causing her to tumble sideways. She hit Father’s chair and landed in a rough heap on the floor. He rushed to her, panic lighting his features, as if it had been someone else who had struck her. “Eliza, I’m so sorry. I don’t know what came over me. Are you hurt?” A trickle of warm liquid ran down her cheek. He tried to touch her face, but she slapped his hand away. “Don’t you dare touch me.” His face drained of all color and he sputtered as he spoke, his voice quiet. “I’m so sorry, Eliza, I—” “Thomas would have never dreamed of hitting me, Samuel.” She straightened to her full height, breathing in deep heaves. “He lets me speak my mind and ask questions. He believes that what I think matters. He loves me!” Samuel lowered his brow and his tone rumbled in his chest as he shook her shoulders. “You will never speak of Thomas again. Today we will be married, and you will be mine forever and you will love me! As far as you are concerned, Thomas never existed.” The finality of his statement sluiced over her, causing her knees to buckle. She gripped the row of books behind her to steady her stance. “So be it, Samuel Martin,” she said, filling her voice with razors. “But know this, there is only one man that I will ever love—dead or alive. And it will never be you!
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
i drive 160 on the freeway in the hopes of a fiery escape my major x-mas wish and like everyone else i get shit life on a razor’s edge words that kill and guns that don’t
Scott C. Holstad (The Napalmed Soul)
I screamed a battle cry like a damn Viking warrior as I flung my palms out, aiming for the nightmare creature and sending blue and red fire to consume it on blazing wings. The Nymph shrieked as it burned before bursting apart, leaving a trail of black smoke hanging in the air where it had been. Diego’s eyes were wild with panic as he stared between the black smoke and me. “Shift!” I commanded, my voice unintentionally thick with Coercion as my worry for my friends compelled me to make sure they got to safety. Sofia’s eyes widened a moment before a pale pink Pegasus burst from the confines of her skin once more. I skidded to a halt in the mud beside her, reaching down to heave Diego back to his feet. He swayed unsteadily and I shoved him towards Sofia without wasting time on being gentle. “Climb on,” I said. “And fly as far from here as you can get!” I tried to turn away as Diego clambered onto her back but he caught my wrist. “Come with us, chica, it's not safe for you here either-” “I’m not leaving Darcy,” I replied dismissively, pulling my arm back. “But the two of you need to go.” Sofia flapped her sparkling wings as my Coercion gripped her and my heart twisted at the concern in their eyes. “Don’t worry about me,” I added as they took flight. I watched for a moment as they sped towards the sky then turned back to my hunt for Darcy. Darius roared behind me as his flames took out another Nymph but a second leapt around the blaze and onto his back. I sucked in a sharp breath, drawing on the well of power within me as I started running back towards him. Darius spun around, the razor sharp spines on his tail swiping within inches of my face as he tried to dislodge the creature but it clambered all the way up until it was lodged between his wings. He swung his head around, snapping at it as he tried to rip it off of him but he couldn’t twist his head into that position. The Nymph released its rattling breath and my knees buckled as it weakened me. I staggered forward, my hand landing on Darius’s front leg as I tried to steady myself. The Nymph shrieked excitedly and drove its probes into the flesh between Darius’s shoulder blades. A roar filled with pure agony escaped him and he fell forward onto his chest as pain wracked through his body. Where my hand still rested against him it was like I could feel that pain within myself. I felt like I was tearing in two, my soul ripping free of my body and the deepest sense of dread filled me. Darius swung his head around to look at me, one huge, golden eye reflecting back the image of a girl who was breaking in half. He snarled at me, striking his nose against my chest to knock me back a step. As I stumbled away from him, he struck me again, a deep growl echoing from his throat as he urged me to run. I stared at him in shock for a moment and he trembled as more pain tore through him. “So fucking bossy,” I snapped, shoving his big Dragon face aside as I moved closer to him instead. “You probably are stubborn enough to die here rather than let me help you.” Darius growled at me but I ignored him as I leapt up onto his leg and started climbing up the side of his big ass Dragon body. (tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Human felicity is produc'd not so much by great pieces of good fortune that seldom happen, as by little advantages that occur every day. Thus, if you teach a poor young man to shave himself, and keep his razor in order, you may contribute more to the happiness of his life than in giving him a thousand guineas. The money may be soon spent, the regret only remaining of having foolishly consumed it; but in the other case, he escapes the frequent vexation of waiting for barbers, and of their sometimes dirty fingers, offensive breaths, and dull razors; he shaves when most convenient to him, and enjoys daily the pleasure of its being done with a good instrument.
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
Every razor-winged butterfly that has ever haunted my stomach escapes as water pours from my eyes.
Jasmin Kaur (If I Tell You the Truth (When You Ask Me Where I'm Going, 2))
The heft of my sword.  The feel of its razor-sharp blade dragging across flesh and muscle.  The sight of life escaping him.  Nothing could have prepared me for it.  Nothing.
Jennifer Martucci (Remains of Urth: The Arena (Planet Urth, #7))
With Mariangela, it was always like a walk on the razor’s edge of desire and restraint, a pulse-pounding tango between the urges of confrontation and the quiet surrender of escape.
Leilac Leamas